A.B.L.E. presents "The Odyssey" at Chicago Shakespeare Theater One Night Only On May 11th, 2024

ChiIL Mama’s ChiIL Picks List: 

Set sail for an inclusive adventure 

with A.B.L.E. & Chicago Shakespeare Theater

A.B.L.E.’s Sunday ensemble clusters together for a silly group photo. This team will join forces with A.B.L.E.’s Monday ensemble to present The Odyssey. In total, 44 performers will take the stage on Saturday, May 11, 2024.

24 performers with Down syndrome 

and other intellectual and developmental disabilities 

re-imagine an epic classic for our modern times

Here at ChiIL Mama, we have several friends with Down syndrome who have been in productions with A.B.L.E.--Artists Breaking Limits & Expectations, for years. It's been a great experience for them, and their families are enthusiastic about the program. Come check out these creative kids who are absolutely ready and A.B.L.E. to bring you a re-imagining of the epic classic The Odyssey.

A.B.L.E., a Chicago-based nonprofit that creates theatre and film for, with, and by individuals with Down syndrome and other intellectual and developmental disabilities (I/DD) and Chicago Shakespeare Theater (CST) partner up once again to ensuring everyone feels they have a space in the theatre. 

A.B.L.E.'s production weaves music, movement, shadow puppetry, and scenes devised by the group into a powerful and joyful celebration of the choices we make, and the challenges we face along our journey. The vibrant adaptation features a neurodiverse cast of 44 performers, including 24 actors with intellectual and developmental disabilities. The performance in the Courtyard Theater on May 11, 2024 at 2:00pm will mark the two companies’ 7th collaboration, most recently having co-produced A Midsummer Night’s Dream last spring.

Christian Boyd leans in close to the camera and raises his hands as if coming to grab the viewer. Christian will appear as one of the sirens. In A.B.L.E.’s version, these seductive songstresses will tempt Odysseus and crew with an original rap written by the cast. Photo by Joe Mazza/Brave Lux.

The theme of fate vs. agency is prevalent in Homer’s tale, and it’s one that co-directors Braden Cleary and Katie Yohe particularly wanted to highlight with the Ensembles. Currently, 24 actors with varying disabilities including Down syndrome, cerebral palsy, and autism take part in A.B.L.E.’s performance ensembles. “Folks with intellectual and developmental disabilities often have a lot of choices made for them, or it’s presumed that they are not capable of making their own choices,” says Yohe, also A.B.L.E.’s Executive Artistic Director. “Braden and I drafted a loose skeleton of the story but the script and production is really actor-led.” Each actor self-identified where their strengths lie as a performer, and were assigned to a chapter of the story based on their interests.

Actor Lucas Miezal holds a green sheet of paper as he shares ideas during a writing session. Actors developed original dialogue and movement pieces for their scenes. Photo by Joe Mazza/Brave Lux.

Over the course of a 10-week rehearsal process, actors collaborated with a team of volunteer facilitators to build the story. Facilitator Kara Davidson, a company member at Manual Cinema, helped actors design and build shadow puppets to bring to life monsters like the Cyclops and Scylla. Music Educator Polly Yukevich loaned the ensembles 15 ukuleles to bring musical magic to The Lotus Eaters and the seductive Sirens.

A.B.L.E. is committed to ensuring everyone feels they have a space in the theatre. The sensory-friendly performance will include numerous accessibility supports for audience members of all ages and ability levels. This includes dual ASL interpretation and open captioning. A.B.L.E. also reserves a designated movement zone for audience members who need to move around to help them focus. Audience members will receive a social story and sensory guide before the show to help audience members know what to expect from their trip to the theatre. “We hope we can set an example for our community of what true inclusion looks like both onstage and off.”

EVENT DETAILS

Saturday May 11, 2024 at 2:00pm

Chicago Shakespeare’s Courtyard Theater

800 East Grand Avenue

Chicago, IL 60611

Co-director Katie Yohe introduces a jointed Cyclops shadow puppet to members of the ensemble. The Odyssey will feature shadow puppet monsters and settings with consultation from Manual Cinema company member, Kara Davidson. Photo by Joe Mazza/Brave Lux. 

Tickets: All tickets are Pay-what-you-can starting at $15, general admission

Online: ableensemble.com/events

Phone: 312.595.5600

In person: at the Chicago Shakespeare Theater Box Office

Access: Performances will be open captioned and dual ASL interpreted. Out of consideration for our immunocompromised community members, masks are required in the theater.

This production of The Odyssey is sponsored by Gail and Dennis Rossow. A.B.L.E.’s 2023-2024 Season is partially supported by grants from The Chicago Department of Cultural Affairs and Special Events, FunFund, The Illinois Arts Council, Innovation 80, The Paul M. Angell Family Foundation, and The National Endowment for the Arts.

ABOUT A.B.L.E.

A.B.L.E.—Artists Breaking Limits & Expectations - is celebrating their 8th anniversary of creating theatre and film for, with, and by individuals with intellectual and developmental disabilities. A.B.L.E. engages actors ages 13 and up through ensembles and outreach programming. Whether in person or online, all A.B.L.E. programs strive to foster agency, and nurture lifelong skills like communication, collaboration, and creativity. A.B.L.E.'s ensembles have produced more than 25 projects for the stage and screen, ranging from adaptations of theatrical classics by Shakespeare, Dickens, and Gilbert & Sullivan, to original work, to innovative Zoom projects including Romeo & Juliet Remix. A.B.L.E.’s feature films have been recognized by several local and international festivals. By placing people with disabilities in the spotlight, A.B.L.E.’s work strives to shift societal preconceptions, and build more inclusive, empathetic communities. For more information about A.B.L.E., please visit www.ableensemble.com and find them on Facebook, Instagram and YouTube.

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Chicago Shakespeare is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, the Theater works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire. www.chicagoshakes.com.

INCOMING: Good Kid Band Tour Dates, New EP Good Kid 4, and More

ChiIL Live Shows On Our Radar

U.S. - CANADA - EUROPEAN TOUR:

GOOD KID 

SOLD-OUT SHOWS IN SEATTLE, LOS ANGELES, DALLAS, WASHINGTON, NEW YORK, CHICAGO, AND MANY MORE CITIES

Credit: Evie Maynes

Top row (jumping): Michael Kozakov | Bottom L to R: Jacob Tsafatinos, Jonathon Kereliuk, David Wood, Nick Frosst

The freshly JUNO-nominated indie outfit Good Kid recently unveiled their latest single, “Summer,” along with an enchanting animated music video by XrayAlphaCharlie. “Summer” finds Good Kid delivering another of their signature indie earworms, with singer Nick Frosst's clever lyrics and catchy hooks taking center stage on this irresistible indie-pop hit. We'll be out to shoot stills at their Chicago Thalia Hall show. Check back soon for our photo filled recap.

The new single came out ahead of the sold out U.S. Tour and the band’s highly anticipated EP, Good Kid 4 now out as of March 27th. Click HERE to stream. The band's previous single from the EP “Bubbly” had Billboard raving that it was “one of Canada’s hot new radio songs…right up there with Beyoncé.”

WORLDWIDE 2024 TOUR DATES:

MAR 29 - Vancouver, BC - The Pearl [SOLD OUT]

MAR 30 - Seattle, WA - Crocodile [SOLD OUT]

MAR 31 - Portland, OR - Hawthorne [SOLD OUT]

APR 02 - San Francisco, CA - The Independent [SOLD OUT]

APR 03 - San Francisco, CA - The Independent [SOLD OUT]

APR 05 - San Diego, CA - Quartyard [SOLD OUT]

APR 06 - Los Angeles, CA - El Rey [SOLD OUT]

APR 07 - Los Angeles, CA - El Rey [SOLD OUT]

APR 09 - Phoenix, AZ - Crescent Ballroom [SOLD OUT]

APR 12 - Austin, TX - Empire Garage [SOLD OUT]

APR 13 - Dallas, TX - Ferris Wheeler [SOLD OUT]

APR 15 - Atlanta, GA - Masquerade (Heaven)

APR 16 - Carrboro, NC - Cat's Cradle

APR 17 - Washington, DC - 9:30 Club [SOLD OUT]

APR 19 - Brooklyn, NY - Elsewhere Hall [SOLD OUT]

APR 20 - Philadelphia, PA - Theatre Of Living Arts [SOLD OUT]

APR 21 - Boston, MA - Sinclair [SOLD OUT]

APR 22 - Brooklyn, NY - Elsewhere Hall

APR 25 - Chicago, IL - Thalia Hall [SOLD OUT]

APR 26 - Detroit, MI - El Club [SOLD OUT]

MAY 10 - Toronto, ON - Danforth Music Hall [SOLD OUT]

MAY 30 - Waterloo, ON - Maxwell's

MAY 31 - Montreal, QC - Le Studio

JUN 01 - Ottawa, ON - The Bronson Centre

SEP 15 - Dublin, IE - The Academy

SEP 17 - Brighton, UK - CHALK

SEP 19 - London, UK - O2 Academy Islington

SEP 20 - Bristol, UK - SWX

SEP 21 - Birmingham, UK - O2 Institute 2

SEP 23 - Nottingham, UK - Rescue Rooms

SEP 25 - Glasgow, SCT - Galvanizers SWG3

SEP 26 - Manchester, UK - Manchester Academy 2

SEP 27 - Leeds, UK - Stylus

SEP 29 - Amsterdam, NL - Paradiso Grote Zaal

OCT 01 - Cologne, DE - Gebäude 9

OCT 02 - Berlin, DE - Badehaus

OCT 03 - Hamburg, DE - Knust

The upcoming six-track EP also features the hugely popular single “From The Start'', which garnered 1 million streams in just 24 hours, and has since accumulated 24 million more. Known for their eclectic blend of J-rock, indie-rock, and pop-punk, Good Kid’s massive streaming success is not just a result from their propensity to create catchy songs, but innovative fan engagement alongside savvy, fan-favoring business decisions, have helped the band amass an extensive and devoted fanbase, only serving to further the hype for the upcoming EP.

“The band is coming away from the busiest touring year of our musical careers, and this 4th EP “Good Kid 4” is the product of that journey. Many of the songs on this album are about the experience of music itself and how it has impacted our lives immensely. We wrote songs about facing anxiety with your friends, and about dancing. We wrote songs about reaching your breaking point, and about the hotels we would stay in night after night which eventually blended into one, endless timewarp of beige hallways. We wrote a song about the Summer we never wanted to end, and the only song that we didn’t write went over so unbelievably well with our fans, we had no choice but to record our own version of it.

Good Kid 4 is our favorite EP yet, and it represents the best of our last two years as a band when everything started to make sense for Good Kid.” - David Wood, Guitarist.

Case in point, the band’s entire Discography is content ID free and DMCA free, meaning content creators on platforms like Youtube and Twitch are able to freely use their music without fear of copyright takedowns. This has only slingshotted Good Kid’s already impressive following through the pervasive use of their music by hugely popular content creators.

Youtube’s biggest creator Mr. Beast, who boasts a mind-boggling 237 Million subscribers, featured 7 Good Kid songs in a video, garnering over 231 Million views. This is but one of many examples of the band’s online reach, which also includes direct collaborations with notable personalities such as XrayAlphaCharlie, Julien Solomita, and Trash Taste.

“We are very involved in the content creator community,” shares bassist Michael Kozakov. “All our music is free to use in monetized Streams and YouTube videos, which has led us to developing relationships and friendships with some of the biggest eSports players and YouTubers. We are very open and excited to continue collaborations with content creators and e-sports brands, and want to develop our brand as the world’s most creator friendly band.”

Beyond the digital realm, the band was recently nominated for Breakthrough Group Of The Year at the 2024 JUNO Awards and are soon to embark on their biggest headlining tour to date. Having already sold out over 90% of their North American dates, demand for tickets to their European and UK shows has been so overwhelming, that the band has had to upgrade multiple venues, several times, to accommodate the influx of enthusiastic fans. 

The upcoming tour comes on the heels of two previously sold-out US headline tours in 2022, two sold-out UK and EU tours as well as a 2023 Canadian tour supporting Grammy Award winning Portugal. The Man.

A jack-of-all-trades ensemble - musicians, programmers and storytellers, Good Kid has carved a unique path for their audience to follow suit. In essence, Good Kid's story is not just about music; it's about building a dynamic, engaging universe where fans play an integral role. With an unwavering commitment to joy, creativity, and inclusivity, Good Kid is more than a band — it's a thriving community of music enthusiasts shaping a unique and memorable experience together. Want more? Check out their site, HERE: https://goodkidofficial.com

Eddie Izzard performs Shakespeare’s "Hamlet" at Chicago Shakespeare Theater in limited engagement, April 19–May 4

ChiIL Live Shows On Our Radar

Chicago Shakespeare Theater announces

Direct from triple-extended New York run prior to London transfer

Eddie Izzard performs Shakespeare’s Hamlet

Strictly limited engagement! April 19–May 4, 2024

Chicago Shakespeare Theater announces today a thrilling addition to the season: Tony Award-nominated actor Eddie Izzard brings her celebrated solo theatrical performance of Hamlet to Chicago, direct from a triple-extended New York run at the Orpheum and Greenwich House Theaters and prior to launching a highly anticipated London transfer at Riverside Studios. Izzard portrays 23 characters in William Shakespeare’s iconic play in this dynamic new staging adapted by Mark Izzard and directed by Selina Cadell. This strictly limited two-week engagement plays April 19–May 4, 2024 in the Courtyard Theater.

In Hamlet, The King of Denmark is dead, and Prince Hamlet is determined to take revenge—initiating a cascade of events that will destroy both family and state. Izzard portrays men, women, ghosts, scholars, tyrants, courtiers, lovers, fools, and poets.

She says of the monumental undertaking, “I have always gravitated towards playing complex and challenging characters and Hamlet is the ultimate. This is a production for everyone, a timeless drama with an accidental hero. Selina, Mark, and I want audiences to see and hear an accessible, touching, scary, and dramatic Hamlet.”

CST Executive Director Kimberly Motes and Artistic Director Edward Hall shared, “After seeing Eddie's extraordinary performance in New York, we are thrilled she’s agreed to join us at CST and share her Hamlet with Chicago audiences before London. It's a rare opportunity to see a Hamlet that makes this a play for all of us—truly a play for today.”

A Tony Award-nominated and Emmy Award-winning actor, Izzard’s boundary-pushing career includes critically acclaimed roles in theater, film, and television. On Broadway, Izzard starred in Roundabout Theatre Company’s 2003 revival of A Day in the Death of Joe Egg, garnering the Tony nomination for Leading Actor in a Play—and appeared in David Mamet’s Race. Major London stage credits include The Cryptogram, Edward II, 900 Oneonta, Joe Egg, and Lenny. Izzard made her West End debut in 1993 in the solo show Live at the Ambassadors, receiving an Olivier Award nomination for Outstanding Achievement. Izzard’s film roles include Stephen Frears’ Victoria & Abdul opposite Dame Judi Dench, Julie Taymor's Across the Universe, Peter Bogdanovich's The Cat's Meow, Valkyrie, Ocean’s Twelve, Ocean’s Thirteen, and the recent Doctor Jekyll in which she plays Dr. Nina Jekyll and Rachel Hyde. She is the recipient of two Emmy Awards for her televised special, Dressed to Kill. She’s also been seen as Dr. Abel Gideon in “Hannibal” and in FX’s critically acclaimed series, “The Riches,” in which Izzard both starred and executive produced.

In 2022, Izzard performed a solo adaptation of Charles Dickens’ Great Expectations—also created in collaboration with Mark Izzard and Selina Cadell—which played to rave reviews and sold-out audiences in New York and in London’s West End. The creative team reunites for Hamlet, which features set design by Tom Piper, lighting by Tyler Elich, costume styled by Tom Piper and Libby DaCosta, composer Eliza Thompson, movement director Didi Hopkins, and fight director J. Allen Suddeth. It is produced by Westbeth Entertainment, Mick Perrin Worldwide, and John Gore.

More information at www.chicagoshakes.com/hamlet or on social media at @chicagoshakes.

Hamlet will be presented April 19–May 4, 2024, in the Courtyard Theater. Single tickets starting at $69 are on sale now. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit www.chicagoshakes.com.

Announcing a digital lottery for Eddie Izzard’s solo HAMLET! 

A limited number of $35 tickets will made be available for each performance on a first-come, first-served basis, subject to availability. They will go on sale at 9:00 a.m. one day before each performance.Sign up to be in the know at www.chicagoshakes.com/lottery 

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, Chicago Shakespeare’s onstage work has expanded to as many as twenty productions and 650 performances annually. CST is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, Chicago Shakespeare works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On CST’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare Theater is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire. www.chicagoshakes.com.

Hamburgers and Disappointment: Plays about Enoughness, a festival of works by Barrie Cole playing in repertory, May 2 - 19th, 2024

ChiIL Live Shows On Our Radar

SWEETBACK PRODUCTIONS, IN COLLABORATION WITH LABYRINTH ARTS COLLECTIVE PRESENTS 

HAMBURGERS AND DISAPPOINTMENT: 

PLAYS ABOUT ENOUGHNESS 

A FESTIVAL OF WORKS BY BARRIE COLE, MAY 2 - 19

AT LABYRINTH ARTS PERFORMANCE COLLECTIVE

Cole’s Four Short Two-Character Plays, Including a World Premiere, Explore Relationships in all their Beautiful and Twisting Forms

Top row: Barrie Cole, playwright; Jayita Bhattacharya, director, FRUIT TREE BACKPACK; Kristy Lockhart, actor, FRUIT TREE BACKPACK

Second row: Julia Williams, actor FRUIT TREE BACKPACK; Jen Moniz, director, I LOVE YOU PERMANENTLY and MEANING IS TRICKY; Jeffrey Bivens, actor, I LOVE YOU PERMANENTLY

Third Row: Vicki Walden, actor, I LOVE YOU PERMANENTLY, Kelly Anchors, actor, CAPACITY; KellyAnn Corcoran, actor, CAPACITY;

Third row: David Isaacson and Diana Slickman, actors MEANING IS TRICKY; Carolyn Hoerdemann, actor, ELEVATOR TOURS

Fourth Row: Colm O’Reilly, actor, ELEVATOR TOURS

Sweetback Productions, in collaboration with Labyrinth Arts, is proud to announce Hamburgers and Disappointment: Plays about Enoughness, a festival of works by Barrie Cole playing in repertory, May 2 - 19 at 7:30 p.m., at Labyrinth Club, 3658 N. Pulaski Road. Performances of Schedule 1 includes I Love You Permanently and Fruit Tree Backpack runs on Thursdays and Saturdays at 7:30 p.m. and Schedule 2 that includes Capacity and Meaning is Tricky runs on Fridays and Sundays at 7:30 p.m. In addition, for those who may not be able to attend, a digital play, Elevator Tours, will be available for digital download for $10.  Press nights for Hamburgers and Disappointment: Plays about Enoughness are Schedule 1, Saturday, May 4 at 7:30 p.m., and schedule 2, Sunday, May 5 at 7:30 p.m. Tickets are $20 and are now on sale at SweetBackProductions.com.

“All of us at Labyrinth are proud to be co-producing this festival of Barrie Cole’s works,” said Artistic Director and Founder Diane Hamm of Labyrinth Arts. “We look forward to welcoming audiences, both familiar with her work and those experiencing them for the first time, to experience the complete relationship cycle created by Barrie.”  

Hamburgers and Disappointment: Plays about Enoughness, is a new festival of four short, two-character plays by Chicago-based playwright, Barrie Cole. The festival includes performances in repertory:

 

SCHEDULE 1

Performed on Thursdays and Saturdays at 7:30 p.m.

Fruit Tree Backpack

Written by Barrie Cole (she/her) 

Directed by Jayita Bhattacharya (she/her)

Ceil (Kristy Lockhart, she/her) and Anna (Julia Williams, she/her) traverse the various rooms inside the exhausting, sweet, metaphorical mansion of love.

 

I Love You Permanently

Written by Barrie Cole (she/her) 

Directed by Jen Moniz (she/her) 

Jay (Jeffrey Bivens, he/him) wants to be with Lee (Vicki Walden, she/her), but is unable to leave his abusive relationship. They meet one last time and try to find out if it is possible to have an entire relationship in the span of one cold night.

 

SCHEDULE 2

Performed on Fridays and Sundays at 7:30 p.m.

WORLD PREMIERE

Capacity

Written by Barrie Cole (she/her) 

Capacity is a world premiere and completes Cole’s collection of two-person plays about relationships. The play explores a thorny friendship between a playwright (Kelly Anchors, she/her) and an actor (KellyAnn Corcoran, she/her) who were both, at different times, married to the same man.

Meaning is Tricky

Written by Barrie Cole (she/her) 

Originally directed by Jen Moniz (she/her)

Roommates and former lovers Mark (David Isaacson, he/him) and Clare (Diana Slickman, she/her) navigate Clare's burgeoning new relationship with a TV-obsessed man in an open marriage whose wife operates a flower kiosk.

  

AUDIO PLAY 

Elevator Tours 

Written by Barrie Cole (she/her) 

Originally directed by Jen Moniz (she/her)

A special audio play with animation. Ruth (Carolyn Hoerdemann, she/her) has just moved into a new apartment when her recently divorced friend Will (Colm O’Reilly, he/him), comes to stay with her. They discuss life as a spectacle, art and sex.

The creative team for Hamburgers and Disappointment: Plays about Enoughness includes: Pamela L. Parker(set/props designer, she/her); Diane Hamm (producer/lighting designer, she/her); Kelly Anchors (producer/costume designer, she/her); Paul Brennan (film/sound designer, he/him); Charlotte Lastra (stage manager, she/her); Hannah Tymosko(stage manager, she/her); Timothy Hiatt (photographer, he/him) and Jules Darling (graphic designer, they/them).

ABOUT BARRIE COLE, playwright

Barrie Cole has written 14 plays, numerous monologue works, as well as essays, hybrid-works and more. Her plays have been produced by Theater Oobleck, Curious Theatre Branch and others.The Chicago Reader said about Cole: “Her ambiguously concrete work layers childlike simplicity over seasoned melancholy to produce piercing, wondrous images of charming, discomfiting transformation.”  

ABOUT JEN MONIZ, director, I Love You Permanently

Jen Moniz is an immigration paralegal, artisan gelato maker and writer, performer, producer and director of fringe theater. She is originally from California and has called Chicago home for 17 years. She has previously directed Mexico, Room, Elevator Tours, On Loss, To Relax and Laugh, Meaning is Tricky and Reverse Gossip.

ABOUT JAYITA BHATTACHARYA, director, Fruit Tree Backpack

Jayita Bhattacharya is a multidisciplinary theatre artist originally from Southern California, who has made her home in Chicago as an ensemble member of Curious Theatre Branch. Directing credits include What Is Even Happening?!!! by Kristin Garrison, Lizzie Borden Is Smashing by Sue Cargill and The McGuffins Run the 440 by Beau O'Reilly. She wrote the plays To End to Seem to End, today like a kind of shivering and Should We Put It Out? (The Smoke). Bhattacharya has also appeared in numerous Curious and Rhinofest productions through the years, including The Skriker, 4:48 Psychosis, Evanston Which Is Over There, The Buzz that is the Buzz and most recently, the revival of Hit Me Like a Flower.

ABOUT SWEETBACK PRODUCTIONS

Sweetback Productions was founded in 1994 by Kelly Anchors and Mike McKune. They started with a string of hit late night parodies of cult films that includes; Plan 9 From Outer Space, Female Trouble, Super Pussy Vixen, Go Faster! Kill! Kill!, Scarrie, The Musical!, The Birds and Freaks. Sweetback now focuses on more obscure and original work, most recently, Deep Fried and Suck My Nose, which featured three generations of family actors weaving their love through their pain while tap dancing and singing hymns; Bipolar Bitch, a mystical ride into psychosis and Dorothy Mae and the 1978 Holiday Rambler Ramblette, an outdoor extravaganza detailing Kelly’s roadtrip across the southwest during the Trump re-election season. Sweetback is beyond thrilled to be producing this festival of Barrie Cole’s plays, a playwright that Anchors was lucky enough to work with in Clumsy Sublime. Find them on Facebook.

ABOUT LABYRINTH ARTS AND PERFORMANCE COLLECTIVE

Labyrinth Arts and Performance Collective, a 501 c 3 not for profit, is organized for the purpose of building the creative community and developing wisdom through art.  The Collective believes that making and sharing meaning is key to being with artistic projects as a means of interactive exchange towards meaningful experience and encourages consciousness.  Risk taking requires compassion and holding space for fearless, free self-expression, the Collective believes that joy is the highest expression of being and inherent in all creative acts. And believes in artistic autonomy where the artistic project takes precedence over a single executive's vision.  

Recent past projects included the Labyrinth Film Fest 2024, variety shows 2023, music shows 2023, comedy showcases of John and Paul 2023 and play development in 2023. More information on their website or on Facebook. 

World Premiere Comedy Judgment Day Starring Jason Alexander To Play Chicago Shakespeare Theater April 23–May 26, 2024

Save the Dates: ChiIL Live Shows On Our Radar  

Chicago Shakespeare Theater announces

the full cast and creative team of the world premiere comedy

Judgment Day

Tony and Emmy Award winner Jason Alexander makes his Chicago stage debut in the hilariously irreverent world premiere Judgment Day, April 23–May 26 in The Yard at Chicago Shakespeare. 

Photo by Rebecca J. Michelson.

Starring Tony and Emmy winner Jason Alexander

Written by Golden Globe winner Rob Ulin and directed by Tony nominee Moritz von Stuelpnagel

April 23–May 26, 2024

Chicago Shakespeare Theater announces today the full company of Judgment Day, a hilariously irreverent world premiere comedy starring Tony and Emmy Award winner Jason Alexander (Seinfeld) in his Chicago stage debut. Alexander leads a cast that features Daniel Breaker as Father Michael and Candy Buckley as the Angel, along with Maggie Bofill, Olivia Denise Dawson, Joe Dempsey, Michael Kostroff, Ellis Myers, and Meg Thalken. Judgment Day unites the powerhouse comedic talents of Alexander with director Moritz von Stuelpnagel, a Tony Award nominee and leading director of stage comedy, and playwright Rob Ulin, a Golden Globe and Peabody Award-winning television writer. Judgment Day debuts April 23–May 26, 2024, in The Yard at Chicago Shakespeare.

Judgment Day tells the story of Sammy Campo, a staggeringly corrupt, morally bankrupt lawyer who's threatened with eternal damnation by a terrifying angel after a near-death experience. In a desperate attempt to redeem himself, Sammy forms an unlikely bond with a Catholic priest who is having his own crisis of faith. Filled with razor-sharp wit, this deliciously devious comedy rollicks through the timeless questions of Western philosophy—“morality,” “faith,” and “Are people any damn good?”

Jason Alexander, who stars as Sammy, is best known for his role as George Costanza on the long-running hit TV series Seinfeld, for which he was nominated for seven consecutive Emmy Awards and four Golden Globe Awards. Alexander began his career in the original Broadway production of Stephen Sondheim’s Merrily We Roll Along. He won the 1989 Tony Award for Best Actor in a Musical for his performance in Jerome Robbins’ Broadway and performed as Max Bialystock in the Los Angeles production of The Producers. Alexander made his Broadway directorial debut last year with The Cottage. His many film and television credits include Pretty Woman, The Hunchback of Notre Dame, Curb Your Enthusiasm, and The Marvelous Mrs. Maisel.

Daniel Breaker plays the conflicted Catholic priest Father Michael. Breaker was last seen in Chicago as Aaron Burr in Hamilton, a role he subsequently performed on Broadway. He also performed in the original Broadway cast of Shrek The Musical, originating the role of Donkey, and won an Obie Award for his leading performance in the Off-Broadway premiere of Passing Strange. Other theater credits include The Book of Mormon and The Performers on Broadway and the Public Theater’s Shakespeare in the Park musical production of Love’s Labor’s Lost. Breaker’s television credits include Billions and the Peacock series Girls5Eva.

Candy Buckley appears as the Angel. Buckley has performed on Broadway in Cabaret, After the Fall, Scandalous, and Thoroughly Modern Millie; her many additional stage credits include Lincoln Center Theater’s Becky Nurse of Salem, the Public Theater’s Shakespeare in the Park production of The Taming of the Shrew, American Repertory Theatre’s Hedda Gabler, and The Old Globe’s Vanya and Sonia and Masha and Spike. Buckley’s film and television credits include The Kill Room, Rare Objects, and WeCrashed.

In the role of Sammy’s wife Tracy is Maggie Bofill. Bofill’s prolific acting credits include Nora in A Doll’s House Part Two at Long Wharf Theater, Between Riverside and Crazy at Second Stage, and The Last Days of Judas Iscariot at the Public Theater. A writer in addition to her work as an actor, Bofill wrote and starred in Devil of Choice, which premiered at the Edinburgh Festival Fringe, and is a member of LAByrinth Theater Company and Ensemble Studio Theatre. Michael Kostroff plays the Monsignor. Kostroff is best known as Maury Levy on HBO’s The Wire, in addition to recurring roles on The Blacklist, Billions, The Good Wife, and Law and Order: SVU. He performed in The Nance on Broadway, the first national tour of The Producers, and as Thénardier in the touring company of Les Misérables. Ellis Myers plays Sammy and Tracy’s young son Casper. Myers’ credits include the film Perpetrator, in addition to voiceover and commercial work. 

Olivia Denise Dawson plays Della, Sammy’s faithful, world-weary secretary. Dawson performed in The Comedy of Errors, The Book of Will, and The Tempest with the Illinois Shakespeare Festival’s 2023 season and has also worked at Steppenwolf Theatre, Indiana Repertory Theatre, Milwaukee Repertory Theatre, Portland Center Stage, and many more. In the role of Jackson, a cranky and crooked insurance adjuster, is Joe Dempsey. Dempsey returns to Chicago Shakespeare after appearing in A Midsummer Night’s Dream and Short Shakespeare! The Taming of the Shrew. Other credits include work with American Blues Theater, Lookingglass Theatre, Steppenwolf Theatre, Goodman Theatre, and many more. Meg Thalken plays Edna, a widow whom Sammy must help in his quest to become a better person. Thalken’s Chicago credits include work at Rivendell Theatre, Steep Theatre, Steppenwolf Theatre, Goodman Theatre, and more. She was most recently seen in Becky Nurse of Salem at Trinity Repertory Theatre.

One of the most in-demand directors nationwide, Moritz von Stuelpnagel’s credits include the Broadway productions Bernhardt/Hamlet, Present Laughter, Hand to God, for which he was nominated for the Tony Award for Best Director, and most recently, I Need That starring Danny DeVito. Off-Broadway credits include Seared, The Thanksgiving Play, Teenage Dick, Important Hats of the 20th Century, and Verité. Rob Ulin, a Golden Globe and Peabody Award winner who got his start as a professional comedy writer with the legendary Norman Lear, has written and produced acclaimed sitcoms such as Ramy, Young Sheldon, Malcolm in the Middle, Roseanne, and Dinosaurs.

In addition to Ulin and von Stuelpnagel, the creative team includes Scenic Designer Beowulf Boritt, Costume Designer Tilly Grimes, Lighting Designer Amith Chandrashaker, Sound Designer Mikaal Sulaiman, Hair and Make-up Designer Tommy Kurzman, Fight and Intimacy Director Max Fabian, Chicago Casting Director Bob Mason, New York Casting Director Laura Stanczyk, C.S.A., Assistant Director Mallory Metoxen, Assistant Scenic Designer Alexis Distler, Assistant Costume Designer Caity Mulkearns, Assistant Lighting Designer Max Grano De Oro, Production Stage Manager Jinni Pike, and Assistant Stage Manager Mary Zanger.

Judgment Day is the latest opportunity for Chicago Shakespeare audiences to be the first to experience thrilling new theatrical events. A celebrated incubator for new work development, CST has commissioned more than 30 world premieres that have gone on to productions on hundreds of stages around the world. Chicago Shakespeare’s artistic team nurtures and empowers theatermakers in crafting new plays, musicals, and adaptations through readings, workshops, and direct support. CST most recently celebrated the sold-out press premiere of Illinoise, which next transfers to Park Avenue Armory beginning March 2. On March 14, Chicago Shakespeare’s world premiere musical The Notebook opens at the Schoenfeld Theatre on Broadway, joining CST’s North American premiere of SIX, now playing at the Lena Horne Theatre. Also on tour across the US and Canada, SIX garnered the Tony Award for Best Original Score, the Outer Critics Circle Award for Best Musical, and a Grammy Award nomination.

Accessible and enhanced performances for Judgment Day include:

ASL-interpretation – Friday, May 10, 2024, 7:30

All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

Open-captioning – Wednesday, May 15, 2024, 1:00 & 7:30

A text display of the words and sounds heard during a play, synced live with the action onstage.

Projected Spanish Translation – Thursday, May 16, 2024, 7:30

A text display of the words and sounds heard during a play, synced live with the action onstage.

Audio-description with optional touch tour –

Sunday, May 19, 2024, 2:00

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision. Touch Tours provide patrons the opportunity to experience, firsthand, a production’s design elements.

More information at www.chicagoshakes.com/judgment or social media at @chicagoshakes and @judgmentdaybroadway.

Judgment Day will be presented April 23–May 26, 2024, in The Yard at Chicago Shakespeare Theater. Single tickets starting at $45 are on sale now. Special discounts are available for audience members under the age of 35 and for groups of 10 or more. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit www.chicagoshakes.com.

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, Chicago Shakespeare’s onstage work has expanded to as many as twenty productions and 650 performances annually. CST is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, Chicago Shakespeare works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On CST’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare Theater is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire www.chicagoshakes.com.

EXTENDED: The Band’s Visit at Writers Theatre Now Playing Through March 24, 2024

Chi, IL Live Shows On Our Radar:

Writers Theatre adds a week of performances to the

critically acclaimed, hit production of

The Band’s Visit

MUST CLOSE MARCH 24, 2024

Adam Qutaishat, Dana Saleh Omar, Dave Honigman

All production photos by Michael Brosilow

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Artistic Director Braden Abraham, announces an additional week of performances to the run of The Band’s Visit, featuring music and lyrics by David Yazbek, book by Itamar Moses, and based on the screenplay by Eran Kolirin. The Writers Theatre production is directed by Zi Alikhan with music supervision by Andra Velis Simon and choreography by Sebastiani Romagnolo. The Band’s Visit will now run through March 24, 2024, in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

Following the blockbuster success of Once, Writers Theatre ventures into another immersive and engaging musical production. This co-production with TheatreSquared, Fayetteville, AR, is directed by Zi Alikhan, who has previously helmed productions at Geva Theatre Center, Paper Mill Playhouse, Olney Theatre Center, Pasadena Playhouse, and Primary Stages. Music Supervisor Andra Velis Simon returns to WT after previously working on Next to Normal in the 2018/19 season.

Armand Akbari, Adam Qutaishat, Jonathan Shaboo, Rom Barkhordar

In a small Israeli desert town where every day feels the same, a lost bus arrives carrying an Egyptian Police Band. With no hotel and no buses until morning, the musicians are taken in for the night by the locals. Under the spell of the desert sky, these misplaced musicians bring everyone together in the way that only music can. Winner of ten Tony Awards, including Best Musical, The Band’s Visit is a beautifully intimate show, perfectly suited for the Nichols Theatre, about the unifying power of music.

Sophie Madorsky, Rom Barkhordar, Armand Akbari

“The Band’s Visit is a warm and inviting piece that subverts our expectations about the kinds of stories musicals can tell. The emphasis is on individual connections between a group of strangers from different cultures over one enchanted night,” comments Artistic Director Braden Abraham. “The circumstances invite a more careful listening, and the result is a modicum of recognition and the beginning of a tenuous bond - one which allows for these characters to share their passions, quiet disappointments, and the longing for something more.”

Becky Keeshin and Sam Linda. Armand Akbari (back)

The cast includes: Armand Akbari [he/him] as Haled, Jacob Baim [he/him] as Sammy, Rom Barkhordar [he/him] as Tewfiq, Harper Caruso [she/her] as Telephone Guy, Jordan Golding [he/him] as Zelger, Dave Honigman [he/him] as Itzik, Marielle Issa [she/her] as Anna, Becky Keeshin  [she/her] as Julia, Sam Linda [he/him] as Papi, Sophie Madorsky [she/her] as Dina, Michael Joseph Mitchell [he/him] as Avrum, Dana Saleh Omar [she/her] as Iris, Adam Qutaishat [any/all] as Camal, and Jonathan Shaboo [he/him] as Simon. The understudies are Rae Robeson [she/her], David Sajewich [he/him] and Jordan Tannous [any/all].

Rom Barkhordar, Sophie Madorsky

The band includes: Emily Beisel (they/them) reeds, Jocelyn Butler-Shoulders (she/her) cello, Lior Shragg (he/him) percussion, and Matt Ulery (he/him) bass.

Sophie Madorsky

The creative team includes: Zi Alikhan (Director), Andra Velis Simon (Music Supervisor & Additional Orchestrations), Sebastiani Romagnolo (Choreographer), Jason Burrow (Music Director), Afsoon Pajoufar (Scenic Designer), Raquel Adorno (Costume Designer), Solomon Weisbard (Lighting Designer), Willow James (Sound Designer), Smooch Medina (Projections Director), Greg Geffrard (Intimacy Director), Sammi Grant (Dialect Coach), Celia Villacres (Associate Music Director & Conductor), and Faith Hart (Assistant Director). The stage manager is Miranda Anderson and the assistant stage managers are Natalie Cohen and Zachary Crewse.

Dana Saleh Omar, Jonathan Shaboo, Dave Honigman, Michael Joseph Mitchell

Tickets are now on sale at Writers Theatre at 325 Tudor Court, Glencoe; 847-242-6000; www.writerstheatre.org.

Dates: First performance: February 8, 2024

Press opening:  Friday, February 16, 2024 at 7:30pm

Closing performance:  March 24, 2024

Harper Caruso with Adam Qutaishat

Performance Schedule:  

Wednesdays: 3:00pm and 7:30pm,

except no matinee on March 20, 2024

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 3:00pm and 7:30pm

Sundays: 2:00pm and 6:00pm

Location: Alexandra C. and John D. Nichols Theatre, 325 Tudor Court, Glencoe

Prices: Prices for all performances range from $35 - $90

Purchase early for best prices.              

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000; www.writerstheatre.org.

 

WRITERS THEATRE 2023/24 SEASON

The remainder of the season includes Monsieur Chopin, written by and starring Hershey Felder and directed by Joel Zwick; and The Hot Wing King, written by Katori Hall, directed by Lili-Anne Brown.

The 2023/24 Season will see the company now firmly at home in its award-winning building at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. Productions will be presented in the 255-seat Alexandra C. and John D. Nichols Theatre. Masks are strongly encouraged, but not required, in all Theatre spaces. Please visit https://www.writerstheatre.org/covid-safety for full details.

Writers Theatre is pleased to welcome back BMO Harris Bank as a 2023/24 Season Sponsor, marking the Bank’s tenth consecutive year as season sponsor. Writers Theatre also acknowledges Capital Group Private Client Services as a Lead Production Sponsor.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

 

AUDIENCE ENGAGEMENT OPPORTUNITIES:

WT offers Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Writers Theatre is working with Erika Walker and Maylene Peña of the Walker Thomas Group on workplace culture and equity, diversity and inclusion initiatives. Additional information about this important and ongoing work can be found at writerstheatre.org/working-at-wt.

ABOUT WRITERS THEATRE 

Writers Theatre boldly looks to the future as it begins its 31st season. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s finest regional theater company” by The Wall Street Journal.

Since 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 120 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. The new facility has allowed the Theatre to accommodate its growing audience, while maintaining its trademark intimacy.

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over two dozen world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage hundreds of students each year with active learning opportunities centered around the written word.

Rom Barkhordar as Tewfiq

Chicago Premiere of A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL November 12 – 24, 2024

GOOD TIMES NEVER SEEMED SO GOOD.

  A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL

TO MAKE ITS CHICAGO PREMIERE AT THE CADILLAC PALACE THEATRE

AS PART OF A MULTI-YEAR NORTH AMERICAN TOUR 

Direct from Broadway, A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL will make its Chicago debut, November 12 – 24, 2024, at Broadway In Chicago’s Cadillac Palace Theatre as part of multi-year North American Tour.

TICKET INFORMATION

Groups of 10+ are now on sale by calling (312) 977-1710 or by emailing GroupSales@BroadwayInChicago.com. A BEAUTIFUL NOISE will be part of the next Broadway In Chicago subscription. Current subscribers can renewal beginning on Monday, February 26, and the season will be available to new subscribers on Wednesday, March 20. Single tickets will be on sale at a later date. Ticket prices range from $40 - $135 with a select number of premium tickets available. For more details, visit BroadwayInChicago.com.

“Some of my most thrilling nights have been while I was on tour, bringing my music to audiences across the world,” said Neil Diamond. “Having A BEAUTIFUL NOISE go on tour is an honor and I can’t wait for audiences across North America to experience this show. I hope they enjoy it as much as I have.”

The tour will be lead produced by Ken Davenport, Bob Gaudio and NETworks Presentations.

Producer Ken Davenport said, “Neil is one of the best live entertainers the world has ever seen. In his fifty-year career, he’s performed for millions of fans around the globe. I couldn’t imagine a more perfect way to honor his legacy than having A BEAUTIFUL NOISE touring North America, visiting the same cities where he gave so many people so much joy.”

Producer Bob Gaudio said, “When Neil and I first started talking about making a musical using his music, I knew how daunting that would be. With Jersey Boys, I learned how vital it is to have a first-rate creative team making sure everything weaves together. We have that on A BEAUTIFUL NOISE—an incisive book that tells Neil’s story honestly, fantastic choreography, one of the best directors on Broadway guiding the entire production, and of course, Neil’s iconic songs. Having the show go on tour is an exciting next step.”

The Broadway production continues to play for cheering audiences nightly at the Broadhurst Theatre in New York City.

A full tour route and casting will be announced at a later date. Please visit abeautifulnoisethemusical.com to sign up for the email newsletter and be among the first to receive tour news and updates.

“SO GOOD, SO GOOD, SO GOOD!”

CBS, CNN, GMA, Entertainment Weekly, Morning Joe

 

“DAZZLING! WE SAW HIS SHOW, NOW WE’RE A BELIEVER”

WBUR

“THE BIOGRAPHICAL DRAMA IS A HEARTWARMING CELEBRATION OF MR. DIAMOND’S UPLIFTING MUSIC AND INSPIRATIONAL LIFE.”

THE WASHINGTON TIMES

ABOUT A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL

This is the story of that Brooklyn kid who made it big and took us all along for the ride. From those exhilarating early days in New York to the sold-out spectacles that defined his career, A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL explores the life of a rock icon through the music that made him “a national treasure” (Los Angeles Times).

The story of the legendary Neil Diamond comes to life on stage in an uplifting new Broadway musical, A BEAUTIFUL NOISE, featuring all his hit songs including “Sweet Caroline,” “America,” and “Cracklin’ Rosie.”

The grandson of Jewish and Polish immigrants, Brooklyn born and raised, Neil Diamond was a New York kid down to his boots, strumming his guitar on the steps of Erasmus High School on Flatbush Avenue. 1960s America was hungry for change and so was he. He landed a gig selling songs for fifty bucks a week in the legendary Tin Pan Alley’s Brill Building. At night he honed his voice on stage at the Village’s Bitter End, but knew he was destined for something greater. This was New York, after all. City of dreams. Full of life and opportunity where anyone could write their story. And so he did, in song after song.

10 Top 10 Hits. 140 million albums sold. His 1972 concert and live album Hot August Night sung in front of 5,000 screaming fans catapulted him to fame as the ultimate entertainer. He sang his way to a Grammy Award, into the Rock and Roll and Songwriters Halls of Fame, then topped it off with a Lifetime Achievement Grammy and the Kennedy Center Honors.

Directed by Tony Award® winner Michael Mayer (Spring Awakening, Hedwig and the Angry Inch), choreographed by Olivier Award winner Steven Hoggett (Once, Harry Potter and the Cursed Child), and written by four-time Academy Award nominee Anthony McCarten (Bohemian Rhapsody, The Two Popes), A BEAUTIFUL NOISE is a thrilling look at an artist’s search for himself and a celebration of the enduring power of his music.

The design team for A BEAUTIFUL NOISE on Broadway features Tony Award winner David Rockwell (scenic design), Tony Award nominee Emilio Sosa (costume design), four-time Tony Award winner Kevin Adams (lighting design), Tony Award winner Jessica Paz (sound design), Jamie Harrison (Illusion consultant), and Luc Verschueren (hair and wig design). The production has music supervision and arrangements by Sonny Paladino, incidental music and dance music arrangements by Brian Usifer, vocal design by AnnMarie Milazzo, and orchestrations by Bob Gaudio, Sonny Paladino, and Brian Usifer. Casting is by Jim Carnahan, CSA & Jason Thinger, CSA. The A BEAUTIFUL NOISE tour will be directed by Austin Regan and choreographed by Yasmine Lee. The stage management team is led by production stage manager Stacy N. Taylor. The company management team is led by Erik Birkeland.

A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL is produced on Broadway by Ken Davenport, Bob Gaudio, Sandi Moran, Hunter Arnold, Scott Abrams, Marco Santarelli, Jonathan and Rae Corr, Marguerite Steed Hoffman, Ron Kastner, Rob Kolson, Valli Family Group, Caiola Productions, Paul Dainty AM, Gaudio Family Group, Joseph J. Grano Jr., Starlight Theatre, Roy Putrino, James L. Nederlander, Tricia Blake, Mark E. Jacobs, Universal Music Group Theatrical, Deborah Green, Patty Baker, Sheri and Les Biller, H. Richard Hopper, Sharon Karmazin, NETworks Presentations, Adam Riemer, Matthew Salloway, BB Investments LLC, Universal Theatrical Group, Witz End Productions, Theatre Producers of Color, and Ryan Conway.

The Original Broadway Cast Recording of A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL, produced by Bob Gaudio and released by UMe, is available now as a CD and to stream on all major platforms. To order the album or stream it, please visit www.abeautifulnoise.lnk.to/originalcastalbumpr

Follow the show online: abeautifulnoisethemusical.com

Facebook.com/abeautifulnoisemusical

@beautifulnoise on X

@abeautifulnoisemusical on Instagram

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 24 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at the Auditorium Theatre.

For more information, visit www.BroadwayInChicago.com.

Follow @broadwayinchicago on Facebook, Instagram, and TikTok #broadwayinchicago

BIOGRAPHIES

KEN DAVENPORT (Producer) is a two-time Tony Award-winning producer of Once on This Island, The Play that Goes Wrong, Gettin’ the Band Back Together, Spring Awakening, It’s Only a Play, Macbeth, Godspell, Kinky Boots and the Off-Broadway productions of Altar Boyz, The Awesome 80s Prom, My First Time and more. He was the executive producer for North America for Andrew Lloyd Webber and the theatrical consultant for Primary Wave. Ken founded TheaterMakersStudio.com for writers, producers and anyone who dreams about getting a show on a stage. His blog and podcast have been featured in the New York Times, Wall Street Journal, Vanity Fair and more. Ken conceived the best-selling board game Be a Broadway Star (Amazon) and is an avid golfer. Born Kenneth Anjum Hasija, Ken dedicates his career to his late father, Dr. Kenny Dipchand Hasija, an Indian immigrant who dreamed about going into the theatre. Favorite production is daughter McKenna with his wife, Tracy Weiler. Upcoming: Harmony by Barry Manilow and Bruce Sussman, The Griswolds’ Broadway Vacation and Joy the Musical. KenDavenport.com. Instagram: @kendavenportbway

BOB GAUDIO (Producer). Inducted into the Songwriters, Rock and Roll, and the New Jersey Hall of Fame. The principal writer and an original member of The Four Seasons portrayed in Jersey Boys, one of the top ten longest-running Tony and Olivier Award-winning hit Broadway musicals. Earned a Grammy for the JB cast album, remaining one of the top ten bestselling cast albums. Gaudio wrote and/or co-wrote “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Beggin’,” the classic “Can’t Take My Eyes Off You” and numerous others. He produced and co-wrote with Jake Holmes, the album Watertown for Frank Sinatra. He produced a number of songs for Marvin Gaye, Diana Ross, Michael Jackson, Roberta Flack and others and the film soundtrack for Little Shop of Horrors. Bob’s longtime association with Mr. Diamond yielded seven albums, including The Jazz Singer Soundtrack, along with “America,” “Hello Again,” “September Morn,” “Love on the Rocks,” “Forever in Blue Jeans” and the Diamond & Streisand duet “You Don’t Bring Me Flowers.” Thanks to the life-long support of his three children, Lisa, Danielle and Shannon. Special thanks to the Nashville ABN music development team: Ryan Sutton, Debra Clements, Blair Masters. A Beautiful Noise would not be a reality without the insights and trust of Neil and Katie Diamond.

NETWORKS PRESENTATIONS (Producer) is an industry-leading producer of touring theatrical productions, committed to delivering quality entertainment to audiences worldwide for more than 25 years. Networkstours.com