NEW RELEASE: SOPHOMORE ALBUM “MAUGA” FROM KING HOBO OUT MAY 31, 2019

KING HOBO TO RELEASE THEIR SOPHOMORE ALBUM “MAUGA”

MAY 31ST 2019

With CLUTCH's Jean-Paul Gaster on Drums/Percussion

The transatlantic trio that is KING HOBO are announcing the release of their album Mauga on Weathermaker Music.  The KING HOBO band members are Thomas Juneor Andersson (Kamchatka) on vocals, guitars & percussion, Per Wiberg (Kamchatka / Spiritual Beggars / Candlemass / ex-Opeth) on vocals, bass, and keys, and Jean-Paul Gaster (Clutch) on drums.

The album was produced by Tobias Strandvik and recorded at his studio in Varberg, Sweden. 

The album cover is designed by Per Wiberg himself.  Per says:
”I wanted to pay homage to all the great labels that inspired the music we play, like Chess, Atlantic, Vee-Jay, Prestige & Blue Note for example.  All these labels had a classy design in their heyday which was immediately recognizable.  That’s why our image is in tri-tone, and the names of the band members together with the label and stereo logo are mentioned on the front cover.  The sci-fi imagery is our little twist.”

Mauga Track Listing:

1. Hobo Ride
2. Dragon’s Tail
3. King Blues
4. Good Stuff
5. Mauga
6. How Come We’re Blind
7. Listen Here
8. Move To The City
9. Twilight Harvest Pt. I & II
10. New Or-sa-leans*

*Bonus Track on the digital release only

The first single from Mauga is “Hobo Ride“ and will be released April 19th, 2019 as an instant gratification track at iTunes and Amazon. That single will be followed by “Listen Here“ (May 3rd), and “Dragon's Tail“ (May 17th). 

Weathermaker Music will release a limited 12" LP in a gatefold format which has been autographed by the three musicians on the inner sleeve, and a digital 10-track version that includes the song "New Or-sa-leans" as a bonus. 

Jean-Paul Gaster on how KING HOBO began:
“Per and I met in 2003 when Spiritual Beggars and Clutch were touring Europe together. Within the first hour of meeting him, he and I had an in depth conversation about the blues and funk and how the Bad Brains were one of the most important bands of all time.  Even though we grew up in countries thousands of miles apart we had an immediate kinship thru our love of the music. 

In the summer 2005 Clutch and Opeth were on the Sounds of the Underground tour. Per was playing with Opeth at the time. After the show he and I would often hang out enjoying a cold beer and listening to everything from Captain Beyond to Black Uhuru and Miles Davis. On a hot and humid evening somewhere in the mid-west one of these listening sessions led to us setting up gear in the bus parking lot and holding an open jam in what we called the funk tent. These jams are where the King Hobo seeds were planted. 

It was at one of the Sounds of the Underground tour dates that Per played me a new release by a Swedish band called Kamchatka. I was blown away by the man playing guitar! He had a soulful voice and played like Stevie Ray Vaughn. This was my introduction to the powerhouse singer and guitarist Thomas Anderson.”

Thomas Juneor Andersson on the sound of KING HOBO:
“In a metaphorical way this is the sound of two continents meeting; Europe, particularly Sweden, and the United States and here particularly the East coast.  When we play, all hell breaks loose.  Our music can, at times be intense and loud, and then again almost like a whisper. Per and JP are my role models, as persons and musicians and it's a huge honor to play with them. We play what we feel and that's the sound of this album. We are three musicians from different parts of the world, friends actually, who are having a musical conversation, as grownups do.”

Per Wiberg on the recording of Mauga:
“We recorded this album the same way as the first, live in the rehearsal room. It’s quite a liberating process compared to how a lot of albums are recorded these days. We set up our gear in a circle and go full on, no headphones or screens to seal off the amps or drums. We jam all through the day to see what we come up with, arrange it on the spot and record.   I really like the fact that it doesn’t feel like a regular recording situation with monitors, click tracks and what not. It feels a lot more exclusive and kinda like a proper gig actually, plus we don’t have to worry what it’s gonna sound like live either, cause this is live in the raw!

The hang out part and easy going vibe adds a lot to how we play together as well and none of this would happen if we didn’t have a guy we trusted in the studio. Toby Strandvik did a tremendous job this time with the technical side of things as this way of recording might not be an engineers’ wet dream so to speak.

The journey is just as much worth as the destination to us and I think we found the Hobo way of capturing the moment."

KING HOBO:

Thomas Juneor Andersson on vocals, guitars & percussion.
Per Wiberg on vocals, bass, and keys
Jean-Paul Gaster - Drums/Percussion

REVIEW: Afterglow at Buena Pride Arts Center Now Extended 4 Weeks Through June 2, 2019

ChiIL Live Shows on our radar

AUDIENCE ADVISORY: Includes male nudity. Suitable for audiences 18+

Guest Review 
by Milan Pejnovich 
What to say about Afterglow, the Chicago premiere of the Off-Broadway hit that is now playing at the Buena Pride Arts Center in a production by Pride Films and Plays and has already been extended by a month to June 2? Suffice it to say that its appeal was lost on me. A gay couple, played by Jacob Barnes and the much better Richard Holton, have an open relationship and bring in a third, played by Jesse James Montoya, for spice and fun. Things get complicated when one half of the couple falls in mutual love with the third, spoiling their plans for a baby already well into its surrogate's pregnancy.

L-R: Jacob Barnes, Jesse Montoya. Photos by Heather Mall.

L-R: Jacob Barnes, Jesse Montoya, Rich Holton. 

Does this surprise anyone? Of course, there's full frontal male nudity and a credit for an "intimacy choreographer," so if you, like 99% of the audience at the performance I attended, are a gay guy looking for naked hotties doing soft porn in the flesh, then you too can contribute to its sold out houses and extended run. But if you, like me, think it's stupid people making stupid decisions and suffering the stupid consequences, I'd save your money for the hard stuff you can find online.

Milan Pejnovich has nearly 30 years of experience in marketing and the performing arts, including positions as the Audience Services Manager at Court Theatre and the Marketing Manager at Northlight Theatre. He also spent many years in house manager positions at Penn State’s Center for the Performing Arts, About Face Theatre, Court Theatre, and Northwestern University. He is currently the manager of Strategic Marketing for the Arts, which provides telemarketing and telefunding services to over three dozen non-profit arts organizations nationwide, including Chicago Shakespeare Theater, Playwrights Horizons and MCC Theater off-Broadway, and the Omaha Symphony, Long Beach Opera, Denver Film Society and Cincinnati Ballet.

AFTERGLOW

Chicago premiere of AFTERGLOW now extended four weeks

New closing date for this gay-themed drama is June 2

The Chicago Premiere of AFTERGLOW, an off-Broadway hit from 2017 exploring the emotional, intellectual, and physical connections between three men and the broader implications within their relationships, will be extended for an additional four weeks to meet demand. The drama, directed by Pride Films and Plays Executive Director David Zak, which opened on March 27, was originally scheduled to close on Sunday, May 5 but will now play until Sunday, June 2 in the Buena Theatre of the Pride Arts Center. 

Colin Douglas of CHICAGO THEATRE REVIEW, said ‘It’s an exciting production that’s sure to be talked about for a long time.” Lawrence Bommer, writing for STAGE AND CINEMA, said “AFTERGLOW shines.” WINDY CITY TIMES reviewer Jerry Nunn said AFTERGLOW is  a “concise piece that digs into heavy topics such as love, loyalty, sex, trust and parenthood.”

Josh and Alex are a gay male married couple in an open relationship. The two invite another man, Darius, to share their bed one night.  When a new intimate connection begins to form, all three men must come to terms with their individual definitions of love, loyalty, and trust as futures are questioned, relationships are shaken, and commitments are challenged.

Zak’s production team for AFTERGLOW includes Kailee Tomasic (Scenic and Props Design), Dan Lewis (Lighting Design), Shawn Quinlan (Costume Design), Jared Sutton (Sound Design & Original Music), Reed Bentley (Intimacy Choreographer), Kyle Mayes (Assistant Intimacy Director), Daniel Washelesky (Assistant Director), and Michael Starcher (Stage Manager).

AFTERGLOW played fourteen months, from June 2017 through August 2018, at the off-Broadway Davenport Theatre in New York City. The nationally distributed, LGBT-focused magazine THE ADVOCATE, said it "Penetrates the psyche in a way that many gay men will find relatable. A gritty tale of commitment on the cusp of questioning its boundaries, the incredible acting and intense writing propels the audience’s minds and hearts into their emotional plights."

Premium seats $40, general admission seats $30, student/senior/military $25 (not valid Saturdays). Flex Passes available for $144 are good for six reserved seats with priority seating for the patron’s choice of shows. 

AFTERGLOW is performed in the 44-seat Buena Theatre of the Pride Arts Center. Tickets available by phone at 866-811-4111 or 773-857-0222 or online at www.pridefilmsandplays.com

Make it a Double:

**NOTE: BUYER & CELLAR Performance Schedule Update

Sunday matinees moved up to a 2:00 pm curtain time to enable a PFP “Double Feature” with AFTERGLOW

All Sunday matinees for Pride Films and Plays’ production of Jonathan Tolins’s BUYER & CELLAR have been rescheduled to a 2 pm curtain, an hour-and-one half earlier than previously announced.  The change was made to make it possible for patrons to attend on a single afternoon both plays that will be playing at the two-stage Pride Arts Center in April and May. BUYER & CELLAR, which will start performances on April 11 in the 85-seat Broadway Theatre at 4139 N. Broadway, will begin its Sunday matinees at 2 pm and let out shortly after 3:30 pm. This will allow a 25-30-minute break before the 4 pm Sunday matinees of AFTERGLOW, performed in the 44-seat Buena Theatre at 4147 N. Broadway. AFTERGLOW, which opened on March 27,  has a running time of approximately 80 minutes with no intermission, and lets out at approximately 5:20 pm. Separate tickets are required for the two plays.

Emmy Award winner and Chicago Musical Theatre and Cabaret performer Scott Gryder will star in Pride Films and Plays’ upcoming production of Jonathan Tolins’s one-man comedy BUYER & CELLAR, directed by Donterrio Johnson. Gryder will play all the characters in Tolin’s comedy, but most notably, the role of Alex More - a struggling actor who takes a job managing a make-believe shopping mall in the basement of Barbra Streisand’s Malibu home.

Gryder’s Chicago stage credits include JESUS CHRIST SUPERSTAR (Lyric Opera) and THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Drury Lane Water Tower), THE GOLDEN GIRLS – THE LOST EPISODES (Hell in a Handbag), AMOUR (Black Button Eyes), and SOUTH PACIFIC (Light Opera Works). He has performed in cabarets at such venues as Davenport's, Victory Gardens Theater, and Auditorium Theatre's Katten-Landau Studio. Gryder has a B.A. in Theater from Texas Tech University. MeTV’s GREEN SCREEN ADVENTURES earned him three National Daytime Emmy Awards for Outstanding Achievement in Makeup.

BUYER & CELLAR was a 2013 off-Broadway hit, running for 13 months at the Barrow Street Theatre immediately after its sold-out world premiere at the Rattlestick Theatre. A national tour starring Michael Urie played Chicago for six weeks in 2014. It has been performed in many countries around the world since then. This will be the play’s first Chicago production since the tour’s engagement here.

Tolins, whose other playwriting credits include the gay-themed comedies LAST SUNDAY IN JUNE and THE TWILIGHT OF THE GOLDS, was inspired to write BUYER & CELLAR after reading about Streisand’s real-life faux mall in her book, MY PASSION FOR DESIGN. Tolins’s comedy begins with the truth of the mall – a showcase for her collectibles like dolls and antique clothing – and imagines what it might be like to be the custodian of such a place for such a celebrity. BUYER & CELLAR is an outrageous comedy about the price of fame, the cost of things, and the oddest of odd jobs.

BUYER & CELLAR will be performed in the 85-seat Broadway Theatre of the Pride Arts Center. It will open to the press on Monday, April 15 following previews from Thursday, April 11; and will play through Sunday, May 19, 2019. BUYER & CELLAR joins the schedule of shows previously announced for spring at Pride Arts Center, including the musical SOUTHERN COMFORT, opening to the press on March 4; the drama AFTERGLOW, opening on March 27; and the world premiere of DESIRE IN A TINIER HOUSE on June 3. 

BIOS
Scott Gryder (Alex More) has been seen throughout Chicagoland, with appearances including JESUS CHRIST SUPERSTAR (Lyric Opera Chicago), THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Drury Lane Theatre at Water Tower Place), and SOUTH PACIFIC (Light Opera Works). He has performed in cabarets at such venues as Davenport's, Victory Gardens Theater, and Auditorium Theatre's Katten-Landau Studio. Gryder has a B.A. in Theater from Texas Tech University. MeTV’s GREEN SCREEN ADVENTURES earned him three National Daytime Emmy Awards for Outstanding Achievement in Makeup. For more info, visit www.thescottgryder.com

Donterrio Johnson (Director) is excited to be back at home with Pride Films and Plays - this time behind the table directing this new exciting production of BUYER AND CELLAR by Jonathan Tolins. With a keen eye for detail and a knack for intricate storytelling that is thought-provoking and modernistic, Donterrio Johnson has created some incredible art as both actor and director over the past 15 years. He was a Jeff Award-winner for his Judas Iscariot in JESUS CHRIST SUPERSTAR with Theo Ubique and has earned raves for his Dan in NEXT TO NORMAL and his Caldwell B. Cladwell in  URINETOWN, both with BoHo Theatre. He has also appeared in the Chicago cast of SPAMILTON and as Leading Player in PIPPIN at Mercury Theater and recently  returned from a year-long stint in the National Tour of WAITRESS. Johnson’s notable directing credits include: THE COLORED MUSEUM, 101 DALMATIANS , EMPEROR’S NEW CLOTHES WILLY WONKA, LAST FIVE YEARS, LITTLE SHOP OF HORRORS  AND THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE. Donterrio has worked with companies such as Pulse Theatre Company, Prisco Center, and The REPA Center.

Previews Thursday, April 11 through Saturday April 13 at 7:30 pm, Sunday April 14 at 3:30 pm,

Thursdays – Saturdays at 7:30 pm, Sundays at 2:00 pm through May 19
Premium seats $40, general admission seats $30, student/senior/military $25 (not valid Saturdays)



ABOUT PRIDE FILMS AND PLAYS
Pride Films and Plays is working to produce year-round theater and film projects that change lives through the generation of diverse new work (or work that is new to Chicago) with LGBTQ+ characters or themes that are essential viewing for all audiences. The company produces a five-play season of full productions, shoots one short film each year, and continues our famed play developmental projects. PFP is the principal tenant in Pride Arts Center. 

Pride Arts Center produces events complementing the PFP vision, including dance, cabaret, film, and more. Events can be one-night or limited run productions or feature national treasures like Charles Busch.  PAC occupies The Broadway at 4139 N. Broadway, which has 85 seats, and The Buena, which has 50 seats at 4147 N Broadway.

Pride Films and Plays is supported by The MacArthur Fund for Arts & Culture at The Richard Driehaus Foundation, The Illinois Arts Council, City of Chicago’s City Arts Fund, the Elliott Fredland Charitable Trust, Proud to Run, The Pauls Foundation, The Heath Fund, The Service Club of Chicago, the AmazonSmile Foundation, Arts and Business Foundation, Tap Root Foundation, Arts and Business Council, and Alphawood Foundation. 

PFP is a member of the Smart Growth Program of the Chicago Community Trust. Pride Films and Plays is a member of the LGBT Chamber of Commerce of Illinois, Northhalsted Business Association, Uptown United, and The League of Chicago Theatres.

OPENING: EUGENE IONESCO'S KILLING GAME VIA A RED ORCHID THEATRE May 2 – June 23, 2019

ChiIL Live Shows on our radar

 A RED ORCHID THEATRE PRESENTS

KILLING GAME

By EUGENE IONESCO

directed by ENSEMBLE MEMBER DADO

FEATURING ENSEMBLE MEMBERS LANCE BAKER AND DOUG VICKERS on stage 

and Mike Durst and Karen Kawa with Lighting design and dramatugy

May 2 – June 23, 2019

I'll be seeing Killing Game the week of May 12th, so check back soon for my full review. A Red Orchid Theatre presents Eugene Ionesco’s Killing Game, directed by Ensemble Member Dado, and featuring Ensemble Members Lance Baker and Doug Vickers. Killing Game runs May 2 – June 23, 2019 at A Red Orchid Theatre, 1531 N Wells in Chicago. Tickets for Killing Game now on sale.

A town is beset by plague and the bodies are piling up along with moral accusations, political implications and medical speculations.  We peer into households and down many streets as people search for any logic to the ceaseless barrage of death. One of Ionesco's last plays, Killing Game is a piercing and frighteningly funny look at how the function of language and the panic surrounding social crisis sends a community into a chaotic state of paranoia, hypocrisy and opportunism. 

The cast of Killing Game includes Ensemble Members Lance Baker and Doug Vickers, along with Angela Alise, Dano Duran, Sherman Edwards, Andres Enriquez, Roy Gonzalez, Maya Lou Hlava, Katherine Mallen Kupferer, Ashley Neal and Londen Shannon.

The creative team for Killing Game includes Elenna Sindler (original music), Grant Sabin (set design), Kotryna Hilko (costumes), Mike Durst (lighting design), Sarah Putts (sound design), Samantha Rausch (properties) and Ensemble Member Karen Kawa (Dramaturgy).

About the Artists
Dado (Director) is an ensemble member of A Red Orchid Theatre. Last year she directed Simpatico by Sam Shepard at the McCarter Theatre in Princeton, New Jersey. Recent AROT productions are The Room by Harold Pinter, The Mutilated by Tennessee Williams and Red Handed Otter by Ethan Lipton. Dado appeared on AROT's stage in Brett Neveu’s Traitor, Abbie Spallen's Strandline, and she also appeared here in an incubator, Celebration, (by Harold Pinter) which was a musical experiment with percussion ensemble Beyond This Point, which she also directed. Last spring dado acted in Theatre Wit's Chicago premiere of Ann Washburn's 10 out of 12. She is the recipient of the 2017 Edes Prize. She holds an MFA in visual art from University of Chicago. 

Angela Alise (Ensemble) ​is making her A Red Orchid Theatre debut. Angela ​is an award-winning performer, writer and producer originally from KCMO. ​Her favorite acting credits include ​The Wolves (Goodman); ​The House That Will Not Stand (Victory Gardens);​ Saturday Night/Sunday Morning (Prologue at Steppenwolf Garage Rep); ​How We Got On​ (Haven); ​Black Side of the Moon, Nothing to Lose but Our Chains (Second City at Woolly Mammoth) and ​Almost Accurate Guide to America (Second City at The Kennedy Center). Angela is a 2018 NBC Universal/Second City Bob Curry Fellow. She holds a BA in Theatre and Sociology from Loyola University and is represented by Gray Talent Group. 

Lance Baker (Ensemble) is an ensemble member of A Red Orchid Theatre. He has been seen here in Evening At The Talk House, The Mutilated, The Agony and the Ecstasy of Steve Jobs, Becky Shaw, The Mandrake, Hunger and Thirst, and The Grey Zone. He also directed The Earl and co-directed A Very Merry Unauthorized Children's Scientology Pageant.

Dano Duran (Ensemble) returns to A Red Orchid Theatre where he was last seen in The Room and understudied for Traitor at AROT. He is more than honored to be able to work with this generous theatre company once again. By day he can sell you a house. 

Sherman Edwards (Ensemble) is making his A Red Orchid Theatre debut! He was named 2012’s “Best Stand Up Comic in Chicago” by the Chicago Reader. He's been lucky enough to perform at The Edinburgh Fringe Festival in Scotland and a few other notable places. TV/ Film credits include Single Long (HBO GO); Empire (FOX) and the upcoming feature film Monuments. Sherman is represented by Paonessa Talent.

Andrés Enriquez (Ensemble) is making his A Red Orchid debut Chicago credits include: A Gentleman’s Guide to Love and Murder, Merrily We Roll Along (Porchlight Music Theatre); Sylvester, Northanger Abbey (Lifeline Theatre); A Wonderful Life, My Way (TATC); Adding Machine (Hypocrites) and Love and Information (Remy Bumppo). Regional credits include: School House Rock Live! (Birmingham Children’s Theatre); The Fantasticks, The 39 Steps (Shawnee Theatre); The Woman In Black (Iowa Repertory) and Scapin (Colonial Williamsburg). He is a proud ensemble member of Lifeline Theatre, where he also serves as Casting Director. Andrés received his MFA from the University of Iowa and is represented by Gray Talent.

Roy Gonzalez (Ensemble) returns to A Red Orchid Theatre after being seen in the 2016 production of The Mutilated. In the past, he's worked as an actor and musician with companies like Steep Theatre, Jackalope Theatre, The Hypocrites, and a number of others you've probably heard of. He's been featured in a couple of those Dick Wolf shows, several commercials as the spokesman for an auto insurance company, and as the young dad to ethnically ambiguous families in holiday print ads. Roy is represented by Grossman & Jack Talent. 

Maya Lou Hlava (Ensemble) returns to A Red Orchid where she was most recently seen in The Nether. Other Chicago credits include Zurich (Steep Theatre); Oklahoma (Marriott Theatre); Violet (Griffin Theater); Trevor (Writers Theatre); White Christmas, Bye Bye Birdie (Drury Lane Theater); Jake's Women (Spartan Theatre Company);The Secret Garden (Court Theatre); The Talking Cure (Idle Muse Theatre Company); Jane Eyre (Lifeline Theatre) and The Wheel (Steppenwolf Theatre). Television credits include Chicago Med. 

Katherine Mallen Kupferer (Ensemble) is a fifth grader at Peirce Elementary school on Chicago's north side. She made her professional debut in Chicago Shakespeare Theater's 2014 production of Gypsy and her big screen debut that spring in the full-length indie feature Fools.  Most recently, she was seen in Steve McQueen's Widows as Kirsten Fitzgerald's gun loving daughter, and in the Cox Communications commercial "Windblown.” Proudly represented by Gray Talent Group.

Ashley Neal (Ensemble) returns to A Red Orchid Theatre again having previously appeared in The Nether and Red Handed Otter. She is a proud member of Rivendell Theatre Ensemble where she has appeared in many productions, including Alias Grace, Call in Camo, Scientific Method, Wrens, and others. Other shows you may have seen her in include London Wall, Men Should Weep, Stage Door (Griffin Theatre); The Life and Sort of Death of Eric Argyle (Steep Theatre); Reverb (Redtwist Theatre); 25 Saints (Pine Box); Holidaze (Step Up Productions); Scenes from the Big Picture (Seanachi) as well as work with Chicago Dramatists, Jackalope Theatre, Victory Gardens, Strawdog, The Greenhouse Theatre, and others. Ashley is a graduate of Columbia College Chicago and The School at Steppenwolf. Thanks to the AROT crew for being kick ass and to my husband for all his support. 

Jill Oliver (Ensemble) returns to A Red Orchid Theatre, where she was last seen in Dado’s Incubator production of A Night Out. Jill spent 9 years as an ensemble member of The Factory Theater where she produced, directed, wrote, and acted in over a dozen shows. In addition to The Factory, Jill has worked around Chicago with Artistic Home, Irish Theatre of Chicago, Shattered Globe, LiveWire Theatre, and Wayward Productions. Jill is represented by Hayes Talent Agency. 

Londen Shannon (Ensemble) is making his A Red Orchid Theatre debut. He was most recently seen in The New Colony’s Fun Harmless Warmachine and has previously worked with the Goodman Theatre, the Gift Theatre, and Teatro Vista. 

Sarah Thompson Johansen (Ensemble) is a keen advocate for new music. She frequently performs music of contemporary living composers and recorded the role of Helen in Rosśa Crean's horror opera The Great God Pan (album on Navona/PARMA). Recent modern operatic roles include Artistic Director in ...for the sake of a narrative closure; Donna Elvira in The Times are Nightfall; Ensemble in The Little Match Girl Passion; Steampunk Girl in Cosmic Ray and the Amazing Chris and Zina in Dark Sisters. Other roles include Beth in Adamo's Little Women, Susanna in Le nozze di Figaro, and Zerlina in Don Giovanni. 

Doug Vickers (Ensemble) is an ensemble member at A Red Orchid Theatre, where he most recently appeared in Evening at the Talkhouse by Wallace Shawn. Some of his other favorite appearances at Red Orchid have been in Accidentally Like a Martyr, Simpatico, Four Murders, The Grey Zone, and Ionesco's Hunger and Thirst. Doug was the recipient of the Joseph Jefferson Award for The Best Man at Remy Bumppo Theatre (Best Cameo Performance). Chicago: Comedy of Errors (Chicago Shakespeare); U.N. Inspector, Turcaret the Financier (Next Theatre); Two Planks and a Passion (Famous Door Theatre); People Annihilation (Trap Door Theatre) and The Birds (Hell in a Handbag). Regional: Illinois Shakespeare Festival. TV: Underemployed (MTV). Doug holds a Bachelor’s Degree in English from Northwestern University - School of Professional Studies and has done graduate level work in English at NU as well.

Dates:
Previews: May 2-11, 2019 

Press Performances: Saturday, May 11 at 3:00 p.m. & 7:30 p.m. 
Opening: Sunday, May 12, 2019 at 7:00 p.m. 
Red Night: Friday, May 17, 2019 at 7:30 p.m. 

Schedule: 
Thursdays: 7:30 p.m.
Fridays: 7:30 p.m. 
Saturdays: 3:00 p.m. and 7:30 p.m.  
Sundays: 3:00 p.m.  

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $15-$25 previews, $30-$40 regular run.  ($30 Thurs, $35 Fri & Sat Matinee, $40 Sat evening &Sun matinee) 
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 

  
With our 26th season of ambitious and powerful storytelling, we continue to champion A Red Orchid Theatre’s Red League, which is a gift $1k or more, and the Founders Circle, which is a gift of $5k or more annually for a three-year pledge. These donors represent a community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre. 



About A Red Orchid   
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored in 2016 with a MacArthur Award for Creative and Effective Institutions. Over the past 25 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories.  

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.  

REVIEW: Midwest Premiere of LANGUAGE ROOMS Via Broken Nose Theatre

ChiIL Live Shows on our radar

All Performances Pay-What-You-Can!

Midwest Premiere!

Broken Nose Theatre Presents

LANGUAGE ROOMS

(left to right) Salar Ardebili and Bilal Dardai 

All Photos by Austin D. Oie.

By Yussef El Guindi

Directed by Kaiser Zaki Ahmed

April 19 – May 18, 2019 at The Den Theatre

Review
by bonnie kenaz-mara

I spent last night in a cinder block institution, where disorientation, deprivation, intimidation, bullying, embarrassment and lactose intolerance were used as weapons against suspected terrorist sympathizers. Under the guise of national security, a host of normally benign objects took on sinister overtones, as sanctioned US translators turned torturers, unpacked everything from baseball bats, pliers and tubing, to clown noses, honey, and deprivation suits.

(left to right) Bradford Stevens and Salar Ardebili

When loyalties are questioned, lines blur between the detainers and detainees, and thing get even more interesting. Language Rooms is fanciful and frightening; a delightfully dark comedy, as disturbing as it is absurd. It's easy to believe the world of this dystopian detention center could truly exist in our present political climate. It's hapless inhabitants are suspect for a lack of love of sports, a shyness for group showers, and guilt by association. 

(left to right) Bilal Dardai and Salar Ardebili

Throw in a dose of immigrant struggles, parental sacrifice and screw ups, hidden infidelity, and infidel associates, and you have one masterful mashup. In this catacomb of coerced confessions, an Egyptian translator works who barely knows his native language or culture, a black boss suspects everyone, coverups and leaks abound, and big brother is always watching. Meanwhile, higher powers are gunning for dissolving the entire division. So the pressure's on for the facility to justify their own existence and success rates, to stay in the interrogation business. The entire cast is compelling with Salar Ardebili (Ahmed) and Bilal Dardai (Samir) as particular standouts, 

Yussef El Guindi’s thought provoking piece is recommended. Best of all, tickets for all performances are Pay-What-You-Can! Book now for best availability. Tickets are currently available at www.brokennosetheatre.com.

Bonnie Kenaz-Mara is a Chicago based writer-theater critic-photographer-videographer-actress-artist-general creatrix and Mama to two terrific teens. She owns two websites where she has published frequently since 2008: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

(left to right) Bradford Stevens, Bilal Dardai and Salar Ardebili

Broken Nose Theatre is pleased to continue its seventh season with the Midwest premiere of Yussef El Guindi’s dark comedy LANGUAGE ROOMS, directed by Kaiser Zaki Ahmed, playing April 19 – May 18, 2019 at BNT’s resident home, The Den Theatre (2A), 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are currently available at www.brokennosetheatre.com. Tickets for all Broken Nose Theatre productions are available on a “pay-what-you-can” basis, allowing patrons to set their own price and ensuring theatre remains economically accessible for all audiences. The press opening is Monday, April 22 at 7:30 pm.

(left to right) Salar Ardebili and Bassam Abdelfattah

LANGUAGE ROOMS features Bassam Abdelfattah, Salar Ardebili, Bilal Dardai and Bradford Stevens.

Ahmed loves America, and he’s proud to prove his patriotism whenever possible. He pays his taxes, he dresses for success at the office, and he’s made a point to be the best interrogator at this particular government detainment facility. So when a rumor swirls around the water cooler calling his loyalty into question, he works to do whatever’s necessary to maintain his reputation as one of “the good ones.” But when you’re an immigrant, can you ever truly be at home in a country always ready to view you as an enemy? Part The Office, part 1984, LANGUAGE ROOMS examines the paranoia polluting our political climate.

Comments Artistic Director Elise Marie Davis, “We at Broken Nose are consistently looking for plays that center around characters, or are set in worlds, that rarely have the opportunity to make it onstage, and Yussef's play is no different. Language Rooms is a dark comedy about state-sanctioned torture, a hilarious and horrifying balancing act in which the belly laughs are immediately followed by gut punches. After admiring the work he's done at his home company of Jackalope Theatre for years, we're thrilled to be working with director Kaiser Zaki Ahmed for the first time. We cannot wait for Chicago audiences to see what this cast and production team have in store.”

* Denotes BNT company member   ^ Denotes BNT artistic associate      

Location: The Den Theatre (2A), 1331 N. Milwaukee Ave., Chicago
Dates: Previews: Friday, April 19 at 7:30 pm and Saturday, April 20 at 7:30 pm
Opening: Sunday, April 21 at 3 pm
Press performance: Monday, April 22 at 7:30 pm
Regular run: Thursday, April 25 – Saturday, May 18, 2019
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm

Industry night: Monday, May 6 at 7:30 pm

Understudy night: Wednesday, May 15 at 7:30 pm

Tickets: Pay-what-you-can. Tickets are currently available at www.brokennosetheatre.com.

(left to right) Bilal Dardai and Salar Ardebili

(left to right) Bradford Stevens and Salar Ardebili 

About the Artists
Yussef El Guindi’s (Playwright) productions include The Talented Ones at Artists Repertory Theatre in Portland; Our Enemies: Lively Scenes of Love and Combat at Golden Thread Productions; An Evening with Activists at Cutting Ball Theater; Collaborator at Macha Monkey Productions; Threesome at Portland Center Stage, ACT and at 59E59 (winner of a Portland Drammy for Best Original Script); Pilgrims Musa and Sheri in the New World (winner of the Steinberg/ American Theater Critics Association’s New Play Award in 2012; and the 2011 Gregory Award) also at ACT and at Center Repertory Company (Walnut Creek, CA) 2013; and Language Rooms (Edgerton Foundation New American Play Award), co-produced by Golden Thread Productions and the Asian American Theater Company in San Francisco; at the Wilma Theater in Philadelphia (premiere), and at the Los Angeles Theater Center. Our Enemies: Lively Scenes of Love and Combat was also produced by Silk Road Theater Project and won the M. Elizabeth Osborn award. His plays Back of the Throat, Pilgrims Musa and Sheri in the New World, Jihad Jones and the Kalashnikov Babes, Such a Beautiful Voice is Sayeda’s and Karima’s City have been published by Dramatists Play Service. His play Ten Acrobats in an Amazing Leap of Faith is included in Salaam/Peace: An Anthology of Middle Eastern-American Playwrights, published by TCG, 2009. Our Enemies: Lively Scenes of Love and Combat is included in the anthology Four Arab American Plays published by McFarland Books. And Threesome is published by Broadway Play Publishing Inc. Yussef is the recipient of the 2010 Middle East America Distinguished Playwright Award, and Seattle’s 2015 Stranger’s Genius Award.

 (pictured) Bilal Dardai 

Kaiser Zaki Ahmed (Director) is a Chicago-based theatre director, actor and teacher. An alum of Columbia College Chicago’s Theatre Directing program, Kaiser specializes in actor-driven new American plays. Most recently, he assistant directed Guards at the Taj (Steppenwolf) and Hand to God (Victory Gardens). Kaiser was the Founding Artistic Director of Jackalope, from its inception in May of 2008 through the end of 2011, and continues to serve as the Associate Artistic Director. At Jackalope, Kaiser has directed the Jeff-Nominated 1980 (or Why I'm Voting for John Anderson), The Raid, The Killing of Michael X, Long Way Go Down, Slaughter City, The Last Exodus of American Men, and countless readings and short plays. Kaiser is also an Artistic Associate at The Artistic Home Theatre Company. A member there since 2005, he directed the Jeff-Nominated Midwest Premiere of The Late Henry Moss, House of Yes and assistant directed several others. Kaiser also directed Vanya (or That’s Life!) and Washer/Dryer at Rasaka Theatre. Kaiser is a 2015-16 Eugene O’Neill National Directors Fellowship Finalist, a 2016-17 Victory Gardens Directors Inclusion Initiative recipient and an Associate Member of SDC. Favorite acting work includes Ideation and Lunacy! (Jackalope Theatre), A Nice Indian Boy (Rasaka Theatre) and The Seagull (Artistic Home Theatre), The Awake (First Floor Theatre) and several film and commercial spots. He is represented by Gray Talent.


(left to right) Bassam Abdelfattah, Bradford Stevens and Salar Ardebili in Broken Nose Theatre’s Midwest premiere of LANGUAGE ROOMS. Photo by Austin D. Oie.


About Broken Nose Theatre:
Broken Nose Theatre is a Pay-What-You-Can theatre company. Founded in 2012, BNT was this year's recipient of the Emerging Theater Award, presented by the League of Chicago Theatres and Broadway in Chicago. The company has produced and developed 15 full-length plays (including 8 Chicago or World Premieres) and over 40 new womencentric short plays through their annual Bechdel Fest. We strive to spark conversation, cultivate empathy, and amplify underrepresented voices, and are committed to making new, exciting and relevant theatre that is economically accessible to all audiences. For more information, please visit www.brokennosetheatre.com.

OPENING: Chicago Premiere of THE UNDENIABLE SOUND OF RIGHT NOW Via Raven Theatre May 2 – June 16, 2019

ChiIL Live Shows on our radar

Chicago Premiere!

Raven Theatre Presents

THE UNDENIABLE SOUND OF RIGHT NOW

By Laura Eason

Directed by BJ Jones

May 2 – June 16, 2019 

Raven Theatre is pleased to conclude its 2018-19 season with the Chicago premiere of Laura Eason’s THE UNDENIABLE SOUND OF RIGHT NOW, a poignant and potent portrait of those who can change with the times and those who get left behind. Directed by BJ Jones, THE UNDENIABLE SOUND OF RIGHT NOW will play May 2 – June 16, 2019 on Raven’s 99-seat East Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at www.raventheatre.com or by calling (773) 338-2177. The press opening is Monday, May 6 at 7:30 pm.

THE UNDENIABLE SOUND OF RIGHT NOW features Christopher Acevedo, Dana Black, Henry Greenberg, Jeff Mills, Casey Morris and Lindsay Stock.

Chicago, 1992. The city and its culture are changing, but grungy old Hank’s Bar isn’t. The “soulless” noise of electronic music is on the rise. Hank, proprietor of a legendary rock club, must battle the rising tide of The Next Big Thing as it threatens to destroy his legacy and fracture his family.

Comments Artistic Director Cody Estle, “The Undeniable Sound of Right Now is a Chicago story – set in Chicago and written by fourth generation Chicagoan Laura Eason. The play is a somewhat poignant look at the fall of rock music and the rise of house music in the early 1990s. This is a topic Laura knows well, as she was the singer, songwriter and bass player for the Chicago power pop band Tart. I am pleased to present this play about the inevitable changes which come with the passage of time and the coming of age of a new generation.”

The production team for THE UNDENIABLE SOUND OF RIGHT NOW includes: Jeffrey D. Kmiec (scenic design), Izumi Inaba (costume design), Heather Gilbert (lighting design), Lindsay Jones (sound design), Lacie Hexom (props design), Kanome Jones (casting director), Eli Newell (assistant director), Eric Backus (assistant sound designer), Eileen Rozycki (scenic artist), Cole von Glahn (production manager), Bek Lambrecht (technical director), Wilhelm Peters (stage manager) and Sapier Weinglass (assistant stage manager).

Cast (in alphabetical order): Christopher Acevedo (Toby), Dana Black (Bette), Henry Greenberg (Nash), Jeff Mills (Hank), Casey Morris (Joey) and Lindsay Stock (Lena).

Location: Raven Theatre East Stage, 6157 N. Clark St. (at Granville), Chicago

Dates: Previews: Thursday, May 2 at 7:30 pm, Friday, May 3 at 7:30 pm, Saturday, May 4 at 7:30 pm and Sunday, May 5 at 3 pm

Press performance: Monday, May 6 at 7:30 pm

Regular run: Thursday, May 9 – Sunday, June 16, 2019

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.

Tickets: Previews $32 ($29 if purchased online). Regular run $46 ($43 if purchased online). Seniors/teachers $41 ($38 if purchased online). Students/active military and veterans $15. Every Thursday is “Under 30 Thursday,” when patrons under age 30 can purchase tickets for $15. Tickets are currently available at www.raventheatre.com or by calling (773) 338-2177.

Touch Tour/Open Captioned performance: Sunday, June 2 at 3 pm. Touch tour begins at 1:45 pm.

Group tickets: Groups of 10 or more are $30 per person for Thursday and Friday performances and $35 per person for Saturday and Sunday performances. Student groups are $15 per person.

Plan Your Visit:
Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line. Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).

About the Artists:
Laura Eason (Playwright) is a Brooklyn-based screenwriter and playwright. She is best known for four seasons as a writer/producer on the Netflix drama House of Cards (WGA nomination for outstanding writing in a drama series, three Primetime Emmy Award nominations for drama series) and her play Sex With Strangers (Steppenwolf Theatre, Chicago; Second Stage, NY; Hampstead Theatre, London; Sydney Theatre, AU; Blackwing Productions, Buenos Aires, AR; one of the most produced plays in the U.S. of the ’15-’16 and ’16-’17 seasons with more than 50 separate productions). Her award-winning stage adaptations for family audiences include The Adventures of Tom Sawyer (Hartford Stage, CT; New Victory, NY; and more than thirty productions around the U.S.) and Around the World in 80 Days (Lookingglass Theatre, Chicago and many productions in U.S. and London/UK). Eason is an ensemble member and the former Artistic Director of Lookingglass Theatre Company in Chicago (2011 Regional Theatre Tony Award), and a Dramatists Guild, WGAE, AEA, SAG, and SDC member. Laura is an alumna of Northwestern University and WP Playwright’s Lab. More information at www.lauraeason.com or @LEasonNYC


BJ Jones (Director) is in his 20th season as Artistic Director of Northlight Theatre, where he has commissioned and directed the world premieres of Faceless, Charm, White Guy on the Bus, Chapatti, Stella & Lou, The Outgoing Tide (Jeff Nomination – Best Director), Better Late and Rounding Third. Notably he has directed productions of Outside Mullingar, Grey Gardens, The Price (Jeff Nomination – Best Director), A Skull in Connemara, The Cripple of Inishmaan, and The Lieutenant of Inishmore. As a producer he has guided the world premieres of Shining Lives, The Last Five Years, The Gamester and Studs Terkel’s The Good War. From Second City to Shakespeare, BJ has directed Pitmen Painters (Jeff Nomination – Best Director, TimeLine), A Number (Next), 100 Saints You Should Know (Steppenwolf) and The Dresser (Body Politic). Regional: Glengarry Glen Ross (Suzie Bass Nominee – Best Director, Atlanta’s Alliance Theatre), Enchanted April (Asolo Theatre), and productions at Cherry Lane Theatre NY, Galway International Arts Festival, Baltimore Center Stage, and Utah Shakespeare Festival. As a performer, Mr. Jones is a two-time Joseph Jefferson Award winner and has appeared at Northlight, Goodman, Steppenwolf, Court and other theatres throughout Chicago. Film/TV credits include The Fugitive, Body Double, Law and Order: Criminal Intent, Early Edition, Cupid and Turks, among others.



About Raven Theatre
Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by the Alphawood Foundation, The MacArthur Fund for Arts and Culture at Prince, Polk Bros Foundation, Elizabeth F. Cheney Foundation, S&C Electric Company Fund, The Gaylord and Dorothy Donnelley Foundation and the Illinois Arts Council, a state agency.

SAVE THE DATES: Black Button Eyes Productions 2019-20 Season

ChiIL Live Shows on our radar

Chicago Premiere!

GHOST QUARTET

Book, Music & Lyrics by Dave Malloy

Directed by Ed Rutherford

Music Direction by Nick Sula

Choreography by Derek Van Barham

Chicago Premiere!

WHISPER HOUSE

Music & Lyrics by Duncan Sheik

Book & Additional Lyrics by Kyle Jarrow

Directed by Artistic Director Ed Rutherford

Here at ChiIL Live Shows, we love the macabre stylings of Black Button Eyes Productions. Even my zombie-phobic son adored their last production, the smash hit Chicago Storefront Premiere of Evil Dead the Musical. It was an epic bloodbath and too much fun. We've got their upcoming season on the calendar and can't wait to see them make more magic invade reality! 

Black Button Eyes Productions is pleased to announce its 2019-20 Season, featuring two Chicago premiere musicals! The season kicks off this summer with GHOST QUARTET by Broadway composer Dave Malloy (Natasha, Pierre & the Great Comet of 1812). This intriguing and entertaining song cycle is directed by Artistic Director Ed Rutherford, with music direction by Nick Sula and choreography by Derek Van Barham.

  (left to right) Kevin Webb and Matt McNabb in Black Button Eyes Productions’ 2018 Chicago premiere musical NEVERMORE – The Imaginary Life and Mysterious Death of Edgar Allan Poe. Photo by Cole Simon.

Next winter, Black Button Eyes concludes its season of “Ghost Stories” with WHISPER HOUSE featuring music and lyrics by Duncan Sheik (Spring Awakening) and book and additional lyrics by Kyle Jarrow, also directed by Rutherford.

GHOST QUARTET will be presented at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets ($30) go on sale Friday, March 1, 2019 at www.stage773.com, in person at the Stage 773 box office or by calling (773) 327-5252. WHISPER HOUSE will be staged at The Athenaeum Theatre (Studio Two), 2936 N. Southport Ave. in Chicago. Tickets ($30) will go on sale at a later date.

 Nightmares&Nightcaps-3 (pictured) Kevin Webb in Black Button Eyes Productions’ 2018 world premiere of NIGHTMARES AND NIGHTCAPS: The Stories of John Collier. Photo by Cole Simon.

Black Button Eyes Productions’ 2019-20 Season:

July 12 – August 17, 2019

GHOST QUARTET – Chicago Premiere!

Book, Music and Lyrics by Dave Malloy

Directed by Ed Rutherford

Music Direction by Nick Sula

Choreography by Derek Van Barham

at Stage 773 (The Box), 1225 W. Belmont Ave. Chicago

Press opening: Friday, July 19, 2019 at 7:30 pm

From the mind of Broadway composer Dave Malloy (Natasha, Pierre & the Great Comet of 1812) comes a musical ghost story of four friends who love each other, kill each other, and drink whiskey across centuries and lifetimes. GHOST QUARTET delightfully mashes up Grimms’ fairy tales, Edgar Allan Poe, Arabian Nights, Sondheim, Thelonious Monk and more.

January 10 – February 15, 2020

WHISPER HOUSE

Music and Lyrics by Duncan Sheik

Book and Additional Lyrics by Kyle Jarrow

Directed by Artistic Director Ed Rutherford

at The Athenaeum Theatre (Studio Two), 2639 N. Southport Ave.

Press opening: Friday, January 17, 2020 at 7:30 pm

When Christopher's father is shot down in the Pacific during World War 2, the young boy is sent to live with his foreboding aunt in her very remote - and very haunted – lighthouse. Despite any lurking spirits, the most fearsome demons Christopher will need to confront lie within.

ShockheadedPeter-1 (left to right) Anthony Whitaker, Kat Evans, Gwen Tulin and Pavi Proczko in Black Button Eyes Productions’ 2017 Chicago storefront premiere of SHOCKHEADED PETER. Photo by Cole Simon.

About the Artists:

Ed Rutherford (Director, Ghost Quartet & Whisper House) Directing credits for Black Button Eyes include Evil Dead the Musical, Nightmares & Nightcaps: The Stories of John Collier, Nevermore, Shockheaded Peter, Amour, Goblin Market, and Coraline. He is an artistic associate with Promethean Theatre Ensemble, where he directed The Liar, his own adaptation of Peter S. Beagle's The Last Unicorn, Brecht’s The Caucasian Chalk Circle and the company's inaugural production, Christopher Durang’s Beyond Therapy. Directing with Brown Paper Box Co: The Baltimore Waltz. As an actor, he's performed with Drury Lane Oakbrook, Porchlight, Theater Wit and many others. A graduate of Northwestern's theater program, he recently completed his MBA at Kellogg.

Nick Sula (Music Director, Ghost Quartet) Nick is a pianist, arranger and award-winning music director for theater and cabaret. He is proud to return to Black Button Eyes Productions, where he was music director for Coraline, Amour and Nevermore. Other music direction credits include productions with Porchlight Music Theatre, Bohemian Theatre Ensemble, Pride Films and Plays, Chicago Theatre Workshop, Chicago Musical Theatre Festival. Nick performs with vocalists at theaters and cabaret venues such as Davenport’s, Petterino’s, Drew’s on Halsted, Stage 773, Victory Gardens, and the Park West. He is an instructor, music director and vocal coach at the Chicago College of Performing Arts at Roosevelt University.

Derek Van Barham (Choreographer, Ghost Quartet) is the Producing Artistic Director of Kokandy Productions, and a member of the Red Tape Theatre ensemble. He previously served as Associate Artistic Director of Pride Films & Plays. For PFP, he directed Perfect Arrangement, Angry Fags (Steppenwolf Garage), Songs from an Unmade Bed (Jeff nomination), and (co-directed) PRISCILLA, Queen of the Desert. Choreography credits include The CiviliTy of Albert Cashier and BITE (PFP), all Black Button Eyes productions, and Salonathon. Other directing credits include The View Upstairs (Circle Theatre), Three Days of Rain (Boho), and Miracle! by Dan Savage (Hell in a Handbag). He was named one of Windy City Times 30 Under 30, recognizing Chicago's LGBTQ+ community.   

About Black Button Eyes Productions

The 2019-20 season continues Black Button Eyes Productions' mission to bring to Chicago premieres and seldom-seen works containing elements of fantasy, in which the magical and surreal invade reality. The company was founded in 2014 with the acclaimed Midwest premiere of the musical Coraline, followed by Goblin Market, Amour, Shockheaded Peter, Nevermore-The Imaginary Life and Mysterious Death of Edgar Allan Poe, and the world premiere Nightmares and Nightcaps: The Stories of John Collier. Most recently the company presented the smash hit Chicago Storefront Premiere of Evil Dead the Musical.