REVIEW: WHITE RABBIT RED RABBIT Via Interrobang Theatre Project Every Monday Through November 12, 2018

ChiIL Live Shows On Our Radar

Interrobang Theatre Project Presents

WHITE RABBIT RED RABBIT

By Nassim Soleimanpour

September 24 – November 12, 2018 at The Den Theatre

Review:

I did something odd at The Den Theatre this month. I just watched someone make a potentially fatal choice, take direction from an Iranian half a world away, explore vulnerability, enlist the unsuspecting, and perform a script, opened for the first time on the spot. Yes, it's WHITE RABBIT RED RABBIT. 

Mondays are usually a dark night for theatre arts, but Interrobang Theatre Project is changing that up with a stunning 8 week social experiment. With a script from award-winning Iranian playwright Nassim Soleimanpour, 8 diverse Chicagoans, and willing audience, WHITE RABBIT RED RABBIT, is a subtly different show every week. 

First, kudos to Interrobang Theatre Project for casting an eclectic range of actors for the run. I had the great pleasure of catching JD Caudill on October 1st, the second actor in the lineup. They provided a unique perspective on the work as a trans individual who prefers the pronouns "they/theirs/them". 

About a third of the audience was drafted into joining the production, some designated by the playwright in the script, and many by choice. I found it poetic that JD's partner was one of the first to begin the show, randomly plucked by seat number, and another trans individual (a theatre critic), volunteered by choice, and closed out the show with a powerful reading. The bookending was a beautiful thing that happened organically and will likely never be recreated again.

I'm keeping this review as spoiler free as possible, because WHITE RABBIT RED RABBIT is best experienced without preconceptions. Suffice it to say, before I had left the show, I was already thinking of all the people I know that I wanted to bring back to see it. I left the show and promptly friended Iranian playwright Nassim Soleimanpour on social media and heard back from him within a day. I left with a few more tangents in my head, new thoughts on psychology and sociology and how they tie in with the theatre of politics and the political theatre arts, and a new Facebook friend in Iran. Theatre has the power to transcend borders and cultural conditioning, and alter mindsets on the spot more effectively than most other mediums. Check it out! White Rabbit Red Rabbit is recommended.

Ever have that nightmare where you can't get your locker open, or you're suddenly on stage without a clue what your lines are or even what play you're in, and everyone in the audience is looking expectantly at you? I have. This fall in Chicago, professional actors are actually volunteering for the latter scenario at several theatres in several different show configurations! One that's piqued my interest the most is award-winning Iranian playwright Nassim Soleimanpour's acclaimed solo show WHITE RABBIT RED RABBIT. 


The show features a different actor each week, with a script they’ve never read before. Plan to catch one or many, as we go down the rabbit hole of word spanning two disparate cultures. Forbidden to leave his country, young Iranian playwright Nassim Soleimanpour found a way for his voice to get out when he physically could not. His words have escaped censorship and are awaiting an audience.

What happens when you put one artist on a stage and hand them a script they’ve never read before? Pure theatrical magic! Interrobang Theatre Project is pleased to present award-winning Iranian playwright Nassim Soleimanpour's acclaimed solo show WHITE RABBIT RED RABBIT, an experimental tour de force you have to see to believe! 

Featuring a different actor each week, this unforgettable artistic experiment will play Mondays at 8 pm from September 24 – November 12, 2018 at The Den Theatre, 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are on sale at www.interrobangtheatre.org or by calling (312) 219-4140. 

The line-up for WHITE RABBIT RED RABBIT includes: 

Stephanie Shum (September 24) 
JD Caudill (October 1)
Echaka Agba (October 8)
Michael Turrentine (October 15)
Joe Lino (October 22)
David Cerda (October 29)
Shawna Franks (November 5)
Owais Ahmed (November 12)

No rehearsal. No director. No set. No spoiler. A different performer each night is handed a script (in a sealed envelope) for the first time as they step onto stage. Forbidden to leave his country, young Iranian playwright Nassim Soleimanpour found a way for his voice to get out when he physically could not. His words have escaped censorship and are awaiting your audience. This wildly entertaining and thought-provoking theatrical piece – where no audience can see the same show twice – blends drama, comedy and social experiment, providing audiences with a potent reminder of the transformative power of theatre. WHITE RABBIT RED RABBIT has been called a play – but it’s a lively, global sensation that no one is allowed to talk about. 

Curtain Times: Mondays at 8 pm
Tickets: $20 in advance, $25 at the door. Tickets go on sale shortly at www.interrobangtheatre.org or by calling (312) 219-4140. 
Performers: Stephanie Shum (September 24) JD Caudill (October 1), Echaka Agba (October 8), Michael Turrentine (October 15), Joe Lino (October 22), David Cerda (October 29), Shawna Franks (November 5) and Owais Ahmed (November 12).

Understudy: Matthew Nerber

About the Playwright

Nassim Soleimanpour is an independent multidisciplinary theatre maker from Tehran, Iran. His plays have been translated into more than 20 languages. Best known for his play White Rabbit Red Rabbit, written to travel the world when he couldn’t, his work has been awarded the Dublin Fringe Festival Best New Performance, Summerworks Outstanding New Performance Text Award and The Arches Brick Award (Edinburgh Fringe), as well as picking up nominations for a Total Theatre and Brighton Fringe Pick of Edinburgh Award. By the time Nassim was permitted to travel for the first time in early 2013, his play White Rabbit Red Rabbit had been performed over 200 times in 15 languages. Since then, Nassim has facilitated workshops and panels in different countries including World Theatre Festival (Brisbane), Tolhuistuin (Amsterdam), SESC Vila Mariana (Sao Paulo), Schauspielhaus (Vienna), DPAC (Kuala Lampur), Theatretreffen (Berlin), British Council (London), Asia House (London) and University of Bremen (Germany). Nassim’s second play Blind Hamlet for the London based Actors Touring Company premiered at the 2014 Edinburgh Festival Fringe and has since toured extensively around the UK and was received well in Bucharest and Copenhagen. Blank, his third play, recently premiered in Amsterdam and has been performed in Utrecht, Edinburgh and London. Nassim now lives in Berlin with his wife Shirin.

PHOTO CREDIT: Interrobang Theatre Project’s production of WHITE RABBIT RED RABBIT will feature (top, l to r) Echaka Agba, Owais Ahmed, JD Caudill and David Cerda (bottom, l to r) Shawna Franks, Joe Lino, Stephanie Shum and Michael Turrentine.

About the Performers

Stephanie Shum can't believe Interrobang is letting her do this but is very excited to play with them for the first time. She is Co-Artistic Director of The New Colony, Associate Producer with Red Tape Theatre and has also performed with Steppenwolf, American Theater Company, The Neo-Futurists, 16th Street, Walkabout, Factory, Redtwist, Goodman, Victory Gardens, Silk Road and The Fly Honeys. She is a graduate of the School at Steppenwolf and is represented by Actors Talent Group. She may next be in seen in Wildclaw’s Second Skin. www.stephanieshum.com

JD Caudill is a Chicago-based director, music director and performer. Since coming to Chicago in 2014, JD has performed onstage with The New Colony, Hell in a Handbag Productions, New American Folk Theatre, Forks and Hope and Hobo Junction, and directed for over 15 companies, including Broken Nose Theatre, The New Colony and Haven Theatre. JD is a company member of Hell in a Handbag and Haven Theatre (where they are also marketing director), and an associate company member of Broken Nose Theatre.

Echaka Agba’s Chicago theatre credits include: Women Laughing Alone with Salad (Theater Wit); At the Table (Jeff Award – Best Ensemble, Best Supporting Actress; Black Theatre Alliance Award – The Hattie McDaniel Award) Broken Nose Theatre; The Crucible, Between Riverside and Crazy (u/s) Steppenwolf Theatre; Short Shakes! Romeo and Juliet (u/s) Chicago Shakespeare Theater; A Comedical Tragedy for Mister Punch, United Flight 232 (Jeff Award – Best Ensemble) House Theatre of Chicago; Don't Go Gentle (Haven Theatre); Balm in Gilead (Griffin Theatre). She is a graduate of The School at Steppenwolf and is represented by Grossman and Jack. 

Michael Turrentine is an actor/educator/playwright originally from Oklahoma, but loves the Windy City too much for words! He has worked at various theaters around Chicago including Firebrand Theatre, Remy Bumppo Theatre, Theater Wit, The Lyric Opera of Chicago, The Gift Theatre and others. He will also be performing in the up coming production of Frankenstein at Remy Bumppo Theatre. Michael is excited to go on this cool and exciting journey with Interrobang! He is represented by Gray Talent Group.

Joe Lino is a Chicago based actor and has worked with Steppenwolf, Goodman, Victory Gardens, Teatro Vista, Drury Lane, The New Colony, The Cuckoos Theater Project, The Agency Theatre Collective and Interrobang Theatre Project. where he is an artistic associate. Regionally he has credits with Actors Theatre of Louisville in shows such as Dracula, A Christmas Carol and That High Lonesome Sound, which premiered at the Humana Festival. He has also performed Off-Broadway at the BAM Harvey Theatre in Charles Mee’s world premiere of The Glory of the World. He is a proud alumni of Ball State University. 

David Cerda is the Artistic Director and Co-Founder of Hell in a Handbag Productions. Plays written include Rudolph the Red-Hosed Reindeer, SCARRIE! The Musical, POSEIDON! An Upside-Down Musical, Christmas Dearest, The Golden Girls: The Lost Episodes Vol 1 & 2 and The Birds. As an actor he has worked with A New Colony, Corn Productions, Lookingglass, A Red Orchid Theatre and more. Cerda was inducted into the Chicago 2016 GLBTQ Hall of Fame and received a Lifetime Achievement Award from the Chicago Jeff Committee in 2017 for his body of work and philanthropic efforts.

Shawna Franks is the founding Managing Director of Facility Theatre where she is currently performing in the Chicago premiere of Phoebe In Winter by Jen Silverman. Shawna originated the role of Dottie in Killer Joe by Tracy Letts at The Next Lab in Evanston. She performed this role at The Traverse Theatre in Edinburgh, The Bush Theatre in London and The Vaudeville Theatre on London's West End. She also performed in Grand Concourse at Steppenwolf Theatre and The Woman Before at Trap Door Theatre. She has appeared in various productions in Dublin, Los Angeles, Phoenix and New York City, and is the founding Artistic Director of Space 55 Theatre in Phoenix.

Owais Ahmed is a Chicago native and a proud ensemble member of Definition Theatre Co. Theatre credits include: The Invisible Hand (Steep Theatre, Milwaukee Rep), The Hard Problem (Court Theatre), Orange (Mixed Blood Theatre) and The Qualms (Steppenwolf Theatre). 



About Interrobang Theatre Project

Now in its ninth season, Interrobang Theatre Project, under the artistic leadership of Georgette Verdin and James Yost, has been hailed by the Chicago Tribune as a “company to watch” and by Time Out Chicago as “one of Chicago’s most promising young theatre companies.” Chris Jones called Foxfinder, which kicked off Interrobang’s 2017-18 season, “...a ripping good yarn,” earning it 3.5 stars from the Chicago Tribune. Foxfinder also garnered seven non-Equity Jeff Awards nominations including Best Director and Production of a Play, and took home two awards for Best Original Music and Set Design. The company also earned seven non-Equity Jeff Nominations for their seventh season, including Best Director, Production of a Play, Solo Performance and acting nominations for Lead Actor, Actress (win) and Actor in a Supporting Role (win). Productions have included the world premiere of Calamity West’s Ibsen is Dead (Jeff Recommended), the Jeff Recommended The Pitchfork Disney, Orange Flower Water, Recent Tragic Events, The North Pool, The Amish Project, Falling and Grace. Director James Yost’s critically-acclaimed Really Really was one of six shows chosen for Chicago Tribune’s “Best of 2015 in Chicago Fringe Theater.”

What’s an interrobang?
An interrobang is the combination of a question mark and an exclamation point, joining the Latin for “question” (interro) with a proofreading term for “exclamation” (bang). Through the plays we produce, Interrobang Theatre Project aims to pose worthwhile and exciting questions which challenge our understanding and assumptions of who we are and the world in which we live. 

For more information, please visit www.interrobangtheatreproject.org.

Shows On Our Radar: ECLIPSED VIA PEGASUS THEATRE CHICAGO THROUGH NOVEMBER 4TH, 2018 AT CHICAGO DRAMATISTS

ChiIL Live Shows On Our Radar:

PEGASUS THEATRE CHICAGO 

BEGINS 2018 - 2019 SEASON WITH DANAI GURIRA’S

ECLIPSED 

THROUGH NOVEMBER 4 AT CHICAGO DRAMATISTS

Pegasus Theatre Chicago’s Producing Artistic Director Ilesa Duncan directs this Tony-Awarded Drama Inspired by Real Stories of Women Rebels During the Second Liberian Civil War

Pegasus Theatre Chicago announces its production of Eclipsed, written by Danai Gurira and directed by Producing Artistic Director Ilesa Duncan, October 4 – November 4 at Pegasus’s resident home Chicago Dramatists, 773 N. Aberdeen. The performance schedule is Thursdays – Saturdays at 7:30 p.m. and Sundays at 3 p.m. with added Saturday 3 p.m. or Sunday 7:00 p.m. performances (TBD). Tickets are $18 - $30 and are available at PegasusTheatreChicago.org. Discounts available for groups of ten or more by contacting boxoffice@pegasustheatrechicago.org.
      
Eclipsed, the first play to premiere on Broadway with an all female and black cast and creative team, was inspired by a photo that Gurira saw in The New York Times. “I was raised in Africa and I had never seen anything like it, women with AK-47s, dressed very hip and looking formidable.” she said. “I was keen to one day pursue that story and put it on the stage.” Taking place in a bullet-ridden rebel army camp during the Liberian civil war in 2003, the five "wives" of a commanding officer band together to form a fragile community and care for a 15-year-old girl who has been abducted and raped. The balance of their lives is upset by the return of a former "wife" turned rebel soldier who tries to convince the teen to leave the camp and fight with her. As the war draws to a close, each woman must discover her own personal means of survival in this deeply felt portrait of women finding and testing their own strength.

The cast of Eclipsed includes Morayo Orija, Maya V. Prentiss, Aja Singletary, Adhana Reid and Sola Thompson.
The production team includes Jacqueline Penrod (scenic design); Megan Turnquist (lighting design); Owé Engobor (costume design); Tony Bruno (sound design); R&D Choreography (violence design); Amanda Caputi (props); Carrie Hardin (dialect coach); Tanuja Jagernauth (dramaturg); Jennifer McClendon (production manager) and Justine Palmisano (stage manager).



 ABOUT DANIA GURIRA, playwright
Danai Gurira is an American actress and playwright of Zimbabwean origin who is best known for her roles as “Michonne” on the AMC horror drama series “The Walking Dead” and as “Okoye” in the Marvel Universe movies “Black Panther” and “Avengers: Infinity War.” She began her career on stage and has written critically acclaimed and award-winning plays such as In the Continuum,
which won her an Obie Award, an Outer Critics Award and a Helen Hayes Award for Best Lead Actress; Eclipsed, was nominated for a Tony Award for Best Play and won for Best Costume Design in a play; The Convert and Familiar, the last of which was commissioned by Yale Repertory Theatre. Among her other notable movies is “Mother of George,” in which she played the lead role of a Nigerian woman. She has also made guest appearances on several television
shows including “Life on Mars,” “'Law & Order” and “American Experience.” According to her, being “brought up by a scientist and a librarian”, she is “an academic at heart”, which helps her do the exhaustive research she needs to write her plays. Gurira, who feels that stories of African women are told very rarely, considers her three plays In the Continuum The Convert, and
Familiar as “parts of a trilogy on Zimbabwe’s coming of age from a feminine perspective.”

ABOUT ILESA DUNCAN, director
Ilesa Duncan is the executive/artistic director at Pegasus Theatre Chicago. Her recent directing work at Pegasus includes the Jeff-Recommended, sold-out Shakin the Mess Outta Misery, the world premiere of Jeff-Recommended Rutherford’s Travels and For Her as a Piano. Other recent credits include Neverwhere at Lifeline Theatre (Jeff-Recommended), Broken Fences at 16th Street Theater, Jeff Award-nominated The Nativity with Congo Square and the Jeff Award- winning Jar the Floor at ETA Creative Arts. Duncan has also worked with The Goodman, Writers Theatre, Victory Gardens Theater, Rivendell Theatre Ensemble, Lifeline Theater, Stage Left and Chicago Dramatists, as well as Contemporary American Theatre Company (Ohio). The Alliance Theatre (Atlanta), Arena Stage (Washington DC) and Lincoln Center Theater (New York). Duncan’s creative nonfiction short stories have been published (Columbia College Chicago) and she’s written poems and screenplays. For the stage, she co-adapted Rutherford’s Travels from the National Book Award-winning novel Middle Passage, co-wrote and directed Blakk Love: Stoeez of A Darker Hue and facilitated the devised project Do You See What I’m Saying for Chameleon. Duncan will also assume the role of artistic director at Lifeline Theatre beginning in January 2019, and will remain Pegasus’ executive/producing director.



ABOUT PEGASUS THEATRE CHICAGO
Pegasus Theatre Chicago has been a mainstay in the Chicago theater community for nearly 38 years. Its mission is to produce boldly imaginative theatre, champion new and authentic voices and illuminate the human journey. The theatre adheres to the core values of community engagement, social relevance, boldness, adventure and excellence.

Pegasus is also committed to initiating important conversations through the arts with strong community engagement and socially relevant programming, including the Young Playwrights Festival for high school-age scribes, which will celebrate its 32nd year this season. Pegasus Theatre Chicago has received seventy-seven Joseph Jefferson Awards since its inception.

Pegasus Theatre Chicago is also supported by the Lloyd A. Fry Foundation, the Reva and David Logan Foundation, the MacArthur Fund at Richard Driehaus Foundation, the Albert Pick, Jr. Fund, the Gaylord and Dorothy Donnelley Foundation, Polk Bros. Foundation, the National Endowment for the Arts (NEA), the Illinois Arts Council Agency, and a CityArts grant from the Department of Cultural Affairs and Special Events (Rahm Emanuel, Mayor).

OPENING: CRUMBS FROM THE TABLE OF JOY at Raven Theatre East Stage October 4 – November 18, 2018

ChiIL Live Shows On Our Radar

Raven Theatre Presents 

CRUMBS FROM THE TABLE OF JOY

By Lynn Nottage

Directed by Tyrone Phillips

October 4 – November 18, 2018

I'll be out for the press performance October 8th, so check back soon for my full review. We're eager to see two-time Pulitzer Prize-winner, Lynn Nottage's period piece set in 1950's Brooklyn.

Raven Theatre is pleased to launch its 2018-19 season with CRUMBS FROM THE TABLE OF JOY by two-time Pulitzer Prize-winner Lynn Nottage, directed by Tyrone Phillips. This sharp and boisterous drama about family, faith and revolution will play October 4 – November 18, 2018 on Raven’s 99-seat East Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at www.raventheatre.com or by calling (773) 338-2177.

CRUMBS FROM THE TABLE OF JOY will feature Chanell Bell, Brianna Buckley, Brandi Jiminez Lee, Terence Sims and Emily Tate.

Brooklyn, 1950. Ernestine and Ermina Crump have moved to New York with their father, Godfrey, who is seeking spiritual guidance from a man called Father Divine. In the swirling, glamorous commotion of this new city, with calls for equal rights and communist rebellion hanging in the air, the girls begin a turbulent journey toward independence and a challenging future.

Comments Raven Theatre Artistic Director Cody Estle, “Lynn Nottage is a prolific writer and her work is a gift to all who encounter it. This is the first time Raven Theatre has produced one of her plays. As a theatre known for producing the classics of Tennessee Williams and Arthur Miller, it seems only fitting to include Lynn’s voice among these greats. Set in 1950, Crumbs from the Table of Joy examines a family experiencing change in a country filled with racial and social turmoil. Audiences will connect with the struggles of this family, while getting a glimpse into a time in our past whose complexity resembles that of today.”

The production team for CRUMBS FROM THE TABLE OF JOY includes: Arnel Sancianco (scenic design), Christine Pascual (costume design), Kathy A. Perkins (lighting design), Matt Test (sound design), Mealah Heidenreich (props design), Jon Martinez (choreography), Eva Breneman (dialect coach), Megan Pirtle (wig design), Kanomé Jones (casting director), Alexis Taylor (assistant director), Cole von Glahn (production manager), Bobby Huggins (technical director), Wilhelm Peters (stage manager) and Sapier Weinglass (assistant stage manager).




Location: Raven Theatre East Stage, 6157 N. Clark St. (at Granville), Chicago

Dates: Previews: Thursday, October 4 at 7:30 pm, Friday, October 5 at 7:30 pm, Saturday, October 6 at 7:30 pm and Sunday, October 7 at 3 pm

Regular run: Thursday, October 11 – Sunday, November 18, 2018

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. 

Tickets: Previews $32 ($29 if purchased online). Regular run $46 ($43 if purchased online). Seniors/teachers $41 ($38 if purchased online). Students/active military and veterans $15. 

Every Thursday is “Under 30 Thursday,” when patrons under age 30 can purchase tickets for $15. Single tickets and subscriptions for the 2018-19 Season are currently available at www.raventheatre.com or by calling (773) 338-2177.

Touch Tour/Open Captioned performance: Sunday, November 4 at 3 pm. Touch tour begins at 1:45 pm.

Group tickets: Groups of 10 or more are $30 per person for Thursday and Friday performances and $35 per person for Saturday and Sunday performances. Student groups are $15 per person.

Plan Your Visit: 
Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line. Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).



About the Artists:

Lynn Nottage (Playwright) received the 2017 Pulitzer Prize for Drama and three Tony Award nominations for her play Sweat. For her play Ruined, she received the 2009 Pulitzer Prize for drama, along with an Obie, the Lucille Lortel Award, New York Drama Critics’ Circle Award, Drama Desk Award, and Outer Critics Circle Award for Best Play (Manhattan Theatre Club, Goodman Theatre). Her other plays include Intimate Apparel (New York Drama Critics’ Circle Award for Best Play; Roundabout Theatre, CENTERSTAGE, South Coast Repertory); Fabulation, Or the Re-Education of Undine (Obie Award; Playwrights Horizons, London’s Tricycle Theatre); Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por’Knockers and Poof! Nottage is the recipient of numerous awards, including the 2007 MacArthur Foundation “Genius Grant,” the National Black Theatre Festival’s August Wilson Playwriting Award, the 2004 PEN/Laura Pels Award for Drama, and the 2005 Guggenheim Grant for Playwriting, as well as fellowships from the Lucille Lortel Foundation, Manhattan Theatre Club, New Dramatists, and New York Foundation for the Arts. She is a member of The Dramatists Guild, an alumna of New Dramatists and a graduate of Brown University and the Yale School of Drama, where she is a visiting lecturer. For additional information, visit www.lynnnottage.net.

Tyrone Phillips (Director) is the founding Artistic Director of Chicago's Definition Theatre Company. Named one of the Chicago Tribune's “Hot New Faces of 2015” and Newcity's “Players 2016: The Fifty People Who Really Perform for Chicago,” he is a graduate of the University of Illinois Urbana-Champaign where he received his BFA with honors. Directing credits include the critically-acclaimed production of Byhalia, Mississippi (Joseph Jefferson Awards nomination), which remounted to open the Steppenwolf 1700 Theatre, Dutchman (Definition Theatre), The MLK Project: The Fight for Civil Rights (Writers Theatre), 33 to Nothing (A Red Orchid Theatre), Dontrell, Who Kissed The Sea (Illinois Theatre), We the People, Our Town, Lord of the Flies, The Tempest (Niles North Theatre). You also may have seen his work as associate director for Red Velvet (Chicago Shakespeare Theatre) and as the assistant director for Trevor the Musical, Parade and The Mystery of Love and Sex (Writers Theatre). Tyrone also studied abroad at Shakespeare’s Globe and was an emerging professional resident at the Milwaukee Repertory Theatre where he worked on A Raisin in the Sun, The Mountaintop, and Clybourne Park. Tyrone is represented by Grossman and Jack Talent and was recently selected as one of Newcity's “Players—the 50 leaders of Chicago’s theater, dance, opera and comedy culture of 2018”. 

Quill Reading Series
Raven Theatre will present a staged reading of POOF! by Lynn Nottage, directed by Wardell Julius Clark on Wednesday, November 14 at 7:30 pm (reception at 7 pm). Quill is a series of four staged readings produced in tandem with each of the plays in Raven’s season. The readings provide an opportunity for audiences to engage further with the work of this season’s playwrights and explore their artistic voice on stage. Each Quill reading features a pre-show reception with complimentary wine provided by Income Tax. Admission is a suggested donation of $10.



About Raven Theatre

Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by the Alphawood Foundation, Bayless Family Foundation, The MacArthur Fund for Arts and Culture at Prince, Polk Bros. Foundation, S&C Electric Company Fund, The Gaylord and Dorothy Donnelley Foundation, the PAV Fund and the Illinois Arts Council, a state agency.

OPENING: World Premiere Immersive Theatrical Experience MASQUE MACABRE Via Strawdog Theatre Company Through October 31, 2018

ChiIL Live Shows On Our Radar  

Strawdog Theatre Company Presents

the World Premiere Immersive Theatrical Experience

MASQUE MACABRE

Inspired by the Stories of Edgar Allan Poe

Written by Aly Greaves Amidei, Cara Beth Heath & 

John Henry Roberts  

Directed by Anderson Lawfer, Janet Howe & Eli Newell

October 4 – October 31, 2018

I'll be ChiILin' with Chi, IL's Strawdog Theatre Company for the press opening October 12th. I can't wait to catch this unique world premiere production where the audience travels from room to room, experiencing scenes. Check back soon for my full review.

Just in time for Halloween, Strawdog Theatre Company launches its 31st season with the world premiere of MASQUE MACABRE, a dark and bloody thrill ride inspired by the works of Edgar Allan Poe – think Carrie meets Eyes Wide Shut. The handlers of a "bad boy" entrepreneur go to extremes to give him one last big bash before his past catches up to him. An explorative immersive theatre experience a la Sleep No More, guests travel from room to room throughout the space and follow stories of revenge and murder as they play out in real time.

Written by ensemble members Aly Greaves Amidei* and John Henry Roberts* and company member Cara Beth Heath^ and directed by Co-Artistic Director Anderson Lawfer*, Janet Howe and Eli Newell, MASQUE MACABRE will play October 4 – 31, 2018 at Strawdog’s new home at 1802 W. Berenice Ave. in Chicago’s Northcenter neighborhood. Single tickets and season subscriptions are currently available at www.strawdog.org. 

MASQUE MACABRE will feature Strawdog ensemble member Michael Reyes* with guest artists Andrew Bailes, Dan Cobbler, Katie Gonzalez, Henry Greenberg, Adam Hinkle, Brian Hinkle, Patrick TJ Kelly, Lisa McConnell, Laura Nelson, Ella Raymont, Collin Quinn Rice, Shaina Schrooten and Julian Stroop.

Comments Co-Artistic Director Michael Dailey, “MASQUE MACABRE is the most ambitious project in our 31 year history. We’re thrilled to share the immersive and horrifying world of MASQUE with Chicago audiences. With fourteen storylines playing out in real time throughout our entire space, you could see this show multiple times and come out with a totally different experience each time. At a haunting time of year, MASQUE delivers a modern nightmare that explores the line between revenge and justice and how what we do (or don’t do) makes us complicit in the evil and darkness of others. It may just keep you up at night.”

The production team for MASQUE MACABRE includes: Strawdog ensemble members Claire Chrzan* (co-lighting designer), Heath Hays* (sound designer) and Kyle Hamman* (video/media designer) with guest artists: Tom Burch (scenic designer), Virginia Varland (costume designer), Shelbi Arndt and Daniel Friedman (co-lighting designers), Lacie Hexom (props designer), Bobby Wilhelmson (violence designer), Kate Lass (intimacy designer), Mike Sanow (technical director) and Megan Gray (stage manager).

* Denotes Strawdog ensemble member
^ Denotes Strawdog company member


Location: Strawdog Theatre Company, 1802 W. Berenice Ave., Chicago
Dates: Previews: Thursday, October 4 at 7 pm, Friday, October 5 at 7 pm, Sunday, October 7 at 2 pm & 5 pm and Thursday, October 11 at 7 pm & 9:30 pm

Board Night Performance: Special performance with hosted drinks and appetizers, Saturday October 6 at 7 pm.

Press performance: Friday, October 12 at 7 pm or 9:30 pm

Regular run: Saturday, October 13 – Wednesday, October 31, 2018
Curtain Times: Thursdays, Fridays, and Saturdays at 7 pm & 9:30 pm, Sundays at 2 pm & 5 pm. Please note: Halloween week performances added on Monday, October 29 at 7 pm & 9:30 pm, Tuesday, October 30 at 7 pm & 9:30 pm and Wednesday, October 31 at 7 pm & 9:30 pm. 

Tickets: Previews $30. Regular run $50. Seniors: $40. Board Night: $75. Single tickets and season subscriptions are currently available at www.strawdog.org. Half price Rush and Student tickets available at every performance and other discounts available. Call (773) 644-1380 for details. 

About the Artists

Aly Greaves Amidei (Co-Writer) has worked as a designer, playwright and maker based in Chicago for the last 18 years. She is an Assistant Professor of Costume Design at UNC-Charlotte. She is proud ensemble member of Strawdog Theatre Company and Lifeline Theatre. Her plays and audio dramas have been produced at Lifeline Theatre, WildClaw Theatre, Strawdog Hit Factory, College of DuPage and Cartage Theatre of Charlotte. 

Cara Beth Heath (Co-Writer) has an MFA in Playwriting from Western Michigan University and a BA in Creative Writing from the College of Charleston. She is the Literary Manager at Strawdog Theatre Company. She's also been invited to the John F. Kennedy Center for the Performing Arts for dramaturgy, directing and playwriting. Her work has been read and produced in several festivals and workshops across the Midwest, including her award-winning play Good Enough about the women of the Gibson guitar factory during WWII. She's been in Chicago for a couple of years now, developing her plays and advocating for local playwrights. 

John Henry Roberts (Co-Writer) joined the Strawdog ensemble in 2004. Previous writing credits include Strawdog’s production of The Sweeter Option and the Neo-Futurists’ production of True Dreams of Annie Arbor. Recent acting credits include Pillars of the Community, Barbecue and The Night Season (Strawdog), Neverwhere and Miss Holmes (Lifeline Theatre), The Little Flower of East Orange (Eclipse Theatre, Jeff Nomination for Outstanding Actor in a Lead Role), Diamond Dogs and The Hammer Trinity (The House Theatre). He’ll next appear in Twelfth Night at Writers Theatre. He is represented by Paonessa Talent. 

Janet Howe (Co-Director) is a director, immersive theatre consultant and Co-Artistic Director of (re)discover theatre. Over the past four years, Janet’s work has focused exclusively on immersive and site-specific works. Janet directed and spearheaded projects such as FOR ONE: a series of plays built for an audience of one and Farewell My Friend, an immersive melding of Romeo & Juliet and Tristan & Iseult. Other directing credits include Lysistaratra, Fifty Shades of Shakespeare and Jason & (Medea). Starting October 2018, Janet will be studying immersive theatre at Middlesex University: London, focusing on accessibility in immersive forms. www.janetkhowe.com

Anderson Lawfer (Co-Director) is a Co-Artistic Director of Strawdog. He was the previous Artistic Director of Strawdog's Hugen Hall and focused on new works, adapting and directing Pontypool, Fail/Safe and Kill Shakespeare. He is the creator and host of many Strawdog late night shows including Theatre Wars!, The Direct Off! and The Game Show Show and Stuff! He will also be directing a new musical in the spring written by Mark Guarino and Jon Langford called Take Me.

Eli Newell (Co-Director) Eli Newell is thrilled to return to Strawdog after having previously assistant directed Damascus. He is a Chicago-based director from the Twin Cities, Minnesota. In Chicago, Eli has assisted at Goodman Theatre, Northlight Theatre, Raven Theatre, Strawdog Theatre Company, Haven Theatre and Windy City Playhouse. In the Twin Cities, he has worked with Guthrie Theater, Children’s Theatre Company, Ordway Center and the Playwrights’ Center. Eli is a graduate of Northwestern University’s School of Communication.

Crystal Head Vodka is the official vodka of MASQUE MACABRE.

About Strawdog Theatre Company
Since its founding in 1988, Strawdog Theatre Company has offered Chicagoland the premiere storefront theatre experience and garnered numerous Non-Equity Jeff Awards with its commitment to ensemble acting and an immersive design approach. The celebrated Company develops new work, re-imagines the classics, melds music with theatre, asks provocative questions and delivers their audience the unexpected.

Strawdog Theatre Company is supported in part by The Macarthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, the Gaylord and Dorothy Donnelley Foundation, the Alphawood Foundation, The Elizabeth F. Cheney Foundation, and the Illinois Arts Council Agency. 

OPENING: The Midwest Premiere of COSMOLOGIES Via The Gift Theatre Through December 9, 2018

ChiIL Live Shows On Our Radar:

The Gift Theatre Presents the Midwest Premiere of 

COSMOLOGIES

By Ensemble Member David Rabe

Directed by Artistic Director Michael Patrick Thornton

October 19 – December 9, 2018

(front, l to r) Ensemble members Martel Manning, Gregory Fenner, Kenny Mihlfried and Hannah Toriumi with (back, l to r) Darci Nalepa, John Kelly Connolly and James D. Farruggio in a publicity image for The Gift Theatre’s Midwest premiere of David Rabe’s COSMOLOGIES. Photo by Claire Demos.

                                   
The Gift Theatre is pleased to conclude its 17th season with the Midwest premiere of Tony Award-winning playwright and ensemble member David Rabe’s* COSMOLOGIES, directed by Artistic Director Michael Patrick Thornton*, playing October 19 – December 9, 2018 at 4802 N. Milwaukee Ave. in Chicago’s Jefferson Park neighborhood. Tickets are currently available by calling the Gift’s box office at (773) 283-7071 or visiting thegifttheatre.org. 

COSMOLOGIES will eature an all-ensemble cast including John Kelly Connolly*, James D. Farruggio*, Gregory Fenner*, Martel Manning*, Kenny Mihlfried*, Darci Nalepa* and Hannah Toriumi*.

Put the whimsical humor of the Keystone Cops and Bugs Bunny into a particle collider with the philosophy of Soren Kierkegaard and George Berkeley and you’re getting close to the style of this existential absurdist comedy from David Rabe. When a young man’s negotiation for a date goes very wrong, we are transported through kaleidoscopic worlds of possibilities, identities and loves. 

Comments playwright and Gift ensemble member David Rabe, “Here's the thing: working on Good for Otto with The Gift was among the very best experiences I've ever had in the theater. Cosmologies and I are eager to get there and go at it again with Mike Thornton, some of the same actors, along with new ones drawn from the Gift ensemble.”

The production team for COSMOLOGIES includes Angela McIlvain and Courtney O'Neill (scenic design), Izumi Inaba (costume design), Charlie Cooper (lighting design), Christopher Kriz (sound design), Grace Bolander (assistant director) and Sarah Luse (stage manager).


Location: The Gift Theatre, 4802 N. Milwaukee Ave., Chicago
Dates: Previews: Friday, October 19 at 7:30 pm, Saturday, October 20 at 7:30 pm, Sunday, October 21 at 2:30 pm, Wednesday, October 24 at 7:30 pm, Thursday, October 25 at 7:30 pm, Friday, October 26 at 7:30 pm and Saturday, October 27 at 7:30 pm

Regular run: Thursday, November 1 – Sunday, December 9, 2018
Curtain Times: Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; Sundays at 2:30 pm. Please note: there will not be a 3 pm performance on Saturday, October 20.

Tickets: Previews $25. Regular run $35 – $50. Tickets are currently available by calling the Gift’s box office at (773) 283-7071 or visiting thegifttheatre.org. 

*Denotes Gift Theatre ensemble member

About the Artists

David Rabe (Playwright) was born in Dubuque, Iowa, where he lived though his college years, studying creative writing under Reverend Ray Roseliep, a renowned poet. After the army and a gloriously productive period at Villanova University where a number of his early plays were written and performed, his first professional productions were in New York, a Vietnam Quartet starting in 1971: The Basic Training of Pavlo Hummel, Sticks and Bones, The Orphan and Streamers. All were produced by Joseph Papp to whom he owes a complex and absolute debt. In the Boom Boom Room followed, as did Goose and Tom Tom, Hurlyburly, Those the River Keeps, A Question of Mercy, The Dog Problem, The Black Monk adapted from Chekov, An Early History of Fire and Good For Otto, which in 2015 gave him his first experience of Chicago theater with The Gift, followed by Visiting Edna at Steppenwolf. Four of his plays have received Tony nominations, and Sticks and Bones, for which the actors requested combat pay, won in 1972. He has received the American Academy of Arts and Letters Award, and an Obie award; the Drama Desk, John Gassner Outer Critics, the New York Drama Critics Circle awards, and three times won the Elizabeth Hull-Kate Warriner Drama Guild Award. Screenplays are I’m Dancing as Fast as I Can, Casualties of War and Hurlyburly. His fiction includes the book of stories A Primitive Heart, and the novels Recital of the Dog, Dinosaurs on the Roof and Girl by the Road at Night.  He has three children, Jason, Lily and Michael.

Michael Patrick Thornton (Director) is Co-Founder and Artistic Director of The Gift, where previous directing credits include: world premiere of Gift ensemble member David Rabe’s Good For Otto; world premiere of Claire Kiechel’s Pilgrims (co-directed with Jessica Thebus), War of the Worlds (75th Anniversary Production), the Chicago Premiere of ensemble member Will Eno’s Oh, The Humanity (and other exclamations), Prairie View, Night & Her Stars, Stop/Kiss, Santa’s Great American Depression Holiday Show! America, White People, Three Sisters, Long Day’s Journey Into Night, Hurlyburly (Joseph Jefferson Award: Actor In Leading Role), A Young Man In Pieces, Language Of Angels, County Fair and Orestes 2.0. Elsewhere: Of Mice and Men (Steppenwolf), the world premieres of Sean Graney’s IS N UR B1UDS7REEM… and Mark Harvey Levine’s LA 8AM (Collaboraction) and Picasso At The Lapin Agile (Noble Fool). Michael was a very grateful assistant director on Steppenwolf’s Pulitzer Prize and Tony Award-winning August: Osage County. 

A Joseph Jefferson Award-winning actor for Solo Performance in Conor McPherson’s The Good Thief (The Gift) Michael was nominated for a Best Actor Jeff Award (Suicide, Incorporated) and Best Director Jeff Award (Good For Otto). 

About The Gift Theatre

The Gift’s 17th season: Stacy Osei-Kuffour’s world premiere of Hang Man, directed by Jess McLeod (March 2 – April 29, 2018); Shakespeare’s Hamlet, directed by Monty Cole (June 1 – July 29, 2018); and the Midwest premiere of Tony Award-winning playwright and ensemble member David Rabe’s Cosmologies, directed by Artistic Director Michael Patrick Thornton (October 12 –December 9, 2018). The Gift subscribers ("Gifters") receive admission to three shows, free parking at Gale Street Inn, free admission to all Wednesday night “Natural Gas” improv shows and invitations to special subscriber-only special events. Subscribe at thegifttheatre.org or by calling (773) 283-7071. 

EXTENDED: Remy Bumppo's Chicago Premiere of Frankenstein by Nick Dear October 11 – November 17, 2018

ChiIL Live Shows On Our Radar
Chicago Premiere!
Remy Bumppo Theatre Company Announces

Added Performances for
FRANKENSTEIN
by Nick Dear, from the novel by Mary Shelley

October 11 – November 17, 2018 at Theater Wit

Chicago's love affair with Frankenstein continues with Remy Bumppo's rendition of Shelley's creepy classic. I'll be out for the press performance October 16, so check back soon for my full review. Chicago's having a monster of an anniversary celebration with 4 productions on stage and film versions at The Music Box. 

Remy Bumppo Theatre Company is pleased to announce that FRANKENSTEIN will be EXTENDED by popular demand. The production will now play October 11 – November 17, 2018 at Theater Wit, 1229 W. Belmont Avenue in Chicago. The Press Opening is October 16, 2018 at 7:00pm.

FRANKENSTEIN will feature Remy Bumppo Core Ensemble Member Eliza Stoughton with Claire Alpern, Zachary Scott Fewkes, Jyreika Guest, Steve Lords, Ben Miller, Frank Nall, Jose Nateras, and Michael Turrentine. This production will also feature Remy Bumppo Producing Artistic Director Nick Sandys and Remy Bumppo Core Ensemble Member Greg Matthew Anderson alternating the roles of Victor Frankenstein and the Creature each performance.

Mary Shelley’s revolutionary horror classic will be shocked to life in Nick Dear’s adaptation directed by Ian Frank. Retold from the abandoned creature’s point of view, this taut muscular version will raise urgent questions about scientific responsibility, parental neglect, and the nature of good and evil. 

Remy Bumppo Theatre Company’s production of FRANKENSTEIN will be performed October 11 through November 17, 2018 at Theater Wit on 1229 W. Belmont Avenue in Chicago. 2018-2019 Subscriptions and single tickets are on sale at www.RemyBumppo.org or by calling the Theater Wit Box Office at 773.975.8150.

Production made possible in party by Presenting Sponsor, Geoffrey A. Anderson and 2018 – 2019 Season Sponsors Nancy and Gene DeSombre and Brenda and James Grusecki.

PRODUCTION DETAILS:

Title: FRANKENSTEIN

Novel by: Mary Shelley

Adapted by: Nick Dear

Director: Ian Frank

Stage Manager: Dana M. Nestrick

Assistant Director: Erika Haaland

Dramaturg: Peter A. Davis

Scenic Designer/Technical Director: Joe Schermoly

Costume Designer: Kristy Leigh Hall

Assistant Costume Designer: Virginia Varland

Lighting Designer: Mike Durst

Original Music and Sound Design: Christopher Kriz

Properties Designer: Amanda Herrmann

Cast (in alphabetical order): Claire Alpern (Gretel/Clarice), Greg Matthew Anderson (Victor/Creature), Zachary Scott Fewkes (William – Cast 1), Jyreika Guest (Agatha), Steve Lords (Klaus/Ewan), Ben Miller (William – Cast 2), Frank Nall (Delacey/M. Frankenstein), Jose Nateras (Client/Felix/Constable), Nick Sandys (Creature/Victor), Eliza Stoughton (Elizabeth), and Michael Turrentine (Gustav/Rab).

Understudies: Maryam Abdi, Keith Illidge, Jim Morley, Jeremy Pfaff, Jillian Skale, and Marc Harley Wilson.

Location: Theater Wit, 1229 W. Belmont Ave., Chicago, IL 60657

Dates: Previews: Thursday, October 11 at 7:30pm, Friday, October 12 at 7:30pm, Saturday, October 13 at 7:30pm, and Sunday, October 14 at 2:30pm

Regular Run: Thursday, October 18 – Sunday, November 11, 2018

Curtain Times: Wednesdays – Saturdays at 7:30pm, Sunday at 2:30pm

Matinee Performances (other than Sundays): Saturday, October 20 at 2:30pm, Saturday, November 3 at 2:30pm, and Thursday, November 8 at 2:30pm

Audio Description/Touch Tour Performances: Saturday, October 20 (Touch Tour starts at 1:00pm, and the performance starts at 2:30pm)

Tickets: Previews: $37.75

Regular Run: $37.75 - $62.75

Audio Description/Touch Tour Performances: $15.00

Industry Tickets: $20.00, available Wednesdays – Fridays

Student Tickets: $15.00

Group Discounts: Available for parties of 10 or more, call 773.975.8150

ABOUT REMY BUMPPO THEATRE COMPANY:

Remy Bumppo Theatre Company produces theatre that thrills the ear, stirs the heart, feeds the mind, and sparks a conversation. As an ensemble-based producer of intellectually and emotionally inspiring plays that reveal the power and pleasure of language, we explore timeless ideas in timely productions that celebrate our common humanity; and we invite audiences to converse directly with the art and the artists.

Remy Bumppo challenges our audiences with the intersection of expansive ideas and rich language, often presenting texts that have been sidelined because they may seem too intellectually complex, demanding active intelligence as well as great passion from artist and patron alike. We produce such art in order to advance deeper understanding of the human condition, test commonly perceived notions, and elevate cultural discourse. We then invite audiences to converse directly with the art and the artists, engaging them in one-on-one conversation about the work itself through innovative supplementary programming.

OPENING: NEIL TOBIN, NECROMANCER: NEAR DEATH EXPERIENCE RETURNS OCTOBER 7 – NOVEMBER 4, 2018

ChiIL Live Shows On Our Radar

INTERACTIVE THEATER, DEAD-SERIOUS FUN RETURNS FOR HALLOWEEN TO ROSEHILL CEMETERY IN 

NEIL TOBIN, NECROMANCER: 

NEAR DEATH EXPERIENCE, 

OCTOBER 7 – NOVEMBER 4 

Interactive, Magical Theatre about Life and Death in a Once-in-a-Lifetime Setting

In the original run, audiences and critics were spellbound by the performance. 

ChiIL Live Shows says, “Tobin raises very thought-provoking observations ... While the subject matter and the locale may suggest morbidity, Tobin's message is life-affirming." 

PicturethisPost.com said, “Near Death Experience is perfect for adults who love interactive and site-specific theatre that makes you think.” 

 Tobin's Award-Winning Exploration of Mortality and Mystery will Make You 

Laugh, Ponder and Wonder

Here at ChiIL Live Shows, we caught the original run of this show. If you didn't, you have another chance to catch this return engagement. Neil Tobin, Necromancer: Near Death Experience is back, at the lovely Rosehill Cemetery through November 4th. Check out our full review here. 

After a successful run at Rosehill Cemetery this spring, Neil Tobin, Necromancer: Near Death Experience returns to the historic Chicago site with more thought-provoking theatre just in time for the Halloween season. Chicago-area writer/producer/ performer Neil Tobin performs nine interactive, magical, site-specific solo shows about mortality at the rarely open to the public May Chapel on the grounds of Rosehill Cemetery, 5800 N. Ravenswood Ave. Performances are 60 minutes and begin at 3 p.m. Sunday, October 7; Saturday, October 13; Sunday, October 14; Saturday, October 20; Sunday, October 21; Saturday, October 27; Sunday, October 28; Saturday, November 3 and Sunday, November 4. Tickets are $25 - $30 and available at neardeathx.com. 



Winner of IndyFringe Theatre Festival's Audience Choice Award, this show is no horror show or cheap, spooky thrill. Tobin maintains a sophisticated tone, deftly fusing mortality and mystery into a life-affirming experience that's smart, darkly humorous, never scary and completely entertaining. According to Tobin, “this show is ultimately about the good that comes from improving our relationship with mortality.” So, though it does contain magical performance elements, this is no children's show. This is dead serious fun.  

Underscoring this exploration of life and death is the exceptional location: one of the most history-rich cemeteries in the nation. Rosehill Cemetery is on the National Registry of Historic Places; and its Gothic and Romanesque designed May Chapel — built in 1899 and rarely open to the public — provides a fitting setting for the proceedings.



Chicago-area writer/producer/performer Neil Tobin has a long track record of employing interactive magical and psychic performance skills to involve audiences in larger narratives and serious subjects (hence the “necromancer” title). Previous shows include Palace of the Occult (Eclectic Full Contact Theatre/Prop Thtr), which immersed guests in the world of a Jewish psychic entertainer trying to survive during the rise of the Nazis in 30s Berlin, and Supernatural Chicago, another site-specific piece which ran weekly for 10 years at Chicago's reputedly haunted Excalibur nightclub.

As magic advisor for the Mercury Theater, Tobin was on the creative team for the Jeff Award-winning The Addams Family and the Jeff Award-nominated Barnum. He's also the recipient of two Presidential Citations from the Society of American Magicians, and has served on the board of directors for the Psychic Entertainers Association.

After a successful run at Rosehill Cemetery this spring, Neil Tobin, Necromancer: Near Death Experience will return to this historic Chicago site with more thought-provoking theatre. Chicago-area writer/producer/ performer Neil Tobin performs nine interactive, magical, site-specific solo shows about mortality at the rarely open to the public May Chapel on the grounds of Rosehill Cemetery, 5800 N. Ravenswood Ave. Performances are 60 minutes and begin at 3 p.m. Sunday, October 7; Saturday, October 13; Sunday, October 14; Saturday, October 20; Sunday, October 21; Saturday, October 27; Sunday, October 28; Saturday, November 3 and Sunday, November 4. Tickets are $25 - $30 and available at neardeathx.com.