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Sunday, April 12, 2015

OPENING: World Premiere of Look, we are breathing by Rivendell Theatre Ensemble #Theatre #Chicago

Chi, IL Live Shows On Our Radar

Rivendell Theatre Ensemble
presents the World Premiere of
Look, we are breathing
by Chicago playwright Laura Jacqmin

April 2 – May 16, 2015



Photo credit: Michael Brosilow

ChiIL Live Shows will be there for the press opening on Tuesday, so check back for our full review shortly.

Rivendell Theatre Ensemble (RTE), Chicago’s only Equity theatre dedicated to producing new work with women at the core, announces the second production of its 20th Anniversary Season, the world premiere of Look, we are breathing, written by Chicago playwright Laura Jacqmin and directed by Megan Shuchman. The production runs April 2-May 16, 2015, at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago.  

Those who die young are mourned for their lost potential. But what if Mike, a high school hockey player killed while driving drunk, never really showed much potential? While sorting through their own deeply conflicted feelings in the aftermath of the accident, his mother Alice, his AP English teacher Leticia, and his one-time hookup, Caylee, try to understand who Mike was - and who he might have become. In Look, we are breathing, Chicago playwright Laura Jacqmin turns her unblinking eye on the grieving process as the three most important women in Mike’s life realize that in order to move on, they might first have to confront some hard truths about themselves. 

Look, we are breathing was developed at the Sundance Institute Theatre Lab on Governors Island, NYC.

Over the past 20 years, Rivendell has emerged as a haven for new work with women at the core here in Chicago. When Laura and Megan first approached me with Look, we are breathing, I knew immediately it would be the perfect centerpiece in our 20th Anniversary season as we focused on challenging our own personal biases and took a deep look into what lies behind our default societal perceptions and knee-jerk ideas about right versus wrong,” comments RTE Artistic Director Tara Mallen, who plays Alice. “The opportunity to collaborate with such a dynamic artistic team—and the incredible bonus of having Laura with us in the room developing the script alongside us—seemed an opportunity not to be missed. I am delighted to add Look We Are Breathing to list of world and regional premieres mounted by RTE over the years.”

The cast of Look, we are breathing includes: RTE Artistic Director Tara Mallen, Brendan MeyerBrenann Stacker, and Lily Mojekwu.

The core design team includes: RTE members Diane Fairchild (lighting) and Janice Pytel (costumes), as well as Chris Kriz (sound) Mike Mroch (scenic) and Jamie Karas (props).

The Look, we are breathing Production Sponsor is The Elizabeth F. Cheney Foundation.

Title:                            Look, we are breathing
Written by:                  Chicago playwright Laura Jacqmin
Directed by:                Steppenwolf Associate Director of Education Megan Shuchman
Featuring:                   RTE Artistic Director Tara Mallen, Brendan Meyer, Brenann Stacker, and Lily Mojekwu

Regular run: through May 16, 2015

Schedule: Wednesdays-Saturdays at 8:00pm
Saturdays at 4:00pm

Location:  Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago
Tickets: General Admission
Pre-sale: $32
Walk-up: $35
                                    Student, Senior, Active Military, Veteran

                                                Pre-sale: $22
                                                Walk-up: $25

Pay What You Can: Five seats (10% of the house) are available for each performance. Reservations are made on a first come first served basis.
Flex Pass: $110 ($80 for Student/ Senior/ Active Military/ Veteran)
Includes four tickets to use in any combination for the season.

Box Office:                  (773) 334-7728 or www.RivendellTheatre.org

Parking and transportation: *Free parking is available in the Senn High School parking lot (located a block and a half from the theatre behind the school off Thorndale Avenue). There is limited paid and free street parking in the area and the theatre is easily accessible via the Clark (#22) or Broadway (#36) bus and is a short walk from the Bryn Mawr Red Line El station.

Notes of Interest
Look, we are breathing continues Rivendell’s 20th Anniversary Season.

Director Megan Shuchman and playwright Laura Jacqmin have been collaborating for seven years. This represents the fourth world premiere production they have staged in Chicago. (Pluto Was a Planet, Dental Society Midwinter Meeting and Dead Pile)
Laura Jacqmin has a career in television (staff writer, “Lucky 7,” ABC, 2013; story editor, “Grace and Frankie,” Netflix, 2015) and video games ("Minecraft: Story Mode," Telltale Games). She has consistently returned to Chicago to make theater, with the world premieres of Do-Gooder (16th Street Theater) and Ghost Bike (Buzz22 Chicago) in 2014, and now with the world premieres of Look, we are breaking at Rivendell Theater and We’re Going to be Fine at DePaul University.
Jacqmin is one of The Kilroys, a 13-member Los Angeles-based group of playwrights and producers agitating for gender parity in the American theater. Their first action was the release of The List, an industry-nominated list of their favorite unproduced or under-produced plays by women. The story was the subject of a New York Times feature and is continuing to garner attention.


Cast Bios
Brendan Meyer (Mike) is performing at Rivendell Theatre for the first time. His Chicago credits include Lord of the Flies (Steppenwolf Theatre), Julius Caesar (Chicago Shakespeare Theater) and Fallow (Steep Theatre). Other credits include American Buffalo, Alcestis, Romeo and Juliet, and Doctors Dilemma (American Players Theatre). He is a graduate of the Chicago College of Performing Arts.

Lily Mojekwu (Leticia) last performed with RTE in Self-Defense, or death of some salesmen at Steppenwolf Theatre’s Merle Reskin Garage Theatre as part of its Visiting Company Initiative (2005 After Dark Award - Best Ensemble).  Lily just appeared as Lorena in Amanda Peet’s new play The Commons of Pensacola (Northlight Theatre).  Some favorite Chicago credits include Welcome Home Jenny Sutter, The Overwhelming (Jeff Nomination – Best Production) and Well with Next Theatre Company, fml: How Carson McCullers Saved My Life, The Elephant Man, The Brother Sister Plays (Steppenwolf), Romeo and Juliet (Chicago Shakespeare), A Twist of Water (Route 66 Theatre Co), Greensboro: A Requiem (Steep Theatre, Non-Equity Jeff Nomination – Best Supporting Actress) and In Arabia We’d All be Kings (Steep Theatre, Non-Equity Jeff Award – Best Ensemble).

Brenann Stacker (Caylee) Brenann is making her Rivendell Theatre. Her most recent Chicago credits include Airline Highway at Steppenwolf Theatre, Bedroom Farce at Eclipse Theatre, Under Construction at Jackalope Theatre, Pretty, Smart, Poetic at Odradek Theatre, The Breadwinner at Citadel Theatre and ongoing roles at Walkabout Theatre and Redmoon Theater. Regional credits include The Williamstown Theatre Festival and Double Edge Theatre. TV/film credits include Sirens and films Washed, Persephone and The Origins of Wit & Humor. Brenann earned a BA in Drama at Tufts University and is a graduate of the O'Neill National Theater Institute, the St. Petersburg Theatre Academy and The School at Steppenwolf. 

Tara Mallen (Alice) is a founder and the current Artistic Director at Rivendell Theatre Ensemble, now in its 20th season. Most recently she was seen on stage in Rivendell Theatre Ensemble’s Jeff Nominated world premiere production of Rasheeda Speaking. Prior to that she appeared in the Steppenwolf Theatre Company production of How Long Will I Cry: Stories of Youth Violence written by Chicago Journalist Miles Harvey.  For Rivendell, Tara has both produced and acted in over thirty productions as well as a myriad of productions regionally. She received a Joseph Jefferson award for Best Supporting Actress for her portrayal of Gwenyth in WRENS as part of that production’s Jeff-winning ensemble. She was nominated the following year for Best Actress in a Principal Role for her work in My Simple City.

Screen credits include Steven Soderbergh’s film Contagion opposite Kate Winslet , the Starz series Boss starring Kelsey Grammer, the NBC pilot of Chicago Fire, the CBS/Sony Pictures pilot Doubt,  the NBC series Chicago P.D. and the new Netflix series Sense8 directed by Lana and Andy Wachowski.

For Rivendell, Tara co-conceived and directed the World Premiere of Women At War, directed the Jeff nominated Midwest premieres of The Electric Baby by Stefanie Zadravec, 26 Miles (in co-production with Teatro Vista); Fighting Words by Sunil Kuruvilla; Psalms of a Questionable Nature by Marisa Wegrzyn; the co-production of Elliot, a Soldier’s Fugue with Stageworks/Hudson in Hudson, NY; and the brief and brilliant Shady Meadows by Lisa Dillman as part of the 2007 Chicago Humanities Festival. 

Megan Shuchman (Director) serves as Associate Education Director for Steppenwolf for Young Adults. As a director and dramaturg, she has worked with Goodman Theatre, Northlight Theatre, TimeLine Theatre, American Theatre Company, Chicago Dramatists and Lifeline Theatre and is a proud company member of 2nd Story. Most recently, Megan directed Philip Dawkins’ Jeff Award-winning play, Miss Marx or the involuntary side effect of living with Strawdog Theatre Company and the world premiere of Shayne Kennedy’s Agreed Upon Fictions at 16thStreet Theatre. meganshuchman.com

Laura Jacqmin (Playwright) is a Chicago-based playwright, originally from Cleveland. She’s the winner of the Wasserstein Prize, two NEA Art Works Grants, the ATHE-Kennedy Center David Mark Cohen Playwriting Award, two MacDowell Fellowships, an Illinois Arts Council Individual Artist Grant, and was a finalist for the Heideman Award, the Laurents/Hatcher Prize, the BBC International Playwriting Competition, and the Princess Grace Award. Plays: January Joiner (Long Wharf Theatre), Ski Dubai (Steppenwolf Theatre), We’re Going To Be Fine (DePaul University, May 2015, dir. Dexter Bullard), Two Lakes, Two Rivers (O’Neill National Playwrights Conference, Royal Court Theatre’s International Residency), Dental Society Midwinter Meeting (Chicago Dramatists/At Play, remounted 16th Street Theater and Theater on the Lake), Do-Gooder (16th Street Theater), Ghost Bike (Buzz22 Chicago) and more. Commissions: South Coast Rep, Goodman Theatre, DePaul University, Arden Theater Company, InterAct Theatre, Victory Gardens Theater/NNPN, and Ensemble Studio Theatre/Alfred P. Sloan Foundation Science & Technology Project. Television: “Grace and Frankie” (Netflix, forthcoming 2015); “Lucky 7” (ABC, 2013). Jacqmin is also a video game writer, currently writing for “Minecraft: Story Mode” with Telltale Games. She received her BA from Yale University and earned an MFA in Playwriting from Ohio University.

RTE@20: You Are Here
This year Rivendell Theatre Ensemble turns twenty years old. When it came to planning the 20th season, we found ourselves at a crossroads, reflecting back on the journey so far...and looking ahead to the future. So in honor of this milestone anniversary, we've mapped out three exciting new plays as well as a remount of last season's Jeff-nominated world premiere. Each work explores the tricky topography of personal choice--and the often uncharted biases that drive how–and why–we make our most life-changing decisions.

The 20th season continues with How the World Began (September 3-October 17, 2015) by Catherine Trieschmann, featuring RTE member Rebecca Spence.

The previously announced remount of Rasheeda Speaking has been postponed. Tara Mallen explains, “Rasheeda Speaking was scheduled to be remounted at Steppenwolf, where cast member Ora Jones is an ensemble member. Unfortunately Ora has other conflicts this spring so  we look forward to revisiting Rasheeda Speaking again in the future.”

About Rivendell Theatre Ensemble
Founded in 1994, Rivendell Theatre Ensemble advances women’s lives through the power of theatre. Rivendell cultivates the talents of women artists -- writers, actors, directors, designers and technicians – by seeking out innovative plays that explore unique female experiences and producing them in intimate, salon environments. 

Rivendell fills an important role in the Chicago region as the only Equity theatre dedicated to producing artistically challenging and original plays created by and about women. After years of being an itinerant company, we moved into our own theater space in 2010 in Edgewater. As new members of the neighborhood, we are focused on becoming an integral community partner and serving as a catalyst to engage our audiences in a discussion of local social issues. 

Rivendell Theatre Ensemble is supported by generous grants from The Alphawood Foundation; The Arts Work Fund for Organizational Development; The Chicago Community Trust; The Chicago Foundation for Women; The Elizabeth F. Cheney Foundation; The Gaylord and Dorothy Donnelley Foundation; The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation; The Reva and David Logan Foundation; The Elizabeth Morse Charitable Trust; Cultural Outreach Program Grant from the City of Chicago Department of Cultural Affairs & Special Events; and the Illinois Arts Council Agency. Rivendell Theatre Ensemble is also very grateful for the support received from 100 Women



Photo credit: Michael Brosilow



For more information about Rivendell Theater Ensemble, http://rivendelltheatre.org.  Follow RTE on Facebook at Facebook.com/rivendelltheatre and on Twitter @RivendellThtr

Saturday, April 11, 2015

SAVE THE DATES: A RED ORCHID THEATRE ANNOUNCES 2015-2016 SEASON


SHADE MURRAY DIRECTS THE WORLD PREMIERES OF PILGRIMS PROGRESS BY BRETT NEVEU AND SENDER BY IKE HOLTER; DADO DIRECTS THE MUTILATED BY TENNESSEE WILLIAMS

Here at ChiIL Live Shows, we're elated to see long time fav of ours, Brett Neveu will be back in rotation at A Red Orchid along with a host of stellar selections. He'll be in great company with Tennessee Williams's The Mutilated and the World Premiere of Sender by Ike Holter. Save the dates. 

A Red Orchid Theatre announces its 2015-2016 Season, including the World Premieres of Pilgrims Progress by Ensemble Member Brett Neveu (The Opponent), and Sender by Ike Holter, both directed by Ensemble Member Shade Murray (Mud Blue Sky, Accidentally like a Martyr) and The Mutilated by Tennessee Williams, directed by Ensemble Member Dado (Simpatico).  
Artistic Director Kirsten Fitzgerald comments, “We are twenty three and kickin’ hard. With two world premieres and a classic from arguably the most influential American playwright of the twentieth-century, I am thrilled to be digging ever deeper into the subjects of family, friendship and humanity at its most naked. There is truly nowhere to hide here at A Red Orchid Theatre. This season marks our first exploration of Williams, our eighth collaboration with Brett Neveu and our first with Ike Holter since his time as a box office volunteer many years ago. I could not be more excited about the challenges and the fun that each of these plays presents for our ensemble and our audiences alike.”  

A Red Orchid Theatre’s 2015-2016 Season includes:



World Premiere
PILGRIMS PROGRESS 
by Ensemble Member Brett Neveu 
Directed by Ensemble Member Shade Murray
Featuring Ensemble Member Kirsten Fitzgerald
October 15 – November 29, 2015
Previews October 15-18 
Press Opening Monday October 19 

It’s Thanksgiving Day and the McKee family is up to its eyeballs in hilarious drama. Between stirring the cranberries and debating pumpkin pie, parents Jim and Melissa relive their glory days. Meanwhile, their earth-poet Son and pregnant-teen Daughter navigate family contracts, holiday power grabs, and decades of thinly veiled deceit. For a family with such a strong appetite for tales, are their stories more important than the truth?  With homages to Albee, O’Neal, Williams and Shepard, the tension rides high and the carving knife does more than just cut the turkey.

THE MUTILATED 
by Tennessee Williams
Directed by Ensemble Member Dado
Featuring Ensemble Member Mierka Girten *additional ensemble casting TBA*
January 14 – February 28, 2016
Previews January 14-17
Press Opening Monday January 18

It’s Christmas Eve in New Orleans and Trinket Dugan is holed up at the Silver Dollar Hotel with a painful secret. Her only friend and confidant, Celeste, has just been released from jail and will stop at nothing to get back into her good graces, her pocket-book and her booze. Can their friendship survive the cruelty, the con men, hookers, cops, sailors and drunks? The Mutilated is one of Williams’ funniest and most moving plays, and according to Williams himself is “an allegory on the tragicomic subject of human existence on this risky planet.” -Esquire magazine 1965.

World Premiere
SENDER 
by Ike Holter  
Directed by Ensemble Member Shade Murray
Featuring Ensemble Member Steve Haggard
April 14 – May 29, 2016
Previews April 14–17
Press Opening Monday April 18

A World Premiere by one of Chicago’s hottest emerging playwrights. It’s summertime in Chicago. Over a year after his sensational death, a young man returns to his former apartment: alive, well, and with a new found ambition to fix what went wrong.  A miracle reunion turns into a catastrophic disaster as the past catches up with the present and old debts return, expecting payment in full.  What does growing-up mean and is it even desired in this day and age?

Ticket Information
A Red Orchid continues the FLASHPASS, giving subscribers a 20% ticket discount, reserved seats, ticket and date flexibility and invitations to special events, readings and more.  Three-show Flashpasses are $80 and include three tickets to use anyway during the regular run, excluding opening nights and Red Nights.  Three-show Red Night Flashpasses are $130 and include a ticket to each Red Night Opening and a post-show reception with the cast and creative team.  

Flashpasses may be purchased from the Box Office at 1531 N. Wells Street, Monday through Friday from 12 pm to 5:00 pm. Subscriptions may also be purchased by telephone during office hours by dialing (312) 943-8722, or online at www.aredorchidtheatre.org. Individual tickets will go on sale at a later date.

About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993.  Chicago Magazine named Red Orchid Chicago’s Best Theatre Company of 2010. Over the past 22 years, its Resident Ensemble has welcomed into its fold an impressive array of award winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company also produces an annual OrKids (youth) project.


A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West

OPENING: The Project(s) by ATC #Theatre #Chicago

American Theater Company announces
the world premiere of
The Project(s)
A documentary play on Chicago’s public housing
from the writer of columbinus

April 24–May 24, 2015

American Theater Company (ATC) announced today casting for the third world premiere in its 30th Anniversary season: The Project(s), a documentary play about the history of public housing in Chicago, April 24-May 24, 2015. Conceived, co-written and directed by ATC Artistic Director PJ Paparelli and co-written by Joshua Jaeger, The Project(s) ensemble cast includes Linda Bright Clay, Stephen Conrad Moore, Omar Evans, Kenn E. Head, Joslyn Jones, Penelope Walker, Anji White and Eunice Woods. Single tickets for The Project(s) range from $38-$48 and are now on sale at the ATC box office at 773-409-4125 or www.atcweb.org.



The Project(s) innovatively combines documentary theater with a cappella music, body percussion and stepping to create a provocative examination of the successes and failures of public housing that poses the question, “What is America’s responsibility to its poor?” From 2010 until 2014, Paparelli conducted over 100 interviews with scholars, historians, and former and current residents of Chicago’s public housing, including Cabrini-Green, Robert Taylor Homes, Wentworth Gardens and Ida B. Wells Homes. The Project(s) interweaves verbatim material with a cappella music, body percussion, and stepping with choreography by Jakari Sherman, artistic director of Washington, DC-based Step Afrika!, the nation’s only professional dance company devoted to stepping. Paparelli previously conceived, co-wrote and directed the critically-acclaimed documentary play columbinus that premiered its third act at ATC, toured to ArtsEmerson in Boston in 2013, and has been produced around the country and internationally.


The Project(s) received two development opportunities at the Orchard Project, a national new play development retreat in New York; a Jentel Artist Residency in Wyoming, and a MacArthur International Connections Fund grant, through which Paparelli travelled to the United Kingdom to workshop the play at Citizens Theatre in Glasgow and the Lyric Hammersmith in London, in addition to interviewing public housing residents and city officials in Scotland. ATC also partnered with Howard University in Washington, DC, for a five-week workshop integrating stepping and body percussion.

Performance schedule for The Project(s):
Previews: Friday, April 24 at 8 p.m.; Saturday, April 25 at 8 p.m.; Sunday, April 26 at 2 p.m.
Press opening: Tuesday, April 28 at 7 p.m.
Regular run: April 30 through May 24: Thursdays and Fridays at 8 p.m.; Saturdays at 2 p.m. and 8 p.m.; Sundays at 2 p.m.

The Project(s) was commissioned and developed by a generous grant from The Chicago Community Trust.

Additional grant support for The Project(s) was provided by the John D. and Catherine T. MacArthur Foundation. The Project(s) was developed through residencies with The Orchard Project; Jentel Artist Residency Program; Citizens Theatre Company, Glasgow, Scotland; Sheridan College & the Wyoming Theater Festival; and the Howard University Department of Theatre Arts.

Bios

PJ Paparelli (Director/Co-Writer/Artistic Director) is in his eighth season as Artistic Director of American Theater Company. He last directed ATC’s critically acclaimed world premiere of The Humans. Additional ATC directing credits include Hair, Sons of the Prophet, columbinus (Five Jeff Nominations), The Catholic Rep: Doubt & Agnes of God, The Original Grease (Jeff Award for Best Musical), Escape, The Amish Project, Distracted, Yeast Nation (the new musical from the writers of Urinetown), Hedwig and the Angry Inch, The Black & White Rep: True West (Caucasian & African American casts), and the regional premiere of Speech & Debate (Jeff Nomination). His ATC writing credits include columbinus and Every Year is This Year, which was co-written by Maria Irene Fornes for ATC’s The Silver Project.

Joshua Jaeger (Co-Writer) served as the 2012 Artistic Projects Fellow at American Theater Company. During that time, he co-produced the 10X10 and Big Shoulders festivals of new short plays, and sat on ATC's Literary Circle. He assisted in producing Steppenwolf Theatre Company's inaugural After Party, a multi-disciplinary late-night series presented in tandem with the annual Garage Rep. Joshua has dramaturged and assistant directed for TimeLine Theatre Company, Victory Gardens and Chicago Dramatists. Alongside his work in theatre, Joshua performs as a percussionist with the international touring artist Angel Olsen. His drumming may be heard on her current release, "Burn Your Fire for No Witness."

Linda Bright Clay (Ensemble) is a native Chicagoan with credits at Victory Gardens (Dame Lorraine), Goodman Theatre (Joe Turner's Come and Gone) and Chicago Theatre Company (Home), winning a Black Theatre Alliance award for best performance. She has also worked at the Madison Repertory Theatre (Having Our Say and Permanent Collection), and in a program piece with Writers Theatre (For My Brothers...). Film credits include Seven Psychopaths, Halfway, Just Married, The Night Before the Morning After and Original Gangstas. TV series work includes the local Emmy-nominated television special "Martin Luther King Suite." Local and national TV and voice-over commercials include Sears, U.S. Bank, United Healthcare, Crest and McDonald's. Linda obtained both her B.A. and M.A. in Theatre at Northern Illinois University, and co-directed the Black Theatre Workshop there for three years. She has also directed and assisted at various theaters, educational and social service institutions in the Chicagoland area.

Stephen Conrad Moore (Ensemble) is a native of Kansas City, MO, currently living and working in New York City. Recent NY premieres include ANTHEM: An Original Musical at the NY International Fringe Festival, Ni**er/Fa**ot at the HERE Arts Center, and Ajax in Ajax in Iraq with the Flux Theatre Ensemble. Other NY credits include: Bone Orchard Theatre Company, The Civilians, Classical Theatre of Harlem, Columbia Stages, Company Cypher, Full Stop Collective, The Lark Theatre, Manhattan Theatre Works, The Playwright’s Theatre, Red Fern Theatre and Working Man's Clothes. Regional credits: Arizona Theatre Company, The Ensemble Company for the Performing Arts, Hope Repertory Theatre, Kansas City Repertory Theatre, O'Neill Theatre Center, Philadelphia Theatre Company, Shakespeare Theatre in D.C., Virginia Stage Company, Yale Repertory Theatre. Internationally, he appeared in a festival of The Lion King in Hong Kong. Film and TV credits: Margaret (dir. Kenneth Lonergan), Wedding Daze (dir. Michael Ian Black), The Painting, Yield and Sesame Street. Mr. Moore is a graduate of the Yale School of Drama.

Omar Evans (Ensemble) was born and raised in Philadelphia, PA. He studied acting and received his BFA from Marymount Manhattan College, and is a member of Theater for a New Generation. Omar’s theater credits include Freefall, Bombity of Errors, Pvt. Wars, Corner Wars; television credits include Law and Order: Criminal Intent, Law and Order: SVU, Third Watch; film credits include Carlito’s Way: Rise to Power, Explicit Ills, Blackout and Light and the Sufferer.

Kenn E. Head (Ensemble) returns to American Theater Company. He is a veteran of the Chicago theater scene and was last seen as Sissy NaNa in Airline Highway at Steppenwolf Theatre Company, where he has appeared in numerous other productions. Additional Chicago credits include: Fish Men and The Convert (Goodman Theatre); Spunk and the critically acclaimed Invisible Man (Court Theatre); Romeo and Juliet (Chicago Shakespeare Theater); The Lost Boys of Sudan (Victory Gardens Theater); The Overwhelming (Next Theater); and Seven Guitars (Congo Square Theatre) where they garnered the coveted Jeff Award for Ensemble as well as Best Play. He has also worked at Yale Repertory Theatre. Television credits include ER and Early Edition as well as various commercials.

Joslyn Jones (Ensemble) has previously appeared in: The Delany Sisters: The First Hundred Years (Fleetwood Jourdain Theatre); Once On This Island (Marriott Lincolnshire); 12 Ophelias (Trap Door); Weekend (TimeLine Theatre); Bourbon At The Border (Eclipse Theatre); Escape (Live Bait); Flyin’ West and Raisin (Court Theatre); Spunk (Court Theatre’s Artist in School Program); Bee-Luther-Hatchee (University of Illinois at Urbana-Champaign); Fabulation: Or, the Re-Education of Undine (Next Theatre); Relevant Hearsay (MPACCT: Theater on the Lake); Bee-Luther-Hatchee and Smokey Joe's Café (Open Door Repertory); Meshuggah Nuns! (Chicago Jewish Theatre); The Kurt Weil Revue: Songs of Darkness and Light (Theo Ubique); To Kill A Mockingbird (Metropolis Performing Arts Centre). She is a graduate of the 2002 Class of The School at Steppenwolf. Understudy credits: Head of Passes and Carter’s Way (Steppenwolf Theatre Company); The Snow Queen (Victory Gardens Biograph); and Crumbs from the Table of Joy (Goodman Theatre).

Penelope Walker (Ensemble) most recently worked with Erasing the Distance theater company in Will You Stand Up? She has appeared in the last 10 seasons of A Christmas Carol at Goodman Theatre. Other Goodman credits include The StoryCrowns and Wit. She has also worked at Chicago Dramatists, Northlight Theatre, Lookingglass Theatre Company, Steppenwolf Theatre Company, Next Theatre Company, Ma'at Production Association of Afrikan Centered Theatre, Rivendell Theatre Ensemble and Chicago Theatre Company. She created and has performed her solo piece How I Jack Master Funked the Sugar in My Knee Caps! across Chicago. Regional credits include Alliance Theatre, Arena Stage, Hartford Stage and the Alley Theatre. Film and television credits include Severed TiesSomething Better Somewhere Else and Boss.

AnJi White (Ensemble) returns to American Theater Company, where she last appeared in RENT. Recently she was seen in Collaboraction's remount of Forgotten Future as Felicia Tate. Other Chicago credits include Mud, River, Stone (Eclipse Theatre), ITHAKA (Infusion Theatre) and Soul Samurai (Infusion Theatre). She’s understudied for Timeline's production of A Raisin in the Sun, Clybourne Park (Steppenwolf Theatre); and Regina Taylor's Trinity River Plays (Goodman Theatre).

Eunice Woods (Ensemble) makes her American Theater Company debut. She is a proud Acting Ensemble member of Barrel of Monkeys. Other Chicago acting credits include: Dessa Rose (Bailiwick Chicago); Hey! Dancin'! Hey! Musical (The Factory Theater); The True History...of Julia Pastrana (Tympanic Theatre Company); Raskol (Vintage Theater Collective); Miami Nice (Gorilla Tango Theatre); and The Rose Parade (Body Project Ensemble & VOTC). She holds a BFA in Theatre Arts from Boston University.

About American Theater Company

American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.


American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.

Friday, April 10, 2015

OPENING: Teatro Vista's Between You, Me and The Lampshade at Victory Gardens #Chicago #Theatre

Chi, IL Live Shows On Our Radar

TEATRO VISTA PRESENTS THE WORLD PREMIERE OF
BETWEEN YOU, ME AND THE LAMPSHADE
BY RAUL CASTILLO OF HBO’S LOOKING AT
THE RICHARD CHRISTIANSEN THEATER AT THE VICTORY GARDENS BIOGRAPH THEATER, 
APRIL 11 – MAY 10






Teatro Vista Executive Artistic Director Ricardo Gutierrez Directs 
this Hilarious and Searing Production

Teatro Vista presents the World Premiere of Raúl Castillo’s Between You, Me and the Lampshade, directed by Teatro Vista Executive Artistic Director Ricardo Gutierrez, at The Richard Christiansen Theater at The Victory Gardens Biograph Theater, 2433 N. Lincoln Ave., April 11 – May 10. Preview performances are Saturday, April 11 at 7:30 p.m., Sunday, April 12 at 3 p.m. and Tuesday, April 14 at 7:30 p.m. Opening/Press night is Wednesday, April 15 at 7:30 p.m.  Regular performances are Thursdays – Saturdays at 7:30 p.m. and Sundays at 3 p.m. Preview performances are $20, regular run weeknight and matinee performances are $25 and Saturday night performances are $30. Half-price student rush tickets are available 30 minutes prior to each performance with valid I.D. Discounts are also available for groups of 10 or more and seniors (65+) with ID. Tickets may be purchased at the Victory Gardens box office at 773.871.3000 or by visiting www.victorygardens.org. For more information on Between You, Me and the Lampshade and Teatro Vista, please visit www.teatrovista.org

Note: There is an added 3 p.m. matinee performance on Saturday, May 9.
In Between You, Me and the Lampshade the lives of Jesse, a single mother (Sandra Marquez), and her teenage son (Tommy Rivera-Vega) are turned upside down one night when a wounded, undocumented immigrant (Ayssette Muñoz) breaks into their trailer home in rural South Texas. As Jesse covertly takes in the immigrant, she has to go to increasingly complicated lengths to hide her secret from the various people in her life, including a border protection agent (Jim Farruggio) with a crush and her web-addicted teenage son. Hilarious and searing, this play examines the consequences of secrets.

The cast for Between You, Me and the Lampshade includes: Sandra Marquez^* (Jesse), Tommy Rivera-Vega* (Woody), Steve Casillas+ (Meme), Ayssette Munoz+ (Amparo), Jim Farruggio^  (Max) and Bryce Gangel (Kristen).
The production team for Between You, Me and the Lampshade includes:  Ricardo Gutierrez* (Director), Stephanie Hurovitz^ (Stage Manager), Jennifer Aparicio+ (Production Manager), Jose Manuel Diaz (Scenic Designer) and Christine Pascaul+ (Costume Designer)
^ denotes member of Actor’s Equity Association, * denotes Teatro Vista Ensemble Member,
+ denotes Teatro Vista Artistic Associate

ABOUT PLAYWRIGHT RAÚL CASTILLO
Raúl Castillo was born and raised in McAllen, TX, with family ties in neighboring Reynosa, Tamaulipas, Mexico.  A graduate of Boston University’s School for the Arts, his play Knives and Other Sharp Objects had its premiere at the Public Theater in March 2009 where he was a member of the initial Emerging Writers Group.  He is also a proud member of LAByrinth Theater Company, with whom he has developed Between You, Me and the Lampshade, City of Palms and Bus Accident Play

His one-act play, The Biggest Asshole Ever Born, premiered at Intar Theater as part of One Night in the Valley; Four Plays by South Texas Writers.  Another one-act, Death on my Mind, is published by Dramatic Publishing Best Student One-Acts, Vol. 5. 
Coming up, he is developing a script for the Museum of Man/La Jolla Playhouse Border Crossings project at Balboa Park in San Diego.  As an actor, you can see him as a series regular on HBO’s Looking. Theatre credits include Fish Men (Goodman Theater), A Lifetime Burning (Primary Stages), School of the Americas (LAByrinth/Public), and Open House (Foundry Theatre). His film credits include My Best Day, The Girl, Bless Me, UltimaCold WeatherDon't Let Me Drown and Amexicano
           
ABOUT DIRECTOR RICARDO GUTIERREZ
Ricardo Gutierrez is the executive artistic director of Teatro Vista where he recently directed the Jeff nominated production of A View From the Bridge. For Teatro Vista, he has also directed Momma’s Boyz, i put the fear of mexico in ’em, and La Magica Posada.  Gutierrez has served as the artistic director of Nostotros in Los Angeles, The Canterbury Theatre in Indiana, and Absolute Shakespeare in Chicago.  Regionally, Ricardo has guest directed at Theatre 40, Nosotros, the Bilingual Foundation of the Arts, The Double Image Theatre, Loyola University and the University of Texas Pan Am.  Gutierrez is the co-founder and director of the Alliance of Latino Theatre Artists Chicago (ALTAchicago), a service organization dedicated to promoting and fostering Latino/a theatre artists in Chicago. As an actor, Gutierrez most recently appeared in the world premiere of The Upstairs Concierge at the Goodman Theatre where he was also recently seen in the world premieres of Song For The Disappeared and Fishmen. Gutierrez has appeared on stage at the Actors Theatre in Louisville, The Denver Center Theatre, Steppenwolf Theatre, Victory Gardens Theatre, and at Lookingglass Theatre.

ABOUT TEATRO VISTA
Teatro Vista, Theatre with a View, is firmly committed to sharing and celebrating the riches of Latino culture with Chicago theater audiences and beyond.
This commitment stems from the belief that there are as many similarities between people as there are differences, and perhaps the answer to breaking down the walls of prejudice and stereotypes lies in understanding these similarities and differences. Ultimately, it is through this “view” that Teatro Vista intends to bridge the gap between Latino and non-Latino cultures in Chicago.

The company believes in the transformative power of theater, inclusiveness through the idea that everyone is intricately connected to each other and that sharing stories through performance is an exceptionally potent way to bring people together.

Teatro Vista is the vanguard of Latino theatre in the United States, a place where Latino and non-Latino artists can expressively flourish and excel to the highest level of theatrical professionalism. It is dedicated to sharing new work by new playwrights in cutting-edge productions and presenting classic plays featuring artists of color.


Teatro Vista presents the World Premiere of Raúl Castillo’s Between You, Me and the Lampshade, directed by Teatro Vista Executive Artistic Director Ricardo Gutierrez, at The Richard Christiansen Theater at The Victory Gardens Biograph Theater, 2433 N. Lincoln Ave., April 11 – May 10. .Preview performances are Saturday, April 11 at 7:30 p.m., Sunday, April 12 at 3 p.m. and Tuesday, April 14 at 7:30 p.m. Opening/Press night is Wednesday, April 15 at 7:30 p.m.  Regular performances are Thursdays – Saturdays at 7:30 p.m. and Sundays at 3 p.m. Note: There is an added 3 p.m. matinee performance on Saturday, May 9. Preview performances are $20, regular run weeknight and matinee performances are $25 and Saturday night performances are $30. Half-price student rush tickets are available 30 minutes prior to each performance with valid I.D. Discounts are also available for groups of 10 or more and seniors (65+) with ID. Tickets may be purchased at the Victory Gardens box office at 773.871.3000 or by visiting www.victorygardens.org. For more information on Between You, Me and the Lampshade and Teatro Vista, please visit www.teatrovista.org

Thursday, April 9, 2015

2015 CHICAGO INTERNATIONAL MOVIES & MUSIC FESTIVAL CIMMfest No. 7 TO ROLL OUT APRIL 16 – 19, 2015

Here at ChiIL Mama & ChiIL Live Shows, we can't wait for the 7th Chicago International Movies & Music Festival (CIMMfest). We've been covering the annual four-day showcase since 2012. CIMMfest is one of our favorites, combining two of our passions, and celebrating the inseparable connection between music and movies. Be there as the 7th annual CIMMfest unspools April 16-19, 2015

This year the multi-venue festival expands beyond its home base along the Milwaukee Avenue corridor – from Wicker Park to Logan Square – to include events in North Central, Lakeview, Hyde Park, the Loop and Pilsen.  Festival passes are still available at CIMMfest.org



Live scoring programs, during which bands, orchestras and soloists perform a film’s music score live in front of the projected movie, have become a signature draw for CIMMfest. This year’s offerings include movies live-scored by acclaimed composer Marc Ribot (Josef von Sternberg’s The Docks of New York), electronic trio Chandeliers (Hungarian animation Fehérlófia) and two more to be announced in coming weeks as part of the City's Lake FX Summit + Expo.

Movie highlights include the world premiere of John Anderson's Sam Lay in Bluesland, the U.S. premiere of Chinese punk rock doc Never Release My Fist, the North American Premiere of Brasil Bam Bam Bam and the Chicago premieres of Nick Hall's Joe Strummer doc I Need a Dodge! and Mark Shuman's Morphine meditation Morphine: Journey of Dreams. And for National Record Store Day – Saturday, April 18 – Metallica's Robert Trujillo will present the Chicago premiere of his film Jaco!, a tribute to the world’s greatest bass player Jaco Pastorius.

Music highlights of CIMMfest No. 7 include powerhouse vocalist Lisa Fischer (Twenty Feet From Stardom) for two shows at Thalia Hall, a DJ Event featuring sonic architect Hank Shocklee (Public Enemy's Bomb Squad) and Luftwerk technical director Liviu Pasare in conjunction with the premiere of synthesizer doc 808, and Sierre Leone's Refugee All-Stars following a showing of their self-titled documentary that launched them into worldwide fame.  The Saturday before the festival, CIMMfest presents a Rock 'N' Roll Hall of Fame Sendoff Party for Chicago drummer extraordinaire Sam Lay.

The movie Sierra Leone's Refugee All Stars anchors an African Sidebar of a half dozen acclaimed films including Chicago premieres from South Africa, Niger and Mali, and a sneak preview of Andy Jones' work in progress film I Shot Bi Kidude about the mysterious disappearance of the world's oldest singer in Tanzania.

Honoree Julien Temple has been selected to receive the third annual BAADASSSS Award for his contributions as a filmmaker, documentarian and music video innovator. Temple chronicled the London punk scene in the ’70s via his relationship with The Sex Pistols and Malcolm McLaren (The Great Rock and Roll Swindle) and made groundbreaking music videos for The Kinks (“Come Dancing”), The Rolling Stones (“Undercover of the Night”) and David Bowie (“Jazzin’ for Blue Jean”) before going on to direct features. As part of the festival, a retrospective of Temple's films will be shown, including Absolute Beginners on 35mm, The Filth and the Fury (The Sex Pistols), Oil City Confidential (Dr Feelgood), Dave Davies: Kinkdom Come, Ray Davies: Imaginary Man and doc Rio 50 Degrees: Carry on CaRIOca! Previous BAADASSSS Award recipients are director-actor-musician Melvin Van Peebles and SXSW co-founder Louis Black.

CIMMfest 2015 occurs in tandem with the Chicago Department of Cultural Affairs and Special Events’ nascent Lake FX Summit + Expo, a free conference for artists, creative professionals and entrepreneurs. CIMMfest is programming film aspects for the Lake FX summit at the Chicago Cultural Center, Pilsen and Hyde Park, concurrent with the CIMMfest music and movies programming in Wicker Park/Logan Square/North Center and beyond.

Adam Montgomery, Senior Manager of Programming for the Sundance Film Festival, joins CIMMfest this year as the festival’s Director of Film Programming. Esteemed Britain-based film journalist Andy Markowitz – cofounder of MusicFilmWeb – joins CIMMfest as Associate Film Programmer.

A sampling of confirmed films, musical acts and live scoring events for CIMMfest No. 7:
________
MOVIES

808: The Movie (Alexander Dunn, England, 94 min).   CHICAGO PREMIERE
A comprehensive history of the Roland TR-808, the iconic drum machine that shaped the face of ’80s hip-hop, R&B, rock and pop music and is still in heavy use today. Features Pharrell Williams, David Guetta, Phil Collins, Questlove, Diplo and Goldie, among others, waxing poetic about the influence of a drum machine that changed the world of music as we know it. CIMMfest is excited to program this film alongside live performances featuring local electronic musicians utilizing the famous sound of the 808. A special 808 DJ Event featuring Hank Shocklee and Liviu Pasare follows the movie at 1st Ward.

Basically Johnny Moped (Fred Burns, UK, 77 min).

Formed in 1974 by a group of school friends from Croydon, Johnny Moped was the band fronted by, and named after the enigmatic Paul Halford (aka Johnny Moped). By 1977 “punk rock’s idiot savants” were at the heart of London’s burgeoning punk scene and, for a moment, looked like contenders. Despite having Chrissie Hynde and Captain Sensible as past members, success was not to come their way and Johnny Moped is now largely forgotten… punk rock’s great lost band. Their story is a fascinating one that, along with some of the era’s most innovative music, deserves to be heard.
"Johnny Moped were better than the Clash and the Pistols put together." – Shane MacGowan


Billy Mize and The Bakersfield Sound (William J. Saunders, USA, 100 min)  CHICAGO PREMIERE
Billy Mize's contributions to Country and Western music helped shape the music industry as we know it. His raw-edged style of country music known for its piercing guitar and honest, down-to-earth lyrics became the cornerstone for artists such as Merle Haggard, Glen Campbell, and Buck Owens. His charm and golden voice are legendary among country music's elite, as is his passion for music.  In the prime of his career in the 1960's, Billy made it to the brink of superstardom, only to turn it down to focus on family life, but horrific tragedy forced him to seek solace in music once again.  At the age of 59, Mize suffered a stroke and lost his ability to speak and play guitar.  After several unsuccessful stints in speech rehabilitation, he was admitted to an experimental facility in Florida, where he miraculously re-gained the ability to sing. This inspirational documentary culminates with Billy Mize and the Bakersfield Sound (including Merle Haggard) performing for the first time in over 20 years. A swan song for an amazing and inspiring career.

Brasil Bam Bam Bam: The Story of Sonzeira (Charlie William Inman, Brazil/UK/USA, 69min). NORTH AMERICA PREMIERE
The documentary film goes to the heart of what really made Brazil famous. From Bossa to Samba to Batucada to Baile Funk, Rio's sounds have enchanted worldwide audiences since the 1950s. Gilles Peterson – BBC Broadcaster, Record Collector, DJ and supporter of Brazilian music for the last 25 years – traveled to Rio to create the super-group Sonzeira and record the seminal album Brasil Bam Bam Bam. This film tells the story of that journey. Featuring Seu Jorge, Elza Soares, Wilson Das Neves, Ed Motta, Marcos Valle and more.

Danny Says
(Brendan Toller, USA, 104 min).
A documentary on the life and times of Danny Fields. Since 1966, Danny Fields has played a pivotal role in music and “culture” of the late 20th century: working for the Doors, Cream, Lou Reed, Nico, Judy Collins and managing groundbreaking artists like the Stooges, the MC5 and the Ramones. Danny Says follows Fields from Phi Beta Kappa whiz-kid, to Harvard Law dropout, to the Warhol Silver Factory, to Director of Publicity at Elektra Records, to “punk pioneer” and beyond.  Danny’s taste and opinion, once deemed defiant and radical, have turned out to have been prescient.  Danny Says is a story of marginal turning mainstream, avant garde turning prophetic, as Fields looks to the next generation.

The Dicks from Texas (Cindy Marabito, USA, 70min).
Long before Austin made weirdness a civic virtue, The Dicks made it a cause. Three rawboned Marlboro Man types fronted by Gary Floyd, a fat queer with a penchant for fright wigs, this self-described "commie faggot band" helped put the Texas capital on the punk map in the early '80s with anthems like "Dicks Hate the Police" and "Wheelchair Epidemic." Cindy Marabito was there, and her super-DIY documentary is an affectionate oral history of a truly distinctive hardcore scene that, like the band and community it chronicles, makes up in attitude and personality what it lacks in polish.


Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll (John Pirozzi, Cambodia, 105 min)   
CHICAGO PREMIERE
During the ’60s and early ’70s as the war in Vietnam threatened its borders, a new music scene emerged in Cambodia that took Western rock and roll and stood it on its head – creating a sound like no other. Cambodia musicians crafted this sound from the various rock music styles sweeping America, England and France, adding the unique melodies and hypnotic rhythms of their traditional music. The beautiful singing of their renowned female vocalists became the final touch that made this mix so enticing. After taking over the country in 1975, the Khmer Rouge began wiping out all traces of Western influence and eliminated artists and musicians, beginning one of the most brutal genocides in history. Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll tracks the twists and turns of Cambodian music as it morphs into rock and roll, blossoms and is nearly destroyed along with the rest of the country. In English and Cambodian with English subtitles.

East Nashville Tonight (Brad Barnes, Todd Barnes, USA, 85min).
In February of 2013, the Barnes Brothers attempted to shoot a documentary about the lives of Todd Snider, Elizabeth Cook and other touring songwriters residing in the burgeoning East Nashville neighborhood. They failed. Instead, drugs and booze took over. They ended up with East Nashville Tonight, the greatest hypothetical documentary stoner musical of all times. Todd Snider performs live Sunday, April 19 at City Winery Chicago.

The Front Man (Paul Devlin, USA, 72min).  CHICAGO PREMIERE
Disillusioned by the broken promise of Rock ‘n’ Roll, but still plagued by dreams of stardom, a charismatic musician goes on a 27-year journey in search of the meaning of success. Dynamic and abrasively funny, Jim Wood must reconcile his joy creating music and his wife Christie’s desire for a child with a culture in which anything short of celebrity is failure. Jim and Christie’s quest for fame takes a windy path through the homes of acclaimed musicians, a legendary recording studio, the set of a cult horror movie, and onto national television. Filmmaker Paul Devlin will be in attendance.

Hard Working Americans: The First Waltz (Justin Kreutzmann, USA, 90min)
What begins with a creaky rendition of “The Star Spangled Banner” and the firing of a freshly rolled number unfolds into a multilayered examination of what it means to be American. This rockumentary about the creation of supergroup Hard Working Americans creates an insightful snapshot of a fertile new collaboration for battered-but-unbroken hippy musical lifers Todd Snider, Dave Schools, Neal Casal, Chad Staehly, Duane Trucks and Jesse Aycock. The film follows Hard Working Americans behind the scenes in the studio as the band collaborates on its self-titled debut album and on the road for their first national tour. “Mixing intimate concert performances, road scenes, personal tales and studio footage, The First Waltz arrives at a crucial moment to remind us that Jerry Garcia is as important as Ben Franklin and that rock ’n’ roll is as much a birthright as the Constitution." – Dennis Cook.  Todd Snider performs live Sunday, April 19 at City Winery Chicago.

Hardcore DEVO Live! (Keirda Bahruth, USA, 85 min).
In the summer of 2014, DEVO embarked on a 10-city “Hardcore DEVO,” tour playing the seminal, experimental songs they created, pre-fame, in basements and garages in Akron, Ohio between 1974 and 1977. The band had not played most of these songs since that time. Filmmaker Keirda Bahruth documented this once-in-a-lifetime tour filmed June 28 at the Fox Theater in Oakland California.
Director Keirda Bahruth (Bob and the Monster) will be in attendance

The Hip-Hop Fellow (Kenneth Price, USA, 79min).
The Hip-Hop Fellow follows Grammy Award-winning producer Patrick Douthit, better known as 9th Wonder, through his tenure at Harvard University as he teaches The Standards of Hip-Hop, conducts research for his thesis and lectures at Duke University. The film centers on the emerging significance of incorporating hip-hop music studies into academia, and highlights the scholars at the forefront of preserving 40 years of hip hop culture. Featured interviews include Kendrick Lamar, Dr. Henry Louis Gates, Jr., Phonte, Ab-Soul, Young Guru, Dr. Mark Anthony Neal, Rapper Big Pooh, Ali Shaheed Muhammad, Dr. Marcyliena Morgan and DJ Premier.

I Need a Dodge! Joe Strummer on the Run (Nick Hall, Spain/UK, 67 min).   CHICAGO PREMIERE
It’s 1997 and Joe Strummer is interviewed live on Spanish Radio 3 from Glastonbury. During the interview he talks about his Dodge, a car he bought in Madrid 12 years earlier and which he later left in one of the city's car parks, unable to remember which one. A call is put out for the people of Madrid to search the local car parks for the missing Dodge. In 1984 Strummer found himself at a professional and creative crossroads. His erstwhile friend and band mate Mick Jones was enjoying new found success with Big Audio Dynamite while Joe was suffering the pressures and infighting of his rapidly disintegrating band, The Clash. It was in this context that he would turn up in Granada in southern Spain. Once in Spain Joe quickly made friends among the local rock bands. His first real creative challenge in the wake of the fallout from The Clash would be as producer of the second 091 LP in post-dictatorship Madrid. It was during the recording of the LP that members of Spain's most famous rock group Radio Futura helped Joe to buy the now legendary Dodge. The documentary looks at the period when, after eight intense years in the media spotlight, Joe was forced to choose a new path. We discover what initially drew Strummer to Spain, the truth behind the 091 recording sessions, and investigate what happened to Joe's beloved Dodge.

Jaco! The Film (Robert Trujillo, USA)   CHICAGO PREMIERE

On Saturday, April 18, Record Store Day.org presents the Chicago Premiere of Jaco!, the story of world’s greatest bass player Jaco Pastorius, his life, his music, his demise and ultimately the fragility of great artistic genius. There are few musicians who fundamentally change their instrument, and even fewer still who transcend their instrument altogether. Jaco, master of the fretless bass, did both. In 1976, his melodic “singing” bass style redefined the role of the bass in modern music. Almost overnight, critics hailed Pastorius as “the future of modern music,” alongside popular visionaries like David Bowie, Tom Waits, Patti Smith, Bryan Ferry, Lou Reed and Herbie Hancock. Produced by Metallica’s Robert Trujillo in association with Passion Pictures (Searching for Sugarman), Jaco! includes incredible insights from an array of artists including Flea, Joni Mitchell, Sting, Wayne Shorter, Herbie Hancock, Geddy Lee, Bootsy Collins and Carlos Santana as well as Jaco’s family and friends. Producer Robert Trullio will be on hand to present the film and conduct a Q&A. Logan Cinema

Killer B3 (Murv Seymour, USA, 93 min).  CHICAGO PREMIERE
A documentary about the Hammond Organ, the 425-pound keyboard often called the beast. The Hammond B3 is the signature model that spit out one of the most unique sounds used in all styles of music, including, gospel, jazz, blues, rock, country, reggae and commercial soundtracks. Killer B3 captures the spirit and passion of players who have committed a lifetime to master the Hammond sound, choosing to make music with the complex and bulky instrument over the simplistic and portable keyboard, including organist, Dr. Lonnie Smith, Jimmy Mcgriff, Tony Monaco, Joey DeFrancesco, Shawn Brown, Pappa John DeFrancesco, Jimmy Smith, Jr. and Chicago’s own Chris Foreman (playing Fridays and Sundays at The Green Mill).

Morphine: Journey of Dreams (Mark Shuman, USA/Italy 91 min).   CHICAGO PREMIERE
The story of the iconic genre-busting 1990s “low rock” band Morphine is told by its surviving members and the coterie around them, sans narration, and made palpable through saxophonist Dana Colley's tour journals. Rare live performances from throughout the group's career woven into the tale display why the trio's unique and mesmeric sound continues to resonate with its fans and music lovers worldwide following the death of its singer, songwriter and two-string bassist Mark Sandman onstage at an Italian music festival in 1999. Vapors of Morphine will perform a special live show afterward at TBD

Never Release My Fist (Shui-Bo Wang, China/Canada).  U.S. PREMIERE

Oscar-nominated Chinese-Canadian director Wang Shuibo (Sunrise Over Tiananmen Square) premieres his latest work, a feature-length documentary on the life and music of punk rockers in Wuhan, the center stage of punk rock in China in the late '90s. The film follows Wu Wei, 39, who grew up in a blue color neighborhood in the Chinese industrial city of 20 million people on the Yangtze River, and has been the lead singer of SMZB, a Chinese punk band famous for its strong voice against the county's political system. He is known as the Godfather of Wuhan’s punk rock movement. NRMF also features Wu Wei's ex-wife Hu Juan, a beautiful drummer loved by everyone from the punk groups, Zhang Hai, the lead singer of Play To Death, who sold marijuana to open his small pizza restaurant after giving up music, and Kang Mao, a diehard punk and lead singer of SUBS who left Wuhan for Beijing when her all-girl punk band broke up. Sixteen years past, SMZB is the last punk band standing in Wuhan.

The Possibilities Are Endless (James Hall, Edward Lovelace, UK, 83min).  CHICAGO PREMIERE
In 2005 Scottish singer-songwriter Edwyn Collins, best known for fronting '80s postpunk band Orange Juice and for his out-of-the-blue 1994 solo hit "A Girl Like You," suffered a catastrophic cerebral hemorrhage that wiped his mind clean. This intimate, elliptical film, named for a phrase that was inexplicably on Collins' lips when he emerged from a coma, chronicles his intensely personal experience of recovery with structural boldness, visual imagination and sublime empathy, steering its course from near abstraction to brilliant clarity as Collins regains language, memory, music, humor and love.

The Road to God Knows Where (Uli M Schueppel, Germany, 89min). 
The Road to God Knows Where might just be the coolest student film ever made. Twenty-five years before Nick Cave bared his quasi-fictional soul in 20,000 Days on Earth (CIMMFest 2014), Schueppel – then studying at the German Film Academy; now one of Berlin's most respected indie directors – got a peek behind the veil, accompanying Cave and the Bad Seeds on a five-week US tour. He returned with this riveting vérité document, rarely screened since its 1990 release, that intimately captures the experience of life on the road for a budding icon adjusting uneasily to sobriety and celebrity.

Sam Lay in Bluesland (John Anderson, USA).  WORLD PREMIERE

He was on drums when Bob Dylan went electric at Newport. He was in the studio and on the road with blues greats Howlin’ Wolf, Muddy Waters, Little Walter and James Cotton. He was a founding member of the groundbreaking Paul Butterfield Blues Band. He is, at 79, still an active part of the Chicago blues scene and the man some call “the greatest drummer of all time.”  Blues’ most celebrated drummer finally steps into the spotlight in Sam Lay in Bluesland. Recognized almost as much for his sartorial style as for his signature double-shuffle beat — his capes, crowns, canes and cowbells are the stuff of legend— Sam Lay has played a key role in the evolution of the blues for almost 60 years. Against a backdrop of the troubled, racially turbulent 1960s, Lay’s singular life and career is told through his own words, music and personal films in this new feature-length documentary about his life and career, featuring appearances by James Cotton, Charlie Musselwhite, Iggy Pop, Corky Siegel, Barry Goldberg, Nick Gravenites, Jim Keltner, Marcy Levy, Gary Mallaber and Kenny Wayne Shepard. Sam Lay appears live at a Rock N Roll Hall of Fame Send-Off Celebration, Saturday, April 11 at Rosa's.

Shake the Dust (Adam Sjöberg, USA)
Colombia, Cambodia, Uganda, Yemen. Breakdancing unites people worldwide in the common languages of movement, expression and hip-hop. In this feature documentary, rap superstar and producer Nas presents a broad look at a movement inspiring hope in global urban communities.

Teenage Ghost Punk (Mike Cramer, USA, 99min).
When a family moves from rural Michigan to a Victorian house near Chicago, strange things start happening. Creepy noises. Unexplained messes. Old punk rock albums go missing. Suspecting the house is haunted, they hire a wacky medium and a team of bumbling paranormal investigators to help, but teenage daughter Amanda discovers on her own that the house is haunted by the ghost of a 17-year-old punk guitarist named Brian, and his fun-loving band of dead pals. Amanda and Brian form a friendship that soon veers toward romance. But the past collides with the present. From Oak Park lawyer-turned-filmmaker Mike Cramer.

Theory of Obscurity: A Film About The Residents (Don Hardy, USA).  MIDWEST PREMIERE
After programming a short preview of the film last year, CIMMfest presents the full story of the renegade art, sound and video collective known as The Residents. Throughout a career spanning 40 years, many details surrounding the group are still shrouded in mystery, including the identities of its members. As early adopters of short-form video as a vessel for visual interpretations of music, The Residents were in heavy rotation during the early days of MTV, always performing anonymously behind masks and costumes.  Through candid interviews and fly-on-the-wall observations, this film tells the story of a group that has always played by its own rules and never caved to convention.  Obscured behind eyeball masks and tuxedos, this is the true story of The Residents.

Y/Our Music (Waraluck Hiransrettawat Every, David Reeve, Thailand/UK, 81min).  CHICAGO PREMIERE
Where does the Thai musical identity lie? In the traditional songs of work and faith from the sprawling rural region of Isan? In the experimental art-rock honed in Bangkok basements and galleries? In the bamboo saxophones laboriously handmade by a jazz-loving optician? Yes, yes, yes, and more. Y/Our Music takes a sonic journey through Thailand from rice fields to urban markets, spanning generations and geography to reveal a diverse and, at times, divided musical culture, and reveling in the artistry of singers and players working to preserve and update the old ways.

AFRICAN SIDEBAR

Akounak Tedalat Taha Tazoughai (Christopher Kirkley, USA/Niger)  CHICAGO PREMIERE
Prince goes Sahel in this colorful Saharan homage to Purple Rain featuring the smoking Nigerien guitarist Mdou Moctar as the new axe-slinger in a guitar-mad Tuareg town. Resplendent in a purple robe and matching motorcycle, Mdou woos an enigmatic local beauty, fights with his conservative, music-hating dad and fences with a jealous local star until the night of the big guitar contest.

As Old as My Tongue: The Myth and Life of Bi Kidude (Andy Jones, UK/Tanzania, 66 min).
A portrait of singer Bi Kidude, a living legend on her home island of Zanzibar. She has beguiled audiences around the world on her wide and varied travels.

I Shot Bi Kidude  (Andy Jones, UK/Tanzania)                       SNEAK PREVIEW
A special preview of work in progress, I Shot Bi Kidude is a dramatic investigation into the final days of the life of Bi Kidude, one of Africa’s greatest musical heroines and the world’s oldest singer. In 2013, this fast-talking, chain-smoking rebel-rocker was kidnapped. Following up on As Old As My Tongue, his earlier film on the myth and life of Kidude, director Andy Jones and his team return to Zanzibar in order to get to the bottom of the mystery. Just two months later, Bi Kidude was dead. I Shot Bi Kidude is the final chapter in the life of a legend.

Shield and Spear (Petter Ringbom, US/S. Africa, 89 min).  CHICAGO PREMIERE
An artist paints a caricature of South African president Jacob Zuma that provokes a lawsuit, death threats and a massive street protest. Around this incident, Shield and Spear explores a constellation of stories about identity, art, race and freedom of expression in South Africa, 20 years into democracy.

Sierre Leone’s Refugee All Stars (Zach Niles, Banker White, USA/Guinea, 78min).
The story of a group of courageous musicians who form a band in a West African refugee camp to keep their hope alive. Following the movie, Sierra Leone’s Refugee All Stars perform live at Martyrs’

They Will Have to Kill Us First: Malian Music in Exile (Johanna Schwartz, UK, 105min).  CHICAGO PREMIERE
Islamic extremists have banned music in Mali, but its world-famous musicians won’t give up without a fight. A documentary about music in the West African country follows Mali’s musical superstars as they fight for their right to sing.


JULIEN TEMPLE RETROSPECTIVE

Absolute Beginners
A musical adaptation of Colin MacInnes' novel about life in late 1950s London. Nineteen-year-old photographer Colin (Eddie O'Connell) is hopelessly in love with model Crepe Suzette (Patsy Kensit), but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time. With David Bowie.

The Filth and the Fury
Temple’s first film in his trilogy on British music of the 1970's documents the career of the notorious punk rock band, the Sex Pistols.

Oil City Confidential
Temple's last film in his trilogy on British music of the 1970's focuses on Canvey Island band Dr Feelgood (“Roxette”) featuring guitarist Wilko Johnson. It is a prequel to Temple’s landmark films about punk figureheads the Sex Pistols in The Filth & The Fury and Joe Strummer in The Future Is Unwritten.

Dave Davies: Kinkdom Come
Kinks guitarist Dave Davies relives his tumultuous life and times amidst the serenity of his Exmoor sanctuary in Temple’s doc made for the BBC.

Ray Davies: Imaginary Man
Temple beautifully captures Ray Davies’ wistfulness in his excellent documentary on the former-Kink. Davies is allowed to gently meander around his past life, talking about his childhood, his family of seven sisters and one brother, his early days with The Kinks, the development of his writing skill and his life of fame, parenthood and growing-up, all of which seemed to happen so fast.

Rio 50 Degrees: Carry on CaRIOca!
A look at Rio's cultural, political and technical revolutions since the 1970s to 2011.


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MUSIC

Sam Lay Send-off Show

CIMMfest 2015 kicks off with a Rock and Roll Hall of Fame send-off party for blues’ most celebrated drummer. Sam Lay was on drums when Bob Dylan went electric at Newport. He was in the studio and on the road with blues greats Howlin’ Wolf, Muddy Waters, Little Walter and James Cotton. He was a founding member of the groundbreaking Paul Butterfield Blues Band. He is, at 79, still an active part of the Chicago Blues scene and the man some call “the greatest drummer of all time.” And on April 18, he’ll be inducted into the Rock and Roll Hall of Fame with the Paul Butterfield Blues Band. The CIMMfest 2015 kickoff event hosted by Grammy-nominated and Emmy-winning filmmaker John Anderson includes tales and live performances with Sam Lay and Corky Siegel, clips from Anderson’s new movie Sam Lay in Bluestown and a full set with Lil’ Ed & the Blues Imperials, Saturday, April 11, 9pm at Rosa’s

THURSDAY, APRIL 16

Fort Knox Studios Showcase @ Martyrs
A variety of bands that practice at Fort Knox Studios, the music rehearsal and recording studio facility located on the north side of Chicago at Wilson & Montrose, showcase their music. Featured bands include:
Phosphene, hard rock/ pop metal
AudioBakery, progressive rock
Halfmoon Mad, alternative rock/pop

CIMMfest Pre: Emanation – A Percussion Event @ 1st ward
Featuring percussionists: Thomas Benko, Chris Hainey, Colin Campbell and Nora Bratton.

The Right Now @ Double Door
This R&B, soul band shines with raw, gritty performances and elegant arrangements that are the result of countless hours of performing, rehearsing and traveling together.

Yakuza and Rabble Rabble @ Burlington
Yakuza, avant-garde metal band acclaimed for its incorporation of jazz and world music elements, performs with psych punks Rabble Rabble

Miss Alex White showcase @ Township
Miss Alex White presents:
Digital Leather, musical project led by multi-instrumentalist Shawn Foree
Mac Blackout, champion of the local scene who runs the gamut from hardcore punk to synthy glam rock
The Holy Motors, rock 'n 'roll trio

FRIDAY, APRIL 17

808 DJ event @ 1st Ward
With:
Hank Shocklee, sonic architect and founder of Public Enemy’s Bomb Squad
Liviu Pasare, technical director at Luftwerk and owner of Chicago-based practice creating visual experiences using new media and technology

House showcase @ Metro
Featuring:
DJ Sneak, Puerto Rico-born house music DJ
Mark Farina, disc jockey and musician -- Chicago house, acid jazz and downtempo works
Derrick Carter, house producer and DJ

The Shotwell Showcase @ Double Door
Featuring:
Bailiff, blues-rock
Sidewalk Chalk, contemporary hip-hop, soul and jazz
My Gold Mask, indie rock
Jamaican Queens, electronic pop
Smoker, dream-pop, alternative

Sierra Leone’s Refugee All-Stars @ Martyrs
Sierra Leone’s Refugee All Stars have risen like a phoenix out of the ashes of war and enflamed the passions of fans across the globe with their uplifting songs of hope, faith and joy. The band is a potent example of the redeeming power of music and the ability of the human spirit to persevere through unimaginable hardship and emerge with optimism intact. From their humble beginnings in West African refugee camps Sierra Leone’s Refugee All Stars have performed on some of the world’s most prestigious stages and matured into one of Africa’s top touring and recording bands.

The Claudettes and The Cell Phones @ Emporium
The White Stripes and Black Keys rock the blues with a guitar attack. Like the Bad Plus, The Claudettes brandish a piano instead. Inspired by the ’60s piano-drums blues recordings of Otis Spann & S.P. Leary, band members Johnny and Michael formed their duo and created their own fanatical fusion of blues and soul-jazz. Following the The Claudettes is local trio, The Cell Phones, with their peculiar style of grind-core and power-pop elements marked by heavy acoustic bass and drums, with explosive vocals of front woman Lindsay Charles.

SATURDAY, APRIL 18

Lisa Fischer @ Thalia Hall
Singer and composer Lisa Fischer – The Rolling Stones’ powerhouse backup vocalist since 1989 – headlines her own show with a full band for two shows. Featured in the 2013 movie Twenty Feet from Stardom, Fischer is renowned for her astonishing range. She has toured, recorded and made music with acts as diverse as Luther Vandross, Tina Turner and Nine Inch Nails. In 1992, Fischer won a solo Grammy Award for Best Female R&B Performance for her hit single "How Can I Ease the Pain" in an unlikely tie with Patti LaBelle (on whose song, “Burnin’,” she also sang backup). For this solo tour, Fischer has put together a brand new band to explore some new territory. The YouTube version of her duet with Mick Jagger on “Gimme Shelter” has millions of hits.

Chicagomusic.org showcase @ Martyrs
Featuring:
Elle Casazza, fearless, sultry and powerful vocal soloist
Scotch Hollow, acoustic roots
Fletcher, alt-rock
The Damn Choir, six-piece indie rock
Matthew Santos, rock and folk singer-songwriter

Chicago Mixtape @ Hideout
Featuring:
Santah, indie rock
Pet Lions, infectious indie pop
Weatherman, experimental pop

The Gomers @ Emporium
The Gomers wrap up National Record Story Day with a “Gomeroke" love rock and roll karaoke celebration, where attendees can choose from 3000 songs to rock out to. The Gomers have been rocking since 1985 when they recorded their first album Comin' Atchya at Smart Studio.

Hank Green @ Metro
Pop rock musician Hank Green (and brother of author John Green) performs with Driftless Pony Club, Harry and the Potters, Rob Scallon and Andrew Huang.

SUNDAY, APRIL 19

Todd Snider @ City Winery
On the 20th anniversary of his first album, Songs for the Daily Planet, Alt-Country singer-songwriter Todd Snider plays City Winery in conjunction with CIMMfest’s showing of The First Waltz, the rockumentary about the formation of his rock ’n’ roll supergroup Hard Working Americans (Snider, Neal Casal, Chad Staehly, Duane Trucks and Widespread Panic’s Dave Schools). 

Local H @ Metro
The pioneering, two-man band – frontman Scott Lucas on guitar and bass and drummer Ryan Harding – has released seven studio albums, a live album and a bunch of EPs. Local H debuts its brand new CD Hey, Killer, their first album in three years.


Where Movies and Music Meet
CIMMfest, the Chicago International Movies & Music Festival, is a four-day showcase of outstanding films, energetic concerts, visually stunning VJ/DJ sets, lively Q&A’s, daring live score performances, industry panels and presentations…anything to show just what movies and music mean to each other.

Each spring filmmakers, musicians and their passionate fans alike, descend upon Wicker Park and Logan Square, two of Chicago’s most eclectic, vibrant neighborhoods. That’s where CIMMfest takes place—the films by day, the live music by night—at theaters, galleries, bars, concert spaces and some of the city’s most storied venues.

The films come from all countries and cultures, and range from documentaries to fiction to concert films to shorts to music videos. They just have to be about music and/or use music in a creative, integral way. The live performances are inspired by film or feature visual accompaniment.

In 2014, CIMMfest expanded its music section to include more than 90 bands, 27 venues and a footprint along Milwaukee Avenue that stretches nearly two miles. CIMMcon made its debut in 2013, and in 2014 brought together more than 100 innovators, tastemakers, industry leaders and more in a series of 30+ free panels exploring everything from State of the Recording Industry to how to Kickstart your Film.

CIMMfest was imagined and brought to life by musician Josh Chicoine (Sabers, The M’s) and filmmaker Ilko Davidov (BulletProof Film). Neither knew what he was getting into at the start, but hundreds of films, thousands of attendees and countless incredible experiences later, CIMMfest is a publicized, respected Chicago fixture.

ABOUT CIMMFEST
The mission of the Chicago International Movies & Music Festival (CIMMfest) is to highlight the inseparability of film and music through the production of an annual four-day, multi-venue festival.  CIMMfest is a convergence event that highlights the interconnectedness of all people shown through the lens of music and movies, on stage and on screen.  All participating films have music at their center: short and long form documentaries and narrative fiction; concert films; animation; music videos; performances; live concert events; art exhibits; and panel discussions, presented at both new and historic venues around Chicago.  CIMMfest is a platform for filmmakers and musicians, artists and producers, to present their vision and offer a connection point for people to come together for a celebration of movies, music, and good times in the greatest city on earth – Chicago!  For more information, visit www.CIMMfest.org.  

Corporate sponsors of CIMMfest No. 7 include Lagunitas Brewing Co, Jameson Irish Whiskey, Mailchimp and Softlayer- An IBM Company.

ABOUT LAKE FX SUMMIT + EXPO

The region’s largest free conference for artists, creative professionals and entrepreneurs is presented by the Chicago Department of Cultural Affairs and Special Events (DCASE). Building on the success of three popular past events – the Creative Chicago Expo, the Chicago Music Summit and the Chicago Film and Media Summit – the four-day Summit + Expo will welcome thousands of artists and professionals engaged in creative industry businesses and organizations for keynotes by industry leaders, professional development panels and workshops, networking opportunities, music and film showcases, the Expo resource fair and a marketplace open to local artisans.

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