THE HOUSE THEATRE OF CHICAGO PRESENTS THE WORLD PREMIERE
OF SEASON ON THE LINE,
A MOBY-DICK ADAPTATION,
WRITTEN BY VETERAN HOUSE COMPANY MEMBER SHAWN PFAUTSCH AND DIRECTED BY JESS MCLEOD THROUGH OCTOBER 26
AT THE CHOPIN THEATRE
It's their lucky 13th year over at The House Theatre and they're kicking it off with a whale of a tale. Here at ChiIL Live Shows we're huge fans of the fabulous works The House Theatre presents and we make a point to try to catch all their productions. This one's high on our must see list, but don't wait around for us. Go already! It's Jeff Recommended, pulling in rave reviews, and geared toward adults and teens.
PS They also have the coolest t-shirts & swag of any local company we've seen! Get 1... or 3. Click here to check out their store & support the arts.
They also have Monday night shows (which is generally a dark day in the theatre world) if your fall weekends have been as crazy busy as ours. If you're in the industry or a student, they'll even make you a smokin' deal on Sun/Mon tickets & day of tickets, seats permitting.
"4 STARS"
- TimeOut Chicago
"VERY FUN NEW SHOW... startlingly frank and expansive....[It] took considerable guts."
- Chicago Tribune (If you like meta, come read this!)
"READER RECOMMENDED! Its smart pleasures are open to everybody."
- Chicago Reader
Written by Shawn Pfautsch
Directed by Jess McLeod
Based on Herman Melville’s Moby-Dick
PRICES: $25 and 35 for Regular Run
TIMES: Performances are Thursdays - Saturdays at 7:30pm and Sundays and Mondays at 7:00pm.
RUN TIME: Three one-hour acts and 2 intermissions (Don't worry! As our Reader Recommended review says, "The 200-minute running time may sound long, but I can't imagine what I’d cut." )
PARENTS' GUIDE: Season on the Line is recommended for adults and teens, and you can read more in our Parents' Guide!
Buy Tickets
Save up to 40% right here!
Melville’s Pequod crew is transformed into the fictional Bad Settlement Theatre Company, beleaguered by a dilapidated building, strained finances, and an aging artistic director with a singular focus: the first-ever perfect production of Moby-Dick. Still reeling from a scathing review and badly failed production of his Moby-Dick 20 years prior, the director is hell-bent on mounting the perfect new vision to vindicate himself and save his company from ruin. A novice assistant stage manager joins the ranks at the top of the company’s make-or-break season, and is thrown quickly into the fray. Mirroring Melville’s unconventional forms, the play swings from soliloquy to encyclopedic investigation to action-adventure story. Season on the Line is our young narrator’s look back at the industry he has grown to love, even as those around him pay the ultimate price in pursuit of their great white whale.
Leonora Dickson is the Production Sponsor for Season on the Line. Development of Season on the Line has been supported in part by the Boeing Company and University of Chicago's Summer, Inc. residency.
- TimeOut Chicago
"VERY FUN NEW SHOW... startlingly frank and expansive....[It] took considerable guts."
- Chicago Tribune (If you like meta, come read this!)
"READER RECOMMENDED! Its smart pleasures are open to everybody."
- Chicago Reader
Directed by Jess McLeod
Based on Herman Melville’s Moby-Dick
PRICES: $25 and 35 for Regular Run
TIMES: Performances are Thursdays - Saturdays at 7:30pm and Sundays and Mondays at 7:00pm.
RUN TIME: Three one-hour acts and 2 intermissions (Don't worry! As our Reader Recommended review says, "The 200-minute running time may sound long, but I can't imagine what I’d cut." )
PARENTS' GUIDE: Season on the Line is recommended for adults and teens, and you can read more in our Parents' Guide!
Buy Tickets
Save up to 40% right here!
Melville’s Pequod crew is transformed into the fictional Bad Settlement Theatre Company, beleaguered by a dilapidated building, strained finances, and an aging artistic director with a singular focus: the first-ever perfect production of Moby-Dick. Still reeling from a scathing review and badly failed production of his Moby-Dick 20 years prior, the director is hell-bent on mounting the perfect new vision to vindicate himself and save his company from ruin. A novice assistant stage manager joins the ranks at the top of the company’s make-or-break season, and is thrown quickly into the fray. Mirroring Melville’s unconventional forms, the play swings from soliloquy to encyclopedic investigation to action-adventure story. Season on the Line is our young narrator’s look back at the industry he has grown to love, even as those around him pay the ultimate price in pursuit of their great white whale.
Leonora Dickson is the Production Sponsor for Season on the Line. Development of Season on the Line has been supported in part by the Boeing Company and University of Chicago's Summer, Inc. residency.
Show Dates: through Oct 26 2014
Location: Chopin Theatre
1543 W. Division St, Chicago
The House Theatre of Chicago presents Season on the Line, the first production of the company’s 13th season, at the Chopin Theatre Upstairs Theatre, 1543 W. Division St., through Sunday, Oct. 26. The play, a world premiere adaptation of Herman Melville’s Moby- Dick, is written by Company Member Shawn Pfautsch and directed by Jess McLeod, in her debut at The House.
Regular performances are Thursdays, Fridays and Saturdays at 7:30 p.m. and Sundays and Mondays at 7pm. The running time is approximately 2 hours, 45 mintues. Regular run tickets range from $25 – 35.
*$10 Student and Industry same-day discounted tickets are available for all dates, seats permitting. For more information and to purchase tickets, please visit www.thehousetheatre.com or call 773.769.3832.
*$10 Student and Industry same-day discounted tickets are available for all dates, seats permitting. For more information and to purchase tickets, please visit www.thehousetheatre.com or call 773.769.3832.
Pfautsch’s modern adaptation, Season on the Line, is a love letter to American theater featuring a 19 person cast. Melville’s story of the hunt for the white whale is transformed into the Bad Settlement Theatre Company, beleaguered by a dilapidated building, strained finances and a tyrannical artistic director with a singular focus: the first-ever perfect production of Moby-Dick. A novice assistant stage manager joins the ranks at the top of the company’s make-or-break season and is thrown quickly into the fray. Mirroring Melville’s unconventional form, Season on the Line is the young narrator’s look back at the industry he has grown to love, even as those around him pay the ultimate price in pursuit of their own great white whale.
The cast for Season on the Line features Equity guest artists Thomas J. Cox* as Artistic Director Ben Adonna, and Maggie Kettering* as his right-hand and stage manager, Day Starr. Guest artist Ty Olwin steps into the role of our narrator, mirroring the reflections of Melville’s Ishmael. House Company Member Marika Mashburn (last seen in Death & Harry Houdini) steps into the role of Elizabeth, a company director helming a wacky avant-garde production in the company’s season. House Company Member Abu Ansari (also last seen in Death & Harry Houdini) appears as a Ugandan actor and voice of reason. Returning guest artists Christopher M. Walsh and Mary Hollis Inboden both play designers stretched to their limits by the outrageous demands of the season. Guest artists Danny Bernardo, Tiffany Yvonne Cox, Shane Kenyon, Bob Kruse, Andy Lutz, Molly Lyons, Marvin Quijada, Jessica Dean Turner, and Rawson Vint fill the ensemble with actors, designers, and technicians. Sean Sinitski completes the ensemble as the primary object of obsession, the chief theater critic.
The production team features work from House company members Shawn Pfautsch (Playwright), Lee Keenan (Scenic and Lighting design), Kevin O’Donnell (Composer/Sound Designer); with guest artists Jess McLeod (Director), Izumi Inaba (Costume Designer).
ABOUT SHAWN PFAUTSCH
Pfautsch is a veteran company member with The House Theatre of Chicago having joined the company in 2000. Two of Pfautsch’s full-length plays have been produced at The House: Hatfield & McCoy and The Attempters. His short plays and one-acts have been produced in Chicago as well as Texas, Florida and Iowa.
Pfautsch is a veteran company member with The House Theatre of Chicago having joined the company in 2000. Two of Pfautsch’s full-length plays have been produced at The House: Hatfield & McCoy and The Attempters. His short plays and one-acts have been produced in Chicago as well as Texas, Florida and Iowa.
With The House, he has worked or starred in Death & Harry Houdini (all incarnations), The Terrible Tragedy of Peter Pan, all three entries in the Valentine Trilogy, Cave With Man, The Boy Detective Fails, the first production of Dave DaVinci Saves the Universe, Thieves Like Us and Cyrano. He has also travelled with The House to the Adrienne Arsht Center in Miami twice, taking the stage with The Sparrow and Death & Harry Houdini.
As a member of The Hypocrites avant garde Gilbert & Sullivan Rep, Pfautsch has been performing The Pirates of Penzance and The Mikado to audiences in Chicago (at the Chopin Theatre and Steppenwolf Garage) and around the country (at American Repertory Theatre in Boston and Actors Theatre of Louisville) since 2010.
Elsewhere in Chicago and abroad, he has been on stage with: Steppenwolf Theatre (Theatrical Essays), Chicago Shakespeare (Julius Caesar), Chicago Childrens’ Theatre (A Year With Frog and Toad), Lakeside Shakespeare in Michigan (Henry V, Love’s Labors Lost, King Lear, As You Like It), Signal Ensemble (Old Wicked Songs) and the Dallas Theatre Center (South
Pacific). Pfautsch also had a role as the recurring character Alan Devlin on FOX’s “Mob Doctor.”
ABOUT JESS McLEOD
McLeod directs for the first time with The House Theatre of Chicago. She is an Associate Artist at The Music Theatre Company, where her credits include The Pajama Game, Fugitive Songs in Concert, and the Young Artist Program productions of Mill Girls, Zanna, Don't!
and YAPbook '11. Other Chicago: Funeral Wedding: The Alvin Play (Strange Tree Group), L-Vis Live! (Victory Gardens), Kin (Griffin Theatre), The Wedding Singer (Haven Theatre), and Venus at Steppenwolf, co-produced by Northwestern's M.F.A. directing program, through which McLeod also directed In Trousers and Mourning Becomes Electra and co-created "Master Clash," the M.F.A. Writer/Director short play festival. From 2005-08, McLeod served as Director
of Programming for The New York Musical Theatre Festival, where she oversaw all curating and directed pop/musical theatre fusion concerts including The Unauthorized Musicology of Ben Folds. She has also directed workshops of new plays and musicals for American Theater Company, The Music Theatre Company, The American Music Theatre Project and The House, and heads
Timber Lake Playhouse's Summer Playwrights Lab.
McLeod directs for the first time with The House Theatre of Chicago. She is an Associate Artist at The Music Theatre Company, where her credits include The Pajama Game, Fugitive Songs in Concert, and the Young Artist Program productions of Mill Girls, Zanna, Don't!
and YAPbook '11. Other Chicago: Funeral Wedding: The Alvin Play (Strange Tree Group), L-Vis Live! (Victory Gardens), Kin (Griffin Theatre), The Wedding Singer (Haven Theatre), and Venus at Steppenwolf, co-produced by Northwestern's M.F.A. directing program, through which McLeod also directed In Trousers and Mourning Becomes Electra and co-created "Master Clash," the M.F.A. Writer/Director short play festival. From 2005-08, McLeod served as Director
of Programming for The New York Musical Theatre Festival, where she oversaw all curating and directed pop/musical theatre fusion concerts including The Unauthorized Musicology of Ben Folds. She has also directed workshops of new plays and musicals for American Theater Company, The Music Theatre Company, The American Music Theatre Project and The House, and heads
Timber Lake Playhouse's Summer Playwrights Lab.
Leonora Dickson is the Production Sponsor for Season on the Line. Development of Season on the Line has been supported in part by the Boeing Company and University of Chicago's Summer, Inc. residency.
ABOUT THE HOUSE THEATRE OF CHICAGO
The House is Chicago's premier home for original works of physical and spectacle storytelling. Founded and led by Artistic Director Nathan Allen and driven by an interdisciplinary ensemble of Chicago’s next generation of great storytellers, The House aims to become a laboratory and platform for the evolution of the American theatre as an inclusive and popular artform.
The House was founded in 2001 by a group of friends to explore connections between Community and Storytelling through a unique theatrical experience. Since becoming eligible in 2004, The House has been nominated for 60 Joseph Jefferson Awards (19 wins) and became the first recipient of Broadway in Chicago’s Emerging Theater Award in 2007. Now in its 12th year of original work, The House continues its mission to unite Chicago in the spirit of Community through amazing feats of Storytelling.
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