OPENING: World Premiere of ETHIOPIANAMERICA Via Definition Theatre Company at Victory Gardens Theater May 10 – June 9, 2019

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Definition Theatre Company Presents the World Premiere of

 ETHIOPIANAMERICA

By Sam Kebede, Directed by Sophiyaa Nayar

May 10 – June 9, 2019

I'll be out for the press opening May 14th, so check back soon for my full review. I can't wait to catch Definition Theatre Company's latest production ETHIOPIANAMERICA. When my younger sister was in 1st grade in the mid 70's in Cincinnati, she came home one day and announced she had a new friend in her class, a boy from Ethiopia. We looked up the country on our globe, and found out where they were staying with sponsors till they could get settled, which happened to be on our street! We became close childhood friends with this refugee family of 7 and spent lots of time together over the years. These kids who walked out of their war torn country with nothing grew up to become doctors, lawyers and world travelers, and we are still in touch today.

Interestingly enough, decades later, one of my son's best friends since 7th grade, at Lane Tech College Prep, is also Ethiopian (Eritrean actually), and their family is related to friends and classmates of my kids from their public Montessori elementary school. Small world indeed.

Multicultural dinners with our Ethiopian friends, our Japanese physician friend and his family, and our midwestern American family in 1970's/80's Cincinnati 

Definition Theatre Company opens the world premiere of ETHIOPIANAMERICA by Sam Kebede and directed by Sophiyaa Nayar. ETHIOPIANAMERICA will run from May 10 – June 9, 2019, with a press opening on Tuesday, May 14 at 7:30pm. Definition Theatre Company presents ETHIOPIANAMERICA in the Richard Christiansen Theater at Victory Gardens as part of its Resident Theater Company program. Tickets for ETHIOPIANAMERICA are on sale and can be purchased online at victorygardens.org or by calling 773.871.3000. Victory Gardens Theater is located at 2433 N Lincoln Avenue.

If the American dream is a privilege, not a right, then Girma and Elizabeth Kifle have truly earned it. After emigrating from Ethiopia to the United States with nothing, the couple is poised to send their eldest son to college. But everything behind Girma and Elizabeth’s white picket fence is not as it appears to be. The ghosts of the life they left in Ethiopia threaten to destroy their American dream before it starts, and the Kifle sons, Jonathan and Daniel, reckon with being American in Ethiopian bodies. In this tense and sharply-drawn family drama, playwright Sam Kebede mines the immigrant experience and asks how far each of us will go to find a place we can call home.

Artistic Director Tyrone Phillips notes, “Definition Theatre continues to add new voices to the American theater cannon. Sam Kebede and Sophiyaa Nayar are incredible first-generation artists that aren’t afraid to ask hard questions. I am elated to conclude Definition’s residency at Victory Gardens with a play as grounded in Definition’s mission and artistic aesthetic as ETHIOPIANAMERICA.”

The cast of ETHIOPIANAMERICA includes Simon Gebremedhin, Gabrielle Lott-Rogers, Freedom Martin and Joseph Primes.

The creative team for ETHIOPIANAMERICA includes Eleanor Kahn (Set Designer), Paul Kim (Costume Designer), Eric Watkins (Lighting Designer), Joshua Wilcox (Sound Designer), Therese Ritchie (Properties Designer), Sana Selemon (Dialect Coach), Rebecca Ross (Production Stage Manager), Ariel Beller (Assistant Stage Manager) Ebony Chuukwu (Assistant Director), Athanasia Giannetos (Dramaturg), Neel McNeill (Production Manager) and Alex Oparka (Assistant Production Manager).

As a first-generation Ethiopian immigrant himself, playwright Sam Kebede explains that the decision to write ETHIOPIANAMERICA was fueled by a lack of Ethiopian representation in American theater. “In my entire life as a theater maker, I've never encountered a play about an Ethiopian family,” notes Kebede. “More than anything, I want Ethiopians and other first-generation immigrants to see themselves in this story. And I want everyone who sees ETHIOPIANAMERICA to know that we are here. Our lives are just as complicated, just as full of hunger, pain, love, joy, and strife as anyone else’s. Our stories are worthy of a place on the American stage.

Director Sophiyaa Nayar was motivated to work on ETHIOPIANAMERICA because the play’s complex characters intrigued her. “Sam has beautifully interwoven the American and Ethiopian experiences to create a family that is painfully relatable,” Nayar elaborates.  “Having been raised in India, I find so much of myself and my experience in America in the intricacies of the Kifle family’s life and I am excited to share that with the audience." 

Featuring: 
Simon Gebremedhin, Gabrielle Lott-Rogers, Freedom Martin, and Joseph Primes.

Creative Team: 
Eleanor Kahn (Set Designer), Paul Kim (Costume Designer), Eric Watkins (Lighting Designer), Joshua Wilcox (Sound Designer), Therese Ritchie (Properties Designer), Sana Selemon (Dialect Coach), Rebecca Ross (Production Stage Manager), Ariel Beller (Assistant Stage Manager) Ebony Chuukwu (Assistant Director), Athanasia Giannetos (Dramaturg), Neel McNeill (Production Manager) and Alex Oparka (Assistant Production Manager).

Location:                     
The Richard Christiansen Theater at Victory Gardens (2433 N Lincoln Ave)
Previews: May 10 – 12, 2019, Pay-what-you-can pricing for all preview tickets.

Regular run:                
May 16 – June 9, 2019

Preview ticket prices: Pay-what-you-can

Regular run ticket prices: $15-$25

Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago, 773.871.3000; www.victorygardens.org. 

Schedule: 
Thursdays: 8 p.m.
Fridays: 8 p.m.
Saturdays: 2:30 p.m. and 8 p.m.
Sundays: 2:30 p.m.



About Definition Theatre Company
Definition Theatre Company is an ensemble-based Chicago theater founded by graduates of the University of Illinois at Urbana-Champaign. Definition Theatre Company prides itself on leading the way as an anti-racist multicultural organization that gives a voice to underrepresented communities. Our mission is to tell language-driven, relationship-oriented, socially relevant stories.

Definition has built its reputation on work that reflects its unique voice. It shared the words of Academy Award-Winner Tarell Alvin McCraney in The Brothers Size; it grooved with Amiri Baraka’s whirlwind story of a chance meeting on a train in Dutchman; and staged its first world premiere production, Genesis, written by ensemble member Mercedes White and inspired by Lorraine Hansberry’s iconic masterwork A Raisin in the Sun. In partnership with, The New Colony staged the world premiere of Byhalia, Mississippi, which starred Academy Award nominee Kiki Layne. In association with the Goodman Theatre, Definition staged the Chicago premiere of Branden Jacobs-Jenkins’ An Octoroon, a subversive take on race in America that captivated audiences. Most recently, Definition sent us all to the moon with James Ijames’s Moon Man Walk and explored the challenges of America’s public school system through Nilaja Sun’s No Child…

Ensemble members include Owais Ahmed, Carley Cornelius, Martasia Jones, Kiki Layne, Kelson Michael McAuliffe, Julian Parker, Tyrone Phillips, Christopher Sheard and Mercedes White. Artistic Advisory Board members include director May Adrales, Steppenwolf ensemble member Alana Arenas, actress Shannon Cochran, Victory Gardens Theater Managing Director Erica Daniels, actor Brandon Dirden, actor Jason Dirden, Writers Theatre Artistic Director Michael Halberstam, director Pam Mackinnon, professor JW Morrissette, director Ron OJ Parson, professor/lighting designer Kathy Perkins, Tony Award-winning actress and stage director Phylicia Rashad, and Goodman Theatre director in residence Chuck Smith. Tyrone Phillips is the Artistic Director and Neel McNeill is the Managing Director. For additional information, visit definitiontheatre.org and facebook.com/definitiontheatrecompany

OPENING: THE CROWD YOU’RE IN WITH Via AstonRep Theatre Company at The Raven Theatre May 16 – June 16, 2019

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AstonRep Theatre Company Announces Casting for

THE CROWD YOU’RE IN WITH

By Rebecca Gilman

 Directed by Co-Artistic Director Derek Bertelsen

May 16 – June 16, 2019 at The Raven Theatre

AstonRep Theatre Company is pleased to announce casting for

Rebecca Gilman’s drama THE CROWD YOU’RE IN WITH, directed by Co-Artistic Director Derek Bertelsen*

The cast of AstonRep Theatre Company’s THE CROWD YOU’RE IN WITH includes (top, l to r) Co-Artistic Director Sara Pavlak McGuire with Maggie Antonijevic, Lynne Baker (bottom, l to r) Javier Carmona, Martin Diaz-Valdes, Nick Freed and Erin O’Brien.

THE CROWD YOU’RE IN WITH plays May 16 – June 16, 2019 at The Raven Theatre (West Stage), 6157 N. Clark St. in Chicago. Tickets are currently available at www.astonrep.com or by calling (773) 828-9129. 

A backyard barbeque is the perfect place to tackle life's big questions: Is the chicken done? Does the band need a new tune? Is this the right time to have a baby? Gilman's fresh and moving play takes an intimate look at modern families, friendships and the ins and outs of love.

The cast includes AstonRep Co-Artistic Director Sara Pavlak McGuire* with Maggie Antonijevic, Lynne Baker, Javier Carmona, Martin Diaz-Valdes, Nick Freed and Erin O’Brien.

The production team for THE CROWD YOU’RE IN WITH includes Jeremiah Barr* (scenic/props design), Uriel Gomez (costume design), Samantha Barr* (lighting design), Melanie Thompson* (sound design), Aja Wiltshire* (assistant director) and Melanie Kulas (stage manager).

*Denotes AstonRep Company Members.

Cast (in alphabetical order): Maggie Antonijevic (Windsong), Lynne Baker (Karen), Javier Carmona (Tom), Martin Diaz-Valdes (Jasper), Nick Freed (Dan), Erin O’Brien (Darcy) and Sara Pavlak McGuire* (Melinda).

Understudies: Lara Caprini* and David Coupe

Location: The Raven Theatre (West Stage), 6157 N. Clark St., Chicago
Dates: Previews: Thursday, May 16 at 8 pm and Friday, May 17 at 8 pm
Press performance: Saturday, May 18 at 8 pm
Regular run: Sunday, May 19 – Sunday, June 16, 2019
Curtain Times: Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3:30 pm
Tickets: Previews: $12; Regular run: $25. Student/seniors $15. Tickets are currently available at www.astonrep.com or by calling (773) 828-9129.

About the Artists
Rebecca Gilman (Playwright) is an artistic associate at Goodman Theatre. Her plays include Luna Gale, A True History of the Johnstown Flood, Dollhouse, Boy Gets Girl, Spinning Into Butter, Blue Surge (all of which were originally produced by the Goodman), Soups, Stews, and Casseroles, 1976 and The Crowd You’re in With (also at the Goodman), The Glory of Living; The Sweetest Swing in Baseball and The Heart is a Lonely Hunter. Boy Gets Girl received an Olivier nomination for Best New Play. Gilman was named a finalist for the 2001 Pulitzer Prize for The Glory of Living. She is a member of the Council of the Dramatists Guild of America and a board member of the ACLU of Illinois. A graduate of the MFA in playwriting program from the University of Iowa, Gilman is now a professor of playwriting and screenwriting at Northwestern University as part of its MFA in Writing for the Screen and Stage program. In 2016, she was inducted into the Alabama Writers Hall of Fame.

Derek Bertelsen (Director) joined AstonRep in 2013 and he currently serves as Co-Artistic Director. Previous directing credits with AstonRep include Doubt, Next Fall, Wit, The Lieutenant of Inishmore, The Lyons, the world premiere of The Black Slot, The Laramie Project, and co-directing Eleemosynary with Jeremiah Barr. He produced the sold-out run of Four By Tenn, a festival of one-act plays by Tennessee Williams. He serves as Artistic Director of The Comrades. He's also directed for BrightSide Theatre, Wilmette Center for the Arts, Pride Films & Plays and assistant directed at Goodman, Bailiwick Chicago and Steppenwolf Garage. Regional credits include Festival 56, Shawnee Summer Playhouse, New Ground Theatre and five seasons at Timber Lake Playhouse.

About AstonRep Theatre Company:
AstonRep Theatre Company was formed in the summer of 2008. Since then, the company has produced 22 full-length productions and nine annual Writers' Series. AstonRep Theatre Company is an ensemble of artists committed to creating exciting, intimate theatrical experiences that go beyond the front door to challenge audiences and spark discussion where the show is not the end of the experience: it is just the beginning.

WHAT WE'RE WATCHING: HER SMELL Opens at he Music Box Theatre on April 19, 2019

FILMS ON OUR RADAR:

Writer/director Alex Ross Perry’s 

HER SMELL 

opens at the Music Box Theatre on April 19, 2019. 

***Writer/director Alex Ross Perry will be in attendance at the Music Box Theatre for post-film Q&As following the Saturday, April 20, 8pm & Sunday, April 21, 1:45pm screenings. Both of these shows are on sale now!***

“[Elizabeth] Moss’ oscillating, energy-devouring performance and the real-time composition of Perry's scenes make it almost impossible to look away.” — Vulture

“Perry’s kinetic style and Moss’ explosive performance transform [the film] into something that feels more authentic than actual history.” — Consequence of Sound

About HER SMELL:
Becky Something is a ’90s punk rock superstar who once filled arenas with her grungy, all-female trio Something She. Now she plays smaller venues while grappling with motherhood, exhausted band mates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom. When Becky's chaos and excesses derail a recording session and national tour, she finds herself shunned, isolated and alone. Forced to get sober, temper her demons, and reckon with the past, she retreats from the spotlight and tries to recapture the creative inspiration that led her band to success. Also starring Cara Delevingne, Dan Stevens, Eric Stolz, Dylan Gelula, and Virginia Madsen.

Anchored by a towering, unflinching performance from Golden Globe and Emmy winner Moss, and supported by a stellar ensemble cast, HER SMELL examines the grit, grace and gravitas of an unforgettable fictional rock star crashing down to earth into the harsh realities of mid-life. With his incendiary and deeply humane sixth feature, writer-director Alex Ross Perry (LISTEN UP PHILIP, GOLDEN EXITS) pumps up the volume and shines a light on the terrifying moment when superstardom wanes —and quiet becomes the new loud.

TECHNICAL INFORMATION
Production Year: 2018
Country of Origin: United States
Language: English
Run Time: 135 mins

Format: DCP

Pricing & Scheduling:
Tickets are $12 ($9 for Music Box Members)
Click here to find out how to become a member

For tickets and further information, please click here

About Music Box Theatre:

For the last two decades, the Music Box Theatre has been the premier venue in Chicago for independent and foreign films. It currently has the largest theater space operated full time in the city. The Music Box Theatre is independently owned and operated by the Southport Music Box Corporation. SMBC, through its Music Box Films division, also distributes foreign and independent films in the theatrical, DVD, and television markets throughout the United States.

Follow the Music Box Theatre on Facebook, Twitter (@musicboxtheatre), and Instagram (@musicboxchicago)

OPENING: Dark Comedy BELOW THE BELT at Red Twist May 17 through June 16, 2019

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HUNDO4U PRODUCTIONS ANNOUNCES DARK COMEDY

BELOW THE BELT

By Richard Dresser Directed by Jon Dambacher

Redtwist Theatre announces an upcoming production of a bizarre dark comedy BELOW THE BELT, running May 17 through June 16. This Off-Broadway hit has been compared to NBC’s The Office as if written by Samuel Beckett and was named “Best American Play of 1996” by the Wall Street Journal. Since its debut it has found especially high popularity in Europe, with over 40 productions in Germany alone.

BELOW THE BELT takes place within the guts of an industrial compound sitting far off in an unknown location. Three men, a power-obsessed boss (played by David McNulty), an emotional middle manager (played by Michael Lomenick) and an eager newcomer (played by John Hundrieser) are isolated from their wives and the other unseen people occupying the factory. They must form a bond out of necessity, while battling sabotage, one-upmanship, and secret alliances among each other. But their need to compete is as strong as their need to connect. The play is about trust, betrayal, and the deep existential pettiness of people attempting to co-exist. Someone always wins and someone always retreats or loses.

Richard Dresser (Playwright) plays have been produced in New York, regional theater, and Europe. They include Rounding Third, which started in Chicago, appeared off-Broadway and has had hundreds of productions and BELOW THE BELT premiered at Actors Theatre of Louisville, moved Off-Broadway, then was made into the film “Human Error” which premiered at Sundance.

From May 17 through June 16 the performances are Thursdays at 8pm, Fridays at 8pm, Saturdays at 3pm and 8pm and Sundays at 3pm. Individual tickets are $20 at the door and are available online at www.Hundo4u.com, or over the phone at (847) 906-3209.

About Redtwist Theatre  
Redtwist is located at 1044 W. Bryn Mawr – 2 blocks West of Lake Shore Drive & 2 blocks East of the Red Line station. Valet parking for Redtwist is available across the street in front of Francesca’s – Dining is not required.

I AM…FEST: A CELEBRATION OF WOMEN OF COLOR IN ARTS, ACTIVISM AND LEADERSHIP AT GOODMAN THEATRE APRIL 27 – 29

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BLACK LIVES, BLACK WORDS INTERNATIONAL PROJECT “I AM…FEST: A CELEBRATION OF WOMEN OF COLOR IN ARTS, ACTIVISM AND LEADERSHIP” AT GOODMAN THEATRE APRIL 27 – 29 

***THREE-DAY LINE-UP OF FILM SCREENINGS, PLAY READINGS AND MORE CONCLUDES WITH THE U.S. PREMIERE OF THE INTERROGATION OF SANDRA BLAND PERFORMED BY 100 WOMEN OF COLOR, DIRECTED BY SIMEILIA HODGE-DALLAWAY***

Black Lives, Black Words International Project, in partnership with Goodman Theatre and Artistic Directors of the Future, is proud to announce the festival line-up for “I AM…FEST: A Celebration of Women of Color in Arts, Activism and Leadership.” Curated by Black Lives, Black Words Co-founders Reginald Edmund and Simeilia Hodge-Dallaway, “I AM…FEST” is a first-of-its-kind international festival that shines a spotlights on female voices across the globe through three days of innovative and inspiring events. “I AM…FEST: A Celebration of Women of Color in Arts, Activism and Leadership” takes place at Goodman Theatre (170 North Dearborn), April 27 – 29. 

Admission for many events are FREE (first come, first served reservations required); reservations and tickets ($10 – 25) for the 10-minute play showcase on Monday, April 29, which includes The Interrogation of Sandra Bland can be purchased at GoodmanTheatre.org/IAMFest. 

"It felt fitting that this year's program celebrated women of color that are artists, activists and leaders in a bold and historic way, proactively opening the door for the discussion revolving around the arts about equity through our programming” said Reginald Edmund, Black Lives Black Words International Project Co-Founder and Managing Curating Producer. “Every program in this festival is entirely led by, produced by, directed and written and facilitated by women of color. Our hope is to encourage art organizations large and small across the globe to provide more artistic and decision-making opportunities to women of color both onstage and off-stage."

“It has been a joy to shape and design the festival and program some of the most talented women of color artists, leaders and activists to take part in this international celebration of voices, minds and experiences. I hope that this festival will continue to inspire as many people who encounter it and ignite a new approach to art, activism as well as increase the personal libraries and awareness of the richness of talent that exists within our community both locally and internationally,” said Simeilia Hodge-Dallaway, Co-Founder of Black Lives Black Words International Project and Executive Director and Creative Producer. “I am honored to be directing 100 Women of Color on the Goodman’s stage for the U.S. premiere of The Interrogation of Sandra Bland. At a time where we desperately need solidarity, healing and hope, this closing performance will not only pay homage to Sandra Bland and the many female victims of police brutality, but will showcase the strength that we possess when we come together to stand up to social and political injustice.”

Goodman Theatre Artistic Director Robert Falls added “We are proud to host I AM... Fest, a fantastically ambitious event that will serve activists and artists alike as it culminates in an Owen Theatre performance that highlights Black artistry, locally and globally. Reginald Edmund and Simeilia Hodge-Dallaway's work as leaders of Black Lives, Black Words has produced what I think will be a momentous occasion for Chicago's theater community and the city at large.”

EVENTS IN “I AM…FEST: A CELEBRATION OF WOMEN OF COLOR IN ARTS, ACTIVISM AND LEADERSHIP”

*all events take place at Goodman Theatre (170 N. Dearborn); unless otherwise noted

SATURDAY, APRIL 27

Film Screening | The Feeling of Being Watched
3 – 5pm

In the Arab-American suburban Chicago neighborhood where director Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Boundaoui uncovers FBI documents that prove her hometown was the subject of one of the largest pre-9/11 counterterrorism investigations ever conducted in the U.S.--code-named "Operation Vulgar Betrayal." With unprecedented access, The Feeling of Being Watched weaves the personal and the political as it follows the filmmaker's examination of why her community fell under blanket government surveillance. Assia Boundaoui is an Algerian-American journalist and filmmaker based in Chicago who has reported for the BBC, NPR, PRI, Al Jazeera, VICE and CNN. Her debut short film about hijabi hair salons for the HBO Lenny documentary series premiered at the 2018 Sundance Film Festival. Her feature length debut, The Feeling of Being Watched, had its world premiere at the 2018 Tribeca Film Festival.

Workshop | Making the Artivist 
3 - 4:15pm

Hosted by Red Clay Dance Company, Making the Artivist trains community-minded participants in the practice of “Artivism,” which helps participants discover, develop and use their artistic voice to become a change agent in their community. Through movement and storytelling, participants begin to understand their identity, agency and power within societal frameworks and systems. Red Clay Dance Company lives to awaken “glocal” change through creating, performing and teaching dances of the African Diaspora–change that transforms cultural and socio-economic inequities in the local and global community.

Workshop | Surviving the Mic: Brave Space Making
4:30 - 6:30pm

What began as a 10-week workshop series for spoken word artists who identified as black, female and survivors of sexual violence, “Surviving the Mic” evolved into a groundbreaking survivor-led open mic and workshop series, led by Nikki Patin. Brave Space Making highlights the differences between holding safe space and brave space, “Surviving the Mic” community agreements, the impact of the series on the 2018 National Poetry Slam, and a discussion about how to center survivors and their work. Featured in The Guardian, Chicago Tribune, HBO's Def Poetry Jam and on international television and radio, multidisciplinary artist Nikki Patin has been writing, performing and educating for almost 15 years. She has performed at EXPO Chicago, the National Black Theater in Harlem, Brooklyn Museum, Black Artists Retreat, Arie Crown Theater, UIC Pavilion and many other spaces throughout the U.S., New Zealand and Australia. Nikkipatin.com

Reading | Trouble in Mind by Alice Childress (United States), directed by Lili-Anne Brown
7 – 9pm | VIP reception to follow

Broadway, 1957. An integrated theater company gathers to rehearse a new play—the one they hope will be the next big hit on the Great White Way. Against the backdrop of misperceptions and stereotypes within the company, veteran actress Wiletta Mayer grapples with the choice between an once-in-a-lifetime chance to play the lead role in a Broadway show, and the cost of compromising her principles. Trouble in Mind is a groundbreaking backstage story of egos and attitudes, and an insightful look at who we are and who we want to be. American novelist/playwright/actress Alice Childress (1916-1994) described her work as "attempt(ing) to interpret the 'ordinary' because they are not ordinary. Each human is uniquely different. Like snowflakes, the human pattern is never cast twice. We are uncommonly and marvelously intricate in thought and action, our problems are most complex and, too often, silently borne." Childress formed an off-Broadway union for actors, and her paper archive is at the Schomburg Center for Research in Black Culture in Harlem, NY.

SUNDAY, APRIL 28

Film Screening | Chisholm '72: Unbought and Unbossed
12:30 – 2pm

In 1972, Shirley Chisholm, a brilliant black congresswoman from Brooklyn, became the first woman to boldly bid for the presidency--and demand that the body politic represent all Americans. Shola Lynch is an award-winning American filmmaker best known for the feature documentary, Free Angela & All Political Prisoners and the Peabody Award winning documentary, Chisholm '72: Unbought and Unbossed.

Workshop | Playwriting as Activism
Led by Mojisola Adebayo
11am – 12 Noon

Led by UK-based Playwright Mojisola Adebayo, who transcribed Sandra Bland's arrest to create The Interrogation of Sandra Bland which will premiere during the closing of the “I AM…FEST,” her bespoke workshop, inspired by her expertise in Augusto Boal's Theatre of the Oppressed, will provide participants with a tangible insight into how best to use their voice and writing talent to create activist-driven artistic work. Adebayo is one of the UK's most prolific activist playwright and will share her experience of the impact that her work has had on her personal life, career and audiences across the world.


Panel Discussion | Women Leaders of Color
12:30 – 2pm

Some of the most inspiring Black Female Artistic Leaders within the Chicago Art Community gather to share their journey, experiences, challenges and successes. This panel discussion will provide audiences with an insight into leadership as well as, provide tips and advice on how best to reach goals and achieve a sustainable trajectory in the arts industry.   

Reading | So What’s New? by Fatima Dike (South Africa), directed by Andrea Dymond
3 – 5pm | Panel discussion to follow


So What’s New? is a domestic South African comedy about four township women who work in and outside of the legal system. While revolution brews outside, the women watch soap operas, and their private lives acting as an increasingly powerful counterpoint to the forces of darkness at work beyond their garden wall.

Reading | Chiaroscuro by Jackie Kay (United Kingdom), directed by Kemati Porter
7 – 9pm | Panel discussion to follow

‘If you’re white, you’re alright, if you’re brown stick around, if you’re black stay back’. Beth and Opal are a couple, and Aisha and Yomi are very close friends. Aisha hosts a dinner--and as more wine gets poured, discussions get heated. The definition of “chiaroscuro” is “the treatment of light and shade in a drawing or painting.” Centering on four women of color (mixed race, Asian decent and black), Chiaroscuro explores issues around shadism, loss of the mother tongue and homosexuality within the black community.

MONDAY, APRIL 29

Black Lives Black Words International Project– 10-minute Play Showcase and The Interrogation of Sandra Bland
7pm

- Jezelle the Gazelle by Dominique Morrisseau, directed by Patrese McClain
- Yet to Be by Nambi E. Kelley, directed by Chika Ike
- #SuiteReality by TS Hawkins, directed by Nicole Michelle Haskins
- Revolt.Ing by Lisa Langford, Directed by Sydney Chatman
- Principles of Cartography by Winsome Pinnock, Directed by Veronda Carey
- His Life Matters by Yolanda Mercy, Directed by Melanie Thompson
- I Am Woman by Loy Webb, Directed by Am'Ber Montgomery

In addition to the 10-minute play showcase, the festival will conclude with the U.S. premiere of The Interrogation of Sandra Bland, by Mojisola Adebayo, directed by Simeilia Hodge-Dallaway.

“The Interrogation of Sandra Bland, performed by 100 women of color, is a righteous uprising and a solemn requiem; both testimony and witnessing, theatre art and activism, a memorial imagined through the Black Lives Matter movement,” said Playwright Mojisola Adebayo. “All 100 women speak the words of Sandra Bland, together, recalling the arrest that lead to her death in police custody. In this moment she is an ‘everyblackwoman’. We elevate her status and all those who have faced such racist atrocities, through the amplification of the voice, a magnification of the struggle.”

ABOUT BLACK LIVES, BLACK WORDS CO-FOUNDERS

Simeilia Hodge-Dallaway (Founder and CEO of Artistic Directors of the Future (www.adofthefuture.com) and Co-founder, Executive Producer and Creative Director at Black Lives, Black Words International Project), has been listed three consecutive years in the Stage Top 100 Power List and last year was named in the London Evening Standard The Progress 1000: London's most influential people 2018 - Performance: Theatre. She is also the Founder/CEO of Beyond The Canon (www.beyondthecanon.com), former troubleshooter and Manager of the National Theatre's Black Play Archive, Editor of the first monologue anthology for Black Plays inspired by black British Plays: The Oberon Book of Monologues for Black Actors: Classical and Contemporary Speeches from Black British Plays which was followed by a second monologue anthology published by Bloomsbury Methuen Drama: Audition Speeches for Black, South Asian and Middle Eastern Actors, interim Associate Producer at Theatre Royal Stratford East and former Trustee at the Directors Guild of Great Britain and Company of Angels Theatre Company. She also worked nationally and internationally as a theatre director, producer, dramaturg, teacher/guest lecturer, audience development consultant. Hodge-Dallaway is currently a member of the editorial team for the Backpages Selection of the Contemporary Theatre Review (Routledge/UK). 

Reginald Edmund (Co-Founder and Managing Curating Producer for Black Lives Black Words International Project) is a Resident Playwright at Tamasha Theatre in London, England and an Alumni Resident Playwright at Chicago Dramatists Theatre, an Artistic Associate at Pegasus Theatre-Chicago, and an Artistic Patriot at Merrimack Repertory Theatre and a ‘10-‘11 Many Voice Fellow with the Playwrights’ Center. His play Southbridge was runner up for the Kennedy Center’s Lorraine Hansberry and Rosa Parks National Playwriting Awards, and most recently named winner of the Southern Playwrights’ Competition, the Black Theatre Alliance Award for Best New Play, and the Edgerton Foundation New American Play Award. His nine play series titled The City of the Bayou Collection, which includes Southbridge, Juneteenth Street, The Last Cadillac, and All the Dying Voices were developed at esteemed theaters including Pegasus Theatre-Chicago, Deluxe Theatre, Actors Theatre of Charlotte, Bush Theatre (UK), Boston Court @ Theatre, the Landing Theatre, the Playwrights’ Center, and The National Theatre (UK). Edmund received his BFA in Theatre-Performance from Texas Southern University and his MFA in Playwriting from Ohio University. 

ABOUT BLACK LIVES, BLACK WORDS INTERNATIONAL PROJECT

Black Lives, Black Words is an international initiative that provides local creatives with an artistic platform across various art forms to respond to social injustices that impact on underrepresented communities, in particular- people of color and women. BLBW uniquely merges arts and activism to empower artists of color and women to view themselves as leaders, global citizens and ambassadors for change. By working in partnership with leading theatres, culturally diverse organizations and academia, BLBW has provided opportunities to artists and leaders from a wide range of ages, ethnicities, experiences and socio-economic backgrounds. Since its inception in 2015, our work has spread both nationally and internationally through forging strong relationships with organizations, such as; The Guthrie (Minneapolis), Buddies in Bad Times (Canada), Obsidian Theatre (Canada), Victory Gardens (Chicago), Bush Theatre (London), Black Ensemble (Chicago), as well as academia, including; Rose Bruford (London), Northwestern University (Chicago) and Western Michigan (Kalamazoo). Black Lives, Black Words International Project premiered at the Greenhouse Theatre in Chicago in 2015 and was heralded as “It’s a hopeful performance that comes from a place of love and optimism” by The Resident Magazine (UK).



ABOUT GOODMAN THEATRE

AMERICA’S “BEST REGIONAL THEATRE” (Time magazine), Goodman Theatre is a premier not-for-profit organization distinguished by the excellence and scope of its artistic programming and civic engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics (celebrated revivals include Falls’ productions of Death of a Salesman and The Iceman Cometh). Goodman Theatre artists and productions have earned two Pulitzer Prizes, 22 Tony Awards, over 160 Jeff Awards and many more accolades. In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle;” and its annual holiday tradition A Christmas Carol, which recently marked its 41st production, has created a new generation of theatergoers. The Goodman also frequently serves as a production partner with local off-Loop theaters and national and international companies by providing financial support or physical space for a variety of artistic endeavors.

Committed to three core values of Quality, Diversity and Community, the Goodman proactively makes inclusion the fabric of the institution and develops education and community engagement programs that support arts as education. This practice uses the process of artistic creation to inspire and empower youth, lifelong learners and audiences to find and/or enhance their voices, stories and abilities. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of such programming, most offered free of charge, and has vastly expanded the theater’s ability to touch the lives of Chicagoland citizens (with 85% of youth participants coming from underserved communities) since its 2016 opening.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. David W. Fox, Jr. is Chairman of Goodman Theatre’s Board of Trustees, Denise Stefan Ginascol is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.

OPENING: Mad Beat Hip & Gone A newly re-imagined script by Steven Dietz Via Promethean Theatre Ensemble April 27 – June 1, 2019

ChiIL Live Shows on our radar

Mad Beat Hip & Gone

A newly re-imagined script by Steven Dietz

Directed by Jess Hutchinson

At The Edge Theater Off-Broadway

I'll be out for the Press Opening May 5th, so check back soon for my full review. Promethean Theatre Ensemble will close its 2018-19 season with MAD BEAT HIP & GONE, by Steven Dietz, author of LAST OF THE BOYS and PRIVATE EYES and over thirty other plays that have been produced by regional theatres across the country, internationally, and off-Broadway in New York.  MAD BEAT HIP & GONE, which had its world premiere in Austin, Texas in 2013, follows two young Nebraska men who meet beat generation writer Jack Kerouac.  Rejecting the established order of mid-1950s America, they follow Kerouac’s example and hit the open road in search of truth. Do they find it? And what can we learn from their travels?

Promethean’s production of MAD BEAT HIP & GONE will be just the second production of the play and the first to employ revisions Dietz has written since its 2013 world premiere. It will be directed by Jess Hutchinson, Artistic Director of Chicago’s late New Leaf Theatre, where her directorial credits included ARCADIA, THE DINING ROOM, and world premieres of BURYING MISS AMERICA, LIGHTHOUSEKEEPING, and THE MAN WHO WAS THURSDAY. MAD BEAT HIP & GONE will open on Saturday May 4, 2019. It will be one of the first productions to be staged in The Edge Theater Off Broadway, 1133 W Catalpa Avenue, a new performance space in The Edge Theater building.

Hutchinson’s cast will include Pat King and Michael Vizzi as Danny and Rich, the two young Nebraska men on the road; and Hilary Williams as Honey – the girl they meet along the way and both fall for. Ted Hoerl will play Albert and Promethean Ensemble member Elaine Carlson will be Mrs. Fergus. Understudies are Nick Stockwell (Danny) and Annie Cleveland (Honey). The production team also will include Rachel Sypniewski (costume designer), Bec Willett (set designer),  Rachel Watson (properties designer), Sarah Scanlon (intimacy/violence designer), Benjamin Carne (lighting designer), Colin Kovarik (sound designer), Charles Martin (technical director) and Alexa Berkowitz (stage manager).

Top row left to right: Pat King, Hilary Williams, Michael Vizzi.

Lower row left to right: Elaine Carlson, Ted Hoerl.

BIOS
Steven Dietz (playwright) Steven Dietz's thirty-plus plays and adaptations have been seen at over one hundred regional theatres in the United States, as well as Off-Broadway and in twenty countries internationally. His work has been translated into ten languages. 

Mr. Dietz premiered three plays in the 2015-16 season: ON CLOVER ROAD (NNPN rolling world premiere); BLOOMSDAY (Steinberg New Play Award Citation); and THIS RANDOM WORLD (Humana Festival of New American Plays). Mr. Dietz is a two-time winner of the Kennedy Center Fund for New American Plays Award, for FICTION (produced Off-Broadway by the Roundabout Theatre Company) and STILL LIFE WITH IRIS (the first play for Young Audiences to receive this award). He received the PEN USA West Award in Drama for LONELY PLANET; the Edgar Award for Best Mystery Play for SHERLOCK HOLMES: THE FINAL ADVENTURE; and the Edgerton New Play Award for RANCHO MIRAGE (NNPN rolling world premiere). His plays LAST OF THE BOYS and BECKY'S NEW CAR were both finalists for the American Theatre Critic's Steinberg New Play Award.

Other widely produced Dietz plays include YANKEE TAVERN (NNPN rolling world premiere), SHOOTING STAR, JACKIE & ME (from Dan Gutman), GOD'S COUNTRY, DRACULA (from Bram Stoker), PRIVATE EYES, INVENTING VAN GOGH and THE NINA VARIATIONS.

Jess Hutchinson (director) is a dramaturg, director, educator, and producer. As Artistic Director of Chicago’s New Leaf Theatre, her favorite projects included ARCADIA, THE DINING ROOM, and world premieres of BURYING MISS AMERICA, LIGHTHOUSEKEEPING, and THE MAN WHO WAS THURSDAY. After earning her MFA from UT Austin, she was proud to be the 2015-16 NNPN Producer in Residence at Kitchen Dog Theater in Dallas, Texas. Since returning home to Chicago she has been delighted to collaborate on productions, readings, and new play development with 20% Theatre, Rivendell, Route 66, Chicago Dramatists, Remy Bumppo, TimeLine, Governors State, and North Park University.  

The Edge Theater Off Broadway, 1133 W Catalpa Ave. Chicago
April 27 – June 1, 2019
Previews:  April 27 – May 3, 2019

Regular Run:  Thursdays-Saturdays at 7:30 pm and Sundays at 2 pm. Industry Performance Monday, May 13, 2019 at 7:30 pm
Ticket prices: $30.00 general admission, $25.00 seniors, $15.00 students and military.

Tickets available at https://dime.io/events/mad-beat-hip-gone
More info at www.prometheantheatre.org


Steven Dietz's play considers 1950s America, when magnificent poets roamed open highways, accompanied by jukebox jazz. The nation’s youth hit the road, high on full tanks of gas and brimming with unattainable dreams. Two magnificently average young men from Nebraska encounter Jack Kerouac and his friends in a bar. They respond by heading west themselves, trailing the Beat poets all the way to the golden land of California. Youthful exuberance is balanced by the untethered floundering of the older generation and their bittersweet knowledge that all dreams are fleeting. MAD BEAT HIP & GONE marries the realism and sharp dialogue for which Dietz is famous, with the achingly brilliant poetry of the Beat Generation. It’s a road trip you won’t want to miss.

Karen Mason: For the First Time at The Cabaret Room at Drury Lane May 17–19, 2019

The Cabaret Room at Drury Lane Announces 

limited engagement of

Karen Mason: For the First Time

May 17–19, 2019

Chicago favorite and Broadway star Karen Mason debuts at Drury Lane Theatre’s intimate Cabaret Room. Her newest cabaret, Karen Mason: For the First Time will run for only three performances: May 17 and May 18 at 7:30pm and May 19 at 6:30pm in Drury Lane’s beautiful and intimate Cabaret Room located at 100 Drury Lane in Oakbrook Terrace. Tickets are on sale now and can be purchased through the box office at 630.530.0111 or TicketMaster at 800.745.3000 or online at DruryLaneTheatre.com.  

Featuring uniquely showstopping numbers, For the First Time highlights Mason’s vocal prowess, moving charisma, and overall versatility – few performers transcend seamlessly between television, recording, Off-Broadway, and Broadway as has Karen Mason. This legend has graced the stages of Carnegie Hall, The Kennedy Center, Lincoln Center, Feinstein’s 54 Below, and more, and The Cabaret Room at Drury Lane is thrilled to welcome her back to Chicago.

The Cabaret Room features a special small plates menu including a shareable charcuterie and cheese platter and bacon wrapped dates in addition to cocktails and desserts. Doors open one hour prior to performance time, leaving plenty of time for guests to take advantage of this delectable menu. Gold Circle tickets include front row table seating at $70 and General Admission table seating is $60. There is a $25 food and beverage minimum per person.
The 2019 Cabaret Series will continue August 9-11, 2019, September 27-29, 2019, December 27-29, 2019, and February 14-16, 2020). Performers to be announced at a later date.

For more information or to make a reservation, call the Drury Lane Theatre box office at 630.530.0111 or visit DruryLaneTheatre.com. 

Also playing at Drury Lane
The 2019/2020 season will include two award-winning Regional Theatre premieres – the imaginative Roald Dahl’s Matilda the Musical (April 26 – June 23, 2019), based on the beloved novel, and the beautifully captivating Gershwin musical An American in Paris (January 31 – March 29, 2020). The thrilling season also includes Agatha Christie’s edge-of-your-seat murder mystery And Then There Were None (July 12 – September 1, 2019); the revival of the exhilarating The Color Purple (September 13 – November 3, 2019), based on the Pulitzer Prize-winning novel; and the magical musical for all ages Mary Poppins (November 15 – January 19, 2020). 
  
Subscriptions for the 2019/2020 Season are priced from $172 to $203.50 and are currently on sale. Subscribers receive special offers on dining, flexible ticket exchanges, and early notification and priority seating for added events and concerts. For more information, visit DruryLaneTheatre.com. 
  
The performance schedule for all productions during the 2019/2020 season is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 8 p.m., Fridays at 8 p.m., Saturdays at 3 p.m. and 8 p.m., and Sundays at 2 p.m. and 6 p.m. Student group tickets start as low as $35 and Senior Citizens start at $45 for matinees. Dinner and show packages are also available. For individual ticket on-sale dates and ticket reservations, call the Drury Lane Theatre box office at 630.530.0111 or TicketMaster at 800.745.3000 or visit DruryLaneTheatre.com.  



About Drury Lane Theatre    
Under the leadership of President Kyle DeSantis and Artistic Director William Osetek, Drury Lane Theatre is a major force in the Chicagoland theatre scene, presenting world-class productions in collaboration with some of the nation’s leading actors, artists, writers, and directors. Drury Lane has staged more than 2,000 productions and has been nominated for more than 360 Joseph Jefferson Awards. Drury Lane is committed to breathing new life into beloved classics and introducing audiences to exciting new works.   
   
Throughout its 50-year history, Drury Lane has employed more than 7,500 actors and 10,000 musicians, designers, and crew members to entertain upwards of nine million audience members. Originally founded by Anthony DeSantis, Drury Lane Theatre moved to its current Oakbrook Terrace home more than 30 years ago and remains a family-run organization known for producing breathtaking Broadway classics, top-rated musicals, bold new works, hilarious comedies, and unforgettable concert events.