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Showing posts with label chitheatre. Show all posts
Showing posts with label chitheatre. Show all posts

Monday, October 6, 2025

THE HOUSE THAT WILL NOT STAND Via Invictus Theatre Company October 28 - December 14, 2025

ChiIL Live Shows On Our Radar
Cast and production team announced for 
THE HOUSE THAT WILL NOT STAND
October 28 - December 14, 2025

Aaron Reese Boseman to direct Marcus Gardley’s drama set in 1813 New Orleans



Invictus Theatre Company’s follow-up to its enormously successful production of ANGELS IN AMERICA will be THE HOUSE THAT WILL NOT STAND, by Marcus Gardley, a former playwright-in-residence at Chicago’s Victory Gardens Theatre. Company member and Jeff Award nominee, Aaron Reese Boseman, who previously directed Invictus’s productions of TOPDPOG/UNDERDOG (2024), THE MOUNTAINTOP (2023), and A RAISIN IN THE SUN (2020), will direct. Gardley’s drama, inspired by Federico Garcia Lorca’s THE HOUSE OF BERNARDA ALBA, is set in 1813 New Orleans, as the French-owned Louisiana Territory is about to be acquired by the United States, threatening the liberty of the free people of color residing on the land. A young woman skilled in the art of voodoo, and the appearance of a ghost, play into this story set during a very real, but little-known and disturbing chapter of United States history. 

THE HOUSE THAT WILL NOT STAND has been produced at some of North America’s most prestigious theaters, including Berkeley Rep, Yale Rep, the New York Theatre Workshop (where it won the Off-Broadway OBIE Award for Playwriting), and the Shaw Festival in Ontario, Canada. Invictus’ production will be the drama’s first professional Chicago production since it was staged at Victory Gardens Theater in 2016. Performances are at the Windy City Playhouse, 3014 W. Irving Park Road, Chicago. I'll be out for the press opening Monday, November 3rd, so check back soon after for my full review. 

Boseman announced his cast today. Appearing as Beartrice Albans, a free woman of color who struggles to maintain her daughters’ independence, will be Britt Edwards, a veteran of seven shows at Black Ensemble Theatre, where she has played such luminaries as Donna Summer, Sheila E, and Tina Turner. Agnès Albans, the strong-willed and sensual eldest daughter, will be played by Kaylah Marie Crosby, whose credits include performances with Steppenwolf, Writers Theatre, and Court Theatre. Cast as Maude Lynn Albans, Beartrice’s light-hearted middle daughter, is Sierra Coachman, who appeared in BENEATH THE WILLOW TREE for Pulse Theatre. Coachman has also performed at the Goodman, Court Theatre and Griffin Theatre, among others. Odette Albans, the youngest daughter, will be played by Aysia Slade, making her Chicago debut after many credits in Raleigh, North Carolina. Shenise Brown, a veteran of productions with Northlight Theatre, Black Ensemble Theatre, MPAACT, and others, will be Makeda — the Albans’ servant who is known for her wisdom and regal presence.

Playing La Veuve, a free woman of color who is Beartrice’s sworn enemy, will be Sandra Adjoumani. Adjoumani appeared in THE MAMALOGUES for Fleetwood-Jourdain Theatre and additionally has many credits with Yellow Rose Theatre and Second City Skybox. Marie Josephine, Beartrice’s clairvoyant sister, will be played by Jimiece Gilbert, who has appeared with such companies as ETA Creative Arts, Black Ensemble Theatre, and Invictus, where she understudied key roles in A RAISIN IN THE SUN and ‘NIGHT, MOTHER.

Longtime Chicago actor Ron Quade, whose recent appearances include THE INNOCENCE OF SEDUCTION with City Lit Theatre, will play Lazare, the father of Beartrice’s daughters. Bryan Nicholas Carter, who is just completing his role in GANGSTA BABY with Open Space Arts, will play The Man with the Bamboula. Understudies are Quenna Lené (u/s Beartrice, Marie Josephine), Sarah Driessen (u/s Agnés, Maude Lynn), Karli Scott (u/s Odette), LaTorious R. Givens (u/s Makeda, La Veuve), Ronald McDowell (u/s Man with the Bamboula), and Charles Askenaizer (Lazare).




Top Row (Left to Right): Sandra Adjoumani (La Veuve), Shenise Brown (Makeda), Bryan Nicholas Carter (Man with the Bamboula), Sierra Coachman (Maude Lynn)

Second Row Down from Top (Left to Right): Kaylah Marie Crosby (Agnés), Sarah Driessen (U/S-Agnés and Maude Lynn), Britt Edwards (Beartrice), Jimiece Gilbert (Marie Josephine)

Third Row Down from Top (Left to Right): LaTorious R. Givens (U/S- Makeda and La Veuve), Quenna Lené (U/S- Beartrice and Marie Josephine), Ronald McDowell (U/S-Man With The Bamboula), Ron Quade (Lazare)

Bottom Row (Left to Right): Karli Scott (U/S- Odette), Aysia Slade (Odette)


The production team that will recreate the beauty and romance of New Orleans of 1813 in the Windy City Playhouse will include Jeff Award winners Kevin Rolfs (Scenic Designer) and Petter Wahlbäck (Sound Designer); and Christie Chiles Twillie (Composer), Terrie Devine (Costume Designer), Anika Splettstoeszer (Wardrobe Supervisor), Levi J. Wilkins (Lighting Designer), Mark Brown (Production Electrician), Mariah Bennett (Properties Designer), Rueben Echoles (Wig, Hair, and Makeup Designer), Jessica Moore (Wig, Hair, and Makeup Assistant), Greg Geffrard (Violence and Intimacy), Susan Gosdick (Dialect Coach), Cliford St. Laurent (Dialect Consultant), Isis Elizabeth (Assistant Director and Movement), Anthony Doyle (Stage Manager), Laura Courtney (Assistant Stage Manager), Tom McNelis (Technical Director), and Becca Holloway (Casting Director). Invictus staff includes Charles Askenaizer (Artistic Director), Todd Henry Faulstich (Executive Producer), Mary Carroll Dougherty (Marketing Director), and Ana Schedler (Graphic Design).

Performances are Fridays, Saturdays and Mondays at 7:00 p.m., and Saturdays and Sundays at 1:00 p.m. (No performances November 28, 29 and 30). Tickets are $38.00 for Friday, Saturday, and Sunday performances and $25.00 for Monday performances (except opening night, Monday, November 3). Tickets are on sale now at https://www.invictustheatreco.com/house.

Production Details
October 28 – December 14, 2025
Previews: October 28 and 31 at 7 p.m., November 1 at 1 p.m. and 7 p.m., November 2 at 1 p.m.
Press Opening: Monday, November 3 at 7 p.m.
Closing: Sunday December 14 at 1 p.m.

Performances Fridays, Saturdays, Mondays at 7 p.m., Saturdays and Sundays at 1 p.m.
No performances November 28, 29 and 30 (Thanksgiving Weekend)
Performances at Windy City Playhouse, 3014 W. Irving Park Road, Chicago
Ticket prices: Previews $25. Mondays $25 (except Opening Night 11/3 is $38).

In early nineteenth-century New Orleans, widowed mother Beartrice struggles to manage her headstrong daughters after the death of her second husband. But as the matriarch takes her place as head of the household, a more ominous transfer of power transpires in the region. The French-owned Louisiana Territory is about to be acquired by the United States, threatening the liberty of the free people of color residing on the land. A gripping examination of intersecting captivities, THE HOUSE THAT WILL NOT STAND follows four women in mourning as they look ahead to an uncertain and haunting future.

BIOS

Aaron Reese Boseman (Director) is a Chicago native and a graduate of Columbia College Chicago with a Bachelor of Arts in Theatre Direction and Acting. He directed Invictus’s acclaimed productions of TOPDOG/UNDERDOG, THE MOUNTAINTOP, and A RAISIN IN THE SUN and is a Jeff Award, Black Excellence Award, and Black Theatre Alliance Award nominated theatre artist. He is also co-founder and Artistic Director of PULSE Theatre Chicago, where his directing credits include the world premiere of BENEATH THE WILLOW TREE by Isis Elizabeth, the Jeff Award Winning production of ONCE ON THIS ISLAND, IN THE BLOOD, THE COLORED MUSEUM, FABULATION, OR THE RE-EDUCATION OF UNDINE, and A STREETCAR NAMED DESIRE. Other directing credits include AMERICAN SON (Ghostlight Theatre), NETWORTH, ROOM FOR MORE (Film Series), FABULATION OR, THE RE-EDUCATION OF UNDINE, DETROIT '67 (Columbia College Chicago-Mainstage),THE MUSIC MAN (Metropolis Performing Arts) and FAIRVIEW (Theatre at Cedar Rapids), THE TIGER WHO WORE WHITE GLOVES (eta Creative Arts Foundation), THE LAST DAYS OF JUDAS ISCARIOT, S'KIN, THE PHILADELPHIA (Columbia College Chicago). Boseman is also an adjunct professor of Theatre at Columbia College Chicago.

Recent Acting Credits include BLUE HEAVEN (Black Ensemble Theater), RAGTIME (Metropolis Performing Arts), RUINED (Invictus Theatre), BIG RIVER (TATC), SHREK THE MUSICAL (Windy City Performs), IN THE HEIGHTS (The Miracle Center, Slate), VIOLET, BALM IN GILEAD (Griffin Theatre and Loyola University), GOLDEN BOY, DO RE MI (Porchlight Music Theatre), RENT (CCC), and LITTLE SHOP OF HORRORS (Skylight Music Theatre and Citadel Theatre).

Marcus Gardley (Playwright) is an acclaimed poet, playwright, and screenwriter whom THE NEW YORKER describes as “the heir to Garcia Lorca, Pirandello and Tennessee Williams.” His plays include THE HOUSE THAT WILL NOT STAND, which had its world premiere at Yale Rep in 2014, and for which he received the 2018 AUDELCO Award and the 2019 OBIE Award; X: OR, BETTY SHABAZZ V. THE NATION; BLACK ODYSSEY (2023 Drama Desk nomination); THE GOSPEL OF LOVING KINDNESS; EVERY TONGUE CONFESS; ON THE LEVEE, music and lyrics by Todd Almond (commissioned by Yale Rep); …AND JESUS MOONWALKS THE MISSISSIPPI; THE ROAD WEEPS, THE WELL RUNS DRY; and DANCE OF THE HOLY GHOSTS (Yale Rep world premiere, 2006).

Charles Askenaizer (Artistic Director) is the Founding Artistic Director of Invictus Theatre Company. He won the 2023 Jeff Award (Non-Equity Wing) for his direction of the company’s WHO'S AFRAID OF VIRGINIA WOOLF?, which also won Jeff Awards for Production of a Play, Scenic Design (Kevin Rolfs), and Performer in a Supporting Role – Play (Rachel Livingston). Other recent Invictus directing credits include: ANGELS IN AMERICA, THE WINTER’S TALE, NETWORK, THREE SISTERS, THE CRUCIBLE (Jeff Award Nominations-Director, Production), JULIUS CAESAR, HAMLET, 'NIGHT, MOTHER (Associate Director), THE MERCHANT OF VENICE, and OTHELLO: THE MOOR OF VENICE. Directing credits outside of Invictus include TITUS ANDRONICUS (Bare Knuckles Theater), JULIUS CAESAR (Associate Director- Brown Paper Box), THE TWO GENTLEMEN OF VERONA (Reutan Collective) and readings with Chicago Dramatists and Piccolo Theater. Since 2018, Charles has also directed several productions for Invictus's outreach programming in partnership with the Cook County Juvenile Justice System and Lawrence Hall. In 2024, Charles was named one of New City Magazine’s “Players 50 2024: The Rising Stars and Storefront Stalwarts.”



ABOUT INVICTUS THEATRE COMPANY


At Invictus Theatre Company, our mission is to create theatre that promotes a better understanding of language: its poetry, its rhythm, its resonance; through diverse works by diverse artists. We respect the power of heightened language: spoken, written, sung; to express the breadth of the human condition. We work to harness the power of language: to promote diversity, to engender respect, to foster collaboration; and to empower our communities to share their voices.

Invictus Theatre Company incorporated in January 2017 and received its 501(c)(3) nonprofit status in February 2017. A diverse group of Chicago actors and directors founded Invictus with the vision to empower their communities through theatrical productions of heightened language. We are committed to the idea that our productions should reflect the communities we represent, and, to that end, we are committed to non-discriminatory hiring practices. In working with local artists, designers, and production teams, Invictus Theatre Company does not discriminate on the basis of race, sex, sexual orientation, gender identity, ability, nationality, citizenship, religion, or any other status protected by law.

Invictus Theatre Company is generously supported by Michael and Mona Heath of The Heath Fund, The Paul M. Angell Family Foundation, Untouchable Times Tours, Inc., and the Illinois Arts Council

Friday, October 3, 2025

JEKYLL & HYDE Via Kokandy Productions at The Chopin Theatre October 9 – December 21, 2025

ChiIL Live Shows On Our Radar
Kokandy Productions Presents
JEKYLL & HYDE

October 9 – December 21, 2025 at The Chopin Theatre




Pictured (left to right) Emily McCormick, David Moreland and Ava Stovall in a publicity image
for Kokandy Productions’ production of Jekyll & Hyde. Photo by Collin Quinn Rice.


Just in time for Halloween, Kokandy Productions embraces gothic horror with a revival of Jekyll & Hyde – the first Chicago staging of the macabre musical in over 15 years. Directed by Producing Artistic Director Derek Van Barham with music direction by Nick Sula and choreography by Brenda Didier, Jekyll & Hyde will play October 9 – December 21, 2025 on the The Chopin Theatre Mainstage, 1543 W. Division St. in Chicago. I'll be ChiILin' with Chi, IL's Kokandy Productions on Halloween night, so check back shortly after for my full review. Here at ChiIL Live Shows, we've been covering Kokandy's fabulous productions since their inception in 2010 and they just get better every season! 

Featuring the full orchestration and a 15-piece orchestra, the epic and sweeping score takes the company to the Chopin Mainstage for the first time, creating a chilling chamber for this haunting tale. Tickets are on sale now at kokandyproductions.com or bit.ly/JekyllChicago
Based on the story by Robert Louis Stevenson, Jekyll & Hyde is conceived for the stage by Frank Wildhorn and Steve Cuden, with book and lyrics by Leslie Bricusse and music by Frank Wildhorn.

Audiences will be taken to the moral limit by David Moreland (Cruel Intentions, American Psycho) in the titular roles of Dr. Henry Jekyll and Mr. Edward Hyde. Ava Stovall (Alice by Heart) returns to Kokandy as Lucy Harris (the Red Rat's main attraction and Hyde's obsession) and Emily McCormick makes her Kokandy debut as Emma Carew (Jekyll's fiance). The trio will be joined by Nathan Calaranan (Sir Danvers Carew), Ismael Garcia (Lord Savage), Jon Parker Jackson (Bishop of Basingstoke), Quinn Kelch (Simon Stride), Quinn Rigg (General Lord Glossop), Gabby Sauceda-Koziol (Sir Archibold Proops) Quinn Simmons (Poole), Maiko Terazawa (Lady Beaconsfield) and Kevin Webb (Gabriel John Utterson).

Swings include Jeffrey Gougis Jr, Emily Ling Mei, Caitlin Preuss, Anna Seibert, Jaxson Smith and Kelan M. Smith.


About the Production:
An evocative tale of two men – one, a doctor, passionate and romantic; the other, a terrifying madman – and two women – one, beautiful and trusting; the other, beautiful and trusting only herself – both women in love with the same man and both unaware of his dark secret. A devoted man of science, Dr. Henry Jekyll is driven to find a chemical breakthrough that can solve some of mankind's most challenging medical dilemmas. Rebuffed by the powers that be, he decides to make himself the subject of his own experimental treatments, accidentally unleashing his inner demons along with the man that the world would come to know as Mr. Hyde.

Producing Artistic Director Derek Van Barham comments, “At the heart of Jekyll & Hyde is a question... and a dare: how far is too far, and are we willing to take the risk and find out? In spending our fall with this beloved gothic thriller, we're taking the dare, heading upstairs and going full swoon into penny dreadful pulp. With a 15-piece orchestra supporting our cast, the music will drive us to the edge, taunting and tantalizing us with a curiosity that is provocative, sexy and scary as hell. Do you dare?

Music Director Nick Sula adds, “We are so excited to explore the broad range and color of the full orchestration, to emphasize the theme of duality – powerful brass paired with agile woodwinds, bold synths and percussion contrasting the elegant string quartet – all accompanying the passionate ballads and the intimate duets, from the explosions of full ensemble chorus to the quiet intensity of personal revelations. With the largest orchestra in Kokandy history and a cast of powerhouse voices, this production is sure to be an unforgettable experience!”

The production team includes Sotirios Livaditis (Scenic Design), Rachel Sypniewski (Costume Design), G “Max” Maxin IV (Lighting Design), Matt Reich (Sound Design), Forrest Gregor (Associate Sound Design), Syd Genco (Make-up Design), Keith Ryan (Wig Design), Charlie Baker (Violence Director), Kirsten Baity (Intimacy Director), Shane Roberie (Casting Director), Nicholas Reinhart (Production Manager), Kendyl Meyer (Assistant Production Manager), Hannah Kwak (A1), Christine Burquest (A2), Shelby Burgus (Stage Manager) and Yasmeen Abiad (Assistant Stage Manager).



PRODUCTION DETAILS:

Conceived for the Stage by Frank Wildhorn & Steve Cuden

Book and Lyrics by Leslie Bricusse

Music by Frank Wildhorn

Based on the story by Robert Louis Stevenson

Directed by Derek Van Barham

Music Direction by Nick Sula

Choreography by Brenda Didier


Location: The Chopin Theatre Mainstage, 1543 W. Division St., Chicago

Dates: Previews: Thursday, October 9 – Friday, October 24, 2025

Press performance: Saturday, October 25 at 7 pm

Regular run: Sunday, October 26 – Sunday, December 21, 2025

Curtain Times: Thursdays, Fridays and Saturdays at 7 pm; Sundays at 5 pm. Please note: there will be an added performance on Wednesday, November 26 at 7 pm; there will not be a performance on Thursday, November 27 (Thanksgiving Day).

Tickets: Previews $25 general admission, $33 reserved seating. Regular run $45 general admission, $55 reserved seating. Students/Seniors $35. There will be a limited number of $15 tickets (with code ARTIST) available to artists for each performance. Tickets are on sale now at kokandyproductions.com or bit.ly/JekyllChicago.



About the Artists

Derek Van Barham (Director) is the Producing Artistic Director of Kokandy Productions. Directing credits include Children of Eden in Concert (Broadway In Chicago), Amélie, Into the Woods, Alice by Heart, Sweeney Todd, American Psycho, Head Over Heels (3 Jeff Awards and 2 Jeff nominations, Kokandy); Spring Awakening (Flint Rep); Rock of Ages (Metropolis); The View Upstairs (Circle Theatre); Miracle by Dan Savage, Poseidon (Hell in a Handbag); Carrie, Bat Boy, Merrily We Roll Along (CCPA/Roosevelt University). Choreography credits include Evil Dead (Jeff nomination), Coraline the Musical, Ghost Quartet and Shockheaded Peter (Black Button Eyes). He was previously named one of Windy City Times’ 30 Under 30, and one of Newcity Magazine’s 50 Players 2024. MFA: CCPA/Roosevelt University. IG: @dvbarham

Nick Sula (Music Director) is an award-winning pianist and music director, proud to return to Kokandy Productions and the Chopin Theatre where he served as music director for the Jeff Award-winning productions of Sweeney Todd (Jeff Award for Outstanding Music Direction), Into the Woods (Jeff Awards for Outstanding Music Direction and Orchestrations), as well as the Chicago Musical Theatre Festival. Other Chicago theatre music direction credits include: Anything Goes (Jeff nomination) with Porchlight Music Theatre; Ghost Quartet (Jeff nomination), Mary Rose, Nevermore, Amour and Coraline with Black Button Eyes Productions; Myths & Hymns, The Glorious Ones (Jeff nomination), Hello Again, La Cage aux Folles and Pippin with BoHo Theatre. As a professor of musical theatre he serves as a music director, instructor and vocal coach at the Chicago College of Performing Arts at Roosevelt University.

Brenda Didier (Choreographer) is thrilled to collaborate with Derek (DVB) for the first time and to return to Kokandy after choreographing Grand Hotel in 2018 (Jeff nomination). Direction and/or Choreography credits include work with: Chicago Shakespeare Theater, The Goodman, Marriott, Paramount, Porchlight Music Theatre, Mercury Theater, Theo and many others. Tour: Kenny Rogers Christmas Tour, Cirque Shanghai: Navy Pier Skyline Stage and productions in Atlantic City, Las Vegas and the New Victory Theatre in New York. Ms. Didier made her TV Choreography debut with T-Mobile's national holiday commercial "Home for the Holidays." She is a multiple Jeff Award recipient in both Direction and Choreography (Equity and Non-Equity wings) and Artistic Director/Founder of The Lincolnshire Academy of Dance, now in its 28th Season. "Thank you to Derek, Nick, Shane, Scot and our incredible cast, design team, band and crew! Thank you for supporting live theatre! Love to Mike, Mom, family and friends!”

About Kokandy Productions
Founded in 2010, Kokandy Productions seeks to leverage the heightened reality of musical theatre to tell complex and challenging stories, with a focus on contributing to the development of Chicago-based musical theatre artists, and raising the profile of Chicago's non-Equity musical theatre community.

The company's artistic staff is comprised of Derek Van Barham (Producing Artistic Director), Scot T. Kokandy (Executive Producer) and Adrian Abel Azevedo & Leda Hoffman (Artistic Associates). The Board of Directors includes Preston Cropp, Scot T. Kokandy, Danielle Sparklin and Katie Svaicer.


For additional information, visit www.kokandyproductions.com.



Thursday, September 18, 2025

World Premiere of Ghost Fetus Via Trap Door Theatre Now Playing Through September 27th, 2025

ChiIL Live Shows On Our Radar 
Trap Door Theatre’s Trap Open Series Presents

The World Premiere of

Ghost Fetus

Written by Suz Evans

Directed by Anna Klos

Now Playing Through September 27th, 2025

Trap Door Theatre is thrilled to open its 32nd season with a World Premiere presented with the Trap Open Series: Ghost Fetus, written by Chicago playwright Suz Evans and directed by Anna Klos. Ghost Fetus will play September 11th –27th, 2025 at Trap Door Theatre, 1655 W Cortland St. in Chicago. Tickets are now on sale at trapdoortheatre.com or by calling (773)-384-0494. 

The cast includes Jenn Geiger, Tia Pinson, Lolo Ramos, Gus Thomas, and Jacqui Touchet

A ghost seeking revenge. A church caught in its own contradictions. Two queer teens reckoning with faith, fear, and desire. Anna Klos and Suz Evans bring you a haunting, hilarious, and heartfelt piece like no other.

The production team includes Anna Klos (Director), Richard Norwood (Lighting Designer),Suz Evans (Set Designer), Emily Nichelson (Costume Designer), Anna Kosicki (Assistant Costume Designer), Laila Eskin (Sound Designer), Chels Morgan (Intimacy/Violence Director), Gabrielle Owens (Stage Manager), Laura Nelson (Marketing), Lo Miles

Cast (in alphabetical order): Jenn Geiger (Craig), Tia Pinson (Ghost Fetus), Lolo Ramos(Whitney), Gus Thomas (Aaron), and Jacqui Touchet (Sarah Jane).

Location: Trap Door Theatre, 1655 W. Cortland St. Chicago, IL 60622

Dates: Regular Run: Thursday, September 11th –Saturday, September 27th, 2025

Curtain Times: Thursdays, Fridays, and Saturdays at 8:00 pm.

Tickets: $22. Tickets are currently available at https://www.ticketleap.events/tickets/trapdoor/ghost-fetus or by calling (773) 384-0494.

Group tickets: Special group rates are available. For information, call (773) 384-0494 or email boxofficetrapdoor@gmail.com.

Plan your visit: Free street parking is available.

Buses: #9 (Ashland), #50 (Damen), #72 (North), #73 (Armitage).

Metra: Clybourn metra stop.

Accessibility:

Trap Door Theatre is wheelchair accessible.


About the Artists:

Suz Evans (Playwright) (they/them) (b Cincinnati 1990) is a playwright, set designer and visual artist with a background in printmaking and performance art. Their work delves into questions about identity, hierarchy, cultural deviance, relationships and grief. Evans has a BFA in printmaking and art history from Montserrat College of Art (2013). They have shown visual work at the Lily Pad (Cambridge MA), the Crane Estate of Ipswich (MA), SOWA open studios (Boston), the Boston Printmakers Biennial, Roots and Culture and Archer Beach House (Chicago) and unofficially made live work at places such as the Cincinnati Art Museum, Boston Museum of Fine Arts, Mass MoCa, and Smith College Museum of Art.

Their first script, Childhood Beauty, was produced at Trap Door Theatre in 2019. In 2021 they wrote for adevised work at Trick Lock Theater (Albuquerque). Evans designed the set for Antigonik, directed at Trap Door by Anna Klos in 2024. Their puppetry work has also been performed at several YUCK! shows in Chicago in collaboration with Klos. 

Evans is committed to making work that examines their own childhood of fundamental Christian upbringing. Whether it’s deep dives into the impacts of pro-life ideology or obsessions with cultural moments such as Jane Fonda Workout videos, their plays are all in consideration of understanding what got us to the present. Ghost Fetus was written a year before Roe v.Wade was overturned by the Supreme Court. As Evans creates work about a life that feels far removed from a progressive city like Chicago we are reminded that ideas of the body, the reproduction system, and societal control are strongly rooted in our American culture.

Anna Klos (Director) (they/them) has worked with Trap Door for the last five seasons, and during thattime they have explored a myriad of projects, including: Antigonick (Director), The Ugly One (Assistant Director), Trap Door's 25/25 (Event Manager), Old Woman Broods (Actor), and Monsieur D'Eon is a Woman, The White Plague, Lipstick Lobotomy, Queen C, Decomposed Theater, The Martyrdom of PeterOhey (Chicago run and New York tour), Jeanne et le Feu, and Bowie in Warsaw (Stage Manager). Anna is grateful for clowns, their Trap family, and their partner, Suz.

About the Trap Open Series

The Trap Open Series explores non-traditional forms of playmaking, while developing and giving voice to the next generation of groundbreaking theater artists. In keeping with the promise to foster innovative forms of expression, Trap Door opens up its space to company members, as well as guest artists, to develop new work that exists outside the realm of a traditional theatrical run. These performances occur sporadically throughout the prime-time season as additional offerings during the week and late nights. Whether it is a workshop of a bold new play, a daylong performance installation, or a collaboration with artists from other mediums, Trap Open offers audiences thrilling, unexpected experiences while granting artists the opportunity to take risks that push their artistic practices to new heights.

About Trap Door Theatre

Trap Door Theatre is committed to seeking out challenging and obscure works. Whether a forgotten European classic, an international project rarely seen in the United States, or an untarnished piece of American literature, Trap Door seeks diverse voices and presents them through innovative expression. We mix established and imaginative techniques to illustrate theabsurdities of living in today’s society.

Trap Door Theatre is funded in part by The Paul M Angell Family Foundation, The CliffDwellers Foundation, The Illinois Arts Council Agency, The Gaylord and Dorothy Donnelley Foundation, The John R Halligan Charitable Fund, The Reva and David Logan Foundation, and the generosity of individual donors.

For additional information, visit trapdoortheatre.com

TWIHARD! A Twilight Musical Parody Announces Final Extension Through Nov. 9, 2025

ChiIL Live Shows On Our Radar

TWIHARD! A TWILIGHT MUSICAL PARODY 

SINKS ITS TEETH INTO FINAL EXTENSION WITH PERFORMANCES NOW ON SALE THROUGH SUNDAY, NOV. 9

Tickets On Sale Now at www.TwihardTheMusical.com, Just in Time for Spooky Season

TWIHARD! A Twilight Musical Parody, the smash hit original musical from Otherworld Theatre Company that was called “super funny” by WBEZ’s Mike Davis, today announced that performances will extend through Sunday, Nov. 9 at Chicago’s Apollo Theater (2550 N Lincoln Ave), with tickets for the entirety of the run on sale now at www.TwihardTheMusical.com.

Hailed as “too much fun” with a “surprising amount of heart” by Chicago Tribune, TWIHARD! reimagines the beloved Twilight saga with irreverent humor and showstopping original music. Written and directed by Tiffany Keane Schaefer with music by Brian Rasmussen, TWIHARD! “goes hard” (Chicago Reader), with Entertaining Chicago calling it “the musical you never knew you needed in your life.”

The cast, called “superb” by Around the Town Chicago, includes Rachel Arianna, Peter Stielstra, Aliyah Necaise, Allie Grace Ember, Trey Plutnicki, Maxwell Peters, Kyra Young, Ryan Wagner, Hannah Decker, Cris Moreno, Stephanie Boyd, Ginny Weant, Jacob Watson, Mason Sammarco, Liam Ryan, Jackson West, Nicholas Ian, Maddi LeBlanc, Carly Nadeau, Cosmo Coniglio, Isabel Koleno and Jordan Thompson.

Photo Credit for all: Nadir Waxali

Tickets to TWIHARD! A Twilight Musical Parody are available now at www.TwihardTheMusical.com through Sunday, Nov. 9. Performances take place Fridays and Saturdays at 7:30 p.m. and Sundays at 4 p.m. To relive the fang-tasy at home or to prepare for your next visit to Forks, stream the TWIHARD! A Twilight Musical Parody original cast recording album on Spotify.

About TWIHARD! A Twilight Musical Parody

TWIHARD! A Twilight Musical Parody is a hilarious reimagining of the iconic Twilight saga, blending catchy original songs, over-the-top humor, and a fang-filled twist on the story of Bella, Edward, and the supernatural world of Forks. Created by Otherworld Theatre Company—North America’s premier sci-fi and fantasy theatre—this side-splitting parody delivers a wildly entertaining experience for die-hard fans and first-timers alike. Whether you're Team Edward, Team Jacob, or just in it for the chaos, TWIHARD! promises an evening of laughter, love and glitter.

Tuesday, September 16, 2025

REVIEW: Lifeline Theatre's World Premiere Production of RABBITS IN THEIR POCKETS Through October 5, 2025

When Life's the Pits, Embrace The Cherries!

Black Joy and Rabbit Luck Abound in Lifeline's World Premiere

ChiIL Live Shows On Our Radar

“RABBITS IN THEIR POCKETS”

Developed in Lifeline’s 2024 BIPOC Workshop: Chicago Playwright’s Debut Production 

Run Time: 90 minutes


REVIEW

By Bonnie Kenaz-Mara

(L to R) Marcus D. Moore (Jasper), Simmery Branch (Harley), and Felicia McNeal (Inola). Improv students Jasper and Inola try a scene as Harley’s ancestors in Lifeline Theatre’s “Rabbits In Their Pockets” Photo credit for all: Josh Bernaski

I've always been fascinated by the idea that homes soak in the energy and emotions of what transpired there. Chicago playwright Kimberly Dixon-Mays, RABBITS IN THEIR POCKETS takes this concept to the next level with the invention of walls that can store up black joy like solar panels. This play hits home in an era where DEI initiatives are being rolled back on the regular, lynchings are resurging, and black joy is under attack. 

It's fantastic that this play came to life through Lifeline’s 2024 BIPOC Developmental Workshop and firmly centers the lives of two very different black siblings and their struggle to reconnect as adults. I applaud the choice of productions outside of the white, male canon, and the strong representation of lead roles for both women and actors of color. Simmery Branch (Harley) and LaKecia Harris (Ash) expertly play siblings, whose conflict and connection is fascinating to see. Felisha McNeal (Inola) is also a hoot in her role as a cryptic ancestor/investor. We also enjoyed watching Marcus D. Moore (Jasper, R) in action.

Since Virginia Woolf's famous essay, the idea of a room of one's own, has captivated imaginations. It's particularly important for mothers, caregivers, and women to have a space of their own to retreat into and recharge, no matter how small, and the sisters saw this as children, in their Mother's cherry wallpapered hidey hole beneath the stairs. In RABBITS IN THEIR POCKETS there's something so joyful and special about reclaiming sacred space, rekindling the bonds of blood, and moving forward together. I love the juxtaposition of old school, low tech, self care with futuristic, cutting edge invention, all in pursuit of joy. 

There's also quite a bit of humor and rabbit fun from an improv assignment to a full body, jump scare inducing bunny suit, complete with a giant furry head. 

Simmery Branch (Harley, L) coaches her improv student Marcus D. Moore (Jasper, R) as he tries to be a rabbit in Lifeline Theatre’s “Rabbits In Their Pockets”

It was such a pleasure to catch opening night of this playfully thought provoking piece. We'll be keeping an eye out for more work from playwright Kimberly Dixon-Mays whose insightful themes on human psychology and family dynamics are at once universal and deeply personal. And if that joy collector wall panel actually works, those wall will be oozing joy after the laughter and applause of opening weekend. 

Sisters LaKecia Harris (Ash, L) and Simmery Branch (Harley, R) meet after a long estrangement in Lifeline Theatre’s “Rabbits In Their Pockets” a world-premiere original comedy by Kimberly Dixon-Mays

ChiIL Live Shows on our radar. Recommended. Three out of four stars. ★★★ 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play sisters who find shared joy in childhood memories 

Lifeline Theatre's World Premiere production of Kimberly Dixon-Mays’ RABBITS IN THEIR POCKETS is directed by Christopher Wayland and running through October 5, 2025 on the Rogers Park theatre’s stage at 6912 N. Glenwood Ave. Tickets ($25 - $45) are now available at https://lifelinetheatre.com/.

(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play siblings with very different approaches to life.

In the pursuit of joy, does method matter? Two siblings–opposites and estranged–take one last shot at putting grief behind them to create the joy they both seek. But their daring project can only succeed if they can accept each other's special magic. A world premiere original play by Chicago playwright Kimberly Dixon-Mays, RABBITS IN THEIR POCKETS began in Lifeline’s 2024 BIPOC Developmental Workshop.

(L to R) LaKecia Harris (Ash) and Simmery Branch (Harley)


RABBITS IN THEIR POCKETS PRODUCTION DETAILS

Title: RABBITS IN THEIR POCKETS

Written By: Kimberly Dixon-Mays

Directed By: Christopher Wayland

Cast: LaKecia Harris (Ash), Simmery Branch (Harley), Marcus D. Moore (Teddy), and Felisha McNeal (Inola)

Production Crew: Maryha Paige (Stage Manager), Shokie Tseumah (Scenic and Props Designer), Joseph Nelson (Lighting and Projections Designer), Emily McConnell (Costume Designer), and Isaac Mandel (Sound Designer)

Dates: Now Playing Through October 5, 2025 

Schedule: Fridays at 7:30 p.m., Saturdays at 2:30 and 7:30 p.m., Sundays at 2:30 p.m.

Location: Lifeline Theatre, 6912 N. Glenwood Ave.

Tickets: General Admission: $45

Military, student, and senior discounts available

Box Office:  info@lifelinetheatre.com or by phone at 773-761-4477

ABOUT LIFELINE THEATRE

Now in its 43rd season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s MainStage programs are partially supported by the Carole Oppenheim and Jerome S. Lamet Charitable Fund; Illinois Arts Council Agency; Anonymous; Paul M. Angell Foundation; Rogers Park Social; S&C Electric Company Fund; The Gaylord and Dorothy Donnelley Foundation; The Shubert Foundation; The Saints; and the annual support of businesses and individuals. https://lifelinetheatre.com


(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play siblings in Lifeline Theatre’s “Rabbits In Their Pockets” a world-premiere original comedy by Kimberly Dixon-Mays, directed by Christopher Wayland. Now running through Sunday, October 5. Lifeline Theatre is located at 6912 N. Glenwood Ave. Chicago, IL 60626. For tickets visit https://lifelinetheatre.com or call the box office at 773-761-4477. 


Saturday, September 13, 2025

DUCK SOUP VIA THE CONSPIRATORS AT STARS & GARTERS OCTOBER 24 - NOVEMBER 23, 2025

ChiIL Live Shows On Our Radar

THE CONSPIRATORS ANNOUNCE DUCK SOUP,
OCTOBER 24 - NOVEMBER 23, AT STARS & GARTERS


The Conspirators Lovingly Dismantle This Marx Brothers Classic Film in Their Inimitable Style

The Conspirators present Duck Soup by Harry Ruby and Burt Kalmar, adapted from the Marx Brothers’ movie for the stage by Sid Feldman and directed by Wm. Bullion, at the NEW Stars & Garters venue, 3914 N. Clark St., October 24 - November 23. The production includes two preview performances on Friday, Oct. 24 and Saturday, Oct. 25 at 7 p.m. The regular performance schedule is Thursdays - Sundays at 7 p.m. Tickets are $15 for previews, $30 for the regular run, and may be purchased online at ConspireWithUs.org. I'll be out to review at the press opening, Thursday, Oct. 30th, so check back soon after for my full review.

Duck Soup Synopsis: Stop them if you've heard this one before—an influential billionaire installs a crackpot president who hires incompetents into his cabinet and starts a war out of complete vanity. Ring a bell? The Conspirators lovingly dismantle the Marx Brothers classic film in their own inimitable style.

“Instead of our usual political satire, we just wanted to do something fun this time,” offered Adapter and Producer Sid Feldman, “pure comedy without the commentary.” Director Bullion added, “This will TOTALLY take our mind off of our national decline and get our minds onto Freedonia’s national decline.”

The cast and production team for Duck Soup are to be announced.

ABOUT WM. BULLION (Director, Executive Artistic Director)

Wm. Bullion is a veteran tragicomedian, director and actor on the fringe of the Chicago theater fringe and beyond. Bullion is an emeritus member of The Factory Theater, for whom he directed Prophet$ and Born Ready. He started Sliced Bread Productions in 1988 and put up some fine work before it folded in 2008. He co-founded The Conspirators in 2016 and has proudly directed their oeuvre, including Chicago Cop Macbeth; Viva la Mort; Commedia Divina: It’s Worse Than That; The Ineptidemic; Accidental Death of a Black Motorist; The Deckchairs, or Make the Titanic Great Again and The Resistible Rise of Herr Helmut Drumpf—but he was a fool to think starting another theater group in Chicago is a viable, sustainable idea. Yet, here we are.

ABOUT SID FELDMAN (Adapter, Producer/Style Coach, Producing Director)

Sid Feldman co-founded The Conspirators and has written plays, adaptations, screenplays, reviews and essays. He has produced plays, concerts and events for numerous organizations, including New Crime and Sliced Bread Productions (also with Wm. Bullion).




ABOUT THE CONSPIRATORS

The Conspirators are a (newfangled) theater and performance collective in Chicago dedicated to provoking thought and action through dynamic, immediate theater art. The Conspirators work exclusively in a style of neo-Commedia called “The Style”—a highly theatrical performance mode developed by movie stars Tim Robbins and John Cusack from the techniques of Ariane Mnouchkine, Commedia dell’Arte, Bugs Bunny cartoons and punk rock, as historically performed by New Crime Prod. (R.I.P.) and The Actors’ Gang. The company also offers free Style workshops to interested performers of all calibers.


The regular performance schedule is Thursdays - Sundays at 7 p.m. Tickets are $15 for previews, $30 for the regular run and may be purchased online at ConspireWithUs.org

Please follow The Conspirators on Facebook and Instagram.


Wednesday, September 10, 2025

Midwest Premiere of Lindsey Ferrentino’s Ugly Lies the Bone at Shattered Globe October 3-November 15, 2025

ChiIL Live Shows On Our Radar

Shattered Globe’s 35th Season Launches With

Ugly Lies the Bone 

October 3-November 15, 2025

Shattered Globe’s 35th season launches next month with the Midwest Premiere of Lindsey Ferrentino’s poignant comedy Ugly Lies the Bone, a darkly funny, heartfelt story of a military veteran using virtual reality to piece her life back together. 

Shattered Globe’s Midwest Premiere of Lindsey Ferrentino’s Ugly Lies the Bone features (from left) Christina Gorman as Jess, Christopher Acevedo as Stevie, Cyd Blakewell as Kacie, Barbara Figgins as voice/Mom and Eddie Martinez as Kelvin.

Previews start October 3. I'll be out for the press opening, October 9th so check back shortly after for my rull review. Performances run through November 15 at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Tickets, Pay-What-You-Can through $60, go on sale Friday, September 12. For tickets and information, visit sgtheatre.org.

Shattered Globe’s 35th season opener, the Midwest Premiere of Lindsey Ferrentino’s Ugly Lies the Bone, directed by Jonathan Berry, finds humor in unexpected places, October 3-November 15

After three tours in Afghanistan, Jess has returned home to a changed world, and body. With biting dark humor and virtual reality therapy, Jess begins to rebuild her life one puzzle piece at a time, confronting scars both seen and unseen. In Ugly Lies the Bone, humor and heart ultimately combine for a powerful, funny story of how beauty endures beneath the surface.

Shattered Globe’s 35th season launches with Lindsey Ferrentino’s Ugly Lies the Bone, a poignant, darkly funny story of a military veteran using virtual reality to piece her life back together. 

Shattered Globe’s Midwest Premiere of Ugly Lies the Bone features Ensemble Member Christina Gorman as Jess, who has returned home after three tours in Afghanistan to a changed world, and body. 

Credit: Jeffrey Kurysz 

SGT's Midwest Premiere of Ugly Lies the Bone marks the welcome return of director Jonathan Berry to Chicago. 

Ugly Lies the Bone marks the welcome return of director Jonathan Berry to Chicago. An ensemble member of Steep and Griffin theaters and former artistic producer at Steppenwolf, Berry is home after three years as artistic director of Penobscot Theatre in Maine. 

"I am so very excited to mark my return to Chicago with this production of Ugly Lies the Bone,” said Berry. “This is a play that is made for Chicago and a talented ensemble like Shattered Globe, offering a compelling look at a wounded veteran's challenging return to a life she barely recognizes, told with compassion, humor and ultimately hope."

Whether writing about a female burn survivor or the first leading role for a person with Down syndrome, Variety called Linda Ferrentino “a brave playwright of dauntless conviction, whose unflinching portraits are hard to come by outside of journalism.” Coinciding with SGT’s introduction of her play Ugly Lies the Bone to Chicago this fall, Ferrentino also will be making her Broadway debut writing the book for The Queen of Versailles, Stephen Schwartz’s new musical starring Kristin Chenoweth and F. Murray Abraham.

Shattered Globe’s cast for Ugly Lies the Bone features Ensemble Member Christina Gorman as Jess, with Christopher Acevedo as Stevie, Cyd Blakewell as Kacie, Barbara Figgins as voice/Mom and Eddie Martinez as Kelvin. 

The production team includes Lindsay Mummert (set designer), Kotryna Hilko (costume designer), Brandon Wardell (lighting designer), Erin Pleake (projections designer), Saskia Bakker (props designer), Christopher Kriz (original music and sound designer), SGT Ensemble member Tina Jach (stage manager) and SGT Ensemble Member Adam Schulmerich (production manager). 

(right) Christina Gorman plays Jess in Shattered Globe’s Ugly Lies the Bone. (left) Christina Gorman as Jess and Christopher Acevedo as Jess’s former boyfriend, Stevie, in Ugly Lies the Bone. 

Credit: Jeffrey Kurysz

(left) Cyd Blakewell plays Jess’s sister, Kacie, and Eddie Martinez is Kacie’s boyfriend, Kelvin. (right) The cast for Ugly Lies the Bone includes (from left) Christopher Acevedo as Stevie, Christina Gorman as Jess, Barbara Figgins as voice/Mom, Cyd Blakewell as Kacie and Eddie Martinez as Kelvin. 

Credit: Jeffrey Kurysz

Ticket information for Ugly Lies the Bone

The first preview of Ugly Lies the Bone on Friday, October 3 at 7:30 p.m. is Pay-What-You-Can. Previews continue Saturday, October 4 at 7:30 p.m., Sunday, October 5 at 3 p.m., and Wednesday, October 8 at 7:30 p.m. Press opening is Thursday, October 9 at 7:30 p.m. Performances run through November 15: Thursday, Friday and Saturday at 7:30 p.m., Sunday at 3 p.m. No show Friday, October 10 or Thursday October 30. There’s an added 3 p.m. matinee on Saturday November 1, as well as closing day, Saturday, November 15.

For tickets and information, visit sgtheatre.org, call the Theater Wit box office, (773) 975-8150, or purchase in person at Theater Wit. Take advantage of early-bird discounts. Otherwise, previews are $25. Performances are $20-$60 ($20 for students, veterans, active military, teachers, and under 30; $40 general admission; $60 for those who want to support accessible theater). For group discounts, email groupsales@shatteredglobe.org or call (773) 770-0333.


Access Services

Audio Description and a Touch Tour for patrons who are blind or have low vision will be offered on Friday, November 7. The Touch Tour begins at 6:15 p.m., show at 7:30 p.m. 

Shattered Globe will offer a captioned performance on Sunday, November 9 at 3 p.m. for patrons with hearing loss. Assisted Listening Devices are available for all performances.

Theater Wit is wheelchair accessible, and all patrons with disability needs are invited to purchase $20 access tickets with the code “ACCESS20” at Theater Wit’s checkout page. Please email boxoffice@theaterwit.org to ensure the theater can reserve the right seat for your needs.

Shattered Globe’s 35th Season: 

Finding Humor in Unexpected Places

Support Chicago’s live theater scene and save with a Shattered Globe Season Traveler Membership. Shattered Globe’s 2025-26 season boasts one World Premiere and two Midwest Premieres that find humor in unexpected places and offer a fresh lens on our ever-evolving world. Following Ugly Lies the Bone is the Midwest premiere of Kirsten Greenidge’s Morning, Noon, and Night, a tale about social media, magic realism and moms and daughters, directed by Shattered Globe Associate Artistic Director AmBer Montgomery. Next April, man up for Shattered Globe’s World Premiere of Eelpout!, Paul W. Kruse’s hilarious new fantasia on Midwest masculinity, directed by Jeremy Ohringer.

“Shattered Globe is on a roll, particularly as we’re coming off a highly successful season marked by the most Jeff Award nominations in company history, 14 in all, including best production, director, cast, ensemble, and design nominations,” said Shattered Globe Producing Director Artistic Director Sandy Shinner. “The entire ensemble is buzzing with anticipation as we encourage audiences to join us for a wild ride to three unexpected places, with three unexpected outcomes, during our 35th season.”

Two- and three-play memberships range from $55 to $115 and are on sale now at sgtheatre.org/memberships. All three Shattered Globe productions will be presented at the company’s resident home, Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Visit SGTheatre.org for more information, including photos and video clips, news of special events, accessible and waived ticket programs and show content warnings. Find and follow the company on social media @shatteredglobe on Facebook and Instagram. 

Coinciding with SGT's Ugly Lies the Bone in Chicago, Ferrentino is making her Broadway debut writing the book for The Queen of Versailles, Stephen Schwartz’s new musical starring Kristin Chenoweth and F. Murray Abraham.

Ugly Lies the Bone : Meet the playwright and director

Lindsey Ferrentino (playwright, Ugly Lies the Bone) is a playwright whose work includes The Fear of 13 (Donmar Warehouse; Olivier Award nominations for Best New Play and Best Actor, starring Adrien Brody), The Queen of Versailles (Broadway; The Emerson Colonial Theatre), Ugly Lies the Bone (Roundabout Theatre Company; The National Theatre, UK; NYT Critic’s Pick), Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), The Year to Come (La Jolla Playhouse), The Artist (Theatre Royal Plymouth). According to The New York Times, Ferrentino writes with, “a muscular empathy, which seeks to enter the minds of people for whom life is often a struggle of heroic proportions.” Whether writing about a female burn survivor or the first leading role for a person with Down syndrome, she has been called, “a brave playwright of dauntless conviction, whose unflinching portraits are hard to come by outside of journalism,” and she possesses, “a moral compass second to none among her generation of playwrights” (Variety). Ferrentino is also an accomplished screenwriter with various projects in development. Most recently announced, she is writing and directing a film adaptation of her celebrated play Amy and the Orphans (Aggregate Pictures), writing a project based on Hugh Hefner’s Playboy empire (Sony), and adapting Rebecca Yarros’ beloved novel In the Likely Event (Netflix). She is the recipient of the 2016 Kesselring Prize, a Laurents/Hatcher Citation of Excellence, the ASCAP Cole Porter Playwriting Prize, the Catalyst Award for Entertainment Industry Excellence, the Paul Newman Drama Award, the NYU Distinguished Young Alumna Award. BFA, NYU; MFA, Hunter; and the David Geffen School of Drama at Yale. lindseyferrentino.com

Jonathan Berry (director, Ugly Lies the Bone) is excited to be back in Chicago, after three years of serving as Artistic Director of The Penobscot Theatre Company in Bangor, Maine. He is a proud ensemble member of both Steep Theatre and Griffin Theatre and a former Artistic Producer at Steppenwolf Theatre Company. He directed the Steppenwolf productions of: Lindiwe, The Children, You Got Older, Constellations, and the SYA productions of The Curious Incident of the Dog in the Nighttime, The Crucible, and A Separate Peace. Steep Theatre Company: Paris, Red Rex, Earthquakes in London, Posh, The Life and Sort of Death of Eric Argyle, If There Is I Haven’t Found it Yet, The Knowledge, Festen, Moment, The Hollow Lands and The Resistible Rise of Arturo Ui. At Griffin, productions include: The North American premiers of Simon Stephens Punk Rock (Jeff award Director, Lead Actor, and Ensemble) Port, and On the Shore of the Wide World, as well as The Harvest, Winterset, Pocatello, Balm in Gilead, Golden Boy, The Burnt Part Boys, Spring Awakening, Company, Picnic, Time and the Conways, Dead End, The Hostage and Journey’s End. He was the Assistant Director for Anna D Shapiro’s Broadway productions of Of Mice and Men and This is our Youth. Gift Theatre: Obliteration (second production) The world premiers of both Dirty and Suicide, Incorporated, as well as Othello. Goodman Theatre: The Solid Sand Below and The World of Extreme Happiness for their New Stages Festival. Other work includes: American Theatre Company: Kill Floor, American Blues: Little Shop of Horrors and Sideman; Redtwist: Look Back in Anger and Reverb, Chicago Dramatists: I am Going to Change the World, Jackalope Theatre: The Casuals, Strawdog: Conversations on a Homecoming, Remy Bumpo: The Marriage of Figaro, Theatre Mir: The Sea and Caucasian Chalk Circle, Lifeline Theater: The Piano Tuner (Afterdark award – Best Production) He pursued his MFA in directing from Northwestern University. He has taught acting, directing, and viewpoints at University of Michigan, Northwestern University, University of Chicago, Act One Studios, Columbia College and served as the director for the ensemble training program The School at Steppenwolf. johnathanberry101.com

About Shattered Globe Theatre

Shattered Globe Theatre seeks to redefine what it means to be an ensemble theatre, discover new connections between story, artist and audience, and explore drama from bold, challenging perspectives. 

Shattered Globe Theatre was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 80 plays, including nine American and world premieres, and garnered an impressive 44 Jeff Awards and 132 Jeff Award nominations, as well as the acclaim of critics and audiences alike. Guided by Producing Artistic Director Sandy Shinner, Shattered Globe’s values are rooted in a commitment to racial equity, respect for all artists and support for the ensemble, while creating new opportunities to amplify traditionally marginalized voices and collaborate in all aspects of its work. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

Shattered Globe Theatre’s Ensemble has 29 members: Judy Anderson, Louis Contey, David Dastmalchian,Demetra Dee, Joe Forbrich, Christina Gorman, Daria Harper, Tina M. Jach, Rebecca Jordan, Steve Kleinedler, Vivian Knouse, AmBer Montgomery, Tina Muñoz Pandya, Eileen Niccolai, Jazzma Pryor, Hailey Rakowiecki, Deanna Reed-Foster, Linda Reiter, Nate Santana, Drew Schad, Adam Schulmerich, Leslie Ann Sheppard, Sandy Shinner, Joe Sikora, Shelley Strasser, Devonte E. Washington, Sarah Jo White, Joseph Wiens and Brad Woodard.

SGT’s Artistic Associates now number 20 including Daniela Colucci, Mikey Gray, Lawrence Grimm, Darren Jones, Christopher Kriz, Jason Lynch, Elizabeth Margolius, Kelsey Melvin, Tim Newell, Jane Nix, Aila Peck, Steve Peebles, David Antonio Reed, Jasmine Cheri Rush, Angie Shriner, Abbey Smith, Becca Smith, Michael Trudeau, Ayanna Wimberley and Austin Winter.

SGT is supported by generous grants from the Shulman- Rochambeau Charitable Foundation, Brenda and James Grusecki, The Bayless Family Foundation, the Paul M. Angell Family Foundation, Carol P. Eastin, The Shubert Foundation,  Judith & David Sensibar, The Gaylord & Dorothy Donnelley Foundation and Barbara and Randy Thomas.

Visit sgtheatre.org for subscriptions, tickets and information, and follow the company @shatteredglobe on Facebook and Instagram.


Monday, September 8, 2025

The Neo-Futurist Theater Presents Abby Paj Tries to Stay Alive September 11th - October 4th, 2025

ChiIL Live Shows On Our Radar

Abby Paj Tries to Stay Alive

This solo show written and performed by Neo-Futurist Ensemble Member

Abby Pajakowski and directed by Sammy Zeisel.

Performances are September 11th - October 4th at 7pm at The Neo-Futurist Theater


We'll be out to review on Industry Night, Monday, September 22nd. Can't wait to catch this timely solo selection in one of our favorite storefront spaces!


The doomsday clock ticks 89 seconds to midnight and the world seems to already be ending each day. Some stockpile beans, some stockpile guns, and some bury themselves underground to wait for it to all blow over. Meanwhile, Abby Paj avoids the doctor, stays in bed, and writes “make a go-bag” on every to-do list for a year and a half. Join Abby as they dive into apocalypses, preparation, depression, and maybe doing a bunch of push-ups with a backpack on. Watch as they try to stay alive in any - no, every way possible. Tickets are Pay-What-You-Can - $20 and available now for purchase. 


Thursday, September 4, 2025

Citadel’s Cast and Production Team Announced for MISERY, Playing September 10 -October 12, 2025

ChiIL Live Shows On Our Radar 

Citadel Theatre's 

MISERY 

By William Goldman.

Based on the novel by Stephen King

Directed by Scott Westerman

Scott and Ellen Phelps to play the leads in stage adaptation of the Stephen King novel

Citadel Theatre’s 2025-26 season will open with William Goldman’s adaptation of the Stephen King novel MISERY. The three-hander about a novelist who is rescued from a car crash by an obsessed fan and held captive after she discovers he killed off her favorite character, will be performed by Scott and Ellen Phelps, co-founders of the theatre, and Jonathan Cortez. Scott Westerman, director of last spring’s A JUKEBOX FOR THE ALGONQUIN, as well as Citadel’s previous productions of SEX WITH STRANGERS, THE CHRISTIANS, and THE MOUSETRAP, is directing. MISERY will open to the press on Friday, September 12 at 7:30 pm, following previews on September 10 and 11, and play through October 12. 

MISERY, one of Stephen King’s most successful novels, was adapted for the stage by two-time Academy Award-winner William Goldman, who won Oscars for BUTCH CASSIDY AND THE SUNDANCE KID and ALL THE PRESIDENTS MEN. Goldman also authored the screenplay of the 1990 film of MISERY. His stage adaptation was produced on Broadway in 2015, starring Bruce Willis as Paul, and in a Tony Award-nominated performance, Laurie Metcalf as Annie.

Ellen Phelps, whose many roles at Citadel include Sharon in THE ROOMMATE, Miss Hannigan in ANNIE, and Sonia in VANYA AND SONYA AND MASHA AND SPIKE, will play the deranged fan Annie Wilkes. Scott Phelps, whose professional acting career began at the Actors Theatre of Louisville, will be the production’s Paul Sheldon. At Citadel, Scott has played  such iconic roles as Oscar Hubbard in THE LITTLE FOXES, George in OF MICE AND MEN, and with Ellen Phelps, the married couple Mel and Edna Edison in THE PRISONER OF SECOND AVENUE.  The third member of the cast is Jonathan Cortez, who has played Tom Collins in RENT and Curtis in SISTER ACT. Cortez will be Buster, the sheriff investigating Paul’s disappearance. Elizabeth Bushell and Jason Clark will understudy the roles of Annie and Paul.

Top Row L-R: Ellen Phelps, Scott Phelps, Jonathan Cortez.

The production team, in addition to Westerman as director, includes Bob Knuth (Set Designer),  Danielle Reinhardt (Costume Designer), Jodi Williams (Lighting Designer), Petter Wahlback (Sound Designer), Patrick McGuire (Properties Designer), Mitchell Pollitt (Master Carpenter), David Blixt (Violence and Intimacy Director), Alex Trinh (Run Crew), and Bobby Lee (Stage Manager).

The regular performance schedule is Thursdays – Saturdays at 7:30 pm and Sundays at 3:00 pm, with additional matinees on Wednesdays September 17 and October 3. There are no performances on Fridays September 19 and October 3. Subscriptions and single tickets priced at $45 are now on sale at www.citadeltheatre.org.Season subscriptions are available for the full four-show season at $120.00, or as flex passes that can be used for the patron’s choice of either three shows for $100.00 or two shows for $70.00. Preview flex passes are also available for $40 (two shows), $50 (three shows), or $60 (four shows).

Citadel Theatre is in residence in the West Campus of the Lake Forest School District at 300 S. Waukegan Road, Lake Forest. Further information and ticketing is available on the company’s website at www.citadeltheatre.org.

PRODUCTION DETAILS

Friday, September 12 – Sunday, October 12, 2025

(Previews September 10 and 11 @ 7:30 pm)

PRESS OPENING Friday, September 12 at 7:30 pm

Thursdays, Fridays and Saturdays at 7:30 pm, Sunday matinees at 3 pm, Wednesday matinees at 1 pm on September 17 and October 1. No performances Fridays September 19 and October 3.

Preview ticket prices $20. Regular run prices $45.00. Discounts available for groups, seniors and students.

Citadel Theatre, located in the West Campus building of the Lake Forest School District 300 S. Waukegan Road, Lake Forest, IL

Tickets available online at www.citadeltheatre.org or by phone at 847-735-8554, ext. 1

In this stage adaptation of Stephen King’s novel, romance novelist Paul Sheldon is rescued from a car crash by his obsessed fan, Annie Wilkes, and held captive after she discovers he killed off her favorite character. Forced to rewrite his novel under her watch, Paul finds himself trapped in a nail-biting cat-and-mouse game that will have you at the edge of your seat.

BIOS

Scott Westerman (Director) makes, does, and teaches theatre and film in and around Chicago. At Citadel, he has directed  A JUKEBOX FOR THE ALGONQUIN, THE MOUSETRAP, THE CHRISTIANS and SEX WITH STRANGERS. Scott is the founding Artistic Director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between theatre and film. He created and directed the web series HAMLET & OPHELIA which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards, and Best Mobile Series at the 2022 New Media Film Festival. Scott has directed stage productions for The Artistic Home, ChiArts, City Lit Theatre, Chimera Theatre Company, Citadel Theatre, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge), National High School Institute (Cherubs), and Reverie Theatre Company. Scott is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group, and a teaching artist with Writers Theatre and The Theatre School at DePaul University. He has an MFA from The Shakespeare Theatre Academy. As an actor, Scott has worked with Chicago Shakespeare Theatre, Lookingglass, Northlight, The Shakespeare Theatre and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina, and the Barter Theatre in Virginia to name a few. On Camera credits include MACHINE GUN PREACHER, PRISON BREAK, and HEIST 88 which will premiere in 2023. More about Scott can be perused at www.ScottWesterman.org.

William Goldman (Playwright) was a legendary American screenwriter, novelist, and playwright celebrated for his sharp dialogue, genre versatility, and storytelling brilliance. Born in Highland Park, Illinois, Goldman began his career as a novelist in the 1950s before transitioning to screenwriting in the mid-1960s. He won two Academy Awards: one for BUTCH CASSIDY AND THE SUNDANCE KID (1969) and another for ALL THE PRESIDENT’S MEN (1976), cementing his reputation in Hollywood. His novel THE PRINCESS BRIDE (1973), which he also adapted for film in 1987, became a cult classic, blending fantasy, romance, and satire.  Beyond film, Goldman authored over 20 novels and several influential nonfiction works, including ADVENTURES IN THE SCREEN TRADE, where he famously declared, “Nobody knows anything” about Hollywood. His career spanned decades, influencing generations of writers with his wit, candor, and craftsmanship. His stage plays include BLOOD, SWEAT AND STANLEY POOLE (1961), co-written with his brother James Goldman; A FAMILY AFFAIR (1962), a musical co-written with James Goldman and composer John Kander: and MISERY (2012). 

Ellen Phelps (Annie Wilkes).  Ellen Phelps (Annie Wilkes) Co-Founder, Managing Director, Director, and Actor at Citadel Theatre. Most recently seen at Citadel Theatre in A JUKEBOX FOR THE ALGONQUIN.  Other past productions at Citadel include THE CHRISTIANS, IT RUNS IN THE FAMILY, ANNIE, THE ROOMMATE, VANYA SONIA MASHA AND SPIKE, ELEMENO PEA, ‘TIL THE FAT LADY SINGS, PRISONER OF 2ND AVENUE, SOMETHING’S AFOOT, SIRENS, OTHER DESERT CITIES , and A FUNNY THING HAPPENED ON THE WAY TO THE FORUM . Other theatre credits include COMPANY, RUMORS, THE BOY FRIEND, and THE GLASS MENAGERIE

Scott Phelps (Paul Sheldon, Artistic Director) Scott is now in his 23rd year as the Artistic Director of Citadel, the North Shore theatre he co-founded in 2002 with his friend and lifelong companion, Ellen. Over the past 2.3 decades, he has acted in and directed dozens of Citadel productions, continuing to bring his passion and vision to the stage year after year.

In 2023, Scott took on the leading role of Pastor Paul in THE CHRISTIANS. His career has also taken him to New York City and his home state of California, where he has both acted and directed. He trained as an actor at the Pacific Conservatory of the Performing Arts in Santa Maria, CA, pursued a BFA at the University of Utah, and completed an apprenticeship with the renowned Actors Theatre of Louisville.

In addition to his theatre work, Scott spent 18 years with a promotional company while raising his three daughters and son in Lake Forest. Now entering a new chapter of life, he has embraced his latest role—“Beepa” to his growing crew of grandchildren (almost seven and counting). While he’s not entirely convinced he’s old enough for the part, he’s enjoying the challenge.

Jonathan Cortez (Buster). “A shining element…” Jonathan is excited to join the stage for his first production with Citadel Theatre. Jonathan is a University of Illinois in Urbana-Champaign alumnus, who studied Vocal Performance under Jerold Siena. Alongside this show, Jonathan is currently music directing BEAUTIFUL: THE CAROLE KING MUSICAL and HADESTOWN. Jonathan keeps busy with his involvement in Second City, Chicago Fringe Opera’s premiere improv group OP*ERRATIC, previewing works with South Shore Opera, and vocal directing musicals in the Chicagoland area. Other credits include Tom Collins in RENT, Curtis in SISTER ACT, Leporello in Mozart’s DON GIOVANNI, and Fasolt in Wagner’s DAS RHEINGOLD. He also sings with Consonance - Chicago Choral Artists and the Chicago Gay Men’s Chorus.

Citadel Theatre is one of Chicagoland’s premier live theatres, producing hundreds of performances annually and inspiring audiences for nearly 24 years. Founded by Scott and Ellen Phelps in 2002, Citadel Theatre is comprised of its Main Stage performances and its theatre acting classes for children. A proud member of the League of Chicago Theatres and the Lake Forest/Lake Bluff ArtsLink, Citadel Theatre offers a unique intimate theatre experience that transports you to another setting and leaves you feeling exhilarated and wanting more. A recognized 501(c)3 non-profit organization, Citadel can accept tax-deductible donations. For more information, ticketing, and to donate, please visit Citadel online at www.citadeltheatre.org or call 847.735.8554.

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