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Wednesday, February 19, 2014

PHOTO RECAP: Monster Magnet at Bottom Lounge Chicago 11-16-13 #OriginalPhotos #metal


MONSTER MAGNET hit the road for their first North American tour in over 10 years in November and ChiIL Live Shows was there!  Were YOU?!  The tour ran through December 14th in New York, NY.  Support came from Royal Thunder and Anti-Mortem.  (Zodiac who were originally part of the tour were denied visas and were not on the bill).  

MONSTER MAGNET North American Tour 
With Royal Thunder and Anti-Mortem






Bottom Lounge, Chi, IL Photo Recap via ChiIL Live Shows.




Decibel Magazine's "Deciblog" is hosting an exclusive premiere of one of the bonus tracks from Last Patrol.  The song "One Dead Moon" is only available on the Limited Edition Digipak, LP and deluxe digital versions of Last Patrol. Check out the exclusive premiere of "One Dead Moon" HERE.

MONSTER MAGNET's video for the song "Mindless Ones" was directed by Tom Scharpling and can be seen HERE.


"Wyndorf's songs are like sci-fi adventures in the brain of an LSD-gobbling hippie"
-Decibel Magazine-

"Dave Wyndorf and company dial back into what made the band counterculture legends in the first place."
-Blabbermouth-

MONSTER MAGNET released their critically acclaimed new album Last Patrol this past October via Napalm Records.  Last Patrol is available as a Limited Edition Digipak, which contains two bonus tracks, standard CD, 2LP and digital format.  The album is available to order on Amazon and iTunes.



For More Info Visit:

Tuesday, February 18, 2014

ACT OUT OPENING: Buzzer at The Goodman

RACIAL AND SEXUAL TENSIONS SIMMER IN THE CHICAGO PREMIERE OF BUZZER BY TRACEY SCOTT WILSON
JESSICA THEBUS DIRECTS A PIERCING, DARK COMEDY ABOUT FRIENDS AND LOVERS LIVING TOGETHER IN A DAUNTING TRANSITIONAL NEIGHBORHOOD, FEBRUARY 8 – MARCH 9 IN THE OWEN THEATRE
ChiIL Live Shows will be there for the press opening tonight.  Check back with us shortly for a full review.

L to R) Shane Kenyon (Don), Lee Stark (Suzy) and Eric Lynch (Jackson) in Buzzer by Tracey Scott Wilson, directed by Jessica Thebus at Goodman Theatre (February 8 - March 9, 2014).

Love, race and class take center stage in Buzzer, Tracey Scott Wilson’s intimate, darkly comic 21st-century exploration of the effects of a changing neighborhood on three cohabitating twenty-somethings—“a study of sex and the city in post-racial times” (Minneapolis Star Tribune). The trio is forced to confront the racial and sexual tensions that exist both inside their home and outside their apartment in a changing Brooklyn neighborhood. 
As previously announced, the cast of director Jessica Thebus’ Chicago-premiere production includes Eric Lynch (Broken Fences at 16th Street Theatre, Blacktop Sky at Theatre Seven, part of Steppenwolf’s Garage Rep); Lee Stark (The Iceman Cometh, Disgraced at American Theater Company); and Shane Kenyon (Big Love at Strawdog Theatre Company, Trainspotting USA with Book and Lyrics Theatricals). Buzzer runs February 8 – March 9 in the Owen Theatre; opening night is Tuesday, February 18. Tickets ($10 - $40; subject to increase) are available at GoodmanTheatre.org/Buzzer, by phone at 312.443.3800 or at the box office (170 North Dearborn). Bank of America is the Owen Season Sponsor, the Goodman Scenemakers Board is a Sponsor Partner and Heidrick & Struggles is a Contributing Sponsor. A performance calendar follows.
“Tracey has made a name for herself through her incisive, explosive dramas that deal with issues surrounding the contemporary African American experience. Her terrific new play, Buzzer, opens the door for thoughtful discourse about the conversations we have—or don’t have—about race, class and how best to treat each other,” said Artistic Director Robert Falls.
Hailed a "singular new voice" by the New Yorker, Wilson's work has been seen at venues across the country; the Goodman has produced The Story (2005) and The Good Negro (2010), both directed by Chuck Smith, and Buzzer was included in the 2012 New Stages festival, directed by Thebus. A co-commission of Minneapolis’ Guthrie Theater and Pillsbury House Theater, Buzzer made its world premiere at the Pillsbury House in 2012; critics unanimously endorsed the play as timely, important and simultaneously hilarious and tragic. It was remounted in a sold-out run at the Guthrie in 2013, directed by Marion McClinton.
“I have lived in neighborhoods that have been gentrified, and I have gentrified neighborhoods; the issue is always there,” said Tracey Scott Wilson. “The characters in Buzzer are of a generation that has been raised on the Disney Channel, in a very multicultural world where Beyoncé and Jay-Z are considered the biggest stars. It’s very different from someone who grew up when there were not many black characters on TV. Especially in the ‘post-racial Obama age’ we’re entering, there are the things we are supposed to say, the things we actually say and the things we really believe.”
The neighborhood and its newest residents’ emotional entanglement take a toll, and the apartment becomes a kind of crucible in which the ever-present urban landscape has devastating results.
Buzzer follows three young people as they move into a newly-rehabilitated building—one with broken buzzers—in a lower-class, urban neighborhood that is grappling with the effects of gentrification and can be dangerous. Jackson (Eric Lynch), a successful African American attorney who grew up in this neighborhood, has returned home, determined to enjoy its renaissance and build a life there. Having attended Exeter, then Harvard and Harvard Law School, Jackson managed to avoid much of the neighborhood’s strife in his younger years. Suzy (Lee Stark), his girlfriend and a teacher at a tough inner-city school, and his troubled boyhood best friend Don (Shane Kenyon)—both white, and who have a history of their own—move in with him. Don hails from a privileged background, but has extensively battled drug addiction; as a result, he is more street-smart than Jackson.

Director Jessica Thebus, who previously directed Sarah Ruhl’s The Clean House and Stage Kiss for the Goodman, works with Wilson for the first time. “Tracey challenges our assumptions; we’re surprised and invigorated by her argument, and we’re illuminated by the intimacy of this story. The economy of just these three very real people invites you to ask yourself, who am I judging and why? Who’s doing what? Whose side am I on? And you’re not sure quite where to position yourself as the story unwinds.”

The design team for Buzzer—Walt Spangler (set), John Culbert (lights), Mikhail Fiksel (sound) and Birgit Rattenborg Wise (costumes)—incorporates elements of Wilson’s former Brooklyn neighborhood to create a realistic setting. Added Thebus, “Don, Jackson, and Suzy are always dealing with the outside, which feels a little unstable. From the cars driving by—questioning, ‘was that a car backfire or was that a gunshot?’—to the guys on the corner to the radio, we have extraordinary designers who will make us feel like the presence of that neighborhood is there.”





(L to R) Shane Kenyon (Don) and Eric Lynch (Jackson) in Buzzer by Tracey Scott Wilson, directed by Jessica Thebus at Goodman Theatre (February 8 - March 9, 2014).


EVENTS AROUND BUZZER
POST-SHOW DISCUSSIONS
Following each Wednesday performance of Buzzer, stay for a discussion about the play with members of the artistic team. Goodman Theatre | FREE
BUZZER AND BREWS
Mingle with cast members and Goodman artists in the theater’s rehearsal space before and after a performance of Buzzer. Thursday, March 6, 6pm Reception / 7:30pm Performance | Goodman Theatre | $60
Tickets to Buzzer ($10 – $40; subject to change) are on sale at GoodmanTheatre.org/Buzzer. Tickets and subscriptions, including the Goodman WILD CARD and “Great Women at Play” package, can also be purchased at the box office (170 North Dearborn) or by phone at 312.443.3800. 
Mezztix are half-price mezzanine tickets available at 12 noon at the box office, and at 10am online (promo code MEZZTIX) day of performance; Mezztix are not available by telephone. 10Tix are $10 rear mezzanine tickets for students available any time for the Owen Theatre; 10Tix are not available by telephone; a valid student I.D. must be presented when picking up the tickets; limit four per student with I.D. All tickets are subject to availability and handling fees apply. Discounted Group Tickets for 15 persons or more are available at 312.443.3820. Purchase Goodman Gift Certificates in any amount at GoodmanTheatre.org. The flexibility of Goodman Gift Certificates allows recipients to choose the production, date and time of their performance. Artists, dates and ticket prices are subject to change.


About Goodman Theatre
The Goodman’s 2013/2014 Season features 9 productions on its two stages—six in the 856-seat Albert Theatre and three in the 400-seat flexible Owen Theatre, plus the annual New Stages series that includes two additional workshop productions. Productions still to come include the world premiere of Luna Gale by Rebecca Gilman, directed by Robert Falls (January 18 – February 23, 2014 in the Albert); Buzzer by Tracey Scott Wilson, directed by Jessica Thebus (February 8 – March 9, 2014 in the Owen); the Chicago premiere of Venus in Fur by David Ives, directed by Joanie Schultz (March 8 – April 13, 2014 in the Albert); the Chicago premiere of The White Snake written and directed by Mary Zimmerman (May 3 – June 8, 2014 in the Albert); the world-premiere Goodman commission of Ask Aunt Susan by Seth Bockley, directed by Henry Wishcamper (May 24 – June 22, 2014 in the Owen); and a major revival of Alan Jay Lerner and Frederick Loewe’s Brigadoon, directed by Rachel Rockwell (June 27 – August 3, 2014 in the Albert).
Goodman Theatre is world renowned for the quality and scope of its artistic programming and its commitment to improving life in the community. Artistic Director Robert Falls’ and Executive Director Roche Schulfer’s leadership has earned unparalleled artistic distinction and experienced unprecedented success, staging more than 80 world premieres, earning numerous awards for its productions—including the Tony Award for Outstanding Regional Theatre (1992) and the Pulitzer Prize for Ruined (2009)—and producing more than 25 new-work commissions. Founded in 1925 and housed in a state-of- the-art two-theater complex in the downtown Chicago Theatre District, the Goodman is Chicago’s oldest and largest not-for- profit producing theater, named “Best Regional Theatre” by Time magazine and “top dog of the Chicago theater scene” by Frommer’s. American Airlines is the Exclusive Airline of Goodman Theatre. Ruth Ann M. Gillis is Chairman of the Board of Trustees, Sherry John is President of the Women’s Board and Lauren Blair is President of the Scenemakers Board, the Goodman’s young professionals auxiliary group.

Visit the Goodman virtually: watch artist interviews, view production photos, catch the latest news and more at GoodmanTheatre.org and our blog. Like us on Facebook, follow us on Twitter, peek behind the scenes on YouTube.



THE FRAY’S FOURTH ALBUM HELIOS SET FOR FEBRUARY 25 RELEASE ON EPIC RECORDS; PRE-ORDER AVAILABLE NOW “LETTERMAN” PERFORMANCE FEBRAURY 24

Click here to check out The Fray's recent live performance as part of Esquire's Live Sessions, where their rendition of "How to Save a Life" segued into a rock version of Miley Cyrus' "Wrecking Ball":


Helios, the fourth album from critically acclaimed foursome The Fray, will be released February 25 on Epic Records. The album was produced by Stuart Price (The Killers, Madonna, Keane) and Isaac Slade (piano, vocals). The new music has received early critical acclaim—Billboard named it “one of the most highly anticipated releases of the season”, describing the band as “more aggressive and more optimistic than ever before.” 

Pre-order for the album is available now. The band will continue to tour in the new year, dates forthcoming.


The band premiered the lead single “Love Don’t Die,” produced by Ryan Tedder (Adele, One Republic), on the “Today Show.” A flurry of TV performances followed the release as the band performed on “The Tonight Show with Jay Leno,” rang in the New Year as part the global TV celebration  “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest 2014,” and recently performed on the outdoor stage at “Jimmy Kimmel Live!” Additionally, a performance will air on “The Late Show with David Letterman” February 24.

Most recently, the band performed alongside Pussy Riot as part of Amnesty International’s Bring Human Rights Home show at Barclay’s Center in Brooklyn, NY. Guitarist Joe King explained the importance of the evening, “To me, [Pussy Riot] made me realize how apathetic I can get as an American,” King said. “You can get real critical or not do anything about what you think should change and just let things happen. They’re doing the opposite. They’re going public... It’s inspiring to see that. I think that, if anything, it motivates. It should motivate people to do something.”

The Fray is Slade, Joe King (guitar, vocals), Dave Welsh (guitar), and Ben Wysocki (drums). The Denver-based group formed in 2002 after high school friends Slade and King bumped into each other at a local guitar shop. The Fray achieved national success with their 2005 debut, featuring the hit singles “Over My Head (Cable Car)” and “How to Save a Life,” which went double-platinum. The band also earned a 2010 Grammy nomination for their self-titled release.



NEW RELEASES: The first solo album Toujours from critically lauded artist and performer Sabina is available now! #FreeStreaming

SABINA’S SOLO DEBUT TOUJOURS RECEIVES CRITICAL ACCLAIM; OUT NOW ON
BAR/NON RECORDS

ALBUM STREAMING AT THE NEW YORK TIMES

EAST COAST TOUR DATES CONFIRMED

“Hard to imagine a better poster girl for polyglot New York pop than Sabina.”—The New York Times

“…a hip gyrating cocktail shaker of wiggy bossa nova and squally Farfisa.”—Mojo

“Glamorous”—Rolling Stone



The new music has received early critical acclaim and is streaming in its entirety at The New York Times HERE. 

To celebrate the release, Sabina will embark on select tour dates on the east coast.



The first solo album Toujours from critically lauded artist and performer Sabina is available now on Bar/None Records. The new music has received early critical acclaim from The New York Times hailing, “She’s still the nonchalant, elusive, sophisticated and resolutely hedonistic figure she plays in Brazilian Girls songs… She’s charming when she shows her wry bravado…” while Boston Globe exclaims, “Sabina Sciubba is a goddess” and Consequence of Sound notes, “There’s a kind of global interplay with her vocals.” 

Best known as a co-founding member of the Grammy-nominated band Brazilian Girls, the debut record rediscovers Sabina’s unique voice, anthemic songwriting, and her signature multi-lingual story-telling, albeit this time within a quite different musical setting.

Toujours was recorded, produced and arranged by Sabina as well as Brazilian Girls producer Frederik Rubens. Of the recording process, Sabina notes, “I started this project on the acoustic guitar, as an escape, in a way, from the party music I’ve been doing for some time. But after a while I felt like I had gone off too far, I was out in the woods, so I came back to the city—And the city was Paris. Frederik and I started working on a few of the songs with an electric guitar. It took a more rock, more lavish direction, still intimate, but not sleepy. It felt right.” 

The new music is inspired by the rock and pop classics of the ‘60s and ‘70s but within more contemporary recording techniques. On the song “The Sun,” Sabina duets with ADANOWSKY (alias Adan Jodorowsky)—singer and filmmaker in his own right and son of Chilean filmmaker Alejandro Jodorowsky.

Born in Rome to a German mother and an Italian father, Sabina lived in Italy, Germany, then France before coming to the U.S. She was in New York City for a decade before returning to Paris, where she now resides. Her own story is really what set the background for her sound.

Toujours Tracklist
1. Cinema
2. Viva L’Amour
3. Long Distance Love
4. Mystery River
5. The Sun (feat. Adanoswky)
6. Non Mi Aspettare
7. Toujours
8. Tabarly
9. Sailor’s Daughter
10. Fields of Snow
11. Won’t Let You Break Me
12. Going Home

Sabina Tour Dates

March 18                                                 Washington, DC                                 U Street Music Hall
March 20                                                   New York, NY                                     Highline Ballroom
March 22                                                  Philadelphia, PA                               Prince Music Theater

March 23                                                     Boston, MA                                    Brighton Music Hall

INCOMING: Dunn Dunn Fest #2 THIS Weekend

Harmonica Dunn’s Dunn Dunn Fest 
is Back THIS Weekend!

You might be done done with Winter madness, but a bit of Dunn Dunn Fest will have you grinnin' again.  We've marked ChiIL Live Shows' must sees below.




DUNN DUNN FEST – 2014 - “3 Nights. 4 Venues. Celebrating American Music”
Dunn Dunn Fest 2013 was such a great success, that they're back at it again this year.
Over 700 people attended the inaugural Dunn Dunn Fest! 
A limited amount of 3-Day passes are now on sale for only $30! Save $20 and gain access to all 4 shows.

MOON TAXI will headline Dunn Dunn Fest 2014 on Saturday, February 22nd, 2014 at Subterranean.

VENUES & DATES:
Thursday, February 20th, 2014 at Tonic Room w/ TRISTEN, CHICAGO FARMER, and RYAN JOSEPH ANDERSON
GET TICKETS
**ChiIL Picks List:  Friday, February 21st, 2014 at The Hideout w/ *MARTIN VAN RUIN, THE WHISKEY GENTRY, & MICHELE MCGUIRE

**ChiIL Picks List:  Friday, February 21st, 2014 at Beat Kitchen w/ the SOIL & the SUN*GREAT DIVIDE and SAFE HAVEN

Saturday, February 22nd, 2014 at Subterranean w/ MOON TAXI, DANIEL ELLSWORTH & THE GREAT LAKES and SANTAH | GET TICKETS 


Interested in volunteering with Dunn Dunn Fest?
Email harmonicadunn@gmail.com 


Click here for the full fest site.


Monthly Riot Act Media Roundup #MP3s #NewReleases #FreeStreaming

BEGINNING THIS MONTH, OUR FRIENDS OVER AT RIOT ACT ARE PSYCHED TO SEND A MONTHLY ROUNDUP OF THEIR ARTISTS' MP3S FOR OUR READERS. ENJOY!

The weather might be cold, snowy and sucktacular in much of the country right now, but here are some new tunes to brighten your grey day.   Remember, no matter how deeply you're buried in snow right now, we're more than half way to spring equinox.


Benjamin Verdoes
"Evil Eye" from The Evil Eye (Out now on Brick Lane Records): http://benjaminverdoes.com/track/evil-eye-2


The Caribbean
"Jobsworth" from Moon Sickness (out February 18th on Hometapes)


Cassorla
"Future One (Feat. Taylor Goldsmith of Dawes)" from the Amigos EP (out February 4th, self-release)





Cataldo
"In Now and Then" from Gilded Oldies (out March 4th on Red Pepper Records)



Christine Hoberg
"All That Hate" from World Within (Out on February 11th; self-released)



Colleens
"No Flowers" from Wild Dreams (out February 4th, self-released)





Jess Williamson
"Blood Song" from Native State (Out now on Brutal Honest)




Jessie Frye
"Dear" from Obsidian (out February 11th; self-released)



We've got two words for you... DOUBLE BANJO.

The Lowest Pair
"Living Is Dying" from 36 Cents (Out now on Team Love Records)



Mayors of Liberty
"When You Were Part of Me" from Dream On (Out February 11th on Brick Lane Records)


Potpourri of Pearls
"Sochi" (Special track for Olympics/Unreleased, out now)




Solander
"The Woods Are All Gone" from Monochromatic Memories (Out February 4th on A Tenderversion Recording)



Tom Brosseau
"Tami" from Grass Punks (Out now on Crossbill Records)


INCOMING: Jazz Showcase Weekend With 10 of Chicago's Best Jazz Players

Chi, IL live Shows on our Radar

Local alto saxophonist and composer Shawn Maxwell has an ambitious new project and accompanying album for 2014. Shawn Maxwell’s Alliance features ten of the city’s best jazz players, all of whom will assemble for a weekend of shows at Jazz Showcase, Thursday, Feb. 20 through Sunday, Feb. 23.

Click here for the full show details 





Monday, February 17, 2014

NEW RELEASES: MiWi La Lupa's Solo Debut New Way Home Out Now (Red Baraat) #FreeStreaming

ARTISTS ON OUR RADAR:

MiWi La Lupa
"Everybody's Fuckin' With Me" on New Way Home (Out now on Team Love Records)
https://soundcloud.com/teamlove/miwi-la-lupa-everybodys-fuckin

Here at ChiIL Live Shows we've enjoyed MiWi's talent for years, and we're so stoked about his new solo work. Check it out!

Click here for our past original MiWi La Lupa photo features on the Broadway Fela! tour and Red Baraat including our video interview with MiWi La Lupa!



Catch the whole album FREE streaming here.



Buffalo, New York. Hockey, the cold, the canal, the train yard, Rick James and Ani DiFranco, cheap dilapidated Victorians, potholes brimming with ice and slush . . .

Buffalo is a place where people grow up, and a place people sadly—but understandably—end up leaving in pursuit of their dreams. And it’s Buffalo where MiWi La Lupa started his musical adventure, as so many public school kids in America do, by picking a dented, smelly old instrument off the shelf in band class and giving it a go. MiWi picked the trombone. It fit—sort of. He started a band, Thought. Then he packed his bags.

MiWi made his way east, first to Rochester and the Eastman School of Music, trading in his trombone for a bass trumpet, before, like many musicians, continuing on down the Hudson and arriving in NYC in the summer of 2005. 

Once in the city things began to take off for MiWi, and he soon found himself performing with music greats like Les McCann, David Byrne, Bill Frisell, Femi Kuti, Charlie Hunter, and El-P. MiWi would also become an original member of the band Red Baraat, with whom he would go on to tour the world.

Be it the diversity of MiWi’s palate, his growth as a musician and experiences on the road, or his roots coming from a blue-collar corner of the country often passed over and left for dead by the chronologists of the musical cannon, MiWi’s endeavors were aligning, naturally, with the art of songwriting. Expression—of loss, desire, grief, forgiveness—and a growing need to examine, document, and articulate his life began to take over, and soon the seeds of MiWi’s first solo album were firmly planted.

New Way Home, MiWi’s debut album on Team Love, is the result of life taking an unexpected turn. With the help of Monica Frisell, the songs began to take shape in early 2013. As things developed, friends such as Joanna Warren, Conor Elmes, Curtis Fowlkes, Rob Jost, Mara Kaye, Natalie John, Timothy Allen, Bill Frisell, and Conor Oberst, all enthused at the sound, eagerly jumped in to lend a hand. New Way Home is a short, immediate, and catchy album, but its real magic lies in its ability to invoke a wide range of sonic diversity while not losing sight of its singular vision. 

A track like “Ashes To The Wind” invokes legendary bluesman Howlin’ Wolf, while “Here I Am” positions itself neatly between singer-songwriters like Ron Sexsmith and Stuart Murdoch. The album’s songs range from playfully vengeful (“Everybody’s Fuckin’ With Me”) to sorrowfully serious (“New Moon”). MiWi’s voice is frank, his phrasing crisp, his lyrics easy to grasp yet full of twists. The songs document a season in a life, offering empathy to the listener while asking for the same in return.

New Way Home was released on Team Love Records January 21, 2014.


LINKS:

Chicago's Own Jason Narducy Back With New Band Split Single #NewRelease #SXSW


SPLIT SINGLE ANNOUNCES THE RELEASE OF FRAGMENTED WORLD 4/1; ALBUM TRAILER, SXSW, RELEASE SHOW

“Watching Jason was the first time I thought I could start my own band, and write my own kind of music....Jason totally set my life in this new direction. It wasn’t a Jimmy Page or KISS poster I had – it was fuckin’ him!”-- Dave Grohl

“Jason’s been doin’ the rock since he was a snot-nosed little punk. And I can attest from his work with me on the road that he’s got it down. And it’s not going to stop any time soon.”-- Robert Pollard

“I’m used to hearing Jason making me sound better, but it’s funny and familiar as well to hear his voice standing out in front again. I’m a fan of Jason’s work – it’s classic late 20th-century pop music songwriting"--Bob Mould

“Jason is a fan of great songwriters like Pete Townshend, Lennon & McCartney, Bob Mould, Robert Pollard, and Strummer & Jones, so it would only be natural that he’d write such well-crafted, memorable pop songs.”-- Jon Wurster


“I’m always wearing so many hats, so I loved the idea of being in a band where all I do is play bass on someone else’s stuff. I felt like a session musician, which was so cool. Still, I got pretty in depth: there were no preconceptions, which is what collaboration is all about.”--Britt Daniel



Jason Narducy's epic career first started as a co-founder of Verböten – one of the seminal acts in the Chicago punk scene that produced groundbreaking bands like Naked Raygun and Big Black. Narducy then went on to become frontman/songwriter/guitarist for Verbow, another beloved Windy City outfit who signed a major-label deal with Epic/Sony during the ‘90s alt-rock bubble. He followed that up with an ongoing, nearly decade-long run as indie-rock’s secret weapon – serving as bassist and backing vocalist for indie-underground icons like Bob Mould, Robert Pollard, and Superchunk, as well as Seattle’s indie power-pop faves Telekinesis. 

Now, Narducy is returning to center stage as a bandleader with Fragmented World – the debut album from Split Single. A new project formed with fellow travelers Britt Daniel (Spoon, Divine Fits) on bass and drummer Jon Wurster (Superchunk, Mountain Goats, Bob Mould, Ben Gibbard, Robert Pollard), Split Single proves equal parts solo project and collective. The material on Fragmented World ultimately spans the breadth of Narducy’s history while artfully exploring a gamut of styles and emotions in ways he’s never approached before.

Photo Credit:  Marina Chavez

Split Single will be touring on this album, and Jason will be at SXSW (with touring band Ben Trokan of Reigning Sound and Tim Remis). The band's record release will be in Chicago at Schubas on April 5th. 

Wednesday, February 5, 2014

NEW RELEASES: Simone Felice Molly-O MP3

ARTISTS ON OUR RADAR:

Simone Felice
"Molly-O" from Strangers (Out March 25th on Dualtone)

Simone Felice is a founding member (lyricist, vocalist, drummer and guitarist) of internationally acclaimed, Catskill Mountain-based artists The Felice Brothers and The Duke & The King. He has toured and worked with the likes as The Band’s Levon Helm, Conor Oberst & Bright Eyes, Gillian Welch & David Rawlings, The Lumineers, Mumford & Sons, Rick Rubin, The Avett Brothers, and Old Crow Medicine Show.


In 2010 Simone underwent emergency open-heart surgery to correct the slow, degenerative effects of a childhood fever. It was this close brush with death, coupled with the need to tell his own story, which prompted him to walk the solo artist’s path.

His new full-length album, Strangers, is a ten song collection recorded in the Catskills with guest artists The Felice Brothers, Leah Siegel, and Wesley Schultz & Jeremiah Fraites of The Lumineers. Here is an effort that truly captures Simone’s rare gift as a poet, song-crafter and unique visionary.


Strangers is March 25th, 2014 on Dualtone Records

“Each song somehow sounds like a classic, each live performance suggesting we are in the presence of a rare, fiery brilliance.” The Guardian

“Often times the word ‘poet’ is casually assigned to a songwriter, and all too often it is not true. Simone Felice is a poet to the core.” Wesley Schultz of The Lumineers

“Dylan and Leonard Cohen are brought to mind, such is the depth of emotion wrought by Felice’s careful approach… Shows the power of music to lift your spirits and make your heart full – absolutely fantastic.” BBC

“The most unique person I know in the world, incredible charisma. He sees things in a way that nobody else sees them, which is why his music is beautiful.” Ben Lovett of Mumford & Sons

“Nothing shackles Felice.” Mojo

“There is a boldness to Simone’s writing, the fierceness and fearlessness of complete honesty that pushes into places that simply take the breath away…some of his songs are so perfectly formed they sound like they might have been around forever… the best I have heard in a while, touching the hem of Dylan by way of Gordon Lightfoot…These songs are good enough to be sung by the whole world” The Telegraph

“Brilliant.” The Boston Globe

“Spellbinding.” UNCUT


* BIO *
Simone Felice is a celebrated songwriter, author, and poet. He was born on 4 October 1976 in Palenville, New York, a small working-class hamlet in the Catskill Mountains.

At the age of twelve Simone suffered a brain aneurysm and was pronounced clinically dead for several minutes. Recovering from emergency brain surgery in a local hospital, he spent two months in intensive care, relearning basic motor skills, including reading and writing.
When he was fifteen he formed a punk band with friends, making weird noise-rock in his grandpa’s barn. Their emphasis was on head-banging and freaky storytelling. By eighteen, he had quit school to panhandle and play bars and low down clubs, including New York City’s fabled CBGB.

It was around this time that Felice began writing poetry and vignettes, eventually leading to the publication of his first collection, The Picture Show, when he was twenty-two years old. He began performing these bizarre monologues regularly at the historic Nuyorican Poets Café in New York’s lower east side, garnering the young poet invitations to read in London, Harvard University, San Francisco and Berlin.

In 2004 and then 2005 Simone’s first works of short fiction were published: Goodbye Amelia, a coming of age story about a small-town girl with secrets to keep and a hunger to see the world, and Hail Mary Full of Holes, a fable noir about a runaway prostitute lost in the dawn of the Reagan era.

In the Fall of 2001, just after the attacks on New York City, Simone began writing songs with his brother Ian. Together they retreated to the woods they grew up in where, jobless with a cheap guitar, they wrote and made recordings (two collections know as The Big Empty and Mexico) with their friend Doc Brown. In this manner the two brothers clocked five years in complete obscurity, sewing the seeds of what would become (with the edition of their younger brother James in the Winter of 2006) The Felice Brothers, whose subsequent albums Through These Reigns And GoneTonight at the ArizonaThe Felice Brothers, and Yonder is the Clock have garnered international praise, earning these Upstate New York natives an inarguable place in the Great American Songbook. Over the group’s early history, from starting out playing New York’s subways and streets, to Radio City Music Hall and beyond, brother Simone has been one of it’s key lyricists and arrangers, co-writing some of the boys’ most beloved songs, including Don’t Wake The Scarecrow, Frankie’s Gun, Run Chicken Run, Ruby Mae, Whiskey in My Whiskey, Love Me Tenderly, Hey Hey Revolver, Mercy, Wonderful Life, Your Belly In My Arms, The Devil Is Real, and Radio Song to name a few.

At the request of iconic record producer Rick Rubin (Johnny Cash, Tom Petty, Beastie Boys, Adele, et al), Simone flew to California in the late summer of 2008 to play drums on the Columbia Records release I and Love and You by The Avett Brothers. Lending his signature Catskill Mountain dirtbag swing to the Avett’s riveting songwriting and Rubin’s thoughtful production, Felice appears on some of the albums stand-out songs, including the title-track and lead single I and Love and You, which helped send the album to #1 in the Billboard folk charts

In the winter of 2009 personal tragedy reared its head when Simone and his long-time love lost their first child in a late-term miscarriage. It was then that he retreated to a cabin in the Catskill’s with old friend Bird and began writing and recording the songs that would (unknown to them at the time) become The Duke & The King’s album debut. Taking their name from the itinerant Shakespeare theatre grifters in Mark Twain’s The Adventures of Huckleberry Finn the project released its gripping Nothing Gold Can Stay in the Summer of 2009 to critical acclaim, being hailed as one of the most haunting and honest albums of the year. 2010′s followup Long Live The Duke & The King has been similarly praised.

Felice’s first novel, Black Jesus, was released by award-wining publisher Allen & Unwin (Atlantic Books/Faber&Faber) and Random House Germany. It tells the story of a young Marine shipped home to his nowhere town after being blinded in action by a homemade bomb, and the unexpected friendship he finds with a mysterious dancer who arrives one day fleeing darkness and violence of a different kind. Part love story, part protest of the broken promises lying at the heart of the American dream, Black Jesus is a passionate, twisted hymn to the marginalized and forgotten.

On 2 June 2010, after a series of fainting spells, Simone underwent emergency open-heart surgery at Albany Medical Center when doctors discovered that a childhood congenital disorder had left the thirty-three year old with an irreversible calcification of the aortic valve, leaving only 8% blood-flow to the body and brain. Just two weeks after the surgery he joined his brothers on stage at Pete Seeger’s annual Clearwater Festival to help rid their beloved Hudson River of industrial waste. The following month his daughter, Pearl Simone Felice was born, a healthy blue-eyed girl who came in a summer thunderstorm.

In the subsequent years following his operation and Pearl’s birth, with a new mechanical heart-valve ticking away the time, Felice did what it seems he’s always done: He wrote songs. With a renewed clarity and sense of purpose, Simone bent to his new work, leaving behind any past monikers, in search of something pure, something truly his own.

April 2012 saw the release of his self-titled debut solo album, featuring songs such as New York Times, You & I Belong,and Charade which have become staple highlights in his live appearances. Among other accolades, Nick Hasted of The Independent called the record: ‘A taut masterpiece of terrifying, exhilarating American tales.’

Simone’s new full-length album, Strangers, (due out March 2014) is a ten song collection recorded in the Catskills with guest artists The Felice Brothers, Leah Siegel, and Wesley Schultz & Jeremiah Fraites of The Lumineers. Here is an effort that truly captures Simone’s rare gift as a poet, his high song-craft and unique vision; an album certain to cement Felice’s place as one of the great songwriter-poets of his generation.

Recently Britain’s esteemed Guardian newspaper commissioned Felice to write a personal memoir on the subject of his near-death experiences, first as a young boy, then as a grown artist, and how these two odd brushes with ‘the other side’ have influenced his work. The piece begins with a lyric from The Wizard Of Oz:

I would not be just a nuthin’, My head all full of stuffin’, 
My heart all full of pain. 
I would dance and be merry, 
Life would be a ding-a-derry, 
If I only had a brain…

Simone lives less than a mile from the creek-house he was born in, and travels his own country and abroad sharing his songs and stories


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