The Gift Theatre Announces 2023 Season and Resource-Sharing Residency with Filament Theatre

ChiIL Live Shows On Our Radar

 PHOTO CREDIT: The Gift Theatre’s 2023 Season will be helmed by directors Lili-Anne Brown (left) and Devo de Mayo (right).

Chicago Premiere!

MOTHERS

Written by Anna Ouyang Moench 

Directed by Lili-Anne Brown

 

THE RISE AND FALL OF LITTLE VOICE

Written by Jim Cartwright

Directed by Devon de Mayo

Performed at Filament Theatre, as part of “industry leading” resource-sharing residency

The Gift Theatre is pleased to announce its 2023 season, featuring the Chicago premiere of Anna Ouyang Moench’s dark comedy Mothers, directed by Lili-Anne Brown and a revival of Jim Cartwright’s powerful, award-winning drama The Rise and Fall of Little Voice, directed by Devo de Mayo. The full season will be presented at Filament Theatre (4040 N. Milwaukee Ave., Chicago) as part of an innovative resource-sharing residency beginning in January 2023.

"As we were dreaming about our first season announcement as a trio, we went on a listening tour of sorts and chatted with our Ensemble to see what dreams they had for the future of Gift,” comment Co-Artistic Directors Brittany Burch, Emjoy Gavino and Jennifer Glasse. “Similar themes were echoed throughout the conversations – an excitement for taking risks, exploring out of the box, dark comedies and working with directors who meet us where we are and challenge where our ensemble and audience can go. We are thrilled to announce our 2023 Season!”

Co-Artistic Director Jennifer Glasse adds, “We have been fans of Lili-Anne Brown and Devon de Mayo for YEARS. Both of them are incredible forces of nature as directors and women. Lili-Anne understands the Gift and the uniqueness of our Ensemble. We truly admire the stories she tells that always speak to the heart of voicing and affirming underrepresented people. Devon is masterful at sharing ensemble stories while transporting audiences through her work. Both Lili-Anne and Devon pitched this season to us because they specifically wanted to work on these shows with the Gift. We are so honored and beyond thrilled to bring their work to life.”

Season subscriptions are currently available at thegifttheatre.org or by calling (773) 283-7071. The 2023 GiftFlex Subscription Package ($80) includes 20% off all tickets, admission to any performance of Mothers, The Rise and The Rise and Fall of Little Voice, tickets to “In the Works, the Gift’s exclusive staged reading series, two free ticket exchanges and a discount to the Gift Gala.

 

An innovative resource-sharing residency

In January 2023, The Gift Theatre will join long time neighbors, Filament Theatre as year-round co-tenants, reactivating Filament’s venue in the “Six Corners” as a vibrant arts center. Designed for the companies to share resources and provide valuable pipelines to new audiences, the “industry-leading” arrangement (as described by Professor Alan Salzenstein, Director of the MFA/Arts Leadership program at The Theatre School at DePaul) has the potential to serve as a national model for nonprofit resource collaboration that maintains each organization’s mission, artistic and programmatic independence.

“As we continue our plans to open a new theater space in Jefferson Park, this temporary home at Filament provides our current audience a familiar neighborhood to experience our work and introduces us to a new audience base of adults among Filament’s following,” said Gift Theatre Managing Director John Gawlik. “We are grateful to Julie Richey, Krissi Ann McEachern and their team for inviting us ‘in-residence’ indefinitely until we settle into our new forever home.” 

Filament Managing Director Krissi Ann McEachern adds, “At Filament, we believe that building community and sharing our resources are key practices for creating institutional resilience – especially in the ever-evolving landscape nonprofit theaters find ourselves in. We're thrilled to share our Six Corners home with long time neighbors and friends, The Gift Theatre. While they work towards their dream building, it's our hope that this partnership will increase the strength and reach of both organizations, deepening our shared commitment to the Northwest Side.”

The Gift Theatre’s 2023 Season includes:

May 4 – June 11, 2023

Mothers – Chicago Premiere!

Written by Anna Ouyang Moench 

Directed by Lili-Anne Brown

Performed at Filament Theatre, 4040 N. Milwaukee Ave., Chicago

Press opening: Monday, May 8 at 7:30 pm

Three moms, a stay-at-home dad and a nanny watch their kids play at Mommy-Baby Meetup. One mom is the queen bee and one is here to shake things up. The dad just wants to fit in, and the nanny doesn’t say a word. When catastrophe comes, the five of them have to figure out how to survive a war and each other. Mothers examines the primal heartache of raising children in a disintegrating world.

Comments Co-Artistic Director Brittany Burch, “I first read Mothers nearly a year after giving birth to my daughter. I immediately identified with the vicious humor of the first act, and by the end of the second act I was completely gutted. I love that it sheds light on the blinders we wear in this country to the world around us. The invincibility we can feel and the denial of an inevitable future if we continue to allow our human rights to be stripped from us. Mothers reminds us that if we continue to ignore these issues, they will eventually show up knocking at our front door.”

September 14 – October 29, 2023

The Rise and Fall of Little Voice

Written by Jim Cartwright

Directed by Devon de Mayo

Performed at Filament Theatre, 4040 N. Milwaukee Ave., Chicago

Press opening: Monday, September 18 at 7:30 pm

Blown fuses, real and metaphorical, punctuate the action with flashes of pent-up energy in this acclaimed play. The heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father's records at a volume matched only by the soulful power of her vocal impressions. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent's interest as affection rather than enthusiasm for the gold mine buried in her daughter's throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.

“We loved the idea of presenting a Cinderella story, but in a way that would resonate with The Gift ensemble and audience – dark and quirky, with unexpected monsters and heroes,” writes co-artistic director Emjoy Gavino, “The Rise and Fall of Little Voice is equal parts hilarity, heartbreak and song. Our industry can disregard the people behind the show – this play explores that exploitation but also shows how art can help us find our humanity, despite the forces and systems that seek to overshadow it. Also, it’s just incredibly funny.”

 

Artist Biographies

Anna Ouyang Moench (Playwright, Mothers) is an award-winning playwright and screenwriter. Her plays have been produced at the Geffen Playhouse, the Playwrights Realm, East West Players, InterAct Theater, and many other theaters across the country and around the world. Anna is a 2020 Steinberg Award winner and the recipient of a Gerbode Special Award in the Arts commission for a new play that will be produced at Magic Theater in 2022. She has been commissioned by NAATCO for a new play premiering in 2021. In television and film, Anna has worked with Netflix, Apple TV+, HBO, UCP, eOne, PictureStart and Universal. Anna lives in Los Angeles with her family. 

Lili-Anne Brown (Director, Mothers), a Chicago South Side native, works as a director, actor and educator, and has performed in, directed and produced many award-winning shows in Chicago and nationally. She is the former Artistic Director of Bailiwick Chicago, where she focused programming on Chicago-premiere musicals and new play development with resident playwrights. Recent directing credits include School Girls, or The African Mean Girls Play and the world premieres of Ike Holter’s I Hate It Here and Lottery Day (Goodman Theatre), Joe Turner's Come and Gone (Huntington Theatre), Ain’t No Mo’ (Woolly Mammoth), The Color Purple (The Muny), Once on This Island (Oregon Shakespeare Festival), Acoustic Rooster... (Kennedy Center), Jesus Snatched My Edges (nat'l tour) and Put Your House in Order (La Jolla Playhouse). She is a member of SDC, AEA, and SAG-AFTRA, and represented by William Morris Endeavor. www.lilbrownchicago.com

Jim Cartwright (Playwright, The Rise and Fall of Little Voice) is a multi-award winning, international playwright, screenwriter and director. His work is in almost continuous production around the world and has been translated into over 35 languages. His plays have been performed at The National Theatre, The Royal Court Theatre, The West End of London and on Broadway and in many of the principle theatres of the world. His plays include Road, now considered a modern classic and winner of The George Devine Award, The Plays and Players Award, Drama Magazine Award and The Samuel Beckett Award. Voted third best play of the decade and in the top 50 best plays in the history of theatre. The Rise and Fall of Little Voice, nominated for six Olivier Awards, winning three including Best Comedy and winner of the prestigious Evening Standard Award. Two-time winner of the M.E.N best new play award. Bed, Eight Miles High, Prize Night, Hard Fruit, A Christmas Fair, and most recently at the National Theatre Mobile Phone Show and Raz Fringe First winner 2015 at the Edinburgh Festival.

Film and television include Road, Vroom, June, Wedded, Village, Vacuuming Completely Nude in Paradise, Strumpet, King of the Teds and the award-winning film Little Voice, adapted from his play The Rise and Fall of Little Voice. He has received an Honorary Doctorate from Bolton University, has been a visiting professor at The University of Salford and his old school Harper Green have named a building in his honour.

His plays have been in constant publication since 1986 and are on school, college and university curriculums.

Devon de Mayo (Director, The Rise and Fall of Little Voice) is a Chicago-based theatre director and devisor. Her Chicago professional credits include: In Every Generation and If I Forget (Victory Gardens Theater), First Love is the Revolution (Steep Theatre); The Tasters, Laura and the Sea and The Scientific Method (Rivendell Theatre); Women Laughing Alone With Salad (Theater Wit); The Burn (Steppenwolf Theatre); Harvey (Court Theatre); Sycamore (Raven Theatre); You on the Moors Now (The Hypocrites); Animals Out of Paper (Shattered Globe Theatre); You Can’t Take it With You and Lost in Yonkers (Northlight Theatre); Everything is Illuminated and Compulsion (Next); Roadkill Confidential, The Whole World is Watching, As Told by the Vivian Girls and The Twins Would Like to Say (Dog & Pony). Outside of Chicago, Devon served as Resident Director on The Audience by Peter Morgan (Schoenfeld Theatre, Broadway, under the direction of Stephen Daldry). She co-wrote and co-directed Guerra: A Clown Play, a collaboration with Mexico City based artists La Piara (performances in New York, Chicago, Albuquerque, Mexico City and Bogota). Devon is an ensemble member at Rivendell Theatre and co-founded Dog & Pony Theatre. She received her MFA in Theatre Directing from Middlesex University in London and a BA in Drama and Political Science from Kenyon College. She did further studies at the Russian Academy of Theatre Arts (GITIS) in Moscow and the Indonesian Institute for the Arts in Bali. She is an Assistant Professor and the Director of Performance in Theatre and Performance Studies at the University of Chicago.

About The Gift Theatre

Since 2001 and over 70 productions, The Gift Theatre has been dedicated to telling great stories onstage with honesty and simplicity by being the most intimate professional Equity theatre in the country, leading to national acclaim for both the theatre and ensemble and creating a cultural revolution on Chicago’s northwest side.

 

About Filament Theatre

Filament Theatre, on Chicago’s Northwest Side, has been creating innovative theater for young audiences since 2007. Filament’s mission is to create a more equitable society by celebrating and amplifying the perspectives and experiences of young people through the performing arts. Please visit www.filamenttheatre.org for more information.

THE BUTTCRACKER: A NUTCRACKER BURLESQUE RETURNS TO THE GREENHOUSE THEATER CENTER, DECEMBER 1 - 31

ChiIL Live Shows On Our Radar

THE BUTTCRACKER: A NUTCRACKER BURLESQUE©,

CHICAGO’S FAVORITE ALTERNATIVE 

HOLIDAY SHOW, RETURNS TO 

THE GREENHOUSE THEATER CENTER, DECEMBER 1 - 31

Featuring the Best of Chicago’s Nightlife Entertainment; 

Highlighting the World of Burlesque, Boylesque, Magic, Sword Balancing, 

Circus, Dance and More

The Buttcracker: A Nutcracker Burlesque© is proud to announce its return this holiday season with the sixth edition of Chicago’s favorite alternative holiday show, a twist on the original story and a live event not to be missed, directed by Miguel Long and choreographed by Dylan Kerr, December 1 - 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave.  The two-hour experience begins with a cocktail hour which includes craft vendors from local artists (Thursday nights), special pre-show performances (Friday and Saturday nights), and brunch fare (Sunday matinees), followed by Tchaicovsky’s The Nutcracker Suite in a saucy, alternative and adult retelling of the holiday classic. Each week features the best of Chicago’s nightlife entertainment in the roles of Tea, Coffee, Chocolate, Vodka and Mother Ginger, featuring sword swallowing, belly dancing, classic burlesque and more. 

I'll be out for the press opening Dec. 1st so check back soon for my full review. Holiday performance schedule includes Thursdays at 8 p.m., Fridays at 8 p.m., Saturdays at 8 p.m., Sundays at 3 p.m. with a special New Year’s Eve closing night performance Saturday, Dec. 31 at 9 p.m. This New Year’s Eve special event includes a party following the show with cheese and charcuterie snacks, two drink tickets for after the show, a midnight “pole dancer booty drop” countdown with balloons and prizes, a DJ and more. 

There are no performances Friday, Dec. 24 and Saturday, Dec. 25. Admission is available for those 18 years old and older (21+ to drink). Tickets are Industry/SRO, $20; house left general admission, $30/$40 at the door, house center general admission, $40/$50 at the door and VIP, $75/$100 at the door with New Year’s Eve tickets house left general admission, $60/$70 at the door, house center general admission $80/$90 at the door and VIP $150/$200 at the door. Tickets are now on sale at greenhousetheatre.org and TheButtcrackerBurlesque.com and, based on availability,  at the door one hour before the performance.

Audiences are invited to follow Clara and her Buttcracker on a wild hallucinogenic trip from a boring-AF holiday party to the Land of Sweets where they battle rats, save the day and learn that body and sex positivity are to be celebrated. A combination of fairy tale and exotic trip down the rabbit hole with the best of Chicago’s nightlife entertainment. The Buttcracker highlights the world of burlesque, boylesque, magic, sword balancing, circus, dance and more.

The Buttcracker: A Nutcracker Burlesque© cast includes Elena Avila*/^ (Clara); Olivia Lindsay* (Buttcracker);  Claire Francescon* (Drosselmeyer); Autumn Christensen* (Sugar Bum Fairy);  Baby Bagos Hood*/^ (Boss/Rat King); Hannah Silverman* (ensemble); Mandyn Mueller+/^ (ensemble); Eilish Morse-O'Rourke* (ensemble);  Yasmyne Williams*/^  (ensemble); Savannah Sinclair*/^ (swing) and Sierra Buffum*/^ (ensemble understudy). Features soloists for the roles of Vodka, Tea, Chocolate, Coffee, and Mother Ginger rotate weekly. Every week includes a different kind of performance from the best of Chicago’s nightlife entertainment.

The Buttcracker: A Nutcracker Burlesque© production team includes Miguel Long+ (director); Dylan Kerr* (choreographer); Brighid Martensen*/^ (costume designer); Gabrielle Strong* (set designer); Samuel Stephen+ (lighting designer);

Rowan Doe^ (props designer); Jake Snell+ (stage manager) and Carlie Rummel* (backstage manager); Kayla Drescher* (magic consultant). Jaq Seifert^/(sub)version productions (producer) and Caylei Hallberg* (producing assistant).

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)

Information on tickets:

New Year’s Eve

Saturday, Dec. 31 at 9 p.m.

Ticket prices: HOUSE LEFT GA $60/75 at the door, HOUSE CENTER GA $80/$100 at the door, VIP $150/$200 at the door.

This special closing performance of the 2022 run includes a make-your-own cheese and charcuterie board, two drink tickets for after the show, a midnight “pole dancer booty drop” countdown with balloons and prizes, a DJ and other special guest performances. 

Regular Performances:

VIP 

Ticket price: $75/$100 at the door

This upgraded ticket includes reserved seating at your own cafe table right on the theatre floor with early entrance to the theatre and a private VIP bar, meet and greet with cast members and official Buttcracker swag. 

General Admission

Ticket price: $40/$50 at the door

General Admission tickets include first come, first served seating in the center section of the theater.

House Left General Admission

Ticket price: $30/$40 at the door

General Admission tickets include first come, first served seating in the house left section of the theater.

Standing Room Only (SRO)

Ticket price:  $20

A limited number of standing room only tickets will be available at the door, based on availability.

ADA Accessible seating is available, email thebuttcrackerburlesque@gmail.com for more information or to make reservations.

ABOUT THE BUTTCRACKER: A NUTCRACKER BURLESQUE

The Buttcracker: A Nutcracker Burlesque© subverts the classic holiday ballet to promote diversity in body, gender expression, sexuality and race. The show utilizes the platform of parody to encourage audiences to imagine a more inclusive world, redefining the art of the tease through an alternative take on burlesque. This performance would not be possible without the generous support of individuals and companies who understand the value of having alternative adult entertainment during the holiday season, as well as supporting our mission of subverting audience’s expectations of what live entertainment looks and feels like. 

World Premiere! THE GOLDEN GIRLS: THE LOST EPISODES The Obligatory Holiday Special Via Hell in a Handbag Through December 30, 2022

 ChiIL Live Shows On Our Radar

World Premiere!

Hell in a Handbag Productions Presents

THE GOLDEN GIRLS: THE LOST EPISODES

The Obligatory Holiday Special

By Artistic Director David Cerda

Directed by Spenser Davis

November 26 – December 30, 2022 at The Center on Halsted

Here at ChiIL Live Shows, we've adored Hell in a Handbag Productions original comedies for decades! David Cerda has a penchant for penning parodies and legs to die for. The hellions at Handbag Productions do incomparably hilarious drag parodies of classic films, but our hands down handbag favorites are always The Golden Girls. Grab a few friends and get thee to The Golden Girls: The Lost Episodes – The Obligatory Holiday Special. Don't miss this!

Hell in a Handbag Productions is thrilled to ring in the holiday season with the return of its favorite seniors in The Golden Girls: The Lost Episodes – The Obligatory Holiday Special, playing November 26 – December 30, 2022 at The Hoover-Leppen Theatre at The Center on Halsted, 3656 N. Halsted St. in Chicago. Dorothy, Rose, Blanche, Sophia and their whacky friends and relatives return in all new episodes, written by Artistic Director David Cerda* and directed by Spenser Davis. Tickets are now on sale at handbagproductions.org or buytickets.at/hellinahandbagproductions/775153. 

The production stars original cast members David Cerda*, Grant Drager*, Ed Jones* and Ryan Oates as the Geriatric Fab Four, joined by Lori Lee*, Terry McCarthy*, Michael Miller*, Michael Rashid*, Coco Sho-Nell, Jamie Smith and Danne W. Taylor*. 

The holidays take an unexpected turn for the gals when they find out that the infamous Shady Pines Retirement Community is on the verge of closing, leaving most of Sophia’s friends homeless for the holidays. Can the girls step in and save the day in time for Christmas? Will Rose be able to make it to St. Olaf in time for the ever-popular Herring Bowl Parade? These questions, and many more you never asked will be answered this newest installment of The Golden Girls: The Lost Episodes.

The production team includes Robert-Eric West (Costume Design), Liz Cooper (Lighting Designer), DJ Douglass (Sound Designer), Devon Green (Props Designer), Sydney Genco* (Make-Up Design), Keith Ryan* (Wig Designer), Christopher Rhoton (Scenic Design Consultant) and Veronica Kostka (Stage Manager).

 

COVID safety: Masking is recommended, but not required. COVID guidelines may change in accordance with public health guidelines.

*Denotes Handbag Ensemble Member

Cast (in alphabetical order): David Cerda* (Dorothy), Grant Drager* (Blanche), Ed Jones* (Rose), Lori Lee* (Host, Clara), Terry McCarthy* (Nurse Ursula) Michael Miller* (Councilman Hardin), Ryan Oates* (Sophia), Michael Rashid* (Esther Shapiro), Coco Sho-Nell (Wanda), Jamie Smith (Bob Hope) and Danne W. Taylor* (Nancy Drew).

 

Location: The Hoover Leppen Theater at the Center on Halsted, 3656 N. Halsted St., Chicago

Previews: Saturday November 26 at 7:30 pm, Sunday November 27 at 3 pm and Thursday, December 1 at 7:30 pm

Regular run: Sunday, December 4 – Friday, December 30, 2022

Curtain Times: Thursday, Fridays and Saturday at 7:30 pm; Sundays at 3 pm. Please note: there will be added performances on Sunday, December 18 at 7 pm and Wednesday, December 21 at 7 pm; there will not be performances on Saturday, December 3, Saturday, December 10, Saturday, December 24 or Sunday, December 25.

Tickets: $24 previews, $29 advanced general admission, $34 at the door, $48 VIP/reserved seating with drink ticket. Group rates $24 for 10 or more. Tickets are now on sale at handbagproductions.org or buytickets.at/hellinahandbagproductions/775153.

About the Artists

David Cerda (Playwright) is a founding member and Artistic Director of Hell in a Handbag Productions, now celebrating its 20th year anniversary. As resident playwright, he has written many Handbag productions as well as acted in them. His play, The Drag Seed was recently produced at LaMaMa Experimental Theater and his Golden Girls Lost Episodes parody shows have been produced around the country and was featured in Golden Con: Thank you for being a Fan, the world’s first fan convention dedicated to all things Golden Girls at Chicago’s Navy Pier. Cerda is a proud inductee into the Chicago LGBT Hall of Fame and recipient of a Jeff Award for lifetime achievement for his 25 years (and counting) of work and service to the community. He lives in Chicago with his partner, Christopher.

Spenser Davis (Director) is excited to be back at Hell in a Handbag, where he previously directed 'the Girls' in their virtual "Lockdown!" special. An award-winning director and playwright, he was the 2020/21 Maggio Directing Fellow at the Goodman Theatre, where he worked alongside Bob Falls on Rebecca Gilman's Swing State and Adam Rapp's The Sound Inside. Regionally, he's worked at South Coast Repertory, the Colorado New Play Festival, and Street Corner Arts in Austin, TX. Chicago directing credits include Labyrinth, Plainclothes (with Kanomé Jones), At The Table, From White Plains, Mare and A Phase (Broken Nose Theatre); The Spin (Interrobang Theatre Project); May the Road Rise Up, Adventures of Spirit Force Five and the upcoming Kelly Girls (The Factory Theater); and Blue Stockings (Promethean Theatre). His production of At The Table was named "One of Best of the Decade" by Storefront Rebellion and "One of the Year's Best" by the Chicago Tribune. His honors include the Jeff Award for Best Director, the B. Iden Payne Award for Best Director, the Elizabeth George Commission, the M. Elizabeth Osborn New Play Award and being named finalist for the Harold & Mimi Steinberg New Play Award from the American Theatre Critics Association. He's currently developing projects for television with Orion/MGM, among others. He’s represented by both William Morris Endeavor + Heroes and Villains Entertainment.

About Hell in a Handbag Productions

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit. For additional information, visit handbagproductions.org.

 

THEATER WIT’S WHO’S HOLIDAY!, BACK BY POPULAR DEMAND, NOV. 25-DEC. 30, 2022

ChiIL Live Shows On Our Radar

  

MEET 40-YEAR-OLD CINDY LOU WHO, GUZZLING BOOZE, SMOKING CIGS IN HER TRAILER HOME, REMEMBERING THE NIGHT SHE MET THE GRINCH IN THEATER WIT’S WHO’S HOLIDAY!, BACK BY POPULAR DEMAND, NOV. 25-DEC. 30, 2022 

For mature audiences only.

Veronica Garza is Jeff nominated for solo performance for her portrayal of Cindy Lou Who in Theater Wit’s 2021 Chicago premiere of Who’s Holiday! by Matthew Lombardo, directed by Christopher Pazdernik. Who’s Holiday! is back for its second season due to popular demand, Nov 25-Dec 30, 2022. 

All Photos: Charles Osgood

Christmas Day is in our grasp.

Why the vodka? Glad you asked!

Theater Wit announces the return of Who’s Holiday!, a hilarious night out with a booze-guzzling, cigarette-smoking, 40-year-old Cindy Lou Who as she recalls the fateful night she met The Grinch, and the sordid events that happened after, November 25-December 30, 2022.

Back by popular demand following its smash hit, Jeff-nominated Chicago debut last holiday season, Theater Wit’s new seasonal comedy Who’s Holiday! is written by Matthew Lombardo, directed by Christopher Pazdernik, and stars Chicago favorite Veronica Garza, now Jeff-nominated for her portrayal last holiday season as an adult Cindy Lou Who.

Veronica Garza, Jeff nominated for her portrayal last holiday season as an adult Cindy Lou Who, returns for Theater Wit's 2022 remount of Who's Holiday!

Who’s Holiday! returns to Theater Wit not without controversy. In 2017, the playwright was locked in a legal battle with Dr. Seuss Enterprises over accusations of copyright infringement, delaying the play’s New York premiere for nearly a year. Ultimately, a U.S. District Court ruled in Lombardo’s favor, citing his depiction of an adult Cindy Lou Who living in a beat-up trailer in the snowy hills of Mount Crumpit as “fair use.” 

Freed of litigious red tape, Who’s Holiday! went on to be hailed “a raunchy riff on Dr. Seuss’s yuletide tale” (New York Times) that “dares to be as tasteless as possible while replicating Seuss’s trademark rhythms” (Time Out New York).

Chicago’s critics lapped up Theater Wit’s 2021 Chicago premiere, too. “Highly Recommended” said the Chicago Reader, with the best pull quote of all, “I loved this show!” ChicagoTheatreReview.com agreed “Garza is a comic genius,” adding Who’s Holiday! is “a very funny, often poignant production guided with panache by an excellent director.”

In another apparent holiday miracle, the Jeff Committee’s heart grew three sizes last year, too. The newly announced 2021-22 Equity Jeff Award Nominations included noms for Garza for Best Solo Performer, and for Short Run-Design for Angela Weber Miller’s holiday-festooned, mobile home set. 

Angela Weber Miller’s holiday-festooned, mobile home set for Theater Wit's Who's Holiday! is Jeff-nominated, too. 

Photo: Charles Osgood

Don’t miss this wildly funny, yet heartfelt adults-only romp about the twisted turn of events Cindy Lou Who’s life took after her encounter with a green furry outcast attempting to burgle Whoville of its holiday cheer. 

Tickets to Who’s Holiday! are $24-$50, and are already on sale at TheaterWit.org or by calling the Theater Wit box office, (773) 975-8150. 

Previews are Friday, November 25 at 7 p.m., Saturday, November 27 at 7 p.m. and 9:30 p.m., and Sunday, November 28 at 3 p.m. Press opening is Monday, November 29 at 7 p.m. 

Regular performances continue Thursday, December 1 at 7 p.m.; Friday, December 2 at 7 p.m.; Saturday, December 3 at 7 p.m.; Sunday, December 4 at 3 p.m.; Thursday, December 8 at 7 p.m.; Friday, December 9 at 7 p.m.; Saturday, December 10 at 7 p.m. and 9:30 p.m.; Sunday, December 11 at 3 p.m.; Thursday, December 15 at 7 p.m.; Friday, December 16 at 7 p.m. and 9:30 p.m.; Saturday, December 17 at 7 p.m. and 9:30 p.m.; Sunday, December 18 at 3 p.m. and 7 p.m.; Tuesday, December 20 at 7 p.m.; Wednesday, December 21 at 7 p.m.; Thursday, December 22 at 7 p.m.; Friday, December 23 at 7 p.m. and 9:30 p.m.; no shows Christmas Eve (December 24) or Christmas Day (December 25); Tuesday, December 27 at 7 p.m.; Wednesday, December 28 at 7 p.m;, Thursday, December 29 at 7 p.m.; and Friday, December 30 at 7 p.m. and 9:30 p.m.

Theater Wit is located at 1229 W. Belmont Ave., in the Belmont Theatre District in Chicago’s Lakeview neighborhood. Parking is available in a lot across the street from the theater, behind Kubo restaurant, for $8 (pay at the Theater Wit box office.) Neighborhood street parking is also available. Theater Wit is accessible via the CTA 77 Belmont bus, and just three blocks west of the CTA Belmont Red/Brown/Purple line stop. 

And what are the holidays without a bit too much eggnog?

Cindy's Little Helper

Be sure to stop by Theater Wit’s bar for something better, your pick of a Who’s Holiday!-themed seasonal speciality drink like:

Cindy’s Little Helper (Chocolate liquor, Luxardo cherry liqueur, whipped cream and a cherry) - $6

The Grinch (North Shore Gin, Chartreuse, Drambuie, lime) - $12

Whosky Sour (house-infused citrus vodka, Jameson, Plymouth Sloe Gin, lime) - $12

The Snowplow (Peppermint Rumchata, Shipwreck Coconut Rum) - $12

Krampusberry (Koval Cranberry Gin, North Shore Gin, seltzer and a cinnamon stick) - $12

Note: Everyone (including audience members) at Theater Wit is required to be vaccinated to enter the building. Each audience member must show proof of vaccination and state ID at the door for admittance. Electronic photos and copies are acceptable. Patrons with medical or religious exemptions may be admitted but must contact the box office a minimum of 48 hours before the performance for additional review and guidance. While Cook County is at Medium risk level or above, all audience members must be masked for the duration of their visit. Masks are required for medical and religious exemptions as well. Visit TheaterWit.org for more details.

Behind the Scenes of Who’s Holiday!

Veronica Garza (Cindy Lou Who, she/her/hers) was last seen at Theatre Wit in Underscore Theatre’s Tonya and Nancy: A Rock Opera. She received a Jeff Award for her role as both Tonya Harding and Nancy Kerrigan's mothers. Other roles include the Deputy in Groundhog Day (Paramount), Roz in 9 to 5 (Firebrand), Sister Amnesia in Nunsense (Milwaukee Rep), Babs in Miracle (Royal George), Prudie in Pump Boys and Dinettes (Theatre at the Center and Timberlake Playhouse), The Homeless Lady in A New Brain (Theo Ubique), Lucy in A Charlie Brown Christmas (Broadway Playhouse) and the Fortune Teller in Sideshow (Porchlight). 

 

Christopher Pazdernik (director, any pronouns) made his Theater Wit debut with Who’s Holiday! In Chicago he is best known for three seasons as Artistic Director of Refuge Theatre Project (Jeff Awards, Best Director and Best Production of a Musical, High Fidelity) and a long association with Porchlight Music Theatre, including directing eight Porchlight Revisits productions and three years working in producing, casting and company management. Currently, he is the Managing and Casting Director for Theo Ubique Cabaret Theatre, where he directed Godspell earlier this season. Also an openly HIV+ artist, Pazdernik is the founder and producer of Belting for Life, an annual benefit concert for Howard Brown Health, and co-captain of Team Option Up! for AIDS Run/Walk Chicago. 

Theater Wit’s Who’s Holiday! design team remains Angela Weber MIller, set; Shelley Strasser, lights; Uriel Gomez, costumes; and Lonnae Hickman, props. Jeremy Wechsler is Artistic Director at Theater Wit.

Matthew Lombardo (playwright, he/him/his) Broadway: High with Kathleen Turner at the Booth Theatre and Looped starring Valerie Harper in a Tony-nominated performance at The Lyceum Theatre. Off-Broadway: Who’s Holiday! (with Lesli Margherita) at the Westside Theatre; Tea at Five (with Kate Mulgrew) at the Promenade Theatre; Mother and Child (with Ann Wedgeworth) at Second Stage; End of the World Party at the 47th Street Theatre (director) and Guilty Innocence at The Actors’ Playhouse. His work has been produced at such prestigious theaters as Hartford Stage, Cleveland Playhouse, American Repertory Theatre, Seattle Rep, Arena Stage, Pasadena Playhouse, Cincinnati Playhouse, Repertory Theatre of St. Louis and others. Television credits include Another World (WGA Award Nomination for Outstanding Achievement in Writing). As a producer, he has presented concerts throughout the country for Broadway legends such as Carol Channing, Patti LuPone, Tommy Tune, Bernadette Peters, Barbara Cook, Billy Porter, Betty Buckley, Andrea McArdle and Faith Prince.

About Theater Wit

Theater Wit, Chicago’s “smart art” theater, is located at 1229 N. Belmont Ave., in the Belmont Theatre District in Chicago’s Lakeview community. Theater Wit is a major hub of Chicago’s neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in its three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago.

To purchase tickets, a Theater Wit Membership or to inquire about Flex Pass options, visit TheaterWit.org, send email to info@theaterwit.org, or call the Theater Wit box office, 773.975.8150.

Black Ensemble Theater Announces 2023 Season of Excellence: REJUVENATION

 

BLACK ENSEMBLE THEATER ANNOUNCES

THE 2023 SEASON OF EXCELLENCE:

REJUVENATION

and the two remaining productions of 2022 

Black Ensemble Theater’s Founder and CEO Jackie Taylor announces the 2023 Season of Excellence: REJUVENATION.

The Season will begin with a tribute to one of the most successful groups in the history of music—the recipients of 7 Grammy Awards—Earth Wind and Fire. The second play of the season, The Real Housewives of Motown will give us an intimate look of the lives behind the historical Motown Sound and deliver some of that powerful Motown music. Chaka Khan, Chaka Khan – the name is so musically powerful that you have to say it twice and her story demonstrates the strength and tenacity that it takes to reach the top. The season will end with the historical, classic presentation of the award-winning story of The Other Cinderella. The Other Cinderella has become a Black Ensemble classic, and audiences have returned year after year for more than 40 years to experience this holiday tradition. This year we can expect a few new surprises in this look at Cinderella from an urban point of view.  

All performances will be held at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago. 

Jackie Taylor states, “The 2023 Season of Excellence is subtitled Rejuvenation because the productions will focus on helping to reignite the passion, excitement and energy of returning to the vibrancy and vitality of experiencing a full season of outstanding theater.”

The schedule for the 2023 Black Ensemble Season of Excellence: Rejuvenation follows:

Reasons: A Tribute to Earth, Wind and Fire

Written and Directed by Daryl D. Brooks

February 25 – April 30, 2023

Previews: February 25 and 26, 2023 and March 3 and 4, 2023

Press Opening: Sunday, March 5, 2023

 

The Real Housewives of Motown

Written and Directed by Michelle Reneé Bester

May 20 – July 23, 2023

Previews: May 20, 21, 26 and 27, 2023

Press Opening: Sunday, May 28, 2023

 

Chaka Khan – Chaka Khan

Written and Directed by Rueben Echoles

August 19 – October 15, 2023

Previews: August 19, 20, 25 and 26. 2023

Press Opening: Sunday, August 27, 2023

 

The Other Cinderella

Written and Directed by Jackie Taylor

November 11, 2023 – January 14, 2024

Previews: November 11, 12, 17 and 18, 2023

Press Opening: Sunday, November 19, 2023

The remaining productions of the 2022 Season of Excellence: The Season of Healing and Joy with the world premiere musical Blue Heaven, written and directed by Producing Managing Director Daryl D. Brooks. The production runs through November 27, 2022. Jackie Taylor’s Joy to the World: A Holiday Celebration runs December 10, 11, 17 and 18, 2022. The holiday celebration is an uplifting, inspirational and fun musical tribute to the holiday season, written and directed by Jackie Taylor, featuring Robin DaSilva, Rhonda Preston, Lyle Miller, Dwight Neal, Colleen Perry, Aaron Reese Boseman and the Black Ensemble Musicians.

Tickets

Tickets are available at www.blackensemble.org, (773) 769-4451 or at the Black Ensemble Theater Box Office, 4450 N. Clark Street in Chicago. The performances are on Fridays at 7:00 p.m., Saturdays at 3:00 and 7:00 p.m. and Sundays at 3:00 p.m. Preview tickets are $50.00 and regular tickets are $55.00.

 

Black Ensemble Theater  

Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially, and ethnically diverse north side Uptown community. Through its Four Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally, and internationally with outstanding original musicals that are entertaining, educational, and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists. 

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts. For more information on the Black Ensemble Theater Company, visit www.BlackEnsembleTheater.org or call 773-769-4451. 

REVIEW: RENT Via Porchlight Music Theatre Now Extended Through December 11, 2022

ChiIL Live Shows On Our Radar

PORCHLIGHT MUSIC THEATRE PRESENTS THE INTERNATIONAL SENSATION 

RENT 

NOW PLAYING THROUGH DECEMBER 11th 

AT THE RUTH PAGE CENTER FOR THE ARTS

The Multiple Award-Winning Musical is Directed by Adrian Abel Azevedo+, Music Directed by Michael McBride+ and 

Choreographed by Laura Savage*

Running time, including the 15-minute intermission, is 2 hours 45 minutes. 

Porchlight Music Theatre has another smash hit on their hands! RENT's due... for a revival, that is, and in Porchlight MT's capable hands, hearts and voices, it shines! Here at ChiIL Live Shows, we love this timeless yet timely piece about love and loss at the peak of the AIDS epidemic, and the still all too relatable struggle to survive and thrive as an artist in America. Don't miss this! Highly recommended. ★★★★ Four out of four stars. 

Bonnie is a Chicago based writer, theatre critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Porchlight Music Theatre presents the Tony Award- and Pulitzer Prize-winning musical, RENT, music, lyrics and book by Jonathan Larson, at the Ruth Page Center for the Arts, 1016 N. Dearborn St., now playing through Sunday, Nov. 27. Porchlight’s production is directed by Adrian Abel Azevedo+, music directed by Dr. Michael McBride+ and choreographed by Laura Savage*. 

The performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 3:30 and 8 p.m. and Sundays at 2 p.m. with weekday matinees Thursday, Nov. 10 at 10:30 a.m., Thursday, Nov. 17 at 1:30 p.m. and Friday, Nov. 25 at 3:30 p.m. 

There are Post-Show Discussions scheduled Friday, Nov. 11 at 8 p.m and Sunday, Nov. 17 at 1:30 p.m. and Open Caption performances Saturday, Nov. 19 and Saturday, Nov. 26 at 3:30 p.m. Subscriptions to Porchlight’s 28th season are now on sale and may be purchased through the Box Office by calling 773.777.9884 or by visiting PorchlightMusicTheatre.org.  Single tickets for RENT start at $25 and are now on sale.

Over the last 25 years, RENT, a Tony Award- and Pulitzer Prize-winning musical based loosely on the 1896 Italian opera La Boheme by Giacomo Puccini, has become a cultural phenomenon with millions of fans around the world. Porchlight’s production celebrates this legacy and adds a new page to the story of a year in the life of a diverse group of artists struggling to survive and create in Lower Manhattan’s East Village under the shadow of HIV/AIDS. In the thriving days of bohemian Alphabet City at the end of the millennium, these friends are determined to follow their dreams without selling out.

The cast for RENT includes Bridget Adams-King* (ensemble/Maureen US); Wesly Anthony Clergé+ (swing/Collins US); Naphtali Curry+ (ensemble/Benny US);  Leah Davis* (ensemble/Joanne US); Caitlin Dobbins* (swing); Lucy Godínez* (Maureen Johnson); Nick Johnson+ (swing/US Angel); Chris Khoshaba+ (ensemble); Nik Kmiecik+ (ensemble/US Mark); Teressa LaGamba* (Joanne Jefferson); Eric Lewis+ (Tom Collins); David Moreland+ (Mark Cohen); Ziare Paul-Emile* (Swing/Mimi US); Alix Rhode* (Mimi Marquez); Abraham Shaw+ (Benjamin “Benny” Coffin III); Josh Pablo Szabo+/^ (Angel Dumott Schunard);  TJ Tapp* (dance captain/ensemble); Brennan Urbi^/+ (ensemble/US Roger) and Shraga D. Wasserman^ (Roger Davis).

The RENT band includes Dr. Michael McBride+ (conductor/keyboard); Jacob Levi Walsh+/^ (guitar 1), Cesar Romero+ (guitar 2), Marcel Bonfim+ (bass) and Lior Shragg+ (drums).

The RENT production team includes Adrian Abel Azevedo+ (director); Laura Savage* (choreographer); Dr. Michael McBride+ (music director/conductor); Frankie Leo Bennett+ (assistant director, producing artistic associate); Isaiah Silvia-Chandley+ (assistant choreographer); Kirsten Baity^ (intimacy designer); Ann Davis* (scenic designer); Gregory Graham+ (costume designer); Maggie Fullilove-Nugent* (lighting designer);  Josiah Croegaert+ (associate lighting designer); Matthew R. Chase+ (sound designer); Smooch Medina+ (production designer); Rowan Doe^ (properties designer); Wilhelm Peters+ (production stage manager); Andrea Enger= (assistant stage manager); Kevin Vilchez+ (assistant stage manager); Johnnie Schleyer+ (scenic supervisor); Rachel West* (lighting supervisor); David Sabbagh+ (audio assistant); Deborah Blumenthal* (dramaturg); Majel Cuza* (production manager); Alex Rhyan+ (production & operations director) and Michael Weber+ (artistic director). 

 Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)

ABOUT ADRIAN ABEL AZEVEDO+, director

Adrian Abel Azevedo is a freelance director, producer and teaching artist in the Chicago area, originally from Southern California. He has worked in this community for over 10 years and is an Artistic Associate with Kokandy Productions where he most recently directed the Chicago premiere of Cruel Intentions. An alumni of Columbia College Chicago, he has directed, produced and taught for Chicagoland theatre companies including Goodman Theatre, Porchlight Music Theatre, Steppenwolf Theatre, Steep Theatre, Northlight Theatre, Kokandy Productions, Teatro Vista and Music Theater Works. He recently directed the regional premiere of Zorro the Musical at Music Theater Works.

ABOUT LAURA SAVAGE*, choreographer

Laura Savage recently choreographed and starred in Porchlight’s Chicago Sings Stephen Sondheim and its 2021 ICONS Gala honoring Chita Rivera. She also appeared in Porchlight productions A Chorus Line, Pal Joey and Porchlight Revisits Call Me Madam. Savage is a Jeff-nominated actress and has appeared in more than 35 Chicago productions. She has choreographed Cruel Intentions at Kokandy Productions and Zorro at Music Theatre Works and has associate choreographed and dance captained at such venues as Marriott Theatre, Paramount Theatre and Drury Lane Theatre. Savage also appeared on and choreographed for Fox’s hit show “Empire.”

ABOUT DR. MICHAEL MCBRIDE+, music director/conductor

Dr. Michael McBride is a Jeff Award-winning music director, internationally-performed composer, performer and educator. Credits include Big Fish (Boho Theatre, Jeff Award); Billy Elliot (Music Theatre Works); Ain’t Misbehavin’, The Robber Bridegroom, Jesus Christ Superstar, The 25th Annual Putnam County Spelling Bee, Pippin, What a Wonderful World (workshop), Man of La Mancha, Mamma Mia!, Into The Woods, The Little Mermaid (Timber Lake Playhouse); The Boys and the Nuns (composer & MD), Fun Home, Violet, Cabaret, Tintypes, She Loves Me, Spring Awakening, Hot Mikado, Urinetown, Into the Woods (Loyola University Chicago); PorchlightPalooza, Broadway by the Decade (Porchlight Music Theatre); The Christmas Foundling (composer & MD; Pride Arts Center); Footloose (Wallace Bowl); The Drake Hotel holiday programming and The Cabaret Project in Chicago, St. Louis and Lake Geneva. He is proud to be music director at A Church 4 Me MCC in Chicago. He has been a guest artist at Northwestern University and is also the Area Supervisor of Music Theory, Aural Skills and Music History at North Park University.

ABOUT PORCHLIGHT MUSIC THEATRE AS A RUTH PAGE IN-RESIDENCE ORGANIZATION

Porchlight Music Theatre is proud to be a member of the vibrant Ruth Page Center for the Arts community and an In-Resident Organization. Central to the Ruth Page Center for the Arts’ programming is this program, which is designed to serve organizations looking for a home base while they grow or expand their artistic and organizational capabilities. The Center is committed to nurturing and assisting dance and other performing artists, allowing for exchange and collaborative relationships to develop within the artistic community. The Ruth Page Center for the Arts is a destination for quality performing arts, accessible to a wide community regardless of race, gender, age, education or disability. An incubator of artistic energy and excellence, the Ruth Page Center for the Arts carries forward the vision of its founder, legendary dance icon Ruth Page, to be a platform for developing great artists and connecting them with audiences and community.

ABOUT PORCHLIGHT MUSIC THEATRE

Porchlight Music Theatre, now in its 28th season, is the award-winning center for music theatre in Chicago. Through live performance, youth education and community outreach, we impact thousands of lives each season, bringing the magic of musicals to our theatre home at the Ruth Page Center for the Arts in the Gold Coast and to neighborhoods across the city. Porchlight has built a national reputation for boldly reimagining classic musicals, supporting new works and young performers, and showcasing Chicago’s most notable music theatre artists, all through the intimate and powerful theatrical lens of the “Chicago Style.” 

Porchlight's history over the last 27 years includes more than 70 mainstage works with 15 Chicago premieres and five world premieres. Porchlight’s commitment to the past, present and future of music theatre led the company to develop the Porchlight Revisits and New Faces Sing Broadway program series, both quickly becoming audience favorites. 

Porchlight's education and outreach programs serve schools, youth of all ages and skill levels and community organizations, most notably the ongoing collaboration with Chicago Youth Centers. Porchlight annually awards dozens of full scholarships and hundreds of free tickets to ensure accessibility and real engagement with this uniquely American art form. 

The company’s many honors include 178 Joseph Jefferson Award (Jeff) nominations and 49 Jeff awards, as well as 44 Black Theatre Alliance (BTA) nominations and 15 BTA awards. In 2019, Porchlight graduated to the Large Theatre tier of the Equity Jeff Awards and has been honored with seven awards in this tier to date including Best Ensemble for Duke Ellington’s Sophisticated Ladies (2019) and Best Production-Revue for Blues in the Night (2022). 

Through the global pandemic, Porchlight emerged as one of Chicago’s leaders in virtual programming, quickly launching a host of free offerings like Sondheim @ 90 Roundtables, Movie Musical Mondays, Porchlight by Request: Command Performances and WPMT: Classic Musicals from the Golden Age of Radio. In 2021, Porchlight launched its annual summer series, Broadway in your Backyard, performing at parks and venues throughout the city. 

Porchlight Music Theatre presents the Tony Award- and Pulitzer Prize-winning musical, RENT, music, lyrics and book by Jonathan Larson, at the Ruth Page Center for the Arts, 1016 N. Dearborn St., now playing through Sunday, Nov. 27. Porchlight’s production is directed by Adrian Abel Azevedo+, music directed by Dr. Michael McBride+ and choreographed by Laura Savage*. The performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 3:30 and 8 p.m. and Sundays at 2 p.m. with weekday matinees Thursday, Nov. 10 at 10:30 a.m., Thursday, Nov. 17 at 1:30 p.m. and Friday, Nov. 25 at 3:30 p.m. There are Post-Show Discussions scheduled Friday, Nov. 11 at 8 p.m and Sunday, Nov. 17 at 1:30 p.m. and Open Caption performances Saturday, Nov. 19 and Saturday, Nov. 26 at 3:30 p.m. Subscriptions to Porchlight’s 28th season are now on sale and may be purchased through the Box Office by calling 773.777.9884 or by visiting PorchlightMusicTheatre.org.  Single tickets for RENT start at $25 and are now on sale.

Porchlight Music Theatre is partially supported by generous contributions from  Allstate; Michael Best & Friedrich LLP; Abe and Ida Cooper Foundation; Elegant Event Lighting; Glimpse Vision; James P. and Brenda S. Grusecki Family Foundation; Hearty Boys; A.L. and Jennie L. Luria Foundation; The MacArthur Fund for Culture, Equity and the Arts at Prince; the Pritzker Traubert Foundation; Ryan and Spaeth, Inc.; Daniel and Genevieve Ratner Foundation; The Saints and Dr. Scholl Foundation.

The season program is partially supported by a grant from the Illinois Arts Council Agency, a state agency, and by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events. 

Porchlight Music Theatre wishes to thank members of the Matching Gift Corporate Program including Abbvie; Allstate; Lloyd A. Fry Foundation; Peoples Gas; Pepsico; Polk Bros Foundation and The Saints. 

Performance Schedule:

Friday, Nov. 4 at 8 p.m.

Saturday, Nov. 5 at 3:30 p.m. 

Sunday, Nov. 6 at 2 p.m.

Thursday, Nov. 10 at 10:30 a.m. (Student Matinee) and 7:30p.m.

Friday, Nov. 11 at 8 p.m. (Post-Show Discussion)

Saturday, Nov. 12 at 3:30 and 8 p.m.

Sunday, Nov. 13 at 2 p.m

Thursday, Nov. 17 at 1:30 p.m. (Post-Show Discussion)

Friday, Nov. 18 at 8 p.m.

Saturday, Nov. 19 at 3:30 p.m. (Open Caption) and 8 p.m.

Sunday, Nov. 20 at 2 p.m.

THANKSGIVING 

Friday, Nov. 25 at 3:30 p.m. and 8 p.m.

Saturday, Nov. 26 at 3:30 p.m. (Open Caption) and 8 p.m.

Sunday, Nov. 27 at 2 p.m.

Now Extended Through December 11th

World Premiere of Bald Sisters at Steppenwolf Theatre December 1, 2022 – January 15, 2023

 ChiIL Live Shows On Our Radar

Steppenwolf Theatre presents the World Premiere of

Bald Sisters

By Vichet Chum

Directed by Jesca Prudencio

 

December 1, 2022 – January 15, 2023

The cast of Steppenwolf Theatre’s world premiere of Bald Sisters includes (top, l to r) Francesca Fernandez McKenzie andJennifer Lim (bottom) Coburn Goss, Wai Ching Ho and Nima Rakhshanifar.

 

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to continue its 47^th season with the world premiere of Vichet Chum’s Bald Sisters, a brazen, comic examination of the ties that bind multigenerational families of immigrants together. Directed by Jesca Prudencio, Bald Sisters will play December 1, 2022 – January 15, 2023 in Steppenwolf’s stunning new in-the-round Ensemble Theater in Honor of Helen Zell, the centerpiece of its recently unveiled Liz and Eric Lefkofsky Arts and Education Center, 1650 N. Halsted St. in Chicago. 

 

Bald Sisters will feature Francesca Fernandez McKenzie, Coburn Goss, Wai Ching Ho, Jennifer Lim and Nima Rakhshanifar.

 

Ma is dead; now what happens? Vichet Chum’s world premiere follows two sisters – at odds since birth – as they settle the affairs of their strong-willed, wise-cracking mother while reconciling their family’s Cambodian heritage with its ever-so-complicated American present. Where’s the will? A burial or cremation? And what happens with Ma’s teeth? Bald Sisters is an irreverent, comic and ultimately poignant examination of the ties that bind multigenerational families of immigrants together: history, spirituality and humor. 

 

Single tickets for Bald Sisters starting at $20 are now on sale at steppenwolf.org and the Box Office at 312-335-1650.

 

Steppenwolf 2022-23 Flex Memberships are currently on sale: Black Card Memberships with six tickets for use any time for any production, and Red Card Memberships for theatergoers under 30.  

 

Ticket information: Single tickets starting at $20 are now on sale at steppenwolf.org and the Box Office at (312) 335-1650.

 

The production team includes Andrew Boyce (Scenic Design), Izumi Inaba (Costume Design), Stacey Derosier (Lighting Design),Pornchanok Kanchanabanca (Sound Design & Original Music), Mike Tutaj (Projection Design), Gigi Buffington (Company Voice & Text Coach), Tom Pearl (Producing Director), JC Clementz, CSA (Casting Director), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, visit https://www.steppenwolf.org/tickets--events/seasons/2022-23/bald-sisters/.

 

Playwright/Director Biographies:

 

Vichet Chum (Playwright) is a Cambodian-American playwright and theater maker, originally from Dallas, Texas and now living in New York City. His plays have been workshopped at Steppenwolf Theatre, the Magic Theater, the Alley Theatre, the UCROSS Foundation, Fault Line Theatre, Crowded Outlet, Second Generation Productions, Weston Playhouse, Cleveland Public Theatre, All For One Theater, Amios, Florida State University, Merrimack Repertory Theatre and the New Harmony Project. He received the 2018-19 Princess Grace Award in Playwriting with New Dramatists, serves as an Associate Artist at Merrimack Repertory Theatre and is a current board member for the New Harmony Project. This season, Vichet is a part of the 2019 Resident Working Farm Group at Space on Ryder Farm, the 2020 Interstate 73 Writer's Group at Page 73 and the 2020 Ars Nova Play Group. He's currently working on a commission from the Audible Theater Emerging Playwrights Fund and Cleveland Play House. He is a proud graduate of the University of Evansville (BFA) and Brown University/Trinity Repertory Company (MFA). He’s represented by Beth Blickers at APA Agency. vichetchum.com.

 

Jesca Prudencio (Director) is a director and choreographer dedicated to developing new theatrical works that humanize issues nationally and internationally. Upcoming: Dot Dot Dot (TheatreWorks USA), Exotic Deadly; or the MSG Play (The Old Globe). Recent: King Liz (Geffen Playhouse), Can We Now? (La Jolla Playhouse WoW Fest), It’s a Ship Show! (Virgin Voyages), Interstate (Mixed Blood, East West Players). Other credits: The Great Leap by Lauren Yee (Steppenwolf Theatre Company), Vietgone, Actually (San Diego Rep); Calling (La MaMa ETC); Man of God (East West Players); A&Q (Pineapple Lab, Philippines); FAN (B-Floor, Thailand). Jesca has developed new work at MCC Theater, Atlantic Theater Company, Cleveland Playhouse, Arena Stage, NAMT and La MaMa. She is a recipient of The Drama League Fellowship and the inaugural Julie Taymor World Theater Fellowship. Jesca is head of directing at SDSU where she is an Associate Professor. BFA: NYU Tisch, MFA: UC San Diego. jescaprudencio.com

 

The Expanded Steppenwolf Campus

Steppenwolf Theatre Company’s trailblazing new 50,000 square foot theater building and education center, the Liz and Eric Lefkofsky Arts and Education Center, was designed by world-renowned architect Gordon Gill FAIA of Adrian Smith + Gordon Gill Architecture, with construction by Norcon. The centerpiece of the new Arts and Education Center is the new 400-seat in-the-round Ensemble Theater in Honor of Helen Zell—one of its kind in Chicago—with theater design and acoustics by Charcoalblue.

 

The expanded Steppenwolf campus is a cultural nexus for Chicago, offering bold and ambitious opportunities for creative expression, social exchange, unparalleled accessibility, and arts-driven learning for Chicago youth in The Loft, Steppenwolf’s first-ever dedicated education space. The campus expansion also features bright new lobbies and two new full-service bars for socializing designed by fc STUDIO, inc. The $54 million new building is part of Steppenwolf’s multi-phase $73 million Building on Excellence expansion campaign. Learn more about Steppenwolf’s campus expansion at steppenwolf.org/buildingonexcellence.

 

A Safe Return

As the Chicago theatre community continues to navigate the COVID-19 pandemic, Steppenwolf Theatre remains committed to the safety of its patrons and staff. For the most up-to-date information on our venue’s COVID precautions, please visit steppenwolf.org/welcomeback.

 

Accessibility

Steppenwolf offers accessible services to ensure all audience members have access to our work, including American Sign Language interpretation, Spanish Language captions, wheelchair accessible seating and more. With questions, email access@steppenwolf.org.

 

Sponsor Information 

Bald Sisters is generously supported in part by the Laurents/Hatcher Foundation and is the recipient of the Edgerton Foundation New Play Award. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from Northern Trust, Allstate Insurance Company, ComEd, Conagra Brands Foundation, JPMorgan Chase, PNC and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

 

Steppenwolf Theatre Company is a Chicago theater that is home to America’s ensemble. The company began performing in the mid-1970s in the basement of a Highland Park, IL church—today Steppenwolf is the nation’s premier ensemble theater with 49 members who are among the top actors, playwrights and directors in the field. Deeply rooted in its ensemble ethos, the company is committed to equity, diversity, inclusion and making the Steppenwolf experience accessible to all. Groundbreaking productions from Balm in Gilead and August: Osage County to Downstate and Pass Over—and accolades that include the National Medal of Arts and 12 Tony® Awards—have made the theatre legendary. Artistic programming includes a main stage season; a Steppenwolf for Young Adults season; LookOut, a multi-genre performance series; and the Steppenwolf NOW virtual stage. The nationally recognized work of Steppenwolf Education engages more than 20,000 participants annually in Chicagoland communities promoting compassion, encouraging curiosity and inspiring action. While firmly grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. 2021 marked the opening of Steppenwolf’s landmark Liz and Eric Lefkofsky Arts & Education Center—deepening the company’s commitment to Chicagoland teens and serving as a cultural nexus for Chicago. Glenn Davis and Audrey Francis are the Artistic Directors and E. Brooke Flanagan is Executive Director. Keating Crown is Chair of Steppenwolf’s Board of Trustees.

 

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.