360° PHOTOGRAPHY LAUNCHING ON FACEBOOK TODAY!

Facebook today is launching a new way of sharing those special moments with friends and family: 360 photos. To celebrate the launch, Paul is one of the first to share a 360 photo on Facebook. PAUL JOINS FACEBOOK IN LAUNCHING 360° PHOTOGRAPHY © 2016 MPL Communications Here at ChiIL Mama & ChiIL Live Shows, we're stoked about the possibilities. I have press credentials to shoot CLUTCH, Corrosion of Conformity and Valkyrie tomorrow, so we may have a chance to give this new Facebook view a test run with a few iPhone panorama shots too. Follow along HERE.

From today – Thursday 9th June – people on Facebook can post photos in 360 degrees and share them with their friends; either on your Page or via News Feed. Paul’s inaugural photo – which can be seen on his Facebook Page by clicking HERE – was taken during his recent concert in Córdoba, Argentina.

The new 360 photos allow the user to either pan around and explore the scene by moving their phone, or by click and dragging on a desktop — much as they can with 360 videos like Paul’s ‘Early Days’, published earlier in the week.

From tomorrow - at the Olympic Stadium show in Munich - Paul will also begin posting 360 photos on Facebook from his ‘One On One’ tour using the hashtag #OneOnOne360. If you’re going to see Paul play, we’d love to see your 360 photos too, so remember to use the hashtag and let fans from around the world enjoy the view!

To post photos, just share your panorama or 360-degree photo to Facebook and it will be converted into a fully immersive 360 photo.

Via our friends at:

NOW PLAYING: CHIMERICA at Timeline Theatre

Chi, IL LIVE Shows On Our Radar:

TIMELINE THEATRE company 

Chicago premiere of 

LUCY KIRKWOOD’S INTERNATIONALLY ACCLAIMED 

THRILLER 

CHIMERICA

directed by nick bowling, through JULY 31, 2016

CHIMERICA, the widely celebrated 2014 Laurence Olivier Award winner for Best New Play, is currently running in Chicago, one of its first U.S. productions! We've been so busy we haven't had a chance to get over to TimeLine Theatre to see this acclaimed geopolitical thriller, but it's high on our wish list and we plan to catch it soon. I have a couple of friends who were at the pro-democracy rally at Tiananmen Square, so I'm particularly eager to see this piece.

TimeLine Associate Artistic Director Nick Bowling directs British playwright Lucy Kirkwood’s thrilling, complex new drama about Tiananmen Square’s mysterious “Tank Man,” a play that has been hailed by The Guardian as “gloriously rich” and “mind-expanding,” and by Time Out London as a “gripping, multi-layered and meticulously researched thriller.” 

The time is June 1989. The Chinese government has instituted a brutal crackdown on a pro-democracy rally at Tiananmen Square, and the iconic image of a lone man standing in front of a military tank has captivated the world. “Tank Man” emerged as a hero and a symbol of defiance in the face of tyranny, only to disappear forever. Twenty years later, a photojournalist searches for the truth about that mysterious man in a riveting story that explores the sharp differences, as well as similarities, between twin superpowers China and America. The result is an epic, global adventure that presents an unflinching look at the nature of censorship, the cost of truth, and what it takes to maintain hope.

CHIMERICA premiered at London’s Almeida Theatre in May 2013, where it became a sold-out phenomenon before transferring for a triumphant run in London’s West End. For its Chicago debut, TimeLine has assembled a stellar 12-person cast, including Christine Bunuan, Coburn Goss, Cheryl Hamada, Wai Yim, Caron Buinis, Tom Hickey, Dan Lin, Eleni Pappageorge, Chris Rickett, Janelle Villas, H.B. Ward and Norman Yap. 

Winner of seven Jeff Awards for Outstanding Direction, TimeLine Associate Artistic Director Nick Bowling is the creative force behind many of TimeLine’s most popular shows, including THE HISTORY BOYS, THE FARNSWORTH INVENTION, FIORELLO! and more, as well as recent hit productions at the Marriott Lincolnshire (THE KING AND I and CITY OF ANGELS), Porchlight Music Theatre (SONDHEIM ON SONDHEIM) and Paramount Theatre (A CHRISTMAS STORY).

The production team for CHIMERICA includes John Culbert (Scenic Design), Brian Sidney Bembridge (Lighting Design), Sally Dolembo (Costume Design), André J. Pluess (Sound Design), Mike Tutaj (Projections Design), Emily Guthrie (Properties Design), Megan Geigner (Dramaturgy), Eva Breneman (Dialect Coach), Chris Rickett (Fight Choreography) and Nora Mally (Stage Management).

Performances of CHIMERICA will take place at TimeLine Theatre’s home, located at 615 W. Wellington Ave. in Chicago’s Lakeview East neighborhood. Tickets to CHIMERICA are $22 - $51. For tickets and information, visit timelinetheatre.com or call (773) 281-TIME (8463). 

SPONSORS

TimeLine’s Chicago premiere of CHIMERICA is supported in part by The Pauls Foundation. Additional support is provided by The Elizabeth F. Cheney Foundation.

REMAINING PERFORMANCE SCHEDULE/EVENTS 

REGULAR RUN: Wednesdays and Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 3 p.m. and 8 p.m., and Sundays at 2 p.m., through July 31, 2016. EXCEPTIONS: No show on Sunday, June 26. Additional performance on Tuesday, June 21 at 7:30 p.m.

DISCUSSION EVENTS:

Post-Show Discussions: A brief, informal post-show discussion hosted by a TimeLine Company Member and featuring the production dramaturg and members of the cast on Wednesday, 

• Wednesday, June 8; Sunday, June 12 and Tuesday, June 21.

• Pre-Show Discussions: Starting one hour before these performances, a 30-minute introductory conversation hosted by a TimeLine Company Member and the production dramaturg with members of the production team on Thursday, June 16 and Sunday, July 3. 

• Company Member Discussion: A post-show discussion with the collaborative team of artists who choose TimeLine’s programming and guide the company’s mission on Sunday, July 10.

All discussions are free and open to the public. For further details about all planned discussions and events, visit timelinetheatre.com/chimerica/events.htm.

TICKET PRICES AND DISCOUNTS

Regular run tickets are $38 (Wednesday through Friday), $46 (Saturday) and $51 (Sunday). Student discount is $10 off regular price with valid ID. Military Service Discount is $5 off regular price with valid military/veteran ID. Discounted rates for groups of 10 or more are available.

Ticket buyers age 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Visit timelinetheatre.com/myline for details.

Advance purchase is recommended as performances may sell out. For more information and to purchase tickets, call (773) 281-TIME (8463) or visit timelinetheatre.com.

LOCATION/TRANSPORTATION/PARKING

CHIMERICA is at TimeLine Theatre, 615 W. Wellington Ave., Chicago. TimeLine Theatre is located near the corner of Wellington and Broadway, inside the Wellington Avenue United Church of Christ building, in Chicago’s Lakeview East neighborhood. The location is served by multiple CTA trains and buses. TimeLine offers discounted parking at the Standard Parking garages at Broadway Center ($8 with validation; 2846 N. Broadway, at Surf) or the Century Mall ($9 with validation; 2836 N. Clark). There are several other paid parking options nearby. There is also limited free and metered street parking.

ACCESSIBILITY

TimeLine Theatre is accessible to people with disabilities. Two wheelchair lifts provide access from street level to the theatre space and to lower-level restrooms. Audience members using wheelchairs or who need to avoid stairs, and others with special seating or accessibility needs should contact the TimeLine Theatre Box Office in advance to confirm arrangements.

BIOGRAPHIES

Lucy Kirkwood (Playwright) graduated with a degree in English Literature from the University of Edinburgh, where she wrote her first full-length stage play, GRADY HOT POTATO. Her next play, GUNS OR BUTTER, was produced at the Terror 2007 Festival at London’s Union Theatre and was subsequently broadcast by BBC Radio. In 2008 Kirkwood’s play TINDERBOX was produced by the Bush Theatre, and in the same year HEDDA, her adaptation of Henrik Ibsen’s HEDDA GABLER, was produced by London’s Gate Theatre to wide critical acclaim. Her play PSYCHOGEOGRAPHY was produced as part of the Terror 2009 Festival, and that same year her play IT FELT EMPTY WHEN THE HEART WENT AT FIRST BUT IT IS ALRIGHT NOW was produced by Clean Break Theatre Co. That play was nominated for an Evening Standard Award for Best Newcomer and made Kirkwood a joint winner of the John Whiting Award in 2010. Her stage adaptation of BEAUTY AND THE BEAST, co-devised and directed by Katie Mitchell, was performed at the National Theatre as its Christmas show in 2011. In the same year her play THE SMALL HOURS (co-written with Ed Hime) opened at the Hampstead, and her play HOUSEKEEPING was performed as part of Theatre Uncut season at Southwark Playhouse. NSFW premiered at the Royal Court Theatre, starring Janie Dee and Julian Barrett. CHIMERICA, premiered at the Almeida Theatre in 2013 and subsequently transferred to the West End, earning Kirkwood the 2014 Laurence Olivier and Evening Standard awards for Best New Play. Kirkwood collaborated with Lost Dog on a Brighton Festival co-commissioned dance project LIKE RABBITS, adapted from Virginia Woolf’s short story Lappin and Lapinova. Kirkwood also writes for television, including for SKINS, and she created and wrote the new series THE SMOKE. She is currently under commission to the Royal Court Theatre, the National Theatre and New York’s Manhattan Theatre Club. She is also developing a new screenplay for Film4/Ruby Films.

Nick Bowling (Director) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre. He is the recipient of seven Jeff Awards for Outstanding Direction (THE HISTORY BOYS, THE NORMAL HEART, FIORELLO!, THIS HAPPY BREED and THE CRUCIBLE at TimeLine, SONDHEIM ON SONDHEIM at Porchlight Music Theatre, and ANOTHER PART OF THE FOREST at Eclipse Theatre) and also received Jeff Award nominations for BLOOD AND GIFTS, THE FARNSWORTH INVENTION, HAUPTMANN and THE LION IN WINTER at TimeLine; CLOSER THAN EVER at Porchlight Music Theatre; and CITY OF ANGELS and THE KING AND I at Marriott Theatre. Other recent credits at TimeLine include DANNY CASOLARO DIED FOR YOU, JUNO, 33 VARIATIONS and MY KIND OF TOWN. Other Chicago credits include Paramount's A CHRISTMAS STORY, Northwestern University’s CABARET, Porchlight’s A CATERED AFFAIR, Writers Theatre's BACH AT LEIPZIG and Shattered Globe Theatre's TIME OF THE CUCKOO and FROZEN ASSETS.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. To date over 19 seasons, TimeLine has presented 66 productions, including nine world premieres and 26 Chicago premieres, and launched the Living History Education Program, now in its ninth year of bringing the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 52 Jeff Awards, including an award for Outstanding Production 11 times. 

TimeLine is led by Artistic Director PJ Powers, Managing Director Elizabeth K. Auman and Board President John M. Sirek. Company Members are Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Lara Goetsch, Juliet Hart, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, Maren Robinson and Benjamin Thiem.

Major corporate, government and foundation supporters of TimeLine Theatre include Alphawood Foundation, Paul M. Angell Family Foundation, Bloomberg Philanthropies, The Crown Family, Forum Fund, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, The Pauls Foundation, Polk Bros. Foundation and The Shubert Foundation. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

TimeLine is a member of the League of Chicago Theatres, Theatre Communications Group, Lakeview East Chamber of Commerce and Chicago’s Belmont Theater District.

OPENING: XANADU, AT AMERICAN THEATER COMPANY

AMERICAN THEATER COMPANY OPENS

XANADU

A TRIBUTE TO LATE ARTISTIC DIRECTOR PJ PAPARELLI

DIRECTED BY LILI-ANNE BROWN

NOW PLAYING THROUGH JULY 17, 2016

Chi, IL LIVE Shows On Our Radar:

Livin' in the 80's?! Come on out and get your neon and quad rollers fix. Tonight ChiIL Mama will be ChiILin' at ATC, for their live, stage version of XANADU. I prepped for the occasion with a family movie night with my husband who vaguely remembered it and my teens who had never seen it. XANADU came out when I was 13 and my husband was 15 -- exactly the ages our kids are now. It was a fun trip through the waaaaay back machine, especially since the movie recreates both the 40's and 80's. I can't wait to see American Theater Company's take on it, in memory of one of their inspirations, PJ Paparelli. Maybe he's hangin' on the other side with Zeus and the muses today?! I wouldn't be surprised.

Xanadu takes place in Venice, California in 1980. Struggling artist Sonny Malone seeks to create his own version of the American dream by renovating an abandoned warehouse into a venue for world-class entertainment – a roller disco! A hilarious and modern update of the1980’s camp classic, Xanadu celebrates the artist’s muse, even when it comes from the most unlikely of places.

Xanadu Performance Schedule:

Regular Run: June 7–July 17: Tuesday–Saturday evenings at 8 p.m. with matinees on Saturdays and Sundays at 2 p.m.

American Theater Company (ATC) opens musical comedy Xanadu, the final production of its Legacy Season, this Sunday, June 5. Presented as a tribute to ATC’s late Artistic Director PJ Paparelli—a not-so-secret fan of this camp classic—Xanadu is directed by Lili-Anne Brown and runs at ATC now through July 17, 2016. The production has music and lyrics by Jeff Lynne and John Farrar and a book by Douglas Carter Beane, based on the 1980 Universal Pictures film of the same title.

Single tickets for Xanadu range from $48-$58. Student tickets are available for $15 with valid student ID in-person at the Box Office. More information and tickets are available by visiting the ATC Box Office at 1909 W. Byron Street, by calling 773-409-4125 or visiting www.atcweb.org. 

The cast for ATC’s tribute production of Xanadu includes Missy Aguilar (Calliope), Kasey Alfonso (Erato) Karla L. Beard (Melpomene), Jim DeSelm (Sonny), Landree Fleming (Kira), Aaron Holland (Danny Maguire, Zeus), Michelle Lauto (Kira U/S & Swing), Hanah Rose Nardone (Euterpe), James Nedrud (Terpsichore/Sonny cover), Daniel Spagnuolo (Thalia/Danny cover), and Cameron Turner (Swing).

As the final event of its season-long Legacy Campaign, ATC will host a special performance of Xanadu on Wednesday, June 8 at 8 p.m. The event features a post-show reception and talk-back with actress Katie Hanley who, among other theater and film credits, appeared in the 1980 Universal Pictures film Xanadu, and on Broadway as “Marty” in the original 1972 production of Grease. Hanley will be joined by native Chicagoan Jim Jacobs, co-creator of the musical Grease and ATC’s Legacy Campaign chairman. Tickets are $75 for a single ticket and $125 for a pair. Proceeds from the campaign are dedicated to developing and producing new work and providing free education programming to Chicago Public High School students. To purchase tickets for this special Xanadu evening, visit www.atcweb.org or call 773-409-4125.

ARTIST BIOS

Missy Aguilar (Calliope) most recently appeared as Baby Rose in Babes in Arms, Oolie/Donna in City of Angels with Porchlight Music Theatre and U/S Ivy (performed) in The Man Who Murdered Sherlock Holmes with Mercury Theatre. Last spring and summer she was happy to spend on the pier at Chicago Shakespeare Theater with Disney’s The Little Mermaid (Atina/Ensemble, U/S Ursula), and Sense and Sensibility: A New Musical (U/S Fanny/Mrs. Jennings, performed). Ms. Aguilar’s other recent Chicago area credits include: Women on the Verge of a Nervous Breakdown (Ivan’s Concierge, U/S Lucia) and The Beverly Hillbillies (Cousin Pearl/Gloria) with Theatre at the Center; Les Miserables (Ensemble & U/S Mdme. Thenadier) with Drury Lane; Nunsense (Sister Hubert) with Fox Valley Repertory; and In The Heights (Ensemble & U/S Abuela Claudia) with Paramount Theatre.

Kasey Alfonso (Erato) makes her ATC debut. Chicago credits include: West Side Story, Rent and In The Heights (Paramount Theatre); Seussical (Chicago Shakespeare); Iphegenia in Aulis (Court Theatre); Wonderland (Chicago Children’s Theatre); Carrie: The Musical (Bailiwick Chicago); and Smokey Joe’s Café (Theo Ubique). She also stars as Kid Zhuyin in the web series The Adventures of Jacketmen. Ms. Alfonso is a proud graduate of the Chicago College of Performing Arts.

Karla L. Beard (Melpomene) returns to ATC after appearing in Rent. She has appeared in Second City productions of What the Tour Guide Didn’t Tell You in the Up theatre, Soul Brother, Where Art Thou, Rush Limbaugh! The Musical, The Absolute Best Frigging Time of Your Life on the ETC stage, an assortment of Second City BizCo productions, several episodes of Chicago Live! and briefly in The Second City Guide to the Opera and Let Them Eat Chaos. TV/Film credits: Chicago PD, Empire, Mind Games and a variety of commercials. Other credits include: Mamma Mia! (National Tour); Doubt and Little Shop of Horrors (Peninsula Players); Sunday in the Park with George, Anyone Can Whistle and Princess and the Black-eyed Pea (Ravinia); The Amen Corner (Goodman Theatre and Huntington Theatre); The Piano Lesson (Madison Repertory Theatre; artist and music director); Miss Saigon and Hot Mikado (Marriott Lincolnshire); Ain’t Misbehavin’ (Arkansas Repertory); and Ragtime (Porchlight Theater). Ms. Beard received Jeff Nominations for her portrayals of the title character in the Midwest premiere of Dessa Rose, TiMoune in Once on This Island and Young Barbara Jordan in Voice of Good Hope at Victory Gardens.

Jim DeSelm (Sonny) makes his ATC debut. Chicago area credits: West Side Story and Beaches (Drury Lane Oakbrook); Road Show (Chicago Shakespeare Theater); James Joyce’s The Dead (Court Theatre); Fiddler on the Roof (Paramount Theatre); South Pacific (Marriott Theatre); Godspell and Jesus Christ Superstar (Theatre at the Center); Juno (TimeLine Theatre Company); A Catered Affair (Porchlight Music Theatre); Parade and Floyd Collins (Boho Theatre; Jeff Award Nomination - Actor/Musical); The Mikado (The Hypocrites); The Last Five Years (Kokandy Productions, Jeff Award Nomination - Actor/Musical); and Pump Boys & Dinettes (Theo Ubique Cabaret Theatre, Jeff Nomination - Music Direction). Regional Credits include: Snapshots (Village Theatre/Arizona Theatre Company); Oklahoma!, Once Upon A Mattress and Plain & Fancy (Round Barn Theatre). Television credits include Chicago P.D. (NBC) and Double Cross (Investigation Discovery).

Landree Fleming (Kira) makes her ATC debut. She was most recently seen as Penny in Hairspray (Paramount Theatre). Other Chicago credits include: Seussical (Marriott Theatre); Spelling Bee (Drury Lane Theatre, Griffin Theatre, Theatre at the Center); Gypsy (Chicago Shakespeare Theater); Godspell (Theatre at the Center); She Kills Monsters (u/s, Buzz22); Reefer Madness (Circle Theatre, Jeff Nomination - Best Actress); and The Giver (Adventure Stage Chicago). Ms. Fleming is a member of musical sketch comedy group Off Off Broadzway. She is represented by Gray Talent.

Aaron Holland (Danny Maguire, Zeus) returns to ATC. Recent Chicago credits include: SISTER ACT! (Marriott); Seussical! (Chicago Shakespeare Theater); Hair (American Theater Company); The Color Purple (Mercury Theatre); A Christmas Carol (Goodman Theatre); Goodnight Moon and Dot & Ziggy (Chicago Children’s Theatre); and Passing Strange (Bailiwick Chicago). TV credits: Chicago Med. Mr. Holland received a BFA in Theatre Performance from Virginia Commonwealth University.

Michelle Lauto (Kira U/S & Swing) makes her ATC debut. Favorite credits include the Chicago premieres of Murder Ballad (Bailiwick Chicago), 35mm (Circle Theatre) and The Boy From Oz (Pride Films & Plays). Ms. Lauto is a proud graduate of The Second City Training Center Conservatory.

Hanah Rose Nardone (Euterpe) makes her ATC debut. Chicago credits include: Bye Bye Birdie and White Christmas (Drury Lane Oakbrook); The Little Mermaid (Chicago Shakespeare Theater); and The Wild Party, Thoroughly Modern Millie, Ripper and Spring Awakening (CCPA at Roosevelt University). Regional credits include: 42nd Street, Big River, Legally Blonde and The Sound of Music (The Little Theatre on the Square); Guys and Dolls, Boeing Boeing, Footloose and Cabaret (Timber Lake Playhouse). Ms. Nardone recently received her BFA in Musical Theatre from The Chicago College of Performing Arts at Roosevelt University.

James Nedrud (Terpsichore/Sonny cover) makes his ATC debut. Recent credits include: Angry Fags (Pride Films and Plays at the Steppenwolf Garage); Mary Poppins (Paramount Theatre, Aurora); Les Miserables (Drury Lane Theatre, Oak Brook); Applause (Porchlight Revisits); WOZ: A Rock Cabaret (Kim Lawson at Victory Gardens); Three Little Pigs (Emerald City); and Under a Rainbow Flag (Pride Films and Plays; Jeff nomination for best supporting actor in a musical). He has also worked with Chicago Shakespeare Theater, About Face Theatre and Bohemian Theatre Ensemble, among others. Mr. Nedrud is a proud graduate of the Chicago College of Performing Arts and member of Pride Films and Plays.

Daniel Spagnuolo (Thalia/Danny cover) has worked at The Paramount Theatre, Porchlight Music Theatre, ProfilesTheatre, Boho Theatre Ensemble, The Little Theatre on the Square, and Light Opera Works. Danny’s choreography credits: Rent (Theo Ubique Cabaret); The Full Monty (Kokandy Productions; Non-Equity Jeff Award Nomination); Godspell and A New Brain (Brown Paper Box Co.; Broadway World Nominations); The Little Mermaid (Drury Lane Oakbrook); and Ruthless (Big Noise). Mr. Spagnuolo has served as assistant choreographer on such productions as A Funny Thing Happened on the Way to the Forum (Porchlight Music Theatre) and American Idiot (The Hypocrites).

Cameron Turner (Swing) makes his ATC debut. He is a Chicago-based actor/director/choreographer and proud graduate of The Chicago College of Performing Arts at Roosevelt University. Previous performance credits include: Jesus Christ Superstar (Theo Ubique Cabaret); DamnYankees and Annie Get Your Gun (Light Opera Works); and Les Miserables and A Chorus Line (Timber Lake Playhouse). Other Chicago credits include: 35MM: A Musical Exhibition (Director/Choreographer - Circle Theatre); The Boy From Oz (Choreographer - Pride Film & Plays); Jesus Christ Superstar (Asst. Choreographer - Theo Ubique Cabaret); and The Wild Party (Asst. Choreographer - Bailiwick Chicago).

Douglas Carter Beane’s (Playwright) plays include: The Nance, The Little Dog Laughed (Tony, Olivier nominations; GLAAD Media Award), Mr. & Mrs. Fitch, As Bees in Honey Drown (Outer Critics Circle, Gassner Playwriting awards), Advice From a Caterpillar, The Country Club, Music From a Sparkling Planet, The Cartells.  Musicals: Rodgers + Hammerstein’s Cinderella(Tony nom.), Sister Act (Tony nom.), Lysistrata Jones (Tony nom.), Xanadu (Tony nom.; Drama Desk, Outer Critics Circle awards). Revues: White Lies; Mondo Drama; The Late, Late Show. Opera: Die Fledermaus (Met). Screenplays: To Wong Foo, Thanks For Everything! Julie Newmar; Advice From a Caterpillar (Best Feature, Aspen Comedy Festival).  Producer: 21 plays as founder and artistic director of New York’s Drama Dept. Member of the Dramatists Guild and is on the Playwrights Walk of Fame at the Lucille Lortel Theatre.

Jeff Lynne (Music and Lyrics) is a founding member of the Electric Light Orchestra, or ELO, whose discography includes five platinum-selling albums: Face the Music, A New World Record, Out of the Blue, Discovery, and Xanadu. In addition to his recording work with the ELO, Lynne co-produced studio albums by George Harrison (Cloud Nine), Roy Orbison (Mystery Girl), Tom Petty (Full Moon Fever), Ringo Starr (Time Takes Time), and Paul McCartney (Flaming Pie). He co-founded the "supergroup," the Traveling Wilburys, with Tom Petty, Roy Orbison, Bob Dylan, and George Harrison. Lynn co-wrote and produced the track "Let It Shine" for Beach Boy Brian Wilson's debut solo album in 1988.

John Farrar (Music and Lyrics) is a music producer, guitarist, singer, and former member of the British rock group, The Shadows. He worked extensively with Olivia Newton-John, producing fourteen of her albums and writing many of her hit singles, including "You're the One That I Want" (Golden Globe nom.), "Hopelessly Devoted to You" (Academy Award nom.), and "Have You Never Been Mellow." He co-wrote with Tim Rice songs for the 1995 musical, Heathcliff, and collaborated with Francis Ford Coppola to create songs for a new musical, Gidget.

Lili-Anne Brown (Director) is the Artistic Director of Bailiwick Chicago. She received the Joseph Jefferson Award in 2014 (Direction of a Musical) for her direction of Ahrens & Flaherty's Dessa Rose. Other directing credits include: Michael John LaChiusa's See What I Wanna See (Steppenwolf Theatre Garage Rep), the critically acclaimed Chicago premiere of Passing Strange (BTA Award for Best Director of a Musical, Jeff Award nomination for Best Director of a Musical), and the world premiere of Princess Mary Demands Your Attention by Aaron Holland, for Bailiwick Chicago; On the Boards and Hearts of Darkness at Roosevelt University; and Hairspray, Unnecessary Farce, Cabaret, Sweet Charity, The 25th Annual Putnam County Spelling Bee, and Buddy: The Buddy Holly Story, all at Timber Lake Playhouse, where she is an Artistic Associate. Upcoming next season: American Idiot at Northwestern University and Jabari Dreams of Freedom by Nambi Kelley at Chicago Children's Theatre. She works as an actor, director and educator, both locally and regionally, and is a member of Actors’ Equity Association and SAG-AFTRA, and an associate of SDC. Lili-Anne is a Northwestern University graduate (Performance Studies), and a proud native Chicagoan.

About American Theater Company

American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.

American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.

REVIEW: Shakespeare 400 Continues With I, Malvolio and Tug of War at Chicago Shakespeare Theatre

Tonight, ChiIL Mama will be ChiILin' out at The Chicago Shakespeare Theatre with England's hilarious Tim Crouch. As I've mentioned many times before, Twelfth Night has been a favorite of mine since I was in the show myself in college. As many wildly varied adaptations as I've seen, I can't say I've ever seen it done as an hour long solo show from Malvolio's point of view. I'm very much looking forward to it. Get your tickets fast, as this is a short one week run.

I, Malvolio | Tim Crouch Theatre at Chicago Shakespeare Theater | Photo by Bruce Atherton and Jana Chiellino

Shakespeare 400 Chicago continues with 

Celebrated UK theater-maker, Tim Crouch’s reimagining of Twelfth Night

Hilarious and thought-provoking rant by Twelfth Night's slandered steward

5 performances only as part of Shakespeare 400 Chicago, June 2–5

On the occasion of the 400th Anniversary of Shakespeare’s legacy in 2016, Chicago Shakespeare Theater welcomes one of Britain’s most innovative and respected theater makers, Tim Crouch, in his inventive one-man show 
I, Malvolio as part of the Shakespeare 400 Chicago festival line-up. Following the international success of Crouch’s I, Caliban, I,Peaseblossom and I, Banquo—a collection of plays shedding light on some of Shakespeare’s more shadowy characters—I, Malvolio plucks the pompous steward out of Shakespeare’s  Twelfth Night and unravels a hilarious and thought-provoking story of cruelty, self-hatred and revenge. 

Conceived, written and performed by Crouch and designed by Olivier Award-winner Graeme Gilmour, I, Malvolio is performed in the theater Upstairs at Chicago Shakespeare for five performances only, June 2–5, 2016.  

Performance Listing

Thursday, June 2 – 7:30 p.m.
Friday, June 3 – 7:30 p.m.
Saturday, June 4 – 3:00 p.m. and 8:00 p.m.
Sunday, June 5 – 2:00 p.m.

For more information about the production, visit www.chicagoshakes.com/malvolio.

Reimagining the much-maligned steward pining for his mistress in Shakespeare’s Twelfth Night, I, Malvolio is a charged, hysterical and sometimes unsettling rant from a man adrift in front of a cruel audience. Crouch’s Malvolio asks the audience to explore the delight we take in other people’s suffering. Part clown, part theater-hating disciplinarian, Malvolio is ultimately a man sorely wronged. Both heart-breaking and ingenious with a crass sense of humor, I, Malvolio takes the audience on a one-hour ride, humanizing the character with raw honesty.

The Guardian gives I, Malvolio five stars—saying “Tim Crouch is at the top of his game, sharing a text that plays as much with intelligence as slapstick.” 

The New York Times declares “I, Malvolio improbably finds its own delicate sweet (and sour) spot between comedy and self-subverting analysis.” 

The Times (UK) praises “this is a treasure…Immaculate, moving, funny, wise.” 

Crouch’s Malvolio is described by the Scotland Herald as “a pompous ass who falls somewhere between the buffoonery of Boris Johnson, the absurdism of Vic Reeves and the misguided self-importance of the late Princess Diana’s former butler Paul Burrell.” 

The production has amused and affected audiences on stages around the globe in Sydney, Singapore and New York. Described as “one of the smartest artists making theatre in Britain now” by Kulturflash, Tim Crouch is a multi-talented theater maker who writes, performs and produces new work. Crouch’s work is noted for rejecting theatrical conventions and for engaging the audience in an active role during the performance. He has collaborated with some of the UK’s finest theater companies, including the Royal Shakespeare Company, the National Theatre, the Royal Court Theatre and the British Council. 

Currently, he is adapting and directing Spymonkey’s highly anticipated premiere of The Complete Deaths, which will be presented by Chicago Shakespeare as part of Shakespeare 400 Chicago, November 30–December 11, 2016.

More of ChiIL Mama's ChiIL Picks List:

Chi, IL Live Shows On Our Radar 

REVIEW:  

Tug of War is a 6 hour epic and we highly recommend it! The live band on stage, melding of anti war ballads, and tales of soldiers, kings, passion and power plays makes this production a must see. I never thought I'd hear Pink Floyd ballads and Shakespeare sharing a stage! Chicago Shakespeare makes it work and then some. Ancient history comes alive and it's stunning how little has truly changed in the world in over 400 years. The "Tug of War" is indeed mighty and nearly inescapable. 

We particularly loved the minimalist set design reminiscent of tire swings, junk yards, and children's playground games like capture the flag and king of the hill. The costume design was also fantastically ragtag and we adored the kings' capes with their names running around the bottom hem and their likenesses on their backs. This production is highly entertaining and a fabulous alternative to binge watching TV at home. Try out this historical Game of Thrones. There's something cathartic about seeing so much live theatre for hours on end that has to be experienced at least once.

Take a day for this full on Shakespeare immersion. Great for an adult day out or for families with tweens and up. My 15 year old son has now completed the Chicago theatre trifecta with me in the last couple of years. Together we enjoyed the award winning 12 hour All Our Tragic by The Hypocrites, the 9 hour Hammer Trinity by House Theatre and now Chicago Shakespeare Theatre's Tug of War. This show makes ChiIL Mama's ChiIL Picks List. Highly recommended.

THE PLAY:

Get ready for the ultimate game of thrones... Artistic Director Barbara Gaines takes us on a riveting gallop through two centuries, distilling six Shakespeare masterworks into two action-packed dramas that trace the rise and fall of kings, and the uncommon courage of common men. Power plays, ego, lust, humor and, yes, even love: no writer surpassed Shakespeare in portraying the forces that drive leaders to war—or the wisdom and valor of the common soldier. Twenty-two actors including a four-member band, form the company that will satisfy your craving for a multi-episode immersion into some of the most brilliant stories of the cyclical human condition. The adventure begins with Edward III, Henry V and Henry VI, Part 1 in Foreign Fire, where France is the prize. The action continues in Fall 2016 when turmoil seizes England in Tug of War: Civil Strife.

This fabulous, free program has been a favorite of ours since it's inception. Bring a picnic, a chair and as many friends, neighbors and family members as you can rally. Shakespeare in the Parks is a multigenerational must see and great for Chicago's communities. ChiIL Mama will be there... will YOU?! Highly recommended. ChiIL Mama's ChiIL Picks List: Family Friendly Fun for all ages.

ABOUT CHICAGO SHAKESPEARE THEATER
Chicago Shakespeare Theater (CST) is a leading international theater company and the recipient of the Regional Theatre Tony Award®. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to creating extraordinary production of classics, new works and family programming; to unlocking Shakespeare’s work for educators and students; and to serving as Chicago’s cultural ambassador through its World’s Stage Series. Through a year-round season encompassing more than 650 performances, CST attracts 225,000 audience members annually. One in four of its audience members is under eighteen years old, and today its education programs have impacted the learning of over one million students. CST is proud to take an active role in empowering the next generation of literate, engaged cultural champions and creative minds. During 2016, CST has spearheaded the Shakespeare 400 Chicago festival in addition to announcing the creation of an innovative performance venue, The Yard at Chicago Shakespeare. www.chicagoshakes.com

ABOUT SHAKESPEARE 400 CHICAGO
Shakespeare 400 Chicago is a yearlong international arts festival in 2016 celebrating the vibrancy, relevance and reach of Shakespeare. As the world commemorates the four hundred years since Shakespeare’s death in 1616, Shakespeare 400 Chicago engages more than 500,000 Chicagoans and visitors to the City through 850 events. Spearheaded by Chicago Shakespeare Theater and with leading support from the Julius Frankel Foundation, John D. and Catherine T. MacArthur Foundation and the Pritzker Military Museum & Library, this quadricentennial celebration is anticipated to be the world’s largest and most comprehensive celebration of Shakespeare’s enduring legacy. Current and upcoming highlights include: Chicago Shakespeare Theater’s production of Tug of War: Foreign Fire, adapted and directed by Artistic Director Barbara Gaines (ongoing to June 12); CST’s Chicago Shakespeare in the Park production of Twelfth Night (July 14–August 14); David Carl in NY Fringe Festival hit, Gary Busey’s One Man Hamlet (July 12–17) and the Shakespeare’s Globe production of The Merchant of Venice starring Jonathan Pryce (August 4–14).www.shakespeare400chicago.com

OPENING: Constellations at Steppenwolf

Chi, IL LIVE Shows On Our Radar:

ENSEMBLE MEMBER JON MICHAEL HILL AND JESSIE FISHER STAR

IN THE CHICAGO PREMIERE PRODUCTION OF 

CONSTELLATIONS

WRITTEN BY NICK PAYNE

DIRECTED BY JONATHAN BERRY

MAY 26 – JULY 3, 2016 IN THE UPSTAIRS THEATRE

A BEAUTIFUL PLAY ABOUT ONE RELATIONSHIP AND INFINITE POSSIBILITIES

Tonight ChiIL Mama will be ChiILin' out at Steppenwolf Theatre Company’s Chicago premiere production of Constellations, the 80-minute, award-winning hit by British playwright Nick Payne. Directed here by prolific Chicago director and Steppenwolf artistic producer Jonathan Berry, Constellations premiered at the Royal Court in London to rave reviews before transferring to the West End and Broadway. The romantic two-hander stars ensemble member Jon Michael Hill as Roland (CBS-TV’s Elementary, Steppenwolf’s Superior Donuts) and Jessie Fisher as Marianne (Once on Broadway, Chicago Shakespeare Theater’s Othello). Constellations begins previews May 26, 2016 and runs through July 3, 2016 in the Upstairs Theatre, 1650 N Halsted St. Tickets ($20 - $89; $35 tickets offered every Tuesday with code ‘TUESDAYS’) are available through Audience Services at 312-335-1650 and steppenwolf.org.

JUST ADDED—JON AND JESSIE SHOW OFF MUSICAL TALENTS 

IN 1700 THEATRE, JUNE 13 & 14

Audiences can see a different side of Jon and Jessie when they show off their musical talents for two nights only as part of the LookOut performance series in the 1700 Theatre. Hill performs with his Detroit-based band, Jon Michael Hill and The Wolves, bringing a smooth sounding mix of blues, country blues, hard rock and hip hop. Opening for his band is The Hellish Family Band, a roots, Americana duo led by local actors and real-life couple Jessie Fisher and Erik Hellman. LookOut performances take place Monday, June 13 at 8pm (doors open at 7:30pm) and Tuesday, June 14 at 9:30pm (doors open at 9pm), immediately following the performance of Constellations. Tickets ($12) are now on sale through Audience Services, 312-335-1650 and steppenwolf.org. Steppenwolf Black and Red Card members may use credits to book. LookOut is Steppenwolf’s new multi-genre performance series; for the complete LookOut lineup, visit steppenwolf.org/lookout.

About Constellations

Roland (a bee keeper) and Marianne (a theoretical physicist) meet at a party. In that single moment, an unfathomable multitude of possibilities unfold. Their chance meeting might blossom into a meaningful relationship or a brief affair: it might lead to nothing at all. Each step along those possible paths in turn offers a new series of potential outcomes: a marriage can exist alongside a breakup and a tragic illness can exist on a parallel plane to a happily ever after. In this clever, eloquent and moving story, Roland and Marianne’s romance plays out over a myriad of possible lifetimes, capturing the extraordinary richness of being alive in the universe. 

Production Info

Single tickets for Constellations are currently available through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org: Regular Run: $20 – $89. Prices subject to change. 

Twenty for $20: Twenty $20 tickets are available through Audience Services beginning at 11am on the day of each performance (1pm for Sunday performances). Discounts: $35 tickets available for every Tuesday with code ‘TUESDAYS.’ Rush Tickets: half-price rush tickets are available one hour before each show. Student Discounts: a limited number of $15 student tickets are available online. Limit 2 tickets per student; must present a valid student ID for each ticket. 

Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season, steppenwolf.org/groups. For subscription options, call 312-335-1650. 

Accessible performances include American Sign Language interpretation on Friday, June 17 at 7:30pm, Open Captioning on Saturday, June 25 at 3pm and Audio Description and Touch Tour on Sunday, June 26 (1:30 touch tour; audio-described performance at 3pm). For more information, visit steppenwolf.org/access.

Here at ChiIL Live Shows, we're also excited to announce Steppenwolf’s new café & bar, Front Bar: Coffee and Drinks, is now open. If it was up to me, every performance space in town would have an adjoining place to hang out before or after shows and grab a drink or a bite to eat. It's a stellar way to facilitate theatre conversations and a pleasant way to wait for friends or meet new ones. Front Bar is at 1700 N Halsted, which connects to the main theater building. Click HERE for menu and additional details. Guests can stop by before or after the show to grab a drink or light fare in Steppenwolf’s new Front Bar: Coffee and Drinks (www.front-bar.com). 

Parking/Transportation info is available here including valet parking ($14 cash) directly in front of the main entrance at 1650 N Halsted St. With last minute parking questions or concerns, call the Steppenwolf Parking Hotline: (312) 335-1774.

Bios

Nick Payne is a British playwright and screenwriter. Constellations opened at the Royal Court in 2012 and transferred to the West End where it received universally glowing reviews, won the Evening Standard Best Play Award and was nominated for an Olivier Award for Best New Play. In 2015, Constellations transferred to Broadway starring Jake Gyllenhaal and Ruth Wilson under the direction of Michael Longhurst. Payne received the prestigious George Devine Award in 2009 with his play, If There Is I Haven't Found It Yet, which was produced at the Bush Theatre in 2009 and went on to the Roundabout Theatre, starring Jake Gyllenhaal and directed by Michael Longhurst.

Jonathan Berry joined the Steppenwolf staff as Artistic Producer in June 2015. A prolific director, he began his work in Chicago as Steppenwolf’s Artistic Office intern in 1998, and has continued a strong relationship with the company. His Steppenwolf directing credits include Melinda Lopez's Gary for the First Look new play series and A Separate Peace for Steppenwolf for Young Adults, as well as assisting on The Weir, The Man Who Came to Dinner, Mother Courage and Her Children and This Is Our Youth. Since 2009, Berry has taught Viewpoints for the School at Steppenwolf. A company member of both Steep and Griffin Theatres, Berry has also directed for many Chicago companies, including Goodman Theatre, Remy Bumppo, Lifeline, The Gift, American Theatre Company and American Blues.

Jessie Fisher (Marianne) starred as the lead in Once on Broadway for the final year of its run. Chicago credits include Othello, The Heir Apparent and Short Shakespeare! The Taming of the Shrew (Chicago Shakespeare Theatre); Cabaret (Jeff Award, Best Actress in a Musical), Frankenstein (The Hypocrites); 33 Variations (TimeLine Theatre Company); The Pride, Abraham Lincoln Was a F*gg*t (About Face Theatre); The Original Grease, It’s a Wonderful Life (American Theatre Company); Of Mice and Men (Steppenwolf Theatre Company); These Shining Lives (Rivendell Theatre Ensemble); and Cloud 9 (The Gift Theatre), among others. She attended University of Colorado and is a graduate of the School at Steppenwolf.  

Jon Michael Hill (Roland) currently appears as ‘Detective Marcus Bell’ in the CBS-TV series, Elementary. He was nominated for a Tony Award and won an Outer Critics Circle and Theatre World Award for his role as ‘Franco Wicks’ in the Broadway production of Superior Donuts by Tracy Letts, a role which he originated at Steppenwolf. A Steppenwolf ensemble member since 2007, Hill has performed in many productions including The Hot L Baltimore, The Tempest, Kafka on the Shore and The Unmentionables. Additional television and film credits include Detroit 1-8-7, Eastbound and Down, Law & Order: Special Victims Unit and Person of Interest.

Constellations production team includes Joe Schermoly (scenic design), Izumi Inaba (costume design), Heather Gilbert (lighting design) and Christopher Kriz (sound design and original music). Additional credits include Christine D. Freeburg (stage manager), Tam Dickson (casting) and Hallie Gordon (artistic producer).

J.P.Morgan is the Corporate Production Sponsor of Constellations.

Currently playing in the 2015/16 Subscription Season is the world premiere of Mary Page Marlowe by ensemble member Tracy Letts, directed by artistic director Anna D. Shapiro, extended through June 5, 2016. Concluding the season is the Chicago premiere of Between Riverside and Crazy by Stephen Adly Guirgis, directed by ensemble member Yasen Peyankov (June 23 – August 21, 2016).

Steppenwolf’s 2016/17 Subscription Season includes the world premiere of Visiting Edna by David Rabe, directed by artistic director Anna D. Shapiro (September 15 – November 6, 2016); the world premiere of The Fundamentals by Erika Sheffer, directed by ensemble member Yasen Peyankov (November 10 – December 23, 2016); the Chicago premiere of The Christians by Lucas Hnath, directed by ensemble member K. Todd Freeman (December 1, 2016 – January 29, 2017); the Chicago premiere of Straight White Men, written and directed by Young Jean Lee (February 2 – March 19, 2017); the world premiere of Linda Vista by Tracy Letts, director TBA (March 30 – May 21, 2017); and the Chicago premiere of Hir by Taylor Mac, director TBA (June 29 – August 20, 2017).

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 46 actors, writers and directors. Beginning in 2016/17, Steppenwolf expands artistic programming to include a seven-play Season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a new multidisciplinary performance series. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and 12 Tony Awards. Anna D. Shapiro is the Artistic Director and David Schmitz is the Managing Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit www.steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

OPENING: Haven at Raven US PREMIERE OF THE DISTANCE

Chi, IL LIVE Shows On Our Radar:

HAVEN THEATRE COMPANY PRESENTS THE U.S. PREMIERE OF 

THE DISTANCE 

WRITTEN BY DEBORAH BRUCE AND DIRECTED BY ELLY GREEN, AT THE RAVEN THEATRE COMPLEX, MAY 20 – JUNE 26 

Tonight we'll be ChiILin' with Haven at The Raven for opening night of the US Premiere of The Distance. Check back soon for our full review. 

Haven Theatre Company announces the United States premiere of Deborah Bruce’s The Distance, directed by Elly Green, at the West Stage within the Raven Theatre Complex, 6157 N. Clark St., May 20 – June 26. The regular schedule is Thursday – Saturday at 8 p.m. and Sunday at 3:30 p.m. Regular run tickets are $28, senior/student/industry tickets are $14 and preview tickets are $10. You may purchase tickets and get more information at www.haventheatrechicago.com.

Good friends should be there for one another - no matter what. However, when Bea returns home to England after five years abroad, having made a bold choice about her life, old friends struggle to support her or even to understand. One night in Brighton, things threaten to slide into chaos...The Distance is a painfully funny play about motherhood and fatherhood, about keeping control and about letting go.

Cast for The Distance includes: Abigail Boucher (Bea), Allison Latta (Alex), Megan Kohl (Kate), Layne Manzer (Darragh), Patrick Gannon (Vinnie), Josh Odor (Man and Dewy U/S), Nik Kmiecik (Liam), Jon Beal (Vinne/Man U/S), Julie Dahlinger (Kate U/S), Adithi Chadrashekar (Alex U/S), Erin Rein (Bea U/S) and James C. Romney (Liam U/S).

The production team for The Distance includes: Elly Green (director), Emily Dillard (stage manager), Krista Mickelson (production manager), Anna Trachtman (asst. production manager), Alyssa White (asst. director), Joseph Schermoly (set designer), Rachel Sypniewski (costume designer), Claire Chrzan (lighting designer), Joe Court (sound designer), Stephen O’Connell (music composition), Archer Curry (props designer), Adam Goldstein (dialect coach), Cody Ryan (master electrician/ALD), Alan Weusthoff (technical director) and Justin Lance (digital marketer).

ABOUT PLAYWRIGHT DEBORAH BRUCE

Deborah Bruce is a celebrated theatre director with over 20 years of experience. She recently began writing and several of her works have been published by Nick Hern books. The Distance has recently been performed in Melbourne Australia, as well as enjoying a revival in the UK. It was a finalist in the 2012/13 Susan Smith Blackburn Prize. Bruce is currently writing an original drama for the BBC with Tanya Ronder. She has been commissioned to write plays for the National Theatre and The Royal Court in London. Other work Bruce has written include Joanne (Clean Break), Same (National Theatre) and Godchild (Hampstead Theatre Downstairs).

ABOUT DIRECTOR ELLY GREEN

Elly Green is a British freelance text-based theatre director based in Chicago who received her MFA in Theatre Directing at Birkbeck College, University of London from 2004-2006. Since moving to Chicago, she has directed for Sideshow Theatre Company, Strawdog Theatre Company, Trap Door Theatre, Stage Left Theatre, Redtwist Theatre, Theatre Seven, Livewire Theatre Company and assisted for the Court Theatre and Chicago Shakespeare Theatre. Her first production in the United States. was The TomKat Project at the Playground Theatre, which then transferred to the New York Fringe in 2013. 

Previously, Green worked as a freelance director in the United Kingdom for several years in London and in regional theatres, including the Royal National Theatre, Royal Court Theatre, AlmeidaTheatre and Royal & Derngate, Northampton. She has an equal passion for classic and contemporary material and for several years in London, worked as a director and producer for Brother Tongue, a company she co-founded which focused on producing new translations of European work.

ABOUT HAVEN THEATRE COMPANY

Haven Theatre Company, led by Artistic Director Josh Sobel and Executive Director and Founder Carol Cohen, is dedicated to nurturing empathy and passion in the Chicago community through championing artistic voices, visions and values that are staking their claim within the immediate future of the American Theatre.