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Sunday, July 24, 2022

REVIEW: Queer Eye: The Musical Parody Now Playing at The Second City in Chicago

 ChiIL Live Shows On Our Radar

Queer Eye: The Musical Parody

at The Second City in Chicago 



REVIEW:

By Catherine Hellmann, Guest Critic 


My older daughter and I loved to watch the original “Queer Eye” when she was in high school. She’s now been finished with grad school about ten years. Yeah, we’re talking 2003. I’m wondering why bother to skewer an outdated show? Well, a new “Queer Eye” debuted in 2018 with a different cast who are mimicked perfectly in this funny production at Second City. My cynicism was won over. The talented cast have high energy, fun dance moves, and great voices which add to their over-the-top performances and drive the momentum of the show. I’ve been dragging my new-to-Chicago sister to a LOT of theater, and she said this was one of her favorites. 



The poor sap (victim!) being made over is “Sam,”(Bryson Howard) who lives in his mom’s basement, was breastfed until he was 9 (ewww…), plays “Fortnite,” and “is unemployed but an aspiring puppetteer.” This prize of manhood is adored by his childhood friend Claire, played with goofy enthusiasm by Bridget Adams-King (who has an astounding voice). Of course, Sam is too clueless to realize that Claire has a tremendous crush on him. (hysterical puppet scene a la “Avenue Q” late in the show).      



While being made over, Sam # 1 transforms into Sam # 2, played by the charismatic Jordan Dell Harris. One of the big improvements is switching out Sam’s ugly t-shirt; even his mother tells him,”This shirt says, ‘You’re a virgin.’”


Or as the fashionista (Tina Arfaee) sings: “Straight men’s clothes bring me to tears. They look like they haven’t shopped in years.” 



There are ongoing jokes that the home makeover guy has to perform the most work, with Eddie Ledford as Bobby nearly having a nervous breakdown about needing to redo an entire living space. The other members of the “Fab Five” get off pretty easy with their tasks, especially the “Culture” guy, Karamo (Evan Tyrone Martin). My daughter and I always pondered exactly what the hell his role contributed. Here, Karamo sings how he doesn’t know what to do when it’s his segment. (“I got nothin’!”) 



My sister’s favorite Fab Five was the grooming/hairdresser Jonathan, played with relish by Evan Starkweather. His comic timing and reactions were spot-on. They were funny as he delivered them, but I later watched an episode of the new “Queer Eye,” and he is channeling the hairdresser on the show. (“Are we about to bond?”) 



My personal fave was the food guy, Antoni, played by the adorable (and hot!) Dominic Rescigno. He confesses that he is the “eye candy” of the show and asks when can he take his shirt off? Loved his cooking segment in his “Kiss the Cok” apron! (and avocado puppets!) 



Dakota Hughes got a huge cheer from the crowd with her rousing song imploring Sam to move out of her house! She and Adams-King both had two roles with lots of back-and-forth costume changes. One of the funniest bits was when their characters asked where their other characters were and made a hasty excuse of, “Uhhhh…She’s busy.” 



None of the show is possible without the tremendous talent of Music Director/Composer/Lyricist/Orchestrator Heidi Joosten. She keeps it all together. I could hardly believe she was the only instrumentalist. 


After the show, I walked my sis around so she could see the informal museum that celebrates all the talent that has rolled through Second City. All those famous faces that have created a huge legacy In Chicago. We’re lucky this theater is here. 



Catherine Hellmann could use a makeover, but who has time between teaching teenagers and attending theater?  



Legendary Chicago comedy institution The Second City is excited to present Queer Eye: The Musical Parody. Co-created and co-written by Second City Mainstage ensemble member Evan Mills and Heidi Joosten, the show will be co-directed by Mills and Stephen Schellhardt, who is also choreographer. Joosten, the composer, lyricist and orchestrator for the show, will fill the role of musical director. Cast members include Bridget Adams-King, Tina Arfaee, Jordan Dell Harris, Bryson Howard, Dakota Hughes, Eddie Ledford, Evan Tyrone Martin, Dominic Rescigno, and Evan Starkweather. Shannon Golden-Starr is stage manager.




Inspired by the hit Netflix show Queer Eye, Second City audiences will follow everybody's fave Fab Five as they help an Average Joe manifest their full potential through aggressive self-love, laugh-out-loud comedy, and more songs than you can handle, henny! Watch a two-act "episode" of the show we all thought we knew... until now. Queer Eye: The Musical Parody features all the avocados, plenty of pompadours, and maybe even a puppet or two. Say "YASS, and" to this hilarious experience where things just keep on getting better...and funnier! 


Tickets for Queer Eye: The Musical Parody start at $39.00 and are available by phone at 312-337-3992 or online at secondcity.com. The show schedule is as follows beginning May 26, 2022: Thursdays-Saturdays at 8pm; Sundays at 7pm in UP Comedy Club.




About the Artists

Bridget Adams-King (“Claire/Rachel”) (she/her) is thrilled and so grateful to be making her Second City debut! Some of the theaters she has previously worked with include Chicago Shakespeare Theater, Kokandy Productions, Northlight Theatre, and Griffin Theatre. She is a two-time Jeff-nominated performer for her portrayal of “Kate” in If/Then at Brown Paper Box Co. and “Lucy Parsons” in Underscore Theatre Company’s 2018 production of Haymarket: A New Folk Musical. She has also appeared in an episode of NBC’s hit show Chicago PD. She is repped by Gray Talent Group. @badamsking www.bridgetadamsking.com 



Tina Arfaee (“Tan”) (they/any) has been writing and performing in Chicago since 2012, most notably at The Annoyance Theater with Matt Damon Improv. With MDI, she wrote and starred in the web series In-Diana. She has also appeared on an episode of Chicago Fire, Centered the web series, and short film The Sweatshirt. Tina is a graduate of The Second City/NBC Universal Bob Curry Fellowship. She is repped by Big Mouth Talent. @tinatwocats


Shannon Golden-Starr (Stage Manager) (She/They) CHICAGO: I, Banquo, Short Shakespeare: The Comedy of Errors, Q Brothers' Christmas Carol, Shakespeare in the Parks production of A Midsummer Night’s Dream (Chicago Shakespeare Theatre), Frankenstein, Act(s) of God, Plantation!, Hard Times, Moby Dick, Thaddeus and Slocuum: A Vaudeville Adventure (Lookingglass Theatre Company); The Very Hungry Caterpillar, Frederick (Chicago Children’s Theatre); The King of the Yees, Uncle Vanya, Carlyle, Soups Stews and Casseroles: 1976, Feathers and Teeth (Goodman Theatre); The Mutilated, Simpatico (A Red Orchid Theatre); This Wonderful Life (American Blues Theater); Betrayal (Raven Theatre).


Jordan Dell Harris (“Sam #2”)  (he/him) is making his Second City debut! He was last seen onstage as “Donald” in Windy City Playhouse’s The Boys in the Band (Jeff Award winner, Best Ensemble). Other Chicago credits include work with Goodman Theatre, Raven Theatre, Griffin Theatre, The Story Theatre, BoHo Theatre and more. TV credits include 4400 (CW) and Next (Fox).  www.JordanDellHarris.com 


Bryson Howard (“Sam #1”) (he/him) is a Chicago transplant from South Carolina by way of Nashville, TN, and Paris, France. After four and a half years of performing improv and scripted comedy around Chicago, the city thankfully has not yet rejected the transplant. He has been fortunate enough to perform in several shows at The Annoyance Theatre; he was part of the cast of The Queer Eye: The Musical Parody at the Playground Theater; he is an ensemble member of Baby Wants Candy, and he can be found performing improv at various venues in Chicago with his comedy partner Cassidy Russell. Twitter: @BrysonHoward. Instagram: @BrysonDallasHoward.


Dakota Hughes (“Bev/Executive Producer”) (They/Them) is ecstatic to make their Second City debut! Dakota is a Los Angeles native and graduate of Columbia College Chicago, where they earned a BFA in Musical Theatre Performance. Some favorite credits include Kinky Boots, Cinderella (Paramount Theatre), American Idiot (The Hypocrites), Lizzie (Firebrand), Thrones! The Parody Musical! (The Apollo Theater), and [title of show] (Open Door Rep).


Heidi Joosten (Music Director/Composer/Lyricist/Orchestrator) (she/her) is thrilled and grateful to be making her Second City debut with this show that is so near and dear to her heart. A multi-hyphenate performing artist, Heidi has collaborated on over 100 new theatrical, comedic, and concert works in the Chicagoland area since her arrival in 2014. Notable writing credits include: Queer Eye: the Musical Parody (The Second City), Saint Hildegard: the Rupertsberg Tour (Theo Ubique), Micro (Music Theatre of Madison), and The Bone Harp (Underscore Theatre Company). Joosten is a highly-sought after composer with over 200 works to her name, and her award-winning music has been performed across the United States, Canada, Europe and Australia. Heidi holds a Bachelors of Music from the University of Wisconsin-Eau Claire and Masters of Music from Roosevelt University - Chicago College of Performing Arts. Proud member of ASCAP and the Dramatists Guild. www.heidijoosten.com


Eddie Ledford (“Bobby”) (he/him) is a Chicago-based actor, singer and comedian. He is a graduate of The Second City’s Conservatory, an ensemble member of the queer comedy group Baby Wine, and has performed in theaters, festivals and digital projects around the city including The Annoyance, Rhino Fest, Chicago Sketch Fest, Ordinary Peepholes, Commercial Appeal and web series Guilty. He originated the role of “Bobby” in the show’s initial run at The Playground Theatre and is very happy and grateful to reprise it at The Second City. Instagram: @_eddele


Evan Tyrone Martin (“Karamo”) (he/him) is excited to be making his Second City debut! Most recently, Evan could be seen in Blues In The Night at Porchlight Music Theatre opposite Broadway star Felicia P. Fields. Regional credits: “Jim” in Roundabout Theatre's digital reading of Zora Neale-Hurston's musical SPUNK (directed by Lili-Ann Brown); The Black Clown (Ensemble) at American Repertory Theater/Lincoln Center's 2019 Mostly Mozart Festival; Hair (“Hud”) at Mercury Theater; Jesus Christ Superstar (“Jesus,” BTAA Nomination) at Paramount Theatre; Dreamgirls (“Curtis,” BTAA Nomination) and Far From Heaven (“Raymond,” Jeff nomination) at Porchlight Music Theatre; and The Little Mermaid (“King Triton”) at Arkansas Rep. Evan has worked with Godspeed, Arkansas Shakes, Chicago Shakes, Chicago Humanities Festival, and many others. He also toured starring in the hit revues Unforgettable: Falling in Love with Nat King Cole and An Unforgettable Nat King Cole Christmas. Next up, Evan will play “Mister” in The Color Purple at the legendary MUNY in St. Louis. Instagram: @3vanMart1n. He is repped by Paonessa Talent.


Evan Mills (Co-Director/Writer/Creator)( He/Him) is incredibly grateful to be co-directing the original musical he wrote with his writing partner Heidi Joosten, Queer Eye: The Musical Parody. He is currently an ensemble member in The Second City’s 110th Mainstage Revue and was previously an ensemble member of The Second City Mainstage revue Together at Last. Evan has toured with Second City’s RedCo and is a recipient of the Bob Curry Fellowship Program. He spent a summer in Washington D.C., performing at the Kennedy Center in Generation Gap and has also performed at the Chicago Symphony Orchestra with The Young Person’s Guide to the Orchestra. He has been featured in the Break Out Comedy Festival, LA Laughter Comedy Fest, and the Comedy Central Showcase. You can check out his original music on Spotify (“A Little Bit Alexis” cover and “Sissy Boy”) and follow him on all social media platforms @awkvanmills.


Dominic Rescigno (“Antoni”) (he/him) is experiencing a dream come true doing this show with these people on this stage. He is a graduate of Second City’s Comedy Studies program and is currently finishing the Conservatory. He has performed for Lyric Opera of Chicago, The Onion, ClickHole, Walt Disney World, and starred in Chicago's long-running comedy Tony N' Tina's Wedding. His two webseries The Dominics and Dominic Tonight! have been critically ignored.  www.dominicrescigno.com | @dominicrescigno


Stephen Schellhardt (Co-Director/Choreographer) (he/him) is thrilled to be a part of the Queer Eye: A Musical Parody family. He is a Jeff Award-winning director and actor, as well as choreographer, producer, educator, and casting director. In Chicago, Stephen has worked with the Marriott Theater, Writers Theatre, Drury Lane Theatre, Mercury Theater, Chicago Shakespeare Theater, About Face Theatre, Northlight Theatre, Chicago’s Lyric Opera, The Goodman Theatre, Porchlight Music Theatre, Ravinia Festival, Northwestern University, and BoHo Theatre, where he served as a company member and Artistic Director for six years. National tours include Altar Boyz. International credits include Jane Austen’s Persuasion at The Royal Winchester Theatre in England and the Shanklin Theatre on The Isle of Wight (Chamber Opera Chicago). From 2014-2017, Stephen served as Associate Producer and Casting Director at Writers Theatre in Glencoe before becoming a visiting professor at Northwestern University and then moving to The Chicago College of Performing Arts, where he now holds the title of Head of Musical Theatre. Stephen is a graduate of Carnegie Mellon University’s School of Drama and a proud member of the Actors Equity Association.  


Evan Starkweather (“Jonathan”) (he/they) is a Chicago-based performer and writer making their Second City debut. They were last seen performing karaoke at a bar in New Orleans during Mardi Gras, but before that, they wrote and performed numerous sketch and musical variety shows at The Annoyance, The Playground, and The Second City Training Center. They are a graduate of The Second City Conservatory, and their music video “Platonic Gay Best Friend” has been featured on Funny or Die. @evanspelledellen




About The Second City

The Second City opened its doors in 1959 as a small comedy cabaret and has since grown to become the world’s most influential name in improv and comedy. Second City's stages, Touring Companies, and Training Centers across North America have proudly been the launch pad for many of the funniest names on the planet, including John Belushi, John Candy, Steve Carell, Stephen Colbert, Chris Farley, Tina Fey, Keegan-Michael Key, Eugene Levy, Tim Meadows, Bill Murray, Mike Myers, Suzy Nakamura, Catherine O’Hara, Amy Poehler, Gilda Radner, Sam Richardson, Joan Rivers, Amber Ruffin, Jason Sudeikis, and Steven Yeun, among many more.



Thursday, July 21, 2022

REVIEW: Get Out Alive Via Haven Now Playing at Den Theater Through August 6, 2022

ChiIL Live Shows On Our Radar

Get Out Alive

Written by and Starring Nikki Lynette
Co-Directed by Roger Ellis and Lucky Stiff

at The Den Theater 



REVIEW:

By Guest Critic Catherine Hellmann

One in five adults experiences mental illness, according to the National Alliance on Mental Illness. But it’s one in a million who can take their extremely personal experiences with depression and turn it into a kick-ass musical. 

Which is exactly what singer-songwriter-activist NIkki Lynette has done with her autobiographical show “Get Out Alive” currently playing at The Den. Lynette speaks openly about her strained relationship with her mother; they adored each other, but Mom was so worried about her daughter following in her footsteps of bad choices that she smacks Lynette during an argument about boys…which, devastatingly, sets the precedent that people we love can hurt us. And leads Lynette down the very path her mother was trying to persuade her to avoid.  

Lynette shares and sings of trauma and loss. Of losing her beloved mother to cancer. Of not showering for a week, leading her best friend to tell her,”You smell how you feel.” Of being in the psych ward after a suicide attempt. She says she met others in the hospital who felt as alone as she did, so she promised to tell their story. 

The show includes video interviews with people talking about their mental health struggles. I really liked these segments because they were raw and honest, but also easy to follow. Some of the songs, while exhibiting Lynette’s powerful voice, were difficult to understand the lyrics. That was disappointing when her message is so important. Although, she did have a very funny song where Lynette relays her family suspects she is trying to steal her deceased mother’s fur coats. “Did I mention I’ve been a vegan for twenty years?” Which segues into the song,”Vegans Don’t Wear Fur!”  

The show’s set is designed like a runway at a fashion show. Anna Wooden’s costume design is goth and hip. The giant “paper doll” gowns were especially inspired. 

Two backup dancers accompany Lynette, and they are fantastic. Jacinda Ratcliffe as Echo #1 and Keeley Morris as Echo #2 are wonderful additions to the show. Their dancing was incredible. (Their energy made me feel 100 years old.) 

“Get Out Alive” has perfect timing with the introduction of a new national suicide hotline number, 988, being introduced. It’s 24/7 and an excellent resource if the caller is concerned for a friend or family member as well. It’s time as a society that we talk about mental illness which used to be shrouded in secrecy and shame. 

There is a giant tarp in the lobby of the theater where audience members can write what they do to stay happy, healthy, and alive. Someone had written to “stay away from negative people.” Mine was: “lots of theater & music!”    

A floral display in the theater resembles the shrines that are hurriedly thrown together after a disaster or yet another tragic shooting. It symbolizes that Nikki Lynette could have needed a funeral, but she had the courage and resolve to live.  

Catherine Hellmann teaches at a therapeutic day school with teens who struggle with mental illness. Being a kid these days is hard enough. She urges everyone to be kind and take their meds. 



 


Haven is pleased to continue its 2021-22 season with Nikki Lynette’s multidisciplinary afrogoth musical Get Out Alive, co-directed by Roger Ellis and Lucky Stiff, which features the writer and her personal journey with mental health. Get Out Alive will play July 8 – August 6, 2022 at Haven’s resident home, The Den Theatre's Janet Bookspan Theatre, 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are currently available at https://havenchi.org  or by calling the Den Theatre Box Office at (773) 697-3830. 
 
The cast also includes DJ Jason “P1” Lloyd, Keeley Morris and Jacinda Ratcliffe.
 
Get Out Alive is a new interdisciplinary musical by independent artist, actor and activist Nikki Lynette. This autobiographical afrogoth musical is equal parts raucous, tender, intelligent and triumphant. Recounting her personal journey marked by abuse, grief, sexual assault and suicide, Lynette raises mental health awareness through the lens of a hip-hop concert. Using storytelling, song, dance, visual media and a live DJ, Lynette’s offbeat approach to sharing her personal mental health journey shows that even when life leads us to a bad place, we can always make it out alive.

 
According to the National Alliance on Mental Illness, 1 in 5 adults experience mental illness. In addition to stigmatization and lack of access to insurance and resources, lack of diversity and cultural competency among providers create significant barriers to mental health care access. These barriers disproportionately affect people of color and members of the LGBTQ+ community. This musical aims to deepen the conversation around mental health, leading to substantive change in the lives of individuals, particularly members of the Black and LGBTQ+ communities.
 
Comments writer/performer Nikki Lynette, “When I went into the psyche ward after a suicide attempt, I met all these people with the same issues as me, and they felt alone, too. I told them when I got out, I would use my platform to tell our stories — and I'm keeping my word.”
 
The production team includes Eleanor Kahn (scenic design), Anna Wooden (costume design), Gabrielle Strong (lighting design), Brett Ashleigh (sound design), Caitlin McLeod (props design, set dressing design), Keeley Morris (co-choreographer), Jacinda Ratcliffe (co-choreographer), Chris Owens (projections design), Ty Huey aka Lucy Stoole (hair and make-up design), Brannon Bowers (creative producer), Matt Hennessy (music producer), Devin Sullivan (master electrician), Allen Weusthoff (master carpenter), John Johnson (Audio 1), Jayce Lewis (production stage manager) and Angela Matera (assistant stage manager).
 
Haven is pleased to host two special events to accompany the run of Get Out Alive. On Sunday, July 17 from 12:30 pm - 2:30 pm, Haven will hold a pre-show Wellness Event featuring a panel of local wellness practitioners and vendors. ($10 suggested donation for entry). Following the Friday, July 22 performance, Haven will host Get Out and Thrive, featuring music by DJ Ca$h Era, dancing and joy.

PRODUCTION DETAILS:

Location: The Den Theatre's Janet Bookspan Theatre, 1331 N. Milwaukee Ave., Chicago
Dates: Previews: Friday, July 8 at 7:30 pm, Saturday, July 9 at 7:30 pm and Sunday, July 10 at 3 pm
Press performance: Wednesday, July 13 at 7:30 pm
Regular run: Thursday, July 14 – Saturday, August 6, 2022
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.
Tickets: Previews: pay-what-you-can. Regular run $36. Reserved seating $46. Student $21. Industry $31. Tickets are currently available at https://havenchi.org or by calling The Den Theatre Box Office at (773) 697-3830
 
Industry Night: Monday, July 25 at 7:30 pm
Open-Captioned Performances: Thursday, July 28 – Sunday, July 31.



COVID guidelines: In the interest of keeping patrons and staff safe, and in accordance with the League of Chicago Theatres, The Den Theatre will continue to require proof of vaccination to attend any event for the indefinite future. While masking is no longer required, The Den strongly encourages patrons to continue wearing a mask when not eating or drinking. For the most current information on The Den’s COVID guidelines, visit thedentheatre.com/covid19-policy.


 

About the Artists
 
Nikki Lynette (Book, Music, Lyrics, Performer, she/her) is a social impact artist and mental health activist. Her music is featured in popular shows on Netflix, Hulu, Showtime and more. Since going public about her suicide recovery in 2016, Nikki's outreach grew from a mental health video series for AFROPUNK to giving a TEDx Talk hosted by Princeton University. With her play Get Out Alive, Nikki made history as the first black female playwright to be produced by American Music Theatre Project and the first AMTP work to debut at Steppenwolf Theatre Company. She was recently honored with an Ambassador of the Year Award by NAMI, the largest grassroots mental health organization in America.
 
Roger Ellis (Co-Director, they/them) is a director-producer of tech-forward experimental performance projects. Ellis’ work explores identity, post-traumatic growth and the relationship between digital technology and the human body. Recent projects include the film adaptation of Nikki Lynette’s afrogoth musical Get Out Alive, and [re: CLICK], an app-based performance devised in response to Click by Jacqueline Goldfinger. Ellis’ choreography for AntigoneNOW was featured in the 27th Cairo International Festival for Experimental Theatre. Ellis’ work has been produced in Atlanta, NYC, Chicago and Southern California. Ellis is an Assistant Professor in the Department of Theatre at Northwestern University. rogerellis.com
 
Lucky Stiff (Co-Director, they/them) is a trans and nonbinary director, writer and performer working in Chicago and New York. They build original experiences that combine nightclub culture, theater and performance art which have been featured at the Museum of Contemporary Art Chicago, Steppenwolf Theatre Company, Blue Man Group, Boy Friday Dance Company and Bushwig Festival of Drag, among many others. Most recently they directed Hullabaloo by Sarah Schecter for #Enough: Plays To End Gun Violence, presented digitally by the International Thespian Society. They hold an MFA in Directing for Theater from Northwestern University.

 
About Haven:
 
Ian Damont Martin (Artistic Director, he/they) is a writer/director by passion and a creative executive by trade. Ian is the Artistic Director of Haven Chicago, and the executive director of Inclusion & Belonging at the Art Institute of Chicago. Ian has worked with a number of arts and cultural institutions, including Enrich Chicago: a collaborative of arts, culture and funding institutions collectively engaging in the work of anti-racist and racial equity organizing. In 2016, he was awarded the Joyce Foundation-funded artistic producing apprenticeship at Goodman Theatre. Selected directing credits include Shakespeare’s Titus Andronicus, Twelfth Night and The Tempest; an adaptation of The Ridiculous Darkness by Wolfram Lotz for Sideshow Theatre; The Toilet by Amiri Baraka for Haven Chicago; a reading of The America Play by Susan Lori-Parks for Goodman Theatre. Ian is originally from Cincinnati, OH and gives love and gratitude to the people who helped shape the person he is today. iandamontmartin.com
 
Angela Salinas (Executive Director, she/her/hers) moved to Chicago in 2017 for the prestigious, year-long Production Management Apprenticeship at the Goodman Theatre. She had previously worked in several regional theaters including: The Oregon Shakespeare Festival, The Shakespeare Theatre of New Jersey, and Cal Shakes. Later that same year, Angela joined Haven Theatre serving as the Assistant Production Manager for that season's Director’s Haven. In January 2018, she was hired on as Haven’s General/Production Manager, and finally as of September 2019, Angela officially took the reins as the full-time Executive Director of Haven. Angela graduated with a Bachelor of the Arts in Stage Management and Lighting Design from California State University, Fresno. angelasalinas.com
 
MISSION
We embolden visionary artists to practice and hone their craft by providing an equitable haven of opportunity for the creation of innovative performance, theatre and media arts.
 
VALUES
Centering our artists, audiences and the work, Haven Chicago commits to the following values:
 
People First –We honor people for their stories, talents, contributions and spirit of collaboration by creating a safe and equitable working environment. 
 
Inclusion – We aim to be accessible to all. As an anti-racist, multicultural institution, we value diversity, equity and inclusion.
 
Accountability – We cultivate trust and accountability to our community and mission through clear communication and intention.
 
Mentorship – We foster mentorship as a way of giving back to the community and carve pathways for the next generation of artists.
 

Broadway In Chicago Season To Feature 1776, TINA – THE TINA TURNER MUSICAL, A SOLDIER’S PLAY, JAGGED LITTLE PILL, and MJ


BROADWAY IN CHICAGO SEASON TO FEATURE

1776, TINA-THE TINA TURNER MUSICAL, A SOLDIER’S PLAY,

JAGGED LITTLE PILL, AND MJ

Now Available to Current Subscribers for Renewal


Current subscribers can now renew by visiting BroadwayInChicago.com or calling (312) 977-1717. New subscriptions will go on sale to the public on Monday, August 15, 2022. Subscriber benefits include savings of up to 58% off ticket prices this season, discounts on both parking and suite service, invitations to Broadway In Chicago exclusive events, free exchange privileges based on availability and more.

The Broadway In Chicago line-up, including performance dates and venues, is as follows:

1776

February 28 – March 12, 2023

CIBC Theatre (18 W. Monroe St.)

What will it take to get two dozen powerfully passionate, exceedingly complicated, and all-too-human individuals to settle their differences, while they hold the very future of a nation in their hands? American Repertory Theater/Roundabout Theatre Company’s new production of the Tony Award(R)-winning Best Musical, 1776, is a tuneful, witty, and constantly surprising reexamination of a pivotal moment in American history from directors Jeffrey L. Page (Violet) and Diane Paulus (Waitress). 1776 comes to Chicago with the celebrated Broadway cast that reflects multiple representations of race, gender, and ethnicity. You may never think about our country—who we are and why—the same way again.  


TINA – THE TINA TURNER MUSICAL

March 14 – April 2, 2023

James M. Nederlander Theatre (24 W. Randolph St.)

HER VOICE IS UNDENIABLE. HER FIRE IS UNSTOPPABLE. HER TRIUMPH IS UNLIKE ANY OTHER.

An uplifting comeback story like no other, TINA – THE TINA TURNER MUSICAL is the inspiring journey of a woman who broke barriers and became the Queen of Rock n’ Roll.


A SOLDIER’S PLAY

April 4 – 16, 2023

CIBC Theatre (18 W. Monroe St.)

A SOLDIER’S PLAY, the 1982 Pulitzer Prize-winning thriller by Charles Fuller, has rocketed back into the spotlight, thanks to this 2020 Tony Award®-winning Best Revival from Roundabout Theatre Company. In 1944, on a Louisiana Army base, two shots ring out. A Black sergeant is murdered. And a series of interrogations triggers a gripping barrage of questions about sacrifice, service, and identity in America. Broadway’s Norm Lewis leads a powerhouse cast in the show Variety calls “a knock-your-socks-off-drama," directed by Tony winner Kenny Leon. 




JAGGED LITTLE PILL

April 11 – 23, 2023

James M. Nederlander Theatre (24 W. Randolph St.)

SOME SHOWS YOU SEE. THIS SHOW YOU FEEL.

Joy, love, heartache, strength, wisdom, catharsis, LIFE—everything we’ve been waiting to see in a Broadway show— is here in the exhilarating, fearless new musical based on Alanis Morissette’s world-changing music. Directed by Tony Award winner Diane Paulus (Waitress, Pippin, upcoming 1776) with a Tony-winning book by Diablo Cody (Juno) and Grammy-winning score, this electrifying production about a perfectly imperfect American family “vaults the audience to its collective feet” (The Guardian). “Redemptive, rousing and real, JAGGED LITTLE PILL stands alongside the original musicals that have sustained the best hopes of Broadway." (The New York Times) 

You live, you learn, you remember what it’s like to feel truly human… at JAGGED LITTLE PILL.  


MJ

August 1 – September 2, 2023 

James M. Nederlander Theatre (24 W. Randolph St.) 

Production Photos Available Here. 


The music. The showmanship. The icon. Now, the unparalleled artistry of the greatest entertainer of all time comes to Chicago as MJ, the Tony Award®-winning new musical centering on the making of the 1993 Dangerous World Tour, begins a tour of its own. Created by Tony Award®-winning Director/Choreographer Christopher Wheeldon and two-time Pulitzer Prize winner Lynn Nottage, MJ offers not just Michael Jackson's singular moves and signature sound, but also a thrilling glimpse into the creative spirit and obsessive mind that created the biggest pop superstar the world has ever known. MJ is startin' somethin' as it makes its national tour premiere at the James M. Nederlander Theatre in August 2023.


ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 22 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.

Masks are recommended, but not required. Our COVID protocol can change without notice. For complete information on our COVID protocol visit www.BroadwayInChicago.com/covid19.

For more information and tickets, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Twitter @broadwaychicago 

● Instagram @broadwayinchicago ● #broadwayinchicago


Wednesday, July 20, 2022

OPENING: Dreamgirls, A MUSICAL ROLLERCOASTER OF FAME, FORTUNE AND FRIENDSHIP, OPENS PARAMOUNT THEATRE’S 11TH BROADWAY SERIES, August 31-October 16, 2022

ChiIL Live Shows On Our Radar

Paramount Theatre is launching its 11th Broadway Series with 

Dreamgirls 

August 31-October 16, 2022  

Note: Dreamgirls is suggested for ages 10 and up due to adult language and relationship content.



Paramount Theatre wants all of Chicago to meet Effie, Lorrell and Deena, three talented young Black singers in the turbulent 1960s whose rise to the top will test their friendships to the very limit. 

Paramount Theatre’s Dreamgirls features (bottom, from left) Taylor Marie Daniel as Deena, Mariah Lyttle as Lorrell and Breyannah Tillman as Effie, with Lorenzo Rush Jr. as Curtis Taylor, Jr. and Ben Toomer as Jimmy “Thunder” Early. 


That’s right, we’re talking about Dreamgirls, the Tony-winning musical inspired by The Supremes that spawned an Oscar-winning movie. And where better to see a full-blown production of this seminal musical than at Aurora’s beautiful Paramount Theatre, launching its 11th Broadway Series with Dreamgirls, August 31-October 16, 2022. 

Travel back with Paramount to the 1960s. The Motown sound is on the rise, and the Dreamettes are three young women trying to break their way onto the music scene. When car salesman Curtis Taylor, Jr. signs the trio to a record label, he sets in motion a series of events that will forever change their lives, for better and for worse. Join the Dreamgirls as they navigate the highs and lows of life, love and fame. And remember, all you gotta do is dream.

Christopher D. Betts will direct, and Dreamgirls marks his hometown debut. A Chicago native, Betts is a New York-based director, writer, producer, and NYU professor, who recently completed his MFA in Directing at Yale School of Drama. 

Previews start August 31. Opening Night is Friday, September 9, at 8 p.m. Performances run through October 16, 2022: Wednesdays at 1:30 p.m. and

7 p.m.; Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at 3 p.m. and 8 p.m.; Sundays at 1 p.m. and 5:30 p.m. (exception: No 1:30 p.m. matinee on Wednesday, August 31).

Four-play 2022-23 subscriptions including Dreamgirls and three more amazing musicals - The Sound of Music, Into the Woods and School of Rock - for new subscribers are on sale now, starting at just $56. Single tickets to Dreamgirls are $28 to $79 and go on sale Monday, July 25, at 10 a.m. 

Paramount Theatre is located at 23 E. Galena Blvd. in downtown Aurora. For tickets and information, visit paramountaurora.com, call (630) 896-6666, or stop by the Paramount box office Monday through Saturday, 10 a.m. to 6 p.m. 


Dreaming Big: Behind the scenes of Paramount’s 2022-23 opener

“I am thrilled to be returning to the Chicagoland area to direct Dreamgirls at Paramount. As a Chicago native, it is a dream come true to reintroduce myself to my community as a director — with my favorite musical — after matriculating from NYU Tisch and The Yale School of Drama,” said director Christopher D. Betts.

“The American Theatre is undergoing a crucial social justice reckoning, and our industry is beginning to bend toward the inclusion of people who belong to the communities represented onstage as leaders of the theatrical process. I am an example of this. Dreamgirls represents a similar moment in history when Black artists were beginning to have a fighting chance at impacting the music industry. I am committed to being reverent to this historic and iconic moment in Black History. I hope this production will not only affirm that our dreams are valid but inspire a new dream for the future.”

Paramount’s Dreamgirls are Taylor Marie Daniel as Deena, Mariah Lyttle as Lorrell and Breyannah Tillman as Effie, with Lorenzo Rush Jr. as Curtis Taylor, Jr. and Ben Toomer as Jimmy “Thunder” Early. Naima Alakham, Daryn Alexus, Averis I. Anderson, Christian Denzel Bufford, Shantel Cribbs, Raven Monique Dockery, Gilbert Domally, Joshua L. Green, Evan Tyrone Martin, Dwayne P. Mitchell, Austin Nelson Jr., Juwon Tyrel Perry, Wildlin Pierrevil, Maurice Rex Randle, Nissi Shalome, Aalon Smith, Shelbi Voss, Aeriel Williams and Eustace J. Williams are the Dreamgirls ensemble.

The production team is Christopher D. Betts, director; Amy Hall Garner, choreographer; Christie Chiles Twillie, music director and conductor; Jeffrey D. Kmiec, scenic designer; Samantha C. Jones, costume designer; José Santiago, lighting designer; Adam Rosenthal, sound designer; Mike Tutaj, projection designer; Reuben Echoles, wig, hair and makeup designer and associate casting director; Jesse Gaffney, properties designer; Quenna Lené Barrett, assistant director; Mya King, assistant choreographer; Kailey Rockwell, associate music director and associate conductor; Jessica Forella, stage manager; and Jaci Entwisle, assistant stage manager. 

The original Broadway production of Dreamgirls opened at New York’s Imperial Theatre on December 20, 1981. The musical played 10 previews and 1,521 performances before closing August 11,1985, earning 13 Tony nominations and winning six. Henry Krieger’s music and Tom Eyen’s book and lyrics and book are unstoppably excellent. The original Broadway production was directed and choreographed by Michael Bennett. Orchestrations are by Harold Wheeler.

The musical spawned the 2006 DreamWorks/Paramount Pictures film of the same name, written and directed by Bill Condon, featured stars like Jamie Foxx, Beyoncé Knowles, Eddie Murphy, Danny Glover, and famously earned an Oscar for Chicago’s own Jennifer Hudson for her supporting role as Effie. 

Director biography

Christopher D. Betts, a native of Chicago, considers reintroducing himself to the Chicagoland area as the director of Dreamgirls at Paramount a dream come true. Upcoming: The Color Purple (North Carolina Theatre) and Trouble in Mind (Hartford Stage). Betts recently directed Choir Boy (Yale Rep), Legally Blonde (NYU Tisch), In the Southern Breeze (Off-Broadway) and Dutch Kings (Off-Off-Broadway). At Yale Cabaret, he directed Is God Is, We Are Proud to Present…, Fireflies, littleboy/littleman, School Girls; Or, The African Mean Girls Play; and How Black Girls Get Over Fuckbois, Vol. 1 and The Winter’s Tale at Yale School of Drama. Betts is also the creator, writer, director, and executive producer of MAJOR, a film executive produced by Tarell Alvin McCraney. Other collaborations include Spring Awakening (NYU Tisch); Shakespeare’s The Comedy of Errors (PopArt Johannesburg/Market Theatre Lab); The Cave: A Folk Opera (New York premiere); Carrie (2015 Broadway World Best Musical nomination); a series of new works with the OBIE Award-winning Fire This Time Festival; workshops of Goodnight Tyler (Kennedy Center/Alliance Theatre) and Refuge of the Damned (Long Wharf); and Barbecue (movement director, The Public Theater). Betts is a recipient of the Julie Taymor World Theater Fellowship, the Richie Jackson Artist Fellowship, and a two-time recipient of the SDCF Observership. He has been an artist in residence at Kampala International Theater Festival and PopArt Johannesburg and a teaching artist at The Market Theatre Lab. Betts is currently a professor in the Department of Undergraduate Drama at NYU Tisch School of the Arts, New Studio on Broadway, and a support team member at artEquity, and The Joyce C. Willis Fellow at Hartford Stage. He received his B.F.A. with triple honors from NYU’s Tisch School of the Arts (Bachelor’s Representative) and M.F.A. in Directing from Yale School of Drama. christopherdbetts.com

Special Events

Pay What You Can Performances

Thursday, September 1, 7 p.m.

Saturday, September 3, 3 p.m.

Paramount is offering two Pay What You Can performances of Dreamgirls. Both days, starting at 10 a.m., visit the Paramount Theatre box office in-person to request tickets. Limit four per person. See paramountaurora.com/pay-what-you-can for details. 


Divine Nine Night at Dreamgirls Saturday September 10, 8 p.m.

Midwest chapters of the “Divine Nine” Black sororities and fraternities will join together for a special night at Paramount’s Dreamgirls, furthering the council’s mission to educate and uplift the Black community from racial inequities.

Civic Organization Night at Dreamgirls Saturday, September 17, 8 p.m.

Local civic organizations, community and political leaders and black owned businesses are invited to this special night at Paramount’s Dreamgirls to celebrate the community-building power of live theater.

Church Night at Dreamgirls Sunday, September 18, 5:30 p.m.

Chicago-area congregations are invited to praise the power of faith, perseverance, gospel music and the sounds of Motown at Church Night at Dreamgirls. 

To learn more, get involved or for information on how to get discounted group tickets to any Dreamgirls special event, contact Melissa Striedl, melissas@paramountarts.com or (630) 723-2461.


Access Services

Paramount offers assistive listening devices free of charge at all performances. Check in at the coat room before the show to borrow a listening device.

If you require wheelchair or special seating or other assistance, please contact the box office at (630) 896-6666 or boxoffice@paramountarts.com in advance.

Paramount will offer an American Sign Language interpreted performance on Friday, October 14, at 8 p.m.

An open and closed captioned performance is TBA.

Paramount Theatre’s Covid-19 commitment to and safety and protocol

Paramount Theatre has followed, and will continue to follow, the requirements of the State of Illinois and the Kane County Health Department. Therefore, Paramount is following the guidance of the State of Illinois and recommends, but no longer requires, masks, proof of vaccination or negative COVID test for patrons. Mask wearing is strongly encouraged, but will be optional. For complete details, please read Paramount’s full Covid Policy. 


What’s next in Paramount’s 11th Anniversary Broadway Series?

Set in Austria 1938 on the brink of World War II, The Sound of Music is the unforgettable Rodgers and Hammerstein classic musical about Maria, a young woman who takes a job as governess of the von Trapp Family while deciding whether to become a nun. After falling in love with the children, and eventually, Captain von Trapp, a clever ruse leads to the family’s daring escape from the Nazis through the Austrian Alps. Paramount’s Amber Mak directs. Performances are November 9, 2022-January 8, 2023. Opening Night is Friday, November 18, at 8 p.m.

Into the Woods, a seminal work by the late Stephen Sondheim, reimagines Little Red Riding Hood, Jack and the Beanstalk, Rapunzel, Cinderella and other Brothers Grimm characters in one of the most astounding and original fairytale retellings the stage has ever seen. Paramount Artistic Director Jim Corti and Associate Artistic Producer Trent Stork co-direct Paramount’s journey Into the Woods. Performances are February 1-March 19, 2023. Opening Night is Friday, February 10, at 8 p.m.

Now we’re rocking, because Paramount Theatre’s 11th season finale is School of Rock, the fun-loving musical based on the popular Jack Black movie, from the genius mind of Andrew Lloyd Webber. Trent Stork directs. Performances are April 12- May 28, 2023. Opening Night is Friday, April 21, at 8 p.m.

Just as it has since it launched its first Broadway Series in 2011, Paramount still offers the same “Buy Two Shows, Get Two Shows Free” subscription offer. Broadway Series packages start as low as $56. In fact, Paramount subscribers pay no more than $39.50 per show, and that’s the most expensive ticket. Fees not included.

Join the growing ranks of more than 33,000 Broadway Series subscribers at downtown Aurora’s Paramount Theatre. To subscribe, visit ParamountAurora.com, call (630) 896-6666, or stop by the Paramount Theatre, 23 E. Galena Blvd. in downtown Aurora.


Also coming this fall as part of Paramount’s new BOLD Series:

BULL: a love story 

Nancy García Loza



Paramount closes its inaugural BOLD Series with the world premiere of BULL: a love story, written by Nancy García Loza, directed by Laura Alcalá Baker. 

Bull dealt drugs, got caught, and served his time. For a decade, he’s thought about one thing: coming home. On the day Bull is released from prison, he returns to his old Chicago neighborhood, Lakeview, now unrecognizable. Hopeful and eager, he is ready to resume life with his family, only to discover how much has moved on without him. His dream now within grasp, what will it take to get home? 

Previews start October 5, 2022. Performances run through November 20 at Paramount’s new Copley Theatre, 8 E. Galena Blvd. in downtown Aurora. For tickets and information, visit paramountaurora.com, call (630) 896-6666, or stop by the Paramount box office Monday through Saturday, 10 a.m. to 6 p.m. Suggested rating 13+.

BULL: a love story is presented as part of Destinos, 5th Chicago International Latino Theater Festival, produced by the Chicago Latino Theater Alliance (CLATA). Destinos is an annual, citywide event showcasing top Latino theater artists and companies from Chicago, the U.S. and Latin America, September 15-October 16, 2022. Learn more at destinosfest.org.


About Paramount Theatre

Paramount Theatre, 23 E. Galena Blvd., is the center for performing arts in Aurora, the second largest city in Illinois. The beautiful, 1,843-seat theater, graced with a strong 1930s Art Deco influence and original Venetian décor, nationally known for its high-quality productions, superb acoustics and historic grandeur, has been downtown Aurora’s anchor attraction since 1931.

After launching its own Broadway Series in 2011, Paramount Theatre grew to be the second largest subscription house in the U.S. Before Covid, more than 41,000 subscribers from all over Chicagoland and the Midwest were enjoying Paramount’s critically acclaimed, 2019-20 Broadway-caliber productions. In addition, Paramount also presents an array of internationally known comedians, musicians, dance troupes and family shows annually.

Paramount Theatre is one of four live performance venues programmed and managed by the Aurora Civic Center Authority. ACCA also oversees downtown Aurora’s newly renovated 165-seat Copley Theatre, home to Paramount’s new BOLD Series, along with the Paramount School of the Arts, RiverEdge Park, the city’s 6,000-seat outdoor summer concert venue, and Stolp Island Theatre, an immersive space opening in summer 2023.

Paramount Theatre continues to expand its artistic and institutional boundaries under the guidance of Tim Rater, President and CEO, Aurora Civic Center Authority; Jim Corti, Artistic Director, Paramount Theatre; a dedicated Board of Trustees and a devoted staff of live theater and music professionals.

For the latest updates, visit ParamountAurora.com or follow @ParamountAurora on Facebook, Instagram or Twitter.

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