REVIEW: Jeeves Saves the Day at First Folio Theatre at the Mayslake Peabody Estate in Oakbrook Through March 1, 2020

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FIRST FOLIO THEATRE PRESENTS 

JEEVES SAVES THE DAY 

FEBRUARY 1 – MARCH 1

All photos by Tom McGrath

Guest Review 

By Catherine Hellmann

(Setting: A walk in Rogers Park on a chilly, slushy day.)

Me: Want to see a play with me next weekend?

Emily, my oldest, who is often a theater skeptic: Hmmm...what is it? 
Me: It’s British humor. 
Emily: Okaaayy…
Me: It’s in the ‘burbs. Free parking! (Emily has transitioned to the suburbs and often praises the ample no-cost parking to me.) 
Emily: Hmmm…
Me: It’s in a mansion. 
Emily: All right. 

And so my daughter agreed to join me for Jeeves Saves the Day by First Folio Theatre at the Mayslake Peabody Estate in Oakbrook. It’s a delightful show with great characters, a beautiful set, and fun costumes. 

Dan Klarer (Egbert), Lucinda Johnston (Aunt Agatha)

There is a funny script by Margaret Raether based on the characters by P.G. Wodehouse. The play opens with Bertie in the dining room, his head down despondently on the table. He has managed to get engaged to a wealthy woman whom he doesn’t love, and now he worries how he will get himself out of this entanglement.  Christian Gray and Jim McCance have these roles down pat from having portrayed Bertie Wooster and Jeeves, respectively, in five productions now. When Bertie hears that his awful Aunt Agatha will be visiting, he wonders aloud why he dreads seeing her. “Experience,” Jeeves explains drily. 

Jim McCance (Jeeves), Sean Sinitski (Sir Roderick), Lucinda Johnston (Aunt Agatha),

Christian Gray (Bertie)

Lucinda Johnston as over-the-top annoying Aunt Agatha is perfectly irritating. She is thrilled about her nephew’s social-climbing engagement. He wants to weasel out of his situation. She tells Bertie that in order for his “spine to hurt, he must possess one.” In a word association game, Bertie refers to his aunt as “my nemesis.” (For “alcohol,”  he promptly answers, ”Always,”)

Jim McCance (Jeeves), Christian Gray (Bertie)

Dan Klarer deserves special recognition as hilarious Cousin Egbert who is on a drawn-out scavenger hunt, continually bringing home odd items. (The best one is a large birdcage with straps that he wears like a backpack.) His physicality and odd movements are very funny and really add to the character’s goofiness.    

The wordplay is clever, as when a character thinks they see “an apprehension” instead of an “apparition,” and someone else refers to the “banana peels of life.” The language is a treat, as is the entire play.

And you get to see a show in a mansion...with free parking! 

Cath Hellmann is an educator and theater junkie living in Chicago. 

Opening Night

From left to right: Natalie Rae, Sean Sinitski, Lydia Hiller, Dan Klarer, Jim McCance, Joe Foust, Almanya Narula, Christian Gray, Lucinda Johnston

To begin the new year with laughs a-plenty, First Folio Theatre (Mayslake Peabody Estate, 31st St & Rt. 83) presents the World Premiere production of JEEVES SAVES THE DAY, by Margaret Raether, to continue its 2019-2020 season. Based on stories by P.G. Wodehouse and directed by Artistic Associate Joe Foust, JEEVES SAVES THE DAY previews January 29-31, opens February 1, and runs through March 1, 2020.

Lucinda Johnston (Aunt Agatha), Jim McCance (Jeeves)

Jim McCance (Jeeves), Christian Gray (Bertie)

The indefatigable Jeeves and his balmy employer Bertie Wooster are back. Once again, Bertie finds himself suffering the slings and arrows of misfortune at the hands of his relatives, caught between the magisterial machinations of his fierce Aunt Agatha and the plaintive pleadings of his cousin Egbert. Throw in the imperious Sir Roderick Glossop and the sexy chanteuse Red Hot Maisie Dawson, and you’ve got another precarious predicament that cannot be overcome…unless one calls upon the redoubtable Jeeves to save the day.

Almanya Narula (Maisie), Jim McCance (Jeeves), Dan Klarer (Egbert), Christian Gray (Bertie)

“We are thrilled to present this humor-filled production of JEEVES SAVES THE DAY to First Folio Theatre audiences this winter,” said Director Joe Foust. “We’ve followed Jeeves and his many adventures since First Folio Theatre began telling the Jeeves tales in 2008, and this new tale is filled with more energy and comedy than ever! Our two leads are reprising their roles of Bertie and Jeeves for the fifth time and their characters will experience a predicament unlike any they have faced before. We know audiences will relish the hilarity, hoping that once again Jeeves can save the day.”

In their fifth foray into the roles of Bertie and Jeeves, JEEVES SAVES THE DAY stars Christian Gray as Bertie Wooster and Jim McCance as Jeeves. The production also features Lucinda Johnston (Aunt Agatha), Dan Klarer (Egbert Bakewell), Sean Sinitski (Sir Roderick Glossop) and Almanya Narula (Red Hot Maisie Dawson). 

Almanya Narula (Red Hot Maisie Dawson)

The production and design crew includes Lydia Hiller (Assistant Director), Angela Weber Miller (Scenic Design), Rachel Lambert (Costume Design), Richard Norwood (Lighting Design), Christopher Kriz (Original Music and Sound Design), Wendy Huber and Margaret Garofalo (Properties Design), Dean Gnadinger (Technical Director), Joe Foust (Movement Designer) and Sarah West (Stage Manager) with Wallace Craig (Production Valet).

Performances take place at the Mayslake Peabody Estate, located at 1717 31st St., off Rt. 83, in Oak Brook. First Folio is easy to get to via the East-West Tollway (I-88) or the Stevenson Expressway (I-55). Free parking is available on the grounds. Preview tickets are $25. Regular priced tickets are $34 Wednesdays and Thursdays (seniors and students are $29), and $44 on Fridays through Sundays (seniors and students are $39). Tickets are on sale now and may be purchased by calling the box office at 630.986.8067 or online at www.firstfolio.org.

Sean Sinitski (Sir Roderick), Jim McCance (Jeeves), Lucinda Johnston (Aunt Agatha),

Christian Gray (Bertie)

CLUTCH RELEASE BRAND NEW STUDIO RECORDING OF "SPACEGRASS" AS PART OF THE "WEATHERMAKER VAULT SERIES"

Clutch announce the release of the new studio recording of the track “Spacegrass.” The single is the fifth in a series of new studio recordings that comprise the Weathermaker Vault Series. 

“Spacegrass” was first released on Clutch’s self-titled album in 1995, and it stands as one of the key tracks in Clutch’s catalog of songs. 

“The lyrics got their start originally from something Tim wrote, “ says Neil Fallon. “It involved a Dodge Swinger and Jesus. I added some words, and one of them was ‘AstroTurf,’ but that had one too many syllables. So I changed it to ‘Spacegrass’ - and the rest is history. “

Available on all digital outlets here: https://orcd.co/pjl43eo.

“Spacegrass” was mixed by 6X Grammy Award winner and Clutch collaborator, Vance Powell (Wolfmother, The Raconteurs, Arctic Monkeys). 

CLUTCH:
Neil Fallon - Vocals/Guitar
Tim Sult - Guitar
Dan Maines - Bass
Jean-Paul Gaster - Drums/Percussion
 
For more information, check out the band’s website: www.pro-rock.com

Facebook: www.facebook.com/clutchband
Instagram: www.instagram.com/clutchofficial
Twitter: www.twitter.com/clutchofficial
Official: www.pro-rock.com
YouTube: www.youtube.com/user/officialclutch

Chicago Opera Theater Presents Freedom Ride With Chicago Sinfonietta at Studebaker Theater Through February 16, 2020

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World Premiere

FREEDOM RIDE

Commissioned by Chicago Opera Theater

Music & Libretto by Dan Shore

Conducted by Lidiya Yankovskaya

Directed by Tazewell Thompson

I'm elated to spend Valentines Day reviewing the world premiere of Dan Shore’s Freedom Ride, based on the Civil Rights Movement in New Orleans, at the Studebaker Theater. Developed at Xavier University in collaboration with activists who lived the history, Freedom Ride explores themes with searing social relevance, via a score that draws from Louisiana’s rich musical traditions. A diverse cast of Chicago-based artists and internationally acclaimed talent join the Chicago Sinfonietta to bring this powerful work to life.

When the Congress of Racial Equality comes to New Orleans in the sweltering summer of 1961, Sylvie Davenport is torn. Handed a pamphlet and asked to board a Greyhound bus, Sylvie is forced to choose between her academic future and the future of the nation in a story that highlights how far we’ve come and how far we still have left to go.

Tazewell Thompson (Blue, Jubilee) directs this world premiere new work, developed at Xavier University with the activists who lived the history. Staley Music Director Lidiya Yankovskaya conducts the critically acclaimed Chicago Sinfonietta.



Saturday, February 8, 2020 | 7:30 PM
Friday, February 14, 2020 | 7:30 PM
Sunday, February 16, 2020 | 3:00 PM

Conductor Lidiya Yankovskaya
Director Tazewell Thompson
Scenic Design Donald Eastman
Costume Design Harry Nadal
Projection Design Rasean Davonte Johnson
Lighting Designer Robert Wierzel
Assistant Conductor Kedrick Armstrong
Chorus Master Adrian Dunn

CAST:
Sylvie Davenport Dara Rahming
Leonie Baker Whitney Morrison
Georgia Davenport Zoie Reams
Russell Davenport Tyrone Chambers
Rev. Mitchell Cornelius Johnson
Clayton Thomas Robert Sims
Ruby Kim Jones
Mae, Chorus Samantha Schmid*
Gloria, Chorus, Georgia (Cover) Leah Dexter
Frances, Chorus Morgan Middleton*
Marc, Chorus Blake Friedman
Tommie, Chorus, Clayton (Cover) Vince Wallace
Chorus, Leonie Baker (Cover) Joelle Lamarre
Chorus, Russell (Cover) Cameo Humes
Reverend Mitchell (Cover) Curtis Bannister
Chorus, Mae (Cover) Kristina Bachrach
Chorus, Marc (Cover) William Ottow*
Chorus, Tommie (Cover) Keanon Kyles
Chorus, Gloria (Cover), Francis (Cover) Beena David



COT is thrilled to partner with Chicago Sinfonietta for Freedom Ride.

Since 1987, Chicago Sinfonietta has been a defiantly different kind of orchestra. The orchestra was founded by Maestro Paul Freeman to address the disconnect between the utter lack of diversity in orchestras and the vibrant, nuanced, communities for which they play. For nearly 30 years, we have made it our mission to represent the city of Chicago, reflecting that vibrancy on stage and in our programming, making classical music accessible for anyone.

In everything we do, we are inspired by our founder Paul Freeman (1936-2015). From humble roots in Richmond, Virginia, he grew to become a passionate musician and ultimately a brilliant conductor equally respected for his knowledge of music as he was for his natural leadership and charming sense of humor. He was the first African American conductor on the podium of more than 50 orchestras worldwide and conducted more than 100 orchestras in 28 countries over the course of his career. He served as chief conductor of the Czech National Symphony Orchestra in Prague (1996-2007) and the music director of the Victoria Symphony in Canada (1979-1989). He made more than 200 recordings in his career (on par with mega maestros such as von Karajan and Bernstein) and highlighted prominent, but under-recorded, diverse composers at every turn.

And, so it goes. The accomplishments of Paul Freeman are startling in their magnitude.

The orchestra’s 29 years have been highlighted by six European tours, two Kennedy Center performances, two Millennium Park concerts attended by over 19,000 people, and 15 recordings. For nearly 30 years, diversity, inclusion and bold and dynamic programming has been at the center of what we do. Rarely performed music by composers of color are a Sinfonietta staple and often include almost entirely lost compositions that are carefully pieced together and preserved through recording and/or the production of sheet music. Unusual instruments and musical styles like the bagpipes, steel drums, sitar, Indian Ghazal music, hip hop, and yes, even cell phones have served as centerpieces for Sinfonietta programs – some of the most daring musical collaborations any orchestra is putting on stage.

In 2011, Maestro Mei-Ann Chen began her tenure with the orchestra (as only the second Music Director in the Sinfonietta’s history). In her first season, the Sinfonietta was named by ASCAP as the recipient of the 2011-12 Award for Adventurous Programming and in 2013 was dubbed, “The city’s hippest orchestra” by the Chicago Tribune. From a battle of the bands with Mucca Pazza to collaborations with Young Chicago Authors, FootworKINGZ, and bass virtuoso, Victor Wooten the Sinfonietta has embraced the daring programming that has always been part of its history. In turn, audience response over the last five seasons has been unprecedented.

The legacy passed to Maestro Chen and all of us at the Sinfonietta goes far beyond what you see on stage. Maestro Freeman was, throughout his lifetime, a fierce advocate for early career, diverse musicians. Many of the musicians you see on stage (including our Concert Master since 1993, Paul Zafer) are the direct beneficiaries of this vision and personal investment that Maestro Freeman made in so many people. In 2008, this practice was formalized to create our Project Inclusion Fellowship Program. In the 9 seasons since this program began, Project Inclusion has served 45 fellows – more than all other similar fellowship programs in the country combined according to a 2016 League of American Orchestras study.

Freedom Ride is a part of Chicago Theatre Week!

Theatre week tickets are currently SOLD OUT, but check back for updates.

Special thanks to our sponsors for Freedom Ride:

Season Sponsors | Julie & Roger Baskes
Production Sponsor | Virginia Tobiason
Robert Sims Sponsors | Enriqueta & Ronald Bauer

This program is partially supported by a grant from the Illinois Arts Council Agency.

This project is supported in part by the National Endowment for the Arts.
The More & Genius Operating Reserve Fund provided partial support for this project.

NEW The Second City’s Temple of Geekdom: An Improvised Adventure Now Playing Mondays and C2E2 Weekend

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The Second City Presents 

Temple of Geekdom: An Improvised Adventure

A New Fully Improvised, Choose-Your-Own-Adventure Show

The Second City is excited to announce its new fully improvised show The Second City’s Temple of Geekdom: An Improvised Adventure. This “choose your own adventure” experience allows the audience to guide a party of improv adventurers and fracture their favorite fandoms in search of comedic gold. The show is directed by Second City alumnus and resident director Anthony LeBlanc and will be performed by a rotating cast of The Second City’s sharpest, geekiest, and most intergalactically fluent improvisers. 

The Second City’s Temple of Geekdom: An Improvised Adventure puts the audience in the driver’s seat as the cast sets off on this live-action role-playing game. At each step of the story, the audience will decide which into which universe the team will venture next—and which fandom they want to explore. With geeked-out custom improv games like “Super Heroes,” “Star Trek Away Team,” and “Dungeons & Tag-Ins,” this show promises no fan, stan, cosplayer, or even (gasp) Slytherin will be left behind. 

“Since playing the Star Wars character ‘Mace Windu’ in my very first show in Chicago, it has long been my dream to bring a show like this to The Second City. We’re taking the very best of what improv has to offer and pairing it with all the Easter eggs, deep cuts, and references that everyone will appreciate--from the most discerning pop culture fanatics to merciless, mutated Daleks,” says LeBlanc, who performed with Star Wars stalwart Warwick Davis last year in The Second City and Lucasfilm’s Rogue Pun: A Star Wars Show during Chicago’s Star Wars Celebration weekend.

The Second City’s Temple of Geekdom: An Improvised Adventure teleports into UP Comedy Club (230 W. North Avenue) February 24-May 25 on Mondays at 8 PM with an additional weekend run during C2E2 weekend, February 28-February 29. Tickets start at $18.00 and are available by phone at 312-337-3992 or online at www.secondcity.com.

About The Second City
Since opening its doors as a small cabaret theater in 1959, The Second City has grown into an entertainment empire. With sold-out shows playing 7 days a week on 10 stages in Chicago and Toronto, Second City’s Touring and Theatrical companies entertain an additional 1 million theatergoers a year around the globe. The Second City Training Center is the largest school of improvisation-based arts on the planet, with locations in Chicago, Toronto and Los Angeles that serve 11,000 students annually. In 2016, the Harold Ramis Film launched, becoming the world’s only film school dedicated to comedy. Second City Works, the B2B side of Second City, has brought award-winning improvisation and audience-driven techniques to over 600 Fortune 1000 companies, challenging businesses seeking a more collaborative culture to innovate through development programs, original digital and video content, campaign consultation, private events, and more. Second City Entertainment’s foray into television and media continues to produce new content and programming, including two-time Emmy winner SCTV and the upcoming Martin Scorsese-helmed Netflix documentary exploring the iconic series’ enduring legacy.

Alumni of The Second City include some of the world’s foremost comedy superstars, including Dan Aykroyd, John Belushi, Aidy Bryant, John Candy, Steve Carell, Stephen Colbert, Tina Fey, Keegan-Michael Key, Richard Kind, Eugene Levy, Jack McBrayer, Tim Meadows, Bill Murray, Mike Myers, Catherine O’Hara, Bob Odenkirk, Amy Poehler, Gilda Radner, Harold Ramis, Sam Richardson, Joan Rivers, Amy Sedaris, Martin Short, Cecily Strong, Jason Sudeikis, Fred Willard, and many more.

8th Annual Chicago Theatre Week 2020 Returns February 13-23, 2020

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ChiIL Out in Chi, IL with Discount Tickets to more than 
120 productions now on sale

Chicago Theatre Week 2020

February 13-23, 2020

Celebrate Valentine’s Day, honor Black History Month, 

and more

Here at ChiIL Live Shows and ChiIL Mama, we live, eat and breath Chicago's theatre scene, catching upwards of 25 productions a month. We've been thrilled to promote Chicago Theatre Week every year since its inception. This February, come out of hibernation and ChiIL out with Chi, IL's hottest theatre at cool discounts!

Daunted by the selection of shows? Want to find a good fit for your taste? Check out ChiILLiveShows.com (adult) & ChiILMama.com (family friendly) like we vote in Chi, IL... early and often. We have ticket giveaways, entertainment news, original photo features, reviews, and more. 





Audiences can celebrate Valentine’s Day, honor Black History Month, and more during Chicago Theatre Week (#CTW20).  With over 120 participating productions, there is something for everyone during Chicago Theatre Week, running February 13-23, 2020. Value-priced tickets, priced at $30, $15, or less, are now available at ChicagoTheatreWeek.com. 


Now entering its eighth year, Chicago Theatre Week is a highly anticipated event that allows visitors and locals to sample the extraordinary range of theatrical offerings throughout Chicago. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, more than 120 theatre productions are participating in neighborhoods throughout the city and suburbs. 


From joy to heartache and every feeling in between, Chicago theatre tells stories that evoke big emotions. Stories that take risks, inspire awe, ask tough questions – and dare audiences to do the same. From musicals to plays to comedy, theatre is for everyone in Chicago. Chicago Theatre Week is a celebration of the stories we share.



A selection of romantic musicals, plays and comedy productions for Valentine’s Day includes:


Jane Austen’s beloved novel Emma is now a deliciously charming musical at Chicago Shakespeare Theater! Privileged, pampered, and preoccupied with romance, Emma Woodhouse indulges in her pastime of misguided matchmaking, but remains quite clueless when it comes to her own feelings—and a gentleman named Mr. Knightley. This blissfully entertaining production promises to light a spark in your heart that will warm up even the coldest Chicago winter. 


Drury Lane Theatre presents the regional premiere of the beautifully captivating Gershwin musical An American in Paris. Based on the Academy Award winner for Best Picture, An American in Paris brings breathtaking moments of dance and song to the stage. The storied streets of the City of Light become the dancefloor to a ravishing and passionate voyage into art, friendship, and love, set to the music of George and Ira Gershwin.


Men Are From Mars – Women Are From Venus LIVE!, the Off-Broadway hit comedy based on The New York Times #1 best-selling book of the last decade by John Gray, comes to the Broadway Playhouse by popular demand. Moving swiftly through a series of vignettes, the show covers everything from dating and marriage to the bedroom. This hysterical show will have couples elbowing each other all evening as they see themselves on stage. Sexy and fast-paced, this show is definitely for adults, but will leave audiences laughing and giggling like little kids.


Happy Valen-TINAS Day at The iO Theater. Celebrate the month of love with Las Tinas, Chicago’s only improvised telenovela. These Latinx comedians create never-before-seen soap opera. Enter the telenovela world by being part of the drama, laugh at spicy comedy, and be showered with love (and tequila shots).


The iO Theater also presents Improvised Jane Austen. The long-running, all-female comedy team will conjure a tale on the spot in the style of the beloved 19th-century British novelist, Jane Austen.


Dances from the Heart at the Athenaeum Theatre showcases the most romantic works from Dance Chicago performers featuring an amazing array of dance styles such as aerial, tap, urban fusion, jazz, contemporary, Irish, Mexican folkloric, hip-hop and more.



A selection of anti-Valentine’s Day productions includes:


Tracy Letts' cult classic BUG— a luridly funny tale of love, paranoia and government conspiracy--makes its Steppenwolf Theatre debut with ensemble members Carrie Coon and Namir Smallwood. In a seedy Oklahoma motel room, a lonely waitress begins an unexpected love affair with a young drifter. And then they see the first bugs.


Steven Dietz’s world premiere psychological thriller How A Boy Falls plays at Northlight Theatre. A newly hired au pair named Chelle is thrust into the midst of a mystery when the sudden disappearance of a young boy casts suspicion on her and the boy's wealthy parents. The parents are seeking answers—and possibly revenge—while Chelle is hatching a dangerous scheme of her own.


How to Defend Yourself, a new play by Liliana Padilla at Victory Gardens Theater, circles around seven college students who gather for a DIY self-defense workshop after a sorority sister is raped. They learn how to “not be a victim”, how to use their bodies as weapons, how to fend off attackers. The form of self-defense becomes a channel for their rage, trauma, confusion, anxiety and desire–lots of desire.


Raven Theatre presents a vibrant and progressive new adaptation of A Doll’s House. Life with her husband, Torvald, is comfortable, if uninteresting. But when an old acquaintance reappears, threatening to bring Nora’s secrets to light, everything changes. As her marriage, her relationships, and her world crumble, she begins to speak her mind and question what she really wants for herself.




Relevant shows to honor Black History Month include:


Lifeline Theatre Artistic Director Ilesa Duncan and David Barr III revisit Charles Johnson’s epic tale, Middle Passage. A newly freed Illinois slave eking out a living in 1830 New Orleans stows away aboard an outbound rigger, to evade debtors enforcing marriage. But his clever escape backfires as the clipper turns out to be a slave ship bound for Africa. He must choose between a fanatical captain, a mutinous crew, and the Africans seeking escape. Building on a tradition of African American storytelling, this tale challenges perceptions of American identity using a Black aesthetic.


TimeLine Theatre presents James Ijames’ Kill Move Paradise, a powerful and provocative reflection on recent events, illustrating the possibilities of collective transformation and radical acts of joy. Inspired by the ever-growing list of slain unarmed black men and women, Kill Move Paradise is a portrait of those lost—not as statistics, but as heroes who deserve to be seen for the splendid beings they are.


Voice of Good Hope at City Lit Theater is a dramatic portrait of Barbara Jordan, the first African American congresswoman to be elected from the Deep South.


MPAACT presents the world premiere of Spoken Word at Greenhouse Theater Center. Written by Shepsu Aakhu and directed by Lauren "LL" Lundy, Spoken Word takes place in a small community dominated by hearsay, fear, outrage, and over-reaching authority figures. On the isolated campus of a Midwest university - sex, race, and gender collide in an epic culture war.


Writers Theatre presents Stick Fly, written by Lydia R. Diamond and directed by WT Resident Director Ron OJ Parson. Sibling rivalries and parental expectations come to a head as family secrets emerge during a weekend away that becomes more “interrogation” than “relaxation” in this witty and moving rollercoaster of a family comedy-drama. 


Dominican University Performing Arts Center presents We Shall Overcome: A Celebration of Dr. Martin Luther King, Jr., a joyful celebration of music from across the African American that electrified generations of Civil Rights activists and defenders, interwoven with spoken word from Dr. King’s recorded speeches.


Broadway In Chicago presents SUMMER: The Donna Summer Musical at the James M. Nederlander Theatre. She was a girl from Boston with a voice from heaven, who shot through the stars from gospel choir to dance floor diva. But what the world didn’t know was how Donna Summer risked it all to break through barriers, becoming the icon of an era and the inspiration for every music diva who followed. With a score featuring more than 20 of Summer’s classic hits including “Love to Love You Baby,” “Bad Girls” and “Hot Stuff,” this electric experience is a moving tribute to the voice of a generation.


Re-imagined for 2020 and infused with a contemporary comedic spin, The Second City’s Black History Month Show sets the stage for an uproarious night of laughter delivered by a new generation of rising comedians in a celebratory showcase of the incredible history and work artists of color have brought to The Second City’s stages.


The Chicago Symphony Orchestra presents The Piano Soul of Nat King Cole featuring Jeff Lindberg’s Chicago Jazz Orchestra with special guests Kenny Barron, Benny Green & Russell Malone.


Before Nat King Cole emerged as one of America’s most popular singers, he was making waves as an influential jazz pianist and expert arranger in his adopted hometown of Chicago. Marking the 2019 centennial of Cole’s birth, this unique concert will celebrate his instrumental roots in a program created specifically for the Symphony Center Presents Jazz series.





Additional productions for musical lovers include:


Firebrand Theatre presents Always...Patsy Cline at The Den Theatre. This moving musical, complete with laughs, down home country charm, and sisterhood, includes many of Patsy’s unforgettable hits such as “Crazy,” “I Fall to Pieces,” “Sweet Dreams” and “Walking After Midnight”… 27 songs in all!  The show’s title was inspired by Patsy’s letters to Louise, which were consistently signed “Love ALWAYS… Patsy Cline.”


In The House Theatre of Chicago’s Verböten at the Chopin Theatre, a Chicago band made up of outsider teens with seriously complex home lives gears up for a show at The Cubby Bear that is sure to change their lives forever, can they keep their parents from destroying the fabric of their self-made punk rock family?


Brown Paper Box Co. presents If/Then at the Athenaeum Theatre, a new musical with unforgettable songs and a deeply moving story by the Pulitzer Prize- and Tony Award-winning creators of Next to Normal, If/Then paints a moving portrait of the lives we lead, as well as the lives we might have led.


Underscore Theatre presents its 6th annual Chicago Musical Theatre Festival (CMTF), created to showcase and support the growing field of musical theatre creators from Chicago and beyond. After receiving more than 35 submissions, Underscore chose eight new musicals for this year’s Festival to be presented in full productions.



A selection of other notable works includes:


For its winter engagement, The Joffrey Ballet presents The Times Are Racing, a mixed repertory program featuring choreography from four of the most influential artists working today, including the Chicago premiere of Justin Peck's 2017 ballet for which the program gets its name, two pieces by Israeli choreographer and former Batsheva Dance Company member Itzik Galili, a Christopher Wheeldon classic, and a new work from Chicago's Stephanie Martinez, 2015 winner of the Joffrey's Winning Works choreographic competition.


Puccini's timeless Madama Butterfly returns to the Lyric Opera of Chicago. Experience love, betrayal, & sacrifice with this love story that reaches across cultures, oceans, and time. A wonderful first opera experience, Madama Butterfly epitomizes the best of this multifaceted art form, beautifully incorporating romantic tragedy with sublime musical storytelling.


16th Street Theater in Berwyn presents Alabaster, a darkly comic southern drama about love, art and the power of women. After a tornado barrels through North Alabama leaving nothing but death and destruction, only June and her wisecracking pet goat Weezy live to tell the tale.  When Alice, a prominent photographer, arrives to take pictures of June’s scars, all are tipped to the breaking point in this beautiful story of life after death.



A complete list of participating productions is at ChicagoTheatreWeek.com. Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago. The official hashtag for Chicago Theatre Week 2020 is #CTW20.


Last year, in February 2019, 139 participating productions offered value-priced tickets to 593 individual performances during Chicago Theatre Week. The initiative continues to see increased sales year over year, with 12,700 Theatre Week tickets sold in 2019. Chicago Theatre Week brings in new audiences to area theatres with an average of 63% of attendees visiting their chosen theatre for the first time. Theatre Week also proved to be a draw for visitors from outside Chicago with 17% of patrons coming from beyond 50 miles of the city, spanning 36 states and several countries.



About Chicago theatre

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Last year alone Chicago theatre companies produced more than 100 world premiere productions and adaptations. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. 



League of Chicago Theatres’ Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres which leverages its collective strength to support, promote, and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.


For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Half-price tickets to the current week’s performances as well as future performances are available at HotTix.org and at the two Hot Tix half-price ticket locations: across from the Chicago Cultural Center at Expo72 (72 E. Randolph) and Block Thirty Seven (108 N. State).

BAUHAUS TICKETS ON SALE Wednesday, February 5th: DALLAS AND CHICAGO SHOWS

ChiIL Live Shows on our radar

BAUHAUS 

Featuring Peter Murphy, Daniel Ash,

Kevin Haskins and David J 

ANNOUNCES

DALLAS AND CHICAGO SHOWS

Tickets On Sale Wednesday, February 5th

Thursday, July 23, 2020
The Bomb Factory
Dallas, TX
Ticket Link: www.axs.com/events/390024/bauhaus-tickets?skin=bombfactory

Saturday, July 25, 2020 
Aragon Ballroom
Chicago, IL
Ticket link:  www.ticketmaster.com/event/0400583F97D04FC0


Other Announced Shows:
Apr 8 - London UK @ Alexandra Palace
Apr 28 - Mexico City MX @ Fronton Mexico
Apr 29 - Mexico City MX @ Fronton Mexico
June 6 – Barcelona ES @ Primavera Festival 
June 12 – Athens GR @ Release Festival 
June 26 – New York NY @ Radio City Music Hall 

BAUHAUS (1st December 2019 - Los Angeles, CA)

Photo credit: Jolene Siana

"Goth rock pioneers Bauhaus delivered a chilling rendition of their debut single, 'Bela Lugosi’s Dead' at their first live show in 13 years Sunday. The gig took place at the Hollywood Palladium in Los Angeles, capturing the band in fine form as they effortlessly moved from the song’s abstract, spine-tingling intro into its eerily serene guitar jangle. Frontman Peter Murphy expertly navigated the song’s steady build as well, unleashing a mighty, reverb-soaked
howl toward the end as he sang, 'Oh Bela, Bela’s undead'." - ROLLING STONE

"Anticipation was electric for their return — a line stretched around the block before doors, a queue that only rivaled that to the merch table — and fans came out dressed to the nines. The band did not disappoint."
- BROOKLYN VEGAN

"Those who expected to see an iconic band were not disappointed...  it was clear that Bauhaus were back with a vengeance." - BUZZBANDS.LA

"... as marvelous as ever." - LOS ANGELES DAILY NEWS

BAUHAUS (November 3, 2019- Los Angeles, CA)

Photo credit: Gary Bandfield

CASTING ANNOUNCED: Goodman's SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY AND AMERICAN MARIACHI

ChiIL Live Shows on our radar

CASTING ANNOUNCED FOR TWO SPRING 2020 CHICAGO PREMIERES: 

SCHOOL GIRLS; 

OR, THE AFRICAN MEAN GIRLS PLAY 

BY JOCELYN BIOH, DIRECTED BY LILI-ANNE BROWN AND 

AMERICAN MARIACHI 

BY JOSÉ CRUZ GONZÁLEZ, DIRECTED BY HENRY GODINEZ

***PRODUCTION DATES FOR THE OUTSIDERS SHIFT BY ONE WEEK, RUNNING JUNE 26 – AUGUST 9***

Goodman Theatre announces casting for two upcoming Chicago premiere productions in its 2019/2020 Season. Jocelyn Bioh’s School Girls; Or, The African Mean Girls Play comes to the Goodman following its acclaimed off-Broadway engagement in a new production directed by Lili-Anne Brown (Lottery Day); and American Mariachi, directed by Goodman Resident Artistic Associate Henry Godinez in a co-production with Dallas Theater Center, featuring live mariachi music on stage. School Girls; Or, The African Mean Girls Play appears March 7 – April 12, 2020; tickets ($20-$70) are on sale now. American Mariachi appears April 25 – May 31; tickets ($20-$70) go on sale February 28 at 10am. Both productions appear in the 856-seat Albert Theatre. For tickets, visit GoodmanTheatre.org, call 312.443.3800 or purchase at the Goodman Theatre box office (170 N. Dearborn).

In addition, the previously-announced performance dates for The Outsiders move by one week due to a shift in the production schedule—now appearing June 26 – August 9. Directed by Tony Award nominee Liesl Tommy, this new musical is adapted from S.E. Hinton’s seminal book and Francis Ford Coppola’s iconic film, with a book by Pulitzer Prize finalist Adam Rapp and featuring a score by Austin-based rock duo Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine. The Outsiders appears June 26 – August 9, 2020; tickets are available now for Groups of 15+ (email Groups@GoodmanTheatre.org) and through Goodman Membership only (visit GoodmanTheatre.org/Memberships); individual tickets on go sale March 6. The Outsiders appears in the 856-seat Albert Theatre. 

Goodman Theatre is grateful for the support of its sponsors, including JPMorgan Chase & Co. (School Girls Major Corporate Sponsor), ITW and PWC (School Girls Corporate Sponsor Partners).

ABOUT THE CASTS



School Girls; Or, The African Mean Girls Play 
By Jocelyn Bioh
Directed by Lili-Anne Brown    
March 7- April 12, 2020

In the Albert Theatre

This biting and buoyant comedy, “ferociously entertaining, as heartwarming as it is hilarious” (The Hollywood Reporter), arrives in Chicago on the heels of a critically acclaimed, extended run Off-Broadway. As the reigning queen bee at Ghana’s most exclusive boarding school sets her sights on the Miss Universe pageant, a new student unexpectedly changes the game. Don’t miss this “nasty-teen comedy, wonderfully refreshed and deepened” (The New York Times) that spotlights the universal similarities—and glaring differences—of teenage girls around the globe.

Adia Alli…………………………………………Gifty
Katherine Lee Bourné…………..……………Ama
Kyrie Courter………………..…………………Ericka Boafo 
Ashley Crowe……………..…….……………..Nana
Ciera Dawn………....…...……..………………Paulina Sarpong
Tiffany Renee Johnson………….....………..Mercy
Tania Richard………...………………………..Headmistress Francis
Lanise Antoine Shelley……………….....…..Eloise Amponsah

The creative team includes Yu Shibagaki (Set Design), Samantha C. Jones (Costume Design), Jason Lynch (Lighting Design) and Justin Ellington (Sound Design). Alden Vasquez is the Production Stage Manager.




American Mariachi
By José Cruz González
Directed by Henry Godínez
April 25 - May 31, 2020

In the Albert Theatre

A Co-Production with Dallas Theater Center
Familia, amor and tradición are at the heart of this hilarious and heartwarming new comedy about the freedom to dream big. Lucha spends her days caring for her ailing mother, but longs to shake up her 1970s home life. When a forgotten record album sparks her mother’s memory, Lucha and her cousin strike upon a radical idea: to create an all-female mariachi band. Infused with live mariachi music, this “big-hearted, musical tug at the heartstrings,” (Denver Post) reveals how music and love can make just about anything possible.

Gloria Vivica Benavides……..……..……..……..Soyla 
Gigi Cervantes………………………..…….……..Amalia 
Satya Chavez……………….….……..…..……….Gabby 
Tiffany Solano Desena……………...……..……..Lucha 
Juan Díes…………..…………………………….…Musician
Lucy Godínez...………………….……….…….….Boli
Ricardo Gutiérrez……….….……………………..Federico 
Molly Hernández…………….....…………….…...Isabel 
Erendira Izguerra…….………..………….…..….Musician/Tía Carmen
Zacbe Pichardo……..……………………..……..Musician
Victor Pichardo………………….………….…….Musician
Rudy Piñón………………....….……...…………..Musician
Bobby Plasencia………...…..…………….……..Mino 
Christopher Llewyn Ramirez………………..….Mateo

The creative team includes Linda Buchanan (Set Design), Danielle Nieves (Costume Design), Maria-Cristina Fusté (Lighting Design) and Ray Nardelli (Sound Design). Victor Pichardo is the Music Director.

ABOUT DALLAS THEATER CENTER

One of the leading regional theaters in the country and the 2017 Regional Theatre Tony Award® Recipient, Dallas Theater Center (DTC) performs to an audience of more than 100,000 North Texas residents annually. Founded in 1959, DTC is now a resident company of the AT&T Performing Arts Center and presents its Mainstage season at the Dee and Charles Wyly Theatre, designed by REX/OMA, Joshua Prince-Ramus and Rem Koolhaas and at its original home, the Kalita Humphreys Theater, the only freestanding theater designed and built by Frank Lloyd Wright. DTC is one of only two theaters in Texas that is a member of the League of Resident Theatres, the largest and most prestigious non-profit professional theater association in the country. Under the leadership of Enloe/Rose Artistic Director Kevin Moriarty and Managing Director Jeffrey Woodward, DTC produces a six-play season of classics, musicals and new plays and an annual production of A Christmas Carol; extensive education programs, including the National Arts and Humanities Youth Program Award-winning Project Discovery, SummerStage and partnerships with Southern Methodist University’s Meadows School of the Arts and Booker T. Washington High School for the Performing and Visual Arts; and many community collaborations. In 2017, in collaboration with SMU Meadows, DTC launched Public Works Dallas, a groundbreaking community engagement and participatory theater project designed to deliberately blur the line between professional artists and community members, culminating in an annual production featuring more than 200 Dallas citizens performing a Shakespeare play. Throughout its history, DTC has produced many new works, including The Texas Trilogy by Preston Jones in 1978; Robert Penn Warren’s All the King’s Men, adapted by Adrian Hall, in 1986; and recent premieres of Miller, Mississippi by Boo Killebrew; Hood: The Robin Hood Musical Adventure by Douglas Carter Beane and Lewis Flinn; Bella: An American Tall Tale by Kirsten Childs; Clarkston by Samuel D. Hunter and Moonshine: That Hee Haw Musical by Robert Horn, Brandy Clark and Shane McAnally. Dallas Theater Center gratefully acknowledges the support of our season sponsors: Texas Instruments, American Airlines, Lexus and NBC 5.

TICKETS AND DISCOUNTS

Tickets – GoodmanTheatre.org; 312.443.3800; Fax: 312.443.3825; TTY/TDD: 312.443.3829  
Box Office Hours –12noon - 5pm; on performance days, the box office remains open until 30 minutes past curtain 
MezzTix – Half-price day-of-performance mezzanine tickets available at 10am online (promo code MEZZTIX) 
$10Tix – Student $10 day-of-performance tickets; limit four, with valid student ID (promo code 10TIX)
Group Sales are available for parties 10+; 312.443.3820 
Gift Certificates – Available in any amount; GoodmanTheatre.org/GiftCertificates

Audiences can save more with Goodman Theatre’s MEMBERSHIP packages—including Classic, 6-play, 4-play or 2-play packages; Choice, a personalized package that can include both Owen and Albert productions; and Whenever—the ultimate flexible package, to be used at any time during the season. Goodman Members receive unlimited ticket exchanges, discounted parking, 15% savings at the Goodman bar and gift shop, restaurant discounts and more. To purchase a Membership visit GoodmanTheatre.org/Memberships or call the Box Office at 312.443.3800.

ABOUT GOODMAN THEATRE 
Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.
As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. David W. Fox, Jr. is Chairman of Goodman Theatre’s Board of Trustees, Denise Stefan Ginascol is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.