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Saturday, March 5, 2022

Chicago premiere of Stand Up If You’re Here Tonight Via American Blues Theater at Theater Wit March 18 – April 9, 2022

 

ChiIL Live Shows On Our Radar 

American Blues Theater announces

Stand Up If You’re Here Tonight

written and directed by John Kolvenbach

featuring American Blues Artistic Affiliate Jim Ortlieb

March 18-April 9, 2022

**American Blues Theater honors healthcare workers, first responders, educators & support staff, and military personnel with complimentary and deeply discounted tickets. American Blues proudly supports NAMI Chicago and SAMHSA.**


American Blues Theater, under the continued leadership of Artistic Director Gwendolyn Whiteside, announces the Chicago premiere of Stand Up If You’re Here Tonight, written and directed by John Kolvenbach, featuring American Blues Theater Artistic Affiliate Jim Ortlieb. Stand Up If You’re Here Tonight runs March 18-April 9, 2022 at Theater Wit,1229 W. Belmont Ave. Tickets are available at (773) 975-8150 and www.americanbluestheater.com. I'll be out for the press performance March 19th. In the meantime check back early and often.

“You’ve tried everything. Yoga. Acupuncture. Therapy. You floated in salt water in the pitch black dark. You juiced, you cleansed, you journaled, you cut, you volunteered. You got a mattress that fitted itself to your fetal form. You ate only RINDS for three days and nights. You reached out, you looked within. You have tried. And yet here you are.”

So begins a new play by Olivier-nominated playwright John Kolvenbach in its Chicago premiere. American Blues Theater Artistic Affiliate Jim Ortlieb delivers a tour-de-force performance as a man desperate for connection, bent by isolation, and deeply in love with the audience itself.

Artistic Director Gwendolyn Whiteside comments, “We’re thrilled to present the Chicago premiere of John Kolvenbach’s latest work. He brilliantly captured our shared pandemic experience and given an injection of hope. We couldn’t be happier by the return of Artistic Affiliate Jim Ortlieb to our stage.”

 The creative team includes Michael Trudeau* (scenic / lighting design / TD), Rachel West* (master electrician), and Shandee Vaughan* (SM & Production Manager).

*Denotes Artistic Affiliate of American Blues Theater


About the Artists 

John Kolvenbach and Jim Ortlieb previously worked together Boston on Half ’n Half ’n Half (now titled The Marriage Play), for which Jim was awarded a 2012 IRNE Award for best lead actor. Most recently, they worked together on Stand Up If You’re Here Tonight, which opened in the summer of 2021 at The Harbor Stage and, simultaneously, in Los Angeles with VS. and Circle X.

John Kolvenbach he/him (playwright / director) On the West End: Love Song (Olivier nomination, Best New Comedy, directed by John Crowley) and On an Average Day (with Woody Harrelson and Kyle MacLachlan, also directed by Mr. Crowley.) Love Song premiered at Steppenwolf in 2006, directed by Austin Pendelton. It has been produced in New York, Zurich, Melbourne, Sydney, Wellington, Seoul and Rome. There have been over fifty productions in the U.S. Average Day was produced in Los Angeles by VS. (with Johnny Clark and Stef Tovar) and in Chicago by VS. and Route 66. Average Day has been produced in Tel Aviv, Buenos Aires, and Lisbon. Goldfish premiered at South Coast Repertory, then at the Magic Theatre in San Francisco, directed by Loretta Greco. The play was done in repertory with Mrs. Whitney, which was directed by the author. Most recently, Reel to Reel received its premiere at the Magic. Sister Play received its premiere at The Harbor Stage Company and at the Magic, both productions directed by the author. Stand Up If You’re Here Tonight opened in the summer of 2021 at The Harbor Stage and, simultaneously, in Los Angeles with VS. and Circle X. Other plays include: Fabuloso (premiered at WHAT, subsequent productions in San Juan and Zurich, in Spanish and Swiss German), Bank Job (Amphibian Stages) and Marriage Play or Half ‘n Half ‘n Half (Merrimack Rep.) Film: Clear Winter Noon, an original screenplay, was selected for the Blacklist in 2008.

 Artistic Affiliate Jim Ortlieb returns to American Blues Theater where he previously appeared in the title role in Scapin.

Jim Ortlieb he/him (Man) is a proud Artistic Affiliate of American Blues Theater and a member of the rare breed of middle-class actors. After studying with William Esper and Kathryn Gately at Rutgers University, Jim was invited by Lois Hall to teach in Chicago at Lois Hall Studio, a mainstay of professional studios in the 1980s. It was because of Lois that Jim Ortlieb was welcomed into the Chicago theater community.

When she retired, Jim renamed the school, Chicago Actors Project, which remained vibrant until 1989. During the ‘80s and onward, Jim acted with many Chicago theaters, including The Goodman (Candide), Pheasant Run (Sorrows of Stephen), Organic (M the Murderer), Wisdom Bridge (Only Kidding), Northlight (All in the Timing), and Steppenwolf (Picasso at the Lapine Agile, The Man Who Came to Dinner), Touchstone (Racing Demon, Indiscretions), Gare St. Lazare Players (Hughie), Bailiwick (An Uncertain Hour by Nick Patricca) and as a member of American Blues Theater he played the title role in Scapin. Ortlieb’s new found family of Chicago artists lead him all over the world. When Bob Meyer of the Gare St. Lazare Players moved to Europe to spend more time with his son, Charlie, Jim traveled there to collaborate on numerous productions with Bob and the extensive group of expatriated English speaking artists in Paris, Ireland, and England such as Hughie, The Homecoming, Faith Healer, and Requiem for a Heavyweight. Malcolm Ewen brought Jim to the Weston Playhouse in Vermont where he did Guys and Dolls, The Mikado, Candide, and Tartuffe. In the midst of the IATSE strike in 1999, Jim, his wife and two children moved to Los Angeles where they have lived ever since. Other acting credits include on Broadway in Aaron Sorkin’s The Farnsworth Invention, Of Mice and Men with James Franco and Chris O’Dowd directed by Anna Shapiro, and Guys and Dolls with Lauren Graham and Oliver Platt, the first National Tour of Billy Elliot the musical for two years in Chicago and in Toronto. In 2012 Ortlieb was nominated for an IRNE award for his lead performance in Half ’n Half ’n Half (now titled The Marriage Play) by John Kolvenbach. That relationship continues through today with Stand Up If You’re Here Tonight! His film and TV credits include: Drunkboat with John Malkovich and John Goodman and directed by Bob Meyer, Flatliners, Home Alone, A Mighty Wind, Contagion, Chain Reaction, The Onion Movie, Latter Days, Bug, and Magnolia. His television credits include Station 19, American Horror Story, 911: Lone Star, How to Get Away With Murder, Grey’s Anatomy, West Wing, The Closer, Roswell, Six Feet Under, Gabriel’s Fire, and The Shield. Jim has done more than 75 commercials and voiceovers in his 45 years as an actor all of which has helped pay the bills. Both of Jim’s daughter returned to Chicago where they both graduated from DePaul University. Grainne (grahn-yah) Ortlieb, a Theatre School grad, remains in Chicago with the community the whole family calls home.

Schedule:   

Dates: March 18 – April 9, 2022                 

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 4:30pm (except, no show March 19) and 7:30pm

Sundays: 2:30pm


Additional performance on Wednesday, April 6 at 7:30pm.

 Location: Theater Wit, 1229 W Belmont Ave in Chicago

 Ticket prices: $25-$45, plus $2.75 Theater Wit venue fees

Box Office: Buy online at www.americanbluestheater.com or (773) 975-8150

Group Sales discounts and Blue Card Memberships available now by calling (773) 654-3103 or visiting  www.americanbluestheater.com.

 

About American Blues

Winner of the American Theatre Wing’s prestigious National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home. American Blues Theater explores the American identity through the plays it produces and communities it serves.

 

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago. As of 2022, the theater and artists received 221 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and 40 Black Theatre Alliance Awards. The artists are honored with Tony Award and Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.

REVIEW: Victory Gardens Theater To Stream Final Five Live Performances of Queen of the Night March 9–13, 2022

ChiIL Live And Streaming Shows On Our Radar   

Victory Gardens Theater to live-stream

Queen of the Night

with an innovative pilot program

Five live performances to be streamed

March 9–13, 2022



REVIEW: 
By Bonnie Kenaz-Mara

Here at ChiIL Live Shows we're loving the trend of theatres live streaming part of their run for those out of town or otherwise unable to sit indoor with a crowd. I caught opening night and Terry Guest (Ty) and André Teamer (Stephen) are wonderful in this poignant LGBTQ parenting adventure. 

Gay, young adult, Ty is hilariously out of his element in the wilderness with his father, but trying to embrace the experience and unpack some baggage. His father, Stephen doesn't stoop to the usual cliche of working class father of a gay son. 

Though they have a complicated and somewhat negative past history, he has evolved and is trying hard to bond with his adult son. I also love the intimacy of Victory Gardens Theater's 109 seat, upstairs Richard Christiansen Theater, named for beloved, long time Chicago critic, who passed away in January at age 90. Shout out to the set designer and sound designer for creating a delightful, overgrown wilderness that's exciting to escape to. 

Parenting children who don't turn out like you is complicated. Divorce and remarriage is difficult. Bridging not only the generation gap but the chasm between gay and heteronormative cultural can be daunting. Navigating relationships with your biological family as adults can be intense, and Queen of the Night explores this all too human experience in a tender, funny, heartfelt way. There's something especially dynamic and compelling about a 2 person show, and Queen of the Night nails it. Recommended. 

Bonnie is a Chicago based writer, theater critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 





Victory Gardens Theater, in partnership with Assemble Stream, will live-stream the final five performances of its critically acclaimed production of Queen of the Night. The pilot program includes cameras that have been mounted in the theater and throughout the set for superior live-stream capabilities and making the live performance simultaneously available to patrons at home and in the theater. This is the first program of its kind in Chicago.

"We are excited to be partnering with Assemble this season especially after watching their work on Lynn Nottage’s Clyde’s on Broadway. With livestream performances, we will be able to reach a broader audience than ever before, and share work by Chicago artists with theater-lovers around the world who may never have the opportunity to visit Victory Gardens in person," comments Artistic Director Ken-Matt Martin.

A divorced father and his queer son head to the woods of southeastern Texas to relive the camping trips of earlier, easier days. But even without cell service, certain things are inescapable. Playwright travis tate explores masculinity and queerness through the lens of multi-generational Blackness, offering a hilarious, heart-rending family portrait about reckoning with the wilderness of a shared past, while facing an uncertain future.

Written by travis tate and directed by Victory Gardens Artistic Director Ken-Matt Martin, Queen of the Night features Terry Guest (Ty) and André Teamer (Stephen). The live-stream performance options will be available March 9-12, 2022 at 7:30pm Central, and March 13, 2022 at 3pm Central. Streaming tickets are $24 and can be purchased at https://victorygardens.assemblestream.com/.


OPENING: Rolling World Premiere of In Every Generation April 2 – May 1, 2022 at Victory Gardens Theater

 

ChiIL Live Shows On Our Radar

Victory Gardens Theater Presents

the National New Play Network Rolling World Premiere of

In Every Generation

By Ali Viterbi

Directed by Devon de Mayo


April 2 – May 1, 2022


Victory Gardens Theater continues its 2021/22 Mainstage Season with the world premiere of In Every Generation, written by Ali Viterbi and directed by Devon de Mayo. This is a National New Play Network Rolling World Premiere by Victory Gardens, the Olney Theatre Center (MD), and San Diego Repertory Theatre (CA). In Every Generation runs April 2 – May 1, 2022 at Victory Gardens Theater, 2433 N. Lincoln Avenue. I'll be out for the press opening April 8th so check back soon for my full review. Tickets are on sale now and available by phone at 773.871.3000 or online at www.victorygardens.org.

Each Passover, for four millennia, we ask: why is this night different from all other nights? And each year, the Levi-Katz clan has answered, while struggling with questions of race and religion that never seem to get resolved. The family finds strength in tradition (vegan brisket or no); but each year of celebration brings more pressing questions about the future: if trauma is generational, then must we be defined by it? Will we ever be free? Written by Ali Viterbi, In Every Generation was the 2019 winner of the National Jewish Playwriting Contest, and will have its world premiere at Victory Gardens, staged by Devon de Mayo (If I Forget, Victory Gardens).

The In Every Generation cast includes Eli Katz (Valeria), Sara Lo (Dev), Esther Fishbein (Yael), Paul Dillon (Davide), and Carmen Roman (Paola), with casting by The Chicago Inclusion Project.

The In Every Generation creative team includes Andrew Boyce and Lauren Nichols (Scenic Design), kClare McKellaston (Costume Design), Heather Sparling (Lighting Design), Jeffrey Levin (Sound Design), Yeaji Kim (Projections Design), Caitlin McCarthy (Props Design), Courtney Abbott (Intimacy Design) and Adam Goldstein (Language and Dialect). The creative team also includes Kat Zukaitis (dramaturg), Adelina Feldman Schultz (Assistant Director), Casie Morell (Stage Manager) and Shandee Vaughan (Production Manager). Additional creatives to be announced.

About the Artists

ALI VITERBI (Playwright; she/her) is a playwright, television writer, and educator from San Diego. Her plays have been developed, produced, or commissioned by Geffen Playhouse, The Kennedy Center/National New Play Network, La Jolla Playhouse, Round House Theatre, San Diego Repertory Theatre, HERE Arts Center, The Barrow Group, and North Coast Repertory Theatre, among others. Her play In Every Generation won the 2019 National Jewish Playwriting Contest, and she has been a finalist for the O’Neill National Playwrights Conference and the Bay Area Playwrights Festival. Ali has developed TV projects with AMC and Anonymous Content. She was a member of the 2020/2021 Geffen Playhouse Writers’ Room, and she is the associate artistic director of the annual Lipinsky San Diego Jewish Arts Festival. Ali received her B.A. from Yale University and her M.F.A. in Playwriting from UC San Diego.

DEVON de MAYO (Director; she/her) Victory Gardens: If I Forget and Ignition Festival in 2016, 2017 and 2019. Chicago Credits: First Love is the Revolution (Steep Theatre); The Tasters, Laura and the Sea & The Scientific Method (Rivendell Theatre); Women Laughing Alone With Salad (Theatre Wit); The Burn (Steppenwolf Theatre); Harvey (Court Theatre); Sycamore (Raven Theatre); You on the Moors Now (The Hypocrites); Animals Out of Paper (Shattered Globe Theatre); You Can’t Take it With You and Lost in Yonkers (Northlight Theatre); Everything is Illuminated (Next); Roadkill Confidential, The Whole World is Watching, As Told by the Vivian Girls and The Twins Would Like to Say (Dog & Pony). Broadway: Resident Director under Stephen Daldry on The Audience. International: Guerra: A Clown Play (La Piara, Mexico). Devon received her MFA from Middlesex University in London and did further studies at the Russian Academy of Dramatic Arts in Moscow and the Indonesian Institute for the Arts in Bali.

Creative Team: Andrew Boyce and Lauren Nichols (Scenic Design), kClare McKellaston (Costume Design), Heather Sparling (Lighting Design), Jeffrey Levin (Sound Design), Yeaji Kim (Projections Design), Caitlin McCarthy (Props Design), Courtney Abbott (Intimacy Design) and Adam Goldstein (Language and Dialect). The creative team also includes Kat Zukaitis (dramaturg), Adelina Feldman Schultz (Assistant Director), Casie Morell (Stage Manager) and Shandee Vaughan (Production Manager).


Previews: April 2 – 7, 2022 

Press Performances:  Friday, April 8, 2022 at 7:30pm

Regular run:  April 9 – May 1, 2022 

 

Schedule:                   

Tuesday-Saturday 7:30pm (except April 2, April 12, April 16, April 19)

Wednesday: 2:00pm (April 20 only)

Saturday: 3:00pm (April 16 only)

Sunday: 3:00pm & 7:30pm (April 3 only)

 

Accessible Performances:            

Word for Word (open captioning): Wednesday, April 20, 2022 at 2:00pm; Friday, April 22, 2022 at 7:30pm; Saturday, April 23, 2022 at 7:30pm

ASL Interpretation: Friday, April 22, 2022 at 7:30pm

Audio Description/Touch Tour: Friday, April 22, 2022 at 7:30pm; Sunday, May 1, 2022 at 3:00pm (Touch Tour begins 90 minutes prior to showtime)

Location:   Victory Gardens Theater is located at 2433 N. Lincoln Avenue 

Tickets: $29 - $62

Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.  773.871.3000; www.victorygardens.org


Victory Gardens Theater 2021/22 Mainstage Season

The Victory Gardens Theater 2021/22 Mainstage Season includes Queen of the Night by travis tate, directed by Ken-Matt Martin, January 29 - March 13, 2022; the National New Play Network Rolling World Premiere of In Every Generation by Ali Viterbi, directed by Devon de Mayo, April 2 - May 1, 2022; and the regional premiere of cullud wattah by Erika Dickerson-Despenza, directed by Lili-Anne Brown, June 11 - July 17, 2022.

Flex Passes to the 2021/22 Season are currently on sale at victorygardens.org or by phone at 773.871.3000, and offer 20% savings over single ticket prices. Single tickets for all three shows are on sale now at victorygardens.org and range from $29 to $62.

The Ignition New Play Program 

The Ignition New Play Program (formerly the Ignition Festival of New Plays) consists of two events for the 2021/22 season: the Ignite Chicago reading series, offering six free readings of new works between October 2021 and July 2022, and the 20/50 Festival in June 2022, featuring three new works by playwrights over 50, staged by VG Directors Inclusion Initiative Fellows. Ignite Chicago readings will take place not only at Victory Gardens’ home in Lincoln Park, the Biograph Theater, but at partner locations throughout the city, to bring new plays into Chicago’s many communities. 


 Upcoming Ignite Chicago readings include: 

●      April 2022: Primary Trust by Eboni Booth  

●      July 2022: Nancy by Rhiana Yazzie 

All readings are free to attend, but RSVPs will be required, as capacity for each reading is limited. Registration will be available at victorygardens.org approximately one month before each event. 

For complete details on the 2021/2022 Season and artists, Flex Passes, and the Ignition New Play Program, please visit www.victorygardens.org  

Victory Gardens Theater receives major funding from Bradshaw Family Foundation, Exelon Corporation, Illinois Arts Council, Lloyd A. Fry Foundation, Prince Charitable Trusts, Pritzker Foundation, The Small Business Administration, and The Joyce Foundation.

Victory Gardens also receives support from the Alphawood Foundation, Charles and M.R. Shapiro Foundation, John R. Halligan Charitable Fund,Mayer Brown LLP, TheNational Endowment for the Arts, thePritzker Pucker Family Foundation, the Pritzker Traubert Foundation, The Charles H. and Bertha L. Boothroyd Foundation, The Seabury Foundation, and The Venturous Theater Fund of Tides Foundation.

 


Victory Gardens Theater COVID-19 Attendance Policy

To protect the health of all who attend Victory Gardens productions, the following policies are in place for the 2021/22 Season: All audience members must be masked for the duration of their visit. Masks are available onsite if needed. All audience members ages 5+ must show proof of full COVID-19 vaccination; audience members ages 16+ must also show a valid photo ID at the door to be admitted to the theater. These policies follow state and local guidelines for safe operation during the COVID-19 pandemic, and are subject to change based on the current recommendations.


About Victory Gardens Theater

Under the leadership of Artistic Director Ken-Matt Martin and Acting Managing Director Roxanna Conner, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals. Victory Gardens Theater is committed to the development, production and support of new plays, which has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater, and continued by former Artistic Director Chay Yew.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and, in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage, and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

For more information about Victory Gardens, visit www.victorygardens.org . Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens, and Instagram @victorygardenstheater.

Friday, March 4, 2022

JOFFREY ACADEMY’S WINNING WORKS RETURNS TO MUSEUM OF CONTEMPORARY ART March 18-20, 2022

ChiIL Live Shows On Our Radar  

JOFFREY ACADEMY’S WINNING WORKS 

RETURNS TO MUSEUM OF CONTEMPORARY ART, FEATURES FOUR WORLD PREMIERES

March 18-20, 2022 at the MCA’s Edlis Neeson Theater

The Joffrey Academy of Dance, Official School of The Joffrey Ballet, presents four world premieres in the culmination of Joffrey’s national call for ALAANA (African, Latinx, Asian, Arab and Native American) artists to submit applications for the Joffrey Academy’s Winning Works Choreographic Competition. This year’s Competition winners—Audrey Baran, Joffrey Company Artist Edson Barbosa, Taylor Carrasco, and Derick McKoy, Jr.—each have choreographed an original work created on the Joffrey Academy Trainees and Studio Company. 

Winning Works returns to in- person performances for the first time since 2019 at the Museum of Contemporary Art Chicago Edlis Neeson Theater (220 E. Chicago Avenue) Friday, March 18 at 7:30 pm, Saturday, March 19 at 2:00 PM and 7:30 pm, Sunday, March 20 at 2:00 pm. Tickets for Winning Works are $30 and available for purchase at joffrey.org/winningworks.

“After the COVID-related cancellation in 2020 and a virtual presentation in 2021, it is especially meaningful that Winning Works will return in all its glory to the Museum of Contemporary Art in 2022,” said Ashley Wheater MBE, The Mary B. Galvin Artistic Director of The Joffrey Ballet. “These young, emerging choreographers prove that there is no limit to the level of artistic expression one can possess.”

“It has been over a decade of exceptional work and brilliant artistry for Winning Works,” said Greg Cameron, President & CEO of The Joffrey Ballet. “I am in awe of the creativity presented during the past two difficult years has demonstrated an admirable tenacity among artists. May we celebrate this homecoming to the MCA as a new beginning.”

Joffrey’s Abbott Academy Director Raymond Rodriguez added: “There is nothing more gratifying than seeing the works of rising stars danced by our incredible Joffrey Academy Trainees and Studio Company. Much like our beautiful city of Chicago, the backgrounds of these choreographers and the works they’ll be premiering on stage are diverse, rich, and dynamic.”

About the Program

 Audrey Baran

Audrey Baran’s world premiere Porcelain is a contemporary piece that explores the stigmatization of Asian Americans as well as the objectification and fetishization of Asian American women.

Baran is a Filipino-American dance performer, maker, and educator based in Charlotte, North Carolina. She holds an MFA in Dance from Hollins University and a BA in Dance from the University of North Carolina at Charlotte, where she is the Visiting Assistant Professor of Dance. She is the founder/artistic director of

Baran Dance and apprentice company BD2 and on the faculty of Charlotte Ballet Academy. Baran has presented work through Sites in the City, FEMMEfest, the National Dance Educators Organization Conference, Bill Evans Somatic Dance Conference, the North Carolina Dance Festival, Tobacco Road Dance Productions, Triangle Dance Project, Ladyfest CLT, Charlotte Dance Festival and numerous self- produced productions. She was the 2019 UNCC Department of Dance Distinguished Alum, an inaugural recipient of the Creative Renewal Fellowship from the Arts and Science Council, a selected choreographer for Charlotte Ballet’s Innovative: Direct from the LAB 2021 and has received recognition for her work from the Movies by Movers Festival, Charlotte Emerging Dance Awards, and Carolina Arts & Theatre Awards. Baran is also a 500-hour Registered Yoga Teacher and thrives on sharing her love of movement and mindfulness throughout the Queen City and beyond.

Edson Barbosa, Recipient of the Zach Lazar Winning Works Fellowship

Edson Barbosa’s world premiere On the Same Boat is a neo-classical piece inspired by the observations he has made of the relationships surrounding him, danced by seven women and seven men.

Barbosa has been a company artist with The Joffrey Ballet since 2014. He was raised in Rio de Janeiro, Brazil, and began his training in ballet, jazz, and tap at age 10 at Grupo Cultural de Dança, Ilha, with Patricia Marques. He was voted Best Male Dancer at the Festival de Danca de Joinville in 2012 — the largest dance competition by number of dancers, as documented by Guinness World Records. He received a full scholarship to study at the Miami City Ballet, Stuttgart Ballet, Washington Ballet, The Harid Conservatory, and Princess Grace Academy. He was also a Top 12 finalist at the Youth America Grand Prix in New York in 2010 and 2012, Top 6 finalist at the Beijing International Ballet Invitational for Dance Schools in China, and performed at the Opening Ceremony as a guest artist at the Danzamerica in Argentina.

Barbosa was a prize winner at the prestigious Prix de Lausanne in Switzerland, where he was voted the best male dancer of the 40th edition in 2012, receiving a scholarship to be a trainee at the San Francisco Ballet School under the direction of Patrick Armand. While in the school he worked in contemporary workshops with Antoine Vereecken and Wayne McGregor. Throughout his career, he has had the opportunity to perform lead roles in ballets choreographed by renowned artists in the dance world, such as Gerald Arpino, Val Caniparoli, Alexander Ekman, Jiří Kylián, Parrish Maynard, John Neumeier, Annabelle Lopez Ochoa, Justin Peck, Myles Thatcher, Helgi Tomasson, Stanton Welch and Christopher Wheeldon.

Taylor Carrasco

Taylor Carrasco’s contemporary piece Not Now, But Now explores the feelings of anxiety people have become accustomed to during this unprecedented time, and how running from and running toward, can often be one in the same.

“When I was three, my sister was six and in ballet like every other little girl,” said Carrasco. “My parents would bring me to her classes and I would try to dance with them from the hallway. They assumed I’d like it, enrolled me in class and I never stopped.” Carrasco trained with the School of American Ballet and New Mexico Ballet Company and has taken summer intensives with Boston Ballet, Pacific Northwest Ballet, and Ballet Chicago. He joined Cincinnati Ballet Second Company – CB2 in the 2014-2015 Season and was promoted to Apprentice for the 2015-2016 Season. Carrasco was then promoted to Corps de Ballet for the 2017-2018 Season. He has had three of his ballets performed by the main company of Cincinnati Ballet, with two of them being created for the The Kaplan New Works Series in 2018 and 2019. Carrasco’s favorite dancing memories thus far are tied to dancing with his sister. He says that “sharing the stage with family is the best experience.”

Derick McKoy Jr.

Derick McKoy Jr.’s world premiere Road of Flames mixes ballet and contemporary movement to create a piece about pushing towards one’s north star, and the flame that builds when people pursue their passions in love, careers, and families.

McKoy (he/him) originally from Miami, Florida, is a graduate Glorya Kaufman BFA Scholar of the Ailey/Fordham BFA Program in Dance. McKoy started his official training under Luctricia Welters and after a year, joined her dance company, Jubilee Dance Theater, as an apprentice. He furthered his training at Hubbard Street Dance Chicago, Arts Umbrella, BalletX, Ballet Hispanico, Springboard Danse Montreal, under scholarships, as well as NW Dance Project’s LAUNCH.

McKoy has performed with Nimbus Dance, directed by Samuel Pott, Jeremy McQueen’s The Black Iris Project, and on seasons 1 and 2 of the hit tv-show POSE on FX.

His choreographic work has been described as “authentic,” “dramatic,” and “important.” His developing collection of works have been performed at the Ailey Citigroup Theater, Ailey Studio Theater, Martha Graham Center of Contemporary Dance, Ades Performance Space, Youth American Grand Prix, the Nimbus Arts Festival, and the Jamaica Dance Festival.

He has performed works by Alvin Ailey, Matthew Rushing, Crystal Pite, Jiri Kylian, Nacho Duato, Annabelle Lopez Ochoa, Dawn Marie Bazemore, Sharon Eyal, Alejandro Cerrudo, Marco Goecke, Adam Barruch and others.

He was also a part of a dance feature of The Ailey School on the talk show Conan. He has also had the opportunity to perform in Ailey’s 2017 Spirit Gala at Lincoln Center at the David Koch Theater and for the groundbreaking ceremony of the Vessel at Hudson Yards. 

He started McKoy Dance Project as a way to add his own contributions to the dance. MDP aims to be a strong, but sensitive new voice in the contemporary dance world. The company was founded with five pillars in mind: to create jobs, to inspire and touch, to give purpose, to create leaders, and to heal.

To date, the Joffrey has raised more than $150,000 to support ALAANA choreographers and the presentation of their work for the 2022 Winning Works competition. That number continues to grow, emphasizing the Joffrey’s commitment to diversity, equity, and inclusion in the field of dance. The Joffrey is proud of the fact that Winning Works provides complete financial assistance—housing, travel, and work stipend—to all winners. Additionally, the Joffrey does not require an application fee for those interested in applying for the Winning Works competition.

Former winners of the Winning Works competition include Jeffrey Cirio (2016), current Lead Principal Dancer with the English National Ballet, Chanel DaSilva (2020), featured choreographer on the Joffrey’s fall 2021 program Home: a Celebration, Amy Hall Garner (2011), internationally known choreographer based in New York City, Stephanie Martinez (2015), a featured choreographer on the Joffrey’s winter program The Times Are Racing, and Claudia Schreier (2018), Ballet Master to Juilliard President Damian Woetzel.

Ticket Information

Tickets for Winning Works at the Museum of Contemporary Art Chicago’s Edlis Neeson Theater are $30 and can be purchased at joffrey.org/winningworks. Performances take place on Friday, March 18 at 7:30 PM, Saturday, March 19 at 2:00 PM and 7:30 PM, Sunday, March 20 at 2:00 PM.

About the Joffrey Studio Company

The Joffrey Studio Company consists of dancers who show exceptional promise and a desire to join the Joffrey or another organization’s main company. The individualized training and performance opportunities allow students to expand their technique and artistry while offering a unique insight into the life of a professional dancer, including performing on some of the most prestigious stages around the country. Academy alumni have gone on to dance with companies around the world, including The Joffrey Ballet, American Ballet Theatre, English National Ballet, Dresden Semperoper, Atlanta Ballet, Oregon Ballet Theatre, Kansas City Ballet and more.

About the Joffrey Academy Trainees

The Joffrey Academy Trainee Program is a full-time, one-to-two-year program for students preparing for a professional dance career. Through meticulous training, Trainees focus on artistic excellence, rehearsing, and performing classical and contemporary works from The Joffrey Ballet’s extensive repertoire, as well as works by world-renowned choreographers.

The Joffrey Ballet gratefully acknowledges the generous support of Winning Works Sponsors Pritzker Foundation, Wilson Garling Foundation, William Blair with Joffrey Board Member Rita Spitz, and BMO Harris Bank. William Blair is the premier global boutique with expertise in investment banking, investment management, and private wealth management.

For more information on the Joffrey Academy of Dance, Official School of The Joffrey Ballet and its programs please visit joffrey.org/academy. Connect with the Joffrey on Facebook, Twitter, Instagram, and LinkedIn.

OPENING: Theo Ubique Cabaret Theatre’s ONCE UPON A MATTRESS March 11 – May 1, 2022

 ChiIL Live Shows On Our Radar 

ONCE UPON A MATTRESS

Directed by Landree Fleming

Music Direction by Jeremy Ramey

Choreography by Jenna Schoppe


Theo Ubique Cabaret Theatre’s third show of the 2021-’22 season will be the hilarious musical comedy ONCE UPON A MATTRESS – a rowdy and mildly adult twist on Hans Christian Andersen’s “The Princess and the Pea.” This “fractured fairy tale” will be directed by one of Chicago’s funniest ladies, Landree Fleming. Joining Fleming on the creative team will be Jeff Award winners Jenna Schoppe as Choreographer and Theo Ubique Resident Music Director Jeremy Ramey. ONCE UPON A MATTRESS will be performed March 11 – May 1, 2022. 

I'll be out for the press opening March 20, so check back shortly after for my full review at ChiILLiveShows.com.

In this offbeat version of Andersen’s fairy tale, the domineering Queen Aggravain has created impossible tests of any princess who might seek to marry her son, Prince Dauntless. This is a problem for the people of the kingdom, as the Queen has decreed no one shall marry until Prince Dauntless is wed. It’s a particular problem for the leading knight of the realm, Sir Harry, who discovers that his girlfriend, Lady Larken, is expecting. When Winnifred the Woebegone arrives, this brash and unrefined princess from the marshlands becomes the last best hope of the Kingdom to end Queen Aggravain’s virtual ban on marriage.

Director, Landree Fleming has played such classically comic musical theater roles as Penny in HAIRSPRAY (at Paramount Theatre), Frenchy in GREASE, and Kira in XANADU (the latter two at American Theater Company). Fleming does stand-up comedy, performs with her musical sketch comedy group Off Off Broadzway, and appears on her podcast Deep Dish. She was Assistant Director for BEAUTY AND THE BEAST (Paramount), NOISES OFF (Windy City Playhouse), and FIRST LADY SUITE (Circle Theatre). 

Leading the cast as Winnifred is Sonia Goldberg (she/they), an actress, writer, musician, and teaching artist who last fall was the understudy for Bethany Thomas in Northlight Theatre’s acclaimed one-woman musical SONGS FOR NOBODIES. Goldberg followed that assignment as the easily fooled Malvolio in Midsommer Flight’s TWELFTH NIGHT. Queen Aggravain will be played by Anne Sheridan Smith (she/her), whose many credits include SOUTHERN GOTHIC with Windy City Playhouse and FUN HOME with Victory Gardens. Prince Dauntless, the son against whom Queen Aggravain plots to keep him an ineligible bachelor, will be played by August Forman (they/them), winner of a Jeff Award for supporting actor in GIRL IN THE RED CORNER for Broken Nose Theatre, where they are an ensemble member.

The anxious couple Sir Harry and Lady Larkin will be AMDA graduate Michael Metcalf (he/him) and Parker Guidry (they/them). Guidry was seen pre-pandemic in Kokandy Productions’ HEAD OVER HEELS. The cast also will include Andrew Fortman (he/him, King Sextimus the Silent), Michael M. Ashford (he/him, Jester), Jasmine Lacy Young (she/her, Poet), J Alan (J/her, Wizard/Dance Captain), Sarah J. Patin (they/she, ensemble, U/S Winnifred and Poet), Nathe Rowebotham (they/them, ensemble, U/S Jester, Wizard), Peter Ruger (he/him, ensemble, U/S Harry, Dauntless, King), and Laura Sportiello (she/her, ensemble, U/S Lady Larkin, Queen Aggravain).

The production team will include Mara Ishihara Zinky (she/her, Scenic Designer), Uriel Gómez (he/him, Costume Designer), Piper Kirchhofer (she/her, Lighting Designer), Rick Sims (he/him, Sound Designer), Rowan Doe (they/he, Props Designer), Evan Tyrone Martin (he/him, Asst. Director), J Alan (J/her, Asst. Choreographer), Nicholas Reinhart (he/him, Production Manager), Jayce Lewis (they/them, Stage Manager), Amy Rappa (Asst. Stage Manager), Macy Kloville (she/her, Audio Engineer), Christopher Pazdernik (any, Managing Director/Casting Director), and Fred Anzevino (he/him, Artistic Director).

A three-course dinner catered by Cross-Rhodes Catering of Evanston is available for $29 per person. Reservations and payment for dinner must be made by Saturday, March 12. Please call the box office at 773-939-4101, Wednesdays through Sundays from Noon to 5 pm, to reserve dinners and make payment.



Theo Ubique is requiring all audience members to be fully vaccinated from COVID-19 this season. Photo ID and proof of vaccination (photos or photocopies are acceptable) will be required at the door. Masks must be worn at all times except while actively eating and drinking.


Single tickets for ONCE UPON A MATTRESS are on sale now at www.theo-u.com. Prices are $35.00 for previews March 11-20, and $42.00- $54.00 for regular performances March 24-May 1. Optional three course prix fixe dinners are available for $29.00 per person, per show. Dinner reservations must be placed one week in advance of the desired performance date. 

Howard Street Theatre, 721 Howard St., Evanston

INCOMING: Circle Jerks Tour Dates and Zander Schloss of Circle Jerks Releases Debut Solo Album Song About Songs

  ChiIL Live Shows and New Release On Our Radar

Zander Schloss of Circle Jerks Shares “Dead Friend Letter” Music Video

On 40th Anniversary Tour with Circle Jerks

Here at ChiIL Live Shows we've dug the Circle Jerks for decades and were happy to see them playing Riot Fest in Chicago last fall. They're back out on tour again and shows are selling out fast. Still, even punks have a mellow side and we're thoroughly enjoying Zander Schloss's melodic new release too. Check it out!

Zander Schloss has released his long-awaited debut solo album Song About Songs via Blind Owl Records. The album marks the beginning of a new chapter for the longtime Circle Jerks bassist and known Joe Strummer collaborator, who calls the album his “polar opposite version of punk rock.”

Schloss has also shared the music video for the recent single “Dead Friend Letter” with Under The Radar saying, “‘Dead Letter Friend’ initially appears as one of the record’s sunnier arrangements, tinged with warm melodicism, pastoral harmonies, and a stark, intimate vocal style from Schloss. Yet, beneath the welcoming fingerpicking and gentle melodic lull, Schloss explores dark lyrical territory, tracing the outline of a man’s suicide letter and his final goodbyes. The resulting track is stark and simple, but hits like a startling gut-punch, painting a sincere and heart-rending character portrait.”

Stream/purchase Song About Songs HERE

Watch “Dead Friend Letter” Music Video HERE

The singles leading up to Song About Songs have been praised by many including BrooklynVegan who called “Dead Friend Letter,” “a lovely dose of early '70s style folk rock,” and Atwood Magazine who did a deep dive into “I Have Loved The Story Of My Life,” (which singer-songwriter Bedouine makes an appearance on) saying, “The song touches on themes of gratitude, on sentimentality, on magic, and on memories and paints such a vivid tale in both its lyrics and its video presentation. It details the life of one who’s lived so widely and experienced such a great deal.”

There was also plenty of excitement around the release of the title track which Northern Transmissions dubbed Song of the Day, and was further praised by Punktuation!, antiMusic, Ghettoblaster, and Blabbermouth among others. Schloss also recently appeared on Damian Abraham’s (of Fucked Up) podcast Turned Out A Punk.

The “I Have Loved The Story Of My Life” music video features uncanny marionettes of Schloss from the many different phases of his life, including his acting roles in numerous Alex Cox films, his time working with Joe Strummer, playing bass with the Circle Jerks and Weirdos, all leading up to present-day Zander Schloss. WATCH HERE

Schloss has an impressive résumé that includes his featured acting performance alongside Harry Dean Stanton and Emilio Estevez in Alex Cox’s 1984 cult classic feature Repo Man; work on the soundtracks for Cox’s later films Sid & Nancy, Straight to Hell, Walker; and Highway Patrolman. He is well known as touring musical director and guitarist for Joe Strummer of the Clash, with performances on Strummer’s first solo single “Trash City” and album Earthquake Weather. He also has appearances on record with Low & Sweet Orchestra, Magnificent Bastards, Thelonious Monster and in concert with the Weirdos. In 2021-22, he will be seen on stage during the Circle Jerks’ pandemic-delayed 40th anniversary tour.

But Song About Songs, which features the Los Angeles-based performer as singer, guitarist, and writer of nine striking original compositions, displays a revelatory new aspect of his work. It will surprise listeners accustomed to hearing Schloss in an aggressive hardcore format, but the St. Louis-born musician notes that his early musical inspirations came from a distinctly different realm.

As Veteran Los Angeles music journalist and critic Chris Morris writes in the album’s liner notes, “Played tenderly, with a striking intimacy, the subtle and affecting material on Song About Songs may well come as a surprise to listeners who know Zander Schloss only from three decades of bash-it-out work with the Circle Jerks and other punk units….Here, we get a long overdue look at a hitherto unheard side of his musical personality. It bears the thrill of discovery.”

Schloss is currently on the road with the Circle Jerks for their pandemic-delayed 40th anniversary tour. See full list of dates here: https://www.circlejerks.net/tour

 

Song About Songs tracklist

1. My Dear Blue

2. Not So Long Ago

3. Sin Of Wasting Time

4. Old Cliches & Diamond Rings

5. Dead Friend Letter

6. I Have Loved The Story Of My Life (featuring Bedouine)

7. The Road

8. Married To Sadness

9. Song About Songs 


Follow Zander Schloss: Facebook - Twitter - Instagram

credit: Geoff Moore

JERSEY BOYS will play Broadway In Chicago’s Cadillac Palace Theatre for a Limited Engagement May 3-8, 2022

 ChiIL Live Shows On Our Radar 

TONY, GRAMMY AND OLIVIER

AWARD-WINNING BEST MUSICAL 

JERSEY BOYS TICKETS NOW ON SALE

BROADWAY IN CHICAGO’S

CADILLAC PALACE THEATRE

MAY 3-8, 2022

ONE WEEK ONLY! 

I've reviewed JERSEY BOYS in 2012, 2015, and 2019 for Broadway in Chicago and it's always a fun show, packed with iconic hits. This is a good pick for multigenerational fun, appealing to and connecting grand and even great grand kids, and the generations in between with the tunes of their grandparents' youth. Oh what a night, indeed! Make some memories. 

JERSEY BOYS is the behind-the-music story of Frankie Valli and The Four Seasons.  They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the radio just couldn’t get enough of. But while their harmonies were perfect on stage, off stage it was a very different story – a story that has made them an international sensation all over again. The show features all their hits including “Sherry,” “Big Girls Don’t Cry,” “Oh What A Night,” “Walk Like A Man,” “Can’t Take My Eyes Off You,” “Beggin’”and “Working My Way Back To You.”

Recipient of Broadway’s Tony, London’s Olivier and Australia’s Helpmann Awards for Best New Musical, JERSEY BOYS is the winner of 65 major awards and has been seen by over 27 million people worldwide (as of July 2021).

JERSEY BOYS opened in New York on November 6, 2005 and by the time it closed over 11 years later on January 15, 2017, it was the 12th longest running show in Broadway history, passing such original Broadway productions as 42nd Street, Grease, Fiddler on the Roof, and The Producers. JERSEY BOYS also ran a record-breaking nine years in London before closing in March 2017 as the sixth longest running musical in the West End.

JERSEY BOYS returned to New York with a new production in November 2017. JERSEY BOYS also returned to London with a new production in July 2021 at the newly renovated Trafalgar Theatre. JERSEY BOYS can also be seen on board the Norwegian Bliss. 

Directed by two-time Tony® Award winner Des McAnuff, JERSEY BOYS is written by Academy Award® winner Marshall Brickman and Rick Elice, with music by Bob Gaudio, lyrics by Bob Crewe and choreography by Tony® Award winner Sergio Trujillo.

The JERSEY BOYS design and production team comprises Klara Zieglerova (Scenic Design), Jess Goldstein (Costume Design), Howell Binkley (winner of the 2006 Tony® Award for his Lighting Design of JERSEY BOYS), Steve Canyon Kennedy (Sound Design), Michael Clark (Projections Design), Charles LaPointe (Wig and Hair Design), Steve Orich (Orchestrations) and Ron Melrose (Music Supervision, Vocal/Dance Arrangements & Incidental Music).

JERSEY BOYS is produced by Dodger Theatricals, Joseph J. Grano, Tamara and Kevin Kinsella, Pelican Group, with Latitude Link, Rick Steiner, and NETworks Presentations.

The Original Broadway Cast Recording of JERSEY BOYS, produced by Bob Gaudio, was certified Platinum by the Recording Industry Association of America. The cast recording is available on Rhino Records. JERSEY BOYS: The Story of Frankie Valli & The Four Seasons (Broadway Books) is the official handbook to the smash Broadway hit. Seasons Greetings: A JERSEY BOYS Christmas, a holiday CD featuring international cast members of JERSEY BOYS, produced by Bob Gaudio, is available on Rhino Records.

Visit the JERSEY BOYS website at www.JerseyBoysInfo.com.

 

PERFORMANCE SCHEDULE

Tuesday, May 3 at 7:30PM

Wednesday, May 4 at 2:00PM & 7:30PM

Thursday, May 5 at 7:30PM

Friday, May 6 at 7:30PM

Saturday, May 7 at 2:00PM & 8:00PM

Sunday, May 8 at 2:00PM

TICKET INFORMATION

Individual tickets for JERSEY BOYS will go on-sale to the public on Friday, March 4, 2022 and range from $31.00 - $111.00 with a select number of premium tickets available. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more  information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 21 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the  Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway  Playhouse at Water Tower Place.

 




COVID-19  PROTOCOL

Our audiences are required to wear masks and show proof of vaccination. For details or further requirements visit broadwayinchicago.com/covid19.

 

For more information and tickets, visit www.BroadwayInChicago.com.


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