PrideArts to open 2024-25 season with the musical [title of show] August 23 – September 22, 2024

ChiIL Live Shows On Our Radar

[title of show] 

Cast and production team announced, Jay Españo to direct, 

Robert Ollis providing music direction

PrideArts will present the off-Broadway and Broadway hit musical [title of show] to open its fall 2024-25 season. This musical about the writing of a musical was conceived by friends Jeff Bowen and Hunter Bell during the spring of 2004 after Bell received an announcement for the inaugural New York Musical Theatre Festival. With the deadline just three weeks away, Bell began drafting the script with Bowen writing the lyrics and music. Bowen and Bell, determined to write an original musical rather than adapt an existing play or movie, discovered almost immediately that their conversations about what to write were more interesting than what they were actually writing, and decided their musical would document the creation of the show itself - a musical about two guys writing a musical about two guys writing a musical.

The production will be directed by PrideArts’ Artistic Director Jay Españo, with music direction by Robert Ollis and choreography by Britta Schlicht. [title of show] will be performed at Pride Arts Center, 4139 N. Broadway, from August 23 through September 22, 2024. I'll be out for the press opening August 26th, so check back soon for our full review.

Casey Coppess and Jonah Cochin will appear as the show’s writers Hunter and Jeff, respectively. Coppess returns to PrideArts, where they appeared in CASA VALENTINA in 2019. More recently, Coppess has been seen in THE GOLDEN GIRLS LOST EPISODES  for Hell in a Handbag Productions. Cochin’s past credits include THE APPLE TREE, NEW FACES SING BROADWAY 1947 for Porchlight Music Theatre,  SHE LOVES ME with Blank Theatre Company, and Matt in THE FANTASTICKS for Citadel Theatre Company. Hunter and Jeff’s friends Heidi and Susan will be played by Shannon McEldowney and Lexi Alioto. McEldowney recently toured North America in DIRTY DANCING IN CONCERT and THE BRITISH INVASION. Other credits include ALMOST HEAVEN (Theatre at the Center), MAMMA MIA (Drury Lane Oakbrook), and TRU (Stage 773). Alioto has previously worked with Theater Wit, The Second City, The Black Ensemble, First Folio, Lifeline Theater, The Annoyance, and more. She has notably toured with Second City’s hit show, SHE THE PEOPLE, at both San Diego Repertory Theater and Boston’s Huntington Theatre Company. Understudies are Chad Gearig (u/s Hunter), Jared Ritter (u/s Jeff), Sarah Obert (u/s Heidi), and Caitlin Preuss (u/s Susan).

PrideArts’ [title of show] production team includes Anshika Pathak (Scenic Designer), Ashley Benson (Costume Designer), Aidan Smith (Lighting Designer), Izadorius Tortuga (Props Designer), Val Gardner (Sound Designer), James Stone (Intimacy Director), Julia Witty (Stage Manager), Kate Schnetzer (Assistant Stage Manager), and Taylor Pasche (Assistant Director).

[title of show] premiered at the New York Musical Theatre Festival in 2004. A commercial production ran for nearly six months in 2006 at the off-Broadway Vineyard Theatre, and in 2008 a production was mounted on Broadway, where it earned a Tony Award nomination for Best Book of a Musical. It has additionally been produced in numerous countries around the world.

Performances will be at Pride Arts Center, 4139 N. Broadway, Chicago. Tickets are $35 for regular performances, and $25 for previews. Seniors and students receive a $5 discount off all performance prices. Tickets and more information at www.pridearts.org. 

Show Details:

August 23 – September 22, 2024

Previews Friday, August 23 at 7:30 pm and Sunday, August 25 at 3 pm

Press Opening Monday, August 26, 2024, at 7:30 pm

Regular run August 26 – September 22, 2024

Curtain times Thursdays–Saturdays at 7:30 pm, Sundays at 3 pm, plus Industry Night Wednesday, September 18 @ 7:30 pm

Pride Arts Center, 4139 N. Broadway, Chicago

Tickets $35 for regular performances, $25 for previews. Seniors and students receive a $5 discount off all performance prices. Tickets and more information at www.pridearts.org. 773-857-0222

Jeff and Hunter, two gay writers struggling to make it in New York, hear about a new musical theatre festival. However, the deadline for submissions is a mere three weeks away. With nothing to lose, the pair decides to try to create something new with the help of their friends Susan and Heidi; and Larry on the eighty-eights. With the cast in place, they make a pact to write up until the festival's deadline and dream about the show changing their lives. [title of show] -- taken from the space on the festival's application form which asks for the "[title of show]" -- follows Hunter, Jeff, Heidi, and Susan on their journey through the gauntlet of creative self-expression. In the span of 90 minutes, they write and perform their show at the festival and learn lessons about themselves as people, friends and artists. In this intelligent, playful, lovable musical, the audience is treated to an inside look at the tough work of being a creative artist. Frequently hilarious, occasionally heartbreaking, and thoroughly inspiring, [title of show] is a love letter to musical theatre, celebrating individuality and creativity and the joy of collaboration.



BIOS

Jay Españo (PrideArts Artistic Director) Born in Manila, The Philippines, he joined the prestigious Tanghalang Pilipino’s Actors Company in 1998, where he trained with acclaimed Filipino director Nonon Padilla. He acted in several commercials, television series and films. Notably, he was a regular cast member of Koko KwikKwak - a spin-off of Batibot (Philippine SESAME STREET). He toured The Philippines with that show’s mascots, performing for kids throughout the country. In 2000, Jay was one of many Filipino actors who were cast in the Action Theater Singapore’s hit musical CHANG AND ENG, which toured Asia for several years. 

Since moving to the Chicago area, Jay has worked with storefront theater companies such as Silk Road Rising, Prologue, Ghostlight, Halcyon, City Lit, and PrideArts. Most recently, he directed the musical GAY CARD for PrideArts, and City Lit Theater’s world premiere musical AZTEC HUMAN SACRIFICE. He has played the role of the King in Rodgers and Hammerstein’s THE KING AND I with various theater companies in the US and in Canada.

Robert Ollis (Music Direction) most recently music directed THE LIGHT IN THE PIAZZA at Palm Canyon Theatre in Palm Springs. Robert served as Music Director for PrideArts’ productions of GAY CARD, GIRLFRIEND, THE THINGS I COULD NEVER TELL STEVEN, A MAN OF NO IMPORTANCE, SOUTHERN COMFORT, YANK!: A WW II LOVE STORY, THE NANCE, PRISCILLA: QUEEN OF THE DESERT, THE BOY FROM OZ, SONGS FROM AN UNMADE BED, A HISTORY OF SUMMER, THE BOOK OF MERMAN, and  UNDER A RAINBOW FLAG. He served as Music Director for Underscore Theatre’s HAYMARKET: A NEW FOLK MUSICAL. Robert received a Jeff Award for musical direction of KISS OF THE SPIDER WOMAN, in addition to his nominations for seven other shows.  Robert is the music director and co-creator of JUDY AND LIZA: THE LONDON PALLADIUM CONCERT — A TRIBUTE and accompanies other notable cabaret performers in New York City, Palm Springs, CA, and Chicago venues.

Britta Schlicht (Choreographer) is elated to return to PrideArts, where she choreographed GAY CARD in 2023. Other Chicago choreographic credentials include SPRING AWAKENING, THE MYSTERY OF EDWIN DROOD, NINE (Blank Theatre); AZTEC HUMAN SACRIFICE (City Lit); THE LITTLE MERMAID, GYPSY, PRISCILLA QUEEN OF THE DESERT, NEVERMORE (Jedlicka); and BEERS (Prop Thtr).

Jeff Bowen (Music and Lyrics) wrote the music and lyrics for and starred in the Broadway musical [TITLE OF SHOW] (Obie Award). Additionally, he has written music and lyrics for NOW. HERE. THIS. (Vineyard Theatre), VILLAINS TONIGHT! (Walt Disney Company), and the theme songs for the web series THE [TITLE OF SHOW] SHOW and SQUAD '85. His songs can be heard on the original cast albums of [TITLE OF SHOW] and NOW. HERE. THIS., as well as BROADWAY BARES OPENINGS AND OVER THE MOON: THE BROADWAY LULLABY PROJECT. He is a proud member of ASCAP, AEA, the Writers Guild, the Dramatists Guild and the National Audubon Society. He serves as a faculty member of the National Theatre Institute at the Eugene O'Neill Theatre Center.

Hunter Bell (Book) earned an Obie Award, a Drama League nomination, and a Tony nomination for Best Book of a Musical for the Broadway musical [TITLE OF SHOW]. Other credits include books for NOW. HERE. THIS., FOUND (Drama Desk Nomination, Outstanding Book of a Musical), SILENCE! THE MUSICAL (Lucille Lortel Nomination, Outstanding Musical), BELLOBRATION! (Ringling Bros. Circus), VILLAINS TONIGHT! (Disney Cruise Lines), OTHER WORLD, and Julie Andrews' THE GREAT AMERICAN MOUSICAL. He is a co-creator of the web series "THE [TITLE OF SHOW] SHOW" and has developed television with ABC Studios. Hunter is a proud graduate and distinguished alumnus of Webster University's Conservatory of Theatre Arts, a member of the Dramatists Guild, Writers Guild, and a MacDowell Fellow. @huntbellABOUT PRIDEARTS

PrideArts tells queer stories on a variety of platforms, including both live and virtual performances. Since its founding in 2010, PrideArts has had several chapters, including operating as an itinerant theater for their first six seasons, and as the developer and primary tenant in the Pride Arts Center from 2016 to the present. 

The company produces full seasons of plays and musicals, as well as events including cabaret, and more. The company has earned 39 Jeff Awards and nominations, and six nominations in the 2019 ALTA Awards from the Alliance of Latinx Theater Artists of Chicago. Programming has reflected the diversity of queer communities by including work made by and illuminating the experiences of women, gay men, transgender people, and BIPOC.

PrideArts is supported by Illinois Arts Council, a State Agency; City of Chicago Department of Cultural Affairs and Special Events (DCASE), Alphawood Foundation, MacArthur Foundation, Arts Work Fund, Driehaus Foundation, The Saints.

PrideArts is a member of Buena Park Neighborhood Association, Uptown United, League of Chicago Theaters, Gay and Lesbian Chamber of Commerce of Illinois.

For more information and to donate, visit www.pridearts.org. or call 1.773 857 0222.

Brian d'Arcy James To Play Steppenwolf Theatre for Two Performances Only on Saturday, December 7, 2024

ChiIL Live Shows On Our Radar 

Two Performances Only!

Steppenwolf Theatre and Mark Cortale Announce Broadway’s

BRIAN D'ARCY JAMES

WITH MUSIC DIRECTOR DAN LIPTON

Saturday, December 7, 2024 in Steppenwolf's Downstairs Theater

Single Tickets Go On Sale Thursday, August 22, 2024

Pictured: Brian d’Arcy James. Photo by Bobby Quillard.

Steppenwolf Theatre Company and Mark Cortale are pleased to announce two lively musical performances with five-time Tony Award nominee Brian d'Arcy James on Saturday, December 7, 2024 (3 pm & 7:30 pm) in Steppenwolf’s Downstairs Theater, 1650 N. Halsted St. in Chicago.

James will perform songs from the classic American songbook, pop favorites and of course the Broadway canon, including signature songs he originated from shows such as Hamilton, Shrek the Musical, Wild Party and Days of Wine and Roses, to name a few. Not only will this Broadway vet and Northwestern alum perform the music you know and love, but you’ll also learn what these songs mean to him in an intimate and personal evening of story and song.

Tickets cost $75 – $115. A special Steppenwolf member pre-sale begins Tuesday, August 20, 2024 at 12 pm (Noon). Tickets go on sale to the general public on Thursday, August 22, 2024 at 12 pm (Noon). For tickets, visit steppenwolf.org/briandarcyjames or call the Box Office at (312) 335-1650.

About the Artist

Brian d’Arcy James just recently finished his Broadway run as Joe Clay in Days of Wine and Roses in March 2024. He can most recently be seen in the Netflix Film Pain Hustlers opposite Emily Blunt and Chris Evans; in the feature film She Came To Me, opposite Anne Hathaway, Peter Dinklage and Marissa Tomei; in the David E. Kelly miniseries Love and Death, opposite Elizabeth Olsen; and in Jason Katim’s Fugue, opposite Connie Britton for Apple TV+. Brian can be seen in a large recurring arc on Evil on Paramount +, in The Comey Rule on Showtime and in Devs on Hulu. He was Officer Krupke in the Oscar-nominated West Side Story, directed by Steven Spielberg, and co-starred in The Kitchen opposite Melissa McCarthy. Other film credits include First Man, Molly's Game and Spotlight, for which he won a SAG Award. Brian has starred in fifteen shows on Broadway, including Into the Woods and The Ferryman, and has been nominated for five Tony Awards. He originated the role of “King George” in Hamilton.

Accessibility

Steppenwolf is committed to making the theatergoing experience accessible to everyone. Assistive listening devices are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access. If you have questions or would like to make a specific request, email access@steppenwolf.org or call our box office at 312-335-1650.

Sponsor Information

United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Steven and Nancy Crown,  CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, PNC, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

About the Presenters

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions — from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays — have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown —Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Mark Cortale is currently lead producing Table 17 by Douglas Lyons starring Tony Award Winner Kara Young that opens Off-Broadway at MCC on September 6, as well as the Broadway musical Floyd Collins by Adam Guettel and Tina Landau that opens at Lincoln Center Theater on April 21, 2025 at The Beaumont. Last season Mark produced the critically acclaimed three-time Tony nominated new musical Days of Wine and Roses starring Kelli O’Hara and Brian d’Arcy James, with music and lyrics by Adam Guettel, book by Craig Lucas and directed by Michael Greif.  He also produced the Drama Desk and Lucille Lortel nominated Off-Broadway musical Midnight at the Never Get by Mark Sonnenblick in 2018. He recently celebrated his twelfth and final season as Producing Artistic Director of The Art House in Provincetown where he presented artists that included Patti LuPone, Audra McDonald, Sutton Foster, Jessie Mueller, Christine Ebersole and Megan Mullally. Mark is the Producing Artistic Director of  the developmental theatre lab New Works Provincetown which he founded in 2020. In conjunction with producing partners Jonathan Murray and Harvey Reese, he has commissioned five works to date including the following shows currently in development: Maiden Voyage with book and lyrics by Mindi Dickstein and music by Carmel Dean, Beautiful Little Fool with book by Mona Mansour and music and lyrics by Hannah Corneau, Love is Strange, with book by Craig Lucas, music by Daniel Messé and lyrics by Nathan Tysen & Daniel Messé and Table 17 by Douglas Lyons.

Chicago Shakespeare Theater Presents Henry V September 6–October 6, 2024

ChiIL Live Shows On Our Radar

Henry V

September 6–October 6, 2024

Artistic Director Edward Hall directs a powerhouse ensemble cast in Shakespeare’s epic tale of war and power

Chicago Shakespeare Theater presents William Shakespeare’s Henry V, staged by Artistic Director Edward Hall in the Courtyard Theater, September 6–October 6. Elijah Jones makes his Chicago Shakespeare Theater debut in the title role, leading a company that also features Scott Aiello, Donté Bonner, Ronald L. Conner, Rachel Crowl, Alejandra Escalante, Sean Fortunato, Kate Fry, Courtney Rikki Green, Gregory Linington, Jaylon Muchison, Adam Poss, and Demetrios Troy. 

Following his groundbreaking production of Richard III last season, Artistic Director Edward Hall opens the fall season with Henry V. Shakespeare’s tale of power and youthful ambition examines the realities of war and nationalism at its most dangerous and seductive. From the evocative opening line, “O for a Muse of Fire,” the play includes some of Shakespeare’s most famous speeches and stirring poetry. 

“Henry V remains one of the most revealing plays about war, nationalism, the consequences of both, and our need for common causes to bind us together,” said Hall. “It is uncompromising in its honesty—a real world story about ideas that remain ever-present in our lives. There has never been a more prescient moment to explore our reflex for conflict through the prism of a story that contains some of the greatest writing in the English language.”

Elijah Jones makes his Chicago Shakespeare debut as the young King Henry V. He is a recent graduate of the Juilliard School, where he performed the title role in Coriolanus, Orsino in Twelfth Night, and Leontes in The Winter’s Tale. His other credits include Richard II at The Public Theater, The Rolling Stone at Lincoln Center Theater, Airness and As You Like It at Chautauqua Theater Company, and Macbeth, The Many Deaths of Nathan Stubblefield, and A Christmas Carol at Actors Theatre of Louisville. 

Jones leads an ensemble cast that includes both actors familiar to the Chicago Shakespeare stage and exciting debut performances. 

Scott Aiello (Duke of Salisbury/Williams/Nym) was recently seen as Clarence and Stanley in CST’s Richard III, and other credits include an acclaimed performance as Eddie in Shattered Globe Theatre’s A View From the Bridge. 

Donté Bonner (Duke of Exeter) makes his Chicago Shakespeare debut, with credits including Romeo and Juliet on Broadway, Occupied Territories at 59E59, and War at Yale Repertory Theatre.

Ronald L. Conner (Bardolph/Duke of Orleans) was recently seen as Lord Capulet in Short Shakespeare! Romeo and Juliet and Sir Toby Belch in Twelfth Night at CST. 

Rachel Crowl (Fluellen/Grey) makes her Chicago Shakespeare debut, with recent credits including Between Two Knees at Yale Repertory Theatre, The Swindlers at Baltimore Repertory Theatre, and work at the Oregon Shakespeare Festival.

Alejandra Escalante (Dauphin of France/Bishop of Ely/Nell) returns to CST after appearing as Mariana in Measure for Measure and Helena in All’s Well That Ends Well, with other recent credits including The Cherry Orchard at Goodman Theatre.

Sean Fortunato (King of France/Erpingham/Duke of York) has performed in over two dozen Chicago Shakespeare productions, most recently as the Duchess of York and Lord Rivers in Richard III; other recent credits include Damn Yankees at Marriott Theatre and Young Frankenstein at Mercury Theater.

Kate Fry (Duke of Westmoreland/ Monsieur le Fer/Alice) has many Chicago Shakespeare credits, including As You Like It, Henry IV Parts 1 and 2, and The Merchant of Venice and recently seen in acclaimed performances in The Cherry Orchard at Goodman Theatre and Birthday Candles at Northlight Theatre.

Courtney Rikki Green (Katherine, Princess of France/Lad) makes her Chicago Shakespeare debut, with recent credits including Romeo and Juliet at the Oregon Shakespeare Festival and work with Drunk Shakespeare Chicago.

Gregory Linington (Archbishop of Canterbury/Bates/Governor of Harfleur) was seen in CST’s in Measure for Measure, after 12 years with the Oregon Shakespeare Festival.

Jaylon Muchison (Mountjoy/Scroop) makes his Chicago Shakespeare debut, with recent credits including The Royale at American Players Theatre and Much Ado About Nothing and King Lear with the Illinois Shakespeare Festival.

Adam Poss (Constable of France/Cambridge) returns to CST after appearing as Antonio in Twelfth Night and Angelo in Measure for Measure, and most recently on Broadway in Patriots.

Demetrios Troy (Pistol/Duke of Burgundy) most recently appeared as King Edward IV and Richmond in Richard III, with many other CST credits including King Charles III, Henry V, and Julius Caesar.

Understudies include Kevin Aoussou, Emma Jo Boyden, Keenan Odenkirk, and Faiz Siddique.

In addition to Hall, the creative team of Henry V includes Scenic and Costume Designer Michael Pavelka, Musical Director, Arrangements, and Original Music by Jonathan Trenchard,, Lighting Designer Marcus Doshi, Sound Designer Emily Hayman, Voice and Dialect Coach Scott Aiello, Assistant Director Sola Thompson, Assistant Lighting Designer Daphne Manuela Agosin Orellana, Assistant Sound Designer Forrest Gregor, Directing Apprentice Philippa Lawford, Casting Director Bob Mason, Production Stage Manager Jinni Pike, Assistant Stage Manager Danny Fender, and Production Assistant Caroline Uy.

More information at www.chicagoshakes.com/henryv or on social media @chicagoshakes.  

PERFORMANCE DETAILS:

Tuesdays at 7:00 p.m. (except September 24)

Wednesdays at 1:00 p.m. and 7:00 p.m.

Thursdays at 7:00 p.m.

Fridays at 7:00 p.m.

Saturdays at 2:00 p.m. and 7:00 p.m. (no matinee September 7)

Sundays at 2:00 p.m.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced performances include:

ASL interpreted performance – Friday, September 27, 2024, 7:00 p.m.

All dialogue and lyrics are translated into American Sign Language by two certified interpreters

Audio-described performance with optional touch tour – Sunday, September 29, 2024, 2:00 p.m.

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision. Touch Tours provide patrons the opportunity to experience, firsthand, a production’s design elements.

Projected Spanish translated performance - Tuesday, October 1, 2024, at 7:00 p.m.

A text display of the words of the play, translated into Spanish, synced live with the dialogue.

Open captioning – Wed, October 2, 2024, 1:00 & 7:00 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

Creative Team

Edward Hall Director 

Michael Pavelka Scenic and Costume Designer

Jonathan Trenchard Musical Director, Arranger, and Composer 

Marcus Doshi Lighting Designer 

Emily Hayman Sound Designer

Scott Aiello Voice and Dialect Coach

Sola Thompson Assistant Director Daphne Manuela Agosin Orellana Assistant Lighting Designer

Forrest Gregor Assistant Sound Designer

Philippa Lawford Directing Apprentice

Bob Mason Casting 

Jinni Pike Production Stage Manager 

Danny Fender Assistant Stage Manager Caroline Uy Production Assistant

Cast

Scott Aiello

Donté Bonner

Ronald L. Conner

Rachel Crowl

Alejandra Escalante

Elijah Jones

Sean Fortunato

Kate Fry

Courtney Rikki Green

Gregory Linington

Jaylon Muchison

Adam Poss

Demetrios Troy

ABOUT CHICAGO SHAKESPEARE THEATER

A Regional Tony Award recipient, Chicago Shakespeare Theater (CST) produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside education programming for students, teachers, and lifelong learners, and engagement with communities across the city. Located on Chicago’s iconic Navy Pier, CST’s campus features the Jentes Family Courtyard Theater, The Yard, and the Carl and Marilynn Thoma Upstairs Studio. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural center—inviting audiences, artists, and community members to share powerful stories that connect and inspire..

Rehearsals are now underway (pictured above). I'll be out for the press opening September 13th, so check back soon for my full review at ChiLLiveShows.com

REVIEW: Circus HAMLET Via The New York Circus Project at Chicago's Studebaker Theater Through August 18th, 2024

This Tragedy's a Triumph!

ChiIL Mama's Chi, IL Picks List

 

Circus meets Shakespeare in cutting-edge production 

Geared toward adults but recommended for all ages 4+

90 minutes/no intermission

REVIEW

By Bonnie Kenaz-Mara

A 90 minute circus arts filled Hamlet?! Yes please! Last night I had the pleasure of ChiILin’ at New York Circus Project’s Hamlet, at Studebaker Theater, and I was absolutely gobsmacked by this powerful production. This is the first Chicago visit for The New York Circus Project, and we fervently hope it won't be the last! I belatedly found out about the production, and I'm so happy they were able to squeeze me in to review on this short run. Get thee to the Studebaker. Fans of Circus Arts, Shakespeare, and actors performing super human feats, don't miss this! Highly recommended. ★★★★ Four out of four stars.

Here at ChiIL Mama, we're no strangers to circus arts or Shakespeare. Since 2008, we've been covering Cirque du Soleil, Ringling, and other modern and traditional circuses from around the world, and right here at home. In fact, my son and daughter were cast in numerous youth circus arts show at Chicago's Actors Gymnasium, and were on the circus performance team at Circesteem. They also took classes at MSA and Aloft. So, I can attest to the talent and skills of this company. I've also been a theatre critic for 16 years, reviewing a plethora of professional productions of The Bard's works, including multiple Hamlets. This one is completely unique, highly entertaining, and a must see!

 

We were wowed by the aerial arts, partner acro, and sheer variety of circus skills rolled into this fast paced production. The hour and a half flew by. Everything was stellar from the actors, to the set, choreography, lighting, and song choices. The music spanned decades, from classics to contemporary, and added much. I want the playlist! 

My only criticism is that I wish the dialogue was as loud as the music. We were about halfway back on the main floor, and when the actors were upstage or turned away, it was a struggle to hear all the lines. This may be a venue issue. As much as we adore the art deco charm of The Studebaker Theatre, it was built in 1898... Still, it seemed as if the actors were not wearing mics, or if they were, they need to be turned up. It's a cavernous space to project in with only stage amplification! 

Overall, this is an excellent pick for multigenerational fun. All the circus skills are hella impressive. And we were completely entranced by Ophelia’s gorgeous, water contortion death scene! This abridged version retains all the key plot points, famous lines, and favorite characters, while keeping the action flowing fast. Yes, everyone dies, so don't expect a lighthearted fluff piece of a circus show. Still, it's a great, fast paced, playful way to introduce the littles (and Bard-wary adults, too) to a love of Shakespeare. Flippin' fantastic! ★★★★ Four out of Four Stars 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

“ …dramatizing the inner conflict of the characters through dance and circus created a fundamentally different viewing experience than most productions of the play…utterly creative and original” (Columbia Bwog)

“Breaking the boundaries of art forms and time, ‘Hamlet’ ultimately traversed the lines of what a Shakespeare play should look like—revealing an undiscovered terrain within the arts world waiting for interdisciplinary talents to fill it with color.” (Columbia Spectator)

“...immensely effective in forwarding the tense, psychological themes at the heart of Hamlet”(The Blue and White)

The New York Circus Project brings HAMLET, an innovative, circus-infused retelling of the Shakespearean classic to Chicago, IL as the final stop in its premier touring season.

HAMLET upends what audiences expect of Shakespeare by blending theater with circus arts to arrive at a unique iteration of a well-known tragedy. The production’s fast-paced, abbreviated script is balanced with circus acts that change the story’s tempo and allow for deeper exploration of the internal, emotional conflict at hand. 

Hamlet’s delirium materializes in an explosive group acrobatic tableau, Ophelia’s life flashes before her eyes during a last-breath contortion performance in a water filled basin, and the ghost of Hamlet’s father’s famous monologue is reimagined as a solo aerial dance act.

By oscillating between scenes with dialogue and circus performance, the lines between realism and internal monologue blur. Comparable to the use of song to emphasize emotional or narrative beats in musical theater, this interdisciplinary approach fills Shakespeare’s Hamlet with new color and life.

HAMLET opens at Studebaker Theater from August 15th to August 18th. 

Tickets are on sale now! Website: newyorkcircusproject.org

Evening performances are at 8pm, with matinees on Saturday and Sunday. 

Tickets are priced between $49 and $79.

New York Circus Project is a 501(c)3 organization dedicated to producing contemporary circus shows in New York City and the United States, using acrobatics as a medium for presenting classic texts in a visually striking and unique way. Additionally, New York Circus Project produces free-to-the-public, family friendly circus cabaret performances on the streets of New York City. 

Rough House Theatre’s House of the Exquisite Corpse, returns to Steppenwolf’s Merle Reskin Garage Space, October 10-November 2 , 2024!

ChiIL Live Shows On Our Radar

Chicago’s only immersive puppet haunted house 

House of the Exquisite Corpse IV: Superstitions

Chicago’s one and only immersive puppet haunted house 

returns October 10-November 2 

at Steppenwolf's Merle Reskin Garage Space

Here at ChiIL Live Shows & ChiIL Mama, we've caught every year of Rough House's House of the Exquisite Corpse, since its inception. Aside from their pandemic era offering with full face shields, that fogged up like aquarium glass, it's been a macabre delight. 

Chicago’s only immersive puppet haunted house, House of the Exquisite Corpse IV: Superstitions, returns October 10-November 2 at Steppenwolf's Merle Reskin Garage Space with an all-new program of puppet horror sure to shock, astonish and inspire.

Fans of Halloween, haunted houses, puppetry and live theater are the ideal audience for House of the Exquisite Corpse, where original puppetry, physical performance, soundscape, and illusion combine for a frightfully fun night of smart, creative adult Halloween revelry. 

Or, as the Chicago Reader put it, “if you want to move beyond schlock and shock into an elevated horror experience this October, look no further than House of the Exquisite Corpse.”

Rough House Theater's House of the Exquisite Corpse III in 2023 featured this puppet by Grace Needlman and Pablo Monterubio, puppeteered by Lindsey Ball. Credit: Yvette Marie Dostatni

Rough House Theater's House of the Exquisite Corpse III featured puppets by artists Justin D’Acci and Sion Silva. Credit: Yvette Marie Dostatni

Each fall, Rough House Theatre’s puppet haunt returns with a new theme. 2024 is the year of Superstitions.

So don’t step on a crack, because six teams of Chicago artists who work in puppetry and other disciplines have joined to create six different puppet horror experiences, each inspired by a different superstition:

“Step on a crack”

By Ken Buckingham and Corey Smith

“Broken Mirror”

by Justin D’Acci and Pablo Monterrubio

“If you lie, the devil’s darning needle will sew your mouth shut”

By Chio Cabrera, Alonso Galue and Brett Swinney

“Through the Looking Glass”

By Felix Mayes and Cam Armstrong Smith

“A White Bird in the House is an Omen of Death”

By Jacky Kelsey, Fletcher Pierson and Kevin Wesson

“An ill fate befalls those who pluck from fruit in their dreams”

By Sion Silva and Emilie Wingate



House of the Exquisite Corpse III features puppets by Ken Buckingham, puppeteered by Felix Mayes and Kevin Michael Wesson. Credit Yvette Marie Dostatni



House of the Exquisite Corpse III featured puppets by Emilie Wingate and Tom Lee, puppeteered by Sam Lewis. Credit Yvette Marie Dostatni

Enter House of the Exquisite Corpse IV: Superstitions, if you dare.

First, you’ll gather in a make-shift foyer, where a bar sells beer, wine and a truly horrifying speciality cocktail (TBA).

Next, small groups enter via timed entries. Once inside, they huddle close together, braving the house’s dark, murky expanse, stopping by each “room” to spy through keyholes, cracks, and hidden doors to witness the carnage, horrors, and sometimes, humor, happening inside. 

“Our Halloween production gives local puppet artists the freedom to follow their own visions, create their own visuals, and be motivated by whatever flavor of horror that freaks that person out the most,” said Mike Oleon, Co-Artistic Director of Rough House, who conceived House of the Exquisite Corpse with fellow Co-Artistic Director, Claire Saxe.

“Then we all come together to assemble a collaborative installation that, collectively, blurs the lines between horror, puppetry and theater, beckoning you to gaze into a variety of nightmares you won’t soon forget.”

Opening Night is Thursday, October 10. Visit House of the Exquisite Corpse, if you dare, Thursday through Saturday, through November 2. Ticketed entries are every 15 minutes, starting at 7 p.m. Last entry at 9:30 p.m.

Tickets are $21-$46, and go on sale August 18 at RoughHouseTheater.com. Rough House also offers several Pay What You Want options. This production is recommended for audiences ages 14 and over.

House of the Exquisite Corpse III featured this puppet by

Grace Needlman and Pablo Monterubio, puppeteered by Lindsey Ball.

Credit: Yvette Marie Dostatni



House of the Exquisite Corpse III featured puppets by Jacky Kelsey, puppeteered by Chio Cabrera and Lucy Wirtz. Credit Yvette Marie Dostatni

About Rough House Theater Co.

Rough House Theater Co. is on a mission to connect individuals and communities through art that celebrates the weird things that make us unique and the weirder things that bring us together.

Rough House creates theater that captures the heart through the eye. Their shows use puppetry, music, and human performance to tell intimate stories, as strange as they are sincere. Through performances, presentations of work by fellow artists, and artist training, Rough House aspires to make Chicago a national hub of contemporary puppet theater, comprising a diverse and ever-growing community of audiences and artists. 

Earlier this year, the Chicago Reader named Rough House Theatre Company’s Nasty, Brutish & Short puppet cabaret series “Best late-night adult-content puppet cabaret.” The company’s work has also appeared in the National Puppetry Festival, The Chicago International Puppet Theater Festival, punk houses, funeral parlors, a lotion factory, and the woods of Appalachia.

For more information, visit RoughHouseTheater.com and follow the company on Instagram and Facebook.

The Flying Lovers of Vitebsk Via Northlight Theatre September 5 – October 6, 2024

ChiIL Live Shows On Our Radar

Northlight Theatre opens 2024-2025 season with

The Flying Lovers of Vitebsk 

By Daniel Jamieson

Music by Ian Ross

Stage and Movement Direction by Elizabeth Margolius

Music Direction by Michael Mahler

Featuring Jack Cahill-Lemme and Emma Rosenthal

September 5 – October 6, 2024

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, opens its 2024–2025 season with The Flying Lovers of Vitebsk by Daniel Jamieson, music by Ian Ross, stage and movement direction by Elizabeth Margolius, with music direction by Michael Mahler. The Flying Lovers of Vitebsk runs September 5-October 6, 2024, at Northlight Theatre, 9501 Skokie Blvd in Skokie. I'll be out for the press opening September 12th, so check back soon for my full review. 

Marc Chagall and his poet wife Bella were partners in life and in art. Their romance is immortalized in a feast of music, dance, and paintings brought-to-life, capturing the essence of a marriage that soared above the upheaval through which it endured. From their first meeting in Vitebsk, and through the Russian revolution, pogroms, and two world wars, their joy manifests in moments as vibrant and whimsical as the treasured artist’s best-known works. With a klezmer-inspired score, wistful songs, and inventive staging, Flying Lovers celebrates the inspiring life and love of an extraordinary couple.

**A different piece based on the same artist, Chagall in School by James Sherman, was directed by Northlight Associate Artistic Director Georgette Verdin at Theater Wit in 2022. We adored it, here at ChiIL Mama and ChiIL Live Shows and gave Chagall in School a highly recommended rating.** 

“One of the joyous reasons to attend live theatre is the celebration of movement, music, and text. And The Flying Lovers of Vitebsk is certainly an example of that,” comments Artistic Director BJ Jones. “Marc Chagall and his wife Bella guide us through their lives revealing the love and longing of a life in art. Unwelcome in their home in Russia, navigating pogroms and antisemitism, Marc and Bella struggled to achieve their artistic dreams, raise a child, and survive the destruction of their beloved Vitebsk, all while creating bold and whimsical art. Here in Chicago, we are blessed with Marc’s work at the Art Institute of Chicago with the America Windows, and his Four Seasons mosaic resides at Chase Tower Plaza downtown. This charming whimsical production is a fitting theatrical companion piece to Marc Chagall’s work.”

**Marc Chagall had a fondness for Chicago, which he first visited in 1946. He said he was impressed by the city’s architecture and the friendliness of its people, and he formed lasting friendships with his admirers and patrons – an association which led to his creation of the Four Seasons mosaic at Chase Tower Plaza (then known as First National Bank Plaza), and his gifting of America Windows to the Art Institute of Chicago.**

The Flying Lovers of Vitebsk features Jack Cahill-Lemme (Marc Chagall) and Emma Rosenthal (Bella), with ensemble/musicians Elisa Carlson and Michael Mahler.

The creative team includes Elizabeth Margolius (stage and movement director), Michael Mahler (music director), Daren Leonard (associate director), Scott Penner (set design), Rachel Lambert (costume design), Charlie Cooper (light design), Willow James (sound design), Leo Bassow (props design), Jessica Deahr NeVille (lift consultant), Jyreika Guest (resident violence and intimacy coordinator), and Katie Klemme (stage manager).

About the Artists

Daniel Jamieson (Playwright) worked with Theatre Alibi in Exeter, UK for more than 30 years as associate writer and adaptor, performer and artistic director. His work as a writer for Alibi includes: River Land, Falling, Hammer and Tongs, Goucher’s War, Cobbo, Caught, One in a Million, The Freeze, Shelf Life, Little White Lies, The Swell, Sea of Faces and Birthday. In 2015 he won an ACA award for his writing for children with the company. Daniel’s play The Flying Lovers of Vitebsk was produced by Kneehigh Theatre and won the Carol Tambor Best of Edinburgh Award in 2017. Since then, The Flying Lovers has been produced in the States by Quantum Theater in Pittsburgh, Forward Theater in Wisconsin and Winnipeg Jewish Theater. Daniel has written five plays for BBC Radio 4 and has also written for Polka Theatre, London Bubble, Theatre Royal Plymouth and Northampton Theatres. In 2013, Daniel was Leverhulme artist-in-residence at the University of Exeter’s Mood Disorders Centre.

Ian Ross (Music) is a Bristol based multi instrumentalist, composer, and Head of music for The School for Wise Children. He leads the band Eleven Magpies. Theatre for Kneehigh includes: Brief Encounter, The Red Shoes, Don John, The Wild Bride, Tristan and Yseult, Dead Dog in a Suitcase, The Flying Lovers of Vitebsk. Theatre as Music Director includes: Girl from the North Country (Toronto 2019, Runway). Theatre as Composer includes: Twelfth Night (Shakespeare’s Globe); The Very Old Man with Enormous Wings, The Flying Lovers of Vitebsk (Kneehigh); Wise Children, Malory Towers, Bagdad Café and Wuthering Heights (Wise Children); London Tide (National Theatre). Film as Composer includes: The Princess and Peppernose (RSA and Joe Wright). Nominations include: Dora Mavor Award for Outstanding Musical Direction 2020 (Girl from the North Country), Drama Desk Award for Outstanding Music in a Play 2023 (Wuthering Heights).

**A Jeff Award winning stage and movement director, Elizabeth most recently won the Joseph Jefferson Award for Best Director of a Musical for Shattered Globe’s London Road and recently directed Fiddler on the Roof at Drury Lane Theatre.**

Elizabeth Margolius (Stage and Movement Director) A Jeff Award winning stage and movement director, Elizabeth most recently won the Joseph Jefferson Award for Best Director of a Musical for Shattered Globe’s London Road, and she is excited to be making her debut at Northlight. A five-time Jeff Award nominee, Elizabeth’s selected directorial credits include work with Drury Lane Theatre, American Stage, Opera Southwest, Peninsula Players, Renaissance Theaterworks, Firebrand Theatre, Chicago Opera Theater, Underscore Theatre, Chicago Folks Operetta, American Theater Company, Chicago Shakespeare Theater (Assistant Director), City Lit Theater, and Bohemian Theatre Ensemble. Elizabeth is a proud member of the American Guild of Musical Artists and the Stage Directors and Choreographers Society. www.elizabethmargolius.com

Jack Cahill-Lemme (Marc Chagall) is making his Northlight Theatre debut. He was most recently seen on Broadway and the National Tour of Moulin Rouge! Select credits include: Gerry Goffin in Beautiful (John W Engeman), Barry Mann in Beautiful (North Shore MT), Sonny in Grease (Marriott Theatre, The Rev), Kenicke in Grease (Casa Mañana), Leonard Cowherd III in Letters Home (Griffin Theatre), Jack in What A Wonderful World (Timberlake Playhouse - World Premiere), Kinky Boots (Paramount Theatre), A Christmas Carol (Drury Lane), Seussical & Junie B. Jones (Marriott Theatre), and more. 

Emma Rosenthal (Bella) makes her Northlight debut. Chicago credits include: Fiddler on the Roof, Peter and the Starcatcher, West Side Story, Les Miserables, Beauty and the Beast (Drury Lane Oakbrook); Big Fish, Hello Dolly (Marriott); Athena (Writers Theatre); The Fantasticks (Porchlight); The Tempest (Steppenwolf); Brigadoon. Candide (The Goodman). Off Broadway: The Threepenny Opera (Marvell Rep, Drama Desk Nomination: Best Musical); Liberty (Theatre80). Regional credits include: Indiana Repertory Theatre, Peninsula Players, Huntington Theatre, Weston Playhouse, Cardinal Stage, Williamstown Theatre Festival. A proud graduate of Northwestern University, Emma is also a competitive powerlifter and pastry chef (you may have seen her and her mom on Season One of Fox's Crime Scene Kitchen).

Elisa Carlson (Ensemble) is making her Northlight debut. She holds a bachelor’s degree in piano performance and theater from Indiana University Jacobs School of Music. Chicago credits include: Once (Writers Theatre and Paramount Theatre), Ernest Shackleton Loves Me (Porchlight Music Theatre), Buddy: The Buddy Holly Story (American Blues Theater), One Man, Two Guvnors (Court Theatre), Pop Waits (Neo-Futurists), and American Idiot (The Hypocrites).  Elisa is also a 20-year veteran of the solo and dueling piano bar scene in Chicago and around the world.

Michael Mahler (Music Director and Ensemble) is excited to make his Northlight debut. Chicagoland credits include The Last Wide Open, It’s a Wonderful Life, Buddy, Little Shop of Horrors, Side Man, Hank Williams: Lost Highway (American Blues); The Music Man, Holiday Inn, Honeymoon in Vegas, City of Angels, The 25th Annual Putnam County Spelling Bee (Marriott); Into the Woods (Writers); The March (Steppenwolf), and Working (Broadway Playhouse). Michael is the Jeff award-winning composer/lyricist of October Sky, Hero, Miracle, Diary of a Wimpy Kid, An American Tail, My Little Pony: A New Generation and others. Proud husband to Dara Cameron, father to Ezra, and ensemble member of American Blues Theatre.

Dates:

Previews begin September 5, 2024

Press Opening: Thursday, September 12, 2024 at 7:30pm

Regular run: September 13-October 6, 2024

Schedule:      

Tuesdays: 7:30pm (September 10 only)

Wednesdays: 1:00pm and 7:30pm

Thursdays: 7:30pm 

Fridays: 7:30pm

Saturdays: 2:30pm (except September 7) and 7:30pm

Sundays: 2:30pm and 7:30pm (September 8 only)

Backstage with BJ – Northlight’s popular discussion series with Artistic Director BJ Jones – will be held August 30 at 12pm.

An Open Captioned performance will be held on Friday, September 27 at 7:30pm. An Open Captioned and Audio Described/Touch Tour performance will be held on Saturday, September 28 at 2:30pm.

Location: Northlight Theatre is located at the North Shore

Center for the Performing Arts, 9501 Skokie Blvd, Skokie

Tickets: Previews: $35-$74

Regular run: $49-$91

Student tickets are $15, any performance (subject to availability)

Box Office: The Box Office is located at 9501 Skokie Blvd, Skokie. 847.673.6300; northlight.org

**The Flying Lovers of Vitebsk is Northlight's second play based on a well-known artist, following 2023's Andy Warhol in Iran, which was a critical and commercial success. Here at ChiIL Mama and ChiIL Live Shows we thoroughly enjoyed Andy Warhol in Iran, and gave it a highly recommended rating.** 

2024-2025 Season

The 2024-2025 season will open with the whimsical play with music about the romance of Marc Chagall and his poet wife Bella, The Flying Lovers of Vitebsk, September 5 – October 6, 2024; followed by a new adaptation of Louisa May Alcott’s Little Women by Northlight favorite Lauren Gunderson, November 29 – December 29, 2024; Lloyd Suh’s funny and moving play The Heart Sellers about the Asian immigrant experience in the 1970s, January 23 – February 23, 2025; and Joshua Harmon’s celebrated play Prayer for the French Republic, directed by Jeremy Wechsler in a co-production with Theater Wit, April 10 – May 11, 2025. The season closes with the mesmerizing one-man show about Donny Hathaway, Twisted Melodies, written and performed by Kelvin Roston Jr, July 10-August 10, 2025.

Subscriptions range in price from $135-290. Flex pass options are $120-$210. With its wide range of ticket prices, discounted subscription packages and complimentary parking, Northlight remains one of the best theatrical values in Chicagoland. Package options include traditional 5-Play Packages, 4-Play Packages, and Flex Packages. Subscriptions are available at northlight.org/subscribe or 847.673.6300.

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Founded in 1974, the organization has mounted over 240 productions, including more than 45 world premieres. Northlight has earned 230 Joseph Jefferson Award nominations and 36 Awards, as well as 11 Edgerton Foundation for New Play Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

Northlight is supported in part by generous contributions BMO Harris Bank; Bulley & Andrews; Byline Bank; ComEd, An Exelon Company; Dr. Scholl Foundation; Eckenhoff Saunders Architects, Inc.; The Field Foundation of Illinois; Full Circle Foundation; Grumman Butkus Associates; Hagerty Consulting; Illinois Arts Council, a state agency; John R Halligan Charitable Fund; LionBird; Lloyd A. Fry Foundation; Mabadi Realty; Mammel Family Foundation; Modestus Bauer Foundation; Northwestern University; Paul M. Angell Family Foundation; Pritzker Foundation; The Schubert Foundation, Inc.; The Sullivan Family Foundation; The Weatherlow Foundation; Tom Stringer Design Partners.

The 15th Annual Living Newspaper Festival Via Jackalope Theatre Company September 13 - 16, 2024

ChiIL Live Shows On Our Radar

JACKALOPE THEATRE COMPANY ANNOUNCES ITS RETURN 

TO THE BROADWAY ARMORY WITH 

THE 15th ANNUAL LIVING NEWSPAPER FESTIVAL

SEPTEMBER 13 - 16

 The 2024 Festival Includes Five World Premiere One-Act Plays Inspired by Recent News Headlines.

Jackalope Theatre Company is proud to announce its return to Broadway Armory Park, 5917 N. Broadway, with the 15th Annual Living Newspaper Festival, September 13 - 16. The Living Newspaper Festival is inspired by the 1930s Living Newspapers of the Federal Theatre Project that created stories based on recent events. This year’s Festival includes five one-act plays inspired from recent news headlines. The running time is 75 minutes with no intermission. The performance schedule is Friday, Sept. 13 at 7:30 p.m., Saturday, Sept. 14 at 7:30 p.m., Sunday, Sept. 15 at 3 p.m. and Monday, Sept. 16 at 7:30 p.m. Tickets are $15 - $30 and are available at www.jackalopetheatre.org or by calling 773-340-2543.

Artistic Director Kaiser Ahmed remarks that "our 15th Living Newspaper Festival is a milestone and testament to the incisive and illuminating power of immediate theatre. In an era where misleading or false news proliferates, Jackalope is committed to engaging directly with audiences to examine current events. We've honed in on the stories, truths, and communities behind each of these five plays. With this lineup of nationally acclaimed playwrights, you won't want to miss this one-weekend-only theatrical event."

The 15th Annual Living Newspaper Festival includes

OUT OF THIS WORLD

by Rammel Chan

directed by Wendy Mateo

While bidding farewell to the Chuck E. Cheese animatronic band, an uncle and his niece struggle to say goodbye to the joys of youth, the stability of the past and each other.

Inspired by "Farewell, Chuck E. Cheese Animatronic Band” - The New York Times, May 11, 2024

THE BEST OF US

by Ike Holter

directed by Gus Menary*

A modern couple gets together to talk shit about their legion of haters.

Inspired by "America’s premier pronatalists on having ‘tons of kids’ to save the world: ‘There are going to be countries of old people starving to death” - The Guardian, May 25, 2024

THE DEPTHS

by Paloma Nozicka*

directed by Gus Menary*

Nearing the anniversary of a mysterious disaster, a billionaire CEO seeks help from a therapist for a recurring nightmare.

Inspired by "Frightening Log From Titan Submersible’s Fatal Dive Declared a Fake” - The New York Times, June 10, 2024



A DROP IN THE BUCKET

by Ireon Roach

directed by Sydney Charles

A play in not e’en ha’f a act in which Sumwea, Sumha, sum Browk comes together through a dive into the psyche of sacred sweat while a baby searches for healing in Grandfather’s breath.

Inspired by "A tribe in Maine is using opioid settlement funds on a sweat lodge to treat addiction” - NPR News, May 12, 2024

INTO THE BREECH

by Madhuri Shekar

directed by Wendy Mateo

Two friends attempt a DIY c-section with the help of a surgical kit purchased from CVS and an AI virtual doula.

Inspired by "Frightening Log From Titan Submersible’s Fatal Dive Declared a Fake” - The New York Times, May 11, 2024

The production team for the 15th Annual Living Newspaper Festival includes: Ryan Emens* (scenic designer), Claire Sangster* (lighting designer), Michael Huey (sound designer), Tony Santiago (video designer), Ike Holter (producer), Paloma Nozicka* (casting associate), Karina Patel* (dramaturg), Amal Salem (stage manager), Hudson Therriault* (accessibility coordinator), Jon Cohen* (article curator).

* denotes Jackalope Theatre Company member

ABOUT THE LIVING NEWSPAPER FESTIVAL

With a history in the USSR and Germany in the early part of the century, the Living Newspaper was initiated in the United States in 1935 as part of the Federal Theatre Project. Its founders believed in the value of drama as an instrument of social change and the Living Newspapers became a highly effective new form, boldly producing plays that often brought to light social injustices, challenged ideals, and criticized the government.

In response to the Great Depression, Congress appropriated $4.8 billion for work relief and created agencies to administer the funds, including the Works Progress Administration. Despite being allocated less than one percent of WPA funding, the Federal Theatre Project employed approximately eight thousand Theatre professionals a year during its four-year run.

In an attempt to create new plays, the Federal Theatre Project often recruited new writers. One of the goals of the short-lived FTP was to create plays and provide training for aspiring writers, and the Living Newspapers fostered this on a grand scale. Even though insiders acknowledged that it is much easier to build a dam or teach a trade than it is to develop a playwright, the legacy of the FTP laid the groundwork for using theatre to invoke conversation on national themes.

ABOUT JACKALOPE THEATRE

Jackalope Theatre Company expands the definition of American Identity by engaging with communities to produce works that celebrate diverse perspectives. Jackalope is a premier home for new and exciting Off-Loop Theatre based in Chicago's Edgewater and Rogers Park neighborhoods. They are committed to cultivating new voices that contribute to an expanding American culture and mythology. Each season, Jackalope produces full-length plays, new play development programming and provides free classes in partnership with the Chicago Park District.

(Top row,  L to R) Madhuri Shekar, Ireon Roach, Paloma Nozicka, 

(Second row, L to R) Ike Holter and Rammel Chan