Pentimento #FREEfullalbumdownload #punk

Pentimento Gives Away New Full-Length Record For Free, Issues Update Regarding Record Label Situation Pentimento's debut, self-titled full-length record was originally announced for a November 13 release date via Paper + Plastick Records and Black Numbers. Today is November 13, and the Buffalo, NY-based indie-punk-rockers have just made their new LP available to the public...but not exactly how it was originally planned. Pentimento can now be downloaded for free on PentimentoNY.com, and on the site, fans can read an in-depth statement from the band regarding the complications that surrounded the album's release. The group has cut ties with Paper + Plastick and Black Numbers because of legal action that was threatened by former label Panic Records. *free download right here  The band, releasing its album for free independently, is taking donations via PayPal to help pay back GCR Audio and producer/engineer Jay Zubricky for the recording costs. The band is not selling its record, but taking donations from those willing to help out with the recording bill. Finally, the day is here! A few weeks back, we announced we would be releasing our debut, self-titled full-length record via Paper + Plastick Records and Black Numbers, and we were more than ecstatic to have the opportunity to work with a team of outstanding individuals with their minds and hearts in the music. However, we are displeased to announce that this will not be happening.   We feel that it is only fair to be honest about the situation and lay it straight out for you to understand. Honesty, truth, integrity, sincerity ... these are all things that are not as plentiful in the world as they should be. Pentimento as a band and as individuals are on a collective journey to find more of these things in the world and within ourselves. We are not perfect. We are not meant to be. We are learning from our mistakes everyday and it is so exhilarating to do so and to realize that this exact process is what life is all about.   Panic Records has hired a lawyer to threaten legal action toward Pentimento, Paper + Plastick and Black Numbers if we continue on with our record release. That's why this album hasn't had a normal marketing plan around it - that's why you guys haven't been able to preorder the record online. No vinyl or CDs or cassettes have been pressed. Plainly and simply, we've decided to close our relationships with P+P/BN at the current time in the interest of protecting those labels from legal action, and in the interest of forging on ourselves as an independent band. Panic Records has made threats to file take-down claims from any digital distributor selling our album. They've enforced take-down claims with YouTube regarding the few songs we have already released for you guys to hear, which due to the situation are no longer available. Truth be told, we have been in this legal battle with Panic since September. And even though we had to put off the relationships we were so excited to start only a couple months ago, we MUST push on as a band.   That's why we're giving you guys our debut full-length record for free. Starting today. We believe in this record. As four individuals, there is nothing more that we want than to be playing these songs around the world. This is the reason why we must release the record independently. We feel it is completely necessary for us to tell this story and to offer you the record that we are so very proud of. Starting today, and for as long as we possibly can before a lawyer comes for us and tries to shut us down, you'll be able to download our new LP for free. It should be clear that our intent is not to defame anyone in this matter. Our intent is to explain the honest story of where Pentimento is forced to stand today with the continued support of Jay Zubricky and GCR Audio.   The economics of being in a band have inevitably left us with a bill to cover the expenses of the record ourselves. This is where the "sob story" begins and ends, and again, please understand that our intent is not to give you a sob story. Our intent is to give you our record.   If you open a pizza shop, you need ovens and ingredients and workers before you can even get a single pie out to your customers. All of those things cost money. Being in a band is no different. The economics of releasing an album include recording studio costs, artwork, publicity, etc. Now that we are without label support, these expenses are in the hands of Pentimento, which like many other touring acts, spends less time at work and more time in the van.   We NEED you to hear this record. Therefore, we are giving it to you for free. We will assume the expenses ourselves. If you would like to donate to the economics of the four of us continuing on as Pentimento, information can be found at the end of this message.   Always be SMART, ARTICULATE and PASSIONATE - three words that we have gathered from an individual who has helped guide us to what we aspire to be. We are trying to do those exact things. This record belongs to you just as much as it does to us. Thank you for your continued support. We want nothing more than to share with you the music that makes us feel alive.   All donations will be accepted at pentimentomerch@gmail.com via PayPal. Please include your address and phone number (if you please) as we would like to contact everyone individually who has supported us financially. Pentimento - Pentimento Independently released. For free. Today.

Badfish at Cubby Bear THIS Friday #originalshowshots

Are you a Badfish too?!   Sure, seeing Sublime live just ain't gonna happen....ever.   But Badfish is comin' your way and they put on a rockin' live show.  Their original material as Scotty Don't is pretty sweet, too, but their Sublime sets had everyone grinnin' and singing along.   Fun times!   Last year we even gave away tickets to a couple of our lucky readers.   Check out ChiIL Live Shows original shots from their House of Blues gig last year right here.   Then get your tickets and go already.   Click here for tixs and more show info.  21+.   

 

Men Without Hats & Bow Wow Wow THIS Sunday

Mayne Stage...New Wave...Sunday's gonna be a big dance party.   Come see 80's favs with some stellar new tunes, and classics.

Get your tickets here.

Mayne Stage Presents

Bow Wow Wow and Men Without Hats

Sunday, Nov 18, 2012 7:30 PM CST 
Mayne Stage, Chicago, IL
18 years and over

BOW WOW WOW AND MEN WITHOUT HATS

Men Without Hats:

Men Without Hats is a Canadian New Wave group from Montreal, Quebec. Their music is characterized by the distinctive baritone voice of their lead singer Ivan Doroschuk as well as their elaborate use of synthesizers and electronic processing. They achieved their greatest popularity in the early to mid 1980s with their most successful single, "The Safety Dance", a Top 10 hit in both the US and the UK, as well as other countries including South Africa. Their other big success was the 1987 hit, "Pop Goes the World".

Bow Wow Wow:

Bow Wow Wow’s history may be short but it’s complex. Over their four album life span, Bow Wow Wow’s music ranges from simple, goofy, non-sensical tunes to complex, crisp pop masterpieces. Bow Wow Wow’s music has been described as a pastiche of Latin and African beats, 50’s rock-n-roll, and spaghetti western soundtracks. The band packaged all of this together with an incredible sense of humor and vigor. With thundering African/Latin percussion and twangy, Duane Eddy guitars, Bow Wow Wow struggled to maintain a consistent image and sound through a host of record producers in their short life span. But despite the numerous people who shaped their sound from 1980-1983, a strong Bow Wow Wow identity remained intact. That unique style created a wonderful antithesis to the gloom of the London and U.S. music scene in the early 80’s. Unemployment and inflation were at record highs in both countries. As Annabella Lwin (lead singer) said in 1981: “I hate London. It’s just really horrible. I just really hate it. It’s depressing, you know. At the moment anyway, it’s depressing.”

ACT OUT: HELLCAB Opens at Profiles Theatre

Hellcab

by Will Kern

directed by Darrell W. Cox

  

Profiles Theatre newest venue

The Main Stage

4139 N. Broadway  

I saw Hellcab waaaay back in the day with a theatre friend of mine who still goes by the name Hellwomann, and I'll never forget how hard we laughed.    We can't wait to see what Profiles brings to the 20th anniversary production.   This quirky, cool slice of Chi-Town life makes for some seriously fun insights into human nature.   We'll be there tomorrow for press night and we'll have a full recap.   

Hellcab presents a day in the life story of a cab driver in for the longest night of his life as he transports a bizarre and mysterious collection of customers through the gritty streets of Chicago. Playwright Will Kern draws from personal experience as a former cab driver to create this alternately frightening, hilarious and poignant journey. Throughout his long shift, the eclectic collection of passengers includes a trio of drug-addicts, a smug lawyer, a born-again couple, and a randy couple on their way to a motel. Set during a bitter cold Christmas Eve, Hellcab presents a rear-view image mirroring the passing parade of humanity.

Profiles presents the 20^th Anniversary production of Kern’s landmark play. First produced as a late-night show by Famous Door Theatre in 1992, the play was originally scheduled for twelve performances and ended up running for over nine years, becoming one of the longest running shows in Chicago theatre history. Hellcab has been performed all over the U.S. and abroad, including Scotland, Israel, Singapore, and Ireland. The play won numerous awards, including a Fringe First at the Edinburgh Festival and was adapted for the screen by Mr. Kern in 1998.

Directed by Profiles Co-Artistic Director Darrell W. Cox, Hellcab will feature a cast of 34 Chicago actors. Originally performed by a cast of one driver and six ensemble members playing multiple roles as the passengers, Profiles celebrates the diversity of Chicago by filling each ensemble role with a different actor!  

The cast includes Konstantin Khrustov as the driver with the passenger roles performed by Dennis Bisto, Rebecca Julia Brown, Maryann Carlson, Chris Carr, Mike Cherry, Eric J. Ciak, Alex Fisher, LJ Flora, Jeff Gamlin, Carly Jo Geer, Philena Gilmer, Charles Glenn, Rob Grabowski, Desmond Gray, Aaron Holland, Khalil Lesaldo, Kaitlyn Majoy, Jack McCabe, Christopher McMorris, Katrina V. Miller, Stephanie Monday, Joseph W. Moore III, Todd Neal, Brennan Roche, Sarai Rodriguez, Andrew L. Saenz, Sheridan Singleton, Adam Soule, Aaron Spencer, Elise Spoerlein, Scott Stockwell, Rachel Weeks and Jin You.

The designers are Shaun Renfro (set), Mike Durst (lights), Jeffrey Levin (sound and original music), and Raquel Adorno (costumes). Jordan Muller is the stage manager and Eric Burgher and Harmony France serve as assistant directors.

Click here for Profiles main site for advanced tickets and more show info.

Veronica Falls Premieres "Teenage" Track On Pitchfork #freestreaming

Sophomore LP Waiting For Something To Happen Out February 13th On Slumberland/Bella Union

Click Here To Listen To "Teenage" On Pitchfork You may have had them tagged as goth-tinged pop fantasists, but with their much anticipated sophomore album Waiting For Something To Happen, Veronica Falls easily shrug off any notions of a difficult second album to create something that is easily more polished, more affecting, and more enduring than their peers would dream of making, and stake their claim as one of the most gloriously unpredictable and invaluable bands on the scene right now. Recorded with Rory Attwell (Male Bonding, The Vaccines),Waiting For Something To Happen is a bold and deliciously assured leap forward which sees the quartet of Roxanne Clifford, Patrick Doyle, James Hoare and Marion Herbain easily throw off the tongue in cheek references to ghostly romances and suicides to elegantly distill the essence of an aimless twenty-something existence – the collective anxieties, tensions and confusion of moving from adolescence into fully fledged adulthood – into a set of immaculately conceived and perfectly wrought pop songs. Indeed, the emotional throughline, from the title down, is one of slowly coming to terms with the process of growing up and eventually learning to face adult responsibility, of leaving behind the safe haven of “driving late at night, I'll let you listen to the music you like” (as they sing on the dreamy, dewy-eyed “Teenage”), and then searching for a “shooting star to point me in the right direction” (“Shooting Star”). Far from retreading the playful atmosphere of the debut, the band here mine a much more rich, emotionally resonant vein, be it weariness with dead end social scenes (“So Tired”), or the fear of your peers leaving you behind before you’re ready (“Everybody’s Changing”). Musically too, this album sees the band evolve into a more poised and confident pop entity, the melodies bolder and songs more muscular, as epitomized on spellbinding album opener (and first single) “Tell Me”. So there are deliciously askew pop belters in the form of “Buried Alive” and “Everybody’s Changing”, but there are also achingly tender moments present too, from the touching love song “Broken Toy” (“I am broken too, a broken toy like you”), to the gentle reverie “Daniel”, which strips the track to its barest essentials – shimmering guitar lines and perfectly harmonized vocals sighing, “nobody needs to know what we know, nobody needs to go where we go” to perfectly heart rending effect. With this superb second album it is clear Veronica Falls are only going from strength to strength – embrace them now. Waiting For Something To Happen Tracklisting 1. Tell Me 2. Teenage 3. Broken Toy 4. Shooting Star 5. Waiting For Something to Happen 6. If You Still Want Me 7. My Heart Beats 8. Everybody’s Changing 9. Buried Alive 10. Falling Out 11. So Tired 12. Daniel 13. Last Conversation Press Quotes "There's a clarity of texture-- a specificity even-- to every element of the band's sound. Which makes it something of an anomaly: shoegaze that looks you square in the eye." Pitchfork "Veronica Falls’ long-awaited, self-titled debut flaunts an array of both dark and bright indie rock sounds, a glossy exterior coating something a little more mysterious and spooky. It’s impressive."  Stereogum "With this amazing debut, Veronica Falls has created something timeless and eerily familiar, yet fresh and exciting at the same time. Don’t waste too much time drawing comparisons with the past; the music sounds best with a fresh set of ears."  KEXP "This is not the kind of band where the drummer learned how to play last week - underlining hooky melodies with jagged, angsty stabs. But mostly it's hard to say what puts Veronica Falls over the top in a genre where so many fall flat. Enthusiasm?  Personality?  Songs?  Probably all of that, as well as the indefinable quality that makes old genres come alive again."  Blurt "The London quartet’s harmony-laden, jangly guitar pop is the kind of sound proven time and time again to send the average blogger heart a-flutter. Veronica Falls are poised to become the Next Big Thing."  Consequence of Sound “You know, it’s really weird”, opines Veronica Falls’ honey-throated singer/ guitarist/ lynchpin Roxanne Clifford when asked about their media-conceived “goth pop” tag. “Because when you start a band, and you start writing songs together, you never think anybody else is going to hear them. You’re just kind of writing it for yourselves. Songs like “Found Love in a Graveyard” and “Beachy Head”, we thought they were playful and not serious at all...” Veronica Falls are used to wrongfooting easy assumptions. Initially grouped with the explosion of lo-fi bands associated with the Captured Tracks scene in Brooklyn, the quartet of Clifford, drummer Patrick Doyle, fellow guitarist James Hoare and bassist Marion Herbain quietly released a series of limited edition, quickly sold out singles which gradually accrued them underground buzz and a cache of hopelessly devoted fans. Then they signed to Bella Union – one of the UK’s leading lights when it comes to independent labels – and released a blinder of a debut LP in 2011, one which trumped all expectations and rocketed the band to the covers of The Fly and Loud and Quiet and sold out gigs at the Scala. Casual listeners  who just assumed that they just made pretty, pristine pop songs were forced to reevaluate their preconceptions when they examined the lyrics more closely – lurking beneath the glacial surfaces were lyrics about suicide and spectral love. Now, with their sophomore album, Veronica Falls look set to pull out the rug from under people’s feet yet again. “Waiting For Something to Happen” sees the band emerge as one of the most potent and affecting, fully-formed indie guitar pop acts we have around. Beautifully mature and poignant, this marvellously assured second record sees the band throw off the casually morbid references to elegantly distill the essence of an aimless twentysomething existence – the collective anxieties, tension and confusion of moving from adolescence into fully fledged adulthood – into a set of immaculately conceived, perfectly wrought pop songs. “I’d say the word “wistful” really describes the mood of the album”, Clifford muses. “We chose the album title because to me it captures what people our age are all going through”. Indeed, the emotional throughline, from the title down, is one of slowly coming to terms with the process of growing up and eventually learning to face adult responsibility, of leaving behind the safe haven of “driving late at night, I’ll let you listen to the music you like...everything’s alright” (as they sing on the dreamy, dewy-eyed “Teenage”), and then searching for a “shooting star to point me in the right direction” (“Shooting Star”). Far from retreading the playful atmosphere of the debut, the band here mine a much more rich, emotionally resonant vein, be it weariness with dead end social scenes (“So Tired”), or the fear of your peers moving on with their lives before you’re ready (“Everybody’s Changing”). Musically too, this album sees the band evolve into a more poised and confident pop entity, the melodies bolder and songs more muscular. Recorded with Rory Attwell (who has worked with everyone from The Vaccines to Male Bonding), these are tracks which spin gorgeous, sun-kissed melodies across their tales of growing pains and romantic dysfunction. So there are deliciously askew pop belters in the form of “Buried Alive” and “Everybody’s Changing”, but there are also achingly tender moments present too, from the touching love song “Broken Toy” (“I am broken too, a broken toy like you”), to the gentle reverie “Daniel”, which strips the track to its barest essentials – shimmering guitar lines and perfectly harmonised vocals sighing, “nobody needs to know what we know, nobody needs to go where we go” to perfectly heart rending effect. You may have had them tagged as goth-tinged pop fantasists, but with “Waiting For Something to Happen”, Veronica Falls easily shrug off any notions of a difficult second album to create something that is easily more polished, more affecting, and more enduring than their peers would dream of making, and stake their claim as one of the most gloriously unpredictable and invaluable bands the UK has right now. Clutch them close to your heart. Links Official Website Facebook Twitter Copyright © 2012 Tell All Your Friends.

Bloody Disgusting Hosting Exclusive DAVEY SUICIDE Contest

New EP Put Our Trust in Suicide Available Now on Standby Records This past Tuesday saw the release of the new DAVEY SUICIDE EP Put Our Trust in Suicide. This EP features 4 blistering tracks including a remix of the song "Generation Fuck Star". In support of the release, DAVEY SUICIDE will be on the road with Blood on the Dance Floor and Jeffree Star as part of "The Scene is Dead Tour". The second leg of the tour kicks off November 21stin Las Vegas, NV and runs through December 15th in Tucson, AZ. A complete list of dates can be found below. In celebration of the EP's release, DAVEY SUICIDE and Standby Records have teamed up with Bloody Disgusting "Your number one source for all things horror" for an exclusive giveaway. Head over to the contest page HERE to enter for your chance to win a copy of the new EP Put Our Trust in Suicide. Put Our Trust in Suicide is available for purchase HERE, and is also available as a special bundle package with an exclusive DAVEY SUICIDE t-shirt and 2 instant video downloads HERE. In other DAVEY SUICIDE news, DAVEY was unfortunately unable to perform November 7th as he severed the tendon in his thumb and required last minute surgery. A picture of the injury (not for the faint of heart) can be viewed below. DAVEY is on the road to recovery and expects to resume touring when the second leg of "The Scene is Dead Tour" begins later this month. DAVEY SUICIDE Live: 11/21: Las Vegas, NV @ Hard Rock Café - BUY TIX    11/23: Salt Lake City, UT @ In the Venue - BUY TIX    11/24: Colorado Springs, CO @ Black Sheep - BUY TIX    11/25: Denver, CO @ Summit Music Hall - BUY TIX    11/28: Ann Arbor, MI @ The Blind Pig - BUY TIX    11/29: Des Moines, IA @ Wooly's - BUY TIX  11/30: St. Louis, MO @ Fubar - BUY TIX 12/5: Spokane, WA @ Northwest Events Center - BUY TIX    12/6: Boise, ID @ Knitting Factory - BUY TIX  12/7: Portland, OR @ Wonder Ballroom - BUY TIX  12/8: Seattle, WA @ Studio Seven - BUY TIX    12/11: Sacramento, CA @ Ace of Spades - BUY TIX     12/12: Pomona, CA @ Glass House - BUY TIX    12/13: Los Angeles, CA @ El Rey Theater - BUY TIX    12/14: San Diego, CA @ Soma Side Stage - BUY TIX    12/15: Tucson, AZ @ The Rock - BUY TIX  For More Info Please Visit: http://daveysuicide.tumblr.com/  https://twitter.com/DAVEYSUICIDE  http://www.standbyrecords.com

Oberhofer With Matt & Kim LIVE at Congress Theater TONIGHT #originalvideointerview #showshots

ChiIL Live Shows original Oberhofer LIVE show shots from Lincoln Hall 3-27-12 ChiIL Live Shows caught up with Oberhofer at their March 2012 album release show at Chicago's own Lincoln Hall.   Check out our back alley interview with 3 of the band members.   This interview will serve as a Time Capsule too--a window into the beginning of a rising rock band......Oberhofer.     When we first saw Oberhofer LIVE at Lincoln Hall, it was their 1st show after their March 2012 album release.     Quotes / "Expansive instrumentation and charming, unpredictable song structures" Billboard "The rising phenom Brad Oberhofer, the songwriter and front man for this band, sings with such a youthful urgency that sometimes he can’t contain it, and lets it out in yelps. He has a natural pop sensibility and the wisdom to toy with unconventional instruments." The New Yorker "A newly sophisticated musical playground." SPIN  "It's a credit to Oberhofer to take such small moments and build them into such a feeling of importance." Consequence of Sound "It's a visceral, hook-laden, and often beautiful teenage dream." Under The Radar  "Oberhofer's debut album, Time Capsules II, has the feel, the scope and the grandiloquence of a musical." The Guardian  "Time Capsules II is that kind of album: a buffet of familiar confections designed for easy digestion, painstakingly dressed and seasoned to demand repeat consumption" CMJ We ran into friends of ours there--industry insiders who worked for Spin for years, and raved that Oberhofer was one of their favorites from SXSW 2011.   Check 'em out for yourselves tonight at The Congress Theater opening for Matt & Kim.  All ages. Emotion is what drives the psychedelic catchy pop rock tunes crafted by the oft-effervescent Brad Oberhofer. Drawing on influences ranging from Brian Wilson to Descartes, the 21 year old is fixated on the idea of making philosophically minded, energetic melodies that just make people smile. “Music is this thing I just inherently do and psychologically, I have a desire to make as many people happy as possible. Music helps you think about stuff, it helps you feel, you know?” With an unforgettable way of speaking directly from the heart, Brad Oberhofer’s songs have a pulse that form the very core of what makes Oberhofer, Oberhofer. To put it quite simply, a great rock & roll band. Armed with a belief that you spend your entire life searching for the socially aware version of the 5 year old “you”, he tries to inject each song with the innocence felt by that same kid, sitting on the couch of his parents house playing the broken guitar he spent months teaching himself  how to play. Referring to his songwriting as “a time capsule of exactly how I’m feeling at a particular moment”, each song on his forthcoming debut, Time Capsules II, is a clear, unrestrained look inside the head of Brad Oberhofer. “Gold” is a reflection on two magical weeks spent with a first love that inadvertently initiated his musical endeavors. “Away Frm U” is an upbeat song about saying goodbye to that love. Like most of the impressive debut, the stand-out “I Could Go” shows that above all, his heart is on his sleeve in both his words and everything he creates, a trademark that suits his search for sincerity well. After moving to Brooklyn from his hometown of Tacoma, Washington, to attend New York University, Brad quickly immersed himself in the indie rock community forming the 4 piece which is now quite simply, Oberhofer. Catching the attention of Glassnote Records, the band officially joined the labels’ roster over the summer of 2011. Brad recorded the debut album Time Capsules II with legendary producer Steve Lillywhite (U2, The Rolling Stones & Morrissey among others) in Brooklyn last fall and are on the road for the next, playing shows and festivals around the world. One thing is certain – expect to see big things from this promising young band. It’s going to be quite a year for Oberhofer, the sky is truly the limit. Remaining Tour Dates / 11/08 - Rave Ballroom - Milwaukee, WI * 11/09 - The Vogue - Indianapolis, IN * 11/10 - Congress Theater - Chicago, IL * 11/11 - Majestic Theatre - Detroit, MI * 11/13 - House of Blues - Cleveland, OH * 11/14 - Newport Music Hall - Columbus,    OH * 11/15 - Terminal 5 - New York, NY * 11/16 - House of Blues - Boston, MA * 11/17 - Wellmont Theatre - Montclair, NJ * * with Matt & Kim Time Capsules II | Tracklisting / 01. HEART 02. Landline 03. Away Frm U 04. I Could Go 05. Yr Face 06. oOoO 07. Cruisin' FDR 08. Gold 09. Haus 10. Homebro Links / Oberhofer Official Facebook Follow Oberhofer On Twitter Glassnote Records