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Monday, July 17, 2017

PHOTO RECAP: Opening Weekend 2017 Adventures at Bristol Renaissance Faire

Travel Back in Time and Party Like It's 1599!











We've been avid fans and frequent visitors to Bristol Renaissance Faire for decades, since the early 90's. The faire has grown and changed greatly over the years, with an increase in shows and family friendly fare, and basic comforts like more modern plumbing. We can't rave enough about how much fun the faire is!



Check out Sir Dugan's Full Set of Photos Here
 More favorites are embedded below. 
Photo credit for most: Dugan Kenaz-Mara (16)


Disclosure: Thanks to Bristol Renaissance Faire for providing my family with complimentary tickets for review purposes. As always, all opinions, experiences, and photos are our own. 

This year was a bit different for us. Our kids are now 14 & 16, and well in the throes of their teen years. Hence, for the first time ever, they chose not to dress up. I'm hoping they come back to a love of costumes when they grow up a bit more. But fashion is a choice and dress up is certainly not mandatory for anyone. Chose your battles. Plenty of visitors to merry olde England are far more comfortable in 21st century summer shorts, and the plethora of freaks and geeks who love to dress up still make the people watching prime. 



Flashback to Bristol Ren Faire 2008 when my costumed kids were 
knighted by the queen & met Greenman.


 



(For 2017 my daughter went fairly 21st century, but she did consult Pinterest for a fun hairstyle and concede to a pirate(ish) skull n crossbones necklace/bones t-shirt tho I wouldn't go so far as to say she went in costume.  My son did bring Renaissance looking pants and shirt and a pouch of juggling balls, but decided at the last minute that the pants were too hot, so he just did the shirt & pouch.) 


Ren Hair Don't Care

(Can't complain about the teens' new lack of enthusiasm for 16th century garb too much. My 14yo did a fabulous job dutch braiding my hair in a circular crown!)




Despite my teens, I have not outgrown playing dress up, and happily came in Renaissance(ish) garb (tho sadly I have temporarily outgrown my beloved blue corset from 7 years ago). I brought 2 parasols and loaned one to my MIL, and they were a HUGE hit. We were complimented all day on them and stayed cool and comfortable, out of the direct sun. 







We caught many old favorites among the shows like Barely Balanced, Adam Crack, 






and Mooney, 





as well as two new acts. Cirque du Sewer (the trained rat & cat show) and Duende, an energetic, multiculti accordion outfit with a red hair woman lead and ballads from around the world. Duende is a high-energy dance band that marries melodies from the Balkan Regions with Latin flavors & American vivacity. This accordion-heavy band led by Amanda Kitchens will take you on a journey of passion through the music of other cultures. Whether you are looking to free-style or dance a traditional lesnoto, Duende is the band for you. Both shows end at Bristol Ren Faire July 30th. Don't miss this!! 






  
Speaking of old favorites, I've been dreaming of a Mile High Chocolate Crepe all winter. Literally every time we get one, someone says "WOW! What is THAT and where can I get one?!" They also have a couple other versions I've never tried (because chocolate... duh) that feature fruit instead. I also tried a root beer float at another stand, which hit the spot on a hot weekend. They make a sarsaparilla version as well. 









Of course we saw our old friends, The Swordsmen, and got our annual Doug & Doug shot. I think we have at least one a year since my husband Doug (Dug) did the audio for The Swordsmen DVD in 2007. I bump into David Woolley at theatre openings in Chicago throughout the year while reviewing shows, but we only get Doug Mumaw sightings at Bristol Renaissance Faire. Doug's are a rare bunch, though reputed to be concentrated in the arts and particularly on the ren faire circuit!




Flashback to Bristol Ren Faire 2008


When both Dougs had long brown curls and my kids were much shorter! Somehow David Woolley remains the same.








Another big change this year is the teens were old enough to go venturing out in the world to make their fortunes... or was that the hobbits and 3 little pigs?! At any rate, they were over hanging with the adults, so we sent the teens off and got some quality adult shopping, noshing and show time in. It was lovely! After a bit, my 16 year old son, who has a great eye and artistic bent, asked to borrow my pro camera and media credentials. I happily handed them over and he took off to shoot some amazing photos. His Fairy Garden shots are epic, and he captured the creativity of the crowds well too. 







  

(Check out more photo favorites at the bottom of this feature).






As always, we had a terrific time and can't wait to return. Bristol Renaissance Fair is one of the best in the nation and wins awards annually. Highly recommended. 







Click HERE for full information on admission prices, hours, ticket purchasing, ticket discounts, special themed dates and more.





Bristol Renaissance Faire is open for nine weekends. Located just west of I-94’s Russell Road exit, near Kenosha, Wis. Open rain or shine, 10 a.m. to 7 p.m., every Saturday and Sunday, July 8 through Sep. 3, and Labor Day Monday, Sep. 4. 


Tickets are $25.95 for adults and $11.50 for children, ages 5 to 12. Advance ticket discounts are available at RENFAIR.COM, and participating Walgreens stores.




Disclosure: Once again, thanks to Bristol Renaissance Faire for providing my family with complimentary tickets for review purposes. As always, all opinions, experiences, and photos are our own. 





 More of Sir Dugan's Fabulous Photos:






















  
  









  

  








Saturday, July 15, 2017

LAST CALL: REVIEW: Agency Theater's World Premiere of Nautilina at The Den Theatre

Chi, IL LIVE Shows On Our Radar:

THE AGENCY THEATER COLLECTIVE OF CHICAGO PRESENTS
THE WORLD PREMIERE OF 
NAUTILINA,
WRITTEN BY BRIAN FOSTER
CO-DIRECTED BY SOMMER AUSTIN AND ANNA LUCERO
JUNE 16 – JULY 16 AT THE DEN THEATRE


(L to R) Armando Reyes, Manny Ortiz.
Photo by Robert Littwin

Grab a drink at one of the Den's several well stocked bars and saunter on in to Finnegans, a dark and edgy alternate reality Cheersesque bar, where nobody knows your name. Pull up a bar stool or pick a booth, or table. It's impossible to tell the actors from the audience at first, and you just may find yourself sharing space with someone with more than a few lines... pick up or otherwise. There's even a live piano man with a storied past, ready to reminisce through a medley of memorable music. The plethora of candles are illuminating, and the characters' back stories even more so. From PTSD and search for meaning in dead end jobs through crazy rants full of wisdom and loves found and lost, Nautilina will keep you captivated. Recommended.

The Agency Theater Collective is pleased to announce its summer  production the world premiere of Nautilina, written by Brian Foster and co-directed by Sommer Austin and Anna Lucero, June 16 – July 16, at The Den Theatre, 1331 N. Milwaukee Ave. Opening night is Friday, June 16 at 7:30 p.m. The performance schedule is Thursdays, Fridays and Saturdays at 7:30 p.m. and Sundays at 3 p.m. Closing is Sunday, July 16 at 3 p.m. Ticket prices for previews are $15 and for the regular run $24.  For more information and to purchase tickets, please visit http://thedentheatre.com or call The Den Theatre Box Office at 773-697-3830.

Nautilina is series of scenes and monologues that lock into each other like puzzle pieces to create a larger narrative of a fracturing psyche. Nautilina is an examination of what makes people tick, what makes them behave the way they do and the power that history has over us all.


Meg Elliot
Photo by Andrew Gallant


The Agency Theater Collective Nautilina acting company includes:
The artistic and production staff of includes: Sommer Austin*, co-director; Anna Lucero, co-director; Niki Dreistadt, asst. director and sound designer; Kathryn McNall; production stage manager; Shannon Lauzier, asst. stage manager; Hope Rehak, dramaturg; Kate Jacobsen*, costume designer; Ellie Humphrys*, lighting designer; Alec Long, scenic designer; Manny Ortiz, technical director; Taylor Tolleson, properties designer; Zachary Sigelko and Huck Poe, video designers; Michael Chancellor, scenic painter.  Andrew Gallant, artistic director of The Agency; Sommer Austin, managing director of the Agency and Tim Touhy, company manager of The Agency.

The acting ensemble includes: Matthew Collins, (The Couple/Rod); Meg Elliott (Ray); Zach Hebert (Owen); Logan Hulick (Eric); Alex Kliner (Piano Player/Walter); DeChantel Kosmatka (Cassandra); Manuela Rentea (Simone/Mary); Bob Norman (Bar Patron/John); Manny Ortiz (Bar Patron/Robert); Armando Reyes (Bartender/Paul/SSG Cooper); Sara Faye Richmond* (The Couple/Ashley); Kate Gilbert (Understudy); Kate Jacobsen* (Understudy); Carter Petray (Understudy); and David Trudeau (Understudy).

*indicates The Agency Theater Collective Company member

ABOUT THE AGENCY THEATER COLLECTIVE
Founded in 2010, The Agency Theater Collective creates relevant, authentic work with a focus on new or rarely produced plays. Past productions include Paul Pasulka’s Skin for Skin, Mia McCullough’s Chagrin Falls, Copi’s Four Twins, Clifford Odets’ Paradise Lost, Out of Tune Confessional, I Wish to Apologize to the People of Illinois, At the Center, Truth in Context (Non-Equity Jeff Award nominee for Best New Work in 2015/2016), and The Spirit of ’76. The Agency also hosts “No Shame Theatre,” a weekly theatrical open mic, every Saturday night at The Lincoln Loft. The Agency Theater Collective hold these principles sacred: revelation, paradox, humor, mischief and collaboration.

Zach Hebert, DeChantel Kosmatka
Photo by Andrew Gallant

EXTENDED: HOW TO BE A ROCK CRITIC AT STEPPENWOLF’S LOOKOUT SERIES

Chi, IL LIVE Shows On Our Radar:

STEPPENWOLF’S LOOKOUT SERIES EXTENDS  
HOW TO BE A ROCK CRITIC 
(BASED ON THE WRITINGS OF LESTER BANGS)
BY JESSICA BLANK AND ERIK JENSEN
DUE TO POPULAR DEMAND 


NOW PLAYING THROUGH JULY 29, 2017

By popular demand Steppenwolf’s LookOut Series extends its rock ‘n’ roll production of the solo play, How To Be A Rock Critic (Based on the Writings of Lester Bangs) by award-winning theatre artists Jessica Blank and Erik Jensen, starring Erik Jensen (The Walking Dead, Mr. Robot) as Lester Bangs and directed by Jessica Blank (Made in Jersey, The Namesake). Described as “a fascinating window into one of the last century's most compelling and fearless critics,” (Chicago Tribune), the 90-minute production continues for three additional performances through July 29, 2017 in the 1700 Theatre, situated behind Front Bar: Coffee & Drinks (drinks permitted in the theater).

Performances in the regular schedule are Thursdays at 8pm, Fridays at 8pm and Saturdays at 3:30pm and 8pm. Tickets ($30) to the additional performances of How To Be A Rock Critic on sale Saturday, July 15 at 11am through Audience Services (1650 N Halsted), 312-335-1650 or steppenwolf.org.

Added performances of How To Be A Rock Critic include:

Thursday, July 27 at 8pm
Friday, July 28 at 8pm
Saturday, July 29 at 8pm

America’s greatest rock critic, gonzo journalist and inventor of the word “punk,” legendary music writer Lester Bangs was an American icon. Outsized, manic, fucked-up and impossibly creative, Lester traveled with some of the most iconic musical figures of the 20th century—The Clash, Bob Marley, Lou Reed— peeling away the veneer between “star” and audience and revealing the “greats” as flawed and failing humans. He was at once irreligious and messianic about his hopes for the future, humanity in general, and music in particular. Music could save the world. At least that’s what you tell yourself when you start out. But when the ragged, rebel ethos of the seventies gave way to the corporate pop of the eighties, Lester lost the myth he’d built a life around, and died of a drug overdose in 1982.

This solo play by Jessica Blank and Erik Jensen (award-winning writers of The Exonerated and Aftermath) adapts Lester’s own writing to chart the life, work and death of one of the 20th century’s most ground-breaking, risk-taking, pioneering voices.

Each evening show in the regular run is followed by legendary Chicago area musicians playing some of Lester Bangs’s personal favorite songs and artists. This weekend will feature The Lester Bangs Memorial Tribute Band with Jim DeRogatis (July 13-15), followed by David Singer & The Sweet Science (July 20-22). Saturday matinees on July 15 & 22 will be followed by discussions with music critic and Lester Bangs biographer Jim DeRogatis and the artists.

Lester Bangs was a rock critic who reached iconic status in the 1970s with his passionate, intellectually honest writing in books and publications such as Rolling Stone, Creem, The Village Voice, Penthouse, Playboy and others. He spent time with and wrote about the 20th century’s greatest musicians, including The Clash, Bob Marley, Lou Reed, Paul McCartney, Blondie, Iggy Pop, The Ramones and many more. He was born in Escondido, California on December 14, 1948, and he died in New York City on April 30, 1982.

Jessica Blank (Co-writer and Director) co-wrote the play Liberty City with April Yvette Thompson and directed its Off-Broadway production at New York Theater Workshop (Lucille Lortel, Drama Desk, and Outer Critics Circle nominations). Her second novel, Karma for Beginners, was published by Hyperion in 2009 and her third is forthcoming from Penguin in 2018. As an actor, Jessica appeared regularly as the lead’s loudmouthed big sister in CBS’ Made in Jersey. Additional TV credits include the pilot of High Maintenance for HBO, Blue Bloods, Elementary, The Following, The Mentalist, Bored to Death, Rescue Me, Law and Order: CI, The Bronx is Burning, and several more. Film acting credits include The Namesake (dir. Mira Nair), The Exonerated, and several indies including Creative Control (SXSW Grand Jury Prize, 2015), On the Road with Judas (Sundance) and You’re Nobody Until Somebody Kills You (prod. Spike Lee). She has acted in theaters throughout New York City and has three new films coming out in 2017.

Erik Jensen (Co-writer and Performer) TV acting credits include major arcs on The Walking Dead and Mr. Robot, leads in the CBS pilot Second Sight, NBC pilot The Frontier and Fox TV movie Virtuality (dir. Peter Berg). He appeared as baseball legend Thurman Munson in miniseries The Bronx is Burning, and has made numerous recurring and guest appearances including The Americans, House of Cards, Turn, Elementary, Person of Interest, Major Crimes, Chicago PD, CSI, and many more. His film credits include Black Knight, The Love Letter, and over two dozen indies. Theater credits include the Pulitzer-Prize winning production of Disgraced at LCT3, The Good Negro at the Public, and Arthur Kopit’s Y2K and Terrance McNally’s Corpus Christi at MTC. His sci-fi graphic novel The Reconcilers was published in 2010 to wide acclaim.

How To Be A Rock Critic is presented as part of LookOut, Steppenwolf’s performance series that presents the work of artists and companies across genre and form. Emerging artists and performance legends, quintessential Chicago companies and young aspiring ensembles, familiar Steppenwolf faces and new friends. Steppenwolf Red Card and Black Card Members may use credits towards LookOut programming. The LookOut Series is presented year-round and announced on an ongoing basis. John Zinn, Greta Honold and Patrick Zakem are the producers for LookOut. For more information, visit steppenwolf.org/lookout.

Located in front of the 1700 Theatre is Steppenwolf’s café & bar, Front Bar: Coffee and Drinks. Open daily from 8am to midnight, Front Bar is a creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Front Bar serves artisanal coffee and espresso is provided by La Colombe and has a new menu with food prepared by Goddess and the Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. More info at front-bar.com.

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble has grown to 49 members who represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Additional outreach initiatives include Steppenwolf Education, which engages 15,000 participants annually from Chicago’s diverse communities with teen programming, educator training and community partnerships; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

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