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Monday, November 4, 2013

The Latest From Our Friends at Actors Gymnasium #agyouthcircus

Winter I Session 
Starts Next Week!





Our Winter I session of classes in Circus and Performing Arts begins Monday November 11th and runs through January 26th. (No classes on November 28, 29, December 23 - January 5, and January 20).  

Course offerings for kids and adults of all ages and skill levels include Aerial Arts, Circus Arts, Contortion, Gymnastics, and more. Click here to see our class listings. Classes fill quickly! 

Classes fill quickly and limited space is available 


A'Musing Myths
Fall Youth Circus
#agyouthcircus

  
A young girl who sacrifices love for the sake of the world.  A fierce seamstress who dares flaunt her talents before the goddess of Arts & Crafts. That angry one with the snakes for hair.  The gift of fire and the origin of man himself.  Join us as Prometheus, our favorite Titan, recounts the origins of some of his favorite characters from mythic Greece. 

The Members of The Actors Gymnasium's Fall Youth Circus Ensemble combine skills in circus, dance, clowning, and drama to delight us on adventures that span the heights of Mount Olympus, the depths of the Underworld, and every strange and imaginary place in between.  
  
A'Musing Myths: Fall Youth Circus is written and directed by Chris Mathews with circus choreography by Sylvia Hernandez-DiStasi, dance choreography by Topeka Ellis, and assistant directed by David Corlew. Tickets will go quickly - so get yours today!

Tickets are available ONLINE only.  Once online sales are closed, 1.5 hours prior to the show start time, the on-location box office will be open.  For group reservations and general questions call 847-328-2795.  If online sales are sold out, a limited number of tickets will be available at the door.
  
Two Weekends Only! 
November 9 & 10, 16 & 17, 2013

Saturdays at 4:30 pm and 7:30 pm

Sundays at 3:00 pm  

$15 for adult tickets!

$12.50 for children, students and seniors!  
  
Take part in our hashtag contest!  Whoever has the most #agyouthcircus comments on Facebook and/or Twitter before November 19 will win a free black AG jacket OR $50 off their next session of classes (Your choice!).  Posts must be relevant and on-topic. 


Winter Break Circus & Performing Arts Camps

Whether you are a veteran of our summer camps or a novice, our three day camp sessions are for you. Make new friends, catch up with old summer camp friends and learn great new skills. Perfect for young performers who want to strengthen, stretch and flex their creative muscles with circus, drama, and movement. A great alternative to childcare for busy parents. 

Session A: Dec 23, 26, 27, 2013
Session B: Dec 30, 2013 & Jan 2, 3, 2014
Ages: 9 - 14


About The Actors Gymnasium
The Actors Gymnasium is dedicated to bringing a new physicality to the American Theatre. Encouraging ground-breaking theatrical exploration, The Actors Gymnasium teaches circus arts, physical theatre and multi-disciplinary performance to children and adults; produces original, daring works of circus-theatre; and serves as a talent resource, providing performance opportunities to our students and innovative professional event entertainment for a wider audience.  At The Actors Gymnasium, people Learn To Fly - physically, emotionally, and creatively. 











ACT OUT HOLIDAY: BURNING BLUEBEARD, returning November 21, 2013 – January 5, 2014 at Theater Wit.

There are a few of our all time favs returning for the 2013 holiday season. Burning Bluebeard tops our must see list along with Hellcab and A Christmas Carol at The Goodman.   Highly recommended!   ChiIL Live Shows ChiIL Picks List for best holiday theatre.


BURNING BLUEBEARD Returning November 21, 2013 – January 5, 2014 at Theater Wit 





BurningBluebeard-1 (left to right) Anthony Courser , Jay TorrenceDean EvansLeah Urzendowski CourserRyan Walters and Molly Plunk in BURNING BLUEBEARD by Jay Torrence, directed by Halena Kays.  Photo by Evan Hanover.

Burning Bluebeard won't break the bank and is an amazing dark comedy, with thought provoking dialogue and amusing physical play.  We thoroughly enjoyed it last year, and my 12 year old is clamoring to see it again, though my 10 year old daughter said it was a bit too scary for her after seeing it last year.   I took them both, because Anthony (Bluebeard) had been their circus instructor for a while and they love to see their instructors in creative projects.   But there's one intense scene (blackout/audio only recap of the fire) sensitive kids may have a tough time with.

We'd give it a PG13/mature tweens and up rating, because of the macabre subject matter (children trampled, burned & dying in a theatre fire!), though handled tastefully.  Burning Bluebeard is based on a true slice of history that should be seen and remembered, especially if you frequently see shows at The Oriental Theatre.  110 years after this tragedy, Burning Bluebeard depicts this horrific event many are completely unaware even happened, in a poignant and creative way.   It's a moving tribute.   





BurningBluebeard-2 (left to right) Dean EvansJay TorrenceLeah Urzendowski CourserRyan Walters and Anthony Courser in BURNING BLUEBEARD by Jay Torrence, directed by Halena Kays.  Photo by Evan Hanover.

With Chi-town favs Jay Torrence, as writer, and Halena Kays directing, this is an absolute must see.   The original cast is back again as well, and a true joy to watch in action.   Anthony Courser , Jay TorrenceDean EvansLeah Urzendowski CourserRyan Walters and Molly Plunk do a stellar job with grim subject matter.   They'll have to rewrite the fire escape rap (one of our fav parts of the last show-though specific to the TMLMTBGB space they were in last year).   Please please put last year's on YouTube for me or let us run it here on the blogs for posterity!   Otherwise, we imagine the remount will be quite similar and every bit as effective this time around at Theater Wit.


The Ruffians Present the Return of the Hit Play
BURNING BLUEBEARD
By Jay Torrence
Directed by Halena Kays
November 21, 2013 – January 5, 2014


Featuring Full Original Cast & Creative Team






For an avant-garde alternative to the holidays, The Ruffians are pleased to announce the return of the hit historical romp BURNING BLUEBEARD by Jay Torrence, directed by Halena Kays and featuring the full original cast and creative team. This fantastical tale inspired by Chicago’s 1903 Iroquois Theatre fire will play November 21, 2013 – January 5, 2014 at Theater Wit, 1229 W. Belmont Ave. in Chicago.  Tickets for BURNING BLUEBEARD are currently on sale at www.theaterwit.org, in person at the Theater Wit Box Office or by calling (773) 975-8150 ($18 advance tickets will be available a limited time only). 


Originally mounted at The Neo-Futurarium in 2011, the remount coincides with the 110th anniversary of the Iroquois Theatre fire.  On Monday, December 30, the actual anniversary of the legendary fire, The Ruffians will present special performances at 3 pm matinee (the actual time of the fire) and 7:30 pm.


BURNING BLUEBEARD will feature the full original cast including Anthony CourserDean Evans, Molly PlunkJay TorrenceLeah Urzendowski Courser and Ryan Walters.


Inspired by the true story of Chicago’s 1903 Iroquois Theatre Fire, BURNING BLUEBEARD is the story of six singed clown performers who emerge from the burnt remains of history attempting to perform their spectacular Christmas Pantomime once and for all. But this time they hope to finally reach the true happy ending of their second act and avoid the fateful fire that killed 600 of its audience members. BURNING BLUEBEARD is a whimsical romp with a sensitive heart, a joyful eulogy with a sharp irreverent wit including slapstick, vignettes, tumbling and dance. Each night is a vaudevillian delight with a story that excavates the poetic and poignant remains of a piece of Chicago’s rich history.


During its original run BURNING BLUEBEARD received critical praise and was named one of the “2011 Best of Fringe” by the Chicago Tribune, one of the “Top Five Funniest Shows of 2011” by WBEZ Radio and one of the “Twelve Outstanding Ensembles of 2011” by Time Out Chicago’s Kris Vire.


 “The whole thing smacks of a wonderful sort of weirdness – abrasive, funny and accessibly avant-garde.”

– Nina Metz, The Chicago Tribune



HIGHLY RECOMMENDED!


“An altogether haunting, thrillingly imagined production.”
– Hedy Weiss, Chicago Sun-Times


The production team for BURNING BLUEBEARD includes: Dan Broberg (scenic design), Lizzie Bracken (costume design), Mike Tutaj (sound design), Maggie Fullilove-Nugent (lighting design & production manager), Justine Palmisano (stage manager) and Krista Mickelson (assistant stage manager.)


PRODUCTION DETAILS:
Title:  BURNING BLUEBEARD
Playwright:  Jay Torrence
Director:  Halena Kays
Featuring: Anthony Courser (Henry Gilfoil), Dean Evans (Fancy Clown), Molly Plunk (Faerie Queen), Jay Torrence (Robert Murray), Leah Urzendowski Courser (Nellie Reed) and Ryan Walters (Eddie Foy).
Location:  Theater Wit, 1229 W Belmont, in Chicago

Dates:  Previews: Thursday, November 21 at 7:30 pm, Friday, November 22 at 7:30 pm and Saturday, November 23 at 7:30 pm

Regular run: Friday, November 29 – Sunday, January 5, 2014
Curtain Times:  Thursdays at 7:30 pm; Friday at 7:30 pm; Saturdays at 3 pm & 7:30 pm; Sundays at 3 pm. 

Note: there will be no performance on Thursday, November 28 (Thanksgiving).  There will be added performances on Sunday, December 15, Sunday, December 22 and Sunday, December 29 at 7:30 pm

Iroquois Fire 110th Anniversary Performances: Monday, December 30 at 3 pm (the time of the actual fire) and 7:30 pm.
Tickets: $18 - $36 ($18 advance tickets will be available a limited time only). Student rush tickets available for every performance (subject to availability). 

Tickets for BURNING BLEARBEARD are now on sale at www.theaterwit.org, in person at the Theater Wit Box Office or by calling (773) 975-8150.

About the Playwright:
Jay Torrence has been writing/performing/directing in Chicago since 2002. His playwriting credits include Ivywild, Burning Bluebeard and Roustabout: The Great Circus Train Wreck (Awarded the John W. Schmid After Dark Award for Outstanding New Work and the After Dark Award for Outstanding Production). Torrence has had the privilege to perform with 500 Clown, The Hypocrites, Redmoon, The Actor's Gymnasium, Chi-Town Clown Review and The Neo-Futurists where he was an ensemble member for twelve years and the former Artistic Director. Torrence earned his MFA in Creative Writing from The University of British Columbia and has studied under master clown Philippe Gaulier. He is a published essayist and the proud recipient of the Prairie Fire Award for Creative Non Fiction and The Annie Dillard Award for Creative Non Fiction. 


About the Director:
Halena Kays is the artistic director of The Hypocrites where she both performs and directs – most recently The Fall of the House of Usher (actor), Ivywild and Six Character in Search of an Author (director).  She is the co-founder and former artistic director of Barrel of Monkeys where she created and directed the majority of their public performances, including their critically acclaimed long-running show: That’s Weird, Grandma, called “the best reason to live in Chicago on a Monday night” by Time Out Chicago. Kays is also an Artistic Associate with the Neo-Futurists were she directed 44 Plays for 44 PresidentsBurning Bluebeard, co-created and directed Daredevils and Daredevils Hamlet and the sight specific extravaganza, Fake Lake


She has worked with many other Chicago theatre companies over the years including: The Kid Thing (About Face/Chicago Dramatists), Oedipus, Mud and 4.48 Psychosis (The Hypocrites), The Children’s Hour (Timeline), The Golden Truffle (Redmoon) and Fair Use and Theatrical Essays (Steppenwolf).  Kays has been nominated for a Jefferson Citation for Best Supporting Actress and Best Direction, named one of the top 50 “players” in Chicago theater by Newcity.  She is a UT-Austin and Northwestern grad, former member of the Big Apple Circus Clown Care unit and the Co-artistic Curator for Theater on the Lake. 


The Ruffians are an artistic collective of theater makers (clowns, daredevils, acrobats, dancers, writers, performers, designers, directors). The Ruffians have all honed their craft working over a decade in Chicago’s various and thriving experimental, clown and storefront theater communities. A Ruffians objective is to make beautiful things with rough edges. A Ruffians motto: Breathe. Dare. Live.




BurningBluebeard-3 (left to right) Jay TorrenceDean EvansLeah Urzendowski CourserRyan WaltersAnthony Courser and Molly Plunk in BURNING BLUEBEARD by Jay Torrence, directed by Halena Kays.  Photo by Evan Hanover.

ACT OUT: Jedlicka Performing Arts Center Presents ACCOMPLICE

By Rupert Holmes
Directed by Artistic Director Dante J. Orfei
October 25 – November 9, 2013


Accomplice-1 (left to right) Mark Walsh and Sarah Lynn Robinson in Jedlicka Performing Arts Center’s production of ACCOMPLICE by Rupert Holmes, directed by Artistic Director Dante J. Orfei.  Photo by Emily Schwartz.

Jedlicka Performing Arts Center continues its 2013-14 Season with the comedic thriller ACCOMPLICE by Rupert Holmes, the creator of the Tony Award-winning musical The Mystery of Edwin Drood, with direction by Artistic Director Dante J. Orfei, playing October 25 – November 9, 2013 at the Jedlicka Performing Arts Center, 3801 S. Central Ave. in Cicero. ACCOMPLICE features Keith CavanaughWhitney MorseSarah Lynn Robinson and Mark Walsh. Tickets are available at www.jpactheatre.com or by calling (708) 656-1800.  

ACCOMPLICE begins as a conventional English thriller set in a country home: a sex-starved wife and her lover plot the murder her stuffy husband.  But nothing is quite what it seems in this outrageous whodunit. Four characters, bent on revenge, take the audience on a theatrical thrill ride of plot twists and turns guaranteed to keep everyone guessing until the very end.

The production team for ACCOMPLICE includes: Michael Nedza (scenic design), Lindsay Prerost (costume design), Dante J. Orfei (lighting design), Micheal A. Kott (sound/multimedia design) Samantha Nieves (stage manager) and Melanie Lamoureux (managing director).

PRODUCTION DETAILS

Title:  ACCOMPLICE
Playwright: Rupert Holmes
Director:  Dante J. Orfei
Cast: Keith CavanaughWhitney MorseSarah Lynn Robinson and Mark Walsh.

Location: Jedlicka Performing Arts Center, 3801 S. Central Ave., Cicero
Regular Run: Friday, October 25 – Saturday, November 9, 2103
Curtain Times:  Fridays & Saturdays at 7:30 pm; Sundays at 3 pm
Tickets:  $17. $15 senior discount. Group rates are available. Tickets are available at www.jpactheatre.com or by calling (708) 656-1800.

Parking:  Free parking is available.

About the Playwright:
Rupert Holmes’ first work for theater was The Mystery of Edwin Drood, for which he created the book, music, lyrics and orchestrations. When Drood won the Tony Award for Best Musical, Holmes simultaneously became the first sole recipient of Tony awards for both Best Book and Best Score. Drood and Holmes received the same honors from the New York Drama Desk, with a fourth award going to Holmes in the additional category of Best Orchestration. Holmes also received the coveted Edgar Award from the Mystery Writers of America, the first Broadway author-composer to be so honored. Accomplice is his second work for theater and his first non-musical.

About the Director:
Dante J. Orfei has been the Artistic Director at the Jedlicka Performing Arts Center for over 25 years. He is a graduate of the University of Notre Dame and has produced and directed a travel documentary titled European Sojourn, which aired on PBS. Dante also directed the U.S. Premiere of the musical Metropolis and worked closely with the show’s creator, Academy and Grammy Award-winner Joseph Brooks on the development of the show. Dante directed the national regional theatre premiere of Brooks’ most recent Broadway show, In My Life. He has studied with Tony Award-winners Harold Prince and Jules Fisher. He directed the Midwest Regional Premiere of the Queen rock musical, We Will Rock You, and has also directed the World Premiere of Nefertiti – The Musical, as well as Premiere Chicago Productions of Little Women, Andrew Lloyd Webber’s Aspects of Love, Blood Brothers, Jekyll and Hyde, The Baker’s Wife, and numerous plays by Olivier Award-winning playwright Ray Cooney, including the U.S. Premiere of Cooney’s It Runs in the Family. Dante has directed well over 175 stage productions on the professional, dinner theatre and academic levels.

Jedlicka Performing Arts Center strives to bring audiences a variety of theatrical pieces, from the classics to premiere works, providing an environment of excitement and discovery for its patrons while maintaining a unique performance venue for its artists.  For additional information, visit www.jpactheatre.com.


REVIEW: CHICAGO’S WEIRD, GRANDMA October 28 – December 2, 2013

BOM is truly the bomb!   Barrel of Monkeys killed it last Monday.   Chicago's Weird Grandma... and proud of it!  If you haven't seen this show, or haven't gone in a while what are you waiting for?!

Last Monday night the kids and I were stoked to see the first in a series of annual collaborations between some of Chi-town's Best and Brightest Performing Arts Companies & Artists and our long time favs, Barrel of Monkeys!   


Come on out and see just how weird and wonderful it is when the unbridled creativity of kids' stories is given a voice, costumes, and a platform!   These guys are some of our favs and Monday night was a hoot.   The tweens (10 & 12) both dug it, but I think I laughed even harder than they did!

Every week the audience votes on their top 2 keepers and 2 to let go.   The kids and I had different opinions but we all adored The Elephants Come To My House sketch.   Catch it before the pachyderms pack it up!

Click here to check out the show details in our prior coverage.



Still hesitating?   


Have you SEEN the complete schedule of guest artists and companies for CHICAGO’S WEIRD, GRANDMA:

Monday, October 28 – Manual Cinema (tooo much fun with shadow puppets, a wig & 3 overhead projectors)

Monday, November 4 – Jessica Hudson
Monday, November 11 – The Neo-Futurists and Bailiwick Chicago Theater
Monday, November 18 – Jyldo
Monday, November 25 – The Hypocrites

Monday, December 2 – About Face Theatre and Noah Ginex Puppet Company

Check 'em out LIVE the next 6 weeks, for their annual Chicagocentric version.  Then check back with ChiIL Mama like we vote in Chi, IL... early and often.  We have an original video interview with Barrel of Monkeys coming soon.


ACT OUT HOLIDAY: Barrel of Monkeys Celebrates the Season with THAT’S WEIRD, GRANDMA: THE HOLIDAY SPECIAL

Written by Chicago Public School Students
Adapted for the Stage & Performed by
Barrel of Monkeys Company Members
Directed by Artistic Director Molly Brennan
December 9, 2013 - January 13, 2014

Barrel of Monkeys invites you to join them by the imaginary hearth and celebrate the warmth of the holiday season with THAT’S WEIRD, GRANDMA: THE HOLIDAY SPECIAL, featuring a festive array of holiday-themed favorites like Santa and Taco BellThe Crazy ReindeerSnowmen From PlutoSanta’s Mean Day and many more – all conceived and written by Chicago Public School students and adapted for the stage and performed by Barrel of Monkeys Company Members. 


Directed by Artistic Director Molly BrennanTHAT’S WEIRD GRANDMA: THE HOLIDAY SPECIAL plays Mondays at 8 pm from December 9, 2013 – January 13, 2014 at the Neo-Futurist Theater, 5153 N. Ashland Ave. in Chicago.  Clever and funny – touching and poignant – the weekly collection of short sketches are equally entertaining for both adults and children. The line-up changes each week by audience vote – so no two shows are ever the same.  For tickets, reservations and information visit www.barrelofmonkeys.org or call (312) 409-1954.

Barrel of Monkeys, a Chicago-based arts education theater ensemble now in its 16th season, conducts creative writing workshops with 3rd through 5th grade students in underserved Chicago Public Schools. The ensemble of actor-educators then turns their stories and words into professionally-performed theater, presented both in-school and for the general public through its revues. Barrel of Monkeys annually performs more than 300 student-written stories for the students in their schools and 175 stories on the stage for the general public.

Barrel of Monkeys’ regular edition of THAT’S WEIRD, GRANDMA plays September 9 – October 2013, followed by a CHICAGO’S WEIRDO, GRANDMA featuring weekly guest artists and companies from October 28 – December 2, 2013.

 PRODUCTION DEAILS:

Title:  THAT’S WEIRD, GRANDMA: THE HOLIDAY SPECIAL
Written by:  Chicago Public School Students
Adapted for the stage by:  Barrel of Monkeys Company Members
Director:  Artistic Director Molly Brennan
Featuring:  Barrel of Monkeys Company Members

Location:  Neo-Futurist Theater, 5153 N. Ashland Ave. in Chicago
Dates:  December 9, 2013 – January 13, 2014
Curtain Times:  Mondays at 8 pm
Tickets:  $12 for adults; $6 for children under 12. Tickets are available at www.barrelofmonkeys.org or by calling (312) 409-1954.


About the Director
Molly Brennan, a Barrel of Monkeys company member since 1999, has held a variety of positions in the company, including actor, teacher, lead teacher, director and artistic associate. She was named Artistic Director in 2011. Brennan is also a Company Member of 500 Clown, and has performed in Chicagoland toured all over the country. Her acting credits include: Lookingglass Theatre's Peter Pan, A Play and Lookingglass Alice; and Harpo Marx in Goodman Theatre's Animal Crackers. She has also performed with About Face Theatre, Steppenwolf Theatre, The Second City, The House Theatre of Chicago, Lifeline Theatre and Factory Theater.

About Barrel of Monkeys
Since Barrel of Monkeys’ inception in 1997 it has worked in 57 Chicago Public Schools. More than 7,000 lower-income elementary school students have participated in the Barrel of Monkeys programs that provide a rare opportunity for creative expression and build literacy skills, self-esteem and confidence in student ideas and abilities.


ACT OUT: Sunday Matinees Return - Barrel of Monkeys Warms Up Winter With THAT’S WEIRD, GRANDMA

Kids Write It. We Do It. World Saved!
Sunday Matinees Return January 26 – March 30, 2014
Monday Night Performances Resume March 2 – 31, 2014



Barrel of Monkeys' long running (12 years and counting...) weekly production THAT’S WEIRD, GRANDMA is a pure delight.   The kids and I have gone several times over the years, most recently last Monday, and I don't know who laughed harder.   These witty actors truly are the BOM and the scripts taken from actual Chi-town school kids are hilarious.

If you've got littles with school or an early day job and the usual 9pm end time on a Monday is a deal breaker, you're in luck.   Winter Sunday matinees are back!   This show is generally aimed at adults/written by kids --truly "must see" theatre for all ages.   So go already.

Barrel of Monkeys is pleased to bring back the popular Sunday matinees series of its long-running, critically acclaimed revue THAT’S WEIRD, GRANDMA playing January 26 – March 30, 2014 at the Neo-Futurist Theater, 5153 N. Ashland Ave. in Chicago.  Then, it’s “March Monkey Madness” with two weekly performances from March 2 – 31, 2013 when Monday evening performances resume!  THAT’S WEIRD, GRANDMA is conceived and written by Chicago Public School students and adapted for the stage and performed by Barrel of Monkeys Company Members.  Clever and funny – touching and poignant – the collection of short sketches are equally entertaining for both adults and children. The line-up changes each week by audience vote – so no two shows are ever the same.  For tickets, reservations and information visit www.barrelofmonkeys.org or call (312) 409-1954.

Barrel of Monkeys, a Chicago-based arts education theater ensemble now in its 16th season, conducts creative writing workshops with 3rd through 5th grade students in underserved Chicago Public Schools. The ensemble of actor-educators then turns their stories and words into professionally-performed theater, presented both in-school and for the general public through its revues. Barrel of Monkeys annually performs more than 300 student-written stories for the students in their schools and 175 stories on the stage for the general public.

Barrel of Monkeys’ CHICAGO’S WEIRD, GRANDMA (featuring weekly guest artists and companies) plays from October 28 – December 2, 2013 and THAT’S WEIRD, GRANDMA: THE HOLIDAY SPECIAL (featuring an array of holiday themed favorites) plays December 9, 2013 – January 13, 2014.

PRODUCTION DETAILS:

Title:  THAT’S WEIRD, GRANDMA: Winter 2014
Written by:  Chicago Public School Students
Adapted for the stage by:  Barrel of Monkeys Company Members
Featuring:  Barrel of Monkeys Company Members

Location:  Neo-Futurist Theater, 5153 N. Ashland Ave. in Chicago
Dates: Sundays at 2 pm January 26 – March 30, 2014.  Mondays at 8 pm March 2 – 31, 2014.
Tickets:  $12 for adults; $6 for children under 12. Tickets are available at www.barrelofmonkeys.org or by calling (312) 409-1954.

About Barrel of Monkeys

Since Barrel of Monkeys’ inception in 1997 it has worked in 57 Chicago Public Schools. More than 7,000 lower-income elementary school students have participated in the Barrel of Monkeys programs that provide a rare opportunity for creative expression and build literacy skills, self-esteem and confidence in student ideas and abilities.

ACT OUT OPENING: Seanachaí Theatre Company Launches 2013-14 Season With THE SEAFARER

By Conor McPherson
Directed by Matt Miller
November 27, 2013 – January 5, 2014

Seanachaí Theatre Company is pleased to kick-off its 2013-14 season with Conor McPherson’s Tony and Olivier Award-nominated drama THE SEAFARER directed by Matt Miller and featuring ensemble members Ira AmyxBrad Armacost, Shane KenyonKevin Theis and Dan Waller.  THE SEAFARER plays November 27, 2013 – January 5, 2014 at The Den Theatre, 1333 N. Milwaukee in Chicago. Tickets are available at www.seanachai.org or by calling (866) 811-4111. 



On Christmas Eve, a pair of brothers are set to enjoy the holidays in true Dublin spirit with cards, booze and friends – until a stranger from long ago arrives to collect a debt.  THE SEAFARER is an eerie and darkly humorous masterpiece from one of Ireland’s most celebrated playwrights.

The production team for THE SEAFARER includes: Joe Schermoly (scenic design), Beth Laske-Miller (costume design), Julian Pike (lighting design), Stephen Ptacek (sound design), Elise Kauzlaric (dialect design), Seanachaí ensemble member Jeff Christian (production stage manager), Rebecca Willingham (assistant director) and Andrew Donnelly (stage manager).

PRODUCTION DETAILS:

Title:  THE SEAFARER
Playwright:  Conor McPherson
Director:  Matt Miller
Cast:  Seanachaí Theatre ensemble members Ira Amyx (Ivan), Brad Armacost (Richard), Shane Kenyon (Nicky), Kevin Theis (Mr. Lockhart) and Dan Waller (Sharky).

Location:  The Den Theatre, 1333 N. Milwaukee in Chicago
Dates:  Preview: Wednesday, November 27 at 7:30 pm
Press performance: Friday, November 29 at 7:30 pm
Regular run: Saturday, November 30, 2014 – Sunday, January 5, 2014. Note: there will not be a performance on Thursday, November 28 (Thanksgiving).
Curtain Times:  Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3pm
Tickets: Previews $12. Regular run $26 Thursdays & Fridays, $30 Saturdays & Sundays. Seniors/students $5 off. Tickets are available at visit www.seanachai.org or by calling (866) 811-4111. Group discounts (8 or more) are available by calling (773) 878-3727.

About the Playwright
Conor McPherson is one of Ireland's premier contemporary playwrights, currently produced worldwide, in London's West End and on Broadway to both critical and audience acclaim. His plays include The Veil (premiered at the Royal National Theatre October 2011, directed by the author), The Weir, The Seafarer, Port Authority, St. Nicholas, Shining City and Dublin Carol.  The New York Times proclaimed him "the finest playwright of his generation."  His new play, The Night Alive premiered at the Donmar in June 2013. 

About the Director
Originally from Kent, Ohio, Matt Miller is a Chicago based director and teacher.  His previous credits with Seanachai Theatre include The Weir and a joint production of St. Nicholas with Shanghai Low Theatricals.  Other recent directing credits include The Killer Angels with Lifeline Theatre, Superior Donuts with Mary-Arrchie Theatre Co., Oblivion and 4000 Miles (staged reading with Deanna Dunagan) for Steppenwolf’s First Look Repertory, A Girl With Sun In Her Eyes and This Is Our Youth with Pine Box Theater, and the world premiere of Graceland with Profiles Theatre (Jeff Award winner, Best New Work).  Matt is also a proud fifteen-year company member with Barrel of Monkeys, a theatre group that provides creative writing workshops for Chicago Public Elementary Schools that lack arts funding.

About Seanachaí Theatre Company
Seanachaí is the Gaelic word for Storyteller. It was the duty of the Seanachaí to keep these stories alive. The mission of Seanachaí Theatre Company is to return theatre to this origin - by creating compelling productions and programs that focus the energy of artists towards the common goal of exceptional storytelling. To achieve this end, Seanachaí Theatre Company strives to provide an atmosphere where all theatre artists – actors, playwrights, directors and designers – have the support and assurance to collaborate openly.


Seanachaí Theatre Company is supported in part by The Gaylord and Dorothy Donnelly Foundation, The Richard H. Driehaus Foundation, Charles River Associates, the Illinois Arts Council and The Chicago Department of Cultural Affairs: City Arts Program. 

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