Pages

Tuesday, January 8, 2013

ACT OUT OPENING: The Dream of the Burning Boy at Profiles




Profiles Theatre continues 24th Season
with Midwest premiere of
The Dream of the Burning Boy 
by David West Read
Directed by Artistic Director Joe Jahraus


Profiles Theatre continues its 2012-2013 Season with Midwest Premiere of The Dream of Burning Boy by West Read, directed by Artistic Director Joe Jahraus. The production runs January 18 – March 10, 2013 at Profiles Theatre’s Alley Stage, 4147 N. Broadway.   ChiIL Live Shows will be checking it out on the 29 and we'll have a full review for you shortly thereafter.   Tickets are on sale now including a special 2 show deal through 1/31.

A two show Flex Pass is currently available for two admissions to both The Dream of the Burning Boy and In the Company of Men for $100 when purchased before January 31, 2013. Performances are Thursdays and Fridays at 8:00 p.m., Saturdays at 5:00 and 8:00 pm, Sundays at 7:00 p.m.



Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. Steve, the school's guidance counselor, hangs inspirational posters designed to help everyone "process their emotions” while the student's sister and friends find little solace in their schoolwork. The Dream of the Burning Boy is a bittersweet story of choices made, opportunities lost, and finding the strength to move on.

The Dream of the Burning Boy received its World premiere in March 2011 as part of Roundabout Underground, Roundabout Theatre's initiative to nurture new plays by emerging writers. Playwright David West Read, a native of Toronto, currently resides as a Lila Acheson Wallace Playwriting Fellow at The Juilliard School, and a recent graduate of the MFA program in Dramatic Writing at New York University's Tisch School of the Arts. The Dream of the Burning Boy was developed at the 2010 National Playwrights Conference at the Eugene O'Neill Theater Center. Mr. Read currently works on a commission for South Coast Repertory.

Directed by Profiles Co-Artistic Director Joe Jahraus, the cast of The Dream of the Burning Boy  features Co-Artistic Director Darrell W. Cox as Larry and Profiles ensemble member Eric Burgher as Steve. Also featured are guest artists Marilyn Bass, Sarah Chalcroft, Joel Collins, Vic Kuligoski and Alaina Stacey.

“The Dream of the Burning Boy was my first fully-produced play in New York, and I am thrilled to be making my Midwest premiere with the same play just two years later,” says playwright David West Read. “Profiles Theatre has been home to many great plays and playwrights in recent years, and with this company at the helm, I am confident that my work is in very good hands.”

The designers are Shaun Renfro (set), Mike Durst (lights), Jeffrey Levin (sound and original music), and Raquel Adorno (costumes). Jessica Winn is the stage manager and Harmony France serves as assistant director.

The Dream of the Burning Boy is the fourth production of Profiles Theatre’s 24th season.The final show of the season, the World premiere of Resident Artist Neil LaBute’s revised stage version of In the Company of Men, opens May 16, 2013 at Profiles newest venue, The Main Stage.

Tickets for The Dream of the Burning Boy are $35 for Thursdays, $40 for Fridays, Saturdays and Sundays. Tickets are available by phone, (773) 549-1815, or online.  


FACTS

Dates:              Previews:                     begin January 18
Schedule:         Thurs., Fri.:                  8:00pm 
                            
                         Regular Run:                January 24  – March 10, 2013

                        Saturday:                     5:00pm and 8:00pm (no 5pm show during previews)

          Sunday:                       7:00pm



Location:          Profiles Theatre, The Alley Stage, 4147 N. Broadway
                         Parking is available for $11 - $12 at 4100 N. Clarendon
(One block east of the theatre at the corner of Clarendon and Belle Plaine)



Ticket prices:    Previews:         $20

Regular Run:    Thursdays are $35, Fridays, Saturdays and Sundays are $40; Students and Senior Citizens receive a $5 discount on all performances; Group rates are available.


Box Office:       Buy online here
or call (773) 549-1815





ABOUT THE ARTISTS

DAVID WEST READ (Playwrightis a New York-based playwright and screenwriter. His romantic comedy The Performers received its World premiere on Broadway at the Longacre Theatre in the fall of 2012, starring Henry Winkler, Alicia Silverstone, Cheyenne Jackson, and Ari Graynor. In addition to The Dream of the Burning Boy (O’Neill Theater Conference, Roundabout Underground; John Gassner Award nomination, Drama League Award nomination), David's other plays include The Dark Pines(Cape Cod Theatre Project) and Happy Face (Pacific Playwrights Conference). He has been commissioned to write plays for Roundabout Theatre Company, Burnt Umber Productions (both upcoming), and South Coast Repertory, as well as screenplays for  B-Spoke Entertainment and Bunce Media. David is a graduate of the Lila Acheson Wallace Playwrights Program at The Juilliard School and the MFA program in Dramatic Writing at NYU’s Tisch School of the Arts, and a native of Toronto, Canada.

JOE JAHRAUS (Directoris the founder and Co-Artistic Director of Profiles Theatre. He most recently directed Profiles’ Midwest Premiere of Sweet and Sad by Richard Nelson and the American Premiere of In a Forest, Dark and Deep by Neil LaBute. Previously, he directed the World Premiere of Assisted Living by Deirdre O’Connor, the Midwest Premiere of Fifty Words by Michael Weller, the World Premiere of Kid Sister by Will Kern, and the Midwest Premieres of Jailbait by Deirdre O’Connor, The Mercy Seat by Neil LaBute, Great Falls by Lee Blessing and The Thugs by Adam Bock. Joe also directed the Midwest Premieres of Neil LaBute’s In a Dark Dark House, Some Girl(s) and Fat Pig, for which he received a Jeff Award Nomination for Outstanding Director. Other directing credits for Profiles include the American Premiere of Apple by Vern Thiessen, the award-winning Midwest Premiere of Blackbird by Adam Rapp, Babylon Gardens by Timothy Mason, The Water Engine and Sexual Perversity in Chicago by David Mamet, and the award-winning Midwest Premiere of Carnal Knowledge by Jules Fieffer, among others.

MARILYN BASS (Chelseais making her first appearance at Profiles Theatre. She was most recently seen in Voices in the Dark at Fury Theatre Company and Wolf at Brikenbrak Theatre Project. Marilyn received her training at Piven Theatre Workshop, the Actors Training Center and Profiles Theatre's Advanced Scene Study Intensive. Marilyn will soon be appearing in a BMO Harris Bank commercial and will be reprising her role in a film adaptation of Voices in the Dark shooting this Spring. Marilyn is a freshman theatre major at Loyola University Chicago and is represented by Grossman & Jack Talent.

ERIC BURGHER (Steve) was most recently seen in Profiles' Midwest Premiere of Sweet and Sad by Richard Nelson, as well as Profiles' Midwest Premiere of Bachelorette by Leslye Headland. Prior to that he appeared in Profiles' Midwest Premiere of A Behanding in Spokane by Martin McDonagh, for which he received a Jeff Award Nomination for Supporting Actor. Eric also appeared in the World Premiere of A Beautiful Spell by Greg Kalleres, with Rare Terra Theatre at the Royal George. Other appearances at Profiles include JailbaitFat PigGraceland, This is How It GoesBody AwarenessKid Sister, "Land of the Dead" as part of Profiles' Midwest Premiere of LaBute shorts, Things We Said TodayautobahnThe Glory of LivingThe Radiant Abyss and Noise. Eric is an Adjunct Faculty member at Columbia College Chicago where he teaches acting.

SARAH CHALCROFT (Andrea) is making both her Profiles Theatre and Chicago debut having recently relocated from London. Her UK credits include Purgatorio at The Chocolate Factory; 4:48 Psychosis for Stonecrabs Theatre; Queen Margaret, The Merchant of Venice, Lear, Henry V, Much Ado About Nothing, Measure for Measure, The Tempest and As You Like It for Bard in the Botanics, Glagsow; R & J and Infinite Variety for Cumbernauld Theatre, Scotland; Hedda Gabler with Theatre Babel; Blind Mouth Singing and Transmissions for Birmingham Rep; Vivienne Grout’s Adventure In Another Metropolis for Sparkledark Theatre which toured venues around Scotland and appeared in the Edinburgh Fringe Festival; The Vagina Monologues for Cottiers Theatre;  Love’s Labour’s Lost, Twelfth Night, Hamlet and As You Like It for British Touring Shakespeare. She also appeared in Taggart, for Scottish Television.  Sarah is a member of Actors Equity.

JOEL COLLINS (Kyle) is making his Profiles debut. His past credits include Woyzeck at the University of Illinois at Chicago, Xanadu with the District Theatre, and the World premiere of Honor at Columbia College Chicago. Joel is a BFA theatre performance major at the University of Illinois at Chicago.

DARRELL W. COX (Larry) is Co-Artistic Director of Profiles Theatre where he most recently appeared in the Midwest Premiere of Sweet and Sad by Richard Nelson and the American Premiere of In a Forest Dark and Deep by Neil LaBute. Darrell received his fourth Joseph Jefferson Award for Actor in a Principal Role for his performance as Joe Cooper in Profiles' production of Killer Joe by Tracy Letts. He has appeared at Steppenwolf in the World Premiere of Men of Tortuga (where he originated the role of Taggart), the Midwest Premiere of Orange Flower Water (which traveled to the Galway Arts Festival), and the World Premiere of Wendall Greene. He has also been seen at the Goodman in The Shawl and Home as part of the David Mamet Festival, American Theatre Company's Speed the Plow and Oleanna as part of the Mamet Repertory, as well as Jim Jones in the Midwest Premiere of The People's Temple, and the World Premiere of Martin Furey's Shot at TimeLine, among others. In addition to Killer Joe, Darrell received Joseph Jefferson Awards for Principal Actor for his work in Profiles' productions of BlackbirdSome Voices, and Eye of God. He has also received two After Dark Awards for Outstanding Performance for Profiles' productions of Popcorn, and Carnal Knowledge.

VIC KULIGOSKI (Danereturns to Profiles after appearing in their World premiere production of Graceland by Ellen Fairey. Vic is from the Chicago area and attends Columbia College Chicago majoring in theatre. Most recently, he has performed at Columbia College in their production of Columbinus and Spotlight Theatre’s production of Talk Radio.  This past summer, Vic appeared in the independent film, Maydays.

ALAINA STACEY (Rachel) is joining Profiles Theatre for her first professional production. She is a senior at Whitney Young High School and has been participating in theater since her freshman year, appearing in productions of A Funny Thing Happened on the Way to the ForumWomen and WallaceJugger’s Rain, and The Mystery of Edwin Drood, as well as working backstage for several school productions. Outside of theater Alaina is a singer/songwriter involved with many groups around the city, performing at various venues such as Schuba’s Tavern and Uncommon Ground.


ABOUT PROFILES THEATRE

Profiles Theatre, founded in 1988 by Artistic Director Joe Jahraus, joined shortly thereafter by Artistic Director Darrell W. Cox, was formed as an actor-driven theatre ensemble dedicated to creating provocative and emotionally truthful productions. Passionate about shaping an original vision for new works, they focused on performing World, American and Midwest premieres as well as rarely performed plays. Critically acclaimed hits, such as BLACKBIRD, FAT PIG, GRACELAND and the multiple Jeff Award-winning KILLER JOE, established Profiles as a destination for challenging and edgy theatre. Their unique collaboration with playwright Neil LaBute led the ensemble to perform an entire season of his plays in 2007-2008. Now a Resident Artist at Profiles, LaBute remains an unequivocal artistic influence on the ensemble.

After performing at 4147 North Broadway for more than two decades, Profiles acquired an adjacent theatre at 4139 North Broadway in 2012. Profiles’ new theatre, The Main Stage, with its larger seating capacity, increased performance space and higher ceilings, accommodates more ambitious and technically demanding productions. Their long-time venue, renamed The Alley Stage, continues as the home for plays strengthened by a more intimate staging. Driven by an undiminished appetite for creating honest and resonant theatre, Profiles still seeks to present work that illuminates the determination and resiliency of the human spirit.

Monday, January 7, 2013

Witchbanger LIVE at Reggies 1/6/13 #metal #doom #originalphotos



ChiIL Live Shows' shots of Chicago's own Witchbanger, opening for 

Nick Oliveri's Mondo Generator 1/6/13









We're always happy to promote the projects of our creative friends.   We've known Witchbanger's guitarist, Omar (OMs) for at least 15 years and he was the tattoo artist for the dragonfly on my foot.   



He also does the rockin' art for the band.   We picked up one of their EPs at the show and will have a review up shortly.   Like doom?   Keep an ear out for Witchbanger around town.   


They play and DJ at Ultra Lounge and other spaces fairly often.


CHI, IL LIVE SHOWS ON OUR RADAR: Chi-Town's Falldown (alt country)






Chicago's Falldown, which features members of The Redwalls and The Hue, have announced two shows for Jan, 2013.



On Sunday, Jan. 13, the band will play a free 21+ show at  The Whistler w/ Matt Duncan

 FALLDOWN, MATT DUNCAN



9:30 PM
The members of Falldown share a mutual interest in alt/country and rock'n'roll. Their debut EP was released in November 2012. This is their second appearance at the Whistler.

We asked Kentucky-based singer-songwriter Matt Duncan to describe his sound and here’s what he told us: “My sound borrows heavily from 60's and 70's R&B, from the people who perfected the pop song. But I have no desire to emulate the costuming or vocabulary of the past. I am a teller of truths, for better or worse, and a terrible liar. Clichéd love songs, vague tangents, and grand melodramas are not my stock in trade. I write about the small, unsung successes and failures that keep most of us busy, while we wait for big cinematic resolutions. And I try to keep things lively.”



and on Tuesday, Jan. 29, Falldown will support The Henhouse Prowlers at Abbey Pub.

ACT OUT OPENING: STEPPENWOLF PRESENTS PINTER




ENSEMBLE MEMBER AUSTIN PENDLETON DIRECTS THE BIRTHDAY PARTY
IN STEPPENWOLF’S NEWLY RECONFIGURED UPSTAIRS THEATRE

STEPPENWOLF THEATRE COMPANY ANNOUNCES ONE-NIGHT ONLY PERFORMANCE OF
A CELEBRATION OF HAROLD PINTERFEBRUARY 10 IN THE DOWNSTAIRS THEATRE

Steppenwolf Theatre Company ensemble member Austin Pendleton directs The Birthday Party by Harold Pinter in the Upstairs Theatre, at the helm of a Pinter play for the first time. The theater has been newly reconfigured by Pendleton with scenic designer Walt Spangler to bring the audience closer to the story by moving the stage to the center of the room. The Birthday Party begins previews January 24 (Opening night is February 3, 2013) and runs through April 28 in Steppenwolf’s Upstairs Theatre (1650 N Halsted St). Tickets ($20 – $78) are on sale now.

In conjunction with The Birthday Party, Steppenwolf is proud to announce a one-night only performance of A Celebration of Harold Pinter, performed by British actor Julian Sands, directed by ensemble member John Malkovich!
With personal anecdotes and reflections drawn from his work with Pinter, Sands combines Pinter’s poems and prose to create a fresh and intimate insight into the Nobel laureate’s literary legacy. A Celebration of Harold Pinter is February 10 at 7:30pm in the Downstairs Theatre (1650 N Halsted St). Tickets ($25) are on sale now.
                                                                                                              
Actor Julian Sands, best known for the films A Room With a View and The Killing Fields, was a longtime friend of the playwright. A few years before his death, Pinter requested that Sands fill in for him at a poetry reading when he was too ill to go on. The experience ultimately inspired this production, which debuted in 2011 at the Edinburgh Fringe Festival in homage to Pinter, who died in 2008. The production toured through Britain and was presented in San Francisco, Los Angeles and to sold-out audiences in New York City, with Backstage calling it “mandatory viewing for devotees of the actor and certainly ‘the defining dramatist of the 20th century’...this one-man show fondly reveals an engaging and at times vulnerable side of the famously prickly playwright.”

“I think the extraordinary accomplishment in Pinter's work is his mastery of language, which is so precise and so, at the same time, ambiguous and unlikely. We are constantly being asked to interpret the truth and to be aware of how language both defines and obscures the real,” comments Artistic Director Martha Lavey. “I look forward to the discussions that The Birthday Party will provoke. It is very funny, very human and theatrically gratifying.”

The Birthday Party takes place at a sleepy seaside boarding house in England, where the humdrum routine of corn flakes, newspapers and naps is interrupted by the appearance of two menacing strangers. They become guests at longtime tenant Stanley’s surprise birthday party which, after a few glasses of whiskey, party games and a mysterious blackout, turns into a deliciously impalpable nightmare. As excuses and alliances hastily shift, so does the truth in Harold Pinter’s riveting dark-comic masterpiece.

The cast of The Birthday Party features ensemble members Ian Barford as Stanley, Francis Guinan as Goldberg, Moira Harris as Meg and John Mahoney as Petey, with Marc Grapey as McCann and Sophia Sinise as Lulu. The production team includes: Walt Spangler (scenic design), Rachel Anne Healy (costume design), Keith Parham (lighting design) and Josh Schmidt (sound design and original music). Additional credits include: Erica Daniels (casting), Matt Hawkins (fight choreographer),Cecilie O’Reilly (dialect coach), Deb Styer (stage manager), Kathleen Petroziello (assistant stage manager) and James D. Palmer (assistant director). Photos and bio information for all artists are available upon request.

Tickets to The Birthday Party ($20 – $78) and A Celebration of Harold Pinter ($25) are currently on sale through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org20 for $20: twenty $20 tickets are available for The Birthday Party through Audience Services beginning at 11am on the day of each performance (1pm for Sunday performances). 

Rush Tickets: rush tickets are available one hour before each show. Student Discounts: a limited number of $15 student tickets are available online using promo code “BIRTHDAY15” or “SANDS15”. Limit 2 tickets per student; must present a valid student ID for each ticket. For additional student discounts, visit steppenwolf.org/students

Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season. For additional information, visit steppenwolf.org/groups.

Free post-show discussions are offered after every performance in the Subscription Season. Steppenwolf is located near all forms of public transportation and is wheelchair accessible. Street and lot parking are available. Assistive listening devices and large-print programs are available for every performance.

Accessible Performances:
Sign-interpreted performance: March 31 at 7:30pm
Audio-described performance and touch tour: April 14 at 1:30pm (3pm performance)
Open captioned performance: April 27 at 3pm

The Birthday Party is supported by ComEd, the Official 2012/13 Season Lighting Sponsor.


Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat Garage Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 43 actors, writers and directors. Artistic programming at Steppenwolf includes a five-play Subscription Season, a two-play Steppenwolf for Young Adults season and three repertory series: First Look Repertory of New Work, Garage Rep and Next Up. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Off-Broadway, Broadway, London, Sydney and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and nine Tony Awards. Martha Lavey is the Artistic Director and David Hawkanson is the Executive Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.orgfacebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

Currently on stage is The Motherf**ker with the Hat by Stephen Adly Guirgis, directed by ensemble member Anna D. Shapiro (through March 3, 2013) in the Downstairs Theatre. The 2012/13 Subscription Season also includes Head of Passes by ensemble member Tarell Alvin McCraney, directed by ensemble member Tina Landau (April 4 – June 9, 2013) in the Downstairs Theatre; and Belleville by Amy Herzog, directed by Anne Kauffman (June 27 – August 25, 2013) in the Downstairs Theatre.

ACT OUT OPENING: The Motherf**ker with the hat Now Playing at Steppenwolf


Directed by
ensemble member Anna D. Shapiro
Featuring Sandra Delgado, Sandra Marquez, John Ortiz, Gary Perez and Jimmy Smits


December 28, 2012 - March 3, 2013
Things are looking up for recovering alcoholic Jackie and his girlfriend Veronica—until Jackie spots another man's hat in their apartment and embarks on a sublimely incompetent quest for vengeance. Fast-paced and uproarious, Mother is a gleefully foul-mouthed look at modern love and other addictions. Ensemble member Anna D. Shapiro, director of the acclaimed Broadway premiere, returns to direct the Steppenwolf production.


STEPPENWOLF THEATRE COMPANY RINGS IN THE NEW YEAR WITH
THE HIGHLY ANTICIPATED, THE MOTHERF**KER WITH THE HAT

ENSEMBLE MEMBER ANNA D. SHAPIRO RETURNS TO DIRECT, FOLLOWING HER HIT BROADWAY PRODUCTION,
DECEMBER 28, 2012 – MARCH 3, 2013 IN THE DOWNSTAIRS THEATRE

Performances of Steppenwolf Theatre Company’s highly anticipated production of The Motherf**ker with the Hat by Stephen Adly Guirgis start in just two weeks. Ensemble member Anna D. Shapiro directs following the Tony Award-nominated Broadway premiere, with an all-star ensemble cast featuring Sandra Delgado, Sandra Marquez, Gary Perez, John Ortiz and Jimmy Smits and members of the original design team: scenic designer Todd Rosenthal, lighting designer Donald Holder and composer Terence Blanchard. The Motherf**ker with the Hatruns through March 3, 2013 in Steppenwolf’s Downstairs Theatre (1650 N Halsted St). Tickets ($20 – $86) are on sale now. This play contains adult language.

Things are looking up for recovering alcoholic Jackie and his girlfriend Veronica—until Jackie spots another man's hat in their apartment and embarks on a sublimely incompetent quest for vengeance. Fast-paced and uproarious, Mother is a gleefully foul-mouthed look at modern love and other addictions.

“I think what Stephen is up to in the play is that he is creating people who may seem different from the ones sitting next to us in the theater but who become, over the course of the play, deeply human, deeply familiar and deeply sympathetic. And the play is funny! And surprising,” comments Artistic Director Martha Lavey. “The language is musical and poetic and deeply passionate. Stephen has created characters whose mode of expression is both energized and bound by a profusion of profanity.”

The cast of The Motherf**ker with the Hat features Sandra Delgado as Veronica, Sandra Marquez as Victoria, Gary Perez as Cousin Julio, John Ortiz as Jackie andJimmy Smits as Ralph D. The production team includes: Todd Rosenthal (scenic design), Linda Roethke (costume design), Donald Holder (lighting design), Rob Milburn and Michael Bodeen (sound design) and Terence Blanchard (original music). Additional credits include: Erica Daniels (casting), Matt Hawkins (fight choreographer), Cecilie O’Reilly (voice coach) Kim Osgood (stage manager) and Christine D. Freeburg (assistant stage manager). Photos and bio information for all artists are available upon request.

Tickets to The Motherf**ker with the Hat ($20 – $86) are currently on sale through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org. 20 for $20: twenty $20 tickets are available through Audience Services beginning at 11am on the day of each performance (1pm for Sunday performances). 

Rush Tickets: half-price rush tickets are available one hour before each show. 

Student Discounts: a limited number of $15 student tickets are available online using promo code “HAT15”. Limit 2 tickets per student; must present a valid student ID for each ticket. For additional student discounts, visit steppenwolf.org/students. Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season. For additional information, visit steppenwolf.org/groups.

Free post-show discussions are offered after every performance in the Subscription Season. Steppenwolf is located near all forms of public transportation and is wheelchair accessible. Street and lot parking are available. Assistive listening devices and large-print programs are available for every performance.

Director Anna D. Shapiro joined the Steppenwolf Theatre Company ensemble in 2005 and was awarded the 2008 Tony Award for Best Direction of a Play for August: Osage County (Steppenwolf Theatre Company, Broadway, London). She was nominated in 2011 in the same category for The Motherf**ker with the Hat (The Public Theater, LAByrinth Theater Company). Other directing credits at Steppenwolf Theatre Company include Three Sisters, A Parallelogram, Up, The Crucible, The Unmentionables (also at Yale Repertory Theatre), The Pain and the Itch (also in New York), I Never Sang for My Father, Man from Nebraska, Purple Heart (also in Galway, Ireland), The Drawer Boy, Side Man (also in Ireland, Australia and Vail, Colorado), Three Days of Rain and The Infidel. Other credits include A Number (American Conservatory Theater); The Drawer Boy (Paper Mill Playhouse); Iron (Manhattan Theatre Club); and The Infidel (Philadelphia Theatre Company). She is a graduate of the Yale School of Drama and Columbia College Chicago and is the recipient of the 1996 Princess Grace Award. She is a full professor in Northwestern University’s Department of Theatre and has served as the director of the MFA in Directing program since 2002.


Playwright Stephen Adly Guirgis is co-artistic director of New York City's LAByrinth Theater Company. His plays have been produced on five continents and throughout the United States. They include Our Lady of 121st Street (Drama Desk, Lucille Lortel, Outer Critics Circle Best Play nominations, 10 best plays of 2003), Jesus Hopped the 'A' Train (Edinburgh Festival Fringe First Award, Barrymore Award, Olivier Nomination for London's Best New Play), In Arabia, We'd All Be Kings (2007 LA Drama Critics Best Play, Best Writing Award), The Last Days of Judas Iscariot (10 Best, Time magazine and Entertainment Weekly) and The Little Flower of East Orange (starring Elen Burstyn and Michael Shannon) at The Public Theater. All five plays were originally produced by LAByrinth Theater Company and directed by Philip Seymour Hoffman. The Motherf**ker with the Hat marks his third consecutive world premiere co-production with The Public Theater. In London, his plays have premiered at The Donmar Warehouse, The Almeida (directed by Rupert Goold), The Hampstead (directed by Robert Delamere) and at The Arts in the West End. Other plays include Den of Thieves(HERE, HAI Theater Festival) and Dominica the Fat Ugly Ho (directed Adam Rapp) for the 2006 E.S.T. Marathon. He has received a 2006 PEN/Laura Pels Award, a 2006 Whiting Award and a 2004 TCG fellowship, new play commissions from Manhattan Theatre Club, Center Theater Group and South Coast Repertory, and is a member of LAByrinth Theater Company, New Dramatists, MCC's Playwright's Coalition, Ojai Playwrights Festival and New River Dramatists. Television writing credits include NYPD Blue, The Sopranos, David Milch's CBS drama Big Apple and Shane Salerno's NBC series UC: Undercover. As an actor, Stephen has had leading film roles in Todd Solondz's Palindromes, Brett C. Leonard's Jailbait (opposite Michael Pitt) and in Kenneth Lonergan's upcoming Margaret. Other film credits include Philip Seymour Hoffman's Jack Goes Boating, Charlie Kaufman’s Synecdoche New York, Adam Rapp's Blackbird, Noah Buschel's Neal Cassady as well as Meet Joe Black (directed by Martin Brest), Noise (directed by Henry Bean), Trainwreck: My Life as an Idiot (directed by Todd Harrsion Williams) and television’s Law and Order. He directed Liza Colon-Zayas' Sistah Supreme for Danny Hoch's Hip Hop Theater Festival, Marco Greco's award-winning Behind the Counter with Mussolini in New York and Los Angeles and Melanie Maras's Kiss Me on the Mouth (InViolet Rep/CSNY). A former HIV Educator and Violence Prevention Specialist, he lives in New York City.

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat Garage Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 43 actors, writers and directors. Artistic programming at Steppenwolf includes a five-play Subscription Season, a two-play Steppenwolf for Young Adults season and three repertory series: First Look Repertory of New Work, Garage Rep and Next Up. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Off-Broadway, Broadway, London, Sydney and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and nine Tony Awards. Martha Lavey is the Artistic Director and David Hawkanson is the Executive Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

The 2012/13 Subscription Season also includes The Birthday Party by Harold Pinter, directed by ensemble member Austin Pendleton (January 24 – April 28, 2013) in the Upstairs Theatre; Head of Passes by ensemble member Tarell Alvin McCraney, directed by ensemble member Tina Landau (April 4 – June 9, 2013) in the Downstairs Theatre; and Belleville by Amy Herzog, directed by Anne Kauffman (June 27 – August 25, 2013) in the Downstairs Theatre.

Jess Godwin & Matt Ryd at Mayne Stage 1/18/13




CHI, IL LIVE SHOWS ON OUR RADAR:

Chicago singer-songwriter Matt Ryd, best known for the song "Healed" (as featured on the TV series Scrubs), will be opening for Jess Godwin @ Mayne Stage on Friday, Jan. 18.

Matt will be debuting new material, including a track featuring Mike Mentzer (ex-I Fight Dragons).



Click here for Matt Ryd's site.

Click here to get your tickets.

Mayne Stage Presents

Jess Godwin
featuring Matt Ryd and April Henry

Friday, Jan 18, 2013 8:00 PM CST 
ChicagoIL
$10
all ages



HELP LOCALLY: Black 4 to Combat Kids' Cancer 1-12 (metal)


ChiIL Live Shows Black4 Shots from Reggie's 1/6/13
ROCK FOR HOPE FUNDRAISER 
8pm
$10
21+
Music Joint
Proceeds to benefit Children's Advocate Hospital

Rock For Hope Fundraiser: All proceeds are in memory of Ronnie Gallardo. The Reggie Bus will be at Tiger O'Stylies in Berwyn at 8 pm to bring them to Reggie's

BLACK4 (METAL)
All original rock from Chicago. Bryan Tunis-Vocals Curt Taylor-Guitar Jason Forrester-Bass Brian Madurzak-Drums.
Black4 consists of former members of Guiltrip(Curt and Jason), Hungry Onion(Bryan) and the drummer of Fist-a-Gon and Bello(Brian). The group was formed in 2011. Infusing various rock styles to create an ever evolving sound.
BLACK4
THE BUZZHOUNDS
DJ9CHICAGO
We just caught Black4 last night, opening for Mondo Generator at Reggies.   Come check em out on the 12th for a great cause.   They had the littlest headbanger in the audience and got the crowd going.

HELP LOCALLY: Sons of the Silent Age Play David Bowie to Combat Kids' Cancer 1/11



Sons of the Silent Age will headline a benefit for the Pablove Foundation, an organization dedicated to funding pediatric cancer research and to the empowerment of the families of cancer victims, at Metro Chicago, 3730 N. Clark, on Friday, January 11, 2013 (all ages show).

Check out all the details and get your tickets here at Metro's main site.


93XRT Welcomes…
A Benefit for Pablove Foundation/Rock For Kids
SONS OF THE SILENT AGE: playing the music of David Bowie, featuring SHIRLEY MANSON, MATT WALKER, CHRIS CONNELLY and more
WACO BROTHERS: playing T.REX
DEATH ON THE AUTOBAHN: playing KRAFTWERK
Tickets:
$20 in advance or $25 day of
Show date: Friday, January 11, 2013
Doors: 6:30PM | Show: 7:30PM
This is an all ages show
Tickets and venue: Metro, 3730 N. Clark St., Chicago
Learn more about Sons of the Silent Age 

Sons of the Silent Age was formed by vocalist Chris Connelly (Ministry) and drummer Matt Walker (Morrissey's band) and will be joined by guest vocalist Shirley Manson of Garbage fame to celebrate the music and aesthetic of the iconic David Bowie during the week of his 66th year on earth.





Artificial Madness

On Relapse Records, released November 8, 2011

Todd Kessler (of NBC's The Voice) Chicago January Shows



Dear Lover, The New Folk LIVE at Schubas 8/27/12
ChiIL Live Shows HD Video


Todd Kessler (part of “Team Ceelo” on the current season of NBC’s The Voice) has several shows throughout the month of January, 2013: http://do312.com/band/todd-kessler
Todd will be hosting a month-long residency at Uncommon Ground on Clark with the following guests:

Wed, Jan 9 - Tom Schraeder
Wed, Jan 16 - Miles Nilesen
Wed, Jan 23 - The Lims
Wed, Jan 30 - Shuma


Check out ChiIL Live Shows' past Todd Kessler & The New Folk coverage including live show video footage and stills from Schubas right here.
For more info check out The New Folk site here.

Friday, January 4, 2013

Nick Oliveri's Mondo Generator at Reggies This Sunday With Witchbanger



Hey Chicago Metalheads: Reggie's Rock Club this Sunday night...be there.   Come early for local favs, Witchbanger, opening.   Stay for 
Queens of the Stone Age bassist/singer Nick Oliveri with Mondo Generator.





Reggie's Rock Club
Doors 6:30 
17+

MONDO GENERATOR

WITCHBANGER

Google Analytics