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LIFE AFTER
BY PLAYWRIGHT/COMPOSER BRITTA JOHNSON
ON STAGE NOW IN ITS CHICAGO PREMIERE AT GOODMAN THEATRE
DIRECTED BY ANNIE TIPPE
***SUMMER’S MUST-SEE NEW MUSICAL APPEARS THROUGH JULY 17***
This production marks the third for Life After in five years—following its American debut at San Diego’s The Old Globe (2019) on the heels of an extended, multiple Dora Award-winning world-premiere with Toronto’s Musical Stage Company and Canadian Stage (2017). Samantha Williams (Broadway’s Caroline, Or Change and Dear Evan Hansen) leads the cast as teenaged Alice—a young woman who, in search of facts, uncovers a more complicated truth as she pieces together events of the fateful night that changed her family forever. Life After is on stage now through July 17. I'll be out for opening night, Wednesday, June 22, so check back soon for my full review. Tickets ($25 - $80, subject to change) are available at GoodmanTheatre.org/LifeAfter or by phone at 312.443.3800. The Goodman is grateful for the support of JP Morgan Chase & Co. (Lead Corporate Sponsor) and Winston & Strawn LLP (Corporate Sponsor Partner).
A Toronto-based playwright/composer/lyricist, Johnson began writing Life After as a teenager, informed by her own experiences as a young person grappling with grief. With big humor and bittersweet wit, this “luminous new musical…lush, poetic and surprisingly funny” (The San Diego Union-Tribune) explores how we move through and live with loss. In addition to Samantha Williams (Alice), the cast of nine includes Ashley Pérez Flanagan (Fury), Lauryn Hobbs (Fury), Paul Alexander Nolan (Frank), Lucy Panush (Hannah), Bryonha Marie Parham (Beth), Jen Sese (Mrs. Hopkins), Skyler Volpe (Kate) and Chelsea Williams. The production features Choreography by Ann Yee and Music Supervision, Arrangements and Orchestrations by Lynne Shankel.
THE COMPANY OF Life After
Fury……………………Ashley Pérez Flanagan Fury……………………Lauryn Hobbs Frank…………………..Paul Alexander Nolan Hannah………………..Lucy Panush Beth…………………….Bryonha Marie Parham Ms. Hopkins……….Jen Sese Kate…………………….Skyler Volpe Fury……………………Chelsea Williams Alice………...............Samantha Williams
Understudies for this production include Ariana Burks (Alice/Kate); Alanna Chavez (Furies/Ms. Hopkins); Antoinette Comer (Beth); Ashley Pérez Flanagan (Second Ms. Hopkins); Lauryn Hobbs (Second Kate); Claire Kwon (Furies/Hannah); Stef Tovar (Frank); and Chelsea Williams (Second Hannah).
ENHANCED AND ACCESSIBLE PERFORMANCES
Visit Goodmantheatre.org/Access for more information about Goodman Theatre’s accessibility efforts.
Touch Tour and Audio-Described Performance: Saturday, July 9, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset. NOTE: Touch Tours for the 2021/2022 Season will not have access to the stage due to current health and safety protocols, but will feature alternate pre-show sensory introductions.
Sensory-Friendly/Relaxed Performance: Tuesday, July 12 at 7:30pm
ASL-Interpreted: Friday, July 15 at 8pm – An American Sign Language interpreter signs the action/text as played.
Spanish Subtitles: Saturday July 16 at 8pm.
Open-Captioned: Sunday, July 17 at 2pm – An LED sign presents dialogue in sync with the performance.
ABOUT GOODMAN THEATRE
Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement.
Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.
Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.
As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.
Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.
Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Craig McCaw is President of the Scenemakers Board for young professionals.
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