LAST CALL: The Dolphin Show’s Highly Recommended 81st production: Kinky Boots! Ends Tonight! 1/27/24

 The Dolphin Show

AMERICA’S LARGEST STUDENT PRODUCED MUSICAL PRESENTS…

KINKY BOOTS THE MUSICAL

WINNER OF 6 TONY AWARDS INCLUDING BEST MUSICAL!

With Book by Harvey Fierstein and Music & Lyrics by Cyndi Lauper

Recommended for Ages 10+

Review

By Guest Critic, Dugan Kenaz-Mara 

Sometimes a two-and-a-half-hour show feels daunting, and you fear you may get tired and bored, wanting to leave before the second act is through. But fear not, you will find yourself completely immersed in every second of The Dolphin Show’s 81st production: Kinky Boots! I had the pleasure of catching it last night. Overall, it is a stunning show, and I highly recommend you see the final performance tonight.

The show had many wonderful features, including:

Flashy costumes for all of the angels worthy of a runway show all to themselves.

Over-the-top makeup that builds in intensity, resulting in an expressive explosion in the finale.

An incredible versatile set with moving pieces that adapt easily to every scene.

Dramatic lights and sound that pull the audience into the world of the show.

And brilliant actors who shine on stage with their vocal talent, and guide the audience effortlessly through the highs and lows of the musical.

You can tell by the cheers, gasps, and standing ovation that this production really touches the audience, and it is incredibly clear how much dedication went into the show from every producer, designer, actor, and other member of the Dolphin team.

Over 90% sold out for the closing performance. Only 100 tickets are left for the final show. Don't miss this! Click here for more information and photos on Instagram.

Dugan Kenaz-Mara is a designer, photographer, educator, and recent graduate of Northwestern University.

The 81st Annual Dolphin Show is gearing up to bring you an electrifying performance of Kinky Boots the Musical! 

Get ready to be dazzled by this spectacular show filled with fabulous music, incredible designs, sensational choreography, and a heartwarming story that will leave you cheering for more. Our team of over 150 students cannot wait to bring this relevant and powerful narrative to Northwestern’s campus and continue our educational workshops, community outreach efforts, and more. 

Whether you're a fan of musical theater or just looking for a night of pure entertainment, this is an event you won't want to miss. Save the date and join us for a night of unforgettable entertainment that's sure to knock your boots off!

GET TICKETS NOW

Tickets can be purchased online from Northwestern Box Office or in person at the Norris University Center front desk at 1999 Campus Drive, Evanston, IL 60201.

How do I access my tickets?

Tickets will be emailed to you after you make a purchase. Please present this PDF either on your screen or printed out when entering the theatre. Make sure to pull up the QR code.

What age is the show recommended for?

Kinky Boots is officially recommended for children ages 10 and older, but children younger than 10 may be suited for the production based on maturity levels and parental involvement. For more information, please visit our parent guide here.

Are there special discounts available for tickets?

Northwestern Students can access $10 tickets to performances by logging in with their Northwestern email. Limit 2 tickets per performance.

Northwestern Faculty can access $20 tickets to performances by logging in with their Northwestern email. Limit 2 tickets per performance.

Children under age 18 can access $10 tickets by applying the code TDSstudent10 at checkout. Limit 2 tickets per order.

Seniors over age 65 can access $20 tickets by applying the code TDSsenior20 at checkout. Limit 2 tickets per order. 

How can I bring a group to see Kinky Boots?

Group tickets are available for purchase for all performances. Orders with 10 or more tickets will receive a 10% discount on the order. If you are interested in group booking, please reach out to sales@nudolphinshow.org for booking assistance. Group tickets can only be paid for via check (made out to “Northwestern University” with the memo line “Dolphin Show - Group Tix”) or in person with a credit card at the Norris Center front desk.

What if purchasing tickets is a financial burden for me, as a Northwestern student?

The 81st Annual Dolphin Show has partnered with The Student Activities Assistance Fund to offer “pay what you can tickets” to financially support students in attending our upcoming production of Kinky Boots The Musical.

Tickets for undergraduate and graduate Northwestern students are $10. If this is a financial burden, please email sales@nudolphinshow.org to access pay what you can tickets, where you will have the option to pay as little as $0.

What is the Dolphin Show?

The Dolphin Show at Northwestern University is a non-profit student theatre organization that annually produces the largest student-produced musical in the country. It celebrates the diverse talents of the Northwestern undergraduate community by providing opportunities to learn and excel in all artistic and administrative fields. Every year, The Dolphin Show presents a professional-caliber production led by over 150 undergraduate students. Learn more about Dolphin’s mission on our About page.

Where did the Dolphin Show get its name?

The Dolphin Show was named after the Dolphin Swim Club, the Northwestern swim team who presented the first annual Dolphin Show in the Northwestern swimming pool as a fundraiser for their team to travel to competitions. Visit our About page for Dolphin Show’s full history. 

Who can get involved with The Dolphin Show?

Northwestern University undergraduate students of all backgrounds, majors, and experience levels are welcome to work on the Dolphin Show. Students can work on the production in many capacities, including on the business team, the artistic team, the production team, in the cast, or in the orchestra. Dolphin Show’s annual productions are open to the public. 

Click here for information, show photos, tickets and more. 

Porchlight Music Theatre's Anything Goes Extended Through March 10, 2024

ChiIL Live Shows On Our Radar

DUE TO POPULAR DEMAND

PORCHLIGHT MUSIC THEATRE PRESENTS COLE PORTER’S 

ANYTHING GOES

STARRING MEGHAN MURPHY 

NOW EXTENDED THROUGH MARCH 10th 

AT THE RUTH PAGE CENTER FOR THE ARTS 

This 90th Anniversary Production of the Porter Classic with a New 2022 Libretto, Directed by Artistic Director Michael Weber, Choreographed by Tammy Mader and Music Directed by Nick Sula Must Close March 10

(center) Meghan Murphy with the cast of  ANYTHING GOES from Porchlight Music Theatre,  now playing through March 10 at the Ruth Page Center for the Arts. All Production Photos by Liz Lauren

Here at ChiIL Live Shows, we've been following Meghan Murphy's career for years and can't wait to catch her “Reno Sweeney” in Porchlight's Anything Goes! We enjoyed her talents on Chicago stages for ages and in recent years have traveled along vicariously on social media, as she's taken the world by storm. We may not have the weather of tropical resort destinations, or cruise ship chic, but Chicago will not be short on style this winter! We're beyond lucky to have "Big Red" back in town. Don't miss this! 

Porchlight Music Theatre is proud to announce that due to popular demand, the 90th Anniversary production of Cole Porter’s crown jewel musical comedy, Anything Goes, music and lyrics by Cole Porter, original book by P.G. Wodehouse and Guy Bolton and Howard Lindsay and Russel Crouse and a new book by Timothy Crouse and John Weidman, is now extended through March 10 at the Ruth Page Center, 1016 N. Dearborn St. 

Members of the cast of ANYTHING GOES

 (L to R) Meghan Murphy and Jackson Evans

Starring internationally renowned powerhouse Meghan Murphy as “Reno Sweeney” and featuring the Chicago debut of a newly commissioned 2022 libretto, Anything Goes is Jeff Award Recommended and directed by Porchlight Music Theatre’s Artistic Director Michael Weber, choreographed by Tammy Mader and music directed by Nick Sula. The performance schedule is Wednesdays at 7:30 p.m, Thursdays at 7:30 p.m, Fridays at 7:30 p.m, Saturdays at 2 p.m. and 7:30 p.m. and Sundays at 2 p.m. Open caption performances are Saturday, Feb. 3 and Saturday, Feb. 10 at 2 p.m. with post-show discussions immediately following the performances on Friday, Feb. 2 and Wednesday, Feb. 7 at 7:30 p.m. Subscriptions and single tickets are currently available at PorchlightMusicTheatre.org/Anything-Goes or by calling 773.777.9884.

 (L to R) Luke Nowakowski and Meghan Murphy

Chicago will get a kick out of this 90th anniversary production of Cole Porter’s smash-hit musical comedy, Anything Goes starring the Chicago-based international sensation Meghan Murphy as “Reno Sweeney.” Launching Porchlight Music Theatre’s 29th season, this legendary toe-tapping voyage across the Atlantic is filled with laughs, romance and intrigue. Porter’s iconic score includes a shipload of tunes that built the Great American Songbook including "Anything Goes,” “Friendship,” "You're the Top" and "I Get a Kick Out of You.” 

Anything Goes is the centerpiece of Chicago’s Cole Porter Festival - A Celebration of the Man and his Music, the recently launched live and digital, multi-partnered festival commemorating the career of one of America's greatest composers and songwriters. 

 (L to R) Steve McDonagh and Meghan Murphy 

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)

The cast of Anything Goes, in alphabetical order, includes Logan Becker+ (Ensemble); Tommy Bullington+ (Ship's Purser); Rachael Dec* (Charity); Tafadzwa Diener* (Erma); Nick Dorado+ (Ship’s Captain); Jackson Evans+ (Lord Evelyn Oakleigh); Josiah Haugen+ (Henry T. Dobson, Ensemble); Ciara Hickey^ (Dippy); J. Christian Hill+ (Ensemble); Kelsey MacDonald* (Ensemble); Steve McDonagh+ (Moonface Martin); Emily Ling Mei* (Chastity); Meghan Murphy* (Reno Sweeney); Luke Nowakowski= (Billy Crocker); Emma Ogea* (Hope Harcourt); Hannah Remian* (Virtue); Nataki Rennie* (Purity); Jenna Schoppe* (Ensemble, dance captain); Gabriel Solis+ (Spit); Mack Spotts^/+ (Ensemble); Jerod Turner+ (Ensemble); Genevieve VenJohnson* (Evangeline Harcourt), Anthony Whitaker+/^ (Elisha J. Whitney) and Noah Wood+ (swing).

The Anything Goes band includes Linda Madonia* (conductor/piano); Greg Strauss+ (trumpet); Cara Strauss* (reeds 1); Sophie Cruetz* (reeds 2); Justin Akira Kono+ (percussion); Marcel Bonfim+ (bass) and Stephanie Lebens* (trombone).

The creative team of Anything Goes includes Michael Weber+ (director, artistic director); Tammy Mader* (choreographer); Nick Sula+ (music director); Jeffrey D. Kmiec+ (scenic designer); Milo Bue+ (associate scenic designer); Rachel Boylan* (costume designer); Kevin Barthel+ (wig designer); G. Max Maxin IV+ (lighting designer, projection designer); Matthew R. Chase+ (sound designer); Patrick McGuire+ (properties designer); Kristi Martens* (production stage manager, AEA); Drew Donnelly+ (assistant stage manager); Andrea Enger= (assistant stage manager); John McTaggart+ (technical director); Danny Carraher+ (assistant technical director); Wendy Ann Huber* (scenic charge); Josh Derby+ (master carpenter/spot 1); Tina Stasny* (costume director); Rachel West* (lighting director); Samantha Anderson*/^ (assistant lighting supervisor / spot 2); Matt Reich+ (audio/video director); Joe Court+ (A1); Christine Burquest* (A2); Jack Zanger+ (wardrobe supervisor); Amanda May* (hair and makeup supervisor); Gabrielle Lux*/^ (wardrobe assistant); Heather Lynn Gervasi* (production manager); Majel Cuza* (director of production) and Frankie Leo Bennett+ (producing artistic associate).

 (center) Luke Nowakowski and Emma Ogea  

PORCHLIGHT MUSIC THEATRE’S 29th SEASON

Porchlight’s 29th season includes Anything Goes and Porchlight in Concert: Sunday in the Park with George, Saturday, May 11 at 7:30 p.m. and Sunday, May 12 at 2 p.m. at the Studebaker Theater, 410 S. Michigan Ave., ass well as the Cole Porter Festival - A Celebration of the Man and his Music and the return of our special event, Chicago Sings Broadway Pop II, Monday, April 15, 2024 at 6 p.m. at the House of Blues Chicago, 329 N. Dearborn St. Subscriptions are on sale now for $150 which includes Anything Goes and Porchlight in Concert: Sunday in the Park with George. Chicago Sings Broadway Pop II may be added to the subscription at PorchlightMusicTheatre.org or 773.777.9884. Sponsorship opportunities for Porchlight’s 29th Season are available by contacting Development Associate Kellie Buffington at kellie@porchlightmusictheatre.org.

(center) Meghan Murphy

ABOUT MEGHAN MURPHY, “Reno Sweeney”

Meghan Murphy is an actor/singer/producer/cabaret and recording artist currently based in Chicago. Her multifaceted talents have been showcased on many different stages in the worlds of theater, music, travel and cabaret. As an actor, she is a six-time Joseph Jefferson Award nominee for Chicago credits such as: Mamma Mia! (“Tanya,” Marriott Theater), Spamalot (“Lady of the Lake,” Mercury Theater Chicago), The Who's Tommy (“Acid Queen,” Paramount Theater), Smokey Joe's Cafe (“Patty,” Drury Lane Theater), City of Angels (“Oolie”/”Donna,” Marriott Theater) and And The World Goes Round (“Woman 3,” Marriott Theater). Film and TV credits: Honey Nut Cheerios (national commercial), “Captive State” (Focus Features). As a singer, you may have seen her in countless concerts and festivals throughout the country, including many appearances in the Chicago Humanities Festival and Chicago Sings. As a cabaret artist, she’s had sold out shows in New York City, Los Angeles, Chicago, London and Puerto Vallarta, Mexico and has been touring her critically-acclaimed one woman show, The Big Red Show, around nationally and now internationally with Vacaya, Brand g Vacations, Azamara, RWS Entertainment and Blackburn International. As a recording artist, Murphy has two self titled EP albums of her Chicago-based blues/soul band Everybody Says Yes available on all streaming platforms and her holiday album “Big Red & The Boys, Live” at Feinstein’s/54 Below, available at bigredandtheboys.bandcamp.com.

ABOUT MICHAEL WEBER, director

Michael Weber is Porchlight Music Theatre’s artistic director. Most recently, he directed Cabaret at Porchlight and this summer co-directed Broadway in your Backyard. Previously the artistic director of Drury Lane Theatre Water Tower Place (now The Broadway Playhouse) and Theatre at the Center, his Porchlight productions of Sweeney Todd, A Funny Thing Happened on the Way to the Forum, Pal Joey, Assassins and Side Show as well as Grand Hotel at Drury Lane and She Loves Me at Theatre at the Center were each nominated for the Joseph Jefferson Award for Best Production-Musical. Directing credits include Living the History-125 Years of The Auditorium Theatre starring Patti LuPone and John Mahoney, Fifth of July and Talley’s Folly at the Oak Park Festival Theatre, The Petrified Forest at Theatre at the Center, Beauty and the Beast at Marriott Theatre, Over the River and Through the Woods at The Mercury Theater, A Funny Thing Happened on the Way to the Forum at Pheasant Run Theatre and Cirque du Symphony at Sears Center Arena. The recipient of two Joseph Jefferson Awards, he wrote and directed twelve Joseph Jefferson Awards ceremonies (2006-2018). Weber’s regional acting credits include Annie Get Your Gun and Gypsy (both starring Patti LuPone) at Ravinia, Disney’s My Son Pinocchio at First Stage Milwaukee, Around the World in 80 Days at Cleveland Playhouse, The Winter’s Tale and Henry V at Chicago Shakespeare Theatre, It Had To Be You (starring Cindy Williams and Eddie Mekka) at Little Theatre on the Square, Angel Street at First Folio Shakespeare and The Gifts of the Magi at Indiana Repertory. Weber is proud to serve as a pledge host on WTTW, Channel 11 and is author of the play, War of the Well(e)s.

ABOUT TAMMY MADER, choreographer

Tammy Mader is a proud member of SDC, the union of professional Stage Directors and Choreographers. Credits include: Bye Bye Birdie, Hairspray (Jeff Award), Next To Normal, Sunset Blvd., Gypsy, Spamalot, Seven Brides For Seven Brothers (Jeff Nomination), Buddy; The Buddy Holly Story, Thoroughly Modern Millie (Jeff Award), Meet Me In St. Louis, Kiss Me Kate (Jeff Nomination), Anything Goes (Jeff Nomination), and My One And Only (Jeff Award) at Drury Lane Oakbrook Terrace; Buddy; The Buddy Holly Story, Meet Me In St. Louis, Grand Hotel and The Full Monty at Drury Lane Water Tower Place; Guys & Dolls and Invisible Man at Court Theatre; Singin' In The Rain, My One And Only (Jeff Nomination) , 42nd St. (Jeff Award), Beauty and the Beast for Marriott’s Lincolnshire Theatre; Animal Crackers for Baltimore’s Center Stage, Do Black Patent Leather Shoes Really Reflect Up? for Drury Lane Theater in Evergreen Park; She Loves Me, Singin’ In The Rain (Jeff Nomination), Grand Hotel, 42nd St., Meet Me In St. Louis, and Swingin’ On A Star: The Johnny Burke Musical at Theater at the Center, Elizabeth Rex at Chicago Shakespeare Theatre, and Porchlight Music Theatre’s Mack And Mabel and Assassins.

ABOUT NICK SULA, music director

Nick Sula is a pianist, arranger, and award-winning music director for theater and cabaret, and is thrilled to return to Porchlight. Music Direction credits include Sweeney Todd (Kokandy Productions, Jeff Award); Ghost Quartet (Jeff nomination), Nevermore, Amour, Coraline (Black Button Eyes); Myths & Hymns, The Glorious Ones (Jeff nomination), Pippin (BoHo Theatre), His & His, Broadway at the Broadway (Pride Films and Plays); Merrily We Roll Along, Head Over Heels, The Pajama Game, The Pirates of Penzance (CCPA). Sula can be seen performing with vocalists at theaters and cabaret venues around Chicagoland such as Davenport’s Piano Bar and the Skokie Theater. As a professor of musical theatre, he serves as a music director, instructor and vocal coach at the Chicago College of Performing Arts (CCPA) at Roosevelt University.

ABOUT PORCHLIGHT MUSIC THEATRE

Porchlight Music Theatre is the award-winning center for music theatre in Chicago. Through live performance, youth education and community outreach, we impact thousands of lives each season, bringing the magic of musicals to our theatre home at the Ruth Page Center for the Arts in the Gold Coast and to neighborhoods across the city. Porchlight has built a national reputation for boldly reimagining classic musicals supporting new works and young performers, and showcasing Chicago’s most notable music theatre artists, all through the intimate and powerful theatrical lens of the “Chicago Style.”

Porchlight's 29-year history includes more than 70 mainstage works with 16 Chicago premieres and five world premieres. Porchlight’s commitment to the past, present and future of music theatre led the company to develop the Porchlight Revisits and New Faces Sing Broadway program series, both quickly becoming audience favorites.

Porchlight's education and outreach programs serve schools, youth of all ages and skill levels and community organizations, most notably the ongoing collaboration with Chicago Youth Centers. Porchlight annually awards dozens of full scholarships and hundreds of free tickets to ensure accessibility and real engagement with this uniquely American art form.

The company’s many honors include 192 Joseph Jefferson Award (Jeff) nominations and 48 Jeff awards, as well as 44 Black Theatre Alliance (BTA) nominations and 12 BTA awards. In 2019, Porchlight graduated to the Large Theatre tier of the Equity Jeff Awards, and was honored with eight nominations in both technical and artistic categories and won three awards in its inaugural year in this tier, most notably Best Ensemble for Duke Ellington’s Sophisticated Ladies.

The cast of ANYTHING GOES

Porchlight Music Theatre’s 90th Anniversary production of Cole Porter’s crown jewel musical comedy, Anything Goes, music and lyrics by Cole Porter, original book by P.G. Wodehouse and Guy Bolton and Howard Lindsay and Russel Crouse and a new book by Timothy Crouse and John Weidman, is now playing through February 25, 2024, at the Ruth Page Center, 1016 N. Dearborn St. Starring internationally renowned powerhouse Meghan Murphy as “Reno Sweeney” and featuring the Chicago debut of a newly commissioned 2022 libretto, Anything Goes is directed by Porchlight Music Theatre’s Artistic Director Michael Weber, choreographed by Tammy Mader and music directed by Nick Sula. The performance schedule is Wednesdays at 7:30 p.m, Thursdays at 7:30 p.m, Fridays at 7:30 p.m, Saturdays at 2 p.m. and 7:30 p.m. and Sundays at 2 p.m. Open caption performances are Saturday, Feb. 3 and Saturday, Feb. 10 at 2 p.m. with post-show discussions immediately following the performances on Friday, Feb. 2 and Wednesday, Feb. 7 at 7:30 p.m. Subscriptions and single tickets are currently available at PorchlightMusicTheatre.org/Anything-Goes or by calling 773.777.9884.

(L to R) Gabriel Solis and Ciara Hickey

Ruth Page Center for the Arts

1016 N. Dearborn Ave., Chicago

Single Tickets start at $20

Running time including intermission is currently 2 hours and 45 minutes

Website: PorchlightMusicTheatre.org/Anything-Goes

Box Office: 773.777.9884    

 

(L to R) Emily Ling Mei, Rachael Dec, Hannah Remian and Nataki Rennie

Performance Schedule:

Friday, Jan. 19 at 7:30 p.m.

Saturday, Jan. 20 at 2:00 p.m.        

Sunday, Jan. 21 at 2:00 p.m.                       

 

(center) Meghan Murphy and the cast in ANYTHING GOES 

Wednesday, Jan. 24 at 7:30 p.m.    

Thursday, Jan. 25 at 7:30 p.m.                   

Friday, Jan. 26 at 7:30 p.m.              

Saturday, Jan. 27 at 2:00 p.m.                    

Saturday, Jan. 27 at 7:30 p.m.                     

Sunday, Jan. 28 at 2:00 p.m.          

 

Luke Nowakowski

Thursday, Feb. 1 at 2:00 p.m.          

Thursday, Feb. 1 at 7:30 p.m.           

Friday, Feb. 2 at 7:30 p.m.    (post-show discussion)

Saturday, Feb. 3 at 2:00 p.m. (open caption performance)        

Saturday, Feb. 3 at 7:30p.m.            

Sunday, Feb. 4 at 2:00 p.m.           

 

Emma Ogea

Wednesday, Feb. 7 at 7:30 p.m. (post-show discussion) 

Thursday, Feb. 8 at 7:30 p.m.          

Friday, Feb. 9 at 7:30 p.m.   

Saturday, Feb. 10 at 2:00 p.m. (open caption performance)                  

Saturday, Feb. 10 at 7:30 p.m.         

Sunday, Feb. 11 at 2:00 p.m.

 

 (L to R) Logan Becker, Jenna Schoppe, Geneiveve VenJohnson and Emma Ogea

Wednesday, Feb. 14 at 7:30 p.m.

Thursday, Feb. 15 at 7:30 p.m.

Friday, Feb. 16 at 7:30 p.m.

Saturday, Feb. 17 at 2:00 p.m.         

Saturday, Feb. 17 at 7:30 p.m.

Sunday, Feb. 18 at 2:00 p.m.

 

Anthony Whitaker

Wednesday, Feb. 21 at 7:30 p.m.

Thursday, Feb. 22 at 7:30 p.m.

Friday, Feb. 23 at 7:30 p.m.

Saturday, Feb. 24 at 2:00 p.m.

Saturday, Feb. 24 at 7:30 p.m.

Sunday, Feb. 25 at 2:00 p.m. 

 

(L to R) Luke Nowakowski and Steve McDonagh

FINAL ADDED DATES

Wednesday, Feb. 28 at 7:30 p.m.

Thursday, Feb. 29 at 7:30 p.m.

Friday, March 1 at 7:30 p.m.

Saturday, March 2 at 2:00 p.m.

Saturday, March 2 at 7:30 p.m.

Sunday, March 3 at 2:00 p.m. 

 

(L to R)  Tafadzwa Diener, Mack Spotts, Logan Becker, Jerod Turner, J. Christian Hill and Josiah Haugen in ANYTHING GOES from Porchlight Music Theatre,  now playing through March 10 at the Ruth Page Center for the Arts.

Wednesday, March 6 at 7:30 p.m.

Thursday, March 7 at 7:30 p.m.

Friday, March 8 at 7:30 p.m.

Saturday, March 9 at 2:00 p.m.

Saturday, March 9 at 7:30 p.m.

Sunday, March 10 at 2:00 p.m.

Peter Samelson's Magic, Love, Mystery at Chicago Magic Lounge Wednesdays January 10 – March 27, 2024

ChiIL Live Shows On Our Radar

Experience the mystery of love through the eyes of a magician with Peter Samelson's one-man show, 

Magic, Love, Mystery 

Through his masterful storytelling, Peter explores how love can inspire us, transform us from the inside out, and even transcend death. Minds will be read, the imperceptible bond between soul mates will be revealed, and the boundaries of loss and mortality will be crossed, uncovering how memories shape our past and future. One of my fabulous freelancers, Dugan will be out to review on January 24th, so check back soon for our take on the show. 

Prepare for an unforgettable evening filled with laughter, entertainment, and wonder as Peter Samelson takes you on a whimsical journey through the mystery of love. Get ready to experience pure magic and unlock the secrets of love.

Chicago Magic Lounge, Chicago’s home for close-up magic, kicks off its 2024 Artist-In-Residence series with Peter Samelson’s Magic, Love, Mystery. In this mesmerizing performance, Samelson takes you on a journey through the enigmatic world of love, exploring its many forms and revealing its secrets. Magic, Love, Mystery runs Wednesdays at 7:00pm, January 10 – March 27, 2024. Tickets for all Chicago Magic Lounge shows are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com.

The Midwest Premiere of The Brightest Thing in the World Via About Face Theatre March 14-April 13, 2024

 ChiIL Live Shows On Our Radar

About Face Theatre to produce

the Midwest premiere of 

The Brightest Thing in the World

directed by Keira Fromm

March 14-April 13, 2024 

About Face Theatre continues its 29th season with the Midwest premiere of The Brightest Thing in the World by Leah Nanako Winkler, directed by AFT Artistic Associate Keira Fromm. The show will run March 14 through April 13, 2024, at The Den Theatre. The Brightest Thing in the World starts as a bubbling romantic comedy between barista Lane and her regular Steph, charting their growing relationship as they encounter real-world challenges like teen pregnancy, parenting, and addiction. This play is a celebration of love, family, and the people in our lives who shine the brightest.

THE BRIGHTEST THING IN THE WORLD

Written by Leah Nanako Winkler

Directed by AFT Artistic Associate Keira Fromm

March 14 – April 13, 2024 | Press opening: Friday, March 22

All performances will take place at The Den Theatre, 1331 N Milwaukee Ave, Chicago

Showtimes: Thurs and Fri at 8:00pm, Sat at 3:00pm and 8:00pm, Sun at 3:00pm

Please note: There is no matinee performance on Saturday, March 16

Open Captioning performances: Dates TBD.

Masks Required performances: Saturday matinees on March 30 and April 6 will require every attendee to wear a mask.

Pay-what-you-can tickets ($5 – $35) on sale now at The Den Theatre box office or About Face Theatre’s website.

 

TICKETS

Tickets are on sale now online at AboutFaceTheatre.com, by calling 773.697.3830, or in-person at The Den Theatre box office. Ticket prices range from $5 to $35. 

AFT offers a ticket pricing system that allows each patron to decide the price that they can comfortably afford to pay for a ticket. Ultimately, About Face wants everyone who wants to attend a show to be able to do so. Please note: there are limited quantities available at each pricing level.

THE PLAY

Charmingly free-spirited barista Lane is determined to win over her new regular, the reserved and intellectual Steph. Delightful romantic comedy ensues with poetry, homemade desserts, and sparks flying. But both women are carrying life-changing secrets involving addiction, past relationships, and family. What happens when the giddy romance wears off and Lane and Steph must do the work of building a lasting relationship out of honesty, compassion, and courage? The Brightest Thing in the World is a funny, heartfelt new play delving into the people we think we know and the people we know we love.

“I love Leah Nanako Winkler’s use of language and the smart, messy, recognizable women at the center of the story,” says director Keira Fromm. “She has created a play that manages to be both a funny queer rom-com and a devastating portrait of addiction and the ways we’re all constantly in a state of recovery.”

The Brightest Thing in the World was commissioned by Yale Repertory Theatre in 2019, where it received its world premiere in 2022.

 

CAST

Blakewell (Della)

Claire Kaplan (Lane)

Jojo Brown (Steph)

 

PRODUCTION TEAM

Dramaturg, Casting Director        Catherine Miller

Choreographer                              Jenn Freeman

Intimacy & Violence Designer     Sheryl Williams

Assistant Director                         Aimy Tien

Scenic Designer                           Sotirios Livaditis

Lighting Designer                         Conchita Avitia

Sound Designer                           Christopher Kriz

Costume Designer                       Gregory Graham

Properties Designer                     Amanda Herrmann

Technical Director                        Becca Venable

Stage Manager                            Jean Compton

Assistant Stage Manager            B Valek

Production Manager                    Audrey Kleine

Keira Fromm (she/her): director

Keira is a Chicago-based, Jeff-award nominated director. She is also an Artistic Associate with About Face Theatre where she directed Bull in a China Shop, Significant Other, Bright Half Life, and A Kid Like Jake. Other directing credits include: Who’s Afraid of Virginia Woolf (Milwaukee Chamber Theatre), The Moors, A Phoenix Too Frequent, and A Doll’s House (American Players Theatre), The Last Match (Writers Theatre); At the Wedding and Miss Bennet: Christmas at Pemberley (TheatreSquared); Top Girls and hang (Remy Bumppo); The Columnist (American Blues Theater); Charles Ives Take Me Home (Strawdog); The How and the Why (TimeLine Theatre); Broadsword (The Gift Theatre); and Fallow (Steep Theatre.) She received her MFA from DePaul University, her BFA from Boston University, is an alumna of Lincoln Center Theater Directors Lab, and a member of SDC, the professional directors union. Keira will be directing The Liar at American Players Theatre this upcoming summer. www.keirafromm.com

Cyd Blakewell (she/her): “Della”

Cyd was most recently seen in Northlight Theatre’s Birthday Candles. She is a proud ensemble member of The Gift Theatre. Gift Theatre credits: The Locusts, Pillowman, Doubt, A Life Extra Ordinary, Good For Otto, Body + Blood, Broadsword, Mine, and TEN. Other Chicago credits: The Snare (Jackalope); Balm In Gilead and Port (Griffin); Buddy Cop 2, breaks & bikes, and Milk Milk Lemonade (Pavement Group); Sweet Confinement and Ivanov (SiNNERMAN Ensemble); Orange Flower Water (Interrobang); Lies & Liars and Mimesophobia (Theatre Seven); Rewind (The Side Project). Last summer she wrapped on a short film called Fairground and can also be seen in Jeri’s Grille. Next, you can see her in the World Premier of Obliterated by Andrew Hinderaker, co-starring Michael Patrick Thornton. Cyd got her BFA from Southwestern University in Georgetown, TX and is a graduate of the School at Steppenwolf. She is represented by Promote Talent Agency.

Jojo Brown (she/her): “Steph”

Jojo Brown is a stage and screen actor who was born and raised in Chicago. Off-Broadway credits include CHARM and 7 Minutes. Television credits include her recurring role as Mindy on Freeform's “Single Drunk Female” and appearances on NBC, Showtime, Comedy Central, FX, and Paramount Plus. 

Claire Kaplan (she/her): “Lane”

Claire is a theater-maker, actor, and teacher from Long Beach, CA. Regional credits include South Coast Rep, La Jolla Playhouse, and East West Players. Claire is co-artistic director of The West, an experimental theatre company formerly based in LA, now creating work in Chicago and Berlin. She is directing Theatre Unspeakable's touring show introducing Shakespeare to kids and is teaching devised theater at UIC. She recently helped create the musical world for Backroom Shakes' The Winter's Tale.

Leah Nanako Winkler (she/her): playwright

Leah Nanako Winkler is an award-winning playwright and TV writer from Kamakura, Japan, and Lexington, Kentucky. Her plays include God Said This, Two Mile Hollow, Kentucky, Hot Asian Doctor Husband, and The Brightest Thing in the World, as well as many short plays all produced Off-Broadway and regionally. Accolades and fellowships: Yale Drama Series Prize, Mark O’Donnell Prize from The Actors Fund and Playwrights Horizons, Audible’s Emerging Playwrights Fund, Jerome New York Fellow at the Lark, Francesca Primus Prize, and a 2020 Steinberg Playwright Award. She is published by American Theater Magazine, Nanjing University’s Stage and Screen Reviews, Yale University Press, Backstage, Smith and Krauss, Samuel French, and Dramatists Play Service. TV credits include Michael Moore’s TV NATION, New Amsterdam, A24’s Ramy on Hulu (where she along with the other writers won a Peabody Award), Love Life on HBO MAX, and currently on projects at Apple, Warner and Amazon.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. AFT envisions an affirming and equitable world in which all LGBTQ+ individuals are thriving and free from prejudice and discrimination. About Face Theatre is also dedicated to being an intentionally and increasingly anti-racist organization. Due to the intersectionality of our identities, we understand our work to advance LGBTQ+ equity as directly connected to movements for racial justice.

 

TimeLine Theatre’s Chicago premiere of Anna Deavere Smith's Notes from the Field January 31 - March 24, 2024

ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar 

TIMELINE THEATRE PRESENTS CHICAGO PREMIERE OF ANNA DEAVERE SMITH’S 

NOTES FROM THE FIELD

JANUARY 31 - MARCH 24, 2024

Mildred Marie Langford, Shariba Rivers, and Adhana Reid give voice to 19 real-life people in director Mikael Burke’s staging of Smith’s searing indictment of America’s school-to-prison pipeline

 (From left) Mildred Marie Langford, Shariba Rivers, and Adhana Reid co-star in

TimeLine Theatre’s Chicago premiere of Anna Deavere Smith’s Notes From the Field.

Credit for all preproduction photos: Joe Mazza/brave lux inc.

Witness the stories of 19 individuals fighting to overcome and transform America’s education and criminal justice systems in TimeLine Theatre’s Chicago premiere of Notes from the Field by Anna Deavere Smith. Performances are January 31 - March 24, 2024 at TimeLine’s longtime home, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood. 

I'll be out for the press opening February 7th, so check back soon for my full review. We're excited to see director Mikael Burke, making his TimeLine debut. Here at ChiIL Live Shows and ChiIL Mama, he's been a favorite of ours for years. We caught both of his recent critically acclaimed stagings, Blues for an Alabama Sky for Remy Bumppo and Tambo & Bones for Refracted Theatre Company, and we were wowed. With Mikael Burke at the helm, and three top Chicago actors—TimeLine Company Member Mildred Marie Langford, Adhana Reid and Shariba Rivers on stage, TimeLine Theatre’s Notes from the Field is in great hands. I'm sure this will be eye opening storytelling on a serious problem. 

Notes from the Field is a strikingly intimate evening of theater unlike anything you’ve experienced before, presenting snapshots from a variety of real people, documenting their intersections with the American dream and the obstacles that work to block them from it. Utilizing verbatim dialogue pulled from more than 250 accounts from students, faculty, prisoners, activists, politicians, and victims’ families, Notes from the Field takes audiences on an emotional journey through the faults and injustices of an American criminal justice system that seems more focused on incarceration over education.

Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, Notes from the Field is a masterful work by one of the most accomplished theater artists of our time that asks audiences to observe, be present, and join the call for urgent and necessary change. The New York Times called it "a searing and urgent work that confronts some of the most pressing issues of our time with honesty, intelligence, and compassion.” 

Originally performed by creator Anna Deavere Smith as a one-woman show, TimeLine’s Chicago premiere features TimeLine Company Member Mildred Marie Langford, Adhana Reid and Shariba Rivers to weave together narratives of change makers, activists, and those caught within and trying to change the school-to-prison pipeline.



(From left) Mildred Marie Langford, Adhana Reid and Shariba Rivers co-star in TimeLine Theatre’s Chicago premiere of Anna Deavere Smith’s Notes From the Field.

In sum, Smith gives voice to 19 real-life instigators of change, from household names to brave Americans who were unexpectedly thrust into the spotlight of history, including Sherrilyn Ifill, president of the NAACP Legal Defense and Educational Fund; Rev. Jamal Harrison Bryant, who eulogized Freddie Gray in Baltimore; Niya Kenny, the high school student who confronted a violent police deputy—all caught on film; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. She ends the play with the late Congressman John Lewis, who personifies both a violent time in American history with the civil rights movement, and the promise of what American character is all about.

Director Mikael Burke at first rehearsal for TimeLine Theatre’s Chicago premiere of Notes from the Field. Credit: Emma Schoenfelner

TimeLine’s production team includes Eleanor Kahn (Scenic Designer, she/her), Christine Pascual (Costume Designer, she/her), Eric Watkins (Lighting Designer), Ellie Terrell (Properties Designer, she/her), Rasean Davonté Johnson (Projections Designer, he/him), Christie Chiles Twillie (Sound Designer, she/her), DeRon S. Williams (Dramaturg, he/him), Dina Spoerl (Dramaturgical Display Designer, she/her), Sammi Grant (Dialect Coach, she/her), Regina Victor (Associate Director, pharaoh/they/them) and Katie Klemme (Stage Manager, she/her). Understudies are Ashli Rene Funches (any pronoun), Stephanie Mattos (she/her) and Jenese Upton (she/her).

NOTES FROM THE FIELD: “EVERYONE SHOULD WATCH IT, AT LEAST ONCE” 

Originally performed as a one-woman show by creator Anna Deavere Smith, this 2017 Obie Award-winning production was hailed by The Guardian as “captivating political theatre, a devastating document of racial inequality and the most rousing of rallying calls. Everyone should watch it, at least once.” Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, it’s a masterful work that makes it impossible to look away from the urgent need for change.

Said TimeLine Artistic Director PJ Powers, “Notes from the Field is the latest installment of what Anna Deavere Smith has referred to as her life’s work: a series of plays she calls On the Road: A Search for American Character. It’s a provocation, highlighting on-the-ground difference-makers who, in their own way, are instigators of change, from household names to a few brave Americans who were unexpectedly thrust into the spotlight of history as outspoken voices for change.”



NOTES FROM THE FIELD PERFORMANCE SCHEDULE

Previews are Wednesday, January 31 through Friday, February 2 at 8 p.m.; Saturday, February 3 at 4 p.m.; Sunday, February 4 at 2 p.m.; and Tuesday, February 6 at 7:30 p.m. Press Night is Wednesday, February 7 at 7:30 p.m. Opening Night is Thursday, February 8 at 7:30 p.m. (sold out). Regular performances continue through March 24: Wednesdays and Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 4 p.m. and 8 p.m.; and Sundays at 2 p.m. Exceptions: No 4 p.m. show Saturday, February 10; and no performances on Saturday, March 16 and Sunday, March 17. There are three added performances: Tuesday, March 12 at 7:30 p.m. and matinees on Wednesday, March 13 at 2 p.m. and Thursday, March 14 at 2 p.m.

BUYING TICKETS

Single tickets to Notes from the Field are $35-$67. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6.

Preview tickets are $35. Single tickets to regular performances are $52 (all evening performances) and $67 (all matinee performances). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Ticket buyers ages 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Discounted rates for groups of 10 or more are also available. Visit timelinetheatre.com/discounts for more about available discounts.

LOCATION/TRANSPORTATION/PARKING

Notes from the Field will take place at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood, near the corner of Wellington and Broadway, inside Chabad East Lakeview, the former Wellington Avenue United Church of Christ building. TimeLine is served by multiple CTA trains and buses. There are multiple paid parking options nearby, plus limited free and metered street parking. Visit timelinetheatre.com/timeline-theatre for details and available discounts.

DISCUSSIONS

Post-Show Discussions: A brief, informal post-show discussion hosted by a TimeLine Company Member and featuring the dramaturg and members of the production team on Thursday, February 15; Sunday, February 18; Thursday, March 7; and Wednesday, March 13 (2 p.m. matinee).

Pre-Show Discussions: Starting one hour before the performance, a 25-minute introductory conversation hosted by a TimeLine Company Member and the dramaturg on Thursday, February 22, and Sunday, March 10.

Company Member Discussion: A post-show discussion with the collaborative team of artists who choose TimeLine’s programming and guide the company’s mission on Sunday, February 25.

Sunday Scholars Panel Discussion: A one-hour panel discussion featuring experts on the themes and issues of the play alongside a member of the production team in a moderated discussion, following the performance on Sunday, March 3.

All discussions are free and open to the public. For details, visit timelinetheatre.com. 

HEALTH AND SAFETY

Mask-wearing is no longer required at TimeLine performances. Exception: One scheduled Distanced Performance for each production. Anyone is welcome to attend the Distanced Performance, but due to very limited capacity, we ask that immunocompromised patrons be given the first chance to reserve. 

While masking is no longer required at most performances, TimeLine supports an individual’s choice to mask and will continue to make good quality masks available upon request. Protocols are subject to change based on current public health recommendations; for the most current information, visit timelinetheatre.com/health-and-safety.

UPCOMING PERFORMANCES

Following Notes from the Field, TimeLine’s 2023-24 subscription season finale is another riveting play that links past, present and future, the world premiere of Black Sunday by Dolores Díaz. Developed through TimeLine’s Playwrights Collective and directed by Sandra Marquez, Black Sunday is a startling look at conflicts of climate change, race, and gender in the days leading up to an infamous dust storm in 1930s Texas. Previews start May 8, 2024. Press opening is Wednesday, May 15 at 7:30 p.m. Performances run through June 29.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 27th season, TimeLine has presented 90 productions, including 13 world premieres and 41 Chicago premieres, and launched the Living History Education Program and TimeLine South summer arts program, which bring the company's mission to life for students in Chicago Public Schools and beyond. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 60 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. The company is currently working to develop its new home, located at 5035 North Broadway in Chicago’s Uptown neighborhood. Plans feature an intimate black box theater seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation donors providing season support via TimeLine’s Annual Fund include: Abe and Ida Cooper Foundation; Crown Family Philanthropies; Joseph & Bessie Feinberg Foundation; Laughing Acres Family Foundation; Lloyd A. Fry Foundation; The MacArthur Fund for Culture, Equity, and the Arts at Prince; Polk Bros. Foundation; The Shubert Foundation; Van Dam Charitable Foundation; and Walder Foundation. TimeLine also acknowledges the support of a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events and a grant from the Illinois Arts Council Agency.

BIOGRAPHIES             

Anna Deavere Smith (Playwright) is an actress, teacher, playwright, and the creator of the acclaimed On the Road series of one-woman plays, which are based on her interviews with diverse voices from communities in crisis. A recipient of the National Humanities Medal from President Obama and two Obie Awards, her work has also been nominated for a Pulitzer and two Tonys. Onscreen, she has appeared in many films and television shows, including Philadelphia, The West Wing, Black-ish, and Nurse Jackie. She is University Professor in the department of Art & Public Policy at New York University, where she also directs the Institute on the Arts and Civic Dialogue. In 2019, she was elected to the American Academy of Arts and Sciences.

Mikael Burke (Director) is a Chicago-based director, deviser, and educator, making his TimeLine directing debut. A Princess Grace Award-winner in Theatre and Jeff Award-nominated director, Burke has worked with Goodman, Chicago Shakespeare, Remy Bumppo, Victory Gardens, Northlight, Raven, Jackalope, First Floor, The Story, and Refracted in Chicago, and regionally with Yale Rep, Forward Theatre, Milwaukee Chamber Theatre, Indiana Rep, Theatreworks Hartford, Urbanite, Theatreworks Colorado Springs, Asolo Rep, Geva, Phoenix Theatre Indianapolis, and Third Avenue Playworks. Burke previously served as Associate Artistic Director at both About Face Theatre and First Floor Theater, and adjuncts at DePaul and Roosevelt universities. Recent directing credits include the world premiere of The Salvagers by Harrison David Rivers (Yale Rep); Blues for an Alabama Sky by Pearl Cleage (Remy Bumppo); the Chicago premiere of Tambo & Bones by Dave Harris (Refracted); Clyde’s by Lynn Nottage (Theatreworks Hartford); and The Magnolia Ballet by Terry Guest (About Face; 2022 Jeff Award – Production, Short Run). He holds an MFA in Directing from The Theatre School at DePaul University. mklburke.com.

Mildred Marie Langford has been a TimeLine Company Member since 2012. She was last seen last season at TimeLine in the world premiere of Boulevard of Bold Dreams, as well as in A Raisin in the Sun (BTAA nomination), My Kind of Town and In Darfur (Black Excellence Award nomination). Other credits include The Bluest Eye (A Noise Within Theatre, Los Angeles), The Great Jheri Curl Debate (East West Players, Los Angeles), Intimate Apparel (Northlight; BTAA, Equity Jeff, and Black Excellence award nominations–Best Actress), Gunshot Medley: Part 1 (CAB/Rogue Machine Theatre, Los Angeles; Ovation award nomination–Lead Actress), Native Son (Antaeus Theatre Company/Kirk Douglas Theatre 2019 Block Party, Los Angeles), Domesticated, Animal Farm, Venus and The Crucible (Steppenwolf), The Royale (American Theater Company, BTAA winner–Best Featured Actress), Luck of the Irish (Next), A Raisin in the Sun (Milwaukee Rep) and Failure: A Love Story (Victory Gardens). TV and film credits include Grey’s Anatomy, Bosch, Delilah, Chicago Med, Masters of Sex, Magic Funhouse, and the indie film projects Cotton Candy Bubble Gum, Morning Steep, The Three Phases of Isa, Upload, Dignity, Your Beautiful Baby, Concrete Rose and Analysis Paralysis.

Adhana Reid is making her Timeline Theatre debut. Her Chicago credits include School Girls; Or, the African Mean Girls Play (Goodman Theatre), Rocky Horror Picture Show (Haven Theatre), The MLK Project (Writers Theatre), Sheepdog (Shattered Globe), A Christmas Carol and The Color Purple (Drury Lane Theatre); Little Shop of Horrors (Mercury Theatre), Eclipsed (Pegasus), Big River (Theatre at the Center) and Spring Awakening (Marriott Theatre). adhanareid.com

Shariba Rivers had her TimeLine debut last season with her critically acclaimed portrayal of Wiletta Mayer in Alice Childress’ Trouble in Mind. Other Chicago credits include The Nacirema Society (Goodman), The October Storm and Hoodoo Love (Raven), Sweat (Paramount), Small Jokes about Monsters (16th Street), The Tasters (Rivendell) and In the Canyon (Jackalope). Regional credits include Guess Who’s Coming to Dinner (Arts Center of Coastal Carolina), School Girls; Or, the African Mean Girls Play (TheatreSquared, Fayetteville, AK) and We are Continuous (Geva Theatre, Rochester, NY). Film/TV credits include Smoking Gun!, Chicago Med, Chicago Fire and Chicago P.D. (NBC), The Chi (Showtime) and Empire (Fox). sharibatheactor.com

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre on all platforms).

Germany's Figurentheater Wilde & Vogel Bring Baudelaire to The 21st Century With Surreal "Spleen"

ChiIL Live Shows On Our Radar

Spleen 

by Figurentheater Wilde & Vogel From Germany

 at The Chicago International Puppet Theater Festival 

Ages: 16+ 

REVIEW:

By Bonnie Kenaz-Mara

If dissonant, amplified violin, brutally loud electric guitar, creepy puppets, and esoteric 19th century poetry recorded by children is your jam, you have found your happy place! Figurentheater Wilde & Vogel's Spleen is wonderfully weird. This dynamic duo melds puppetry and an original score to breath new life into text well over a century old, and completely relevant today. Spleen is inspired by Charles Baudelaire’s collection of poems “Le Spleen de Paris,” published posthumously in 1869. 

Baudelaire's words, paired with an eerie assortment of puppets, is the show you never knew you needed to see. Charlotte Wilde arranges, composes and plays the music (violin, guitar and keyboard instruments) and brings compelling emotion and punctuation to the performance.  

We couldn't look away from the demonic, little creature that seemed self propelled, and others that moved unaided. We also adored the puppets animated by the shockingly limber and talented puppeteer and puppet maker, Michael Vogel. The craft and design of these puppets is fabulous and leaves a lasting impression. The plot may be too baffling and esoteric to ever be mainstream, but we enjoyed it immensely. Recommended.

We'll be back out to catch opening night of Krabat, featuring Wilde & Vogel once again, with Grupa Coincidentia.

Full Puppet Fest Schedule, including video clips of the productions HERE. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Spleen

The Biograph's Richard Christiansen Theatre, 2433 N. Lincoln Ave., Lincoln Park

January 19-21

Four shows: Friday, January 19 at 9 p.m., Saturday, January 20 at 5 p.m. and 9 p.m.; Sunday, January 21 at 5 p.m.

70 minutes

16 and up

Tickets: $20-$30

Spleen is a kaleidoscope of pictures, songs and miniatures, inspired by Charles Baudelaire’s collection of poems “Le Spleen de Paris,” published posthumously in 1869. Mankind on the threshold to modernity is described in scenes played out between thirst for life and longing for death, between a romantic search for infinity and a brutal triviality. The performers are on the stage with puppets and musical instruments, while Baudelaire’s texts are spoken by children recorded on tape. The magic of this kaleidoscope develops in the imagination between actors, material and audience - a sequence of pictures and live music that wants to counterpoint Baudelaire’s vision of the world and open it for a new understanding for the present.

Figurentheater Wilde & Vogel was founded in 1997 by musician Charlotte Wilde and puppeteer and puppet maker Michael Vogel, first in Stuttgart, from 2003 in Leipzig, where Wilde and Vogel are co-founders of the International Centre for Animated Theatre Westflügel. Wilde, who studied music, English and history in Karlsruhe, arranges, composes and plays the music (violin, guitar and keyboard instruments). Vogel studied in Prague with Milos Kirschner and the Spejbl & Hurvinek Theatre, and studied puppet theater in Stuttgart at the University of Music and Performing Arts. Today, puppetry and live music are the artistic means of Wilde & Vogel’s theater, with a repertoire including classical drama, adaptations of novels, poetry and original works. Themes and dramatic material for the productions are manifold, and are always reduced to the essence, to open space for imagination beyond the visible for the audience. figurentheater-wildevogel.de

More Fabulous Puppet Fun From Figurentheater Wilde & Vogel 

and Grupa Coincidentia from Germany/Poland:

Krabat

ChiIL Live Shows On Our Radar

Krabat

Figurentheater Wilde & Vogel and Grupa Coincidentia

Germany/Poland

The Biograph Theater's Začek-McVay Mainstage, 2433 N. Lincoln Ave., Lincoln Park

January 25-28

Four shows: Thursday, January 25 at 7 p.m.; Friday and Saturday, January 26 and 27 at 9 p.m.; Sunday, January 28 at 3 p.m.

70 minutes

13 and up

Tickets: $35-$45

Based on the classic German children's book “Krabat and the Sorcerer's Mill,” a stray war orphan finds shelter with eleven millers and their Master. Strict rules, dark practices, black magic…anything can be endured as long as the bowl is full and the bed is dry. Krabat grows closer and closer to the Master. Finally, it is not heroism, but disobedience - the motive of gaining a friend and a girl who loves him - that breaks the power of the spell. A play about hard times, human falls and the power of first love, Krabat goes straight to the heart with penetrating clarity, power of image, stage humor and a minimum of words. Dark, bold and at the same time incredibly light, it’s a carousel of feelings spinning among great musical landscapes.

Figurentheater Wilde & Vogel was founded in 1997 by musician Charlotte Wilde and puppeteer and puppet maker Michael Vogel, first in Stuttgart, from 2003 in Leipzig, where Wilde and Vogel are co-founders of the International Centre for Animated Theatre Westflügel. Their repertoire includes classical drama, adaptations of novels, poetry and original works. Figurentheater-wildevogel.de 

Grupa Coincidentia was founded in 2009 by Dagmara Sowa and Pawel Chomczyk, graduates of the Bialystok Puppet Art Department of the Theater Academy. Coincidentia has produced over a dozen performances in collaboration with artists such as Michael Vogel, Lukasz Kos, Christiane Zanger, Pawel Aigner, Michal Walczak, Robert Jarosz, Christoph Bochdansky, Pawel Passini, Robert Drobniuch and Konrad Dworakowski. Coincidentia's shows have been presented at numerous festivals in Europe, Asia and North America and have been honored with many awards (including The Bank of Scotland Herald Angel, Total Theater Award Edinburgh, Grand Prix of the Konteksty Festival, the Grand Prix of the MFTL in Torun). Coincidentia collaborates on a permanent basis with the German independent scene Lindenfels Westfluegel in Leipzig and the Figurentheater Wilde & Vogel. In 2016, Grupa Coincidentia established Siedlisko Kultury Solniki 44 - an independent cultural center located in the forest in Podlasie region, which has hosted dozens of theatrical performances, artistic and educational workshops, works in progress, concerts and panel discussions. In 2018, the center initiated LasFest - International Theater Festival in the Forest, and in 2020, LasKids - a festival addressed to children's audiences. Both include independent theaters, laboratory works, concerts, student shows, meetings with artists, film screenings and unconventional events combining art with nature. grupacoincidentia.pl

Everything you need to know about the 6th Chicago International Puppet Theater Festival January 18-28, 2024

January in Chicago isn't all dreary, cold, and grey. Puppet fest is back to put some color and joy into your January. Here at ChiIL Mama and ChiIL Live Shows, we've covered the Chicago International Puppet Theater Festival every year since it's inception. We're elated that they're now an annual fest instead of every other year, and we'll be out to review as much of the fest as possible once again in 2024. Check out the schedule below to save the dates. There'll be plentiful family friendly and adult puppet fun and we'll have the scoop right here. 

Tickets are now on sale for the 6th Chicago International Puppet Theater Festival, the largest of its kind in North America, returning January 18-28, 2024, at venues large and small throughout the city. 

The Chicago International Puppet Theater Festival is the largest event dedicated to the art form in North America. In the heart of winter, the Festival spans 11 days and dozens of Chicago venues, sharing 100+ puppetry activities with 14,000+ guests. The festival includes performances, the Free Neighborhood Tour, a Puppet Hub open throughout the festival on the fourth floor of the Fine Arts Building, a symposium, the Catapult Artist Intensive, workshops, and more. 

Visit chicagopuppetfest.org for tickets and information about the 6th Chicago International Puppet Theater Festival, and sign up for the festival’s e-news.

Follow the festival on Facebook, Instagram, Vimeo, hashtag #ChiPuppetFest.