JAMES M. NEDERLANDER Remembered and Honored by Dimming of Marquee Lights This Wednesday 8/3 at 7:15pm

BROADWAY IN CHICAGO

ALONG WITH THEATRES AROUND THE WORLD

TO DIM MARQUEE LIGHTS ON WEDNESDAY, AUGUST 3 

IN MEMORY OF LEGENDARY THEATRE OWNER AND PRODUCER

JAMES M. NEDERLANDER

Broadway In Chicago and the Broadway community mourn the loss of Chairman of the Nederlander Organization, theatre owner/operator, producer and presenter James M. Nederlander, who passed away on July 25 at age 94 by honoring the Broadway tradition of dimming the marquee lights. James M. Nederlander, “Jimmy,” was a visionary theatrical impresario who built one of the largest private live entertainment companies in the world that now encompasses venue ownership and management, theatrical producing and concert presentation, merchandising, concessions and patron services, including Broadway In Chicago.

Lou Raizin, President of Broadway In Chicago, said, “James Nederlander was a true titan of the theater industry, believing in Chicago, opening and operating theatres in the Loop since 1954.  He left his impact on our city through the creation of Broadway In Chicago as well as his commitment to making Chicago a long-run town.”

Theatres dimming their lights in honor of James M. Nederlander include Broadway In Chicago’s Oriental Theatre (24 W. Randolph), Cadillac Palace Theatre (151 W. Randolph), The PrivateBank Theatre (18 W. Monroe) and the Broadway Playhouse at Water Tower Place (175 E. Chestnut).  In addition, the League of Chicago Theatres will be inviting all other theatres in Chicago to join with the Nederlander venues in Chicago, on Broadway, in the West End, and in cities across the country who will all be dimming their lights on Wednesday, August 3, 2016.  Lights will be dimmed for one minute prior to show time  - in Chicago at 7:15 PM CT, prior to The Book of Mormon and Disney's Newsies performances and appropriate to show times for all other theatres around the world.

“Jimmy Nederlander’s name has been synonymous with quality theatrical productions in New York City, Chicago and throughout the United States during his career, and in recent years his name has also come to symbolize excellence and achievement when “The Jimmy™ Award” is presented annually at the National High School Musical Theatre Awards, a tribute to his passion for arts education, his legacy will help to inspire the next generation of performers and enthusiasts,” said Charlotte St. Martin, President of the Broadway League. “Beloved by the industry, Jimmy was a loyal and trusted collaborator and a guiding mentor to so many. He was “one of a kind” and his indomitable spirit lives on throughout this country in the people he nurtured who are helping to make Broadway what it has become today. He will be sorely missed, and our thoughts are with his family and friends.” In Illinois, The Jimmy's regional competition is Broadway In Chicago's Illinois High School Musical Theatre Awards.

During a career that spans 70 years, he has amassed a network of premier legitimate theatres including nine on Broadway: the Brooks Atkinson, Gershwin, Lunt-Fontanne, Marquis, Minskoff, Nederlander, Neil Simon, Richard Rodgers, and the world-renowned Palace; in Chicago: The PrivateBank Theatre, Broadway Playhouse, Cadillac Palace and Oriental Theatre; in Los Angeles, the magnificent Pantages Theatre; and in London, the Adelphi, Aldwych, and Dominion Theatres.

He has produced over one hundred of the most acclaimed Broadway musicals and plays including Annie, Applause, La Cage aux Folles, Me and My Girl, Nine, Noises Off, Peter Pan, Sweet Charity, The Will Rogers Follies, Woman of the Year, and many more.

Mr. Nederlander’s name is forever linked to some of the world’s most distinguished performing companies whose work he produced and presented on Broadway including the Royal Shakespeare Company’s acclaimed productions of The Life and Adventures of Nicholas Nickleby, Les Liaisons Dangereuses, Cyrano and Sherlock Holmes; Rudolf Nureyev and Friends, The Bolshoi Ballet, and the Virsky’s Ukranian State Dance Company.

He is credited with developing the outdoor amphitheatre concept as the developer of several premier venues including the New Jersey Garden State Arts Center, Pine Knob Music Theatre, the Merriweather Post Pavilion, the Pacific Amphitheatre, and as the decades-long operator of the Greek Theatre where he has presented headline artists including Tony Bennett, Judy Garland, Lena Horne, Jackie Mason, Liza Minnelli, Frank Sinatra, Andy Williams, and a legion of others.

In 1972, Mr. Nederlander and his pals Earl Blackwell, Gerard Oestricher and Arnold Weissberg founded the Theatre Hall of Fame, which is still housed in the lobby of the Gershwin Theatre. In 1973, he partnered with George Steinbrenner to purchase the New York Yankee Baseball Club.

Mr. Nederlander is the recipient of many distinguished honors including the United Nations Foundation Champion Award (2012), The Broadway League’s Schoenfeld Vision for Arts Education Award (2010), the New York Pop’s Man of the Year (2008), the Special Tony Award^® for Lifetime Achievement (2004), The Actors’ Fund Medal of Honor (2002), The Broadway League’s Distinguished Lifetime Service Award (2002), United Jewish Appeal-New York Federations’ Bernard B. Jacobs Excellence in the Theatre Award (1997) and the Hollywood Chamber of Commerce Star on the Hollywood Walk of Fame, located outside the Pantages Theatre at 6233 Hollywood Blvd. In 2009, the National High School Musical Theatre Award was established and named the Jimmy^® to celebrate his career-long dedication to supporting young talent.

He received an Honorary Doctorate of Fine Arts at the forty-third Commencement exercises at The University of Connecticut School of Medicine, School of Dental Medicine and Graduate School on Monday, May 12, 2014.

Mr. Nederlander is survived by his wife Charlene S. Nederlander, his son James L. Nederlander and daughter-in-law Margo M. Nederlander, his grandchildren James M. Nederlander II and Kathleen M. Nederlander, his stepdaughter Kristina Gustafson and her children Gunnar Gustafson and Krisanna Gustafson.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 16 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up to 1.7 million people annually in five theatres.  Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including The PrivateBank Theatre, Oriental Theatre, Cadillac Palace Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University.

For more information, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

HAMILTON Chicago Casts Two-time Tony Nominee JOSHUA HENRY as Aaron Burr

Chi, IL LIVE Shows On Our Radar:



HAMILTON CASTING NEWS

Two-time Tony Award Nominee

JOSHUA HENRY

to lead Chicago company of HAMILTON

as Aaron Burr

Producer Jeffrey Seller and Broadway In Chicago are thrilled to announce two-time Tony Award nominee JOSHUA HENRY will lead the Chicago company of HAMILTON as Aaron Burr. Henry, who made his Broadway debut in IN THE HEIGHTS, received Tony Award nominations for his roles in VIOLET and THE SCOTTSBORO BOYS and just concluded the Broadway run of SHUFFLE ALONG where he created the role of “Noble Sissle.”

JONATHAN KIRKLAND, who recently appeared in the Encores production of Cabin in Sky and NBC “Shade of Blue,” will play George Washington.  The Chicago company will also include SAM ABERMAN, JOSE AMORE, AMBER ARDOLINO, REMMIE BOURGEOIS, CHLOË CAMPBELL, JOSEPH CHAIKIN, CARL CLEMONS-HOPKINS, JOHN MICHAEL FIUMARA, JEAN GODSEND FLORADIN, AARON GORDON, JIN HA, HOLLY JAMES, MALIK KITCHEN, COLBY LEWIS, DASHI MITCHELL, JUSTICE MOORE, SAMANTHA POLLINO, EMMY RAVER-LAMPMAN, GABRIELLA SORRENTINO and AUBIN WISE.

As previously announced, other principal roles in HAMILTON in Chicago will be played by ARI AFSAR as Eliza Hamilton; MIGUEL CERVANTES as Alexander Hamilton; ALEXANDER GEMIGNANI as King George III, CHRIS LEE as Marquis de Lafayette/Thomas Jefferson; JOSEPH MORALES as Mr. Cervantes’ alternate; Tony Award-winner KAREN OLIVO as Angelica Schuyler, JOSE RAMOS as John Laurens/Phillip Hamilton; WALLACE SMITH as Hercules Mulligan/James Madison, and SAMANTHA MARIE WARE as Peggy Schuyler/Maria Reynolds.

Performances begin September 27 at The PrivateBank Theatre in Chicago (18 W. Monroe).  For more information, visit www.BroadwayinChicago.com.

Joshua Henry recently filmed a starring role in the Luc Besson action-thriller The Lake opposite J.K. Simmons and Sullivan Stapleton which will premiere worldwide in January of 2017. His other film and television credits include Sex and the City the Movie, Winter's Tale and season 7 of “Army Wives.” With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, music direction/orchestrations by Alex Lacamoire, HAMILTON is based on Ron Chernow’s biography of Founding Father Alexander Hamilton.  The musical won eleven 2016 Tony Awards including Best Musical, Score, Book of a Musical, Direction of a Musical, Choreography and Orchestrations.  Mr. Miranda received the Pulitzer Prize for Drama for HAMILTON. HAMILTON is the story of America’s Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War, and was the new nation’s first Treasury Secretary.  Featuring a score that blends hip-hop, jazz, blues, rap, R&B and Broadway, HAMILTON is the story of America then, told by America now. The musical is produced by Jeffrey Seller, Sander Jacobs, Jill Furman and The Public Theater. The HAMILTON Original Broadway Cast Recording – recipient of the 2016 Grammy for Best Musical Theatre Album and a regular on numerous Billboard top 10 lists – is available everywhere nationwide. HAMILTON: The Revolution, Lin-Manuel Miranda and Jeremy McCarter’s book about the making of the musical, is on sale and has been a selection on The New York Times Best Seller List. The musical celebrates its 1st anniversary on Broadway at the Richard Rodgers Theatre on August 6.  A touring production begins a 21-week run in San Francisco in March 2017, followed by a 21-week engagement in Los Angeles.  A London production will be mounted, also in 2017.  For further information about the Chicago production which begins September 27 at The PrivateBank Theatre, visit www.BroadwayInChicago.com. For information on HAMILTON, visit: www.HamiltonOnBroadway.com, www.Facebook.com/HamiltonMusical, www.Instagram.com/HamiltonMusical and www.Twitter.com/HamiltonMusical. ABOUT BROADWAY IN CHICAGO Broadway In Chicago was created in July 2000 and over the past 16 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up to 1.7 million people annually in five theatres.  Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including its newly named The PrivateBank Theatre, the Oriental Theatre, Cadillac Palace Theatre, the Auditorium Theatre of Roosevelt University and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place. Get Social: For more information, visit www.BroadwayInChicago.com Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

RESTRUCTURED 2016-17 SEASON ANNOUNCED AT ATC

AMERICAN THEATER COMPANY ANNOUNCES

RESTRUCTURED 2016-17 SEASON

THREE-SHOW LINEUP INCLUDES:

Regional premiere of acclaimed Men On Boats by Jaclyn Backhaus

Reimagined classic Picnic by William Inge

World premiere of T. by Dan Aibel

Plus new Open Residency Program this fall for Chicago artists

American Theater Company (ATC) has restructured its 2016-17 Season and will present three of four previously announced plays, with an updated production schedule. Additionally, ATC will launch a new Open Residency Program for Chicago performance artists this fall. Led by newly appointed Artistic Director Will Davis, Season 32 includes: the regional premiere of Jaclyn Backhaus’ Men On Boats under Davis’ direction, Jan. 6-Feb. 12, 2017, immediately following its current Off Broadway run at Playwrights Horizons; a reimagined classic, Pulitzer Prize winner Picnic by William Inge, directed by Davis, March 17-April 23, 2017; and the world premiere of Dan Aibel’s T., an exploration of the competitive ice skating saga between Nancy Kerrigan and Tonya Harding, directed by Margot Bordelon, May 19-June 25, 2017. The world premiere of Basil Kreimendahl’s We’re Gonna Be Okay will be presented as part of ATC's 2017-18 Season.

“ATC remains fully committed to the projects and artists we've invited to work with us, and we will produce all four of those works on a restructured timeline between this season and next,” says Artistic Director Will Davis. “As the incoming artistic director, it is my job and privilege to shepherd ATC into its next chapter, which must be defined not just by virtuosic artistry but also by fiscal responsibility. It is imperative that I consider this moment of transition carefully to ensure that the work being made in our small but mighty warehouse continues to grow over my tenure, and this season that means we will reimagine our producing footprint. I intend for ATC to be a thriving non-profit and a home base for powerful new works for the American Theater.”

This fall, ATC will host a new residency program for the Chicago performance community, the Open Residency Program. The Residency is interdisciplinary and open to project proposals in all stages of development. Accepted artists will be awarded rehearsal hours and a presentation slot at ATC at the end of their residency. More details and a call for proposals for ATC’s Open Residency Program will be released next month.

“I see my role as Artistic Director to act as the host to as many artists as possible and to share our space with the community,” Davis continues. “I took this job because I am interested throwing open the doors at ATC and inviting theater makers into an artistic dialogue about how we are making new work for the American theater.”

Season subscriptions are on sale now and range from $40-$112.50, with special pricing available for members under the age of 35 and advance purchases before August 31, 2016. To purchase a subscription or for more information, visit www.atcweb.org or call the ATC Box Office at 773-409-4125. Current subscribers will be contacted directly by ATC with ticket exchange options, and will receive complimentary priority seating to an Open Residency performance.

ATC remains committed to its season-long partnership with Chicago Inclusion Project, whose work creates inclusive theater experiences that bring together Chicago artists and audiences normally separated by physical ability, gender identity and/or ethnic background. The two companies will partner on casting, giving diverse theater artists access to roles they might traditionally have been excluded from. Together with the Chicago Inclusion Project, ATC will continue its commitment to presenting works that boldly reflect the diversity of stories and experiences in America today.

Past world premiere productions at ATC include Stephen Karam’s Pulitzer Prize- and Tony Award-nominated The Humans and Ayad Akhtar's Pulitzer Prize-winning Disgraced, both of which enjoyed acclaimed Broadway runs. Last spring ATC presented the world premiere of The Project(s), a documentary play about Chicago’s public housing residents written by late Artistic Director PJ Paparelli and Joshua Jaeger. In the 2015-16 Season, ATC produced the co-world premiere of Thomas Bradshaw’s Fulfillment with The Flea Theater in New York and the world premiere of Bruise Easy by Dan LeFranc, playwright of ATC’s blockbuster world premiere The Big Meal, which went on to an acclaimed Off Broadway run at Playwrights Horizons.

AMERICAN THEATER COMPANY’S SEASON 32:

Regional Premiere

Men On Boats

Written by Jaclyn Backhaus

Directed by Will Davis

January 6–February 12, 2017

Ten explorers set out on four boats to map the raging rapids of the Green and Colorado Rivers on the government’s first sanctioned expedition in the American West. Playwright Jaclyn Backhaus and director Will Davis team up again on this play, originally produced by Clubbed Thumb and returning to Playwrights Horizons in New York this summer, in Davis’ first production as ATC’s artistic director. Performed by a genderfluid cast of women and folks otherwise defined, Men On Boats takes back 1869.

Picnic

Written by William Inge

Directed by Will Davis

March 17–April 23, 2017

Closeted and dogged by an acute sense of failure for most of his life until he ended it, William Inge wrote some of the great lyrical plays of the American mid-century, and Picnic was his masterpiece, his playground and, quite possibly, his fantasy. In this loving reimagining, ATC Artistic Director Will Davis puts Inge at the center of his Pulitzer Prize-winning play and animates what is both sacred and profane about small town life against the backdrop of dust bowl hymns and love songs. Part séance, part love letter to a ghost, this Picnic explores a life lived at the periphery of one’s own desire.

World Premiere

T.

Written by Dan Aibel

Directed by Margot Bordelon

May 19–June 25, 2017

“Ice Follies” read the cover of Time Magazine on January 24, 1994, after ice skating medalist favorite Nancy Kerrigan was struck in the leg with a police baton by Shane Stant. In his darkly funny and unrelenting play, Dan Aibel explores the lengths one will go to for fame. Margot Bordelon returns to Chicago to direct this world premiere play named for Tonya Harding, the first woman ever to complete a triple axel jump in competition. Nancy Kerrigan never saw her coming.

SEASON 32 SUBSCRIPTION AND TICKET INFORMATION:         

The American Membership                                     $112.50 (available until Jan. 31, 2017)

Includes reserved seating for each production

Early Bird 3-Ticket Membership                             $90 (before August 31, 2016)

3-Ticket Membership                                                 $105 (Sept. 1, 2016-Jan. 31, 2017)

Under-35 3-Ticket Membership                               $60 (available until Jan. 31, 2017)

Early Bird 2-Ticket Membership                             $60 (before August 31, 2016)

2-Ticket Membership                                                 $70 (Sept. 1, 2016-Jan. 31, 2017)

Under-35 2-Ticket Membership                               $40 (available until Jan. 31, 2017)

ATC is offering the new American Membership in Season 32 for $112.50, which offers the member a reserved seat at each production in the season. ATC is transitioning to general admission seating in Season 32. Under-35 Memberships range in price from $40-60. Early Bird 2- and 3-ticket memberships range in price from $60-$90 and are available until August 31, 2016. Regular memberships range in price from $70-$105 and are available beginning September 1. All Memberships allow you to choose your performance dates upon purchase. To purchase a subscription or for more information, please contact the ATC Box Office at 773-409-4125 or visit www.atcweb.org.

ARTIST BIOS:

Dan Aibel's plays have been developed and/or produced by the Detroit Rep, the Sundance Institute, Syracuse Stage, the Blank Theater (Los Angeles), Flashpoint Theatre Co. (Philadelphia), the Source Theatre (Washington, D.C.) and Outsider's Inn Collective (Seattle). In New York he has worked with Page 73, Rattlestick and The New Group. His play The Meaning of Lunch was seen in Chicago at Stage Left as part of Leapfest 7. A 2014 Sundance Theatre Lab fellow, Dan's plays have been published by Smith & Kraus and Playscripts. He lives in New York.

Jaclyn Backhaus is an Indian-American playwright and co-founder of Fresh Ground Pepper. Recent New York productions include Men On Boats (NYT Critics’ Pick, Clubbed Thumb’s Summerworks, The Kilroys' 2015 List), People Doing Math Live! (Under The Radar Festival's INCOMING! Series at The Public Theater), The Incredible Fox Sisters (Live Source, The New Ohio), and You On the Moors Now (Theater Reconstruction Ensemble, upcoming with The Hypocrites in Fall 2016). She has received commissions from Playwrights Horizons and Ars Nova and is the 2016 Tow Foundation Playwright-in-Residence at Clubbed Thumb. Her work has been developed and showcased with the Bonnaroo Music and Arts Festival, Playwrights Horizons, The Public and Joe’s Pub, The Ice Factory Festival, (not just) 3 New Plays, The Civilians R&D Group, SPACE on Ryder Farm, Ars Nova’s ANTFest, and The Falcons. She hails from Phoenix, Arizona.

Margot Bordelon is a freelance director who specializes in new work. Recent projects include Jiehae Park's peerless at Yale Repertory Theater, Anna Ziegler's A Delicate Ship for Playwrights Realm (NYT's Critics' Pick), and Joshua Conkel's Okay, Bye at Steppenwolf Theater. In New York, she's directed for Atlantic Theater, NYTW, Clubbed Thumb, Ars Nova, Dodo Theater Collective, Target Margin, The Lark, Juilliard, The Bushwick Starr, Theater Masters, and Stella Adler Institute, among others. Margot moved to the East Coast after spending six years in Chicago working as a director, writer, and performer. She is a founding member of Theatre Seven of Chicago, where she conceived and directed We Live Here; Lies & Liars; and Yes, This Really Happened to Me (all with Cassy Sanders). Margot spent four seasons working at Lookingglass Theatre, where she served as Literary Manager and Company Dramaturg. In Chicago she also worked for Collaboraction, Timeline, Pavement Group, Live Bait, Around the Coyote, Bailiwick, Hell in a Handbag, and Steppenwolf Theatre. She spent three years as a storyteller for 2nd Story, and her autobiographical work has been seen numerous times on the Victory Gardens stage. Theater BFA, Cornish College of the Arts. Directing MFA, Yale School of Drama.

Will Davis is a director and choreographer focused on physically adventurous new work, and the newly appointed artistic director of American Theater Company. Recent projects include: an upcoming production of Evita for the Olney Theatre Center remade and reconsidered; Men on Boats by Jaclyn Backhaus for Clubbed Thumb's Summerworks, receiving a remount at Playwrights Horizons in August; Orange Julius by Basil Kreimendahl; Mike Iveson’s Sorry Robot for PS122’s COIL Festival; and two productions of Colossal by Andrew Hinderaker for Mixed Blood Theater and the Olney Theatre Center, for which he won a Helen Hayes award for outstanding direction. Davis has developed, directed and performed his work with New York Theatre Workshop, Clubbed Thumb, the New Museum, the Olney Theatre Center, the Alliance Theatre, the Playwright's Realm, the Fusebox Festival, New Harmony Project, the Orchard Project, the Ground Floor Residency at Berkeley Rep, Performance Studies International at Stanford University, and the Kennedy Center. He is an alum of the Soho Rep Writer/Director Lab, the NYTW 2050 Directing Fellowship and the BAX (Brooklyn Art Exchange) artist in residence program. He holds a BFA in Theatre Studies from DePaul University and an MFA in Directing from UT Austin.

William Inge (1913-1973), a playwright, teacher, and novelist born in Independence, Kansas, wrote a string of successful plays throughout the 40s and 50s. His play Come Back, Little Sheba earned him the title of most promising playwright of the 1950 Broadway season. This success was followed in 1953 by Picnic (winner of the 1953 Pulitzer Prize) and again in 1955 by the highly revered Bus Stop. Inge’s fame continued to grow as The Dark at the Top of the Stairs, a reworking of his first play Farther Off from Heaven opened on Broadway in 1957. The Dark at the Top of the Stairs, considered to be Inge’s finest play, is one in which he draws most directly from his own past. He spent the final years of his life writing two novels: Good Luck, Miss Wyckoff in 1970 and My Son Is a Splendid Driver in 1971. Inge committed suicide on June 10, 1973 at the age of 60.

About American Theater Company

American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.

American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.

EXTENDED: TORUK – The First Flight Adds One Show Due To Popular Demand Friday, August 5 at 3:30 p.m.

One performance added for the new Cirque du Soleil touring show

inspired by James Cameron’s AVATAR

 TORUK – The First Flight

written and directed by Michel Lemieux and Victor Pilon

 Presented at the United Center in Chicago beginning August 3

Due to popular demand, Cirque du Soleil is thrilled to announce one additional performance of the upcoming touring show inspired by James Cameron’s record-breaking movie AVATAR, TORUK – The First Flight, on Friday, August 5 at 3:30 p.m. This show is in addition to the previously announced performances on August 3-7 at the United Center. The show is presented by Visa Signature® in association with United MileagePlus®.

Tickets for this performance go on sale on Friday, July 29 at 3:00 p.m. CST and can be purchased at https://www.cirquedusoleil.com/toruk. 

**Don't forget to enter to win 4 tickets ($350 approx value) from ChiIL Mama & ChiIL Live Shows for opening night Aug. 3rd!**

The show

Inspired by James Cameron’s AVATAR, TORUK – The First Flight transports you to the world of Pandora in a visually stunning live setting. Experience a storytelling odyssey through a new world of imagination, discovery, and possibility.

Through a riveting fusion of cutting-edge visuals, puppetry and stagecraft buoyed by a soaring cinematic score, Cirque du Soleil applies its unique signature style to James Cameron’s imaginary world and “makes the bond” between two kindred artistic visions that capture the imagination.

This live immersive experience also bears the distinct signature of directors and multimedia innovators Michel Lemieux and Victor Pilon. It is a living ode to the Na’vi’s symbiotic coexistence with nature and their belief in the basic interconnectedness of all living things.

Narrated by a “Na’vi Storyteller” and populated by unforgettable characters, TORUK – The First Flight is a mythical tale set thousands of years before the events depicted in the film AVATAR, and before any humans ever set foot on Pandora.

When a natural catastrophe threatens to destroy the sacred Tree of Souls, Ralu and Entu, two Omaticaya boys on the brink of adulthood, fearlessly decide to take matters into their own hands. Upon learning that Toruk can help them save the Tree of Souls, they set out, together with their newfound

friend Tsyal, on a quest high up in the Floating Mountains to find the mighty red and orange predator that rules the Pandoran sky. Prophecy is fulfilled when a pure soul rises among the clans to ride Toruk for the first time and save the Na’vi from a terrible fate.

Creative team

TORUK – The First Flight comprises 13 creators under the artistic guidance of Guy Laliberté (Guide) and Jean-François Bouchard (Creative Guide) for Cirque du Soleil, and James Cameron, Jon Landau, Kathy Franklin and Richie Baneham for Lightstorm Entertainment:

Michel Lemieux and Victor Pilon                Show Writers and Directors, Multimedia Directors

Neilson Vignola                                                 Director of Creation

Carl Fillion                                                           Set and Props Designer

Kym Barrett                                                        Costume and Makeup Designer

Tuan Le and Tan Loc                                        Choreographers

Bob & Bill                                                             Composers and Musical Directors

Jacques Boucher                                              Sound Designer

Alain Lortie                                                         Lighting Designer

Patrick Martel                                                    Puppet Designer

Germain Guillemot                                          Acrobatic Performance Designer

Pierre Masse                                                      Rigging and Acrobatic Equipment Designer

Sponsors and partners

TORUK – The First Flight in Chicago is proud to be presented by Visa Signature®, in association with United MileagePlus®. DHL is the official sponsor. The show is being created through a licensing arrangement with 20th Century Fox.

In an effort to bring audience members involvement to a whole new level, Cirque du Soleil will be launching a first-of-its-kind app for TORUK – The First Flight.  Working with long-time technology partner SAP, the app will enhance the overall show experience and enable audience members to be a part of the action before, during and after the performance! The app can be downloaded from here: https://itunes.apple.com/us/app/toruk-the-first-flight/id1060239115?mt=8

Follow us at www.facebook.com/torukthefirstflight, Twitter @cirque | Instagram @cirquedusoleil | Snapchat @CirqueSnap | #TORUK #Avatar #CirqueduSoleil

Cirque du Soleil

TORUK – The First Flight is Cirque du Soleil’s 37^th production since 1984. The company has brought wonder and delight to more than 155 million spectators in more than 300 cities on six continents. Cirque du Soleil has close to 4,000 employees, including 1,300 performing artists from close to 50 different countries.

For more information about Cirque du Soleil, visit https://www.cirquedusoleil.com.

To find out more about the ONE DROP Foundation, visit https://www.onedrop.org.

WIN 4 Tickets ($350 approx value) to Cirque du Soleil's TORUK Aug 3rd at United Center

Chi, IL LIVE Shows On Our Radar:

Here at ChiIL Live Shows we're SO excited to partner up with Cirque du Soleil and offer our readers a stellar giveaway! Enter HERE for your chance to WIN a family 4 pack of tickets ($350 approx value) to opening night of TORUK – The First Flight on August 3rd! Enter early and often through midnight July 31st. I'll be there with my family on opening night, and you could be too. 

*ENTER HERE* 

The show

Inspired by James Cameron’s AVATAR, TORUK – The First Flight transports you to the world of Pandora in a visually stunning live setting. Experience a storytelling odyssey through a new world of imagination, discovery, and possibility.

Through a riveting fusion of cutting-edge visuals, puppetry and stagecraft buoyed by a soaring cinematic score, Cirque du Soleil applies its unique signature style to James Cameron’s imaginary world and “makes the bond” between two kindred artistic visions that capture the imagination.

This live immersive experience also bears the distinct signature of directors and multimedia innovators Michel Lemieux and Victor Pilon. It is a living ode to the Na’vi’s symbiotic coexistence with nature and their belief in the basic interconnectedness of all living things.

Narrated by a “Na’vi Storyteller” and populated by unforgettable characters, TORUK – The First Flight is a mythical tale set thousands of years before the events depicted in the film AVATAR, and before any humans ever set foot on Pandora.

When a natural catastrophe threatens to destroy the sacred Tree of Souls, Ralu and Entu, two Omaticaya boys on the brink of adulthood, fearlessly decide to take matters into their own hands. Upon learning that Toruk can help them save the Tree of Souls, they set out, together with their newfound

friend Tsyal, on a quest high up in the Floating Mountains to find the mighty red and orange predator that rules the Pandoran sky. Prophecy is fulfilled when a pure soul rises among the clans to ride Toruk for the first time and save the Na’vi from a terrible fate.

Creative team

TORUK – The First Flight comprises 13 creators under the artistic guidance of Guy Laliberté (Guide) and Jean-François Bouchard (Creative Guide) for Cirque du Soleil, and James Cameron, Jon Landau, Kathy Franklin and Richie Baneham for Lightstorm Entertainment:

Michel Lemieux and Victor Pilon                Show Writers and Directors, Multimedia Directors

Neilson Vignola                                                 Director of Creation

Carl Fillion                                                           Set and Props Designer

Kym Barrett                                                        Costume and Makeup Designer

Tuan Le and Tan Loc                                        Choreographers

Bob & Bill                                                             Composers and Musical Directors

Jacques Boucher                                              Sound Designer

Alain Lortie                                                         Lighting Designer

Patrick Martel                                                    Puppet Designer

Germain Guillemot                                          Acrobatic Performance Designer

Pierre Masse                                                      Rigging and Acrobatic Equipment Designer

Sponsors and partners

TORUK – The First Flight in Chicago is proud to be presented by Visa Signature®, in association with United MileagePlus®. DHL is the official sponsor. The show is being created through a licensing arrangement with 20th Century Fox.

In an effort to bring audience members involvement to a whole new level, Cirque du Soleil will be launching a first-of-its-kind app for TORUK – The First Flight.  Working with long-time technology partner SAP, the app will enhance the overall show experience and enable audience members to be a part of the action before, during and after the performance! The app can be downloaded HERE. 

GET SOCIAL:

Follow at www.facebook.com/torukthefirstflight, Twitter @cirque | Instagram @cirquedusoleil | Snapchat @CirqueSnap | #TORUK #Avatar #CirqueduSoleil

Cirque du Soleil

TORUK – The First Flight is Cirque du Soleil’s 37^th production since 1984. The company has brought wonder and delight to more than 155 million spectators in more than 300 cities on six continents. Cirque du Soleil has close to 4,000 employees, including 1,300 performing artists from close to 50 different countries.

For more information about Cirque du Soleil, visit https://www.cirquedusoleil.com.

To find out more about the ONE DROP Foundation, visit https://www.onedrop.org.

Disclosure: Thanks to Cirque du Soleil for providing us with complimentary tickets for review purposes and for our giveaway. We were not compensated in any other way. As always, all opinions are our own.

OPENING: THE JACKIE WILSON STORY AT BLACK ENSEMBLE THEATER

BLACK ENSEMBLE THEATER

CONTINUES ITS 40^TH ANNIVERSARY SEASON OF HITS WITH

THE JACKIE WILSON STORY

WRITTEN AND DIRECTED BY JACKIE TAYLOR

July 30 – September 4, 2016

In a 40^TH ANNIVERSARY SEASON in which Black Ensemble Theater is staging remounts of their classic hits and all time favorites, this Jackie and Jackie hit is sure to be a standout!  Don't miss The Jackie Wilson Story written and directed by Black Ensemble Theater Founder and CEO Jackie Taylor. ChiIL Mama will be there to review on opening day, so check back soon for our full recap.

Black Ensemble Theater continues the 40^th Anniversary Season (The Season of Greatest Hits) with The Jackie Wilson Story, written and directed by Black Ensemble Theater Founder and CEO Jackie Taylor. The Jackie Wilson Story will be performed at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago, July 30-September 4, 2016.  The official press opening is Sunday, August 7, 2016 at 3:00 pm.  Preview dates for the production are July 30-31 and August 5-6, 2016. 

The Jackie Wilson Story returns to Chicago after an extremely successful opening in 2000 and remount in 2011, plus a national tour in 2002, which culminated at the famous Apollo Theater in New York City. This high energy and touching story follows the career of one of the greatest entertainers who ever lived.  

The Jackie Wilson Story was first produced in 2000—and again in 2011—and was an immediate smash hit.  The highly popular national tour was launched in 2002, and culminated at the famous Apollo Theater in New York City, running a record of the most performances of a stage play at this historical New York City landmark. This high energy and touching production, which chronicles the rise and fall of the admired musician and performer, includes many of Wilson’s hits such as (Your Love Keeps Liftin’ Me) Higher & Higher, To Be Loved, Danny Boy and Doggin’ Me Around.  This time the audiences will also be treated to Frankie Lymons’ Goodie Goodie and the Crystals Dah Do Run Run.

“The Jackie Wilson Story is one of Black Ensemble’s biggest hits.  We have assembled a fantastic team—including the return of Kelvin Roston, Jr. as Jackie Wilson—to remount this story about one of the greatest entertainers who ever lived,” comments Jackie Taylor. 

The cast includes:  Kelvin Roston, Jr. starring as Jackie Wilson, Melanie McCullough as Freda Wilson, (Jackie's wife) Kora Green as Eliza (Jackie's mother) and Rueben D. Echoles as BB (Jackie's best friend). Cast members playing multiple roles include Kylah Williams, Direoce Junirs, Kyle Smith, Brandon Eddins, Dennis Dent, Ekia Thomas and Vincent Jordan.

As with all Black Ensemble productions, the production features the Black Ensemble Theater Musicians.  The Musical Director is Robert Reddrick (drums) and the musicians include Danny O'Connor (bass), Herbert Walker (guitar) Clovise Bordeaux (piano), and Paul Howard (trumpet), Dudley Owens (saxophone) and Bill McFarland (trombone).

The designers are Ruthanne Swanson (costumes), Denise Karczewski (lighting/set), Aaron Quick (sound  and projection) and CoCo Ree Lemery (scenic artist). The production stage manager is Lemar Ezell and the Equity stage manager and production manager is Daryl Brooks. Caswell James is the Technical Director.

Schedule:                                

Thursday: 7:30 p.m.

Friday: 8:00 p.m.

Saturday: 3:00 p.m. and 8:00 p.m.

Sunday: 3:00 p.m.

Location: Black Ensemble Theater Cultural Center, 4450 N. Clark Street.

                Valet parking is available.

Ticket prices: $55 on Thursday evenings; and Saturday matinees

$65 on Friday, Saturday evenings and Sunday matinees

A 10% discount is available for students, seniors, and groups.

Box Office: Buy online at www.blackensemble.org or call (773) 769-4451

The Black Ensemble Theater

Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.

On November 18, 2011, The Black Ensemble Theater Cultural Center opened and is able to accommodate larger-scale productions, bigger audiences and a wider range of educational programming. The new facility includes amenities such as a 299-seat main stage theater (double the capacity of the original venue); 14 offices, classroom space, rehearsal hall, dance studio, scene shop, costume shop, and wardrobe rooms; seven dressing rooms; rehearsal room for musicians; front lobby space with concession areas; and an indoor parking garage.  The completion of a 150-seat theater, which will serve as an experimental stage for the work of the Black Playwright Initiative (BPI), with construction by General Contractor Norcon Inc., is expected in 2016/17.

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, please visit www.BlackEnsembleTheater.org or call 773-769-4451.

FREE Staged Reading of Sarah Ruhl’s In The Next Room, or the vibrator play

The Chicago Inclusion Project

announces casting for upcoming reading of 

Sarah Ruhl’s In The Next Room, 

or the vibrator play

in partnership with TimeLine Theatre Company and 

The League of Chicago Theatres

Here at ChiIL Live Shows we thoroughly enjoy both Sarah Ruhl's writing and TimeLine Theatre Company's productions. Even though this one's just a staged reading at this point, it sounds intriguing. 

Chicago Inclusion Project Founder and Producer Emjoy Gavino is pleased to announce the cast of the next of The Chicago Inclusion Projects reading series, In the Next Room, or the vibratory play by Sarah Ruhl.

The reading, presented in partnership with TimeLine Theatre Company and The League of Chicago Theatres, will take place on Tuesday, August 9, 2016 at 7pm at TimeLine Theatre, 615 W. Wellington Ave., Chicago.

The reading of Sarah Ruhl’s In the Next Room, or the vibrator play at TimeLine will feature an inclusive cast of actors, including Rom Barkhodar (Dr. Givings), Joseph Anthony Foronda (Mr. Daldry), Mildred Marie Langford (Catherine), Melissa Chanciler (Mrs. Daldry), Anthony DiNicola (Leo), Jennifer Glasse (Stage Directions), Ginneh Thomas (Elizabeth) and Dana Tretta (Annie). The production will be directed by TimeLine Company Member Mechelle Moe, with Maren Robinson serving as Dramaturg and Charlie Hano as Assistant Dramaturg.

The reading is free and open to the public, but seating is very limited and reservations are required. Seats may be reserved HERE or by calling the TimeLine Theatre box office at 773-281-8463 ext 6.

“When we first sat down with the artistic staff at TimeLine over a year ago, we discussed the challenges that arise in casting choices, particularly when it comes to addressing historical context,” says TCIP Founder and Producer Emjoy Gavino. “It is an issue that many directors who tackle shows set in a specific time period often struggle with. It has been a joy to approach such a beloved text with the idea of ’open casting,’ releasing the decision makers from any pre-conceived notions of what the characters have been or ‘are supposed to be.’ We are excited at how the choices will open the play up.” 

“TimeLine Theatre Company is proud to partner with the Chicago Inclusion Project,” added TimeLine Artistic Director PJ Powers. “We are inspired by their mission and work, and we join them in the quest for inclusivity and bringing people together for shared theatre experiences that ignite conversation and new points of view. Under the direction of TimeLine Company Member Mechelle Moe, we look forward to bringing a diverse group of artists and audience members to our home on Wellington Avenue for a reading of Sarah Ruhl’s wonderfully funny and provocative In the Next Room, or the vibrator play), and we look forward to fostering an invigorating conversation.”

For information about future TCIP programming, sign up for the mailing list at www.thechicagoinclusionproject.org or follow The Chicago Inclusion Project on Facebook.

ABOUT THE CHICAGO INCLUSION PROJECT

Founded by Actor/Casting Director Emjoy Gavino, The Chicago Inclusion Project is a collective of artists, committed to creating inclusive theater experiences by bringing together Chicago artists and audiences normally separated by ethnic background, economic status, gender identity, physical ability and countless other barriers. By deliberately choosing the unexpected, both in play choices and non-traditional casting, cultivating a diverse audience by bringing new combinations of artists to as many communities in Chicago (and it surrounding suburbs) as possible, choosing facilities for the multiple projects that are handicap accessible and keeping price of tickets affordable, The Chicago Inclusion Project programming aims to unite diverse collections of Chicagoans.

For more information, visit www.thechicagoinclusionproject.org.

ABOUT TIMELINE THEATRE

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. To date over 19 seasons, TimeLine has presented 67 productions, including nine world premieres and 27 Chicago premieres, and launched the Living History Education Program, now in its ninth year of bringing the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 52 Jeff Awards, including an award for Outstanding Production 11 times.

LAST CALL: Don't miss this. Chimerica is highly recommended and a favorite of ours here at ChiIL Live Shows. Even the lobby is uber impressive and interactive. And the show is thought provoking to say the least!

Now playing at TimeLine is the Chicago premiere of Lucy Kirkwood’s acclaimed Chimerica, directed by Associate Artistic Director Nick Bowling. Twenty years after the iconic image of one man standing alone in front of a military tank in Tiananmen Square captivated the world, a photojournalist searches for the truth about that mysterious “Tank Man” in an epic, global adventure that explores the complex relationship between China and the United States. Chimerica, winner of the 2014 Laurence Olivier Award for Best New Play, runs through July 31, 2016.

TimeLine is led by Artistic Director PJ Powers, Managing Director Elizabeth K. Auman and Board President John M. Sirek. Company Members are Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Lara Goetsch, Juliet Hart, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, Maren Robinson and Benjamin Thiem. For more information, visit timelinetheatre.com.

ABOUT THE LEAGUE OF CHICAGO THEATRES

The League of Chicago Theatres is an alliance of theatres which leverages its collective strength to promote, support, and advocate for Chicago's theatre industry locally, nationally, and internationally. The League of Chicago Theatres Foundation is dedicated to enhancing the art of theatre in the Chicago area through audience development and support services for theatres and theatre professionals. For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Half-price tickets are available year-round at HotTix.org.