Showing posts with label chitheatre. Show all posts
Showing posts with label chitheatre. Show all posts

Thursday, September 22, 2022

REVIEW: World Premiere of The HOA At The Factory Theater September 9 - October 20, 2022

 ChiIL Live Shows On Our Radar





Guest Review 
by Catherine Hellmann

“We have to devolve to evolve,” proclaims Syd, the President of the HOA and guru of health, therapy, and mindfulness. Syd seems the local expert on all matters in this odd close-knit community that is not what it seems. If a neighbor needs a handyman, Syd “knows a guy.” Yardwork? Syd has someone he can recommend. Need happy pills to get through daily living?? Syd is certainly your connection for that…  and apparently he’s providing for everyone. 

Cassie and Steve are a happily married couple who move to this strange new town after Steve lands an incredible promotion. Cassie loved her job developing pharmaceuticals, but she has stepped back on her own career momentarily while Steve settles in at his new position. He assures her that she doesn’t have to find employment if she doesn’t want to, they can afford their lifestyle without her job. But Cassie finds fulfillment through work. Strangely, all the other women in their subdivision are full-time homemakers, all of them having left successful careers behind, including Daphne who’d been a neurosurgeon. Huh?? Who walks away from being a neurosurgeon?? Things don’t make sense in this eerily Stepford-Wives World. 

The women are introduced as “belonging” to their husbands. “She belongs to Brent.” Hmmm… Every couple is in counseling. The women assume that Cassie’s big news is that she’s pregnant when she is about to announce she has found a new job; their enthusiasm is dimmed with the career advancement over the possibility of motherhood. It feels very retro, but not in a good way. Things are just…really “off.”   

Jennifer Betancourt as Cassie and Andrew Cawley as Steve really shine in their roles. I felt for Cassie as she begins to seriously question her marriage and her sanity. The large cast for this tiny space does a wonderful job. Even the scene changes got laughs as the fairy-like silly music prompted the actresses to wisk away furniture and props in an animated fashion.

Eric Frederickson as Syd has a great presence domineering all of the residents. He has to be larger than life for all of the influence he controls over his neighborhood association.

The set is awesome, and I love this theater. It’s impressive how such a big cast navigates the allotted room. The night I attended, I think the audience was comprised of the actors’ friends and family. While it is lovely to be supportive, the woman next to me acted like it was an interactive show. A character asked a question onstage, and she answered a response out loud.What the hell. It took all my self-control to not tell this woman to shut up…and I really credit the actress for not being thrown off in her performance. 

This is a great show in a truly Chicago-style storefront. Go support them. And---Be sure to wear your black spandex bike shorts. You’ll fit right in. 

Catherine Hellmann is a self-proclaimed “theater whore,” who teaches at a charter school where she can look at the Chagall mosaic during lunch. She loves that. She lives in Rogers Park, and the 49B bus driver is her new best friend.   

The Factory Theater, 1623 W. Howard St., is proud to announce the cast and creative team for the first production in its 28th season, the world premiere of The HOA, September 9 - October 20, written by Angelina Martinez and directed by Christy Arington. The new season begins with an The HOA Launch Party, Thursday, Aug. 11 from 7 - 10 p.m. Previews for The HOA are Friday, Sept. 9 and Saturday, Sept. 10 at 8 p.m. and Sunday, Sept. 11 at 3 p.m. We'll be out for the Press Opening Sept. 16th so check back shortly for our full review. The performance schedule is Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. Tickets for HOA are $25 and may be purchased through the Box Office by calling 866-811-4111 or by visiting

The HOA tells the story of two successful professionals, Cassie and Steve, moving to a new city after Steve receives a promotion. Their new neighbors seem nice, but it becomes clear to Cassie that something is really out of the ordinary. See what happens when a local couple finds their dream home in a neighborhood that’s not quite right.

The HOA cast includes Jennifer Betancourt~ (Cassie), Andrew Cawley (Steve), Moira Begale (Stephanie), Eric Frederickson✝ (Syd), Erin Stewart (Colleen), Ben Veatch (Brent), Devri Chism (Barb), Chase Wheaton-Werle~ (Max), Brittany Ellis (Maddie), Reginald Hemphill (Patrick), Ashley Yates~ (Daphne), TBD (Shawn), Sydney Back (Cassie U/S), Cooper Bohn (Steve U/S), Hilary Sanzel (Stephanie U/S), Daniel Vaughn (Syd U/S), Erika Rose (Colleen/Maddie U/S), Colin Jackson (Brent/Patrick U/S), April Lowery (Barb/Daphne U/S) and Ryan Blanchard (Max/Shawn U/S).

The HOA production team includes Angelina Martinez** (playwright), Christy Arington (director), Melissa Golden (associate director), Lindsey Chidester (stage manager), Rose Hamill (production manager), AJ Morely (set design and props), C.W. van Baale~  (master electrician), Pete Dully (lighting and projections design) and Jessica Van Winkle (costume design).

~ denotes Factory Ensemble

✝ denotes Factory Artistic Associate

**Denotes Factory Theater Ensemble Emeritus

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)


Angelina Martinez is a proud Factory emeritus member. In addition to playwriting, she has been an actor, director and set designer (not all at the same time) for several productions during her tenure with the company. She has also done these types of activities for other theater companies as well. She might possibly do any of these things again in the future. 


For more than 25 years, the Factory has created its shows from scratch, doing exactly the kind of theater they wanted to do. From writing workshops to the closing night bash, Factory shows are a unique experience that fits its exacting standards: original, bold, and full-tilt. Its shameless ensemble are ambassadors of a good time, making certain that Chicago remains heartily entertained.

The Factory Theater,1623 W. Howard St., begins its 28th season with the world premiere of The HOA, September 9 - October 20, written by Angelina Martinez and directed by Christy Arington. Previews are Friday, Sept. 9 and Saturday, Sept. 10 at 8 p.m. and Sunday, Sept. 11 at 3 p.m. The Press Opening is Friday, Sept. 16 at 8 p.m. and the performance schedule is Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. Tickets for The HOA  are $25 and may be purchased through the Box Office by calling 866-811-4111 or by visiting

Tuesday, September 20, 2022

REVIEW: Pulitzer Winning Playwright Lynn Nottage's Clyde's at Goodman Theatre Through October 9, 2022

In food and in life, we truly are all stronger together 

ChiIL Live Shows On Our Radar





Photo Credit for all: Liz Lauren


By Bonnie Kenaz-Mara

A battered, old-school diner sign hangs by a small window. As the lights dim, the window expands into a stage-wide trapezoid, rimmed in a pop of color, reminiscent of neon. The audience is treated to a fly on the wall view of a kitchen crew, made up of the formerly incarcerated. It's intriguing peering through the window into their fast paced workspace, as they reassemble their post prison lives, while assembling sandwiches at a truck stop dive. The boss woman, Clyde, is fierce and borderline abusive, with her own past history and sketchy overlords she's beholden to. She reigns over her queendom of the desperate with an iron fist, yet gives her workers a fair chance at a living wage and a second chance. Despite the odds stacked against these sandwich stackers, their tale is told with empathy, humor, and a full plate of the universal struggles of being human.

Much like this intrepid band of former inmates, two potted herbs flourish and grow in a beam of sun, despite the dismal surroundings. As the coworkers' hostility and defenses are broken down, friendships and even romance blooms. Preconceptions are blown apart as the kitchen staff slowly grows to trust one another and share glimpses into their current life situations, struggles, and backstories. It's heartbreaking to hear that prison came as a result of an innocent brother's altruistic gesture, the desperation of an uninsured mother with a sick child, and an all too human backlash at scabs taking away factory jobs during a strike. First impressions of racist tattoos and other surface looks are dispelled, as this motley band of humans bond and learn to trust again. 

I particularly loved the mouthwatering games of dream sandwich invention, showing creativity, intelligence, collective input, and a longing to improve on the present. In life lessons through lunch, the kitchen crew moves through trying too hard, taking risks, speaking up, trusting themselves, and finally collaboration. Ultimately, though each creates decent solo efforts, it's one final, collective sandwich that makes the magic happen. In food and in life, we truly are all stronger together. 

Shout out to Takeshi Kata for the playful set design with an oasis of a walk-in fridge that looks like a vacation destination, dynamic and appealing. I also love the brilliant pops of fire bookending the production's beginning and end. 

It's rare to see an understudy on opening night, but boss bitch, Danielle Davis nailed it as Clyde. De'Adre Aziza is currently out with a non-Covid-related illness. Davis has been standing in as Ms. Aziza’s understudy for the last five performances, and will continue playing Clyde until the principal fully recovers. Director Kate Whoriskey states “While we were met with the challenge of having to make the show without our principal actor, we want to celebrate the work of our understudy.”

Playwright and screenwriter, Lynn Nottage has long been one of our favorites. She is the first woman in history to win two well deserved Pulitzer Prizes for Drama. Her way with words and gritty, unwavering look at the working class wronged is always a treat to see on stage! Kudos to Goodman Theatre for holding space for these life experiences, and bringing together that unique amalgamation of talent and tech to make this storytelling shine! Highly recommended. Four out of four stars. ★★★★

Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist, and Mama. She owns two websites where she publishes frequently: (adult) & (family friendly). 

About Clyde’s 

A “flavor-bomb of a new comedy about survival, second chances and digesting whatever life serves up” (Variety), Clyde’s earned five Tony Award nominations in its Broadway run, directed by Ms. Nottage’s longtime creative collaborator, Kate Whoriskey. Creating the perfect sandwich is the shared quest of the formerly incarcerated kitchen staff of Clyde’s, a truck stop cafe. Even as the shop’s mischievous owner tries to keep them under her thumb, the staffers are given purpose and permission to dream—finding that “sometimes a hero is more than a sandwich” (New York Times). This stirring, masterful play kicks off Goodman Theatre’s new 2022/2023 Season.

Celebrated creative collaborators over two decades, Pulitzer Prize-winning playwright Lynn Nottage and director Kate Whoriskey return to Goodman Theatre with their latest Broadway production, Clyde’s, launching the Goodman’s 2022/2023 Season. The cast of the Chicago premiere features Tony Award-nominated actress De’Adre Aziza as the hot-tempered Clyde, whose eponymous truck stop café’s kitchen staff of formerly incarcerated people—Kevin Kenerly (Montrellous), Reza Salazar (Rafael), Nedra Snipes (Letitia) and Garrett Young (Jason)—dreams of creating the perfect sandwich. Clyde’s appears September 10 – October 9 in the 856-seat Albert Theatre.

Tickets ($25 –$80, subject to change) are now available at or by phone at 312-443-3800. 

The Goodman is grateful for the support of JP Morgan Chase & Co. (Lead Corporate Sponsor) and Winston & Strawn LLP (Corporate Sponsor Partner). Clyde’s is a co-production with Center Theatre Group in Los Angeles, where it will appear November 15 – December 18, 2022.

“I am beyond thrilled to be returning to the Goodman Theatre, which has been so instrumental in nurturing me a theater artist,” said playwright Lynn Nottage, whose works at the Goodman include Sweat (2019), By the Way, Meet Vera Stark (2013), Ruined (her Pulitzer Prize-winning world-premiere Goodman commission and co-production with Manhattan Theatre Club, 2008) and Crumbs from the Table of Joy (2006). “I can’t wait to share Clyde’s with the Chicago community, and with audiences in Los Angeles at Center Theatre Group later this fall.”

Director Kate Whoriskey, whose world-premiere collaborations with Ms. Nottage include Sweat (2015), Ruined (at the Goodman, 2008), Fabulation or The Re-Education of Undine (2004) and Intimate Apparel (2003) said, “I’m thrilled to work with Tony Award nominee De’Adre Aziza, Nedra Snipes and Garrett Young—as well as to continue developing this play with our original collaborators Reza Salazar and Kevin Kenerly.”

Chicago audiences are first to experience Clyde’s following its Broadway run, where it earned five Tony Award nominations and was critically hailed as a “delightful new play” (New York Times) with “feisty comedy on the menu” (Washington Post), a “winning recipe” (Deadline) with “brilliant writing” (Daily Beast), and a “flavor-bomb of a new comedy about survival, second chances and digesting whatever life serves up” (Variety).

“It’s enormously exciting to welcome audiences to our new season with a sensational new work from one of the Goodman’s most-produced playwrights,” said Robert Falls. “We’re also thrilled to welcome back Lynn’s longtime artistic partner, director Kate Whoriskey, and to collaborate with our friends at Los Angeles’ Center Theatre Group to extend the life of this wonderful production.”

Added Center Theatre Group Managing Director / CEO Meghan Pressman, “Clyde’s was a highlight of last year's Broadway season, and our partnership with Goodman Theatre allows us to bring this outstanding production to Los Angeles. Clyde's will be the second time we have produced Lynn's work in Los Angeles, and we are thrilled to bring this bold, engaging, and entertaining play to our audiences for its West Coast premiere.”

Understudies for this production include Danielle Davis (Clyde), Lewon Johns (Montrellous), Maya Vinice Prentiss (Letitia), Arik Vega (Rafael) and Gage Wallace (Jason). The creative team includes Takeshi Kata (Set Design); Jennifer Moeller (Costume Design); Christopher Akerlind (Lighting Design); Justin Ellington (Sound Design); and Justin Hicks (Composition). Casting is by Lauren Port, CSA and Rachael Jimenez, CSA, and Nikki Blue is the Production Stage Manager.

A playwright and a screenwriter, Lynn Nottage is the first woman in history to win two Pulitzer Prizes for Drama. Her plays have been produced widely in the United States and throughout the world. Chicago credits include Ruined (Goodman Theatre); Sweat (Goodman Theatre); By the Way, Meet Vera Stark (Goodman Theatre); Crumbs from the Table of Joy (Goodman Theatre; Steppenwolf) and Intimate Apparel (Steppenwolf). Broadway credits include her plays Clyde’s (2ST) and Sweat, and the libretto for the musical MJ. Other work includes the libretto for the opera Intimate Apparel (Lincoln Center Theater); co-curating the performance installation The Watering Hole (Signature Theater); the libretto for the musical adaptation of The Secret Life of Bees; as well as her plays Mlima's Tale; Fabulation, or the Re-Education of Undine; Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por’knockers and POOF!. She has also developed This is Reading, a performance installation in Reading, Pennsylvania. Ms. Nottage is the recipient of a MacArthur "Genius Grant" Fellowship, among other awards, is an associate professor at Columbia University School of the Arts and is a member of the Dramatists Guild.

Kate Whoriskey is a New York-based theater and opera director. On Broadway, she has directed Clyde’s, Sweat and The Miracle Worker. Off-Broadway credits include All the Natalie Portmans at MCC; Sweat, Manhatta and Ping Pong at The Public; Aubergine, Inked Baby and Fabulation at Playwrights Horizons; Her Requiem at Lincoln Center; How I Learned to Drive and Cardinal at Second Stage; Oroonoko at Theatre for a New Audience; and Ruined and Tales from Red Vienna at Manhattan Theatre Club. Regionally, she has worked at the Goodman, A.R.T, the Guthrie, the Huntington, the Geffen, South Coast Rep, Sundance Theatre Lab, New York Stage and Film among others. Internationally, her work has been seen at the Chatelet in Paris and Theatro Municipal Opera in Rio de Janeiro and Carriage Works in Sydney. She also directed Turn of the Screw at Mannis. Teaching experience includes Princeton, NYU and UC Davis. She was recently awarded Best Director from the Drama League for her production of Clyde’s.


Clyde………...............De’Adre Aziza 

Montrellous…………Kevin Kenerly 

Rafael…………………Reza Salazar

Letitia……………….. Nedra Snipes

Jason………………..Garrett Young

Understudies for this production include Danielle Davis (Clyde), Lewon Johns (Montrellous), Maya Vinice Prentiss (Letitia), Arik Vega (Rafael) and Gage Wallace (Jason).

Set Design by Takeshi Kata

Costume Design by Jennifer Moeller

Lighting Design by Christopher Akerlind

Sound Design by Justin Ellington

Composition by Justin Hicks

Casting is by Lauren Port, CSA and Rachael Jimenez, CSA. Nikki Blue is the Production Stage Manager.




Join your fellow theater-loving college students for pizza and a play! A $10 ticket for Clyde’s college night includes a pre-show reception with all-you-can-eat pizza, soda, and a discussion with a featured cast member.

Use code COLLEGE to unlock $10 tickets for this event.* 


Visit Goodman for more information about Goodman Theatre’s accessibility efforts.

Touch Tour and Audio-Described Performance: Saturday, October 8, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset. NOTE: Touch Tours for the 2022/2023 Season will not have access to the stage due to current health and safety protocols, but will feature alternate pre-show sensory introductions.

ASL-Interpreted: Friday, October 7 at 8pm – An American Sign Language interpreter signs the action/text as played.

Spanish Subtitles: Saturday October 8 at 8pm.

Open-Captioned: Sunday, October 9 at 2pm – An LED sign presents dialogue in sync with the performance.

Please note: Our current Health and Safety Protocols require masks while in the theater. These protocols are subject to change and patrons will be notified in advance of their performance of any shift in our policies. Review our current policy at


Center Theatre Group, one of the nation’s preeminent arts and cultural organizations, is Los Angeles’ leading nonprofit theatre company, which, under the leadership of Managing Director / CEO Meghan Pressman and Producing Director Douglas C. Baker, and in collaboration with the five Associate Artistic Directors, Luis Alfaro, Lindsay Allbaugh, Tyrone Davis, Neel Keller, Kelley Kirkpatrick, programs seasons at the 736-seat Mark Taper Forum and 1,600 to 2,100-seat Ahmanson Theatre at The Music Center in Downtown Los Angeles, and the 317-seat Kirk Douglas Theatre in Culver City. In addition to presenting and producing the broadest range of theatrical entertainment in the country, Center Theatre Group is one of the nation’s leading producers of ambitious new works through commissions and world premiere productions and a leader in interactive community engagement and education programs that reach across generations, demographics, and circumstance to serve Los Angeles.

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. The theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Today, Goodman Theatre is led by Artistic Director Robert Falls (Susan Booth will assume that role this fall) and Executive Director Roche Schulfer. Theater leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Craig McCaw is President of the Scenemakers Board for young professionals.

Thursday, September 8, 2022

OPENING: World Premiere of Enough to Let the Light In at Steppenwolf’s 1700 Theater September 21-October 23, 2022

ChiIL Live Shows On Our Radar




The performance is presented in English. Runtime is 85 minutes

Melissa DuPrey (left) and Lisandra Tena star in Teatro Vista's psychological thriller Enough to Let the Light In

Teatro Vista opens its 2022-23 season with Enough to Let the Light In, a world premiere drama about love, truth, and the ghosts that won't let us go by Mexican-American actor/playwright/ filmmaker/director Paloma Nozicka.

It’s co-presented at Steppenwolf’s 1700 Theater, September 21-October 23, 2022, as part of the 5th Destinos, Chicago International Latino Theater Festival. I'll be out for opening night, September 23rd, so check back soon for my full review. 

Enough to Let the Light In is a riveting psychological thriller about girlfriends Marc and Cynthia, who start an evening together celebrating a milestone. But the night quickly devolves into chaos as buried secrets are revealed and lives are irrevocably changed. 

(from left) Playwright Paloma Nozicka, director Georgette Verdin, and actors Melissa DuPrey and Lisandra Tena

Chicago’s own Melissa DuPrey, known for her role as Dr. Sara Ortiz on ABC’s Grey’s Anatomy, plays Marc. Lisandra Tena, who trained at the Theater School of DePaul and played Lola Guerrero on AMC’s Fear The Walking Dead, is Cynthia. Georgette Verdin directs.

“Enough to Let the Light In is a taut, poignant and startling exploration of love and loss,” said Verdin. “Audiences will experience one fateful evening in the lives of Marc and Cynthia, two women who are very much in love. But what happens when everything they thought they understood about each other gets thrown into question and their commitment is put through the ultimate test? Paloma’s play will have you leaning in and grasping for solid ground.” 

Nozicka, the playwright, elaborated, “Enough to Let the Light In is, at its core, a love story - albeit a different version than what we’re used to seeing onstage. I wanted to write something that features the characters that I want to see more of in theater - funny, complicated, deeply flawed women who are trying their best to deal with truly strange circumstances. My hope is that this play, and these characters, stay in people’s minds for a long, long time.”  

Teatro Vista’s production team includes Sotirios Livaditis (scenic design), Gregory Graham (costumes), Stefanie M. Senior (sound), Emma Deane (lights), Lonnae Hickman (props), Courtney Abbott (intimacy director), Adelina Feldman-Schultz (casting), Julie Jachym (production manager), Johnnie Schleyer (technical director) and Conchita Avitia (master electrician). Stage manager is Wendye Clarendon. Olivia Ellery is assistant stage manager. Covers are Gaby Moldovan and Sofia Tew. Lorena Diaz and Wendy Mateo are co-artistic directors of Teatro Vista. Cruz Gonzalez-Cadel is artistic producer. 

Previews of Enough to Let the Light In are Wednesday and Thursday, September 21 and 22 at 8 p.m. Press opening is Friday, September 23 at 8 p.m. Performances run through October 23: Thursdays and Fridays at 8 p.m.; Saturdays at 3 p.m. and 8 p.m.; and Sundays at 3 p.m.

Steppenwolf’s 1700 Theater is located at 1700 N. Halsted St., Chicago. Tickets, $25-$45, are on sale now at

Sign up for Teatro Vista’s e-newsletter at to receive first notice of new shows, episodes, and behind-the-scenes content, or follow Teatro Vista on Twitter, Facebook or Instagram. 

Teatro Vista’s Enough to Let the Light In doubles as the company’s entry in the 5th Destinos, Chicago International Latino Theater Festival. This year’s annual, city-wide event, produced by the Chicago Latino Theater Alliance (CLATA), will showcase top Latino theater artists and companies from Chicago, the U.S. and Latin America for five consecutive weeks, September 14-October 16, 2022. Visit to purchase tickets and see the full line-up.

Play Description: En Espanol

Una pareja disfruta una noche de celebración, pero rápidamente se convertirá en un caos a medida que algunos secretos vayan siendo revelados y sus vidas cambien para siempre. Enough to Let the Light In es un thriller psicológico sobre el amor, la verdad y los fantasmas que no nos abandonan.

This is a Teatro Vista Joint: In-person show discount opportunities

Student Nights: Thursday nights are Student Nights at Teatro Vista. Students with a valid student ID can get tickets at $15 with the code TVSTUDENT to every Thursday performance. (Please note: one ticket per student ID.)

Teatro For All: Teatro For All is a new initiative to offer affordable tickets to students, artists, seniors or anyone on a tight budget. Teatro For All tickets are available for every performance on a first come first served basis. We trust our community inherently and hope these tickets find the folks who need them most. If you need to access a Teatro For All priced ticket, please use code TEATROFORALL at checkout.

Group Tickets: Booking a group of 10 or more? Group rates are available. To check availability or other details, please send an email to

Covid-19 Policy: Enough to Let The Light In is co-presented at Steppenwolf 1700 Theater, which, at press time, requires patrons to wear masks. 

Enough to Let the Light In: Playwright, director and actor bios 

Paloma Nozicka (playwright) is a Mexican-American actor, writer and director. TV acting credits include recurring roles on The Red Line (CBS); Proven Innocent, Empire (FOX); Chicago Med, Chicago PD (NBC). She’s worked at some of the country's most prestigious theaters, including Geffen Playhouse, Goodman Theatre, and Steppenwolf Theatre. She's written several short plays, two short films, and currently has a feature film in development. Directing credits include her short film Each Lovely Thing (currently in festivals).

Georgette Verdin (director), is a Cuban-American director, arts educator and the current Michael Maggio Directing Fellow at Goodman Theatre. Since 2015, she has served as the Managing Artistic Director of Interrobang Theatre Project. Verdin is also a company member with Rivendell Theatre Ensemble. Select directing credits include Chagall in School (Grippo Stage Company at Theater Wit), Spay by Madison Fiedler (Rivendell Theatre), This Wide Night by Chloë Moss (Shattered Globe Theatre/Interrobang Theatre Project), Tribes by Nina Raine (Western Michigan University), the U.S. Premiere of Out of Love by Elinor Cook, as well as, Utility, the 2016 Yale Drama Series winner by Emily Schwend (Interrobang Theatre Project). Verdin holds a Bachelor of Arts in Theatre Performance from McNeese State University and a Master in Directing from the Chicago College of Performing Arts at Roosevelt University. Verdin received 3Arts Make-A-Wave grant in 2021 and is an associate member of Stage Directors and Choreographers Society.

Melissa DuPrey (Marc) is a multidisciplinary artist with roots from Humboldt Park, Chicago. After earning double Bachelor of the Arts degrees from the University of Houston, she returned to Chicago to join the all-Latina theatre company, Teatro Luna. Her one-woman show, SEXomedy (2012), was developed during their monthly series for women of color in the arts and received a Chicago Reader Recommendation, a Member's Pick, and had a successful debut Off-Broadway in New York. The popular show spurred a progressive sequel, SEXomedy 2.0, which debuted at Steppenwolf Theatre in April 2019. Her second solo show, SUSHI-frito, has also been critically acclaimed as part of MPAACT's Signature Series for solo artists. DuPrey is also a community organizer and spiritualist who also launched The Good Grief Project-an extension of the social justice component from her play GOOD GRIEF where communities of color are connected to local, accessible and multidisciplinary mental and spiritual wellness practitioners of color. In 2021, the New York-based new work development company, ARS NOVA, invited her to develop her fifth solo play, RISE OF THUNDERDOME, to a national digital audience. Her full-length play BRUJAJA was selected as part of 16th Street’s New Play Pop Up Reading Series for 2019 and received its world premiere in 2021 as a digital theatrical release produced by UrbanTheater Company. In 2014, she was selected as a new talent in the ABC Diversity Showcase in New York City. She has performed stand-up comedy in Chicago, New York, New Jersey, Philadelphia, and Los Angeles. She is a featured actor in the Emmy-nominated web-series Brown Girls and has many regional and non regional theater credits in Chicago. She is credited with playing “Dr. Sara Ortiz” on Grey's Anatomy (Season 17 and 18). Other TV credits include a recurring appearance on Empire (FOX), and guest appearances on The Resident (FOX), Chicago PD (NBC), and The Chi (Showtime). Film credits include: Relative (2022), Long Division (2022), Cherry (2020), Two in the Bush (2017), The Way We Speak (2014) and Bromance (2014). As a musician and active member of her community, she is dedicated to the preservation of Puerto Rican culture by way of the folkloric music, Bomba y Plena, with Africaribe and Las BomPleneras. She is currently an Ensemble Member at UrbanTheater Company and Artistic Associate at Sideshow Theater.

Lisandra Tena (Cynthia) graduated magna cum laude from the Theatre School at DePaul University. Stage credits include Mother Road (Goodman Theatre), Crime Scene: A Chicago Anthology (Collaboraction Theatre), Your Problem with Men (Los Angeles Theatre Center), and her self-written one-woman show, Güera (tour included Illinois, New Mexico, and Arizona). Tena has also appeared in numerous films, commercials, and voiceovers. She is best known for her role as Lola Guerrero on AMC’s Fear The Walking Dead. Other television credits include The Good Place, NCIS, Chicago PD and Good Trouble. She is currently based in Los Angeles. 

Coming Soon as part of Teatro Vista’s 2022-23 season

Teatro Vista’s season’s theme is “Shadow Work,” featuring two world premiere live productions and two exciting new digital works intended “to bring to light that which sits in the unconscious mind.”

(from left) Marvin Quijada, Sandra Márquez, Alice da Cunha

Next spring, Chicago will be hailing The Dream King, a silent musical by Teatro Vista ensemble member Marvin Quijada, co-directed by ensemble member Sandra Márquez and Alice da Cunha.

The Dream King is a story of a man who falls in love with the woman of his dreams while in his dreams. A story told using no words. An exploration of the psyche told through movement, circus, projections, puppetry, and a willingness to let go of what one thinks a play should be. Performance dates and venue are TBA.

Teatro Vista digital productions in 2022-23

(from left) Isaac Gómez, Monty Cole

Digital productions dropping this season are La Vuelta, an original Teatro Vista film exploring how our existence in the world has ripple effects beyond us, particularly in times of great crisis and isolation. La Vuelta is written by ensemble member Isaac Gómez, directed by Monty Cole, and devised by ensemble members Charín Álvarez, Cruz Gonzalez-Cadel, Ramón Ybarra, Eddie Torres, Sandra Marquez and Sandra Delgado.  

Gabriel Ruiz

In addition, look for season two of The Fifth World, a serial fiction podcast written by ensemble member Gabriel Ruiz.

Season one, voiced by an all-Teatro Vista ensemble cast, followed Sebastian Reyes as he arrived in the small desert town of Palomas, Arizona to make his name producing a true crime story about a missing child. But things weren’t always what they seemed in Palomas, and Seba found himself in a whole other world. called season one of Teatro Vista’s serial podcast “tense, suspenseful, horrifying, gorgeous, and evocative…a must-listen.” Season two will uncover even more mysteries and seal Seba’s fate in a riveting tale rooted in Aztec mythology, set in modern times and influenced by a pandemic.

Get ready by listening to season one of The Fifth World, available to stream for free via, Apple Podcasts and Spotify.

Enjoy Season 1, episodes 1 & 2 of The Fifth World. If you dare.

“At Teatro Vista, we believe the artists we collaborate with are inherently genius”

Teatro Vista Co-Artistic Directors Lorena Diaz (left) and Wendy Mateo

In a statement accompanying Teatro Vista’s season announcement, Co-Artistic Directors Lorena Diaz and Wendy Mateo wrote, “At Teatro Vista, we believe that the artists we collaborate with are inherently genius. These artists have not always been given the privilege to explore their work through different expressions in spaces where they see themselves reflected. As artists of color, we know what it means to be drawn into boxes we feel powerless to break out of. It is the work of our artists that defies the idea of what we have been known to produce as a Latine theater company and pushes us into greater depths of expression. Teatro Vista’s 2022-23 ‘Shadow Work’ season will explore what healing looks like and how humans are nurtured to fight against their dark unconscious, in a courageous search for the peace of mind of their inner light.”

Sign up for Teatro Vista’s e-newsletter at to receive first notice of new shows, episodes, and behind-the-scenes content, or follow Teatro Vista on Twitter, Facebook or Instagram. 

FEST ALERT: Destinos, 5th Chicago International Latino Theater Festival SEPTEMBER 14-OCTOBER 16, 2022

ChiIL Live Shows On Our Radar


Destinos, 5th Chicago International Latino Theater Festival will host (top, left) the U.S. premiere of Blanco Temblor by Puerto Rico’s Teatro Público, a play about mental health featuring Isel Rodríguez, September 29-October 2 at The Den Theatre. The Midwest premiere of Pequeños Territorios en Reconstrucción (top, right), a documentary about a group of Colombian women who built 98 houses with their own hands, from Mexico City’s Teatro Línea de Sombra, is co-presented by CLATA and Goodman Theatre, September 21-25. Mexican TV stars María del Carmen Félix (bottom, left) and Mariannela Cataño (middle) star in the world premiere of La Pájara de San Juan at the National Museum of Mexican Art, September 14-17. Latino favorite Flaco Navaja stars in UrbanTheater’s Midwest premiere of his first solo show Evolution of a Sonero, September 29-October 23. 

Destinos, 5th Chicago International Latino Theater Festival, Chicago’s annual citywide festival showcasing Latino theater artists and companies from Chicago, the U.S. and Latin America, returns September 14-October 16, 2022.

Destinos kicks off Chicago’s Hispanic Heritage Month with five weeks of Latino-centric shows, panels and student performances at downtown venues, neighborhood theaters, and cultural institutions throughout the Chicago area.

The full Destinos 2022 line-up – 13 amazing productions including six world premieres, four U.S. premieres and three Midwest premieres – is set and tickets to most productions are on sale at

Chicagoans and visitors alike are encouraged to get their tickets now to experience new, vibrant solo shows and large scale productions playing on Chicago’s top stages in September and October, each celebrating the Latino experience.

Visit to purchase tickets and for full show information. Sign up for CLATA’s weekly e-newsletter for first notice of festival events. Follow Destinos on Facebook, Instagram and Twitter, all at @latinotheater. 

Destinos is produced annually by the Chicago Latino Theater Alliance (CLATA), a transformative cultural engine helping drive the city’s local Latino theater community to a more prominent level, founded in 2016 by Myrna Salazar, the National Museum of Mexican Art (NMMA), the International Latino Cultural Center (ILCC), and the Puerto Rican Arts Alliance (PRAA). 

Chicagoans are still stunned by the recent loss of CLATA’s visionary leader, Myrna Salazar, who passed away suddenly on August 3.

“CLATA’s success would not have been possible without a visionary at the helm, a person with the tenacity and passion to bring Chicago’s Latino theater community to a level that had not yet been imagined,” wrote the CLATA staff in a program note dedicating this year’s Destinos to her memory. “Now, in her honor, CLATA is charged with the task of making sure her legacy forges ahead with the same unbridled zeal that Myrna brought to her beloved organization, the Destinos Festival, and her everyday life.” 

2022 festival highlights include three out-of-town productions from Mexico and Puerto Rico: 

The world premiere of La Pájara de San Juan, a Trump-era drama about two sisters, one documented, one not, on a fateful night in Chicago, starring Mexican TV stars María del Carmen Félix and Mariannela Cataño. It is written by Victor Salinas and Sergio Gezzi, and co-presented by CLATA and the National Museum of Mexican Art, September 14-17. Opens Wednesday, September 14 at 7:30 p.m.

The Midwest premiere of Pequeños Territorios en Reconstrucción, a documentary fable about a group of Colombian women who created the “League of Displaced Women” and built 98 houses with their own hands, from Mexico City’s Teatro Línea de Sombra, co-presented by CLATA and Goodman Theatre in the heart of Chicago’s Loop, September 21-25. Opens Wednesday, September 21 at 7:30 p.m.

The U.S. premiere of Blanco Temblor by Puerto Rico’s Teatro Público. This is a dramedy about mental health as told via the story of Marina del Mar, a doctor in quantum astrophysics, a Puerto Rican, bipolar, suicide survivor, with a disease from birth: she could not tremble. Performances are September 29-October 2 at The Den Theatre in Wicker Park. Opens Thursday, September 29 at 8 p.m.

You want new plays by Latino writers? Destinos will see diverse new works by Chicago’s top Latino companies and artists, including:

Las Migas by Colectivo El Pozo, a world premiere drama set on the roof of a Chicago skyscraper as an eerie red moon disrupts city life below, presented at Chess Live Theater in Bridgeport, September 15-October 2. Opens Thursday, September 15 at 8 p.m.

The U.S. premiere of Bruna la Bruja Bruta by Mexican playwright Tomás Urtusástegui, starring Teatro Tariakuri Artistic Director Karla Galván as a modern-day Latina bruja who flies into her theater’s Marquette Park storefront space to get a few things off her chest before Halloween. Performances are Saturdays and Sundays, September 17-October 16. Opens Saturday, September 17 at 8 p.m.

The U.S. debut of Tebas Land by Uruguayan playwright Sergio Blanco, inspired by the Oedipus myth, about a series of meetings in a prison basketball court between a playwright and a young parricide (a person who kills a parent or close relative), presented by CLATA with the National Museum of Mexican Art, at Chicago Dramatists, September 22-October 9. Opens Thursday, September 22 at 7:30 p.m.

The world premiere of Enough to Let the Light In, produced by Teatro Vista and co-presented with Steppenwolf Theatre Company. The playwright is Paloma Nozicka, a Mexican-American actor, writer, director and filmmaker, bred in Chicago, based in L.A. Her newest work introduces us to girlfriends Marc and Cynthia, who spend a night celebrating a milestone, but it quickly devolves into chaos as buried secrets are revealed and lives are irrevocably changed. Performances are September 21-October 23 at Steppenwolf’s 1700 Theater. Opens Friday, September 23 at 8 p.m.

Alma, an American Blues Theatre world premiere about a single mom who has single-handedly raised her daughter on tough love, home-cooked comida, and lots of prayers. But on the eve of her daughter’s SAT, she’s nowhere to be found. Alma, written by 2019 National Latinx Playwriting Award winner Benjamin Benne, runs September 22-October 22 at Rivendell Theatre Ensemble. Opens Wednesday and Thursday, September 28 and 29 at 7:30 p.m.

Poet, actor, singer and Latino favorite Flaco Navaja stars in his first full-length solo show Evolution of a Sonero, a Midwest premiere from UrbanTheater Company. With unabashed love for the Bronx, a gift for crafting memorable characters, and genuine good humor, Navaja and five top-notch musicians bring on the charm, the rhythm, and the soul essential to a Bronx Sonero. Don’t miss this fresh salsa epic about growing up, getting inspired, and staying on track. Performances are September 29-October 23. Opens Thursday, September 29 at 8 p.m.

The world premiere of BULL: a love story by Chicago playwright Nancy García Loza, about a Mexican American ex-con who returns to his old Chicago neighborhood, Lakeview, only to discover how much has moved on without him. BULL: a love story is a Paramount Theater BOLD Series production, October 5-November 20 at the new Copley Theatre in downtown Aurora, Illinois’ second largest city with a 40 percent Latino population. BULL also marks the first-ever expansion of Destinos into a Chicago suburb. Opens Wednesday and Thursday, October 12 and 13 at 7 p.m.

The midwest premiere of Sancocho by Visión Latino Theater Company, written by Christin Eve Cato, directed by Xavier M. Custodio. The play tells the story of two sisters, 25 years apart, who come together to discuss their father’s will while making a traditional sancocho stew that suddenly becomes peppered with revelations about their family history. Performances are October 8-30 at Windy City Playhouse. Opens Monday, October 10 at 7:30 p.m.

The U.S. premiere of Cintas de seda from Aguijón Theater in Chicago’s Belmont-Cragin/Hermosa neighborhood. Set on the eve of the Day of the Dead, this play by Norge Espinosa imagines a painter and nun coming together for an impossible dialogue with ghosts, hallucinations, and images of the past, October 13-November 20. Opens Friday, October 14 at 8 p.m.

The world premiere of The Wizards by Ricardo Gamboa, a supernatural thriller about a Brown and Black genderqueer couple who find a Quija board in their new Pilsen apartment that connects them to a ‘70s Mexican-American Motown cover band. The Wizards, co-produced by the Chicago Latino Theater Alliance at Pilsen’s historic APO Cultural Center, runs October 14-November 26.

About Destinos, 5th Chicago International Latino Theater Festival

Now entering its fifth year, Destinos is the signature program of the Chicago Latino Theater Alliance (CLATA), a transformative cultural engine helping drive the city’s local Latino theater community to a more prominent level. The organization’s goal is to create the country’s leading international Latino theater festival with an emphasis on showcasing Chicago Latino theater artists and companies. 

Visiting companies making their Destinos Festival debuts include Teatro Línea de Sombra (México), Teatro Público (Puerto Rico), and La Pájara de San Juan (Mexico/Washington D.C.). Participating Chicago Latino theaters are Aguijón Theater, Colectivo El Pozo, Concrete Content, Teatro Tariakuri, Teatro Vista, UrbanTheater Company and Visión Latino Theater Company. Presenting partners are Goodman Theatre, the National Museum of Mexican Art and Steppenwolf Theatre. Collaborating partners are American Blues Theater and Paramount Theater. Venue partners are APO Cultural Center, Chess Live Theater, Chicago Dramatists, The Den Theatre, Rivendell Theatre Ensemble and Windy City Playhouse. 

CLATA, which produces Destinos, was founded in 2016 as a non-profit 501(c)(3) organization by Myrna Salazar and Chicago’s three most prominent Latino arts organizations: the National Museum of Mexican Art (NMMA), the International Latino Cultural Center (ILCC), and the Puerto Rican Arts Alliance (PRAA). 

“In Spanish, the word ‘destinos’ has multiple meanings: destinies, destinations or fate,” explained CLATA’s late Executive Director Myrna Salazar, who passed away suddenly this past August, and to whom the 2022 festival is dedicated. “Destinos showcases Latino theater artists from Chicago, across the U.S. and Latin America to present engaging and thought-provoking stories that transcend boundaries, amplify Latino voices, and diversify Chicago stages to encourage cross-cultural conversation.” 

Additionally, CLATA continues to provide local groups ongoing organizational, marketing and financial support, and works diligently to create a permanent home for Chicago’s Latino theater artists. Ultimately, CLATA strives to underscore Chicago’s reputation as one of the most exciting and culturally diverse theater cities in the world.

CLATA gratefully acknowledges foundation support from the John D. and Catherine T. MacArthur Foundation, Paul M. Angell Family Foundation, Joyce Foundation, Ford Foundation, Walder Foundation, Driehaus Foundation, Bezos Family Foundation, Creative Reaction Lab, Gaylord and Dorothy Donnelly Foundation, Shubert Foundation, Chicago Community Trust, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, Illinois Arts Council Agency and National Endowment for the Arts. Supporting partners are Allstate, Choose Chicago, Xfinity, 3Arts, ComEd and Wintrust.

For more, visit or call (312) 631-3112.

Friday, September 2, 2022

World Premiere of Campaigns, Inc. Now Extended Through September 25, 2022 at TimeLine Theatre

 ChiIL Live Shows On Our Radar





Pictured (from top left): Campaigns, Inc. playwright Will Allan and director Nick Bowling. Tyler Meredith and Yuriy Sardarov star as Leone Baxter and Clem Whitaker, the co-founders of Campaigns, Inc. The cast also includes TimeLine Company Members Anish Jethmalani and David Parkes and TimeLine Associate Artist Terry Hamilton, plus Jacqueline Grandt, Matt Mueller, and Mark Ulrich. 

TimeLine Theatre Company returns to its longtime home at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood for its 26th season opener, the world premiere of Campaigns, Inc.

Written by TimeLine Company Member Will Allan and directed by TimeLine Associate Artistic Director Nick Bowling, Campaigns, Inc. is a timely, fast-paced, and funny screwball comedy about the serious power that persuasion, deceit, and perception hold in the U.S. electoral system. 

Campaigns, Inc. is a hysterical and jaw-dropping inside look at the underbelly of politics through the lens of two of the undeniable founders of “fake news,” Leone Baxter and Clem Whitaker. The year is 1934, and Baxter and Whitaker have just formed the first political consulting firm in U.S. history. Famous novelist Upton Sinclair is all but guaranteed to become the first Democratic governor of the state of California—until this young, unknown pair of consultants from the shadows of the challenger’s campaign attempt to take him down. As Republican nominee Frank Merriam and Sinclair battle it out in the spotlight—seeking endorsements from the likes of Charlie Chaplin and FDR—Baxter and Whitaker work behind-the-scenes to methodically construct one of the most spectacular, unbelievable, and star-studded political smear campaigns ever.

Campaigns, Inc. co-founders are played by Tyler Meredith (she/her), in her TimeLine debut as Leone Baxter, and Yuriy Sardarov (he/him) as Clem Whitaker. Chicago theatre fans will recall Sardarov performing in TimeLine’s memorable 2009 production of The History Boys before landing the role of Otis on NBC’s Chicago Fire.

The cast also features TimeLine Company Member Anish Jethmalani (he/him) as Upton Sinclair and David Parkes (he/him) as FDR/Louis B. Mayer/Douglas Fairbanks/others, and TimeLine Associate Artist Terry Hamilton (he/him) as Frank Merriam. Jacqueline Grandt (she/her) as Eleanor Roosevelt/Mary Pickford/others, Matt Mueller (he/him) as Charlie Chaplin, and Mark Ulrich (he/him) as George Hatfield complete the cast.

Performances now extended through September 25th, due to popular demand, at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood. For tickets and information, visit or call the TimeLine Box Office at (773) 281-8463 x6.



 Setting the Stage: CAMPAIGNS, INC.

"The number one thing? Vote. The number two thing? Come see my play." Watch playwright Will Allan set the stage for TimeLine Theatre's world premiere of Campaigns, Inc.

“Campaigns, Inc. is the story of America, or really, it’s the story of how screwed up our political system is,” said director Nick Bowling. “The true story of Baxter and Whitaker is the center of the play, but it is also about the right and left of America—the dirty dealings of politics that pushes those two groups further and further from each other. It’s about the power of winning and what people will do to achieve that.”

“I think my favorite response to this play is ‘wait … is that real?’ And while I have taken some dramatic liberties, a lot of it is very real. I also want people to laugh. The current political climate is so volatile that I wanted a play about politics that is fun to watch,” said playwright Will Allan. “Baxter and Whitaker are relatively unknown and they changed the game of politics forever, especially Leone Baxter, a woman being president of a company and accomplishing what she did in the 1930s, it is truly remarkable.” 

Campaigns, Inc. was developed through the same TimeLine Playwrights Collective that brought Tyla Abercrumbie’s break-out new play, Relentless, to its acclaimed world premiere run last season at TimeLine, followed by a transfer and extended sold-out run at Goodman Theatre.

TimeLine’s Playwrights Collective was launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission of presenting plays inspired by history that connect to today’s social and political issues. Campaigns, Inc. is now the third play developed through the Collective to receive a full production, after Relentless and Brett Neveu’s To Catch a Fish, which premiered at TimeLine in 2018.

TimeLine’s production team for Campaigns, Inc. includes Sydney Lynne (Scenic Designer, she/her), Sally Dolembo (Costume Designer, she/her), Jared Gooding (Lighting Designer, he/him), Forrest Gregor (Co-Sound Designer, he/him), Andrew Hansen (Co-Sound Designer, he/him), Rowen Doe (Properties Designer, they/them/), Anthony Churchill (Projections Designer, he/him), Katie Cordts (Co-Wig and Hair Designer she/her), Megan Pirtle (Co-Wig and Hair Designer and Associate Costume Designer, she/her), Sammi Grant (Dialect Director, she/her), Alka Nayyar (Associate Director, she/her), Maren Robinson (Dramaturg, she/her), and Miranda Anderson (Stage Manager, she/her).


Regular performances continue through September 25: Wednesdays and Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 4 p.m. and 8 p.m.; and Sundays at 2 p.m. Exceptions: No 4 p.m. performance Saturday August 13. Show time Sunday, August 21 is 4 p.m.


Single tickets to Campaigns, Inc. go on sale Wednesday, July 6 at or by calling the TimeLine Box Office at (773) 281-8463 x6.

Preview tickets are $25. Single tickets to regular performances start at $42 (Wednesday through Friday), $49 (Saturday evenings) and $57 (Saturday and Sunday matinees). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Discounted rates for groups of 10 or more are available. Ticket buyers age 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Visit for more about available discounts.


Campaigns, Inc. will take place at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood, near the corner of Wellington and Broadway, inside the former Wellington Avenue United Church of Christ building, now Chabad East Lakeview.

TimeLine is served by multiple CTA trains and buses. There are multiple paid parking options nearby, plus limited free and metered street parking. Visit for details and available discounts.


TimeLine’s schedule of post-show discussions, pre-show discussions, a Company Member discussion, and Sunday Scholars panel discussion, plus accessibility services such as distanced performances, captioned performances, and an audio-described performance, are still to be announced. Event dates and details will be posted on TimeLine’s website at once available.

TimeLine Theatre is accessible to people with disabilities. Two wheelchair lifts provide access from street level to the theatre space and to lower-level restrooms. Audience members using wheelchairs

or who need to avoid stairs, and others with special seating or accessibility needs should contact the TimeLine Box Office in advance to confirm arrangements.


Since returning to live performances in January 2022, TimeLine has been ensuring COVID-19 vaccination and mask requirements for audiences, artists, and staff. In general, protocols have required that patrons be masked and fully vaccinated with an FDA-authorized vaccine in order to attend. These protocols are subject to change as the pandemic evolves. For current information about TimeLine’s COVID-19 safety protocols, visit


TimeLine’s 2022-23 subscription season includes two more riveting plays that link past, present and future: a landmark classic that recently enjoyed a Tony Award-nominated production on Broadway, and another exciting world premiere from a Los Angeles-based playwright new to Chicago.

Trouble in Mind by Alice Childress, directed by TimeLine Company Member Ron OJ Parson, a scathingly funny backstage drama about interracial politics and the complex, difficult, and often emotional way people talk about race. Previews start November 2, 2022. Press Night is Wednesday, November 9 at 7:30 p.m. Performances run through December 18.

The world premiere of Boulevard of Bold Dreams by LaDarrion Williams, directed by Malkia Stampley, set on the night in 1940 that Hattie McDaniel made history at the Oscars, this is a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood. Previews start February 1, 2023. Press Night is Wednesday, February 8 at 7:30 p.m. Performances run through March 19.

Save on tickets to TimeLine’s 2022-23 season with a 3-Admission FlexPass Subscription. Four different tiers, priced from $74.50 to $178, are now on sale. For more information and to purchase, call (773) 281-8463 x6 or visit .

All three 2022-23 productions will be presented at TimeLine Theatre, 615 W. Wellington Avenue in Chicago’s Lakeview neighborhood. 


TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently launching its 26th season, TimeLine has presented 84 productions, including 11 world premieres and 39 Chicago premieres, and launched the Living History Education Program, which brings the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 58 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. In December 2018, TimeLine announced the purchase of property at 5033-35 North Broadway in Chicago’s Uptown neighborhood to be the site of its new home. Plans feature an intimate black box theatre seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more. TimeLine is working with HGA as architect for its new home project, which is expected to be completed in 2024.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Wardell Julius Clark, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation supporters of TimeLine Theatre include Paul M. Angell Family Foundation, Arts Consulting Group, Bayless Family Foundation, The Elizabeth F. Cheney Foundation, Abe and Ida Cooper Foundation, Crown Family Philanthropies, Joseph and Bessie Feinberg Foundation, Forum Fund, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, National Endowment for the Arts, Polk Bros. Foundation, Pritzker Traubert Foundation, The Shubert Foundation, United States Small Business Administration, and Walder Foundation.

For more information, visit or Facebook, Twitter, or Instagram (@TimeLineTheatre).



Will Allan (Playwright), a TimeLine Company Member and member of the 2017-18 Playwrights Collective, is a former Chicago-based actor and playwright who now resides in Los Angeles. His Chicago debut was as a member of the original cast of TimeLine's Chicago premiere of The History Boys (directed by Nick Bowling, Equity Jeff Awards—Production and Ensemble). Campaigns, Inc. is his first full-length play, and he is ecstatic that the place he got his start as an actor is the place he'll get his start as a professional playwright. During his decade in Chicago, he performed in numerous productions with Steppenwolf, Goodman, Chicago Shakespeare, Victory Gardens, Remy Bumppo, Theater Wit, and more. Regionally, he has performed with Milwaukee Repertory, Indiana Repertory, Cardinal Stage, and The Human Race Theatre Company. His film and TV acting credits include Awkwafina is Nora from Queens, Chicago Fire, Station 19, Chicago Justice, Runner, and the upcoming Netflix film Unfrosted: The Pop Tarts Story directed by Jerry Seinfeld. His first short film (as screenwriter, producer, and actor), Star Vehicle, will be making the festival rounds throughout 2022 and 2023. A native of Dayton, Ohio, Allan studied at Moscow Art Theatre School in Russia and earned his BA degree in Theatre Performance from North Central College in Naperville, Illinois.

Nick Bowling (Director) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre, where he has directed more than 30 productions. He is the recipient of eight Jeff Awards for Outstanding Direction (The History Boys, The Normal Heart, Fiorello!, This Happy Breed, and The Crucible at TimeLine, Ragtime at Marriott Theatre, Sondheim on Sondheim at Porchlight Music Theatre, and Another Part of the Forest at Eclipse Theatre) and also received Jeff Award nominations for Oslo, Blood and Gifts, The Farnsworth Invention, Hauptmann, and The Lion in Winter at TimeLine; Closer Than Ever at Porchlight Music Theatre; and City of Angels, The King and I, and Man of La Mancha at Marriott Theatre. Other recent credits at TimeLine include the Chicago premiere of J.T. Rogers’ Oslo at Broadway In Chicago’s Broadway Playhouse, Master Class, The Audience, A Disappearing Number, The Last Wife, and Blood and Gifts. Other Chicago credits include Marriott’s The Sound of Music, Oliver!, and The Bridges of Madison County, Paramount's A Christmas Story, Northwestern University’s Guys and Dolls and Cabaret, Porchlight’s A Catered Affair, Writers Theatre's Bach at Leipzig, and Shattered Globe Theatre's Time of the Cuckoo and Frozen Assets.

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