WORLD PREMIERE: Chicago Cubs Musical MIRACLE: A Musical 108 Years in the Making at Royal George Theatre

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The World Premiere of

MIRACLE

A Musical 108 Years in the Making

A Miracle is coming to Chicago. Inspired by Chicago’s beloved 2016 World Series Champions the Chicago Cubs, MIRACLE, makes its highly-anticipated World Premiere at the Royal George Theatre (1641 N Halsted St) with previews May 8. With a book by Jason Brett (Co-Founder of the Apollo Theater and Co-Producer of the film About Last Night), and music and lyrics by Jeff Award-winner Michael Mahler (Chicago Shakespeare Theater: Jeff Award nominated Road Show; Drury Lane Theatre: Hot Mikado; American Blues Theater: Jeff Award Recipient Buddy: The Buddy Holly Story), this heartwarming musical is directed by Damon Kiely (World Premiere: Thieves Like Us; American Blues Theatre: Jeff Award nominated Hank Williams: Lost Highway; American Theater Company: Jeff Award nominated Oklahoma!) and produced by William Marovitz and Arny Granat.



Set against the backdrop of the Chicago Cubs 2016 Championship season, MIRACLE tells the story of a typical working class Chicago family and what it means to have faith, lose it and try to regain it again. The production chronicles the Chicago Cubs’ struggle to win the pennant, as well as the life of the Delaneys, a close-knit Chicago Irish family fighting to keep their bar near Wrigley Field afloat financially. Throughout MIRACLE, the audience will journey through Pops Delaney’s efforts to resolve conflicts with his son, Charlie, and Charlie’s attempts to keep the business alive, as well as cheer along with Charlie’s 11-year-old daughter Dani, who is completely enamored with the boys in blue, and his wife Sofia, a Chicago Public School teacher, who is the glue that keeps the family together.

“The Chicago Cubs have had a memorable impact on not only Chicagoans, but fans around the world,” says creator and producer William Marovitz. “This story is more than just baseball. It illustrates how hope, faith, and belief can take you somewhere where you never imagined. With this musical, we celebrate the highs and lows of life directly paralleled with the Cubs winning the World Series, and how believing in a miracle can get you further than you ever could have ever dreamed.”

MIRACLE stars Brandon Dahlquist as “Charlie” (Broadway: Bronx Bombers; San Francisco Playhouse: Dogfight; Writers Theater: Jeff Award nominated A Little Night Music; Porchlight Music Theatre: City of Angels), Gene Weygandt as “Pops” (Broadway: Wicked, Big; National Tour: Wicked, A Christmas Story; Marriott Theatre: Jeff Award Recipients A Day in Hollywood and Me and My Girl), Amaris Sanchez as “Dani 1” (Broadway: On Your Feet!; National Tour: On Your Feet!; Goodman Theatre: A Christmas Carol), Elise Wolf as “Dani 2” (Mercury Theater: The Christmas Schooner;  The Artistic Home Theatre: By the Bag of Cats, Miracle on 34th Street), Allison Sill as “Sofia” (Marriott Theatre: Pinkalicious, Honeymoon in Vegas, She Loves Me; Paramount Theatre: Oklahoma!; Chicago Shakespeare Theater: Seussical), Jonathan Butler-Duplessis as “Larry” (Writers Theater: Jeff Award Recipient Parade; Marriott Theatre: Dreamgirls, Ragtime, Man of La Mancha; Paramount Theatre: In the Heights, Little Mermaid), Veronica Garza as “Babs” (Theatre Wit: Jeff Award Recipient Tonya and Nancy; Firebrand Theatre: Jeff Award nominated 9 to 5; Theo Ubique: Jeff Award nominated A New Brain), and Michael Kingston as “Weslowski/Sleaze” (National Tour: Flashdance The Musical; Paramount Theatre: Hairspray; Jackalope Theatre: Ideation).

The production will feature choreography by Dina DiCostanzo, musical direction by Kory Danielson, set design by Collette Pollard, costume design by Izumi Inaba, lighting design by Christine Binder, sound design by Ray Nardelli, projection design by Mike Tutaj, and properties design by Angela McIlvain.

The performance schedule for MIRACLE is Wednesdays at 7:30pm, Thursdays at 2pm and 7:30pm, Fridays at 8pm, Saturdays at 3pm and 8pm, and Sundays at 3pm. For more information, please visit www.miraclethemusical.com, www.ticketmaster.com or by calling The Royal George Theatre box office at 312.988.9000.



WILLIAM MAROVITZ (LEAD Producer, Concept Originator) was a State Senator in the Illinois Legislator.  He spent 18 years in the Illinois General Assembly, receiving many Best Legislator Awards and sponsoring many landmark pieces of legislation. In 1987/88, as the State Senator representing the Wrigleyville community, Marovitz worked with Major League Baseball, the Chicago Cubs and the surrounding neighbors to forge a compromise that allowed for the installation of lights at Wrigley Field (8/8/88). Following his tenure in the Senate, he developed many buildings in Chicago’s River North area, some of which included 60 story residential high-rises.  He is currently co-developing a new high-rise project in the hot Fulton Market Corridor. The project is called the City Tech Center. Marovitz is involved with many restaurants both in and out of Chicago, including his ownership of Carnivale Restaurant in the Fulton Market Corridor. He has been an investor in several Broadway shows, including Tony Award winners Spambot, Glengarry Glen Ross, and All the Way, and is currently an investor in Tootsie.

ARNY GRANAT (Co-Producer) is a full-time producer/promoter from Chicago focusing on traveling exhibits, concerts and events. Over the last 45 years he has been a partner at Jam Productions, Ltd, Jam Theatricals, Outback Concerts, Grand Slam Productions and a producer of many other events and tours. Among Granat’s many achievements in the music industry are being named Pollstar’s Talent Buyer of the Year and Performance Magazine Readers Poll Promoter of the Year. Granat has also won 10 Tony Awards as a producer on Broadway with Jam Theatricals.

DAMON KIELY (Director) is the Chair of Performance at DePaul’s Theatre School and the author of How to Read a Play: Text Analysis for Directors (Routledge 2016). His production of HANK WILLIAMS: LOST HIGHWAY won the Jeff Award for Best Musical Production Midsized. He recently directed Robert O’Hara’s Barbecue at Steppenwolf’s 1700 Space and Boyfor TimeLine Theatre. From 2002 through 2007 he served as Artistic Director for American Theatre Company and has directed for American Blues, Strawdog, Route 66, A Red Orchid, Next and many others. His original plays Thieves Like us and The Revelwere produced by The House Theatre of Chicago.

MICHAEL MAHLER (Composer & Lyricist) (ASCAP) is the Jeff award-winning composer/lyricist of October Sky, Diary of a Wimpy Kid, Something in the Game, Hero, The Man who Murdered Sherlock Holmes, Wonderland: Alice’s Rock & Roll Adventure, How Can You Run with a Shell on your Back, and others. He contributed additional lyrics to Cameron Mackintosh’s Tony-nominated Broadway revival of Miss Saigon and served as original English lyricist for Boublil & Schönberg’s La Revolution Française. Projects in development include The Secret of My Success for Universal Theatricals, Jonestown, and Gravedigger’s Hamlet.

JASON BRETT (Writer) is the co-founder of Chicago’s famed Apollo Theater, where he produced dozens of plays and musicals featuring John Malkovich, Gary Sinise, Laurie Metcalfe, William Peterson, Megan Mullally, James Belushi and Lily Tomlin. In film, Mr. Brett produced the romantic comedy hit, "About Last Night...". He has written films for Universal, Sony, Tri-Star, and 20th Century Fox. In television, Mr. Brett has created and written more than thirty TV shows. As an entertainment industry executive, he headed the scripted TV division of Oprah Winfrey’s Harpo Productions, was president of Second City Entertainment and oversaw the comedy unit of AOL.

JULIAN FRAZIN (Co-Producer and Co- Concept Originator) was principal writer, lyricist and producer of the Chicago Bar Association’s famed “Christmas Spirits” gridiron shows for more than 50 years. His musical “Lords of the Levee” written with Alan Barcus and Rick Kogan, was named one the year’s top five entertainment events by the South Bend Tribune. Julian collaborated with jazz greats Larry Novak, Ed Tossing and Bobby Schiff on songs recorded by Dennis DeYoung, Ron Hawking, Alma Balier and Lucy Reed. A retired Judge of the Circuit Court of Cook County, he has been a theater critic for Chicago’s Law Bulletin Publishing for the past 30 years.

OPENING: North American Premiere of Critically Acclaimed New Musical SIX at Chicago Shakespeare Theater May 14–June 30

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Chicago Shakespeare Theater announces
 North American premiere cast of

 critically acclaimed new musical 

SIX,

by Toby Marlow and Lucy Moss
May 14–June 30

The Queens of Chicago Shakespeare’s North American premiere production of SIX, written by Toby Marlow and Lucy Moss and directed by Lucy Moss and Jamie Armitage, presented in The Yard at Chicago Shakespeare, May 14–June 30, 2019. Pictured: Andrea Macasaet (Boleyn), Brittney Mack (Cleves), Anna Uzele (Parr), Abby Mueller (Seymour), Samantha Pauly (Howard), and Adrianna Hicks (Aragon). Photo by Jeff Sciortino.

The six wives of King Henry VIII headline 
electrifying pop-concert musical in The Yard at 
Chicago Shakespeare

Chicago Shakespeare Theater announces the Queens of the critically acclaimed new musical SIX, written by Toby Marlow and Lucy Moss, which makes its North American premiere in The Yard at Chicago Shakespeare, May 14–June 30, 2019. The six wives of King Henry VIII headline an electrifying pop-concert spectacle—flipping the narrative on the one-sided story from our history books. After its runaway debut at Edinburgh Festival Fringe and a sold-out UK tour, the musical phenomenon is now taking London by storm with an open-ended run on the West End, now nominated for five Olivier Awards, including Best New Musical.



Directed by Lucy Moss and Jamie Armitage, the Chicago Shakespeare production will feature Adrianna Hicks(Aragon), Andrea Macasaet (Boleyn), Abby Mueller (Seymour), Brittney Mack (Cleves), Samantha Pauly(Howard), and Anna Uzele (Parr). Nicole Kyoung-Mi Lambert and Mallory Maedke have been cast as the Alternate Queens.

Best remembered by the popular rhyme, "divorced, beheaded, died; divorced, beheaded, survived," the Queens now take control of the mic to reclaim their identities beyond the shadow of their infamous spouse—remixing five hundred years of historical heartbreak into an exuberant celebration of twenty-first-century empowerment. Backed by an all-woman band the "Ladies in Waiting," the score traverses the spectrum of modern-day pop with a soundtrack that has charged up the global music charts.

Pictured: Adrianna Hicks (Aragon), Andrea Macasaet (Boleyn), Abby Mueller (Seymour), Brittney Mack (Cleves), Samantha Pauly (Howard), and Anna Uzele (Parr). Photo courtesy of Chicago Shakespeare.

Adrianna Hicks portrays Catherine of Aragon, the tenacious queen leading the way who rebuffs Henry’s attempts to send her to a nunnery with the feminist dance anthem "No Way." Hicks made her Broadway debut in the Tony Award-winning revival of The Color Purple, and went on to star as Celie in the production’s highly acclaimed National Tour. In addition to appearing in Broadway’s Aladdin, she has toured internationally throughout Europe in productions of Sister Act, Legally Blonde, and Dirty Dancing.

Portraying the flirty and fun-loving Anne Boleyn with her cheeky pop melody "Don’t Lose Ur Head" is Andrea Macasaet. A graduate of the prestigious Canadian College of Performing Arts, Macasaet has been seen frequently onstage at the Winnipeg Studio Theatre in memorable roles, including Heather Duke in Heathers the Musical, Christmas Eve in Avenue Q, and Marcy Park in The 25th Annual Putnam County Spelling Bee. She also starred as Kim in the Victoria Operatic Society’s production of Miss Saigon.

As the soulful Jane Seymour—"the only one he truly loved"—with the heart-wrenching torch song "Heart of Stone" is Abby Mueller. Direct from starring in the Broadway and original National Tour productions of Beautiful: The Carole King Musical and Broadway’s Kinky Boots, Mueller returns to Chicago Shakespeare, where she notably appeared in the world premiere musical The Three Musketeers. Her off-Broadway credits include the developmental workshop performance of Andrew Lloyd Webber’s School of Rock at Gramercy Theatre, and A Minister’s Wife at Lincoln Center Theater.

Brittney Mack is the hip-hop powerhouse Anna of Cleves who, after being rejected because of the King’s unrealistic beauty standards, reaps the spoils of her newfound liberation in "Get Down." A native of Chicago’s South Side, Mack is a veteran of the National Tour of Memphis and the off-Broadway production Black Nativity Now. She has also appeared as a featured dancer on FOX’s hit series Empire.

Samantha Pauly appears as the feisty Katherine Howard, who nevertheless persists despite a challenging past of being used and abused by men in power in "All You Wanna Do." Memorable Chicago performances include Eva Perón in Evita and Betsy Nolan in Honeymoon in Vegas at Marriott Theatre, as well as Jovie in Elf the Musicaland Amber von Tussle in Hairspray! at Paramount Theatre.

Rounding out the sextet of Queens is the fiercely independent Catherine Parr, portrayed by Anna Uzele—with her show-stopping power anthem, "I Don’t Need Your Love." Uzele recently debuted on Broadway in the Tony Award-winning revival of Once on this Island as Andrea Devereaux. Regionally, she has appeared off Broadway in The Holes in Human Flesh, and in multiple productions with Lyric Theatre of Oklahoma.

Joining the Queens as Alternates, each covering multiple roles, are Nicole Kyoung-Mi Lambert and Mallory Maedke. Lambert is currently appearing as Crystal in Mercury Theater’s Little Shop of Horrors. She has also performed in Porchlight Theater productions of Memphis and In the Heights, as well as Marriott Theatre’s Seussical. Maedke has been making her mark in musicals on Chicago stages, including most recently in Paramount Theater’s Legally Blonde, The Little Mermaid, Mamma Mia, and Hairspray!, as well as in the Jeff Award-nominated company of Hair at Mercury Theater.

The "Ladies in Waiting" are Julia Schade (Keyboard/Conductor/Assistant Music Director), Kimi Hayes (Guitars), Stacy McMichael (Electric Bass), and Sarah Allen (Drums).





Presented by Chicago Shakespeare Theater by arrangement with Kenny Wax, Global Musicals, George Stiles & Kevin McCollum, SIX boasts an impressive multi-national creative team. Directors Lucy Moss and Jamie Armitage and the original creative team are joined by Jeff Award-winning Music Director Roberta Duchak, as well as Assistant Director Megan E. Farley. The Yard is transformed into a rocking pop concert venue by Scenic Designer Emma Bailey, Costume Designer Gabriella Slade, Sound Designer Paul Gatehouse, and Lighting Designer Tim Deiling. The score features orchestrations by Tom Curran and vocal arrangements by Joe Beighton. SIX features original choreography by Carrie-Anne Ingrouille, in addition to the work of Associate Choreographer Melody Sinclair.

For more information, visit www.chicagoshakes.com/SIX or follow the Queens’ ascent at #cstSIX on @chicagoshakes.

SIX will be presented in The Yard at Chicago Shakespeare, May 14–June 30, 2019. Single tickets ($32–$55) are on sale now. Special discounts are available for groups of 10 or more. For more information, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com.

CST strives to make its facility and performances accessible to all patrons through its Access Shakespeareprograms. Accessible performances for SIX include:
• ASL Duo-interpretation – Thursday, June 13, 2019 at 7:45 p.m.
• Open-captioning – Thursday, June 20, 2019 at 7:45 p.m.
• Audio-description – Sunday, June 16, 2019 at 3:00 p.m. (optional Touch Tour begins at 1:00 p.m.)

ABOUT CHICAGO SHAKESPEARE THEATER
Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago Shakespeare has redefined what a great American Shakespeare theater can be—a company that defies theatrical category. This Regional Tony Award-winning theater’s year-round season features as many as twenty productions and 650 performances—including plays, musicals, world premieres, family programming, and presentations from around the globe. Chicago Shakespeare is the city’s leading presenter of international work, and has toured its own productions across five continents. The Theater’s nationally acclaimed arts in literacy programs support the work of teachers, and bring Shakespeare to life on stage for tens of thousands of students annually. Each summer, the company tours a free professional production to neighborhood parks across Chicago. In 2017 the Theater unveiled The Yard, which, together with the Jentes Family Courtyard Theater and the Thoma Theater Upstairs, positions Chicago Shakespeare as Chicago’s most versatile performing arts center.

OPENING: World Premiere of TAKE ME Via Strawdog Theatre Company May 10 – June 22, 2019

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World Premiere!

Strawdog Theatre Company Presents

TAKE ME

Original Book by Mark Guarino

Original Music and Lyrics by Jon Langford

Orchestrations & Arrangements by Anabelle Revak

Directed by Anderson Lawfer

Music Direction by Chuck Evans

May 10 – June 22, 2019

As a longtime fan Jon Langford's work, I'm particularly jazzed to catch this production, featuring his original music and lyrics. I'll be out for the press opening May 20th, so check back soon for my full review.

Strawdog Theatre Company is pleased to conclude its 31st season with the world premiere of TAKE ME, a musical comic fantasia written by Mark Guarino, with original music and lyrics by Jon Langford (The Mekons, The Waco Brothers), orchestrations and arrangements by Anabelle Revak, direction by ensemble member Anderson Lawfer* and music direction by Chuck Evans. Based on real events,TAKE ME is the story of a woman struggling with trauma who finds solace in the world of alien conspiracy theories. TAKE ME will play May 10 – June 22, 2019 at Strawdog’s new home at 1802 W. Berenice Ave. in Chicago’s Northcenter neighborhood. Tickets are currently available at www.strawdog.org.  

TAKE ME features ensemble members Nicole Bloomsmith*, Kamille Dawkins*, Carmine Grisolia*, and Michael Reyes* with Kristen Alesia, Megan DeLay, David Gordon-Johnson, Loretta Rezos and Matt Rosin.

Inspired by true events, TAKE ME is the story of Shelly, a woman trapped by the trauma of a husband in a coma and the chaos that followed. Looking for solace, she finds herself pulled in to the realm of wild alien conspiracy theories. Voices from the sky tell her the answer to all her problems is to build an alien themed amusement park in Roswell, New Mexico. TAKE ME is a comic fantasia, a story about having faith in a world where there are more questions than answers.  It's the second collaboration between Guarino and Langford since their hit play All the Fame of Lofty Deeds, produced by The House Theatre of Chicago.  

The production team for TAKE ME includes: John Ross Wilson (scenic design), Rachel M. Sypniewski (costume design), John Kelly* (lighting design), Heath Hays* (sound design), Lacie Hexom (props design), Tony Churchill (projections design), Jenn Thompson (stage manager) andEmily Ioppolo (assistant stage manager).

*Denotes Strawdog ensemble member

Cast (in alphabetical order): Kristen Alesia (Ensemble), Nicole Bloomsmith* (Shelley), Kamille Dawkins* (Doggie), Megan DeLay (Nurse), David Gordon-Johnson (Doctor), Carmine Grisolia* (Travis), Michael Reyes* (Matt), Loretta Rezos (Mother) and Matt Rosin (Father).

Location: Strawdog Theatre Company, 1802 W. Berenice Ave., Chicago
Dates: Previews: Friday, May 10 at 7:30 pm, Saturday, May 11 at 7:30 pm, Sunday, May 12 at 4 pm, Thursday, May 16 at 7:30 pm, Friday, May 17 at 7:30 pm and Sunday, May 19 at 4 pm
Board Night Performance: Saturday, May 18 at 7:30 pm 
Press performance: Monday, May 20 at 7:30 pm
Regular run: Thursday, May 23 – Saturday, June 22, 2019
Curtain Times: Thursdays, Fridays, and Saturdays at 7:30 pm; Sundays at 4 pm.

Accessible Performance: Sunday, June 9 at 4 pm, includes a pre-show touch tour at 2:45 pm, audio description and open captioning.
Industry Performance: Monday, June 3 at 7:30 pm
Tickets: Previews $18. Regular run $35. Seniors: $26. Board Night: $55. Tickets are currently available at www.strawdog.org. Half price rush and student tickets available at every performance and other discounts available. Call (773) 644-1380 for details.

About the Artists
Mark Guarino’s (Original Book) plays have been produced by The House Theatre of Chicago, Walkabout Theater, the Curious Theater Branch, Chicago Dramatists, Zebra Crossing, among other companies. This is his second collaboration with Jon Langford following All the Fame of Lofty Deeds, produced by the House. He is a recipient of fellowships from the Byrdcliffe Arts Colony in Woodstock, NY, the Vermont Studio Center, and the Sewanee Writers Conference at the University of the South. He has an MFA from Bennington College in Vermont and is under contract for his first book for the University of Chicago Press. Also a journalist, he covers news/culture for the Washington Post and he was the Midwest Bureau Chief for The Christian Science Monitor for six years. Visit mark-guarino.com.

Jon Langford (Original Music and Lyrics) Welsh-born Jon Langford, the original drummer for the punk band the Mekons, stands as a leader in the movement to incorporate folk and country music into punk rock. Langford has released numerous recordings as a solo artist and with other bands, most notably the Waco Brothers, Skull Orchard, Four Lost Souls, The Three Johns, Men of Gwent and The Pine Valley Cosmonauts. Since moving to Chicago, Langford has been active in the music scene nurturing label mates on Bloodshot Records, lending his services as a musician, producer or visual artist, or collaborating with like-minded artists (Dave Alvin, The Sadies, Otis Clay, Bonnie Prince Billy, Steve Earle, Andre Williams, Neko Case). Langford is also a prolific and respected visual artist best known for his striking portraits of country music icons. In 2015, Jon was the artist in residence at the Country Music Hall of Fame and Museum in Nashville, TN.  Nashville Radio a book of Jon’s artwork and writings was published by Verse Chorus Press in 2006 and was followed in 2011 by Skull Orchard Revisited, a book and CD about his roots in South Wales. The Executioner’s Last Songs, a multimedia music/spoken word/video performance has been performed across the United States, Europe and Australia and two of his solo albums Gold Brick and All the Fame of Lofty Deeds were adapted for theatrical productions in 2009. Langford also illustrated the comic strip Great Pop Thingsunder the pseudonym Chuck Death. From 2005 to 2013, Langford was a host of a weekly radio program, "The Eclectic Company," on Chicago’s WXRT 93.1 FM and has been a contributor to NPR’s This American Life. This year, Jon will be touring Europe and America with the Mekons, taking a musical train ride through Alaska with Jimmie Dale Gilmore and Dave Alvin, working with Marty Stuart on his new museum in Philadelphia Mississippi and lurking backstage at performances of Strawdog’s Take Me, which he wrote a bunch of songs for.

Anabelle Revak (Orchestrations/Arrangements) is a composer, music director and pianist currently based in Chicago. Her original musical Notes and Letters will receive a workshop at Underscore Theatre Company in July 2019. MD credits include: The Incredible 6,000 Foot Ladder (Best Music Director, CMTF 2019), Something Blue, The Bone Harp (CMTF 2019), The Last Five Years (JPAC). Orchestrations/Arrangements: Make Me Bad (Drew Gasparini), Abduction! The Musical (Becky Toth), Wife Material (Jamie Shriner). Annabelle is the literary manager at Underscore Theatre Company. www.annabelleleerevak.com. 

Anderson Lawfer (Director) also worked with Guarino and Langford on the House Theatre's All The Fame of Lofty Deeds. Lawfer served as Artistic Director in Strawdog's Hugen Hall from 2012-16, focusing on new works and adaptations. Lawfer served as Co-Artistic Director of Strawdog from 2016-19. He was a creator and director of Masque Macabre, the immersive Halloween experience at Strawdog last fall. 

Charles "Chuck" Evans (Music Director) is a Chicago-based musician and music therapist. This is Chuck's first time working with Strawdog and second opportunity working as a music director. He can normally be found performing in various theatrical performances in orchestras on violin, viola, and/or bass guitar. Chuck most recently performed in pits for Spring Awakening with Theatre Nebula (Palatine, IL) and Jekyll & Hyde with Next Gen. (St. Louis, MO).

About Strawdog Theatre Company
Since its founding in 1988, Strawdog Theatre Company has offered Chicagoland the premiere storefront theatre experience and garnered numerous Non-Equity Jeff Awards with its commitment to ensemble acting and an immersive design approach. The celebrated Company develops new work, re-imagines the classics, melds music with theatre, asks provocative questions and delivers their audience the unexpected.

Strawdog Theatre Company is supported in part by The MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, the Gaylord and Dorothy Donnelley Foundation, the Alphawood Foundation, The Elizabeth F. Cheney Foundation and the Illinois Arts Council Agency.

SAVE THE DATES: Chicago Premiere of Head Over Heels Via Kokandy Productions July 1 – August 25, 2019

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Kokandy Productions Announces the Chicago Premiere of

HEAD OVER HEELS

Songs by The Go-Go’s

 The creative team for Kokandy Productions’ Chicago premiere of HEAD OVER HEELS includes (left to right) Co-Directors Derek Van Barham and Elizabeth Swanson, music director Kyra Leigh and choreographer Breon Arzell.

Based on The Arcadia by Sir Phillip Sidney

Conceived & Original Book by Jeff Whitty

Adapted by James Magruder

Co-Directed by Derek Van Barham & Elizabeth Swanson

Music Direction by Kyra Leigh

Choreography by Breon Arzell

July 1 – August 25, 2019 
at Theater Wit

Kokandy Productions is pleased to announce the Chicago premiere of
the bold new musical comedy HEAD OVER HEELS, featuring songs by The Go-Go’s, based on The Arcadia by Sir Phillip Sidney, conceived and original book by Jeff Whitty and adapted by James Magruder. Making its Chicago debut just six months after concluding its Broadway run, HEAD OVER HEELS is co-directed by Kokandy’s new Producing Artistic Director Derek Van Barham and Elizabeth Swanson, with music direction by Kyra Leigh and choreography by Breon Arzell. Casting will be announced shortly. 

HEAD OVER HEELS will play July 1 – August 25, 2019 at Theater Wit,
1229 W. Belmont Ave. in Chicago. Tickets are currently available at www.kokandyproductions.com, by calling (773) 975-8150 or in person at the Theater Wit Box Office. I'll be out for the press opening July 6th, so check back shortly after for my full review.

From the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening, HEAD OVER HEELS is a laugh-out-loud love story is set to the music of the iconic 1980’s all-female rock band The Go-Go’s, featuring the hit songs, “We Got the Beat,” “Our Lips Are Sealed,” “Vacation,” Belinda Carlisle’s “Heaven is a Place on Earth” and “Mad About You.” A hilarious, exuberant celebration of love, HEAD OVER HEELS follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction – only to discover the key to their realm’s survival lies within each of their own hearts.

Comments Producing Artistic Director Derek Van Barham, “A celebratory pop musical about self-love and acceptance? I can’t imagine a better way to spend the summer!  Whether you’re looking for escape or sanctuary, the world of Head Over Heels has something for everyone. There’s a universal journey of self-discovery at the pulse of this show, and I am so proud to be able to share it with Chicago!”

Board President Scot Kokandy comments, “I also wanted to take this opportunity to share some updates to our staff and board. In January, we welcomed new board member Katherine Smith to fill the vacancy that occurred due to the passing of Gitta Jacobs. We know Gitta will always be with us in
spirit cheering us on and we thank her for her wisdom and guidance while working with us. Nik Whitcomb has left as one of our Artistic Associate – we wish him well on all his artistic endeavors. Lastly, founding member John D. Glover retired from the organization last year and I want to acknowledge his contributions. Not only did John contribute to the artistic formation and ongoing
vision of the company by directing sixs shows over six years, but he made significant contributions financially, both personally and through his fundraising efforts. If it wasn’t for John’s efforts and support early on, the company wouldn’t be here today.”

Location: Theater Wit, 1229 W. Belmont Ave. in Chicago
Dates: Previews: Monday, July 1 at 7 pm, Tuesday, July 2 at 7 pm, Wednesday, July 3 at 7 pm and Friday, July 5 at 8 pm
Press performance: Saturday, July 6 at 8 pm
Regular run: Sunday, July 7 – Sunday, August 25, 2019

Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be added performances on Saturday, July 27 at 3 pm, Saturday, August 10 at 3 pm and Saturday,
August 24 at 3 pm.

Tickets: Previews $25. Regular run $40. Students/seniors $35. Tickets are available at www.kokandyproductions.com, by calling (773) 975-8150 or in person at the Theater Wit Box Office.

About the Artists
Derek Van Barham (Co-Director) is the Producing Artistic Director of Kokandy Productions, and a member of the Red Tape Theatre ensemble. He previously served as Associate Artistic Director of Pride Films & Plays. For PFP, he directed Perfect Arrangement, Angry Fags (Steppenwolf Garage), Songs from an Unmade Bed (Jeff nomination), and (co-directing) PRISCILLA, Queen of the Desert. Choreography credits include The CiviliTy of Albert Cashier and BITE (PFP), all Black Button Eyes productions, and Salonathon. Other directing credits include The View Upstairs (Circle Theatre), Three Days of Rain (Boho) and Miracle! by Dan Savage and Skooby Don't! (Hell in a Handbag). He was named one of Windy City Times 30 Under 30, recognizing Chicago's LGBTQ+ community.

Elizabeth Swanson (Co-Director) is a Chicago-based theater director. Recent credits include I Know My Own Heart (Pride Films & Plays), Hildegard: A New Musical (With a Machete Productions), Where All the White Sneakers At? (Second City) and Lungs (Granary Theatre, Cork, Ireland). Assistant directing credits include Fun Home (Victory Gardens Theater), Love’s Labour’s Lost (Chicago Shakespeare Theater) and Vardo for the Dublin Theatre Festival (Anu Productions). Elizabeth has also directed for Stage 773’s Artists Lab, as well as festival shows and readings with About Face Theater, Chicago Dramatists, Chicago Theater Marathon, The New Colony and Waltzing Mechanics,
among others. Elizabeth holds an MFA from the Lir National Academy of Dramatic Arts at the University of Dublin. elizabethswansondirector.com
Kyra Leigh (Music Director, she/her/hers) is active as both a musician and actor. She’s composed and performed for the prestigious Stewart Ostrow Musical Theatre Lab, Prop Thtr, and released a full length album, “Transfigure.” She’s acted with the Jeff Award-winning Theo Ubique, The National Pastime Theatre, and is making her debut with Pride Films & Plays. She’s performed as a solo artist at venues such at Mary's Attic, Park West, The Abbey Pub and Davenport’s. She also directs shows at the Chicago School of Rock and is an active church musician with North Shore Baptist. She is a passionate advocate for trans visibility in the worlds of pop music, classical music and theatre. She is
currently represented by DDO Artists.

Breon Arzell (Choreographer) Most commonly known as an actor, Arzell's breakout, and award-winning, premiere as a Chicago choreographer came with Oracle Productions' The Hairy Ape. The Detroit native received his first training while at Miami University. In Chicago, he has worked as a dancer, choreographer and instructor at Joel Hall Dancers & Center, Porchlight Music Theatre, Vagabond School and The Goodman Theatre (for their Musical Theater Program). Developing his own style of dance (hip-hop, jazz, modern, lyrical, contemporary and body percussion) and storytelling, movement credits include: We Are Proud to Present (Steppenwolf Theatre), Poseidon! (Hell in a Handbag), The Total Bent (Haven Theatre/About Face), Rightlynd, The House That Will Not Stand (Victory Gardens Theater), Night Runner, Wig Out (DePaul University); Julius Caesar (Writers Theatre), Marie Christine  (BoHo Theatre), The Wiz  (Kokandy), Scottsboro Boys (Porchlight Music Theatre), and more. His talents have allowed him to work all across the U.S., Canada, England, Italy,
Germany, Denmark, Singapore and Malaysia.

About Kokandy Productions
Founded in 2010, Kokandy Productions seeks to leverage the heightened reality of musical theater
to tell complex and challenging stories, with a focus on contributing to the development of Chicago-
based musical theater artists, and raising the profile of Chicago's non-Equity musical theater
community.

The company's artistic staff is comprised of John D. Glover (Artistic Producer), Allison Hendrix
(Producing Artistic Director), Scot T. Kokandy (Executive Producer) and Kory Danielson (Resident
Music Director).

For additional information, visit www.kokandyproductions.com.

OPENING: Pulitzer Prize-Winning Musical Next to Normal at Writers Theatre May 8 – June 16, 2019

ChiIL Live Shows on our radar

Writers Theatre concludes its 2018/19 Season with

Next to Normal

Music by Tom Kitt, Book and Lyrics by Brian Yorkey

Directed by Tony Award winner David Cromer

Music Direction by Andra Velis Simon

Featuring Kyrie Courter, Alex Levy, Liam Oh, Gabriel Ruiz,

David Schlumpf and Keely Vasquez 

Photo Credit: Saverio Truglia

May 8 – June 16, 2019 

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, concludes its 2018/19 season with the Pulitzer Prize-winning musical Next to Normal, with music by Tom Kitt, book and lyrics by Brian Yorkey, directed by Tony Award winner David Cromer (The Band’s Visit) and music directed by Andra Velis Simon. Next to Normal runs May 8 – June 16, 2019 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

Next to Normal began in 1998 as a 10-minute workshop sketch called Feeling Electric, about a woman undergoing electroshock therapy and its impact on her family. After a number of readings and workshops, the full-length musical was produced Off-Broadway at the Second Stage Theater in 2008. 

I'll be out for the press opening May 15th, so check back soon for my full review. Two of my extended family members have undergone electroshock therapy for depression, so this topic hits close to home. I've seen the Broadway touring production, and can't wait to see Writers Theatre's take on this award winner. 

Next to Normal received the 2010 Pulitzer Prize for Drama – one of only nine musicals to have ever won the award. The others are: Of Thee I Sing (1932), South Pacific (1950), Fiorello! (1960), How to Succeed in Business Without Really Trying (1962), A Chorus Line (1976), Sunday in the Park with George (1985), Rent (1996), and Hamilton (2016).

On the outside, The Goodmans seem like the average American family: house in the suburbs, white picket fence and two sharp-witted kids. But inside, their lives are anything but normal, with long-buried secrets that threaten to tear them apart. Featuring powerful lyrics and an electrifying score, this explosive musical uses wry humor and brutal honesty to explore how family trauma can fracture the American Dream, while ultimately leading to a chance at new beginnings.

This deeply moving and captivating American musical took Broadway by storm in 2009, winning three Tony awards and the Pulitzer Prize for drama. Now, Chicago and Broadway director David Cromer returns to WT, where he has directed A Streetcar Named Desire and Picnic, to bring his singularly personal touch to this modern musical where the lines between reality and delusion are never quite clear.

Next to Normal opened on Broadway in April 2009 with the entire Arena Stage cast resuming their roles. The production was nominated for eleven Tony Awards and won three (Best Original Score – Tom Kitt and Brian Yorkey, Best Performance by a Leading Actress in a Musical – Alice Ripley, and Best Orchestrations – Michael Starobin and Tom Kitt).

“It is truly a privilege to be in collaboration with David Cromer again,” comments Artistic Director Michael Halberstam. “So much of my aesthetic and the aesthetic of Writers Theatre has been influenced by our friendship, the respect I have for his work and our many conversations about the form. We both share a profoundly personal attachment to the subject matter of this remarkable work and he has assembled a brilliant team of artists to realize his vision. David has a gift for taking a piece of theatre you might have thought familiar and then shedding a fresh perspective on it.  He manages to make you see it in a new light and yet he remains entirely true to the intent of the author.  Next to Normal is a rollercoaster ride for the emotions and features a soaring score filled with sophistication, beauty and sweeping melody.” 

The cast of Next to Normal includes: Kyrie Courter (Natalie Goodman), Alex Levy (Henry), Liam Oh (Gabe), Gabriel Ruiz (Dr. Madden/Dr. Fine), David Schlumpf (Dan Goodman), and Keely Vasquez (Diana Goodman).

The creative team for Next to Normal includes: Regina Garcia (Scenic Designer), Rachel Anne Healy (Costume Designer), Keith Parham (Lighting Designer), Christopher M. LaPorte (Co-Sound Designer), Ray Nardelli (Co-Sound Designer), Bobby Kennedy (Dramaturg), Nick Moran (CFM Contractor), Ethan Deppe (Keyboard Programmer), Eamon Foley (Choreographer), Ellen Morris (Assistant Music Director), Harmony France (Assistant Director), and Rebecca Pechter (Production Stage Manager).

Single tickets for Next to Normal, priced $35 - $80, are available at www.writerstheatre.org, by phone at 847-242-6000, or in person at the box office at 325 Tudor Court in Glencoe.

ABOUT THE ARTISTS

Director David Cromer returns to Writers Theatre, where he has directed A Streetcar Named Desire, Picnic, The Price, Booth, and Oscar Remembered. This marks Cromer’s first Chicago-area production since winning the 2018 Tony Award for Best Direction of a Musical for The Band’s Visit on Broadway. Cromer was raised in Skokie and attended Columbia College Chicago.

David Cromer (Director) returns to Writers Theatre where he previously directed A Streetcar Named Desire, Picnic, The Price, Booth, Oscar Remembered and The Beats. Recent credits include: The Band’s Visit (Tony Award winner for Best Director of a Musical, Broadway’s Ethel Barrymore Theatre), The Treasurer (Playwrights Horizons), Man from Nebraska (Second Stage Theatre), the Off-Broadway premiere of The Band’s Visit (Atlantic Theater Company), The Effect (Barrow Street Theatre), Come Back, Little Sheba (Huntington Theatre Company) and Our Town at the Almeida Theatre in London, which he also directed in Chicago, New York, Los Angeles, Boston and Kansas City. Additional New York Credits include: Women or Nothing at Atlantic Theater Company, Really Really at MCC, The House of Blue Leaves and Brighton Beach Memoirs on Broadway, When the Rain Stops Falling and Nikolai and the Others at Lincoln Center Theater, as well as Tribes, Orson’s Shadow at Barrow Street plus Adding Machine, which was a BST production at the Minetta Lane. Originally from Chicago, his credits there include Sweet Bird of Youth (Goodman Theatre), A Streetcar Named Desire, Cherrywood, Mojo, The Hot l Baltimore (Mary-Arrchie Theatre), The Cider House Rules (co-directed with Marc Grapey, Famous Door) and Angels in America (The Journeymen), among others. For his work he has received a Drama Desk, three Obies, three Lortels, four Jeff Awards and in 2010 was made a McArthur Foundation Fellow.

Kyrie Courter (Natalie Goodman), Alex Levy (Henry), Liam Oh (Gabe), and Keely Vasquez (Diana Goodman) are making their Writers Theatre debuts.

Kyrie Courter (Natalie Goodman) makes her Writers Theatre debut. Chicago credits include: Marie Christine (Jeff nominated for Performer in a Principal Role, BoHo Theatre), Legally Blonde (Paramount Theatre), Seussical (Drury Lane Theatre), Company (Venus Cabaret Theater), BLKS (Steppenwolf Theatre), Thaddeus & Slocum (Lookingglass Theatre Company), Dreamgirls, Applause, Babes In Arms (Porchlight Music Theatre), The Wiz and Little Fish (Kokandy Productions).

Alex Levy (Henry) makes his Writers Theatre debut. Alex is a graduate from the School of Theatre and Dance at Illinois State University with a B.A. in Acting. Recent theatrical credits include Hair (Metropolis Performing Arts Centre), Hamlet, Twelfth Night, Peter and the Starcatcher and Rodeo (Illinois Shakespeare Festival). TV credits include appearances on Chicago Fire (NBC) and Empire (FOX).

Liam Oh (Gabe) makes his Writers Theatre debut. Liam is currently a freshman at Northwestern University studying theater and music. He was a 2018 YoungArts Finalist in Theater and semifinalist for the Presidential Scholar for the Arts. Favorite credits include: Chip in The 25th… Spelling Bee, Clyde in Bonnie and Clyde (Actor’s Training Center) and Ren in Footloose (New Trier High School).

Gabriel Ruiz (Dr. Madden/Dr. Fine) returns to Writers Theatre where he previously music directed and composed original music for Vietgone and appeared in Arcadia and Company. Gabriel is a proud ensemble member of Teatro Vista. Chicago credits include: Cry it Out (Northlight Theatre), You Got Older, The Rembrandt, The Way West, How Long Will I Cry?, The Motherf**ker with the Hat (Steppenwolf Theatre Company), Native Gardens (Victory Gardens Theater), Agamemnon, Man in the Ring (Court Theatre), The Wolf at the End of the Block, White Tie Ball (Teatro Vista), Singin’ in the Rain, City of Angels (Marriott Theatre in Lincolnshire), The Upstairs Concierge (Goodman Theatre), Creditors (Remy Bumppo Theatre Company), Sita Ram (Chicago Children's Choir), Working (Broadway Playhouse at Water Tower Place) Richard III, Short Shakespeare! A Midsummer Night's Dream (Chicago Shakespeare Theater) and Arabian Nights (Lookingglass Theatre Company). Regional credits include: Native Gardens (Cincinnati Playhouse), Harvey (Milwaukee Repertory Theater), Why Torture Is Wrong, and the People Who Love Them (Forward Theater Company) and Blood and Gifts (Lincoln Center for the Performing Arts). TV and Film credits include Chicago PD, Chicago Fire, Chicago Justice (NBC), APB (Fox), Electric Dreams (Channel 4) and Boss (Starz).

David Schlumpf (Dan Goodman) returns to Writers Theatre, where he previously appeared in Days Like Today. David recently moved to Washington DC and is thrilled to come home to Chicago for this extraordinary show, director, and cast. Other Chicago credits include Steven Kodaly in She Loves Me, Magaldi in Evita (Marriott Theatre), Sense & Sensibility (World Premiere), Timon of Athens (featuring Ian McDiarmid), As You Like It (Chicago Shakespeare Theater), Dartmoor Prison (Goodman Theatre), Captain Walker in The Who's Tommy (Paramount Theatre), Sidney in Sweet Smell of Success (Jeff Award for Best Actor, Kokandy Productions) and Nehemiah in Dessa Rose (Jeff Nomination for Best Supporting Actor, Bailiwick Chicago). DC credits: Buddy in Elf and Billis in South Pacific (Olney Theatre). David holds an MFA in Acting from Roosevelt University, Chicago College of Performing Arts and a BFA in Musical Theatre from University of Florida.

Keely Vasquez (Diana Goodman) makes her Writers Theatre debut. Keely Vasquez is a Chicago-based actor, singer, voice-over artist and teacher. Most recently she was seen in Porchlight Music Theatre’s productions of Merrily We Roll Along and In The Heights. Other Chicago theatrical credits include shows at Drury Lane Oakbrook Theatre, Goodman Theatre, Paramount Theatre, Marriott Lincolnshire Theatre, Mercury Theater and The Broadway Playhouse. For nearly a decade, she toured the US and Europe singing with Barry Manilow and was featured on more than twenty television shows as well as seven DVD specials.

AUDIENCE ENGAGEMENT
From Page to Stage:
A CONCERT-LECTURE ON NEXT TO NORMAL & MENTAL HEALTH
Co-hosted by Family Service of Glencoe
Monday, April 29 at 7pm
In the Gillian Theatre | Writers Theatre | 325 Tudor Court, Glencoe

Next to Normal by Tom Kitt and Brian Yorkey shines a light on how living with bipolar disorder affects the individual, their families and support systems. Through the story of Diana Goodman and her family, we are offered a glimpse behind the seemingly-perfect suburban façade of normalcy and are invited to experience and understand the challenges of those who are often stigmatized due to their struggles with mental health. At this special From Page to Stage event, we will be joined by experts from Family Service of Glencoe who will unpack the real-life issues dramatized in Next to Normal alongside WT guest artists performing musical selections, addressing questions about bipolar disorder and how it is illuminated in this powerful, modern musical.

From Page to Stage
HELP IS OUT THERE: 10 COMMON MENTAL HEALTH WARNING SIGNS
Thursday, May 16 at 7pm
Hosted by Deerfield Public Library | 920 Waukegan Rd, Deerfield
Featuring: Mary Jouppi, President of NAMI (National Alliance on Mental Illness) Lake County

With May being Mental Health Month, Deerfield Public Library will host this From Page to Stage event featuring Mary Jouppi, who will address concerns and questions regarding mental health challenges that families face in today's world.


Sunday Spotlight
Sunday, June 2, 2019 at 11:30am

Are you curious about the world that surrounds your favorite plays? Sunday Spotlight offers access to the finest speakers, scholars and cultural leaders. This one-hour event extends the conversation on our stages by featuring an expert in an area connected to the play. Seating is limited. RSVP is required. Save the date!

Post-Show Conversation: The Word

Join us after every Tuesday evening performance (excluding First Week and any extension weeks) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

Post-Show Conversation: The Artist

Join us after every Wednesday evening performance (excluding First Week and any extension weeks) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Pre-Show Conversation: Up Close

Join us at 6:45pm in the Atrium before every Thursday evening performance (excluding First Week and any extension weeks) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.



RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook, Twitter or Instagram account with a tag of @WritersTheatre (@Writers_Theatre on Instagram) and #NexttoNormalWT, and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 2018/19 Season Sponsor and ComEd as the Official Lighting Sponsor of the 2018/19 Season. The Major Production Sponsor is the Poetry Foundation.  Foundation support provided by The Elizabeth F. Cheney Foundation. The Corporate Sponsor is Consolidated Electronic Wire & Cable. The Artists Council Sponsors are Jane and Richard Lipton, Mary Pat Studdert, Seth Traxler and Jessica Aspen, and Kirkland & Ellis LLP.

For more information about Writers Theatre’s 2018/19 partners, visit writerstheatre.org/our-supporters.

ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.


Dates:    
First performance: Wednesday, May 8, 2019
Press Opening: Wednesday, May 15, 2019 at 7:30pm
Closing performance: June 16, 2019

Schedule: Tuesdays – Fridays: 7:30pm (with select 3:00pm Wednesday matinees on May 29 and June 12); Saturdays: 3:00pm (except May 11) and 7:30pm; Sundays: 2:00pm and 6:00pm (except May 12, June 2 & 16)

Open-Captioned performance: Thursday, May 30, 2019 at 7:30pm

Location: The Alexandra C. and John D. Nichols Theatre, 325 Tudor Court, Glencoe

Prices: Prices for all performances range from $35 - $80 (Purchase early for best prices)  

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000; www.writerstheatre.org

Gabriel Ruiz returns to Writers Theatre where he previously music directed and composed original music for Vietgone and appeared in Arcadia and Company. David Schlumpf previously appeared in Days Like Today at Writers. David recently moved to Washington DC and is thrilled to come home to Chicago for Next to Normal.

Casting Announced FOR SERVICES RENDERED Via Griffin Theatre Company at The Den Theatre May 19 – July 6, 2019

ChiIL Live Shows on our radar

Casting Announced!

Griffin Theatre Company Presents

FOR SERVICES RENDERED

By W. Somerset Maugham

Directed by Robin Witt

May 19 – July 6, 2019 at The Den Theatre

PHOTO CREDIT: The cast of Griffin Theatre’s production of FOR SERVICES RENDERED includes (top, l to r) Israel Antonio, Eddie Dzialo, Matt Fletcher, Jennifer Huddleston, Cindy Marker and Marika Mashburn (bottom, l to r) Tim Newell, Krystal Ortiz, Ella Pennington, Robert Quintanilla, Matt Rockwood and Lynda Shadrake.

The Griffin Theatre Company is a Blue Star Theater and is proud to support our military enlisted and veterans. 

Griffin Theatre Company is pleased to continue its 31th anniversary season with W. Somerset Maugham’s classic war drama FOR SERVICES RENDERED, directed by ensemble member Robin Witt*, playing May 19 – July 6, 2019 at The Den Theatre (Upstairs Main Stage), 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets go on sale Wednesday, May 1 at www.griffintheatre.com or by calling (773) 697-3830. The press opening is Sunday, May 26 at 7 pm.

FOR SERVICES RENDERED will feature Israel Antonio, Eddie Dzialo, Matt Fletcher, Jennifer Huddleston, Cindy Marker, Marika Mashburn, Tim Newell, Krystal Ortiz, Ella Pennington, Robert Quintanilla, Matt Rockwood and Lynda Shadrake*.

Years ahead of its time, W. Somerset Maugham’s 1933 landmark play shows the impact of war on civilian life and suggests that the ideals of honor, patriotism and glory mean nothing if we show no care for the victims of conflict. A blistering portrait of the devastating aftermath of war and its effect on its survivors, FOR SERVICES RENDERED continues the Griffin’s exploration and mission to unearth rarely produced classic plays from the past (Men Should Weep, London Wall and Time and the Conways) with relevance to today and introduce them to Chicago audiences for the first time.

The production team for FOR SERVICES RENDERED includes Sotirios Livaditis (scenic design), Aly Renee Amidei (costume design), Brandon Wardell** (lighting design), Thomas Dixon (sound design), Rachel Watson (props design), Adam Goldstein (dialect coach), Lucy Carapetyan (casting director), Spencer Ryan Diedrick (assistant director), Emily Kefferstan (production manager), Derik Marcussen (technical director), Hannah Beehler (stage manager) and Rachelle ‘Rocky’ Kolecke (assistant stage manager).

*Denotes Griffin Theatre ensemble members   **Denote Griffin Theatre artistic associates

PRODUCTION DETAILS:

Title: FOR SERVICES RENDERED

Playwright: W. Somerset Maugham

Director: ensemble member Robin Witt*

Cast (in alphabetical order): Israel Antonio (Sydney Ardsley), Eddie Dzialo (Leonard Ardsley), Matt Fletcher (Howard Bartlett), Jennifer Huddleston (Gertrude), Cindy Marker (Gwen Cedar), Marika Mashburn (Eva Ardsley), Tim Newell (Dr. Prentice), Krystal Ortiz (Lois Ardsley), Ella Pennington (Ethel Bartlett), Robert Quintanilla (Collie Stratton), Matt Rockwood (Wilfred Cedar) and Lynda Shadrake* (Charlotte Ardsley).

Understudies: Aida Delaz, Harrison Hapin, Darren Hill, Jennifer Huddleston and Tom Jansson

Location: The Den Theatre (Upstairs Main Stage), 1331 N. Milwaukee Ave., Chicago

Dates: Previews: Sunday, May 19 at 3 pm, Tuesday, May 21 at 7:30 pm, Thursday, May 23 at 7:30 pm, Friday, May 24 at 7:30 pm and Saturday, May 25 at 7:30 pm

Press performance: Sunday, May 26 at 7 pm

Regular run: Thursday, July 30 – Saturday, July 6, 2019

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, July 4.

Tickets: Previews $28. Regular run $37. Students, seniors & veterans $32 ($23 previews). Group discount are available for groups of ten or more. Tickets go on sale Wednesday, May 1 at www.griffintheatre.com or by calling (773) 697-3830.

About the Artists

W. Somerset Maugham (Playwright) was a English novelist, playwright, and short-story writer whose work is characterized by a clear unadorned style, cosmopolitan settings, and a shrewd understanding of human nature. Maugham was orphaned at the age of 10; he was brought up by an uncle and educated at King’s School, Canterbury. After a year at Heidelberg, he entered St. Thomas’ medical school, London, and qualified as a doctor in 1897. He drew upon his experiences as an obstetrician in his first novel, Liza of Lambeth (1897), and its success, though small, encouraged him to abandon medicine. In 1908 he achieved a theatrical triumph – four plays running in London at once – that brought him financial security. His reputation as a novelist rests primarily on four books: Of Human Bondage (1915), a semi-autobiographical account of a young medical student’s painful progress toward maturity; The Moon and Sixpence (1919), an account of an unconventional artist, suggested by the life of Paul Gauguin; Cakes and Ale (1930), the story of a famous novelist, which is thought to contain caricatures of Thomas Hardy and Hugh Walpole; and The Razor’s Edge (1944), the story of a young American war veteran’s quest for a satisfying way of life. Maugham’s skill in handling plot, in the manner of Guy de Maupassant, is distinguished by economy and suspense. In The Summing Up (1938) and A Writer’s Notebook (1949) Maugham explains his philosophy of life as a resigned atheism and a certain skepticism about the extent of man’s innate goodness and intelligence; it is this that gives his work its astringent cynicism.

Robin Witt (Director) For Services Rendered is the fifth play Robin has directed for Griffin where she is an ensemble member. Other Griffin productions: London Wall, Men Should Weep, Flare Path, and Stage Door. She is also an ensemble member at Steep Theatre where her productions include Linda by Penelope Skinner, Lela & Co. by Cordelia Lynn, and Wastwater by Simon Stephens. Robin recently directed A Doll’s House Part 2 for Steppenwolf and A Number at Writers Theatre. She is an Associate Professor at UNC Charlotte and she holds a BFA from NYU and a MFA from Northwestern. Next up: Alistair McDowall’s Pomona at Steep Theatre (July/Aug. 2019).

About Griffin Theatre Company
Established in 1988. the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience.

The Griffin Theatre Company is the recipient of 115 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was honored with four 2018 Jeff awards for Ragtime including Best Ensemble, Best Musical, Best Director-Musical and Best Performer in a Supporting Role-Musical. Additionally, the company was the repeat winner of the 2016 Jeff Award for Best Production of a Play for London Wall having won the same award in 2015 for its production of Men Should Weep.

The Griffin Theatre Company is partially supported by the Illinois Arts Council, a state agency.
 For additional information, visit www.griffintheatre.com.

SAVE THE DATES: The Chicago Premiere of KENTUCKY Plus New Dates for Hansol Jung’s WOLF PLAY Via The Gift Theatre

ChiIL Live Shows on our radar

The Gift Theatre Announces Final Production 2019 Season:

The Chicago Premiere of

KENTUCKY

By Leah Nanako Winkler

Directed by Ensemble Member Chika Ike

October 17 – November 17, 2019 at Theater Wit

Plus: New Dates for Hansol Jung’s WOLF PLAY

The Gift Theatre is pleased to announce the final play of its 2019 Season: the Chicago premiere of Leah Nanako Winkler’s dark comedy KENTUCKY, directed by ensemble member Chika Ike, playing October 17 – November 17, 2019 at Theater Wit, 1229 W. Belmont Ave. in Chicago.

The Gift has also announced new dates for its world premiere of Hansol Jung’s messy, funny and disturbing theatrical experience WOLF PLAY, now slated for July 11 – August 18, 2019. Directed by guest artist Jess McLeod, WOLF PLAY will be presented at The Gift’s home at 4802 N. Milwaukee Ave. in Chicago’s Jefferson Park neighborhood.

The Gift Theatre’s 2019 season opened with an all-ensemble production John Patrick Shanley’s Pulitzer and Tony Award-winning drama DOUBT: A PARABLE, directed by ensemble member John Gawlik. DOUBT played February 27 – March 31, 2019 at Steppenwolf’s 1700 Theatre.

Two-show subscriptions are currently available at www.thegifttheatre.org or by calling (773) 283-7071.


About KENTUCKY

Two Sisters, Eccentric Parents, A Chatty Cat, And A Born-Again Wedding...What Could Go Wrong?

Hiro is a self-made single, almost 30 woman making it in New York while estranged from her dysfunctional family who lives in Kentucky. When her sister, a born-again Christian, decides to marry at 22, Hiro decides to do whatever she can to stop the wedding and salvage her sister's future. The themes of identity, religion and love collide in this unique coming-of-age story. 


About the Artists
Leah Nanako Winkler (Playwright) is an award-winning playwright from Kamakura, Japan and Lexington, Kentucky. Her plays include God Said This (Winner: 2018 Yale Drama Series, World Premiere: Humana Festival, Off Broadway Premiere: Primary Stages/Cherry Lane), Kentucky (2015 Kilroys List/World premiere: Ensemble Studio Theatre in coproduction with Page 73 and the Radio Drama Network. West Coast Premiere: East West Players) Two Mile Hollow (2017 Kilroys List, simultaneous world premiere with Artists At Play in La, Mixed Blood/Theater Mu in Minneapolis, First Floor Theater in Chicago and Ferocious Lotus in SF), Death For Sydney Black (terraNova Collective, Thinking Cap Theater, 2014 Kilroys Honorable Mention) Diversity Awareness Picnic (Clubbed Thumb/Playwrights Horizons Superlab, 2014 Kilroys Honorable Mention), Double Suicide At Ueno Park (EST/Marathon 2015), Linus and Murray (EST/Marathon 2017) and more.

Chika Ike (Director) is an ensemble member with the Gift Theatre Company, where she is also the Director of the 4802 Residency. She has worked with Public Theatre, Berkeley Repertory Theatre, Victory Gardens, About Face Theatre Company, Chicago Inclusion Initiative, Chicago Dramatists, and Prologue Theatre Company. Fellowships: Gielgud Directing Fellowship, the Bret C. Harte Directing Fellowship and Victory Garden’s Directors Initiative. Recent productions: A Swell in the Ground (The Gift Theatre), In the Blood (Red Tape Theatre), No Child (Definition Theatre Company), Dontrell Who Kissed the Sea (First Floor Theatre) and Franklinland (Jackalope Theatre Company).  


About The Gift Theatre
Since 2001 and over 70 productions, The Gift Theatre has pioneered the frontiers of the American theatre via the most intimate professional Equity theatre in the country, leading to national acclaim and a cultural revolution on Chicago’s northwest side.

The Gift’s 18th season includes a revival of John Patrick Shanley’s Pulitzer and Tony Award-winning drama Doubt: A Parable, directed by Ensemble Member John Gawlik at Steppenwolf’s 1700 Theatre (February 27 – March 31); the world premiere of Hansol Jung’s Wolf Play, directed by guest artist Jess McLeod at The Gift Theatre (July 11 – August 18) and Leah Nanako Winkler’s Chicago Premiere KENTUCKY directed by Ensemble Member Chika Ike at Theater Wit (October 17 – November 17). Season subscriptions are available for as little as $75. The Gift subscribers ("Gifters") receive admission to three shows, free parking at Gale Street Inn, free admission to all Wednesday night “Natural Gas” improv shows and invitations to special subscriber-only special events. Subscribe at www.thegifttheatre.org or by calling (773) 283-7071.