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Showing posts with label chitheatre. Show all posts
Showing posts with label chitheatre. Show all posts

Wednesday, February 19, 2025

Sam Shepard’s A LIE OF THE MIND at Raven Theatre February 20 - March 22, 2025

ChiIL Live Shows On Our Radar

RAVEN THEATRE’S “A LIE OF THE MIND”

Production Runs February 20 - March 22, 2025

Running Time: Approximately 2 hours 20 minutes, with a 15 minute intermission


We're having a Sam Shepard moment here in Chicago and we're here for it. Check out A LIE OF THE MIND at Raven Theatre and FOOL FOR LOVE at Steppenwolf. 

Chicago’s Raven Theatre Company today released production images of Sam Shepard’s A LIE OF THE MIND, directed by Azar Kazemi. The show runs February 20 - March 22, 2025 on Raven Theatre’s stage at 6157 N. Clark St. Tickets ($45) on sale at www.raventheatre.com.

Photo credit: Jenn Udoni, Franco Images

The full moon over the highway. A pay phone call in the middle of the night. And a terrible act of violence that forever changes the trajectory of eight people’s lives. Sam Shepard’s A LIE OF THE MIND follows two families, connected by marriage, as they grapple with the pain and fear of loving and living. Famous for his imagery, language, and tour-de-force roles for actors, Shepard’s plays dig deep into the ideas of family, destiny, and American idealism. Raven’s production, directed by Azar Kazemi, deepens the questions at the heart of the play by layering an Immigrant story on top of the already searing critique of the American Dream at the heart of this American Classic.

Cast: Ian Maryfield (Jake), Gloria Imseih Petrelli (Beth), John Drea (Frankie), Arash Fakhrabadi (Mike), Jocelyn Maher (Sally), Meighan Gerachis* (Lorraine), Joan Nahid (Meg), Rom Barkhordar* (Baylor)

Production Team: Emma Burkey (Assistant Director), Martine Kei Green-Rogers (Dramaturg), Jean E. Compton* (Stage Manager), Lauren M. Nichols^ (Scenic Designer), Sally Dolembo^ (Costume Designer), Jamie Auer (Props Designer), Hannah Andruss (Makeup Designer), Liz Gomez (Lighting Designer), Thomas Dixon (Sound Designer), Ruby Lowe (Master Electrician), Catherine Miller (Casting Director), Lucy Whipp (Production Manager) 


Dates: February 20 - March 22, 2025

Schedule: Thursdays, Fridays, Saturdays at 7:30 p.m.; Sundays at 3 p.m.

Location: Raven Theatre (6157 N. Clark St.)

Tickets: General Admission: $45; Student, Military, and Industry tickets $20. Previews $30.

Box Office: www.raventheatre.com

* Member of Actors’ Equity Association, the union of professional actors and stage managers.

^ Member of USA 829, a labor and professional association of Designers, Artists, Craftspeople, and Department Coordinators.


ABOUT RAVEN THEATRE COMPANY

Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays, as well as its educational programming, Raven is committed to serving our communities’ needs through the arts. Raven Theatre Company is funded in part by The Gaylord and Dorothy Donnelley Foundation, JCCC Foundation, Paul M. Angell Foundation, Polk Bros Foundation, S&C Electric Company Fund, and The Shubert Foundation. This project is partially supported by a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events. This programming is partially supported by a grant from the Illinois Arts Council Agency. For more information visit www.raventheatre.com. 

THE GIFT THEATRE PRESENTS THE WORLD PREMIERE OF CYGNUS FEBRUARY 6 - MARCH 16 AT FILAMENT THEATRE

ChiIL Live Shows On Our Radar

THE GIFT THEATRE PRESENTS THE WORLD PREMIERE OF 

CYGNUS


WRITTEN BY MULTI-AWARD WINNER 

SUSAN SOON HE STANTON, WRITER AND PRODUCER OF HBO’S “SUCCESSION,” 

FEBRUARY 6 - MARCH 16 AT FILAMENT THEATRE 

The Mythic, Hilarious and Poetic New Play, is Directed by Co-Artistic Director Brittany Burch 

The Gift Theatre, is proud to present the world premiere of Cygnus, written by Susan Soon He Stanton and directed by Co-Artistic Director Brittany Burch, February 6 - March 16, at Filament Theater, 4041 N. Milwaukee Ave. The schedule includes preview performances on Thursday, Feb. 6 - Saturday, Feb. 8 at 7:30 p.m., Sunday, Feb. 9 at 3 p.m. and Thursday, Feb. 13 - Feb. 15 at 7:30 p.m. with the opening night, Sunday, Feb. 16 at 6 p.m. The performance schedule is Thursdays through Saturdays at 7:30 p.m. and Sundays at 3 p.m. The industry performance is Wednesday, Feb. 26 at 12 p.m., understudy performance is Monday, March 10 at 7:30 p.m. and the access performance is TBA.Tickets may be purchased at  TheGiftTheatre.org and start at $35 for general admission with $15 tickets for students and $20 for veterans. 

Cydney believes an angel rescued her from an ineffable trauma, and the truth may prove stranger than she imagines. In Cygnus, a mythic, hilarious, and poetic new play, a burnt feather may illuminate the possibility of a divine intervention.

“Cygnus is a modern-day fairytale that weaves fantasy into a very honest story of trauma and recovery," said Co-Artistic Director and Cygnus Director Brittany Burch. “Its themes of escapism as a defense mechanism and the co-dependent mother-daughter relationship immediately resonated with me, but I fell in love with Stanton’s use of dark humor, absurdism and Greek mythology to guide her richly layered characters through their search for meaning in life’s adversities.”

The cast of Cygnus includes Angela Morris (she/her, Cydney Hansen) and Jeff Kurysz (he/him, Jason) and Rengin Altay (she/her, Mama). The production team includes Brittany Burch* (she/her, director); Carol Ann “Cat” Tan (she/her, dramaturg); Sarah Luse* (she/her, stage manager); Joonhee Park  (she/her/they/them, scenic designer); Michael Huey (he/him, sound designer); Kotryna Hilko  (she/her, costume designer); Diane Fairchild (she/her, light designer and lighting supervisor); Saskia Bakker (she/her, props designer); Gaby Labotka  (she/her/they/them, fight and intimacy director); Jennifer Glasse* (she/her, co-artistic director/producing artistic director); Jennifer Aparicio (she/her, production manager) and David Preis* (he/him, technical director). 

* Connotes The Gift Theatre company member.


ABOUT SUSAN SOON HE STANTON, PLAYWRIGHT

Susan Soon He Stanton is a playwright, television writer and screenwriter originally from ‘Aiea, Hawai‘i and now living in New York and London. Her plays have been produced internationally and regionally across the United States: We, The Invisibles (Actors Theatre of Louisville Humana Festival); Today Is My Birthday (Page 73, Yale Repertory Theatre); Both Your Houses (ACT New Strands/ Crowded Fire); TAKARAZUKA!!! (Clubbed Thumb, East West Players, Oregon Shakespeare Festival Workshop); Cygnus (workshop: WP Theater Pipeline, Kilroys List); Solstice Party! (Live Source); The Things Are Against Us (Washington Ensemble Theatre); Moana, Jr (book) for Disney Theatrical Group, among others. Her reimagined Turandot, music by Puccini and Christopher Tin, will be produced by Washington National Opera in 2024. She has worked on all four seasons of HBO’s “Succession” as a writer/producer, for which she has received Emmy, Writers Guild of America and Peabody Awards.

ABOUT BRITTANY BURCH, DIRECTOR

Brittany Burch met Michael Patrick Thornton and Sheldon Patinkin at The School at Steppenwolf in 2010 and they cast her in her first Chicago production, The Gift Theatre’s The Lonesome West. She then joined The Gift ensemble in 2011, appearing in Northwest Highway, Absolute Hell, Oh The Humanity, Thinner Than Water, Royal Society of Antarctica, Good For Otto, Richard III, Unseen, Pilgrims and The Locusts. She became The Gift’s co-artistic director in 2022. Other Chicago credits include In Quietness at A Red Orchid Theatre; The Minutes by Tracy Letts at Steppenwolf and productions with Wildclaw, Lakeside Shakespeare, The Goodman and Redtwist Theatre. Regionally, she has worked with Portland Center Stage, Artists Repertory Theatre, ProfileTheatre (Portland, OR); Perseverance Theatre (Juneau, AK); Chautauqua Theatre Company (NY); The New Theatre (Kansas City). She received her BA at Willamette University and studied at the British American Drama Academy, Chautauqua Theatre Company and Dell’Arte International School of Physical Theatre. 


ABOUT THE GIFT THEATRE

Since 2001 and with more than 70 productions, The Gift Theatre has been dedicated to telling great stories onstage with honesty and simplicity. Its unwavering dedication to accessibility and intimacy as a professional equity theatre has garnered national recognition for both the company and ensemble. The Gift Theatre strives to push boundaries, broaden perspectives and ignite a cultural revolution on Chicago's northwest side. Please visit TheGiftTheatre.org for more information.

The Gift Theatre, is proud to present the world premiere of Cygnus, written by Susan Soon He Stanton and directed by Co-Artistic Director Brittany Burch, February 6 - March 16, at Filament Theater, 4041 N. Milwaukee Ave. The schedule includes preview performances on Thursday, Feb. 6 - Saturday, Feb. 8 at 7:30 p.m., Sunday, Feb. 9 at 3 p.m. and Thursday, Feb. 13 - Feb. 15 at 7:30 p.m. with the opening night, Sunday, Feb. 16 at 6 p.m. The performance schedule is Thursdays through Saturdays at 7:30 p.m. and Sundays at 3 p.m. The industry performance is Wednesday, Feb. 26 at 12 p.m., understudy performance is Monday, March 10 at 7:30 p.m. and the access performance is TBA.Tickets may be purchased at TheGiftTheatre.org and start at $35 for general admission with $15 tickets for students and $20 for veterans. 

Wednesday, February 12, 2025

THE FACTORY THEATER ANNOUNCES KITTY JAMES AND DESTINY’S TRAIL TO OREGON FEBRUARY 14 - MARCH 29, 2025

ChiIL Live Shows On Our Radar

THE FACTORY THEATER ANNOUNCES

KITTY JAMES AND DESTINY’S TRAIL TO OREGON

FEBRUARY 14 - MARCH 29 

WRITTEN BY FACTORY ARTISTIC ASSOCIATE PHIL CLAUDNIC

This Homage To Classic Adventure Films

is the Next Production of The Factory’s 30th Season

approximate runtime: one hour and thirty minutes

You have died of dysentery...  We played the Oregon Trail card game and early computer game back in the day, and can't wait to catch the musical version on stage at one of our favorite Chicago storefronts! 

We've adored The Factory Theater for years and here at ChiIL Live Shows we're particularly jazzed for Kitty James, since our son, Dugan Kenaz-Mara is Props Designer! We also know understudy Ben Jouras. I'll be out to review February 28th. Can't wait. Catch a preview this weekend for $15. Don't miss this! 

The Factory Theater, 1623 W. Howard St., is proud to announce the second production of their 30th season, Kitty James and Destiny’s Trail to Oregon, opening Friday, Feb. 21. The production runs through March 29 and was written by Phil Claudnic and directed by Jennifer Betancourt. 

Previews for Kitty James and Destiny’s Trail to Oregon are Friday, Feb. 14 and Saturday, Feb. 15 at 8 p.m. and Sunday, Feb. 16 at 3 p.m. Press opening will be Friday, Feb. 21 at 8 p.m. The regular performance schedule includes Friday and Saturday performances at 8 p.m., with Sunday matinees at 3 p.m. 

There will be additional Thursday performances March 20 and 27 at 8 p.m. An accessibility performance will occur on Sunday, March 9 at 3 p.m. An understudy performance will occur on Sunday, March 16 at 3 p.m.  Kitty James and Destiny’s Trail to Oregon has an approximate runtime of one hour and thirty minutes. Tickets are $30 and may be purchased through the box office by calling 312-275-5757 or by visiting TheFactoryTheater.com.

Kitty James, the Coffee Queen of Independence, MO, is heading west to find her fortune, but a mysterious medallion and an ancient prophecy may lead her down a different path in this hilarious homage to classic adventure films and text-based historical games.


Row 1 (L to R): Kim Boler, Vic Kuligoski, Danny Mulae and Tierra Matthews

Row 2 (L to R): Reginald Hemphill, Abbi Bryson, Christopher Ratliff and Donovan Lunches

Row 3 (L to R): Eric Frederickson, Johnny Moran, Mandy Walsh and Sydney Hanson

Row 4 (L to R): Benjamin Jouras, Michael Davis Arnold, David Wiesenhahn and Cara Juan

The Kitty James and Destiny’s Trail to Oregon cast includes Kim Boler~++ (Kitty James); Vic Kuligoski* + (Norris); Danny Mulae* + (Mangy Willy); Tierra Matthews* ++ (Dead); Reginald Hemphill + (Weight); Abbi Bryson ++ (Ursula); Christopher Ratliff + (Reginald); Donovan Lunches + (ensemble); Eric Frederickson∽ + (ensemble); Johnny Moran + (ensemble); Mandy Walsh ++ (ensemble); Sydney Hanson ++ (US Kitty/Weight); Benjamin Jouras + (US Reginald/ensemble); Michael Davis Arnold + (US Dead/ensemble); David Wiesenhahn + (Norris/Mangy Willy/ensemble US); and Leela Watts ++ (Ursula/ensemble US)

The Kitty James and Destiny’s Trail to Oregon creative team includes Timothy C Amos∽ + (production manager); Phil Claudnic∽ + (playwright); Jennifer Betancourt∽ ++ (director); Henry Bender* = (assistant director); Katie Oliver ++ (stage manager);  Ellie Humphrys* ^/+ (lighting designer); Hunter Cole ^ (set designer); Maureen Yasko ++ (fight/intimacy director); Isaac Mandel* + (sound designer); Antonia DiValentin ++ (costume designer); Kieran O'Connor + (technical director); and Dugan Kenaz-Mara + (props designer).

∽ denotes Factory Ensemble; * denotes Artistic Associate 

Pronoun Key: + (he/him/his); ++ (she/her/hers); ^ (they/them/theirs); = (any with respect)

 ABOUT PHIL CLAUDNIC, playwright

Phil Claudnic has been serving The Factory for 15 years. He has been a stage manager, production manager, operations manager, booking manager, and now is closing out his enure as the Executive Director.  He’s also done acting and writing for the company with Kitty James and Destiny’s Trail to Oregon marking his first full-length play written by Claudnic and produced by The Factory.

ABOUT JENNIFER BETANCOURT, playwright

Jennifer Betancourt is delighted to be an ensemble member with the Factory Theater. Factory stage credits include: The HoA, Xmas War: Endgame, Xmas War, Captain Steve’s Caring Kingdom, Fight City, and Born Ready, as well as a directorial debut at The Factory for The Factory Zone. When not at The Factory, she can be found baking pretentious bakes, doodling, recording her voice for posterity in audiobook form and setting small fires.

ABOUT THE FACTORY THEATER

For 30 years, The Factory has created its shows from scratch, doing exactly the kind of theater they wanted to do. From writing workshops to the closing night bash, Factory shows are a unique experience that fits its exacting standards: original, bold, and full-tilt. Its shameless ensemble is an ambassador of a good time, ensuring Chicago remains heartily entertained.

Tickets are $30 and may be purchased through the box office by calling 312-275-5757 or by visiting TheFactoryTheater.com

Thursday, February 6, 2025

The League of Chicago Theatres Celebrates Black History Month in Conjunction With Chicago Theatre Week 2025

ChiIL Live Shows On Our Radar

The League of Chicago Theatres shines a spotlight on 

Black History Month 

in conjunction with 

Chicago Theatre Week, February 6-16, 2025, 

and Chicago Theatre Week Continued, February 17-23, 2025.

 

The League of Chicago Theatres presents the first event in its Cultural Conversation Series. Join theatre leaders for a community conversation celebrating Black History Month at 6pm on Monday, February 17 at Definition Theatre, 1160 E 55th St, Chicago.

The League of Chicago Theatres’ Cultural Conversation Series intends to uplift theatres and artistic organizations who have a commitment to their communities and cultures. The program will engage industry leaders in thoughtful discission and showcase opportunities for attendees to get involved in their initiatives. The February Cultural Conversation will be moderated and curated by Definition Theatre Executive Director Neel McNeil. 

The following is a selection of work in Chicago available in February in celebration of Black History Month:

(*Those in red are shows we're reviewing here at ChiIL Live Shows and ChiIL Mama. We'll update with reviews as we see them.)

• First Lady of Song: Alexis J Roston sings Ella Fitzgerald (Metropolis Performing Arts Centre):

• We Always Bounce Black (The Second City)

• Debate: Baldwin v. Buckley (TimeLine) 

Recommended. ★★★ Three out of four stars. B Kenaz-Mara, ChiIL Live Shows

(Unique site specific debate that rings as true today, 60 years later. Truly a treat for architecture geeks, history buffs, and debate nerds alike. Not your typical night of theatre. Spot on for our political times and entirely captivating!)


• Fat Ham (Goodman)

Highly recommended. ★★★★ Four out of four stars. B Kenaz-Mara, ChiIL Live Shows

(This "Juicy" collab's so nice they extended it twice! FAT HAM is Goodman Theatre's co-production with Definition Theatre and an absolute must see. Now playing through March 9, 2025)

• 1619: The Journey of a People (3rd Dimension Performance Group)

• A Raisin in the Sun (Court)

• Policy: Running Numbers A Family Business (Harold Washington Cultural Center)

• The Promotion (MPAACT—Ma’at Production Association of Afrikan Centered Theatre)

• Big Black Comedy (The Den)


• Three Little Birds (Young People’s Theater)


Discounted tickets to many of the productions are available at ChicagoTheatreWeek.com and HotTix.org. Otherwise, tickets may be purchased through the respective theatre companies.  

Chicago Theatre Week (#CTW25), presented by the League of Chicago Theatres in participation with Choose Chicago, is an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets. Chicago Theatre Week is February 6-16, 2025. For the third consecutive year, HotTix.org will host Chicago Theatre Week Continued from February 17-23, 2025, which will extend Theatre Week discounts to participating productions for an additional week.

The value-priced CTW tickets will be $30, $15, or less. Tickets are on sale at ChicagoTheatreWeek.com .

Last year’s Chicago Theatre Week saw massive ticket sales with more than 18,000 tickets sold to 81 participating productions for more than 446 performances. 64 theaters participated in CTW 2024, with 29 neighborhoods and suburbs represented. The program continues to bring in new audiences to area theatres with approximately 58% of patrons visiting their chosen theatre for the first time. Chicago Theatre Week also raises the visibility of the theater industry, as evidenced by the 144,689 unique visitors to ChicagoTheatreWeek.com from the ticket onsale through the end of Theatre Week.

Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago. Subscribe to the Theatre Week email newsletter for updates and announcements. 

The official hashtag for Chicago Theatre Week 2025 is #CTW25.

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 7 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. For more information, visit www.chicagoplays.com. #ChiTheatre

The League of Chicago Theatres’ Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

About Choose Chicago

Choose Chicago is the official sales and marketing organization responsible for promoting Chicago as a global visitor and meetings destination, leveraging the city’s unmatched assets to ensure the economic vitality of the city and its member business community. 

Follow @choosechicago on Facebook, Instagram, and Twitter and tag #ChicaGOandKNOW. For more information, visit choosechicago.com. Support the theatre community this fall during Theater Season and explore more than 100 shows happening now through the end of the year at TheaterSeason.com.

The Second City Honors 65 Year Anniversary With $19.59 Tickets in Chicago, Toronto, and New York!

THE SECOND CITY CELEBRATES 65 YEARS OF LAUGHTER

 $19.59 Tickets For Select Shows Across All Three Cities 

Thursday night performances in each city will feature this special $19.59 ticket price through November 20, 2025.

In December 1959, The Second City opened its doors on a snowy Chicago night, igniting a comedic revolution that continues to transform improv and live sketch comedy today. For 65 years, this iconic institution has been the launch pad for countless comedy legends and remains a driving force in nurturing the next generation of comedy creators, leaving an indelible mark on the world of entertainment.

To honor this milestone, The Second City is hosting a yearlong celebration with specially priced $19.59 tickets to select shows in Chicago, Toronto, and New York. This offer pays tribute to its founding year while inviting audiences—old and new—to join in the laughter.

Chief Revenue & Operating Officer Parisa Jalili shared her thoughts on this momentous occasion: “For 65 years, our performers, staff, and audiences have built an unparalleled legacy of comedy and connection. This celebration is for everyone who has ever filled our theaters with laughter, and we look forward to welcoming even more comedy lovers into our community.”

Thursday night performances in each city will feature this special $19.59 ticket price through November 20, 2025. Don’t miss the chance to experience the hilarity of The Second City’s e.t.c. show in Chicago, the Mainstage show in Toronto, and the Mainstage show in New York at this anniversary price.

Celebrate with us and be part of this historic milestone! Tickets are available at each city’s box office or by visiting https://www.secondcity.com/celebrate-65-years-of-comedy.

About The Second City

The Second City opened its doors in 1959 as a small comedy cabaret and has since grown to become the world's most influential name in improvisation and comedy. Celebrating 65 years, The Second City's stages, Touring Companies, and Training Centers across North America have proudly been the launch pad and artistic home for many of the funniest performers, writers, directors, and comedic minds on the planet. 

For more information on The Second City, visit www.secondcity.com and follow The Second City on TikTok, Instagram, Facebook and Twitter.

Additional Performances of Betrayal and Fat Ham Extend the Run of Both Shows at Goodman Theatre

ChiIL Live Shows On Our Radar

HIGH DEMAND FOR TICKETS PROMPTS EXTENSIONS OF TWO GOODMAN PRODUCTIONS


***FAT HAM EXTENDS A SECOND TIME (THROUGH MARCH 9) AND SUSAN V. BOOTH’S MAJOR REVIVAL OF BETRAYAL, STARRING IAN BARFORD, HELEN HUNT AND ROBERT SEAN LEONARD, EXTENDS THROUGH MARCH 23***

The new year is off to a strong start on stage as Goodman Theatre announces additional performances for both of its current productions: Fat Ham in the 350-seat Owen Theatre—marking the second extension for Tyrone Phillips’ Chicago-premiere production of James Ijames’ Pulitzer Prize-winning play—and Susan V. Booth’s major revival of Betrayal in the 856-seat Albert Theatre. Dates and times for the extension week performances appear below. Betrayal, which begins performances this weekend, features Tony Award nominee and Outer Critics Circle Award winner Ian Barford as Robert, Oscar, Emmy and Golden Globe Award winner Helen Hunt as Emma and Tony Award winner Robert Sean Leonard as Jerry in Harold Pinter’s masterwork. Betrayal appears February 8 – March 23. 

I'll be out to review for ChiIL Live Shows on opening night, February 17th. Tickets ($40 - $175; subject to change) are available at GoodmanTheatre.org/Betrayal or by phone at 312.443.3800. 

The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor), Katten Muchin Rosenmann LLP and PAXXUS, Inc. (Corporate Sponsor Partners). 

Fat Ham, the “heartwarming, tension-filled and laugh-out-loud funny” (Daily Herald) reimagination of Shakespeare’s Hamlet directed by Tyrone Phillips adds five performances to its Chicago run with a second extension. Co-produced with Chicago’s famed Definition Theatre—of which Phillips is Founding Artistic Director and playwright James Ijames is a company member—Fat Ham tells the story of Juicy, a Black, queer young man who is confronted by the ghost of his father during a family barbeque. Seeking revenge for his murder, his father puts a screeching halt to Juicy’s quest for joy and liberation. Ijames’s reinvention of Shakespeare’s masterpiece features an all-Chicago cast: Trumane Alston (Juicy), Sheldon Brown, E. Faye Butler, Ronald L. Conner, Victor Musoni, Ireon Roach and Anji White. 

It was my great pleasure to catch opening night of Fat Ham, reviewing for ChiIL Live Shows. We've long been fans of Definition Theatre's excellent work and love this creative, high energy riff on Hamlet as a modern black barbecue. Don't miss this! 

(This "Juicy" collab's so nice they extended it twice! FAT HAM is Goodman Theatre's co-production with Definition Theatre and an absolute must see. Now playing through March 9, 2025)

Highly recommended. ★★★★ Four out of four stars. B Kenaz-Mara, ChiIL Live Shows

Fat Ham appears through March 9. Tickets ($35 - $85; subject to change) are available at GoodmanTheatre.org/Ham or by phone at 312.443.3800. 

Goodman Theatre is grateful for the support of ITW (Corporate Sponsor Partner), the Elizabeth Morse Charitable Trust (Lead Sponsor of IDEAA Programming) and the National Endowment for the Arts (Production Support).

FAT HAM EXTENSION WEEK SCHEDULE

-Thursday, March 6 at 7:30pm

-Friday, March 7 at 7:30pm

-Saturday, March 8 at 2pm

-Saturday, March 8 at 7:30pm

-Sunday, March 9 at 2pm


BETRAYAL EXTENSION WEEK SCHEDULE

-Tuesday, March 18 at 7:30pm 

-Wednesday, March 19 at 2pm 

-Wednesday, March 19 at 7:30pm 

-Thursday, March 20 at 7:30pm 

-Saturday, March 22 at 2pm and 7:30pm*

-Sunday, March 23 at 2pm and 7:30pm

*At these two performances, the role of Emma will be played by Cheyenne Casebier.


Full Company of Betrayal (in alphabetical order)

By Harold Pinter

Directed by Susan V. Booth


Ian Barford…Robert

Nico Grelli…Waiter

Helen Hunt…Emma

Robert Sean Leonard…Jerry

Understudies…Cheyenne Casebier, Michael Milligan and Jeff Parker.


Creative Team

Set Designer…..Neil Patel

Costume Designer ……Linda Roethke

Lighting Designer…..Xavier Pierce

Projection Designer….Rasean Davonté Johnson

Sound Designers and Composers….Michael Bodeen and Rob Milburn


Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Nikki Blue is the Production Stage Manager and Jennifer Gregory is the Stage Manager.


Full Company of Fat Ham (in alphabetical order)

By James Ijames

Directed by Tyrone Phillips


Trumane Alston…Juicy

Sheldon Brown…Larry

E. Faye Butler…Rabby

Ronald L. Conner…Rev/Pap

Victor Musoni…Tio

Ireon Roach…Opal

Anji White…Tedra

Understudies…Blake Hamilton Currie, Marquise De’Jahn, TayLar, Joseph Primes and Jazzy Rush.


Creative Team

Set Designer…..Arnel Sancianco

Costume Designer ……Jos N. Banks

Lighting Designer…..Jason Lynch

Sound Designer….. Willow James

Illusion Consultant…Benjamin Barnes

Fight and Intimacy…Gaby Labotka


Casting is by Lauren Port, CSA. Jared Bellot is the Dramaturg. Patrick Fries is the Production Stage Manager.


ABOUT DEFINITION THEATRE

Definition Theatre has been a vibrant force for over a decade, celebrating stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibilities found at the intersection of art, innovation, and education. Known for bold and impactful productions, we’ve brought to life plays by Oscar-winner Tarell Alvin McCraney, Pulitzer Prize-winners James Ijames and Jackie Sibblies Drury, and Tony Award-winner Branden Jacobs-Jenkins. We strive to promote equity, foster empathy, and enhance the quality of life for our community members by offering opportunities for creative, entrepreneurial, and cultural expression. Our work emphasizes collaboration in theater-making and raises awareness of career paths in the arts. In 2024, Definition leased and equipped a storefront space in Hyde Park, enabling us to engage artists and expand programs as we prepare for our permanent home in Woodlawn on the southside of Chicago. This new theater, community center, and business incubator will amplify and preserve BIPOC voices, promote social justice, and empower the next generation of artists, entrepreneurs, and changemakers to drive positive progress through the transformative power of the arts. Tyrone Phillips is the Artistic Director, Neel McNeill is the Executive Director, Willow James is the Civic Engagement Director.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Wednesday, January 29, 2025

LINCOLNSHIRE MARRIOTT RESORT CELEBRATES 50TH ANNIVERSARY WITH 5 SHOW THEMED POP-UP EXPERIENCES AT THREE EMBERS RESTAURANT

 LINCOLNSHIRE MARRIOTT RESORT KICKS OFF 50TH ANNIVERSARY, LAUNCHES ROTATING POP-UP EXPERIENCE IN THREE EMBERS RESTAURANT



Celebrating 50 years of Live Theatre, Fine Dining, and Hospitality Excellence in Chicago’s Lake County Since 1975

Three Embers Restaurant will become the site of 5 creative popup experiences themed to each stage production, with specialty crafted cocktails and menus

Marriott Theatre’s design team will create a magical themed environment Starting With Joseph and The Amazing Technicolor Dreamcoat, Feb. 5

I'll be out on February 26th, to experience Joseph’s Dream Grill Presented by Three Embers Restaurant, and then review Joseph and The Amazing Technicolor Dreamcoat for ChiIL Mama and ChiIL Live Shows. We adore a good show tie-in and can't wait to celebrate Lincolnshire Marriott Resort's 50th anniversary.

Lincolnshire Marriott Resort, Lake County’s most luxurious resort, officially kicks of its 50th anniversary by debuting an all new, rotating pop-up experience at its signature upscale dining destination, Three Embers Restaurant. This initiative will coincide with the 50th anniversary season at its award-winning Marriott Theatre. Each pop up will be an extension of the current stage production at the theatre, transporting guests to another realm while enjoying a themed food and beverage menu led by the culinary team at Three Embers Restaurant. The pop-up experience will kick off with Joseph’s Dream Grill Presented by Three Embers Restaurant to mirror Joseph and the Amazing Technicolor Dreamcoat at the Marriott Theatre, running February 5 through March 30. 

“Ever since March 26th,1975, the Marriott Lincolnshire Resort has been honored to host over 4 million guests, over 3,000 weddings, and play over 1 million games of golf on Crane’s Landing golf course, while the Marriott Theatre has presented over 250 mainstage productions and 100 Theatre for Young Audience productions. We continue to innovate and are elated to share this exciting new popup experience at Three Embers,” said General Manager Brad Lajoie. “This will allow not only our theatre guests to fully immerse themselves in this one-of-a-kind dining experience, but our hotel and local guests from the Lincolnshire area can also enjoy a unique and transformed space.”

Carefully crafted with the help of Marriott Theatre’s set design team alongside events company Ravenswood, Milo Bue Scenic Designs, and designer Anthony Churchill, the new popup experience titled Joseph’s Dream Grill will replicate the world of Joseph with stunning aesthetics bringing the restaurant to amazing technicolor life. Dreamy lanterns and a starlit framed screen will play immersive visuals for guests to dine back in time, with a special photo op for diners to commemorate their experience. Palm trees and brightly adorned fabrics will fill the restaurant, where guests can indulge in a specialty themed menu. Led by Chef de Cuisine Jonathon Silver, featured pre-fixe menu items will include the Nile Red Lentil Soup, with herb oil and micro cilantro; Joseph’s Beef Schwarma, with Roz Bel Shareya, tomatoes, cucumbers, onions, and tahini; along with a specialty “Fit for a King” raisin cake dessert. The pre-fixe menu will be served alongside Three Ember’s Main Menu that also has Joseph-themed dishes such as the Pharoah’s Memphis Style BBQ pizza and the Wood Fired Shrimp Creole.

The first of 5 popups to take shape this year, Joseph’s Dream Grill will be open five days a week, Tuesday through Saturday, from 5pm-9pm throughout the run of Joseph and the Amazing Technicolor Dreamcoat. To book your reservation at Joseph’s Dream Grill today, please visit www.threeembersrestaurant.com or call 847-634-0100. Follow Lincolnshire Marriott Resort @lshiremarriott on Instagram and @MarriottLincolnshireResort on Facebook to stay on top of all updates.

About Three Embers

Three Embers, the resort’s signature restaurant, celebrates proudly Midwest cuisine with simple, locally grown and sourced, farm-fresh ingredients, while integrating influential flavors from various regions throughout southern Europe. Local diners, hotel guests, and theater-goers can anticipate being welcomed by an intimate and innovative dining atmosphere headlined by a dramatic wood-burning grill placed prominently in the lakeside dining space. Outdoor seating is also available seasonally, on the Lakeside Plaza, with tranquil views overlooking the resort lake. Lead by Executive Chef Everardo Fajardo, Three Embers dishes are driven by passion, authenticity, heritage, and creativity, accompanied by local familiarity and lively flavor profiles to intrigue diners taste buds. And when available, many of Three Embers’ ingredients will be sourced from the resort’s on- site farm, greenhouse and apiary, as well as from local produce, livestock and dairy farms.


About the Lincolnshire Marriott Resort

Lincolnshire Marriott Resort is a welcoming resort in Illinois’ Lake County area for business retreats, family vacations, and romantic weekends. Just a short drive from downtown Chicago and O’Hare International Airport, the hotel features 390 guest rooms and suites as well as two unique restaurants – Three Embers and Wright’s Brew and Bistro, along with The Brew Lobby Bar and Starbucks, as well as a luxurious day spa, Life Salon and Spa. In addition to its 40,000 square feet of meeting and event space, the resort is also home to the highly acclaimed Marriott Theatre, which has been performing some of the region’s best live musical theatre for 50 years. Guests seeking recreation options have access to the resort’s public Ralph-Fazio designed PGA golf course Crane’s Landing, tennis center, and two pools. In addition, the Des Plaines River Trail runs alongside the resort, extending 37 miles to Wisconsin, making it an ideal setting for hiking, biking, and horseback riding.

Saturday, January 25, 2025

CHICAGO PREMIERE OF the american vicarious’ DEBATE: BALDWIN VS. BUCKLEY

ChiIL Live Shows On Our Radar 

TIMELINE THEATRE TO PRODUCE A SITE-SPECIFIC 

CHICAGO PREMIERE OF 

the american vicarious’ 

DEBATE: BALDWIN VS. BUCKLEY


ADAPTED AND DIRECTED BY CHRISTOPHER MCELROEN AND PRESENTED IN PARTNERSHIP WITH THE THEATRE SCHOOL AT DEPAUL UNIVERSITY

This imagining of the historic debate between James Baldwin and William F. Buckley Jr., on the occasion of the event’s 60th anniversary, will run January 29 - March 2, 2025 

at DePaul University’s Cortelyou Commons

Run time is approximately 90 minutes. There is no late seating.

TimeLine Theatre’s Chicago premiere of the american vicarious’ Debate: Baldwin vs. Buckley will run January 29-March 2, 2025 at DePaul University’s Cortelyou Commons, in partnership with The Theatre School at DePaul University.  TimeLine Theatre has long been a favorite of ours and I'll be out to review for ChiIL Live Shows on February 1st. 

The production features Teagle F. Bougere (left) as Baldwin and Eric T. Miller as Buckley. Credit: Christopher McElroen

“Is the American Dream at the expense of the American Negro?”

This was the topic on February 18, 1965, when an overflow crowd packed the Cambridge Union in Cambridge, England, to witness a historic televised debate between James Baldwin and William F. Buckley, Jr. Baldwin was the leading literary voice of the Civil Rights Movement in the 1960s, while Buckley Jr., was a fierce critic and America’s most influential conservative intellectual. Their historic clash revealed the deep roots and lasting legacy of racial conflict that continue to haunt America.

This winter, on the occasion of the 60th anniversary of their legendary duel, TimeLine Theatre Company will present the Chicago premiere of the american vicarious’ Debate: Baldwin vs. Buckley, adapted and directed by Christopher McElroen, January 29 - March 2, 2025.

Thanks to a unique partnership between TimeLine Theatre and The Theatre School at DePaul University, the Midwest’s leading theatre conservatory and the alma mater of TimeLine’s founders, the internationally acclaimed the american vicarious’ Debate: Baldwin vs. Buckley will be uniquely staged, not in a traditional theater, but in an immersive, site-specific production, tailor-made for Chicago and replicating the feeling of being in the Cambridge Union.


 Debate: Baldwin vs. Buckley features Teagle F. Bougere as Baldwin.

Credits: left: Ellie Kurttz; right: Valya Korabelnikova



Eric T. Miller plays Buckley in Debate: Baldwin vs. Buckley. Credit (both photos): Ellie Kurttz


Debate: Baldwin vs. Buckley will be presented at Cortelyou Commons, built in 1929, remodeled in 2006, located at 2324 N. Fremont St. on the DePaul campus in Chicago’s Lincoln Park neighborhood. Credit: DePaul University 

The entire five-week run of Debate: Baldwin vs. Buckley will be presented inside Cortelyou Commons, a historic student gathering space built in 1929 on DePaul’s Lincoln Park campus, an academic setting with a beautiful Gothic Collegiate design that replicates Cambridge Union, where the original debate was held. 

Once inside Cortelyou Commons, audiences will witness an epic confrontation that pitted Baldwin’s call for a moral revolution in race relations against Buckley’s unabashed elitism and implicit commitment to the status quo. 

“TimeLine is thrilled to produce this powerful theatrical experience in the immersive setting of the Cortelyou Commons. Partnering with the internationally acclaimed company, the american vicarious, and The Theatre School at DePaul University—alma mater to me and my fellow TimeLine co-founders—is an honor, as TimeLine continues a season of curated collaborations across Chicago while our new home in Uptown is under construction,” said TimeLine Artistic Director PJ Powers. “Following heralded productions in New York and London, we’re creating a unique, Chicago version of Debate: Baldwin vs. Buckley that will invite the audience into a space resembling the one in Cambridge where Baldwin and Buckley’s legendary clash of ideas occurred. Presenting this on the 60th anniversary of their debate will illuminate what progress has occurred in our country and what troubling comparisons still can be made with arguments from 1965.”

“The objective of the american vicarious in restaging this historic debate is not to inhabit such monumental figures as James Baldwin or William F. Buckley, their shoes are too large to fill,” said Christopher McElroen, Founding Artistic Director of the american vicarious. “Rather, our objective is to simply place their words, which still resonate 60 years later, within the voice of contemporary artists.”

“With Debate: Baldwin vs. Buckley, TimeLine will transform DePaul’s Cortelyou Commons into a unique and immersive space where powerful public discourse can take place,” said Mica Cole, Executive Director of TimeLine Theatre. “Scholars, activists and audiences will be able to experience a historic moment in race relations, then engage in a critical conversation about our present and future.”

Debate: Baldwin vs. Buckley features (from left) Teagle F. Bougere as Baldwin, Eric T. Miller as Buckley, with DePaul Theatre BFA students Jack Baust and Quintin Craig alternating as Mr. Jeremy Burford, and Alexander Perez and Aspen Schucker rotating as Mr. David Heycock. 

Original cast members Teagle F. Bougere (Baldwin) and Eric T. Miller (Buckley) will reprise their roles in Chicago, following critically acclaimed runs in New York City, London, and elsewhere.

Underscoring TimeLine’s connection with The Theatre School, the cast also showcases four student performers, all in their final year in DePaul’s BFA Acting program. Alexander Perez and Aspen Schucker will rotate performances as Mr. David Heycock of Pembroke College, the Cambridge University student who introduced Baldwin at the 1965 debate. Jack Baust and Quintin Craig will rotate as Mr. Jeremy Burford of Emmanuel College, who championed Buckley.

The production team includes Sally Dolembo (Co-Costume Designer), TimeLine Company Member Maren Robinson (Dramaturg) and Katrina Herrmann (Stage Manager). Understudies are Kevin Aoussou (Baldwin) and Joseff Stevenson (Buckley).

Not only will this unique, immersive Chicago theater experience honor the 60th anniversary of the historic Baldwin vs. Buckley debate, 2025 also marks the 100th anniversary of The Theatre School at DePaul University.

How fitting is it that, to kick off the school’s centennial, a team of DePaul theatre students will gain real-world professional experience as part of the Debate: Baldwin vs. Buckley production team, including Zachary Grasee (Co-Costume Designer), Bruno Díaz Miranda (Assistant Stage Manager), Edward Ambrose (Wardrobe Supervisor), and Ashly Demay, Katherine Schuert and Omari Sloan (Dramaturgs).

“We are so happy to have our current students and faculty work with our alumni on a production that ushers in the beginning of our centennial year of existence and also speaks to the importance of debate in an educational backdrop,” said Martine Kei Green-Rogers, Dean of The Theatre School at DePaul University.  

DEBATE: BALDWIN VS. BUCKLEY PERFORMANCE SCHEDULE

Debate: Baldwin vs. Buckley will be presented at DePaul University’s Cortelyou Commons, located at 2324 N. Fremont St., in Chicago’s Lincoln Park neighborhood.

Previews are Wednesday and Thursday, January 29 and 30 at 7:30 p.m. Press Opening is Friday, January 31 at 7:30 p.m. Regular performances continue through March 2: Wednesday, Thursday and Friday at 7:30 p.m.; Saturday at 4 p.m. and 8 p.m.; and Sunday at 2 p.m. Exceptions: There is an added performance on Tuesday, February 18 at 7:30 p.m. No show Wednesday, February 19. 

For details regarding free street parking, paid parking, convenient drop off, public transit and accessibility, visit timelinetheatre.com/venues/cortelyou-commons.

BUYING TICKETS

Single tickets to Debate: Baldwin vs. Buckley are on sale now, priced $40 - $75. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6. 

Preview tickets are $40. Single tickets to regular performances are $62 (all evening performances) and $75 (all matinee performances). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Ticket buyers ages 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Discounted rates for groups of 10 or more are also available. Visit timelinetheatre.com/discounts for more about available discounts.

Cortelyou Commons is accessible. Although seating for performances is general admission, accessible seats may be requested for patrons who need specific seating due to disability. If you require accessible seating, please let TimeLine know when placing your reservation how we may assist in finding the best seats to fit your needs.

SAVE WITH A TIMELINE THEATRE 2024-25 FLEXPASS

TimeLine Theatre's 2024-25 three-play season launched this fall with Falsettos, music and lyrics by William Finn, book by William Finn and James Lapine, produced in partnership with Court Theatre and directed by TimeLine Associate Artistic Director Nick Bowling. The production was a smash hit critically and at the box office, earned a one-week extension and was named to the Chicago Tribune's list of Top 10 Plays of 2024.

Following Debate: Baldwin vs. Buckley, TimeLine’s 2024-25 season concludes with the world premiere of Dhaba on Devon Avenue, a searing Chicago-set story of family, legacy, and survival at all costs by Madhuri Shekar, directed by Chay Yew, produced in partnership with Writers Theatre. Performances are June 19 - July 27 at Writers Theatre, 325 Tudor Court, Glencoe.

This remarkable season marks the launch of TimeLine’s next era. The company departed its longtime home on Wellington Avenue in Lakeview East this past summer and has moved to temporary administrative offices closer to Chicago’s Uptown neighborhood as it continues the process toward establishing its future home at 5035 N. Broadway Avenue.

Multiple 3-Admission and 2-Admission TimeLine FlexPass options, priced from $64 to $232, are now on sale. For more information and to purchase, call (773) 281-8463 x6 or visit timelinetheatre.com.

ACCESS PERFORMANCES

CAPTIONED PERFORMANCES: Open-captioned performances with a text display of words and sounds heard during performances are Friday, February 21 at 7:30 p.m., and Saturday, February 22 at 4 p.m. 

AUDIO-DESCRIBED PERFORMANCE: On Saturday, March 1, the 4 p.m. performance will feature narration about visual elements of the production around the dialogue, available for individual patrons via headphones.

DIRECTIONS AND PARKING

STREET PARKING: Limited street parking is free south of Cortelyou Commons on West Belden Avenue. Since Cortelyou Commons is on a college campus, there may be other events and traffic around the venue. Make sure to plan ahead if you intend on finding free street parking.

PARKING GARAGE: The nearest parking garage is the Sheffield Lot, 2331 N. Sheffield Avenue. The garage is open 24/7 and always has a cashier available to assist patrons as they exit. TimeLine staff will be able to provide a validation voucher to patrons. Please see TimeLine staff at the Cortelyou Commons for a voucher, which you will need to present to the garage’s cashier upon exit.

DROP OFF: If you are driving to Cortelyou Commons and dropping off a passenger, please note that the venue is not accessible from Fullerton Avenue. Instead, drive east along Belden Avenue from Sheffield. Turn left onto North Chalmers Place. Follows signage/one ways to the west to Fremont Street. You should be able to exit on Chalmers Place after drop-off.

PUBLIC TRANSPORTATION: Cortelyou Commons is accessible via CTA Red, Brown, and Purple lines via the Fullerton stop. The #74 Fullerton bus is nearby, as well as the #8 Halsted. The #22 Clark bus stops at Clark and Fullerton, about a 15 minute walk away. For more public transit options, please visit TransitChicago.com.

BIOGRAPHIES

Christopher McElroen (Adapter and Director) is the Founding Artistic Director of the american vicarious. Previously, he co-founded the Classical Theatre of Harlem, where from 1999 to 2009, he oversaw 41 productions yielding 18 AUDELCO Awards, six OBIE Awards, two Lucille Lortel Awards, and a Drama Desk Award. McElroen’s recent projects Debate: Baldwin vs. Buckley (2022) and Static Apnea (2020) were both listed as “Highbrow and Brilliant” in New York magazine’s Approval Matrix, and Broadwayworld said “the american vicarious is on my list of must-see theatre companies.” In collaboration with six-time Grammy Award nominee Gerald Clayton, McElroen developed and directed Piedmont Blues: A Search for Salvation, which was presented at Harlem Stage in June 2022. McElroen received a 2013 Helen Hayes Award for his direction of the world premiere stage adaptation of Ralph Ellison’s iconic novel Invisible Man. McElroen had the honor of directing 51st (dream) State, the final work of poet, musician, and activist Sekou Sundiata, which premiered at BAM’s Next Wave Festival. Alongside visual artist Paul Chan, actor Wendell Pierce, and Creative Time, he co-produced and directed Waiting for Godot in New Orleans, a year-long community development through the arts initiative in post-Katrina New Orleans. The archives from the production were acquired into the permanent collection of The Museum of Modern Art (MOMA). 


Teagle F. Bougere (James Baldwin) Broadway appearances include The Tempest (Caliban) with Patrick Stewart, directed by George C. Wolfe; A Raisin in the Sun (Asagai) with Phylicia Rashad and The Crucible (Judge Hawthorne), directed by Ivo van Hove. Selected television and film include Law and Order S.V.U. a.d.a. Phillip Baptiste (recurring); Queen America (series regular) with Catherine Zeta-Jones; The Blacklist; Bull; The Mist; The Path; Cosby; The Big C; The Job; A Gifted Man; Conviction, What The Deaf Man Heard; eight episodes for the various Law and Order franchises; A Night At The Museum; The Pelican Brief; Two Weeks Notice; and The Imposters. Selected Off-Broadway includes The New Englanders, Manhattan Theater Club (Audelco Award-Outstanding Lead Actor); Beast In The Jungle, Vineyard Theater, directed by Susan Stroman; Is God Is, Soho Rep; A Last Dance For Sybil by Ossie Davis, starring Ruby Dee, and Coriolanus at The New York Shakespeare Festival. Coriolanus was Bougere’s thirteenth appearance with the New York Shakespeare Festival Public Theater. Past turns at the festival include Plato in Socrates (with Michael Stuhlbarg); Caska in Julius Caesar; Eros in Antony and Cleopatra, directed by and starring Vanessa Redgrave; and Cymbeline, directed by Daniel Sullivan. Regionally Mr. Bougere created the title role in the world premiere stage adaptation of Ralph Ellison’s Invisible Man. The production was directed by Christopher McElroen and played Court Theater in Chicago, Studio Theater in Washington D.C., and Boston’s Huntington Theater.


Eric T. Miller (William F. Buckley Jr.) Theater credits include Mope (Ensemble Studio Theatre), rogerandtom (HERE), Sweet Storm (LAByrinth), (A)Loft Modulation (the american vicarious), Awake and Sing! and Ripcord (Huntington Theatre), Wink (TerraNova), Luft Gangster (Sheen Center), Safe Home (Royal Family Productions), Betrayed (Culture Project) as well as work at the Syracuse Stage, Bard Summerscape, New York Stage and Film, Rattlestick, PS 122, Workshop, and the Flea. Film and Television credits include Mare of Easttown, Separation, Jules, FBI: Most Wanted, Halston, The Good Fight, Blue Bloods, Chicago PD, Blacklist, Person of Interest, Elementary, The Unusuals, Kings, Law & Order, Shame, Reaching Home, The Waiting Room, Home, Tom’s Dilemma, AdFirm, Redemption in Cherry Springs, Josie & Jack, and the Oscar-nominated film Nyad. erictroymiller.com 




ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 28th season, TimeLine has presented 92 productions, including 14 world premieres and 42 Chicago premieres, and launched the Living History Education Program and TimeLine South summer arts program, which bring the company's mission to life for students in Chicago Public Schools and beyond. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 62 Jeff Awards, including an award for Outstanding Production 11 times.

The company recently departed its longtime home on Wellington Avenue and moved into new administrative offices at 5539 N. Broadway, Ste. B, a few blocks north of the site of its future new home, located at 5035 N. Broadway in Chicago’s Uptown neighborhood. Construction has begun on that site, where plans feature an intimate black box theater seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President Thaddeus J. Malik. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation donors providing season support via TimeLine’s Annual Fund include Abe and Ida Cooper Foundation, Bayless Family Foundation, CIBC U.S., Crown Family Philanthropies, Joseph & Bessie Feinberg Foundation, Illinois Department of Commerce & Economic Opportunity, Lloyd A. Fry Foundation, National Endowment for the Arts, Paul M. Angell Family Foundation, Polk Bros. Foundation, The Shubert Foundation, and Van Dam Charitable Foundation. TimeLine also acknowledges the support of a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events and a grant from the Illinois Arts Council Agency.

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre on all platforms). 


ABOUT THE THEATRE SCHOOL AT DEPAUL UNIVERSITY

The Theatre School at DePaul University, founded in 1925 as the Goodman School of Drama, is one of the nation’s oldest conservatory training institutions. With more than 15 undergraduate degree programs across three departments (design/technology, performance, and theatre studies), and two master’s degrees offered in acting and arts leadership, students combine rigorous coursework with continuous production practice to hone their skills. This hands-on approach develops students with practical problem-solving experience, not just in theatre, but in a variety of artistic and business pursuits. 100% of students receive a scholarship to help support artists from a variety of backgrounds and to encourage quality and accessible education to all. 

For more information, to donate, or to join The Theatre School’s mailing list, please visit theatre.depaul.edu or follow @theatreschooldepaul on Instagram.


ABOUT the american vicarious

the american vicarious is a New York City-based nonprofit producing company committed to generating creative content that crosses disciplinary boundaries and reflects on America’s ideals, realities, and the forces that unite and divide its people. Since its founding in 2018, the company has produced a wide variety of critically acclaimed, interdisciplinary works of art, including Fight for America!, a participatory gaming installation exploring the fragility of American democracy (New York City and London, 2025); the stage adaptation Debate: Baldwin vs. Buckley, premiering in New York City (2020, 2022) and subsequently in London, Cambridge, and Bristol (2023); two world premiere plays, Shooting Celebrities (2022) and (A)loft Modulation - a play with jazz (2019); the mixed-media jazz concert Piedmont Blues: A Search for Salvation (2020-22); two performance installations, Negative Liberty / Positive Liberty (2021) and Static Apnea (2020, The New York Times Critics Pick); and the documentary feature film Far From the Nile (2022, Best Non-Fiction Film Award, Cairo Film Festival). The programs of the american vicarious are supported by the New York State Council on the Arts, the New York City Department of Cultural Affairs, and generous individual donors. 

For more, visit theamericanvicarious.org.

Friday, January 24, 2025

REVIEW: Yael Rasooly's Edith and Me at 7th Chicago International Puppet Theater Festival

ChiIL Live Shows On Our Radar

Edith and Me

Yael Rasooly

Israel



Highly recommended. 
★★★★ Four out of four stars. Bonnie Kenaz-Mara, ChiIL Live Shows


We were blown away by Edith and Me. Yael Rasooly is an incredibly talented singer and puppeteer who mixes her own heart wrenching narrative with the songs and darkest moments of Edith Piaf's life. This account of assault and healing is such a powerful, personal, and entirely relatable journey. 


Even in our current "Me Too" era, victim blaming is still rampant. Instead of holding perpetrators (mostly men) accountable for sexual assault, non-consensual acts, and rape, woman (and some men, too) are stigmatized, traumatized, and silenced in life and then again by police and the court system, if they dare to speak out. This is particularly true if the perp is rich, powerful, and/or famous. This show is sadly all too topical, as we have seen this dynamic playing out with our felon-in-chief and his cadre of rapist apointees. 


The vast majority of women I know have been assaulted, most of them multiple times in ways small and large over the years. And the few who dared to press charges were mostly revictimized by the courts and recieved little to no justice or vindication. We deserve better for our daughters, sisters, friends, and selves! This behavior is a worldwide epidemic that thrives on silence and grows bold in the dark corners of our shame.
 
Edith and Me is an empowering tool for connection and commiseration. Isolation and blame are patriarchy's tools. But we are stronger together. Through art we can heal and reclaim our voices and power after a traumatic experience. This production is a vitally important, archtypal story, and a creative blueprint for healing. Yael Rasooly is a world class talent with the bravery and strength to speak truth to power. This show is one of the most inspiring productions I've ever seen. Stay for the talk-back at the end. It was nothing short of cathartic. 

Don't miss this. Edith and Me is truly phenomenal and an absolute must see!

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

The Biograph's Začek-McVay Mainstage, 2433 N. Lincoln Ave., Lincoln Park

Thursday, January 23 at 7:30 p.m.; Friday, January 24 at 7:30 p.m.; Saturday, January 25 at 8 p.m.

60 minutes

15 and up

Tickets: $35-$43

yael-rasooly.com

Based on a true story, Israeli vocalist, actress, puppeteer and director Yael Rasooly brings her virtuosic vocals and puppetry to share the struggle of a singer nearly silenced at the hands of political leaders, immobilized, and perhaps never to perform again. Yet she is not alone – the famous singer icon Edith Piaf is there to drag her out of bed and pull her back into life. 

Edith and Me is a one woman show doubling the power of French cabaret. Revel in the virtuosic talents of two exceptional, classically-trained, wildly entertaining artists: the world-celebrated Rasooly, with the incomparable accordionist, Iliya Magalnyk, originally from Moldova.

Edith and Me is one of more than 120 shows and special events that are part of the 7th Chicago International Puppet Theater Festival, January 15-26, 2025. The 2025 Chicago Puppet Fest is the largest event of its kind in North America, spanning 12 days and dozens of Chicago venues, presenting  an international pageant of puppet artists in all-ages spectacle shows in landmark theaters, intimate works on smaller stages, and late night puppet cabarets. Last year’s festival attracted nearly 20,000 fans of puppetry, a record, from Chicago and around the world. This year, see puppet artists from Canada, Chile, China, France, Germany, India, Israel, Italy, Norway, Puerto Rico, Poland, Scotland, South Africa, the U.S. and Chicago performing the full range of contemporary and traditional puppetry styles. 

For tickets and information, visit chicagopuppetfest.org, sign up for the festival’s e-news, and follow the festival on Facebook, Instagram or Vimeo, hashtag #ChiPuppetFest. 



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