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Thursday, August 22, 2013

ACT OUT: SATIRE FROM THE TEREZIN GHETTO


Shows on our radar:

             Now playing, the Chicago premiere of The Last Cyclist, a bitter satire on life in the Terezin Ghetto, written in the camp itself opened on August 17, 2013.

            Written by Karel Svenk, the play told of a world where the lunatics were literally running the asylum as a mad dictator (read: Hitler) and his lunatic supporters (read the SS) escape from an asylum and take over the world.  They declare that the evils in the world have been caused by bicycle riders (read: Jews) and they proceed to harass, hound, capture, exile and eventually kill all bicycle riders as well as anyone who ever owned a bike or whose grandparents owned a bike.

            Unlike other plays dealing with the Holocaust, The Last Cyclist used humor and satire to act as a form of resistance to the Nazis.  It is unlike any other Holocaust play you may have ever seen.

            Through the scholarship of Jewish author and educator Naomi Patz, the script has been reconstructed and will be presented in its Chicago premiere by Genesis Theatrical Productions in conjunction with the National Pastime Theater.

            Appearing the show are Andrea DeCamp, Amy  Gray, Steve Greist, Michael Hall, Stefanie Johnsen, Daria Harper, Charlie Rasmann, J. Keegan Siebken, and Adrienne Smith.  Elizabeth Margolius is the director, assisted by Daren Leonard.  Set design by Nick Quinn, Costume design by Stefanie Johnsen, Sound Design by Sarah Scanlon, Lighting Design by Julian Pike with Josh Raether as Stage Manager and Paul Martin as Co-Stage Manager.

The Last Cyclist  is produced in conjunction with the National Pastime Theater.  National Pastime Theater in the Preston Bradley Center, 941 W. Lawrence, 4th floor, Chicago. 

Performances will be Thursday through Saturday at 7:30pm and Sunday at 2pm through September 1.  Tickets are $30 for regular performances. Regular priced as well as discounted tickets for students and senior citizens and can be purchased through Brown Paper Tickets at www.brownpapertickets.com/event/388043.  

For groups of 10 or more contact Elayne@genesistheatricals.com or call 773-800-1703.

The National Pastime Theater is located within the rediscovered historic Preston Bradley Center at 941 W Lawrence Ave. 4th Floor in Chicago. The curious and bold can discover us via the Red Line Lawrence train stop and bus routes 36, 81, 145 and 151 are all within 3 blocks. $5 parking in Weiss hospital parking at 4650 N. Clarendon. Voucher at box office.


The Last Cyclist is produced in association with the National Pastime Theater and is made possible by the generous support of the Dramatists Guild Fund, the Jewish Community Foundation and Robert Klutznick and the Javitch Foundation.

ACT OUT OPENING: The Old Man and The Old Moon at Writers Theatre #midwestpremiere

Writers Theatre's opening production of the 2013/14 Season: The Old Man and The Old Moon

The Midwest Premiere of
THE OLD MAN AND THE OLD MOON
By PigPen Theatre Co.
Directed by Associate Artistic Director Stuart Carden and PigPen Theatre Co.

Featuring:
 PigPen Theatre Co.Alex Falberg*, Ben Ferguson*, Curtis Gillen*, Ryan Melia*, Matt Nuernberger*, Arya Shahi* and Dan Weschler*.
Designed by Lydia Fine and Bart Cortright, USA
Sound Design by Mikhail Fiksel, USA
Stage Management by David Castellanos*



“A journey into the frontiers of undiluted imagination.” 
– New York Magazine

Writers Theatre invites you to dive headlong into a theatrical fable that celebrates the power of imagination. The Old Man and The Old Moon creates an epic new mythology, centered on a man whose job is to collect spilled light to refill the leaking moon.  When his wife unexpectedly leaves home in pursuit of much-needed adventure, he abandons his post to follow her, throwing the world into chaos as he searches for his lost love, his fading memory and, ultimately, himself.
A blend of resonant storytelling, spirited indie-folk music and inventive puppetry creates a theatrical experience that will win you over with its wit, style and depth of emotion, and send you home inspired by an act of pure creation.
Writers Theatre is thrilled to collaborate with the young men of PigPen Theatre Co., who bring the story of The Old Man and The Old Moon to such brilliant, vibrant life that its New York production earned a coveted spot on multiple “Best of the Year” lists.
The Old Man and The Old Moon was developed in part at New Writers, New Plays. at Vineyard Arts Project: Ashley Melone, Founder and Artistic Director.

The Old Man and The Old Moon features music from the debut album, "Bremen."

"PigPen Theatre Company formed, in no small part, owing to their work with Stuart Carden at Carnegie Mellon," comments Artistic Director Michael Halberstam. "I was delighted to learn that, despite their enormous success with this production in New York, they wanted to continue their work on the piece.  Despite numerous offers from some of the nation's most venerable dramatic institutions, they were most engaged by the notion of returning to collaborate with their former teacher at Writers Theatre.  Following a writing workshop, two weeks at the Williamstown Theatre Festival and a full rehearsal process in Glencoe, PigPen and Writers Theatre are thrilled to present a newly improved version of their The Old Man and The Old Moon. A celebration of creativity, music, poetic text, this is a marvelous fusion of the word and the artist and a superb way to begin our final season in our current space."

"We began writing The Old Man and The Old Moon during our sophomore year at Carnegie Mellon's School of Drama,” says PigPen Theatre Co.  “It was the second play we had ever tried to write together, so in the spirit of trying to define our very young aesthetic, we were searching for inspiration in all of our classes. We found some in our movement, acting, and dramatic literature classes, but were hugely inspired by a directing course taught by Stuart Carden. He taught us to take ownership of our work in a way we hadn't thought possible. Making theatre in his class evoked a playfulness we fell in love with, so we kept doing it. We've since graduated, written and performed several original plays all over the country, and have begun telling our stories in different media. Being re-united with Stuart and working with the lovely, intelligent, and passionate artists at Writers Theatre feels like the final step in creating a world we began imagining 6 years ago. We can't wait to share it with Chicago."

"Reconnecting with the guys of PigPen Theatre Co. and developing further their epic and playful new work, The Old Man and The Old Moon, has been invigorating and a whole lot of fun,” said Associate Artistic Director Stuart Carden, who co-directs the piece. “The PigPen guys are an infectious group of theatre artists that spin their own highly original brand of storytelling, bringing together indie-folk music, surprising and elegant shadow play and an energized physicality.  All this in the service of a story that is both hugely entertaining and beguiling in its exploration of duty, memory, love and the tricky work of making change in your life.  With this piece, they have created an original myth that rather ingeniously explains how the moon came to be and why it waxes, wanes and goes through its changes.  I think this story—and the inventive way that this incredibly talented group of artists tell it—will strike a chord in our audience, as it has in me, and leave them seeing the moon in an entirely new light."

PigPen Theatre Company (Playwright and Co-director) began creating its unique brand of music, film, and theatre at Carnegie Mellon School of Drama in 2008. They have gone on to become the first group to win the NYC Fringe Festival’s top honor for a play two years in a row in 2010 and 2011, produced several original plays off-Broadway earning them critics’ picks from The New York Times, Time Out New York, New York Magazine, and more, ranking them in the top ten theatrical events of both 2011 and 2012. Their first full-length production of The Old Man and The Old Moon opened in Manhattan on October 7, 2012 with a commercial run at The Gym at Judson. The show was a critical smash hit, playing over a hundred performances to over 10,000 people, landing PigPen once again on several best-of-the-year theatre ranking lists. The Old Man and The Old Moon closed its New York run on January 6, 2013.

Stuart Carden (Co-director and Associate Artistic Director) is thrilled to reconnect with the guys of PigPen on The Old Man and The Old Moon. This marks Stuart's fifth season as Writers Theatre’s Associate Artistic Director, where he has directed Yellow Moon, Hesperia, and Travels with My Aunt. A new play specialist, Stuart leads Writers Theatre’s Literary Development Initiative, which establishes a dialogue between the theatre and noted playwrights in order to commission, develop and produce new and adapted works. Before joining Writers Theatre, he was the Associate Artistic Director of City Theatre Company in Pittsburgh. Recent regional directing projects include Circle Mirror Transformation by Annie Baker, In the Next Room (Or the Vibrator Play) by Sarah Ruhl, Crime and Punishment by Marilyn Campbell and Curt Columbus and The Lieutenant of Inishmore by Martin McDonagh (The Repertory Theatre of St. Louis), Blackbird by David Harrower, Mary’s Wedding by Stephen Massicotte, A Picasso by Jeffrey Hatcher (City Theatre Company), The Pillowman by Martin McDonagh, Martin Crimp’s adaptation of The False Servant and Stones In His Pockets by Marie Jones (Pittsburgh Irish and Classical Theatre). In Chicago with Silk Road Theatre Project (now Silk Road Rising), he directed the widely acclaimed world premiere of Shishir Kurup’s The Merchant on Venice (a South Asian-American and Bollywood-inspired adaptation of Shakespeare’s original), the world and regional premieres of Yussef El Guindi’s 10 Acrobats In an Amazing Leap of Faith and Back Of The Throat, as well as the Chicago premiere of David Henry Hwang’s The Golden Child. Coming up, he will direct Nina Raines' Tribes in a co-production with Philadelphia Theatre Company and City Theatre. Carden is a proud alum of Carnegie Mellon University, a member of the Stage Directors and Choreographers Society, and dad of twin toddlers Griffin and Dashiell.


Title:                 The Old Man and The Old Moon
By:                   PigPen Theatre Co.
Directed by:      Associate Artistic Director Stuart Carden and PigPen Theatre Co.
Cast:                PigPen Theatre Co.
Alex Falberg, Ben Ferguson, Curtis Gillen, Ryan Melia, Matt Nuernberger, Arya Shahi and Dan Weschler.
Designers:        Lydia Fine and Bart Cortright; Mikhail Fiksel (sound); Meredith Miller (props master)

                                    Dates:              First performance: September 3, 2013
                                   
                                    Closing performance: November 10, 2013
           
            Schedule:         Tuesdays: 7:30pm
                                    Wednesdays: 7:30pm (with select 2:00pm matinees)
                        Thursdays & Fridays: 8:00pm 
                                    Saturdays: 4:00pm and 8:00pm
                        Sundays: 2:00pm and 6:00pm
             
                        Location:          Writers Theatre, 325 Tudor Court, Glencoe
                        Prices:              Prices for all performances range from $35 - $70
                                                Purchase early for best prices   
           
Box Office:       The Box Office is located at 376 Park Avenue, Glencoe;
                        847-242-6000; www.writerstheatre.org


Notes of Interest:

  • Following a production in New York, an initial writing workshop, two weeks at the Williamstown Theatre Festival and a full rehearsal process in Glencoe, Pigpen and Writers Theatre present a newly improved version of the piece.
  • PigPen Theatre Co. is actively involved in multiple genres of artistic expression, including theatrical performance, a live music tour, authorship of a children’s book, short filmmaking and more.
  • The company works in a uniquely collaborative process with all members of the company contributing equally to all aspects of the show, including an ensemble approach to writing using Google Docs, in which all members are actively writing and editing the script at the same time.
  • The company’s debut album “Bremen” (which features tracks used in The Old Man and The Old Moon) was named one of the top ten albums of the year by The Huffington Post.
  • PigPen will be performing a concert series at the renowned Chicago concert venue Schubas on their nights off from Writers Theatre in October and November, to promote the release of their upcoming EP, which will feature brand new music as well as a few songs from The Old Man and The Old Moon.
  • Examples of PigPen’s music, animated shorts and theatre work can be seen http://www.youtube.com/user/PigPenTheatreCo.

ABOUT WRITERS THEATRE
Over the past twenty-two seasons, Writers Theatre has become a major Chicagoland cultural destination with a national reputation for excellence. Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has been deemed the “best drama company in the nation” by the Wall Street Journal and achieved twenty years of surplus operations. The company, which plays to a sold-out and discerning audience of 35,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry. Prized for the finest interpretations of classic and contemporary theatre in its two intensely intimate venues, Writers Theatre’s acclaimed work includes Artistic Director Michael Halberstam’s world premiere in Glencoe and subsequent production of A Minister’s Wife at Lincoln Center Theater; David Cromer’s productions of A Streetcar Named Desire and Picnic; and the commissioning, world premiere and New York premiere of Crime and Punishment, which has received more than 30 subsequent regional theater productions.
In July, 2011, Writers Theatre announced the hiring of the award-winning, internationally renowned Studio Gang Architects, led by principle Jeanne Gang, FAIA to design a new home for the Theatre in downtown Glencoe which will once again allow the Theatre to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility will resonate with and complement the Theatre’s neighboring Glencoe community and will add tremendous value to Chicagoland and the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre or follow Writers Theatre on Twitter at Twitter.com/WritersTheatre. For more information, visit www.writerstheatre.org.


ACT OUT OPENING: Valerie Hager's “Naked in Alaska" AT THE CHICAGO FRINGE FESTIVAL AUG. 30 - SEPT. 2





Written and performed by Valerie Hager
Directed by Scott Wesley Slavin
As featured in the 2013 Chicago Fringe Festival
 The Gift Theatre, 
4802 N. Milwaukee Ave. 

Friday, Aug. 30. 8:30 p.m.

Saturday, Aug. 8/31,  5:30 p.m. or Monday, Sept. 2, 7 p.m. performances


VALERIE HAGER'S ACCLAIMED SOLO "NAKED IN ALASKA"
AT THE CHICAGO FRINGE FESTIVAL AUG. 30 - SEPT. 2

Legendary Hearts Productions presents Valerie Hager’s critically acclaimed autobiographical Fringe Festival hit “Naked In Alaska,” directed by Scott Wesley Slavin, at The Gift Theatre, 4802 N. Milwaukee Ave., Aug. 30 – Sept. 2 as part of the Chicago Fringe Festival. For tickets or more information visit chicagofringe.org.
 
Written by and starring actress and movement artist Valerie Hager, “Naked in Alaska” follows Hager through her 10-year career as an exotic dancer in strip clubs from Mexico to Alaska to California as she strives to redeem the outcast and addict she became during childhood and adolescence. “Utilizing much humor and some very impressive pole dancing, the story unfolds as Valerie combines vulnerability and honesty with the survival skills needed to navigate the murky world of strip clubs and private party rooms…You will root for her indomitable spirit and celebrate the triumph of Valerie Hager in ‘Naked In Alaska’,” says Off-Broadway.com.
 
At 21, newly sober and recently evicted, Valerie is invited by her best friend Raven to work at a strip club in Tijuana, Mexico. An evening that begins in innocence and excitement over making some easy cash seduces her into a 10-year career that tests the limits of friendship and her will to survive. In this solo work, Hager portrays more than a dozen characters that danced in and frequented the clubs.
 
“‘Naked in Alaska’ is a fearless look at the objects we make of ourselves to fit in and the buried truths we must face to have a chance of coming home,” says Hager. She began working on “Naked In Alaska”  in a series of developmental workshops. “I was at a place in my life where the traditional ways of getting work as an actor weren't working for me. So I began to explore the experiences I had as a meth-addicted teenager and exotic dancer. As I began to open up and share my story, I saw how it impacted and connected with people. I realized I had to develop this part of my life into a longer narrative because I believed it could inspire and empower others who have felt different or on the fringe.”
 
In early 2012, with the support of Stage Left’s Cheryl King, Hager performed “Naked In Alaska” at New York’s Stage Left Studio. In mid-2012, Scott Wesley Slavin came on board as “Naked In Alaska's” director and dramaturge. Slavin continues to work with Hager on both “Naked in Alaska” and other original pieces for The Room's Salon Series (which Hager and Slavin co-founded), as well as other celebrated venues.

To date, “Naked in Alaska” has been accepted into seven festivals and series including New York’s Emerging Artists Theatre Festival, Planet Connections Theatre Festivity, Women at Work Festival, EstroGenius Festival, Dixon Place Performance Series, the New York International Fringe Festival and the Chicago Fringe Festival. For more information about Valerie Hager and “Naked in Alaska” visit  valeriehager.com.
 
Legendary Hearts Productions presents Valerie Hager’s “Naked In Alaska,” as part of the Chicago Fringe Festival at The Gift Theatre, 4802 N. Milwaukee Ave., Friday, Aug. 30 at 8:30 p.m.; Saturday, Aug. 31 at 5:30 p.m. and Monday, Sept. 2 at 7 p.m. Tickets are $10. For tickets or more information visit chicagofringe.org.
 

ACT OUT: Nora Dunn in Mythical Proportions at Theater Wit




Chi, IL Live Shows on our radar:  Mythical Proportions.   This is high on our must see list.   Worlds collide alert:  Weirdly enough, my sound guy husband worked on the Lockdown series that inspired some of Nora's monologues.   We covered this one woman show the last time she performed it in Chicago and this time it's back for a longer run at one of our favorite small venues, Theater Wit!

Written and performed by Nora Dunn
Now playing through September 22, 2013

Nora Dunn's singular solo performance emerges from the memories of a mythical 87-year-old Hollywood doyenne who discovered the greatest stars of the 50’s, the musings of a seven-year old girl who is mystified by the small world of Mr. Rogers’ Neighborhood and the life of the inmates in a TV series called Lockdown, a 65-year-old woman, Mrs. Williams, who chronicles a family history tainted by racism yet grounded in love, and a dreamy middle-aged English bookkeeper who’s ill fated vacation to Southern California ends in tragedy. 

Dunn’s personal stories from her childhood in Chicago’s West Side collide with the tales of the rich and powerful players in show business.

Running Time: 1 hour 10 minutes


There is no late seating available for this production.

ACT OUT OPENING: THE STORY OF CURTIS MAYFIELD: IT’S ALL-RIGHT TO HAVE A GOOD TIME at BLACK ENSEMBLE THEATER



BLACK ENSEMBLE THEATER PRESENTS
THE STORY OF CURTIS MAYFIELD:
IT’S ALL-RIGHT TO HAVE A GOOD TIME
AT THE BLACK ENSEMBLE THEATER CULTURAL CENTER
FEATURING REGINALD TORIAN AS CURTIS MAYFIELD

September 14 – October 20, 2013

Black Ensemble Theater announces The Story of Curtis Mayfield: It’s All-Right To Have A Good Time produced, written and directed by Black Ensemble Theater Founder and CEO Jackie Taylor with Assistant Director Daryl Brooks. The Story of Curtis Mayfield will be presented at the new Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago, September 14 – October 20, 2013. 

Black Ensemble’s tribute to Chicago’s own music legend Curtis Mayfield is the story of a musical giant who is equally celebrated as a singer, song writer and record producer.  From the anthemic music of The Impressions like “Gypsy Woman,” “I’m So Proud,” “Choice of Colors” to movie hits like “Super Fly,” The Curtis Mayfield Story will bring to vibrant life the rare musical genius that was Curtis Mayfield. Mayfield’s timeless music is known and celebrated all over the world, and he is the winner of the Grammy Legend Award (1994), the Grammy Lifetime Achievement Award (1995) and a double inductee into both The Rock and Roll Hall of Fame (1991, 1999) and the Grammy Hall of Fame.

The cast features Reginald Torian as Curtis Mayfield, who replaced Curtis Mayfield in The Impressions in 1970 and remains in the group today.  The cast also includes Cecil Jones (Younger Curtis), David Simmons (Older Jerry Butler), Brandon Holmes (Younger Jerry Butler), Brian Nelson (Fred Cash of The Impressions) and Donald Manuel (Sam Gooden of The Impressions).  Cast members playing various roles include: Casey Hayes, Rueben Echoles, Jos N. Banks, Mark Hood, Rueben Echoles, Alanna Taylor, Katrina Richardson, Ereatha McCullough and Christina Harper.
                                                                                                                
Title:                             The Story of Curtis Mayfield: It’s All-Right To Have A Good Time
Written &
Directed by:                  Black Ensemble Theater Founder and CEO Jackie Taylor
and Assistant Director Daryl Brooks.
Musical Director:           Robert Reddrick
Dates:                          September 14 – October 20, 2013
                                    Press Performance: Sunday, September 22 at 3:00 p.m.
Schedule:                     Wed & Thurs:               7:30 p.m.
                                    Friday:                         8:00 p.m.
                                    Saturday:                     3:00 p.m. and 8:00 p.m.
Sunday:                       3:00 p.m.
Location:                      Black Ensemble Theater Cultural Center, 4450 N. Clark Street.
                                    Valet parking is             available.
Ticket prices:                $55 on Wednesdays, Thursdays, and Saturday matinees; and $65 on Fridays, Saturday evenings, and Sunday matinees. A 10% discount is available for students, seniors, and groups.
Box Office:                   Buy online at www.ticketmaster.com or call (773) 769-4451

The Black Ensemble Theater
Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.

On November 18, 2011, The Black Ensemble Theater Cultural Center opened and is able to accommodate larger-scale productions, bigger audiences and a wider range of educational programming. The new facility includes amenities such as a 299-seat main stage theater (double the capacity of the original venue); 14 offices, classroom space; rehearsal hall, dance studio, scene shop, costume shop, and wardrobe rooms; seven dressing rooms; rehearsal room for musicians; front lobby space with concession areas; and an indoor parking garage.  The completion of a 150-seat theater, which will serve as an experimental stage for the work of the Black Playwright Initiative (BPI), is expected in 2013.


The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, please visit www.BlackEnsembleTheater.org or call 773-769-4451.

ACT OUT: ROCHE SCHULFER CELEBRATES 40 YEARS WITH GOODMAN THEATRE




***EXECUTIVE LEADER TO BE HONORED ON THE “WALKWAY OF STARS” ON SEPTEMBER 4, AND AT THE SEPTEMBER 24 SEASON OPENING CELEBRATION***

Lifelong Chicagoan Roche Edward Schulfer’s 40 years of distinguished service to Goodman Theatre—a rarely-exceeded tenure at a single American theater—will be celebrated with a star on the “Walkway of Stars” beneath the iconic Goodman marquee, and at the 2013/2014 Season Opening Celebration on September 24. One of the most respected theater producers in the country, Schulfer has been central to the Goodman’s emergence as a major cultural institution and leading U.S. theater. 

He began his theater career in the Goodman’s box office in 1973, and quickly rose through the ranks; he currently serves as Goodman Theatre’s Executive Director (a position he has held since 1980) and, with Artistic Director Robert Falls, shares a 27-year producing partnership—one of the longest in the industry.  Schulfer has overseen the production of close to 350 plays (including 125 world or American premieres), has negotiated the presentation of Goodman productions at national and international venues and established Charles Dickens’ classic tale A Christmas Carol as an annual Chicago holiday tradition (marking its 36th production this season). 

He coordinated the development of the $46 million new Goodman Theatre complex from 1998 - 2000, which served as a catalyst for Chicago’s Theater District. In honor of Schulfer’s milestone anniversary, the Goodman’s Boards, artists, staff and friends contributed more than $1 million in special gifts, bringing the $15 million Endowing Excellence Campaign near completion. Schulfer’s star will be unveiled on September 4 at 11am.

“On behalf of the City of Chicago, I congratulate Roche Schulfer on four decades of leadership of Goodman Theatre,” said Mayor Rahm Emanuel. “Roche’s efforts at the Goodman have helped Chicago earn our reputation as a global destination for theater, and his visionary leadership has transformed the Goodman and introduced theater to thousands across our City. I congratulate Roche on this milestone achievement.”

During the leadership of Schulfer and Falls, the Goodman’s attendance has averaged 90% capacity; sales revenue has grown from $2.5 million to $11.5 million; and public support has grown from $2 million to $6.6 million. Under their leadership, the theater has made community engagement a core value of the institution, establishing a diverse array of youth and lifelong learning programs. 

The Goodman has received numerous awards and accolades for excellence, including the Pulitzer Prize for Ruined by Lynn Nottage (2009); “Best Regional Theater in the United States” by Time magazine (2003); the Tony Award for Outstanding Regional Theater (1992); and numerous Joseph Jefferson awards for outstanding achievement in Chicago-area theater. 

Schulfer is a founder and two-time chairman of the League of Chicago Theatres and a founding member, past chair and current board member of Arts Alliance Illinois. “Schulfer's love for the theater is palpable, but his business skills have made the difference in what his loyalists believe is the Goodman's very existence” (Chicago Sun-Times).

“As the current Goodman Theatre Chair and on behalf of those who have preceded me in this role, it is a privilege to work with Roche Schulfer—a charismatic arts advocate with remarkable business acumen whose leadership led to the establishment of quality, diversity and community as the core values of the Goodman,” said Ruth Ann M. Gillis, Executive Vice President and Chief Administrative Officer, Exelon Corporation, and President, Exelon Business Services Co. “Roche has championed cultural diversity and gender equality on and off the stage, and his entrepreneurial and strategic initiatives have made theater accessible to all.”

Theater management as a career evolved during the 1960s and 1970s, after the founding of the National Endowment for the Arts (NEA) and the rise of both public and private funding for the arts.

“Roche is among the early trailblazers of this work, and has set a towering and inspiring example for the field,” said Teresa Eyring, Executive Director of Theatre Communications Group (TCG), the national service organization for more than 450 not-for-profit theaters. “He is one of the only practitioners in the American theater field who has been elected to multiple separate terms on TCG’s board over the last three decades, and is deeply respected by his peers and by emerging leaders—who literally soak up his wisdom. As a producer, Roche is well known for his fiscal brilliance, but he is also a tremendous advocate for artists—helping to ensure that artists have a home at the Goodman, and that the wider community is aware of the challenges faced by freelance theater artists. He has also been a committed, consistent presence at the national level advocating for the entire performing arts sector.”

Following Schulfer’s graduation from the University of Notre Dame with a degree in Economics, he was hired on September 4, 1973 as a Box Office Attendant at Goodman Theatre under then-Artistic Director William Woodman (at the Goodman’s previous 200 S. Columbus Drive location). He was promoted to Assistant to the Managing Director in 1974 (under Managing Director John Economos); General Manager in 1977 (working with Managing Director Janet Wade) and was named Managing Director in 1980, working with then-Artistic Director Gregory Mosher. From 1974 to 1983, Schulfer produced the works in Goodman Stage 2, which became a force in the growth of Chicago theater through premieres of David Mamet’s American Buffalo, A Life in the Theatre, Edmond and Glengarry Glen Ross. He also worked with Mosher to make Goodman productions more representative of the diverse Chicago community through new programming, casting and marketing strategies. In addition, in 1976, he founded the off-Loop Producers Association—the predecessor of the League of Chicago Theatres.

“There simply is no better, smarter or more generous collaborator in the American theater than Roche Schulfer,” said Artistic Director Robert Falls. “An enormously gifted producer and shrewd business strategist, he has shepherded productions like Death of A Salesman, Desire Under the Elms and Chinglish to theaters on Broadway and beyond. Roche is also a thoughtful, caring leader who has promoted diversity, inclusion and support for theater workers fighting HIV/AIDS, consulted with many emerging theater companies and mentored countless young professionalsincluding many outstanding leaders in the Chicago and national theater community.”

One such leader, Rachel Kraft, worked for 12 years at the Goodman under Schulfer prior to becoming Executive Director for Chicago’s celebrated Lookingglass Theatre. “When Roche hired me to be the Director of Development for Goodman Theatre, I had only been working there for six months and was still very green in the field. He explained my promotion to the board as ‘we hire people, not resumes’—which not only reinforced his confidence in my work, but in me as a person. His philosophy informed every hire I’ve made since, and I know that it was his investment in me that directly led to my current position,” said Kraft.

In addition to his work with TCG, Schulfer has served in leadership roles with the Performing Arts Alliance (the national advocacy consortium of more than 18,000 organizations and individuals); the League of Resident Theatres (the management association of 65 leading US theater companies); and Lifeline Theatre of Rogers Park. He has been recognized by Actors’ Equity Association for promoting diversity and equal opportunity in Chicago theater; the American Arts Alliance for national arts advocacy leadership; the Arts & Business Council for distinguished contributions to Chicago’s artistic vitality for more than 25 years; Chicago magazine and the Chicago Tribune as a “Chicagoan of the Year”; the City of Chicago; Columbia College Chicago for entrepreneurial leadership; Arts Alliance Illinois for state and local advocacy leadership; the Joseph Jefferson Awards Committee for his partnership with Falls; North Central College with an Honorary Doctor of Fine Arts degree; Lawyers for the Creative Arts; Lifeline Theatre’s Raymond R. Snyder Award for Commitment to the Arts;  Season of Concern for support of direct care for those living with HIV/AIDS; and the Vision 2020 Equality in Action Medal for promoting gender equality and diversity in the workplace. He is a longtime adjunct professor at DePaul University, helping to nurture the next generation of theater professionals. He is married to the distinguished actor Mary Beth Fisher. 


Gemini Club Plays North Coast Music Fest, FREE MP3, New Video & More #NCMF


This is the first year since it's inception that ChiIL Live Shows has opted not to cover North Coast Music Festival.  



We'll still chime in here n there with must see recommendations and we'll be back with a vengeance covering every day of our annual fav, RIOT FEST!!


If you're heading to NCMF13, check out Gemini Club.

Tour Dates     
Aug 30 - Chicago, IL - North Coast Music Festival 2013
Oct 11 - Los Angeles, CA - Culture Collide Festival
Oct 12 - San Francisco, CA - Neck of the Woods
Oct 14 - Washington, DC - Black Cat
Oct 15 - Philadelphia, PA - MilkBoy Philadelphia
Oct 16 - Boston, MA - Church
Oct 17 - New York, NY - CMJ (Details TBA)


GEMINI CLUB
Releases New Music Video
Sparklers
Directed by Brain Killer

“Sparklers” Available As A Free MP3 Download Now

Gemini Club Announce Fall Tour Dates


The new music video for the song “Sparklers” by Chicago-based indie-dance four piece Gemini Club was directed by visual & street artist Brain Killer and produced by Red Bull Sound Select. The video debuts today and can be viewed at www.redbullsoundselect.com. Fans can also download a free MP3 featuring a new mix of the song via the Gemini Club Soundcloud page.

Shot on location in Chicago, the concept behind “Sparklers” was a collaborative effort, melding the band’s dance rock sound with Brain Killer’s darker aesthetic. Gemini Club had ideas for the video revolving around projection mapping, warping physical space and time-lapse shots. Per Gemini Club’s Daniel Brunelle, “Brain Killer took our ideas and wove them into a complete narrative that really made the song shine.”

Gemini Club is Tom Gavin (vocals), Gordon Bramli (DJ), Daniel Brunelle (production) and Ryan Luciani (drums). The infectious electronic-tinged, indie rock-influenced songs found on their two EPs, mixed with their unique live set up--featuring a specially designed rig that allows for on-the-fly remixing of their own songs--have made them one of Chicago’s leading bands to watch. Gemini Club most recently performed as direct support for Metric during Red Bull Sound Select’s free concert series in July. The band just announced a number of additional shows, including stops at Chicago’s North Coast Music Festival and Los Angeles’ Cultures Collide Festival. See full tour routing below.

Look for Gemini Club’s new single “Preached” to be released this fall via Red Bull Sound Select.

Gemini Club:

“Sparklers”


About RED BULL SOUND SELECT
Red Bull Sound Select is a long-term music initiative that invests in local music scenes, and connects artists and fans with one another to be part of the stories that break music. Since its BETA launch in February, Red Bull Sound Select has hosted nearly 60 “Presents” showcases to welcome more than 100 new artists into the program including Chance the Rapper, Cherub, The Black Cadillacs, HANDS, Heliotropes, Show You Suck, Beach Party, Wildcat! Wildcat!, Sasha Go Hard, Rivals of the Peacemaker and many more.

Every month, a collective of local music curators invite three new artists from each participating city into the program and host a “Red Bull Sound Select Presents” showcase to introduce them. Red Bull Sound Select curators include: Brooklyn Vegan, Next Big Nashville, East Village Radio, Fake Shore Drive, Transmission Entertainment, Knuckle Rumbler, Full Service Music, MFG Productions, Lightning 100, Do 312, Riot Fest, ScoreMore, Afropunk, Brooklyn Bodega, IAMSOUND and Marathon Music.


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