Pages

Sunday, January 25, 2026

REVIEW: The Outsider Now Playing Through February 22 at Oil Lamp Theater

ChiIL Live Shows On Our Radar: 
Oil Lamp's Finding the Funny in Political Theatre 


OIL LAMP THEATER’S 2026 SEASON KICKS OFF WITH 
THE OUTSIDER
NOW PLAYING THROUGH FEBRUARY 22, 2026
DIRECTED BY SCOTT WESTERMAN

A Comedy of Campaign Chaos Kicks Off the New Season


REVIEW
By Bonnie Kenaz-Mara

In the weird microcosm that is Chicago Theatre, you can catch both The Outsider and The Outsiders playing this February. Lest you get confused, the first to open, Oil Lamp Theatre's political comedy, is a laugh out loud slice of hilarious human nature. What a welcome break from the alternating tragedy and absurdist theatre our actual US politics so often descend into these days.  

We were charmed and amused by Ned Newley, a guy too smart, genuine, and nice to be governor. He's been running everything efficiently for years, behind the scenes, while the corrupt governor playboy takes credit for his work and goofs off. When the camera shy, bumbling 2nd in command becomes governor by default, the pr team runs triage and hilarity ensues. Newbie Newley won our hearts, and while the jokes and physical comedy provided a welcome breath of fresh laughter, there's depth and truth to this tale too. It's about time we take another look at slickness over substance; image over integrity, and start picking politicians with brains and a moral compass, over social media fluff that polls well. 

The entire cast brought a high energy, playful vibe to the production, that's well worth a trek to suburban Glenview. Even my husband, a location sound engineer, who's done plenty of political press junkets over the decades, thought it was quite funny and spot on. He's run audio for Joe Biden (ABC: World News Tonight) and George W Bush (CNN),  as well as lots of local politicians, so he found the crew bits particularly funny. 

The Outsider's got our vote! Three out of three stars. ★★★ Recommended. 

Kudos also to Oil Lamp on their recent expansion with the SPARK CENTER, which offers arts education for all ages with a focus on youth. In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue. Here at ChiIL Live Shows, we've been covering Oil Lamp for years and we're excited to see what's next for this intrepid, suburban storefront. We hope they'll continue with the beloved, free chocolate chip cookies from Misericordia, in their new lobby, too. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

Oil Lamp Theater’s first production of its 2026 season, The Outsider, written by Paul Slade Smith and directed by Scott Westerman, is now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road. The running time, including the intermission, is two hours and 15 minutes. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. There will be additional Wednesday performances Jan. 28 and Feb. 11 at 11 a.m. and 3 p.m. and Feb. 18 at 7:30 p.m. There will be an understudy performance on Wednesday, Feb. 4 at 7:30 p.m.Tickets are on sale now for $30 for previews and $55 for the run at OilLampTheater.org.

When the sitting governor gets kicked out of office for, you guessed it, corruption, it’s time for someone new to take the throne… uh...the role. And the polls are in, it's time for an outsider. Enter bumbling brainiac Ned Newley. With bright ideas and hope in his eyes, he’s the perfect candidate - on paper. It will take a team of dedicated pollsters, campaign coordinators and more notecards than one can count, to turn him into a poised politician who can expertly avoid questions like it's his job. This knee-slappingly hilarious play will have the audience reaching across the aisle to share a laugh. Audiences may even find a renewed sense of hope for politics…okay maybe not… but they'll at least enjoy an absolutely hysterical and highly entertaining break from the news.

The cast of The Outsider includes (in alphabetical order) Andrew Bosworth (he/him, Arthur Vance); Sara DiPasquale (she/her, Rachel Parsons); Kenneth D. Johnson (he/him, A.C. Petersen); Michael Morrow (he/they, Dave Riley); Melody Rowland (she/her, Paige Caldwell); William Ryder (he/him, Ned Newley) and Jenna Steege (she/they, Louise Peakes) with understudies Sam Fain (he/they, U/S Ned Newley and U/S Arthur Vance); Stanley King (he/him, U/S A.C. Petersen); Megan Kueter (she/her, U/S Paige Caldwell and U/S Rachel Parsons); Sean Price (he/him, U/S Dave Riley), and Amy Yulish (she/her, U/S Louise Peakes).

The production team includes Scott Westerman (he/him, director); Sara Segneri (she/her, stage manager); Connor Windle (she/her, production manager); Rose Leisner (she/her, company manager); Spencer Donovan (he/him, scenic designer); Ellen Markus (she/her; properties designer); Janelle Smith (she/they; costume designer); Rachel D. Hemm (she/her, lighting designer); Alex Trinh (he/him, sound designer) and Andy Cahoon (he/him, technical director).

ABOUT PAUL SLADE SMITH, Playwright

Paul Slade Smith is an actor and playwright living in Brooklyn, New York with his wife, actress Erin Noel Grennan. He received a Helpmann Award nomination for his performance as “Willy Wonka” in the Australian premiere of the Broadway musical Charlie and the Chocolate Factory. ​Stateside, his acting credits include: the original Broadway casts of Charlie and the Chocolate Factory, Finding Neverland and the 2018 Lincoln Center revival of My Fair Lady; U.S. national tours of Wicked (“Doctor Dillamond”), My Fair Lady (“Jaime”) ​and The Phantom of the Opera; and productions at American Repertory Theatre, The Goodman, Steppenwolf, Chicago Shakespeare Theater, ​Alabama Shakespeare Festival, Paper Mill Playhouse, The Goodspeed, Geva Theatre Center, Asolo Repertory and Theatre Under the Stars in Houston, Texas. His TV credits include NBC's “The Blacklist” and “The Other Two” and “The Gilded Age”, both on HBO. He is the award-winning author of three plays: Unnecessary Farce, The Outsider and Theatre People, or the Angel Next Door.

ABOUT SCOTT WESTERMAN, Director

Scott Westerman is the founding artistic director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between live theatre and film. He created and directed the web series “Hamlet & Ophelia” which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards and Best Mobile Series at the 2022 New Media Film Festival. Westerman has directed stage productions for The Artistic Home, Citadel Theatre, ChiArts, City Lit Theatre, Chimera Theatre Company, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge) and Reverie Theatre Company. He is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group and a teaching artist with Lookingglass Theatre, Writers Theatre and Filament Theatre. He has an MFA from The Shakespeare Theatre Academy. As an actor, he has worked with Steppenwolf Theatre, Writers Theatre, Chicago Shakespeare Theatre, Lookingglass, Northlight Theatre, The Shakespeare Theatre Company and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina and the Barter Theatre in Virginia to name a few. On camera credits include “Chicago Fire,” “Machine Gun Preacher” and “Prison Break.”


MORE FROM FROM OIL LAMP THEATER

Poor Behavior
April 10 – May 10, 2026

By Theresa Rebeck
Directed by Lauren Katz
Preview Performances: Friday, April 10 at 7:30 p.m. and Saturday, April 11 at 3 p.m.
Opening Night: Saturday, April 11 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, April 15 at 11 a.m and 3 p.m.; Wednesday, April 22 at 7:30 p.m.; Wednesday April 29 at 11 a.m. and 3 p.m.; and Wednesday May 6 at 7:30 p.m.

A visit from old friends takes an unexpected turn when a bombshell accusation throws niceties out the window. Hospitality turns to havoc. Sanity shatters into shambles. Manners take a backseat as two couples are pushed to their limits during a weekend in the country. Will they be able to pick up the pieces over wine and muffins or will their poor behavior leave them irrevocably broken? Find out in this sharp-witted play by acclaimed playwright Theresa Rebeck.

The Last 5 Years
June 5 – July 5, 2026

Book, music and lyrics by Jason Robert Brown
Directed by Christina Ramirez
Music Directed by Amy Branahl
Preview performances: Friday, June 5 at 7:30 p.m., Saturday June 6 at 3 p.m.
Opening Night: Saturday, June 6 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, June 10 at 11 a.m. and 3 p.m.; Wednesday June 17 at 7:30 p.m.; Wednesday, June 24 at 11 a.m. and 3 p.m.; and Wednesday July 1 at 7:30 p.m. There are no performances on Saturday July 4.

Straight from Broadway, Jason Robert Brown’s musical masterpiece The Last Five Years comes to Oil Lamp Theater. This widely beloved show takes audiences on the romantic rollercoaster of Jamie and Cathy as they fall in and out of love over the last five years. Told from each individual’s perspective – one chronologically and one backwards – audiences will be swept into the unique storytelling and find an anti-love story full of humor and heart. Hailed as a powerful and intimate production, this Drama Desk Award-winner for Outstanding Music is not to be missed.

I Love You Because
August 14 – September 13, 2026

Book and Lyrics by Ryan Cunningham
Music by Joshua Salzman
Directed by Scott Shallenbarger
Music Directed by Aaron Kahn
Preview Performances: Friday, Aug. 14 at 7:30 p.m. and Saturday Aug. 15 at 3 p.m .
Opening Night: Saturday, Aug. 15 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday Aug. 19 at 11 a.m. and 3 p.m.; Wednesday, Aug. 26 at 7:30 p.m.; Wednesday September 2 at 11 a.m. and 3 p.m.; and Wednesday September 9 at 7:30 p.m.

Modern dating is a mess. Sometimes to find Mr. Right you need to find Mr. Wrong even if that means seeing someone stuck on their ex, awkward encounters of the intimate kind and lots of horrible coffee dates. Opposites attract in this feel-good musical that will transport audiences into the heart of your favorite guilty pleasure rom-com. Created by acclaimed musical team Ryan Cunningham and Joshua Salzman and inspired by Jane Austen’s gold-standard romance novel “Pride and Prejudice,” this delightful musical will make you fall head over heels.

Dial M for Murder
October 2 – November 1, 2026\

Adapted by Jeffrey Hatcher from the original play by Frederick Knott
Directed by Daniel King
Preview Performances: Friday, Oct. 2 at 7:30 p.m. and Saturday Oct. 3 at 3 p.m.
Opening Night: Saturday, Oct. 3 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, Oct. 7 at 11 a.m. and 3 p.m.; Wednesday Oct. 14 at 7:30 p.m.; Wednesday Oct. 21 at 11:00 a.m. and 3 p.m. and Wednesday, Oct. 28 at 7:30 p.m.

Alfred Hitchcock’s adored, chilling thriller gets a modern twist that no one will see coming. A murderous misstep begins a high-stakes hunt for the real criminal as time is quickly running out. This captivating, heart-racing play leaves audiences on the edge of their seats while the mystery of the year unravels before their eyes. Will the clues unlock the right person, or will an innocent victim pay the price? The suspense is to die for…

*All productions, dates, creatives, etc. are subject to change.


ABOUT OIL LAMP THEATER

Oil Lamp Theater is a professional nonprofit performing arts organization in Glenview, Illinois, welcoming over 10,000 patrons annually from more than 225 communities—41% from Glenview and others from across the North Shore and Chicago. Since establishing its intimate 60-seat home in downtown Glenview in 2012, Oil Lamp has grown into a cultural beacon, earning recognition as “Best Live Theatre in the North Shore” for four consecutive years.

With more than 70 productions to date, Oil Lamp is known for its dynamic Mainstage season, special events and its resilience during the pandemic, when it innovated with drive-in performances and outdoor productions. Today, the theatre continues to foster connection, broaden horizons and illuminate the human condition through professional theater and year-round programming.

In addition to its productions, Oil Lamp recently expanded with the SPARK CENTER, which offers arts education for all ages with a focus on youth. These process-driven classes inspire a lifelong love of the arts while equipping students with creativity, confidence and critical life skills.


In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue with the goal of staying in downtown Glenview. Building on its roots as a scrappy storefront, Oil Lamp is evolving into a more robust organization—without losing the intimacy and warmth that define its theater experience. Oil Lamp Theater hopes this announcement inspires excitement throughout the community. Interested community members are invited to learn more by reaching out to the theater and staying tuned as additional news is shared in the near future. For information or to support the campaign go to OilLampTheater.org/Light-the-Way or reach out to Oil Lamp at light-the-way@oillamptheater.org.

Production photo credit: Gosia Matuszewska - GosiaPhotography.com for Oil Lamp Theater’s The Outsider, now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road in Glenview.

Friday, January 23, 2026

REVIEW: Laura Heit: The Matchbox Shows Now Playing Through January 25th, 2026

ChiIL Live Shows On Our Radar
Chicago Puppet Fest presents: 
Laura Heit: The Matchbox Shows


Laura Heit's unmatched!  

We adored this wonderfully weird production. Think that late night, tiny, tabletop puppet fun might be your jam? This show has fire, wind, human created foley noises, and even puppet porn worthy of a 12 year old boy in a bathroom stall. She even becomes her own sequined backdrop with a delightful interplay of light, motion, and projection. 

Portland, Oregon based Heit has 25 years of practice making miniature magic and has perfected her niche craft in a big way. Not one to be boxed in, this microcosm contains dreams, odd stories, and wickedly creative, delightful absurd scenarios. The art is so bad it's good. And her DIY vibe is also inspiring and makes me want to go home and make an entire mini world of oddities in the service of storytelling. Worth the admission price to see the teeny news helicopter with the pinwheel propellor! Recommended. 

Laura Heit also has two nights of shorts playing at Music Box Theatre, which I was unable to get press tickets to review, and a free looping exhibition on the 4th floor of The Fine Arts Building which we loved. Check her out. 

Exhibitions at The Puppet Hub
“Two Ways Down” by Laura Heit


An immersive shadow puppet and hand-drawn animated installation, by visiting puppet artist Laura Heit. Taking inspiration from the Hieronymus Bosch work, Garden of Earthly Delights, this fantastical piece reflects on the momentary nature of life using thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a fleeting world where human-animal hybrids, specters, and body parts morph and flit across the walls.




Laura Heit: The Matchbox Shows
* 25th Anniversary of The Matchbox Shows *

Laura Heit walks on stage with a glass of wine wearing a sequined tube top. She takes her place behind a table and begins to bring to life her miniature cabaret. Playing the part of Miniature raconteur, sequined pyromaniac, Laura Heit performs teeny tiny puppet shows inside matchboxes. 


A dead boyfriend, a sausage fairy, a tiger whisperer, a perfectionist, a bath-loving ghost, and many others play their parts in these uncanny micro plays. The miniature stages come to life with crankies, fire, and pop-up paper engineering. The puppet shows are simultaneously projected on a screen behind the table making the little tiny details of this portable variety show larger than life.

Event Details

Dates/Times:
Thursday, January 22 at 8 p.m.
Thursday, January 22 at 10 p.m.
Friday, January 23 at 8 p.m.
Friday, January 23 at 10 p.m.
Saturday, January 24 at 8 p.m.
Saturday, January 24 at 10 p.m.
Sunday, January 25 at 8 p.m.

Location:
Constellation
3111 N. Western Ave.

Cost:
$25 Regular
$20 Students and Seniors

Ages: 13 and up
Running Time: 50 mins


REVIEW: The Harlem Doll Palace at The 8th Chicago International Puppet Theater Festival Now Playing Through January 4, 2026

 ChiIL Live Shows On Our Radar

Alva Puppet Theater: The Harlem Doll Palace

REVIEW: 

By Bonnie Kenaz-Mara

Don't let the demure looking tea party fool you. This show is full of harrowing true life tales of a contemporary break in, a theft, an assault, a flood, and generational family trauma dating back to the days of legalized slavery. It's also full of endurance, joy, famous visitors, and a passion for collecting thousands of valuable, historical dolls that borders on obsession. Welcome to The Harlem Doll Palace, based on the true story of Lenon Holder Hoyt, better known as Aunt Len, a public school art teacher for 40 years who created a doll museum in her Harlem brownstone. 


We're huge fans of stories about interesting people and are so happy the story of Aunt Len and her passion project is being preserved. We weren't expecting the wonderful contemporary songs and the depth and breadth this historical puppet piece covers. Framing her story as a puppet show and anthropomorphizing her collection is strongly effective storytelling. We found this show not only informative, but entertaining as well, with strongly positive social justice, black, and queer elements. Highly recommended. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).


Chicago Puppet Fest and Reva & David Logan Center for the Arts at the University of Chicago present:
Alva Puppet Theater: The Harlem Doll Palace

Join the dolls from the “dollection” inside Aunt Len’s Doll and Toy Museum as they recreate their journeys to the museum and seek to keep its beloved founder alive while Harlem deteriorates around her. 

Event Details

Dates/Times:
Thursday, January 22 at 4 p.m.
Thursday, January 22 at 7:30 p.m.
Friday, January 23 at 4 p.m.
Friday, January 23 at 7:30 p.m.
Saturday, January 24 at 6 p.m.

Location:
Reva & David Logan Center for the Arts, Theater East, UChicago
915 E. 60th St.

Cost:
$43 Regular
$35 Students and Seniors

Ages: 10 and up

Running Time: 80 mins



Monday, January 19, 2026

The 8th Chicago International Puppet Theater Festival Returns January 21-February 1, 2026

Chi, IL Live Shows On Our Radar:
The 8th 
Chicago International Puppet Theater Festival 


Here at ChiIL Live Shows and ChiIL Mama we've been covering Chicago's vibrant puppet scene since 2008. And we've been extensively covering The Chicago International Puppet Theater Festival since its inception in 2015. We are so fortunate here in Chicago, to host puppeteers from around the globe for 12 days of spectacular shows, intimate works and special events all over the city, January 21-February 1, 2026. 

I love that modern puppetry has elevated from an often ignored, fringe element of theatre, begging for coverage, to a wildly popular genre, selling out shows at a record pace. Sadly, the bigger The Chicago International Puppet Theater Festival has grown, the harder it's become to get press tickets to cover all the shows. Despite applying to review all 19 productions, they were only able to swing tickets to 7, and many of my top choices were sold out entirely or out of tickets for the press. 

So I'll be featuring the heck out of the 7 I am able to see. Check back like we vote in Chicago, early and often. I'll be posting lots of social media updates and reviews as the fest ramps up. **** I've noted those I'm covering with 4 asterisks 

Two of the ones I have to miss are Chicago locals, so I do hope they'll do a remount I can catch in the near future. I was shut out of covering Manual Cinema's The 4th Witch, as well as Rhynoceron by local puppeteer and Jeff Award-winning puppet designer KT Shivak. I'm also very much hoping for a remount of The Left Hand of Darkness, in from New York.

KNOW BEFORE YOU GO: Many of the fest's offerings are geared toward adults, so be sure to check out age recommendations below and on the puppet fest's site.

MULTI CULTI: WE'RE BETTER TOGETHER Despite the USA's current administration's aversion to DEI and multiculturalism, we're thrilled that puppet artists from England, France, Norway, Denmark, India, Scotland, South Korea and Spain, are slated for the fest. The U.S. and Chicago cool kids are also well represented and we love the international friendships and collaborations the fest fosters. Fingers crossed all the performers and their puppets/sets/costumes safely make it through customs and enjoy their weeks in Chicago unmolested by ICE and Border Patrol!

NEED AN EXCUSE TO LEAVE THE COUCH? Bundle up and check out the 8th Chicago International Puppet Theater Festival, showcasing different forms of traditional and contemporary puppet styles, from bunraku-style to shadow puppetry, marionettes to object-based works. 

Tickets to more than 100 shows, events and interactive workshops are on sale at chicagopuppetfest.org. Don’t wait. Despite Chicago’s cold winters, tickets to the Chicago Puppet Festival are always the hottest ticket in town come January. In fact, some shows are already sold out.


Highlights I'm covering include:



****Fan favorite Wakka Wakka, featuring artists from Norway and New York, opens this year’s festival with Dead as a Dodo, a mesmerizing musical odyssey about survival, transformation, and the power of true friendship. Infused with puppetry, humor, and stunningly innovative visual effects, Dead as a Dodo, commissioned by the Chicago International Puppet Theater Festival, takes audiences deep into the underworld, where two skeleton friends, a Dodo and a boy, may be shattering the established order of the dead. 

This production is returning after a prior stint at the fest in 2024. I'll be happily catching this one again. It's excellent. Highly recommended. Don't miss this! Check out my past Dead as a Dodo review HERE: https://www.chiilmama.com/2024/01/world-premiere-of-wakka-wakkas.html 

Dead as a Dodo
Wakka Wakka (Norway/U.S.)
Studebaker Theater, Fine Arts Building, 410 S. Michigan Ave., downtown Chicago
January 21-25

Five shows: Wednesday, January 21 at 7 p.m.; Friday, January 23 at 7:30 p.m.; Saturday, January 24 at 2 p.m. and 7:30 p.m.; Sunday, January 25 at 2 p.m.

80 minutes
8 and up
Tickets: $40-$48

wakkawakka.org.dead-as-a-dodo




****In a late addition to the line-up, festival founder and artistic director Blair Thomas returns to the stage with his original new work Does a Dog Have Buddha Nature?, a large-scale, four-panel crankie offering insight into the rascally nature of a dog and his owner. I've enjoyed interviewing Blair Thomas several times over the years and rolling video on another of his infamous crankies for ChiIL Live Shows and ChiIL Mama. Check out those blasts from the past HERE: 




Does a Dog Have Buddha Nature?
Blair Thomas (Chicago/U.S.)
Chopin Theater, 1543 W. Division St., Wicker Park
January 25-26

Four shows: Sunday, January 25 at 8 p.m.; Monday, January 26 at 2 p.m.,
5 p.m. and 8 p.m.

45 minutes
All Ages
Tickets $35-$45




****New York’s Alva Puppet Theatre presents The Harlem Doll Palace, based on the true story of Lenon Holder Hoyt, better known as Aunt Len, a beloved public school art teacher for 40 years who created a doll museum in her Harlem brownstone. Join the dolls from Aunt Len’s “dollection” as they recreate their journeys to their museum.

The Harlem Doll Palace
Alva Puppet Theatre (New York City/U.S.)
Reva & David Logan Center for the Arts, East Theater, UChicago, 915 E. 60th St., Hyde Park
January 22-24

Five shows: Thursday, January 22 at 4 p.m. and 7:30 p.m.; Friday, January 23 at 4 p.m. and 7:30 p.m.; Saturday, January 24 at 6 p.m.

80 minutes
10 and up
Tickets: $35-$43
alvapuppettheater.com/theharlemdollpalace


ChiIL Mama's Chi, IL Picks List: a family friendly show & a 2 for 1 discount code too!


****Family audiences will love Roald Dahl's The Enormous Crocodile by England’s Roald Dahl Story Company. In this mischievous musical, based on Dahl’s snappy book with toe-tapping tunes, the titular star weaves through the jungle with his tummy rumbling, while other jungle creatures foil his secret plans to stop this greedy brute. Audiences will go from the jungle into outer space and back again, just in time for a wild dance party!


Roald Dahl's The Enormous Crocodile
Roald Dahl Story Company (England)
Studebaker Theater, Fine Arts Building, 410 S. Michigan Ave., downtown Chicago
January 29-February 1

Seven shows: Thursday, January 29 at 1 p.m.; Friday, January 30 at 10:30 a.m. and 6 p.m.; Saturday, January 31 at 11 a.m. and 4 p.m.; Sunday, February 1 at 10 a.m. and 1 p.m.
(Note: Post-festival performances continue through February 21)

55 minutes
All ages
Tickets: $40-48, with discounted tickets available for school groups
enormouscrocodilemusical.com







****India’s Katkatha Puppet Arts Trust makes their Chicago debut with About Ram, an experimental theatrical piece using excerpts from the Bhavbhuti's “Ramayana,” an epic tale and guide for Hindu principles like dharma, told through animation, digitally projected dance, masks and puppets.

About Ram
Katkatha Puppet Arts Trust (India)
Dance Center of Columbia College, 1306 S. Michigan Ave., downtown Chicago
January 29-31

Four shows: Thursday, January 29 at 7:30 p.m.; Friday, January 30 at 1 p.m. and 6 p.m.; Saturday, January 31 at 12 p.m.

60 minutes
5 and up
Tickets: $15-$35
katkatha.org





****Audiences of all ages will delight in the magic of sequined Portland puppet raconteur Laura Heit’s The Matchbox Shows, teeny tiny puppet shows performed inside matchboxes, “the smallest, greatest, bravest, show in the world.” In addition to seeing Heit perform live, catch Laura Heit: Short Films, a showcase of her short films featuring drawing, stop-motion and puppetry, presented in the fest’s first-ever collaboration with Chicago’s Music Box Theatre.

The Matchbox Shows
Laura Heit (Portland/U.S.) 
Constellation, 3111 N. Western Ave., Roscoe Village/Avondale
January 22-25

Seven shows: Thursday, Friday and Saturday, January 22- 24 at 8 p.m. and 10 p.m.; Sunday, January 25 at 8 p.m.

50 minutes
13 and up
Tickets: $25-33

lauraheit.com/the-matchbox-shows 



****From Seoul, South Korea comes Oil Pressure Vibrator created by and featuring Geumhyung Jeong, an artist who’s interested in the human body, the objects that surround it, with a particularly strange fascination with the excavator. Witness as Jeong plunges a big bucket into preconceptions about sexuality, technology and the body. For adult audiences only.

Oil Pressure Vibrator
Geumhyung Jeong (South Korea)
Chopin Theatre Mainstage, 1543 W. Division St., Wicker Park
January 30-31

Two shows: Friday, January 30 at 9 p.m. and Saturday, January 31 at 2 p.m.

60 minutes
18 and up
Tickets: $40-$48
geumhyungjeong.com

Puppets for FREE
If the hefty ticket prices are out of your reach this year, you can still catch both neighborhood tours for FREE, as well as the exhibits on the fourth floor of the Fine Arts Building and the Ellen Van Volkenburg Symposium puppet panels in person or streaming.



Giant Puppet Lanterns

In addition to the incredible pageant of international and U.S. puppetry artists, The Puppet Hub is back and open throughout the festival on the fourth floor of the Fine Arts Building. It’s the perfect place to relax between shows, meet up with friends, make new ones, and learn more about contemporary puppetry. Attractions include The Spoke & Bird Pop-Up Cafe, serving coffee, tea, winter soups and baked treats, the Pop-Up Puppet Shop, and two free exhibits: Two Ways Down, featuring festival artist Laura Heit’s exquisite hand-drawn animation and film inspired by Hieronymus Bosch’s “The Garden of Earthly Delights,” and a room full of giant lantern puppets created in the pre-festival workshop with Andrew Kim of Thingamugig.

Puppetry enthusiasts are also welcome to check out the free Ellen Van Volkenburg Symposium, the Catapult Artist Intensive, professional education workshops with visiting puppet artists, and more.

Now presented annually, the Chicago International Puppet Theater Festival is the largest event of its kind in North America. Last year’s festival attracted a record audience – more than 22,000 fans of puppetry, ranging from Chicago residents to international guests who choose Chicago as their travel destination in the middle of January to enjoy world-class puppet productions from here and abroad. 

Visit chicagopuppetfest.org for tickets and information about the 8th Chicago International Puppet Theater Festival, and sign up for the festival’s e-news. Follow the festival on Facebook, Instagram or Vimeo, hashtag #ChiPuppetFest. 

Festival funders
Supporters of the 8th Chicago International Puppet Theater Festival include the Paul M. Angell Family Foundation, Art Legacy Institute, Cheryl Lynn Bruce and Kerry James Marshall, The Chicago Community Trust, Chicago Park District Night Out in the Parks Program, City of Chicago Department of Cultural Affairs and Special Events, Richard H. Driehaus Foundation, Ferdi Foundation/Julie Moller, Illinois Arts Council, Jentes Family Foundation/ Justine Jentes and Dan Kuruna, Paul Levy and Mia Park, The Reva & David Logan Foundation, John D. and Catherine T. MacArthur Foundation, Manaaki Foundation, Marshall Frankel Foundation, Kristy and Brandon Moran, Pritzker Foundation, and Deb and Andy Wolkstein.


About the Chicago International Puppet Theater Festival

Originally founded in 2015 as a project of Blair Thomas & Co., the Chicago International Puppet Theater Festival has highlighted artists from nations including Belgium, Chile, China, France, Germany, India, Indonesia, Israel, Japan, Kenya, Korea, Mexico, Norway, Puerto Rico, Poland, Scotland and South Africa as well as from Chicago and across the U.S. with the goal of promoting peace, equality, and justice on a global scale. 

Already, the Chicago Puppet Festival is the largest of its kind in North America. Last year’s 2025 festival attracted a record 22,000+ audience members to 29 different Chicago venues large and small to enjoy an entertaining and eclectic array of puppet styles from around the world.

In 2022, the Festival moved from a biennial to an annual event, and tripled its footprint in Chicago’s historic Fine Arts Building. It opened an expanded office suite, debuted the Chicago Puppet Studio, which designs and fabricates puppets for theaters and events around the U.S., and launched the Chicago Puppet Lab, an education space and developmental residency designed to incubate more works of boundary-breaking puppetry in Chicago, expand equity in the field of puppetry, and encourage interdisciplinary experimentation in puppet theater.

It’s fitting that the Fine Arts Building is home again to one of the most influential puppetry organizations in the world. In 1912, after Ellen Van Volkenburg founded the Little Theater of Chicago in the Fine Arts Building, she needed a name for the actors manipulating marionettes in Shakespeare’s A Midsummer Night’s Dream. So she credited them in the program with a new word, “puppeteer.” Many agree this marked the initial intersection of traditional puppetry with contemporary theater still practiced today, and now flourishing around the world.

Expanded operations are overseen by Artistic Director and Festival Founder Blair Thomas and Executive Director Sandy Smith Gerding, with Cameron Heinze and La Mar Brown, Business Managers; Taylor Bibat, Festival Coordinator and Director of Education; Deirdre Huckabay, Grants & Giving Manager; Jess Mott Wickstrom, Web + Visual Communication Designer; Margaret Nelson and Frank Rose, Festival Production Managers; Zachary Sun, Studio Coordinator; Tom Lee, Co-Director, Chicago Puppet Lab and Studio; Grace Needlman, Co-Director Chicago Puppet Lab; and Caitlin McLeod, Chicago Puppet Studio Project Manager.


For more information and the full lineup, visit chicagopuppetfest.org.


Marriott Theatre Presents Little Shop of Horrors January 21 Through March 15, 2026

ChiIL Live Shows On Our Radar

Peter Blair, Executive Producer
Peter Marston Sullivan, Artistic Director
Presents


The Sci-Fi Cult Musical Favorite

Chicagoland’s longest-running musical theatre, Marriott Theatre, opens its highly anticipated 2026 season with the long-requested fan favorite, Little Shop of Horrors, previewing Wednesday, January 21, opening Wednesday, January 28, and running through Sunday, March 15. Directed and choreographed by Tommy Rapley (Marriott Theatre:James and the Giant Peach, Big Fish) and featuring music direction by Jeff Award winner Ryan T. Nelson, this production brings the beloved, darkly comic musical to life with a blend of sci-fi flair, 1960s pop, and outrageous theatrical imagination. I'll be out to review on Wednesday, February 11th, so check back shortly after for our full coverage. 

Little Shop provides a tasty musical theatre recipe: start with well-intended people in dire and seemingly inescapable circumstances. Add a healthy handful of love, plenty of greed, a touch of murder, and a dash of carnivorous magicalplant from outer space. Mix well with a banging score by Alan Menken and the incredible talents of this Chicago-based cast, and you have yourself a rollicking good time. Puppets are the icing on the cake.

“I hope that audiences leave the theatre with guts sore from laughing, with hearts heavy for our tragic and loveable lovers, and with ears joyfully ringing with this delectable score,” said director and choreographer Tommy Rapley. “And also, with a little more empathy for the folks who are desperately trying to get by-well-intended people in dire and seemingly inescapable circumstances who haven’t succumbed to the murderous temptations of a man-eating plant… yet. Perhaps if we build better roads in and out of Skid Row, and care more for the people who live there, we can save the world before The Plant consumes us all.”

Little Shop of Horrors stars Jackson Evans as “Seymour” (Marriott Theatre: Singin’ in the Rain, A Christmas Story, Charlie Brown); Maya Rowe as “Audrey” (Marriott Theatre: Beautiful: The Carole King Musical, Disney's Finding Nemo; Theo Ubique: A Little Night Music–Jeff Award Winner, Best Supporting Actress); Andrew Mueller as “Orin & Others” (Marriott Theatre: Beautiful: The Carole King Musical–Jeff Award, Man of La Mancha, For The Boys); Mark David Kaplan as “Mr. Mushnik” (Marriott Theatre: Titanic, Oliver!, Anything Goes); Lorenzo Rush Jr. as “Audrey II (Voice)” (Marriott Theatre:Joseph…,A Christmas Story, The Wizard of Oz); with Lydia Burke, Daryn Harrell, Miciah Lathan, and Garrett Lutz; Ensemble Jordan Anthony Arredondo, and Ed Kross; and understudies Marta Bady, Dan Gold, Darryl D'Angelo Jones, and Arwen-Vira Marsh. Starting March 4th the role of “Audrey” will be played by Amanda Walker.

The artistic team features Costume Design by Amanda Vander Byl, Lighting Design by Jesse Klug, Sound Design by John Johnson, Scenic Design by Milo Bue, Props Design by Ivy Thomas, Puppet Design by Jesse Mooney-Bullock, Wig Design by Miguel Armstrong and Stage Manager Richard Strimer.
Little Shop of Horrors is scheduled to run Wednesdays at 1 p.m. and 7:30 p.m., Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m., and Sundays at 1 p.m. and 5 p.m., with select Thursday 1:00 p.m. shows. 

Call for dinner-theatre, student, senior, and military discounts. Free parking is available at all performances. 

To reserve tickets or become a Marriott Theatre subscriber, please call the Marriott Theatre Box Office at 847.634.0200 or go to www.tickets.marriotttheatre.com. Visit www.MarriottTheatre.com for more information. To make a restaurant reservation, please call 847.634.0100.

Monday, December 1, 2025

The Auditorium Philms Concert Series continues with The Holiday in Concert with the Chicago Philharmonic, December 20th

ChiIL Live Shows On Our Radar
THE AUDITORIUM PHILMS CONCERT SERIES continues with

The Holiday in Concert

with the Chicago Philharmonic

One night only, Saturday, December 20 at 7:30 PM at The Auditorium


The Chicago Philharmonic performs the Hans Zimmer score live to film

Tis the season for holiday fun with family and friends, or maybe even a special date. It's also cuffing season, ya know. What better way to set the mood than with a fun romcom and a live orchestra? Here at ChiIL Live Shows, we adore The Auditorium Philms Concert Series. This blend of iconic movies and live accompaniment by the Chicago Philharmonic makes for an incomparable live-to-film experience. Cut the clutter this season and make some memories with an experiential gift instead. 

The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and the Chicago Philharmonic bring a live-to-film experience of the beloved romcom The Holiday in Concert this festive season. The Chicago Philharmonic takes the Christmas classic and the score of world-renowned composer Hans Zimmer to new heights. The one-night-only presentation takes place Saturday, December 20 at 7:30 PM at The Auditorium, 50 E Ida B Wells Dr. 

Tickets are limited, starting at $48, and are available at auditoriumtheatre.org or by calling The Auditorium’s Ticket Service Center at 312.341.2300

The popular Nancy Meyers romcom The Holiday stars Cameron Diaz, Jude Law, Kate Winslet and Jack Black. The film tells the story of Amanda, who lives in LA as a movie trailer editor, and Iris, who lives in Surrey as a journalist. The two decide to swap houses for two weeks at Christmas – both trying to forget their troubled love lives, until love finds them anyway. The Holiday premiered in 2006 and was a commercial success, grossing $205.8 million worldwide. The upcoming live-to-film experience at The Auditorium with the Chicago Philharmonic brings the beloved holiday classic and Hans Zimmer’s score to Chicagoans for an unforgettable live holiday experience under the direction of long-time collaborator conductor Thiago Tiberio.

“Once again, we’re thrilled to welcome guests for another truly magical movie night,” said The Auditorium CEO Rich Regan. “Hans Zimmer’s unforgettable score from The Holiday will be brought to life by the Chicago Philharmonic in a way you’ve never experienced before. We invite everyone to come celebrate the season with music, warmth, and holiday joy here at The Auditorium.”

“We can't wait to bring this movie and score to The Auditorium,” said Chicago Philharmonic Executive Director Terell Johnson. “It's a beautiful, nostalgic way to celebrate the holidays, and another opportunity to show new audiences the magic of live symphonic performance."

About The Chicago Philharmonic Society

Founded by musicians of the Lyric Opera Orchestra in 1989, The Chicago Philharmonic Society is on a mission to reimagine the orchestra concert experience. With nearly 200 musician members and a unique system of musician governance, the organization is one of the most versatile, innovative, and ambitious orchestras in the country.

Chicago Philharmonic proudly collaborates with the greatest artists of our time, in every genre. Past collaborations have included The Joffrey Ballet, English National Ballet, Kishi Bashi, Lady Gaga, Tony Bennett, Joshua Bell, Tank and the Bangas, William Basinski, the American Ballet Theatre, Ryan Speedo Green, and more.

In 2021, Crain’s Business Chicago 40 Under 40 awardee Terell Johnson joined the organization as Executive Director. Since then, the orchestra has become a force for innovation and inclusion in the city’s performing arts ecosystem with a series of increasingly high-profile events. 2024 brought the orchestra’s debut at Lollapalooza Chicago with Icelandic jazz/pop sensation Laufey as the first orchestra to ever perform at the famed festival; a highly anticipated return to Ravinia Festival with a World Premiere tribute to Whitney Houston and a concert with the Violent Femmes; and the World Premiere tour of An Evening with Sleeping At Last culminating in a sold-out debut at Carnegie Hall. Learn more at www.chicagophil.org.


About Thiago Tiberio

Mr. Tiberio is a specialist in musical synchronization to film, having conducted orchestras in scoring sessions during most of his career. This naturally led to positions in live-to-picture concert productions, such as Star Wars Live in Concert, Pixar in Concert, Danny Elfman: Music from the Films of Tim Burton, The Nightmare Before Christmas, Lord of the Rings: Live to Projection, and others. He premiered the fully orchestrated version of Coco in Concert for Disney, closing the 2019 Ravinia Festival, with the Chicago Philharmonic.

Tiberio is the official conductor of America’s Wonders, the world’s first 3-dimensional, IMAX-style cinematic journey with live orchestra—a celebration of America’s most breathtaking national parks and cities with classical, pop, and original music meticulously synchronized to picture. He also composed and orchestrated a large portion of the music in the show.

About The Auditorium

The Auditorium, located at 50 E. Ida B. Wells Drive in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization is also committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889. The Auditorium’s 2025-26 performance season features a dynamic mix of cultural events from ballet to rock and roll and everything in between. For more information on The Auditorium and a complete listing of events at The Auditorium please visit AuditoriumTheatre.org. 

Thursday, November 13, 2025

Theater Grottesco Presents ACTION AT A DISTANCE… IN 2025 NOVEMBER 13 - 16 AT FACILITY THEATER


SIX PLAYS, FOUR ACTORS, ONE STAGE: COLLIDE IN 
ACTION AT A DISTANCE… IN 2025 
A BOLD THEATRICAL CHICAGO PREMIERE OF A FAY|GLASSMAN PERFORMANCE STAGED WITH THE COLLABORATION OF THEATER GROTTESCO


NOVEMBER 13 - 16 AT FACILITY THEATER 

Santa Fe’s celebrated physical theater ensemble, Theater Grottesco, proudly announces a limited Chicago engagement for Action at a Distance … in 2025, November 13 - 16 at Facility Theater, 1138 N. California Ave. Action at a Distance … in 2025 is a bold theatrical experiment from Fay|Glassman Performance crafted in collaboration with Theater Grottesco. 

This new production, graphically scored in detail, offers a kaleidoscopic theatrical experience that is closer to music composition and dance, blending six simultaneous plays performed on a 10ft x 10ft stage by four actors. In 2018, the two companies received a national grant from the Network of Ensemble Theaters for five weeks of outlandish theatrical research and development. 

After four months of intensive work in 2025, the fully-developed production comes to Chicago for a limited engagement. The performance schedule is Thursday, Nov. 13 - Saturday, Nov. 15 at 8 p.m. and Sunday, Nov. 16 at 3 and 8 p.m. 

Theater Grottesco and Fay|Glassman Performance are committed to making the performances accessible. As part of this commitment, the companies welcome audiences with a sliding scale of ticket prices from $15 - $30.

 Tickets are on sale now and available at: LisaFayAndJeffGlassmanDuo.org/tickets. Action at a Distance ... in 2025 is an original work of new theatrical form that breaches several of theatre’s conventional boundaries. Using techniques often found in film, musical composition and dance such as innovative physical “jump cuts” and “gestural choreography,” characters and actions depart from common representations of time and space, to create moments of astonishing synchronicity, while actors fluidly transform among multiple characters and interact across disparate scenes. 

This dynamic, multilayered performance challenges traditional storytelling, immersing audiences in a constantly shifting mosaic of interactions and emotions. Action at a Distance … in 2025 follows the structural truths when people distraught and disconnected from one another live together, in imperceptible yet finely-tuned synchronicity, as do the actors on this stage. Much like the bustle of a crowded airport, Action at a Distance captures the unpredictability within human connections. 

Six original plays happen simultaneously as performed by four dynamic actors who seamlessly switch between narratives using some of the techniques invented by the Fay|Glassman Performance duo, creating an ever-shifting structural mosaic of simultaneous stories, with juxtaposition, montage, irony and satire, brought to life on a 10ft x 10ft stage. 

Six plays. One tiny stage. All happening at once. But what does that actually mean? The plays: 1. A family with a crying child frantically prepares to evacuate their home in advance of a hurricane. 2. An international human rights lawyer flees her international arms-dealing partner. 3. A filmmaker interviews a doctor who volunteered at the Occupy Wall Street tent camp in 2011. 4. A union local hosts an address by a revolutionary Venezuelan union leader. 5. An artist prepares a gallery installation of the UN negotiator's office for the 1948 Palestine Mandate, just before the negotiator’s assassination by the Stern Gang. 6. A financial mogul is unnerved by a rock, with a photo attached, smashing his window. 

The Action at a Distance … in 2025 cast includes John Flax (he/him), Apollo Garcia Orellana (he/they), Elizabeth Glass (she/her) and Danielle Louise Reddick (she/her). The creative team includes Jeff Glassman (he/him, composition/director); Lisa Fay (she/her, composition); Elizabeth Glass (she/her, Santa Fe directing assistance); William Miglino (he/him, Santa Fe rehearsal manager); Richard Norwood (he/him, lighting, Chicago); Joshua Billiter (he/him, lighting, Santa Fe); Julie Williams (she/her, production manager and consultant, Chicago); Stefan Brun (he/him, production manager and consultant, Chicago); Marc Romanelli (photography) and Mariah Olesen (she/her, media materials, consulting and photography). 

ABOUT THE LISA FAY AND JEFF GLASSMAN DUO (FAY|GLASSMAN PERFORMANCE) The Lisa Fay and Jeff Glassman Duo are known for creating theatre that ranges from humorous and disarming to mesmerizing and disorienting. Their work applies composed structures to ordinary human behavior, just as electronic music applies composed structures to ordinary sounds. The techniques they’ve developed over 40 years allow us to observe methodically re-organized behavior in social space. The reflections can be cathartic and awakening, opening windows on new ways of seeing humanity. New doubts and new truths arise about what’s happening “right now.” 

ABOUT THEATER GROTTESCO Founded in Paris in 1983, Theater Grottesco is known internationally for visual and explosive physical productions. The Grottesco Ensemble rekindles interest in live performance by juxtaposing classical and modern theatrical styles with daring, poetic research of culture and imagination, giving voice to marginal elements of contemporary society and taking audiences to the brink of emotional wonder and soulful reflection. Theater Grottesco is celebrating its 29th year in Santa Fe and is a 2017 award winner of the National Theater Program. 

ABOUT THE CREATIVE PROCESS Both companies create collaboratively, involving intensive workshops, improvisation and experimentation with an eye toward making a new work of art instead of crafting an already existing play. Devising a new play often takes years. As for the work's rigorous movement, Glassman has said, “Theater Grottesco is the only company I know of that could handle the strange physicality of this work.” Special thanks for media and publicity materials and advising to Mariah Olesen, Santa Fe; to artists Myriah Duda and Koppany Pusztai, Santa Fe; to Estevan Vigil on lights, Santa Fe; Fay|Glassman Performance for their production support and to Lisa Fay for her keen and cracking good, decades long, artistic consultation and enduring support for this project.

This program supported in part by a grant from the Illinois Arts Council

Google Analytics