We were enthralled with Sandra Delgado's writing and her soaring vocals as this multifaceted performer takes center stage and bring her own script to life. Through talented musicians, song, dance and spoken word, La Havana Madrid brings back a bygone era and a message that is all too timely today. This is an absolute must see.
La Havana Madrid appears July 21 - August 20 in the Owen Theatre (Opening Night is Wednesday, July 26 at 7:30pm). Tickets ($30-$50; subject to change) go on sale Wednesday, June 28; visit GoodmanTheatre.org/LaHavanaMadrid or call the box office at (312) 443-3800. La Havana Madrid is recommended for ages 12 and up.
“My journey with La Havana Madrid is a dream come true. It has been an absolute joy and honor to share this story with my fellow Chicagoans and I am incredibly grateful that we get to keep the love alive this summer,” said playwright and co-star Sandra Delgado. “It is especially sweet to come home to Goodman Theatre, where I wrote La Havana Madrid as part of the Playwright's Unit in the 2015/2016 Season. I cannot wait to invite audiences into the Owen Theatre, which will be transformed into the La Havana Madrid nightclub, night after night.”
In addition to Delgado, the eight-member cast also includes Teatro Vista ensemble members Tommy Rivera-Vega and Marvin Quijada; and newcomers Mike Oquendo, Donovan Diaz and Krystal Ortiz, who round out the cast as Cuban, Colombian and Puerto Rican patrons, staff and musicians who all met, danced, loved and lost at La Havana Madrid. Original cast members Cruz Gonzalez-Cadel and Phoebe González are unable to continue with the production and their roles are being recast for the Goodman remount. The design team includes Ashley Woods (set), Elsa Hiltner (costumes), Heather Sparling (lights), Mikhail Fiksel (sound), Liviu Pasare (projections and video design) and William Carlos Angulo (choreography).
A Brief History about La Havana Madrid Nightclub (Originally Located on Belmont and Sheffield)
In the late 1950s and throughout the 1960s, Latinos from Caribbean countries such as Puerto Rico and Cuba settled all along Chicago's lakefront, from North Avenue to Devon. Although from different countries, music brought them together. Their shared rhythms—African rhythms—became the guaguanco, the mambo and the merengue. Now in the United States, these rhythms merged with traditional big band sounds and eventually became salsa. On the North side of Chicago, a handful of Latino music clubs opened up: Coco Loco on Lincoln Avenue, The Mirror Lounge on North Avenue and La Havana Madrid on Belmont and Sheffield. Luis “Witto” Aloma, a Cuban-born player for the Chicago White Sox, opened the club in the early 1960s to create a place for his Cuban friends to drink coffee and play cards and dominoes. Along the way, La Havana Madrid grew into a more lavish supper club with live Cuban musical acts, before it changed hands and Puerto Rican TV and radio host took over the club. La Havana Madrid closed in the late 1960s and later became the popular folk club The Quiet Knight. Today, the same second floor space is occupied by Milio’s Hair Studio.
About Teatro Vista
Teatro Vista’s 2017/2018 season opens with The Goodman Theatre remount of La Havana Madrid.
Teatro Vista produces, develops and commissions plays that explore the wealth and variety of the human experience from a Latinx perspective. The company provides work and professional advancement opportunities for Latinx theater artists, with special emphasis on the company’s ensemble members, and seeks to enhance the curricular goals of Chicago students through theatre. Teatro Vista was recently celebrated as one of “Chicago’s Cultural Leaders” by the Arts & Business Council of Chicago and received the League of Chicago Theatre’s Artistic Leadership Award.
For the development of La Havana Madrid, Teatro Vista and Delgado received from The Chicago Community Trust, and the 2015 Joyce Award. Delgado also received a 3Arts 3AP Project Grant and developed the script as a member of the 2015/2016 Playwright’s Unit at Goodman Theatre.
Teatro Vista is supported by The Joyce Foundation, the Chicago Community Trust, Alphawood Foundation, Paul M. Angell Family Foundation, The MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, Bloomberg Philanthropies, the Department of Cultural Affairs and Special Events of the City of Chicago, The Shubert Foundation, The Gaylord and Dorothy Donnelly Foundation, the Chicago Latino Theater Alliance, Purple Group, Cumberland Irving and Vidal & Associates, Inc. and The Saints.
For more information, visit TeatroVista.org, on Twitter (@TeatroVista), Facebook and Instagram.
About Goodman Theatre
America’s “Best Regional Theatre” (Time magazine) and “Chicago’s flagship resident stage” (Chicago Tribune), Goodman Theatre is a not-for-profit organization distinguished by the quality and scope of its artistic programming and civic engagement. Founded in 1925, the Goodman is led by Robert Falls—“Chicago’s most essential director” (Chicago Tribune), who marks 30 years as Artistic Director this season—and Executive Director Roche Schulfer, who is celebrated for his vision and leadership over nearly four decades. Dedicated to new plays, reimagined classics and large-scale musical theater works, Goodman Theatre artists and productions have earned hundreds of awards for artistic excellence, including: two Pulitzer Prizes, 22 Tony Awards, nearly 160 Jeff Awards and more. Over the past three decades, audiences have experienced more than 150 world or American premieres, 30 major musical productions, as well as nationally and internationally celebrated productions of classic works (including Falls’ productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy). In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” For nearly four decades, the annual holiday tradition of A Christmas Carol has created a new generation of theatergoers.
The 2016 opening of the Alice Rapoport Center for Education and Engagement (“the Alice”) launched the next phase in the Goodman’s decades-long commitment as an arts and community organization dedicated to educating Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities. Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.
Today, Goodman Theatre leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan E. Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals.
Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.