REVIEW: Women Steal The Show In Goodman's Reagan Era Political Drama Blind Date

Chi, IL LIVE Shows On Our Radar:

BLIND DATE 

DIRECTED BY ROBERT FALLS

Review:

The scene opens on a utilitarian, blandly bureaucratic looking building with curved walls that opens to reveal worlds within worlds. This clever bit of set design is transformed by creative lighting into gorgeous interior and exterior spaces in The Whitehouse, Russia, and neutral ground. 

In a similar vein, the bland external trappings of past political talks between Ronald Reagan (Rob Riley) and Mikhail Gorbachev (William Dick) are revealed on stage with a compelling mix of fact and creative license. Expect a psychologist's treasure trove of nonverbal communication and power plays, and a Book of Mormon worthy dose of Hollywood pop culture wisdom reframed as life lessons.

My favorite characters were the wives, who come across as the true power players behind their infamous husbands. 






At least in this production, these two brilliant and scheming women, Nancy Reagan (Deanna Dunagan) and Raisa Gorbachev (Mary Beth Fisher ) call the shots on their ruling class husbands’ arrival times, dress, and nonverbal negotiations. I find it quite plausible that this was the power dynamic for these two couples in real life as well. 



Deanna Dunagan in particular, channels Nancy Reagan in a way that's eerily accurate.

Don't miss this fascinating foray into the drama of politics and the politics of drama. Recommended. Now playing on the main stage at Goodman Theatre through February 25th, 2018.

***TWO OF HISTORY’S ODDEST COUPLES GO HEAD-TO-HEAD IN ROGELIO MARTINEZ’S ORIGINAL WORK, FEATURING ROB RILEY AS FORMER US PRESIDENT RONALD REAGAN AND WILLIAM DICK AS MIKHAIL GORBACHEV, PLUS DEANNA DUNAGAN AS NANCY REAGAN AND MARY BETH FISHER AS RAISA GORBACHEV AND MORE***

Blind Date is a participating production in Chicago Theatre Week (February 8-18); use promo code CTW18 

for specially discounted tickets. 

Approximate running time: 2 hours and 30 minutes 

including one intermission. 

Blind Date, Rogelio Martinez’s slyly comic, behind-the-scenes glimpse of two of the most powerful world leaders—Ronald Reagan and Mikhail Gorbachev—directed by Goodman Theatre Artistic Director Robert Falls. Martinez, “a fresh and funny talent” (Backstage) who “finds new twists on old topics” (Variety), continues his multi-play exploration of the Cold War Era with this Goodman world premiere, which features as characters some of the figures who shaped the political landscapes of the 1980s and beyond. In an era before Twitter, Tinder and 24/7 news, Ronald Reagan (Rob Riley) and Mikhail Gorbachev (William Dick) seek to thaw the seemingly intractable tension between the United States and Soviet Russia. Despite their advisors’ best efforts to keep them on track, a crafty game of one-upmanship ensues, as the world’s two most powerful leaders eschew conventional protocols to discuss pop culture and old movies—while Nancy Reagan (Deanna Dunagan) and Raisa Gorbachev (Mary Beth Fisher ) mirror their husbands’ negotiations in a passive-aggressive tango over tea and fashion choices. 


Following Blind Date, Falls will direct a new production of Henrik Ibsen’s An Enemy of the People (March 10 – April 15, 2018) at the Goodman, and also remount his Lyric Opera of Chicago production of Mozart’s Don Giovanni for the Dallas Opera (April 2018). Most recently, Falls directed the world premiere of Jim McGrath’s Pamplona, starring Stacy Keach as Ernest Hemingway, and a new production of Annie Baker’s adaptation of Uncle Vanya at the Goodman.

Blind Date appears through February 25, 2018. Tickets ($20 - $75; subject to change) are available at GoodmanTheatre.org/BlindDate, by phone at 312.443.3800 or at the box office (170 N. Dearborn). 

JPMorgan Chase is the Major Corporate Sponsor, Goodman Theatre Women’s Board is the Major Production Sponsor and the Chicago Tribune is the Media Partner. Blind Date earned a New Play Award by the Edgerton Foundation. Time Warner is the Lead Supporter of New Play Development for the 2017/2018 season.



“My interest in the Cold War is, in some ways, my desire to understand who I was before arriving here, and who I became after,” said playwright Rogelio Martinez, who grew up in Cuba not long after the 1962 Cuban Missile Crisis and conducted countless hours of research to develop this production. “This is not speculative fiction, not a ‘what if’ story, the events in the play did occur, but maybe not exactly in the same way as they occur on stage. It’s my job to present a set of characters and let audiences arrive at a conclusion of their own. I hope audiences will leave the theater with some hope and not just hope but agency—they as individuals can do something about today’s problems.”



After receiving an Alfred P. Sloan Foundation New Science and Technology Initiative Grant, Martinez wrote When Tang Met Laika, a post-Cold War space exploration play that was subsequently produced by the Denver Center. This inspired him to bring the Cold War itself on stage in a three-play cycle about the time period—Ping Pong, the first play in the trilogy, is about U.S.-China relations during the Nixon administration and was presented at The Public Theater. The second play, Born in East Berlin, tackled the impact a Bruce Springsteen concert had on East Germans just prior to the fall of the Berlin Wall. The play was workshopped at the Atlantic Theater Company and has since been translated into both Hungarian and Romanian. The Goodman production marks the conclusion of the trilogy.

Falls’ cast also features Jim Ortlieb as former U.S. Secretary of State George Shultz; Steve Pickering as former Minister of Foreign Affairs for the Soviet Union Eduard Shevardnadze; and Thomas J. Cox as Reagan biographer Edmund Morris. The ensemble includes Torrey Hanson, Gregory Linington and Michael Milligan and extras David Besky, McKinley Carter, Chris Daley, James D. Farruggio Sam Krey, Joe Lino, Guy Massey, Nathan Simpson, Craig Spidle and Emilio Tirri, who round out the cast as Soviet Citizens, KGB Officers, Politburo Members, White House Staff, Secret Service, American Military Officers, Journalists and others. The Creative Team includes Riccardo Hernandez (Set Designer), Amy Clark (Costume Designer), Aaron Spivey (Lighting Designer) and Richard Woodbury (Sound Designer).



TICKETS, DISCOUNTS AND SPECIAL EVENTS
Tickets ($20-$75) – GoodmanTheatre.org/BlindDate ; 312.443.3800; Fax: 312.443.3825; TTY/TDD: 312.443.3829
Box Office Hours –12noon - 5pm; on performance days, the box office remains open until 30 minutes past curtain
MezzTix – Half-price day-of-performance mezzanine tickets available at 10am online (promo code MEZZTIX) 
$10Tix – Student $10 day-of-performance tickets; limit four, with valid student ID (promo code 10TIX)
Group Sales are available for parties 10+; 312.443.3820
Gift Certificates – Available in any amount; GoodmanTheatre.org/GiftCertificates



Blind Date is a participating production in Chicago Theatre Week (February 8-18); use promo code CTW18 for specially discounted tickets. Theatre Week is coordinated through the League of Chicago Theaters and offers discounted tickets to 100 different productions throughout Chicago in one week. Visit ChicagoTheatreWeek.com for more information.

ICONS & ARTISTS – January 28 at 2pm | The Alice Center for Education and Engagement at Goodman Theatre
Tickets are $35 and includes a 2pm performance, reception, followed by an in-depth conversation with the playwright Rogelio Martinez and director Robert Falls about the production.

THE HALF-LIFE OF LEADERS – February 11 at 4:45pm | The Alice Center for Education and Engagement at Goodman Theatre
Join the Bulletin of Atomic Scientists and Goodman Theatre artists for a post-show discussion about the production and the divide between nuclear research and the leaders who decide foreign policy.

Audiences can save more with Goodman Theatre’s new MEMBERSHIP initiative. Audiences choose from three levels to suit their preferences, including  Classic, 6-play, 4-play or 2-play packages; Choice, a personalized package that can include both Owen and Albert productions; and Whenever—the ultimate flexible package, to be used at any time during the season. All Goodman members receive unlimited ticket exchanges, discounted parking, 15% savings at the Goodman bar and gift shop, restaurant discounts and more. To purchase a Membership visit GoodmanTheatre.org or call the Box Office at 312.443.3800.



ACCESSIBILITY AT THE GOODMAN
Touch Tour,  February 17 at 2pm – A presentation detailing the set, costume and character elements
Audio Described Performance, February 17 at 2pm – The action/text is audibly enhanced for patrons via headset
ASL Interpreted Performance, February 21 at 7:30pm – Professional ASL interpreter signs the action/text as played 
Open Captioned Performance,  February 24 at 2pm – An LED sign presents dialogue in sync with the performance
Visit Goodman Theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

ABOUT GOODMAN THEATRE
AMERICA’S “BEST REGIONAL THEATRE” (Time magazine), Goodman Theatre is a premier not-for-profit organization distinguished by the excellence and scope of its artistic programming and civic engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics (celebrated revivals include Falls’ productions of Death of a Salesman and The Iceman Cometh). Goodman Theatre artists and productions have earned two Pulitzer Prizes, 22 Tony Awards, over 160 Jeff Awards and many more accolades. In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle” and its annual holiday tradition A Christmas Carol, which celebrates its 40th anniversary this season, has created a new generation of theatergoers. The Goodman also frequently serves as a production partner with local off-Loop theaters and national and international companies by providing financial support or physical space for a variety of artistic endeavors.

Committed to three core values of Quality, Diversity and Community, the Goodman proactively makes inclusion the fabric of the institution and develops education and community engagement programs that support arts as education. This practice uses the process of artistic creation to inspire and empower youth, lifelong learners and audiences to find and/or enhance their voices, stories and abilities. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of such programming, most offered free of charge, and has vastly expanded the theater’s ability to touch the lives of Chicagoland citizens (with 85% of youth participants coming from underserved communities) since its 2016 opening.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. David W. Fox, Jr. is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals.

REVIEW: Skeleton Crew Skewers As Impressive Detroit Cycle Conclusion

Chi, IL LIVE Shows On Our Radar:

Northlight Theatre continues its 2017-18 season with

Skeleton Crew

Written by Dominique Morisseau

Directed by Ron OJ Parson

Featuring Bernard Gilbert, Kelvin Roston Jr., AnJi White and Jacqueline Williams

Skeleton Crew Photo credit: Charles Osgood Photography

Review:

Here at ChiIL Live Shows it's been a great pleasure to catch all 3 plays in Dominique Morisseau's acclaimed trilogy, directed by Ron OJ Parson. The concluding show, Skeleton Crew, did not disappoint. I was particularly struck by the amazing set design, sound design, and lighting that effectively evoke both the relentless, rhythmic cacophony of a Detroit auto stamping plant, and the desolate refuge of the break room, of a dying industry and it's desperate workers. The production is poignant, powerful and incredibly well cast. Jacqueline Williams (Faye) is a particular standout, well supported by Bernard Gilbert (Dez), Kelvin Roston Jr. (Reggie), and AnJi White (Shanita).

This is a rare glimpse into the struggle for survival so many blue collar workers face. With insufficient healthcare and precarious job security, most of these hardworking Americans are just a paycheck or less away from homelessness. The large and small indignities, acts of kindness, addictions, small comforts, and dynamics between coworkers evoke a rollercoaster of emotions, as we're privy to the lives of a scrappy, homeless cancer survivor, a pregnant single mom, an aspiring businessman, and their boss who is caught between management and his past, struggling to do right by everyone. 







Skeleton crew humanizes the unseen lives behind the ubiquitous cars we're surrounded by on a daily basis. Morisseau effectively skewers the sometimes heartless corporations that give and take livelihoods, and worship the bottom line, despite human casualties. Highly recommended. 

Through March 3, 2018

Skeleton Crew is part of a 3-part cycle of plays by Dominique Morisseau set in Detroit Previously, Detroit ‘67 was produced at Northlight and Paradise Blue was produced locally at TimeLine. Ron OJ Parson directed all of them.

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2017-18 season with Skeleton Crew, written by Dominique Morisseau and directed by Ron OJ Parson. Skeleton Crew runs January 25 – March 3, 2018 at Northlight Theatre, 9501 Skokie Blvd in Skokie. 

At the start of the Great Recession, rumors of impending closure surround one of the last auto plants in Detroit. The nation’s financial crisis gets personal as each of the workers confronts the life-altering choices they must make if their plant goes under, while the supervisor is torn between allegiances to his makeshift family of co-workers and management’s “cost-saving” demands. When pushed to the limits of survival, how far over the lines are people willing to cross?

Playwright Dominique Morisseau was one of the Top 20 Most Produced Playwrights in America in 2015–16, with ten productions of her plays being produced. She is a two-time award winner of the NAACP Image Award, which celebrates the outstanding achievements and performances of people of color in the arts, as well as those individuals or groups who promote social justice through their creative endeavors.

The third play in Dominique Morisseau’s Detroit trilogy, Skeleton Crew was named one of Time Magazine’s 10 Best Shows of the Year. BJ Jones comments, “Several years ago Northlight introduced playwright Dominique Morisseau to Chicago with Detroit '67, the first installment of her Detroit trilogy. Paradise Blue was produced at Timeline Theatre in 2017, and Skeleton Crew completes the trio. 

Her triptych spans decades of a sociopolitical evolution in her home city. With Skeleton Crew, a finalist for the Pulitzer Prize, Morisseau looks at life on the assembly line—which feels like a conveyor belt to oblivion. Set in 2008, the diminishing workers are in a race to stay ahead of the collapsing economy, fighting for their financial lives. While much of the country has their eyes set on Wall Street, more concerned with their portfolios than their neighbors, the working majority don’t own stock and struggle to pay the rent. Dominique re-focuses our gaze on the majority, whose hourly wage becomes more precious by the day.” 

The cast of Skeleton Crew includes Bernard Gilbert (Dez), Kelvin Roston Jr. (Reggie), Jacqueline Williams (Faye) and AnJi White (Shanita).

The creative team includes Scott Davis (Scenic Design), Samantha C. Jones (Costume Design), Keith Parham (Lighting Design), and Ray Nardelli (Sound Design). The production stage manager is Rita Vreeland.

Northlight’s production of Skeleton Crew is supported in part by The Chicago Community Trust, National Endowment for the Arts, The Pauls Foundation, Carol and Steve Mullins, Bill and Eleanor Revelle, Hagerty Consulting, and Alan Zunamon and Nancy Cunniff.



ABOUT THE ARTISTS
Dominique Morisseau (Playwright) is the author of The Detroit Project (A 3-Play Cycle) which includes the following plays: Skeleton Crew (Atlantic Theater Company), Paradise Blue (Signature Theatre), and Detroit ’67 (Public Theater, Classical Theatre of Harlem and NBT). Additional plays include: Pipeline (Lincoln Center Theatre), Sunset Baby (LAByrinth Theatre); Blood at the Root (National Black Theatre) and Follow Me To Nellie’s (Premiere Stages). She is also the book writer on the new musical Ain’t Too Proud – The Life and Times of the Temptations (Berkeley Repertory Theatre). Dominique is alumna of The Public Theater Emerging Writer’s Group, Women’s Project Lab, and Lark Playwrights Workshop and has developed work at Sundance Lab and Eugene O’Neil Playwrights Conference. Her work has been commissioned by the Hip Hop Theater Festival, Steppenwolf Theater Company, Women’s Project, South Coast Rep, People’s Light and Theatre, and Oregon Shakespeare Festival/Penumbra Theatre. She recently served as Co‐Producer on the Showtime series “Shameless.” Awards include: Stavis Playwriting Award, NAACP Image Award, Spirit of Detroit Award, Weissberger Award, PoNY Fellowship, Sky-­‐Cooper New American Play Prize, TEER Spirit Trailblazer Award, Steinberg Playwright Award, Edward M. Kennedy Prize for Drama (Detroit ’67), Audelco and OBIE Award (Skeleton Crew).

Ron OJ Parson (Director) is a native of Buffalo, New York and is a graduate of the The University of Michigan’s professional theatre program. He is a resident artist at Court and former co-founder and artistic director of The Onyx Theatre Ensemble. Chicago credits include Court, Timeline (Company Member), Victory Gardens, Northlight, Teatro Vista (Associate Artist), Goodman, Black Ensemble, ETA, Congo Square, Chicago Dramatist, Urban Theatre Company, Steppenwolf, Chicago Theatre Company, City Lit, and Windy City Playhouse. Regional credits include Virginia Stage Company, Portland Stage, Studio Theatre, Studio Arena Theatre, Roundabout, Mechanic Theatre, Center Stage Baltimore, Actors Theatre of Louisville, Milwaukee Rep, St. Louis Black Rep, Pittsburgh Public Theatre, Pittsburgh Playwrights Theatre, Geva Theatre, Signature Theatre (New York), Alliance Theatre, South Coast Rep, Kansas City Rep, and Pasadena Playhouse. Ron has also directed at the Stratford Shakespeare Festival. Recent directing credits include Apt. 3A, East Texas Hot Links, Paradise Blue, Blues For An Alabama Sky, 5 Guys Named Moe, and Fences. Ron is a proud member of SAG-AFTRA, AEA, and SDC.

Bernard Gilbert (Dez) makes his Northlight debut. His other theatre credits include The Royale (The Repertory Theatre of St. Louis; and City Theatre, Pittsburgh), the world premiere of Man in the Ring (Court), Letters Home (Griffin Theatre), and Our Lady of 121st Street (Eclipse Theatre). Bernard is a graduate of The Theatre School at DePaul.


Kelvin Roston, Jr. previously appeared at Northlight in Morisseau’s Detroit ’67. He most recently appeared in the acclaimed production of Five Guys Named Moe at Court Theatre. 

Kelvin Roston Jr. (Reggie) returns to Northlight where he was last seen as Sly in Dominique Morisseau’s Detroit ’67.  Kelvin most recently played Four-eyed Moe in Court’s Five Guys Named Moe. Chicago credits: Congo Square, Court, Paramount, Marriott, Goodman, ITC, Eta, Writers, Black Ensemble, Timeline, Northlight, and Steppenwolf. Regional: The Black Rep, Fulton, New Theatre Restaurant, MSMT, and Baltimore Center Stage. International: Orb, Festival Hall. TV: Chicago Med, Chicago PD, KFC, and Instant Care.  Film: Get a Job, Princess Cyd, and Breathing Room. He is a 4-time Jeff Award nominee, Jeff winner (Best Ensemble, East Texas Hotlinks, Writers), 3-time BTA Award winner, and 2-time Black Excellence Award winner. He wrote and performed the play Twisted Melodies for which he won the Light in the Darkness Public Education Award from NAMI. Kelvin is an Artistic Associate of Congo Square, a proud member of AEA, and represented by Paonessa Talent.

AnJi White (Shanita) makes her Northlight debut. Chicago credits include Monticello (Aurora Works Theatre); Great & Terrible Wizard of Oz (House); The Last Wife, Sunset Baby (Timeline); The Project(s), Rent (ATC); Fabulation, or the Re-education of Undine (Pulse Theatre); Forgotten Future Remount (Collaboraction Theatre); Mud, River, Stone (Eclipse Theatre); Ithaka (Infusion Theatre) and Soul Samarai (Infusion Theatre). TV & Film credits: Chicago PD, Empire, Home for the Weekend (Pilot), and Hope Springs Eternal. Represented by Paonessa Talent, AnJi has received 3 BTAA nominations, 1 Jeff nomination and received the BTAA for Best Actress for Timeline’s Sunset Baby. 

Jacqueline Williams recently returned from Los Angeles where she reprised her role of Mae, opposite Phylicia Rashad, in Academy Award winner Tarell McCraney’s Head of Passes at Mark Taper Forum.

Jacqueline Williams (Faye) returns to Northlight after reprising her role of Mae in Academy Award winner Tarell McCraney’s Head of Passes at Mark Taper Forum in Los Angeles opposite Phylicia Rashad. Northlight appearances include The Miser, Gees Bend, and Po’ Boy Tango. Broadway: Young Man From Atlanta. Off Broadway: From The Mississippi Delta (Oprah Winfrey co-produced), Talented Tenth, Mill Fire. Select Chicago credits include The Christians, Airline Highway, Head of Passes, Brother/Sister Plays (Steppenwolf); Man in the Ring, Gem of the Ocean, Fences, Caroline, or Change (Court); The House That Will Not Stand, A Wonder In My Soul (Victory Gardens); Pullman Porter Blues, stop.reset, Camino Real, Trinity River Plays and many more (Goodman). She has worked extensively regionally including tours with the Johannesbug’s Market Theatre and Crowns. TV/Film: Turks, recurring on Chicago Fire, PD, and Med; Empire, Prison Break, Heartlock, The Break Up, The Lake House. Her many awards/nominations include Jeff, Helen Hayes, BTAA, American Arts Council, Lunt-Fontanne (Shakespeare) Fellow and Excellence in the Arts. 

The Box Office is located at the North Shore Center for the Performing Arts, 9501 Skokie Boulevard, in Skokie. Box Office hours are Monday-Friday 10:00am-5:00pm, and Saturdays 12:00pm-5:00pm. On performance days, the box office hours are extended through showtime. The Box Office is closed on Sundays, except on performance days when it is open two hours prior to showtime.

Curtain times are: Tuesdays: 7:30pm (January 30 only); Wednesdays: 1:00pm (except February 21) and 7:30pm; Thursdays: 7:30pm; Fridays: 8:00pm; Saturdays: 2:30pm (except January 27) and 8:00pm; and Sundays: 2:30pm and 7:00pm (January 28 and February 25 only).



Northlight is continuing its popular special event series in conjunction with each production. All events are free.

Backstage with BJ: Skeleton Crew
Friday, January 19 at noon
at Northlight Theatre
9501 Skokie Boulevard, Skokie, IL
Backstage with BJ is a mid-day discussion with Artistic Director BJ Jones, featuring special guest artists, actors, directors and designers, offering behind-the-scenes insight into each production while it is still in rehearsal. Backstage with BJ for Skeleton Crew will last approximately one hour. The event is free but reservations are required. Visit https://northlight.org/events/backstage-with-bj/ to reserve your spot.

Inside Look: Skeleton Crew
Tuesday, February 6 at 2:00pm
 
Evanston Public Library
1703 Orrington Avenue, Evanston, IL
Explore the social and historical context of Skeleton Crew through a discussion and Q&A session with artists related to the production.

Community Panel Discussion
Saturday, February 10 at 3:00pm
Curt’s Café
 2922 Central St, Evanston, IL
The play portrays employees on the brink of probable unemployment, facing the pressures of mortgage payments, raising children, and potential homelessness. Northlight's Artistic team will engage with community organizations to discuss the relevance of the play's themes to Chicago's North Shore and what we can do to make a difference. Panelists include: Karen Tollenar Demorest, Executive Director, Youth Job Center; Andi Drileck, Vice President of Workforce Services, National Able Network; and Sue Loelbach, Manager of Advocacy, Connections for the Homeless.

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community. 

Now in its 43rd season, the organization has mounted over 200 productions, including nearly 40 world premieres. Northlight has earned 203 Joseph Jefferson Award nominations and 34 Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality. 

Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; Robert & Isabelle Bass Foundation; BMO Harris Bank; Henrietta Lange Burk Fund; The Elizabeth F. Cheney Foundation; The Chicago Community Trust; ComEd, An Exelon Company; The Davee Foundation; Edgerton Foundation for New American Plays Award; Evanston Community Foundation; Full Circle Foundation; Illinois Arts Council, a state agency; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Melvoin Award for Playwriting; Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; The Offield Family Foundation; The Pauls Foundation; Room & Board; Sanborn Family Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; and Tom Stringer Design Partners.

Dates:
Previews: January 25 – February 1, 2018
Regular run: February 3 – March 3, 2018

Schedule:
Tuesdays: 7:30pm (January 30 only)

Wednesdays: 1:00pm (except February 21) and 7:30pm
Thursdays: 7:30pm 
Fridays: 8:00pm
Saturdays: 2:30pm (except January 27) and 8:00pm
Sundays: 2:30pm and 7:00pm (January 28 and February 25 only)

Location: Northlight Theatre is located at the North Shore
Center for the Performing Arts, 9501 Skokie Blvd,
Skokie

Tickets: Previews: $30-$57
Regular run: $30-$81
Student tickets are $15, any performance 
(subject to availability)

Box Office:The Box Office is located at 9501 Skokie Blvd, Skokie.
847.673.6300; northlight.org

OPENING: The 4th Annual CHICAGO MUSICAL THEATRE FESTIVAL ViA Underscore Theatre Company Slated For February 6-16th at Greenhouse Theatre

Chi, IL LIVE Shows On Our Radar:

Underscore Theatre Company Presents

The 4th Annual

CHICAGO MUSICAL THEATRE FESTIVAL

February 6 – 16, 2018 at Greenhouse Theater Center

Underscore Theatre Company is pleased to present its 4th annual CHICAGO MUSICAL THEATRE FESTIVAL, created to showcase and support the growing field of musical theatre creators from Chicago and beyond. This year’s Festival, featuring full productions of seven new musicals plus two staged readings, will play February 6 – 16, 2018 at the Greenhouse Theater Center, 2257 N. Lincoln Ave. in Chicago. Each full production will receive at least four performances during the Festival. Single tickets are currently available at www.cmtf.org. 

I'll be out for the press “Sneak Preview,” featuring a sampling of songs from the 2018 Festival on Monday, February 5. Get your tickets early and at a discount for CTW! 

The 4th annual Festival takes place during the League of Chicago Theatres’ annual Chicago Theatre Week, with discounted tickets available to all Theatre Week performances!

Since its inception in 2014, the CHICAGO MUSICAL THEATRE FESTIVAL has brought 35 new musical to Chicago stages. The festival provides much-needed artistic resources for emerging composer/lyricist teams to have their work supported, explored and most importantly – performed!

Production Schedule & Tickets:

Curtain times: Tuesdays, Wednesdays & Thursdays at 8 pm; Fridays at 7:30 pm & 10 pm; Saturdays at 12 pm, 3 pm & 8 pm; Sundays at 12 pm, 3 pm & 6 pm. For a detailed scheduled of productions, please visit www.cmtf.org.
Tickets: $20 ($15 during Chicago Theatre Week). Tickets are currently available at www.cmtf.org.




The full line-up for the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL includes:

THE BUTCHER'S SON
Book, Music & Lyrics by Vi Nhan H. Tran
Directed by Mackenzie Goodwin Tran, Music Direction by Ben Byard 
Cast: Todd Aulwurm, Jennifer Cheung, Carolyn Plurad, Diana Lee, Vi Tran and Michael Van Pham

Born in Vietnam and raised in southwestern Kansas, Vi Nhan H. Tran is torn between the mysterious secrets of his heritage and the waving wheat fields of his adopted home. A poignant and humorous folk musical memoir, The Butcher’s Son chronicles the Tran family’s escape from Vietnam, imprisonment by the Khmer Rouge and resettlement in the cattle country of America. Tran weaves a thrilling refugee story and All-American tale of how family stories become family lore and where one family's search for a home ends.

GRINDR The Opera
Book, Music and Lyrics by Erik Ransom
Directed by Rachel Klein, Music Direction by Oliver Townsend
Choreography by Rachel Klein and Shawn Quinlan
Cast: Connor Baty and Nathan Cooper. Additional casting to be announced.

Four gay men, seeking different types of connection, intersect to hilarious and calamitous results in this sung-through musical parody that puts the notorious gay hook-up app into the exaggerated world of opera. With musical styles ranging from contemporary pop to baroque, GRINDR The Opera is a daring, humorous look at the changing landscape of gay relationships, and the greatest catalyst for the shift: GRINDR.

IRON IRENE: A MUSICAL FABLE
Book by Liz Falstreau, Lyrics by Liz Falstreau and Ashley Flanagan, Music by Ashley Flanagan, Orchestration by Asher Carlson
Directed by Chris Causer, Choreography by Kira Christoforidis
Cast: Rena Ahmed, Luciana Bonifazi, Raymond Cleveland, Dylan Connelley, Casey Daniel, Liz Falstreau, Josh Greiveldinger, Tim Huggenberger, Josiah Robinson, Carly Sue Skankey, Maiko Terazawa and Elliot Watts

Set during the years following the American Civil War, Iron Irene tells the story of two sisters and their fight for family, equality and a better world. Upon the death of their parents, Cassie DeLanie is sent from her home in Milwaukee, Wisconsin to live in southwestern Wyoming with her sister, Irene. Together, the sisters must learn to adjust to this new world while still attempting to maintain the beliefs and identities of their childhood. Their adventures will lead them to Wyoming’s shining moment: being the first U.S. territory to grant women’s suffrage.

LIBERATORS: AN AMERICAN MUSICAL
Book and Lyrics by Eric C. Jones, Music by Bradley Dean Whyte and Alex Winkler,
Orchestrations by Nate Weil
Directed by Allison Heinz, Music Direction by Samantha Westlake
Choreography by Jaime Raglow
Cast: Isabel Breanahan, Caitlin Dobbins, Shelby Edwards, Chris Furrer, Luke Halpren, Alex Iacobucci, Jillian Jocson, Kate Jordan, Natalie Kreft, Lynette Li, Cari Meixner, Emily Moon, Mike Movidio, Gage Peterson, Christopher Ratliff, Colton Schied, Kati Schwaber, Allison Taylor, Thomas Tong and Evan Wilhelm

A powerful rock musical about forgiveness, restoration, the power of friendship and what it means to be a family. This moving tale intersects and moves back and forth throughout 70 years and tells the story through the viewpoints of three unlikely men from different religious and ethnic backgrounds who are connected through a priceless family heirloom: a gold pocket watch. From the start of WWII to post-911 America, the lives of these characters will forever be changed during the historic liberation of Buchenwald and Dachau. Liberators: An American Musical encourages you to believe that even the most unlikely person can make a difference.

MUSICAL THERAPY
Music and Lyrics by Joey Katsiroubas, Book by Dan Hass
Directed by Madison Smith, Music Direction by Joey Katsiroubas
Choreography by Katelyn Stoss
Cast: James Bleecker Jr., Kirby Gibson, Matt Lamson, Alex Madda, Tommy Ross, Sophie Scanlon and Ashlyn Seehafer

Theresa is a young, single couples’ counselor in Chicago. While she’s great (well, okay) at keeping couples together, she can’t seem to lock down a guy for herself. And the fact that she tends to get attached (well, neurotic) after just one date doesn’t help either. Cut to Mr. Wonderful moving into the office next door: beautiful, bulgy-biceped Will. It’s obsession at first sight, and no obstacle or girlfriend is going to keep Theresa from being with him. She’ll ruin relationships, sabotage dates, push people out of the closet – mixing and matching her clients until it’s just Wonderful and her. Forever. And ever. 

THE BALLAD OF LEFTY & CRABBE
Book by Brian Huther, Ben Auxier and Seth Macchi, Music and Lyrics by Ben Auxier and Brian Huther, Arrangements and Music Direction by Ryan McCall
Cast: Ben Auxier, Molly Denninghoff, Ryan Hruza, Brian Huther, Nellie Maple, Mike Ott, Shea Pender and Elise Poehling

Set in the 1920s during the decline of Vaudeville and the rise of Hollywood, The Ballad of Lefty & Crabbe tracks the journey of an ultra-sharp but down-on-their-luck comedy duo as they navigate the rapidly changing world of entertainment. With a cast of eight portraying nearly fifty characters, audiences will quickly lose themselves in this absurd and delightful comic world and leave with smiles on their faces.

“TRU” 
Book, Music, and Lyrics by David Gosz and Leo Fotos
Directed by Max Cervantes, Music Direction by Erik Pearson
Cast: Bradley Atkinson, Chuckie Benson, Kiko Laureano, Nic Mains, Hannon McEldowney, Meredith Kochan, Randolph Johnson, Marssie Mencotti, Marissa Pattullo and Marco Tzunux

Through intricate characters and intimate music, “TRU” paints a picture of how hauntingly beautiful life can be. “TRU” explores the joys and challenges of the many relationships that are formed throughout one’s life, testing the various forms of love – between a man and his father, between a granddaughter and her grandmother, between a woman and her art, between a student and his teacher, between a man and himself. Walking hand in hand with reality, “TRU” toes the line between what is unbelievable and what is true.

Workshop Productions:

Monday, February 12 at 8 pm
MURDEROUS INNOCENT
Book by Tommy Jamerson, Music and Lyrics by Mark Contorno

Jacob Freeman seems to have it all; a thriving career, a bestselling novel, and an adoring wife. But when his past comes to haunt him in the form of his estranged seventeen year old daughter, Jacob’s perfect life is suddenly turned on its head and secrets long since buried begin to rise to the surface yet again.

Monday, February 19 at 8 pm
NOTES AND LETTERS
Book, Music and Lyrics by Annabelle Revak

Joe Loula departs war-torn Bohemia for Chicago in 1917 seeking a new job and a new independence. He quickly befriends Charlie, Nora and Olivia at Williams’ Custom Pianos. As the foursome become inseparable, the U.S. plunges into the World War I: businesses, relationships and pride are put to the test. A true story set to a jazz score, Notes and Letters chronicles the attempt to find an even beat in a world where the meter is constantly shifting. 

Are you a die-hard musicals fan? Do you want to see some terrific new shows and get invited to some exclusive events? Buy a festival pass and save!
​
What do I get?

1 ticket to all 7 festival full-length shows
Save 25% on your tickets, with no single-ticket fees
Exclusive invite to our February 5th press preview night to get a sneak-peek at all of this year's shows
Exclusive invite to our closing awards ceremony on February 25th
Stand at the FRONT of the line for every show, to make sure you get the best seats in the house
​
How much does it cost?
A 7-show festival pass costs only $120. Buy one HERE.
​
Once I get my pass, how do I use it?
Go to buy a ticket just like normal. Once you log in, you will be prompted to use your pass like any other payment method.

About Underscore Theatre Company 
Founded in 2011, Underscore Theatre Company is a team of producing artists dedicated to exploring stories of power and resonance through a musical lens; fostering the development of new musicals; and bolstering Chicago’s role as a national leader in musical theatre. Since its creation, Underscore has produced 44 new musicals in Chicago. Underscore is proud to be Chicago's home for new musicals.

REVIEW: Nice Girl Sketchy Butcher at Raven Theatre Through 3/11/18

Chi, IL LIVE Shows On Our Radar: 

Chicago Premiere!

Raven Theatre Presents 

NICE GIRL

By Melissa Ross

Directed by Lauren Shouse

Through March 11, 2018


Production Photos by Michael Brosilow

Running time: 2 hours, including intermission

Review:  

Raven Theatre's latest, the Chicago premiere of Nice Girl, is written and directed by women and has multiple strong female relationships depicted on stage. We enjoyed this nostalgic nod to 80s fashions and foibles, from laughably awkward pre-Tinder singles bars to awful bow blouses. 

Nice Girl sweeps the audience back 30+ years to the 1984 childhood home of a bright, Jewish, suburban Boston girl, who never quite left the nest. The accents are instantly recognizable, as are the universal character types, emotional exchanges, and little life dramas.

We enjoyed the relationship between grown 37 year old daughter, Josephine Rosen (Lucy Carapetyan) and her mother, Francine (Lynne Baker) who both alternate between annoyance and attachment with each other. Jo gave up a scholarship to Radcliffe in her Freshman year of college and came home to care for her dying father, and never went back. Now she's been stuck for 20 years, living with her mother who is healthy, but willfully dependent and homebound by choice. Her life consists of a dead-end secretarial job, jazzercise, and sparring with and mothering her mother. Jo does the cooking, cleaning and financial support, even scheduling doctors appointments her mother choses to miss.

I've been seeing the sandwich generation portrayed for decades, late marrying couples stuck caring for both their young children and aging parents. Recently, however, I've seen quite a few shows that even stop short of that phenomenon. This genre explores young adults who came home, sometimes to care for ailing or dying parents and got stuck, never getting their own love lives or careers off the ground. As college loans and the cost of living soar, and nursing home/home costs skyrocket as well, this is a familiar dilemma to many.

Nice girl is full of fun characters including the wacky work friend, smack talking, free spirit, Sherry (Stella Martin), who also has a thinly veiled aching loneliness and vulnerability under her hilarious exterior. Then there's the butcher, good looking, flirty former classmate and separated father of two teens, Donny (Benjamin Sprunger). 

Without giving away some delicious plot twists, suffice it to say, Donny's a player with a regrettable past and squandered potential of his own to deal with. Nice Girl is a delightful adventure about learning to say yes to getting out of your comfort zone and getting unstuck, while still trusting your instincts when it's time to say no. Come find out when getting stood up for a date is actually the best thing that could possibly happen.

Catch Nice Girl through 3/11/18 in Raven Theatre's intimate 105-seat East Stage, 6157 N. Clark St. (at Granville).

CAST

Lucy Carapetyan as Josephine

Lynne Baker as Francine

Stella Martin as Sherry

Benjamin Sprunger as Donnie

Understudies

Katherine Swan

Anne Wrider

Devri Chism

Mike Newquist

Raven Theatre is pleased to continue its 35th anniversary season with the Chicago premiere of Melissa Ross’s humorous and heartfelt play NICE GIRL, directed by Lauren Shouse, playing January 24 – March 11, 2018 in Raven’s East Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at www.raventheatre.com or by calling (773) 338-2177. 

NICE GIRL features Lynne Baker, Lucy Carapetyan, Stella Martin and Benjamin Sprunger.

It’s 1984 and Josephine Rosen finds herself stuck in her job, her spinsterhood and her mom’s house at age 37. But when a new friendship and a budding romance bring her the possibility of change, she takes tentative steps towards a new life with one powerful word: Yes. A play about the tragedy and joy of figuring out who you are, and letting go of who you were supposed to be.

The production team for NICE GIRL includes: Lauren Nigri (scenic design), Nöel Huntzinger (costume design), Rebecca Jeffords (lighting design), Sarah Putts (sound design), John Buranosky (properties design), Jason Martin (dialect specialist), Sydney Achler (scenic artist), Jordan Pokorney (assistant director) and Wilhelm Peters (stage manager).

Location: 
Raven Theatre East Stage, 6157 N. Clark St. (at Granville), Chicago

Dates: 
Regular run: Friday, February 2 – Sunday, March 11, 2018
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. 

Tickets: Previews $32 ($29 if purchased online). Regular run $46 ($43 if purchased online). Seniors/teachers $41 ($38 if purchased online). Students/active military and veterans $15. Every Thursday is “Under 30 Thursday,” when patrons under age 30 can purchase tickets for $15. Single tickets and season subscriptions for both the 2017-18 Season and 2018-19 Season are currently available at www.raventheatre.com or by calling (773) 338-2177.

Group tickets: Groups of 10 or more are $30 per person for Thursday and Friday performances and $35 per person for Saturday and Sunday performances. Student groups are $15 per person.

Plan Your Visit: 
Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line, Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).

About the Artists
Melissa Ross’s (Playwright) Plays include Thinner Than Water, A Life Extra Ordinary, Nice Girl, An Entomologist’s Love Story and Of Good Stock. Thinner Than Water and Nice Girl were both originally produced by LAByrinth Theater Company. Thinner Than Water is included in the anthology “New Playwrights: Best Plays of 2011” by Smith and Kraus. Nice Girl was a finalist for the Francesca Primus Prize and is in Applause’s  “Best Plays of 2015.” Of Good Stock received its world premiere at South Coast Repertory as a part of the Pacific Playwrights Festival followed by a production at Manhattan Theater Club. A Life Extra Ordinary premiered with The Gift Theatre Fall of 2016. An Entomologist’s Love Story is an Alfred P. Sloan Foundation Commission and an Edgerton New Play award recipient, and will premiere at The San Francisco Playhouse Spring of 2018. Her short play Jack was a part of Summer Shorts 2017 and will be published by Dramatists Play Service. Melissa’s plays have been developed with The Amoralists, The Cherry Lane Theater, Colt Coeur, Dorset Theater Festival, The Gift Theatre, Iama Theatre Company, The Juilliard School, Labyrinth Theater Company, LCT3, Manhattan Theater Club, Montana Rep, New York Stage and Film, The New Group, South Coast Repertory, Rattlestick Playwrights Theater and the TheatreWorks Palo Alto New Works Festival. She is twice commissioned by both South Coast Repertory and Manhattan Theater Club. Melissa is a graduate of Bennington College and the Lila Acheson Wallace Playwriting Program at The Juilliard School, a two-time winner of the Le Comte de Nouy Prize and a proud member of LAByrinth Theater Company.

Lauren Shouse (Director) is the Artistic Associate and Literary Manager at Northlight Theatre. Her recent directing credits include: The Legend of Georgia McBride at Northlight Theatre, Betrayal at Raven Theatre, Rapture, Blister, Burn, Superior Donuts and A Christmas Story at Nashville Repertory Theatre, the world premiere of Long Way Down with 3Ps productions (nominated for American Theatre Critics Association Steinberg New Play Award 2011); the world premiere of Religion and Rubber Ducks with Ovvio Arte; Parallel Lives, The 25th Annual Putnam County Spelling Bee, The Last Five Years and Chess in Concert with Street Theatre Company; the world premiere of Rear Widow at Chaffin's Barn Theatre and Sylvia Plath’s 3 Women. As Artistic Associate at Nashville Rep, Lauren directed the Ingram New Works Play Lab and Festival, which developed new works by John Patrick Shanley, David Auburn, Steven Dietz and Victoria Stewart. Lauren also co-founded Ten Minute Playhouse, a company that produced short plays by local playwrights. Before moving to Nashville, Lauren lived in London, UK and worked with Producer/Director Hugh Wooldridge. Her work abroad includes: Production Executive for The Night of 1000 Voices (celebrating John Kander and Fred Ebb and starring Joel Grey with Avenue Q) at The Royal Albert Hall; Production Executive of An Evening with Michael Parkinson at The Theatre Royal - Windsor, Children's Director/Assistant to the Director of A Gift of Music, and Assistant Director of The Night of 1000 Voices at The Odyssey Arena in Belfast, Ireland. Lauren holds an MA in Performance Studies from the University of North Carolina – Chapel Hill where she adapted and directed The Time Traveler’s Wife. She received her MFA in theatre directing at Northwestern University where she directed Stop Kiss, Eurydice and In the Next Room or the Vibrator Play. In Chicago, Lauren has also worked with Steppenwolf Theatre, Goodman Theatre, Lookingglass Theatre, Rivendell Theatre, Sideshow Theatre, Route 66, Chicago Dramatists, The Gift and Stage Left Theatre.www.laurenshousedirects.com

About Raven Theatre
Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by the Alphawood Foundation, Dramatists Guild Fund, Elizabeth F. Cheney Foundation, The MacArthur Fund for Arts and Culture at Prince, Polk Bros. Foundation, The Arts Work Fund for Organizational Development, S&C Electric, The Gaylord and Dorothy Donnelley Foundation, the PAV Fund and the Illinois Arts Council, a state agency.