Music Theater Works Presents GUYS AND DOLLS March 6 - 30, 2025 at the North Shore Center for the Performing Arts

 ChiIL Live Shows On Our Radar

MUSIC THEATER WORKS ANNOUNCES THE CAST AND CREATIVE TEAM FOR 

GUYS AND DOLLS

MARCH 6 - 30, 2025

AT THE NORTH SHORE CENTER FOR THE PERFORMING ARTS IN SKOKIE

Music Theater Works’ 45th Season Begins with the Frank Loesser Classic, directed by Sasha Gerritson, Choreographed by Clayton Cross and Music Directed by Linda Madonia

Run Time (currently): Two hours and 30 minutes including the intermission

Music Theater Works is proud to announce the cast and creative team for the first production of its 2025 season, Guys and Dolls, in the North Theatre at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd, Skokie, March 6 - 30, 2025. Guys and Dolls, with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows, is directed by Sasha Gerritson, choreographed by Clayton Cross and music directed by Linda Madonia. 

The schedule includes a preview performance  at 7:30 p.m. Thursday, March 6th. One of my fabulous freelancers will be out to cover the press opening March 7th at 7 p.m. for ChiIL Live Shows so check back shortly after for our full review. 

The performance schedule is Wednesdays at 2 p.m., Fridays at 7:30 p.m., Saturdays at 7:30 p.m., Sundays at 2 p.m., with additional performances on Saturdays, Mar. 15, Mar. 22 and Mar. 29 at 2 p.m. Tickets are now on sale from $19.50 to $106 with tickets for guests 25 years old and younger available at half-price at MusicTheaterWorks.com or by calling the Music Theater Works box office at the North Shore Center, 847.673.6300. Group discounts are also available for groups of 10 or more by contacting 847.920.5360.

Music Theater Works’ season kicks off with what many believe is the “perfect musical” with every song in its score a part of the American musical classic. Guys and Dolls whisks audiences from Manhattan to Havana and back again with career gambler Sky Masterson, “Save-A-Soul” missionary Sarah Brown, Adelaide, Nathan Detroit and others in this exuberant, big, brassy musical. Join Music Theater Works at the Hot Box Club onstage for an unforgettable time.

The cast of Guys and Dolls includes, in alphabetical order: Brandon Acosta (he/him, Liver Lips/Ensemble/US Nathan Detroit/fight and intimacy captain); Jordan Beyeler (she/her, swing); Kristin Brintnall (she/her, Miss Adelaide); Caron Buinis (she/her, General Cartwright); Jeffrey Charles (he/him, Sky Masterson); Jenny Couch (she/her, ensemble); Emma Jean Eastlund (she/her, ensemble); Andrew Freeland (he/him, Big Jule/ensemble); David Geinosky (he/him, Benny Southstreet/ensemble/US Nicely Nicely); Joe Giovannetti (he/him, ensemble/US Sky Masterson); Isabella Gomez-Barrientos (she/her, Agatha/ensemble/US Sarah Brown); Ben Harmon (he/they, Angie The Ox/ensemble); Emily Holland (she/her, ensemble/US Miss Adelaide); Cecilia Iole (she/her, Sarah Brown); Dee Kimpel (she/her, Martha/ensemble/US General Cartwright); Kyle Kite (he/him, ensemble); Miguel Long (he/him, Rusty Charlie/ensemble); Cary Lovett (he/him, Nicely Nicely Johnson/US Arvide Abernathy); Matthew Millin (he/him, swing); Catherine Rodriguez O’Connor (she/her, ensemble); Adam Raso (he/him, Harry the Horse/ensemble/US Lt. Brannigan); Ian Reed (he/him, Lt. Brannigan); Callan Roberts (he/him, Nathan Detroit); Peter Ruger (he/him, Calvin/ensemble/US Big Jule); Bob Sanders (he/him, Arvide Abernathy) and Alex Villaseñor (he/him, ensemble/Non-Equity Deputy)

Guys and Dolls’ creative team is Sasha Gerritson (she/her, director); Clayton Cross (he/him, choreographer); Linda Madonia (she/her, music director); Amber Wutke (she/her, intimacy and violence choreographer); Kathy Logelin (she/her, dialect coach); Rachel Rock (she/her, stage manager); Ethan Colish (he/him, assistant stage manager); Ben Lipinski (any with respect, scenic designer); Nga Sze Chan (she/her, properties designer), Bob Kuhn (he/him, costume designer); Kristen Brinati (she/her, wardrobe head); Alice Salazar (she/her, hair/wig/makeup co-designer); Melanie Saso (she/her, hair/wig/makeup co-designer); Andrew Meyers (he/him, lighting designer); Forrest Gregor (he/him, sound designer); Kimberly Carbone (she/her, production sound engineer) and Andersonville Scenic Studios (scene shop). 

“Behind the Curtain with Thomas M. Shea”

Immediately following the Sunday, March 9 and March 16 matinees, audiences may join musical theater historian Thomas M. Shea, author of “Broadway’s Most Wanted,” for a post-show talk exploring the behind-the-scenes history of Guys and Dolls.

Binny’s Broadway Lounge

Music Theater Works’ Donors of any level and subscribers are welcome to access Binny’s Broadway Lounge before the performance and at intermission of Guys and Dolls. Binny’s Broadway Lounge, sponsored by Binny’s Beverage Depot, is located on the second floor at the North Shore Center for the Performing Arts in Skokie and offers complimentary drinks and snacks and does not require reservations. The Lounge is available during Guys and Dolls, Saturday, March 8 (opens at 6:30 p.m.) and Saturday, March 15 (opens at 1 p.m.).  

ASL Interpreted Performance

The Saturday, Mar. 22 at 7:30 p.m. performance will be ASL interpreted.

ABOUT SASHA GERRITSON, DIRECTOR

Sasha Gerritson is an opera and musical theater stage director who directs shows for many local and regional companies. Most recently having directed the critically acclaimed Music Theater Works’ production of Carousel, in addition to previous Music Theater Works’ shows Brigadoon and Irving Berlin's White Christmas, she is proud to return for Guys & Dolls. Known for her expertise in the standard repertoire, Gerritson is also a highly sought after opera director, having most recently directed Puccini's Manon Lescaut and Il Assassinio Nella Cattedrale for The Opera Festival of Chicago, where she serves as general director. In addition to her work as a stage director, Gerritson is a choral conductor and serves as the director of Music Ministries for the Park Ridge Community Church. Previous work as a choral conductor included positions with the Chicago Children's Choir and Merit School of Music. Gerritson is a proud board member of Music Theater Works, in addition to The Goodman Theatre, the Brookfield Zoo and DePaul University, where she serves as vice chair of the Board of Trustees. She served as the opera and music theatre director of Northeastern Illinois University from 2010-2022, has directed for Musica Nelle Marche (Urbino, Italy), Opera Piccola, DePaul University, the Cherub Music Theatre program for Northwestern University, in addition to various other summer programs in the area. She lives in Glenview with her husband Eugene Jarvis and their two sons, Nate and Josh. 

ABOUT CLAYTON CROSS, CHOREOGRAPHER

Clayton Cross works nationwide as a choreographer, performer and dance instructor. Cross was most recently in the ensemble and dance captain of Rock Of Ages with Mercury Theater Chicago, with Drury Lane in the ensemble and dance captain in Grease as well as in the ensemble in Evita. He most recently choreographed Brigadoon for Music Theatre Works. He was last seen on the Music Theater Works stage as “Scuttle” in Disney’s The Little Mermaid, in the ensemble of Mamma Mia!, as choreographer for Irving Berlin’s White Christmas and Billy Elliot The Musical. He was choreographer in residence with Music Theater Works under the direction of Rudy Hogenmiller for seven seasons where he choreographed and/or performed in Joseph and the Amazing Technicolor Dreamcoat as “Benjamin”, Hunchback of Notre Dame, How to Succeed in Business Without Really Trying, Into The Woods, Anything Goes as “ensemble”, Pirates of Penzance as “ensemble”, Peter Pan as “Nana/Croc”, Gypsy as “Tulsa”, Mame as “ensemble”, Candide, Guys and Dolls, My Fair Lady, Die Fladermanus, The Fantasticks as “Mute,” Damn Yankees as “Eddie” and in A Chorus Line as “Greg” with Porchlight Music Theatre. Cross also performed at Marriott Theatre in La Cage Aux Follies as “Mercedes”. He is an instructor and choreographer for M.A. Dance Nation, a Texas based traveling convention circuit, where he has been choreographing, teaching and judging since 1999. Cross has five times been a consultant and contributed choreography for the Capital One Bowl’s “All American Halftime Show.” Throughout his 25 year career as a dancer he has worked with Robert Battle, Fernando Bujones, Sherry Zunker, Paul Taylor and Anne Reinking. Cross’s television credits include “Every Dancer Has a Story,” a PBS special on the River North Chicago Dance Company, where he was a company member for 10 seasons and toured nationally and internationally. He is originally from Midland, Texas where he received his early training from La Petite Dance Co., Coleman Academy and the Midland Community Theatre as a member of the Pickwick Players. He holds a double B.F.A. in Ballet and Modern Dance from Texas Christian University.

ABOUT LINDA MADONIA, MUSIC DIRECTOR

Linda Madonia is thrilled to be back at Music Theater Works where she has previously music directed Legally Blonde:The Musical, Shrek: The Musical, Mamma Mia! and Camelot. Other recent projects include; Jersey Boys, Rock of Ages and Sister Act at Mercury Theater Chicago. Anything Goes, Cabaret and A Chorus Line at Porchlight Music Theatre. Madonia also serves as the contractor for the Chicago Federation of Musicians for Porchlight Music Theatre, Music Theater Works and Teatro Zinzanni. She is the vocal coach for the Master’s Degree program in Music Theatre Pedagogy at Carthage College and owns American Eagle Productions, which has been at the forefront of Theatre Education in the Chicago area for the past 35 years.

Music Theater Works 2025 Season

The 45th season includes Guys and Dolls, March 6 - 30; Fiddler on the Roof, August 7 - 17; Godspell, October 23 - November 16 and Annie, December 18, 2025 - January 4, 2026. For more information on the 45th season go to MusicTheaterWorks.com. 

ABOUT MUSIC THEATER WORKS

Music Theater Works is a resident professional not-for-profit music theater founded in 1980. During its 45-year history it has presented more than 150 productions and intimate presentations. Music Theater Works is a professional theater company whose mission is to present works for the musical stage including historic repertoire, revitalizing the Golden Age of Broadway and earlier works, celebrating the Great American Songbook and introducing modern classics. 

Auditorium Philms Reschedules U.S. Premiere of 'The Terminator' Live in Concert One Night Only June 13, 2025

AUDITORIUM PHILMS CONCERT SERIES 

continues with the U.S. Premiere of 

The Terminator in concert 

One night only Friday, June 13th at 7:30 PM at The Auditorium

The Chicago Philharmonic performs Brad Fiedel’s futuristic synth-driven score 

while the film plays on the big screen

Please note, this film is Rated R for violence. Subtitles will be shown during the live performance.

I'll be back...
is what you'll exclaim when you catch Auditorium Philms amazing pairings of movies and live orchestral accompaniment! We've seen Batman 1989, Love Actually, and Black Panther now and we're hooked. This series is too much fun.

The U.S. Premiere of The Terminator in concert is up next. Got your tickets yet? Here at ChiIL Mama & ChiIL Live Shows we couldn't love this series more. You'll be spoiled for all regular cinematic releases, once you catch a movie with a live score by the Chicago Philharmonic. It's an extraordinary experience. Don't miss this!

The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and the Chicago Philharmonic kick off the second season of the Auditorium Philms Concert Series, a multi-media experience presenting iconic films brought to life with scores performed in concert, with the U.S. premiere of The Terminator in concert. The beloved sci-fi film which celebrated its 40th anniversary in 2024 will play while an all-electric chamber orchestra performs the high-octane score composed by Brad Fiedel with in-sync dialogue and sound effects from the original film. The one night-only presentation has been rescheduled for Friday, June 13th at 7:30 PM at The Auditorium, 50 E Ida B Wells Dr. Tickets start at $69.00 and are available at auditoriumtheatre.org or by calling The Auditorium’s Ticket Service Center at 312.341.2300. 

Released in 1984, the US box-office smash-hit, The Terminator sees Arnold Schwarzenegger star as the most uncompromising killing machine ever to threaten the survival of mankind. An indestructible cyborg, a Terminator, is sent back in time to kill Sarah Connor (Linda Hamilton), the woman whose unborn son will become humanity's only hope in a future war against the machines. This epic sci-fi thriller from director, James Cameron, delivers an arsenal of action and heart-stopping suspense right to the end. Composed by Brad Fiedel, the score to The Terminator was meant to musically depict a “mechanical man and his heartbeat.” The futuristic synthesizer led soundtrack enhances the on-screen action and features a robust and driving percussion section that includes massive taiko drums.

“Given the popularity of our inaugural Auditorium Philms Concert Series in 2024, it was an easy decision to continue providing audiences with a big screen film experience accompanied by the live orchestration of the award-winning Chicago Philharmonic,” said The Auditorium CEO Rich Regan. “We’re looking forward to kicking off season two of Auditorium Philms with the U.S. premiere of The Terminator live in concert.”

“An orchestra can look very different depending on the instrumentation called for in the score,” added Chicago Philharmonic Executive Director Terell Johnson. “At Chicago Philharmonic, our versatility is our greatest asset. Audiences will see this beloved film in a whole new light thanks to our expert musicians perfectly executing this percussive and synthesizer forward composition.”

Tickets are also now available for the rest of the 2025 season of The Auditorium Philms Concert Series including The Goonies in its 40th Anniversary year, April 26; Toy Story in its 30th Anniversary year, June 14; The Nightmare Before Christmas, October 25; and The Holiday, December 20.

About The Chicago Philharmonic Society 

Founded by musicians of the Lyric Opera Orchestra in 1989, The Chicago Philharmonic Society is on a mission to reimagine the orchestra concert experience. With nearly 200 musician members and a unique system of musician governance, the organization is one of the most versatile, innovative, and ambitious orchestras in the country.

Chicago Philharmonic proudly collaborates with the greatest artists of our time, in every genre. Past collaborations have included The Joffrey Ballet, English National Ballet, Kishi Bashi, Lady Gaga, Tony Bennett, Joshua Bell, Tank and the Bangas, William Basinski, the American Ballet Theatre, Ryan Speedo Green, and more.

In 2021, Crain’s Business Chicago 40 Under 40 awardee Terell Johnson joined the organization as Executive Director. Since then, the orchestra has become a force for innovation and inclusion in the city’s performing arts ecosystem with a series of increasingly high-profile events. 2024 brought the orchestra’s debut at Lollapalooza Chicago with Icelandic jazz/pop sensation Laufey as the first orchestra to ever perform at the famed festival; a highly anticipated return to Ravinia Festival with a World Premiere tribute to Whitney Houston and a concert with the Violent Femmes; and and the World Premiere tour of An Evening with Sleeping At Last culminating in a sold-out debut at Carnegie Hall. Learn more at www.chicagophil.org.

About The Auditorium

The Auditorium, located at 50 E. Ida B. Wells Drive in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889.

The Auditorium’s 2024-25 performance season features a dynamic mix of cultural events from ballet to rock and roll and everything in between. For more information on The Auditorium and a complete listing of events at The Auditorium please visit AuditoriumTheatre.org.

THE FACTORY THEATER ANNOUNCES KITTY JAMES AND DESTINY’S TRAIL TO OREGON FEBRUARY 14 - MARCH 29, 2025

ChiIL Live Shows On Our Radar

THE FACTORY THEATER ANNOUNCES

KITTY JAMES AND DESTINY’S TRAIL TO OREGON

FEBRUARY 14 - MARCH 29 

WRITTEN BY FACTORY ARTISTIC ASSOCIATE PHIL CLAUDNIC

This Homage To Classic Adventure Films

is the Next Production of The Factory’s 30th Season

approximate runtime: one hour and thirty minutes

You have died of dysentery...  We played the Oregon Trail card game and early computer game back in the day, and can't wait to catch the musical version on stage at one of our favorite Chicago storefronts! 

We've adored The Factory Theater for years and here at ChiIL Live Shows we're particularly jazzed for Kitty James, since our son, Dugan Kenaz-Mara is Props Designer! We also know understudy Ben Jouras. I'll be out to review February 28th. Can't wait. Catch a preview this weekend for $15. Don't miss this! 

The Factory Theater, 1623 W. Howard St., is proud to announce the second production of their 30th season, Kitty James and Destiny’s Trail to Oregon, opening Friday, Feb. 21. The production runs through March 29 and was written by Phil Claudnic and directed by Jennifer Betancourt. 

Previews for Kitty James and Destiny’s Trail to Oregon are Friday, Feb. 14 and Saturday, Feb. 15 at 8 p.m. and Sunday, Feb. 16 at 3 p.m. Press opening will be Friday, Feb. 21 at 8 p.m. The regular performance schedule includes Friday and Saturday performances at 8 p.m., with Sunday matinees at 3 p.m. 

There will be additional Thursday performances March 20 and 27 at 8 p.m. An accessibility performance will occur on Sunday, March 9 at 3 p.m. An understudy performance will occur on Sunday, March 16 at 3 p.m.  Kitty James and Destiny’s Trail to Oregon has an approximate runtime of one hour and thirty minutes. Tickets are $30 and may be purchased through the box office by calling 312-275-5757 or by visiting TheFactoryTheater.com.

Kitty James, the Coffee Queen of Independence, MO, is heading west to find her fortune, but a mysterious medallion and an ancient prophecy may lead her down a different path in this hilarious homage to classic adventure films and text-based historical games.

Row 1 (L to R): Kim Boler, Vic Kuligoski, Danny Mulae and Tierra Matthews

Row 2 (L to R): Reginald Hemphill, Abbi Bryson, Christopher Ratliff and Donovan Lunches

Row 3 (L to R): Eric Frederickson, Johnny Moran, Mandy Walsh and Sydney Hanson

Row 4 (L to R): Benjamin Jouras, Michael Davis Arnold, David Wiesenhahn and Cara Juan

The Kitty James and Destiny’s Trail to Oregon cast includes Kim Boler~++ (Kitty James); Vic Kuligoski* + (Norris); Danny Mulae* + (Mangy Willy); Tierra Matthews* ++ (Dead); Reginald Hemphill + (Weight); Abbi Bryson ++ (Ursula); Christopher Ratliff + (Reginald); Donovan Lunches + (ensemble); Eric Frederickson∽ + (ensemble); Johnny Moran + (ensemble); Mandy Walsh ++ (ensemble); Sydney Hanson ++ (US Kitty/Weight); Benjamin Jouras + (US Reginald/ensemble); Michael Davis Arnold + (US Dead/ensemble); David Wiesenhahn + (Norris/Mangy Willy/ensemble US); and Leela Watts ++ (Ursula/ensemble US)

The Kitty James and Destiny’s Trail to Oregon creative team includes Timothy C Amos∽ + (production manager); Phil Claudnic∽ + (playwright); Jennifer Betancourt∽ ++ (director); Henry Bender* = (assistant director); Katie Oliver ++ (stage manager);  Ellie Humphrys* ^/+ (lighting designer); Hunter Cole ^ (set designer); Maureen Yasko ++ (fight/intimacy director); Isaac Mandel* + (sound designer); Antonia DiValentin ++ (costume designer); Kieran O'Connor + (technical director); and Dugan Kenaz-Mara + (props designer).

∽ denotes Factory Ensemble; * denotes Artistic Associate 

Pronoun Key: + (he/him/his); ++ (she/her/hers); ^ (they/them/theirs); = (any with respect)

 ABOUT PHIL CLAUDNIC, playwright

Phil Claudnic has been serving The Factory for 15 years. He has been a stage manager, production manager, operations manager, booking manager, and now is closing out his enure as the Executive Director.  He’s also done acting and writing for the company with Kitty James and Destiny’s Trail to Oregon marking his first full-length play written by Claudnic and produced by The Factory.

ABOUT JENNIFER BETANCOURT, playwright

Jennifer Betancourt is delighted to be an ensemble member with the Factory Theater. Factory stage credits include: The HoA, Xmas War: Endgame, Xmas War, Captain Steve’s Caring Kingdom, Fight City, and Born Ready, as well as a directorial debut at The Factory for The Factory Zone. When not at The Factory, she can be found baking pretentious bakes, doodling, recording her voice for posterity in audiobook form and setting small fires.

ABOUT THE FACTORY THEATER

For 30 years, The Factory has created its shows from scratch, doing exactly the kind of theater they wanted to do. From writing workshops to the closing night bash, Factory shows are a unique experience that fits its exacting standards: original, bold, and full-tilt. Its shameless ensemble is an ambassador of a good time, ensuring Chicago remains heartily entertained.

Tickets are $30 and may be purchased through the box office by calling 312-275-5757 or by visiting TheFactoryTheater.com

Fest Alert: The Chicago Women of Color Puppetry & Performing Arts Fringe Festival Now Playing Through March 16, 2025

ChiIL Live Shows On Our Radar 

The Chicago Women of Color 

Puppetry and Performing Arts Fringe Festival 2025 

Celebrates its First Year at the Zhou B Art Center, 4th Floor Women of Color Theatre, 

1029 West 35th Street Chicago

Now Playing Through Sunday, March 16, 2025

The festival focuses on artists who create works about biodiversity, activism, human rights, oppression, race/racism, genocide, gender, LGBQT issues, being a woman, being Black, being indigenous, current events, the prison industrial complex, social justice issues, consciousness, spirituality, mental health, trauma, Black futurism, fantasy, empowerment, history and much more.

Where art meets storytelling ✨

Women of Color Productions brings powerful narratives to life through breathtaking puppetry and stop-motion magic. These striking creations by Jacqueline Wade are more than art—they’re a movement, a voice, and a celebration of culture.

🎭 Elevate your love for the arts and support women creators redefining the industry!

They also encourage artists to bring old and new works including works-in-progress that have been rehearsed. They welcome everyone. This is a festival that is on the edge of the mainstream and gives voice to the voiceless and encourages experimental works. It is a festival that is "open access" and gives opportunities. It is high energy with independent artists. 

The festival is also very supportive of artists who challenge the audience and themselves in creating works that make positive change; it is about community and mentorship and people of all ethnic backgrounds, genders, sexual orientations and abilities who want to come together to celebrate puppetry, performing arts and film.

Snap from the fest a couple weeks back of Steven’s performance: “The Gum Rappers”, Yo-yo, Sloop and Thin Ice, played by David C. Herzog, Jacqueline Wade, and Steven Widerman, performed at the Chicago Women of Color Fringe Festival on MLK day. Photo by Alex Griffin.

Are you a performing artist? Do you have art that you would like to share? Join us for our upcoming slams on 2/21, 2/28 and 3/14! DM us or reach out the festival website to be in touch and learn more.

Full schedule HERE.

Tickets HERE

 

Puppets by Tarish “Jeghetto” Pipkins

Sadly, two days of shows, film screenings and events with Puppeteer Tarish “Jeghetto” Pipkins happened last weekend, but I have caught his work two different years as part of the Chicago International Puppet Theatre Festival and his work is incredible! Saturday 2/8 join us for a screening of JUST ANOTHER LYNCHING with director Jeghetto @jeghettos_puppets followed by a Q&A and a puppet meet! Shows at 2pm and 8:30pm! I have seen this film and it's thought provoking, moving, and expertly done. I've also caught his futuristic film, 5P1N0K10 and it's quite creative and visually fun.

JUST ANOTHER LYNCHING is a puppet show that dives deep into the culture of racism and oppression during the Jim Crow era in the United States. Puppeteer Tarish “Jeghetto” Pipkins joins forces with a cast of Boston-based puppeteers to confront haunting truths about our country’s past, present, and future. Audiences experience the tale of a man who loves his family, but who nevertheless meets an unfortunate end at the hands of racism. Framed as one man’s eulogy to his lost childhood friend, the play unfolds as a series of touching memories that refuse to be ignored or mis-remembered. Jeghetto’s ghostly, large-scale puppets combine with extraordinary sound and projections, creating a space where contemporary audiences can reflect, bear witness, and engage in radical honesty. The performance will be followed by an open discussion between Jeghetto, the community, and the creative team.

On Sunday 2/9 more featuring the work of Jeghetto:

5P1N0K10 Dir by Jeghetto, part of the special collection of Handmade Puppet Dreams screening at 12:15

Performance of “Jim Crow The Puppet” at 5:30pm

Screening of JUST ANOTHER LYNCHING at 10pm

Check out the upcoming schedule HERE:

https://chicagowomenofcolorfest.com

https://www.instagram.com/womenofcolorproductions

The League of Chicago Theatres Celebrates Black History Month in Conjunction With Chicago Theatre Week 2025

ChiIL Live Shows On Our Radar

The League of Chicago Theatres shines a spotlight on 

Black History Month 

in conjunction with 

Chicago Theatre Week, February 6-16, 2025, 

and Chicago Theatre Week Continued, February 17-23, 2025.

 

The League of Chicago Theatres presents the first event in its Cultural Conversation Series. Join theatre leaders for a community conversation celebrating Black History Month at 6pm on Monday, February 17 at Definition Theatre, 1160 E 55th St, Chicago.

The League of Chicago Theatres’ Cultural Conversation Series intends to uplift theatres and artistic organizations who have a commitment to their communities and cultures. The program will engage industry leaders in thoughtful discission and showcase opportunities for attendees to get involved in their initiatives. The February Cultural Conversation will be moderated and curated by Definition Theatre Executive Director Neel McNeil. 

The following is a selection of work in Chicago available in February in celebration of Black History Month:

(*Those in red are shows we're reviewing here at ChiIL Live Shows and ChiIL Mama. We'll update with reviews as we see them.)

• First Lady of Song: Alexis J Roston sings Ella Fitzgerald (Metropolis Performing Arts Centre):

• We Always Bounce Black (The Second City)

• Debate: Baldwin v. Buckley (TimeLine) 

Recommended. ★★★ Three out of four stars. B Kenaz-Mara, ChiIL Live Shows

(Unique site specific debate that rings as true today, 60 years later. Truly a treat for architecture geeks, history buffs, and debate nerds alike. Not your typical night of theatre. Spot on for our political times and entirely captivating!)

• Fat Ham (Goodman)

Highly recommended. ★★★★ Four out of four stars. B Kenaz-Mara, ChiIL Live Shows

(This "Juicy" collab's so nice they extended it twice! FAT HAM is Goodman Theatre's co-production with Definition Theatre and an absolute must see. Now playing through March 9, 2025)

• 1619: The Journey of a People (3rd Dimension Performance Group)

• A Raisin in the Sun (Court)

• Policy: Running Numbers A Family Business (Harold Washington Cultural Center)

• The Promotion (MPAACT—Ma’at Production Association of Afrikan Centered Theatre)

• Big Black Comedy (The Den)

• Three Little Birds (Young People’s Theater)

Discounted tickets to many of the productions are available at ChicagoTheatreWeek.com and HotTix.org. Otherwise, tickets may be purchased through the respective theatre companies.  

Chicago Theatre Week (#CTW25), presented by the League of Chicago Theatres in participation with Choose Chicago, is an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets. Chicago Theatre Week is February 6-16, 2025. For the third consecutive year, HotTix.org will host Chicago Theatre Week Continued from February 17-23, 2025, which will extend Theatre Week discounts to participating productions for an additional week.

The value-priced CTW tickets will be $30, $15, or less. Tickets are on sale at ChicagoTheatreWeek.com .

Last year’s Chicago Theatre Week saw massive ticket sales with more than 18,000 tickets sold to 81 participating productions for more than 446 performances. 64 theaters participated in CTW 2024, with 29 neighborhoods and suburbs represented. The program continues to bring in new audiences to area theatres with approximately 58% of patrons visiting their chosen theatre for the first time. Chicago Theatre Week also raises the visibility of the theater industry, as evidenced by the 144,689 unique visitors to ChicagoTheatreWeek.com from the ticket onsale through the end of Theatre Week.

Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago. Subscribe to the Theatre Week email newsletter for updates and announcements. 

The official hashtag for Chicago Theatre Week 2025 is #CTW25.

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 7 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. For more information, visit www.chicagoplays.com. #ChiTheatre

The League of Chicago Theatres’ Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

About Choose Chicago

Choose Chicago is the official sales and marketing organization responsible for promoting Chicago as a global visitor and meetings destination, leveraging the city’s unmatched assets to ensure the economic vitality of the city and its member business community. 

Follow @choosechicago on Facebook, Instagram, and Twitter and tag #ChicaGOandKNOW. For more information, visit choosechicago.com. Support the theatre community this fall during Theater Season and explore more than 100 shows happening now through the end of the year at TheaterSeason.com.

The Second City Honors 65 Year Anniversary With $19.59 Tickets in Chicago, Toronto, and New York!

THE SECOND CITY CELEBRATES 65 YEARS OF LAUGHTER

 $19.59 Tickets For Select Shows Across All Three Cities 

Thursday night performances in each city will feature this special $19.59 ticket price through November 20, 2025.

In December 1959, The Second City opened its doors on a snowy Chicago night, igniting a comedic revolution that continues to transform improv and live sketch comedy today. For 65 years, this iconic institution has been the launch pad for countless comedy legends and remains a driving force in nurturing the next generation of comedy creators, leaving an indelible mark on the world of entertainment.

To honor this milestone, The Second City is hosting a yearlong celebration with specially priced $19.59 tickets to select shows in Chicago, Toronto, and New York. This offer pays tribute to its founding year while inviting audiences—old and new—to join in the laughter.

Chief Revenue & Operating Officer Parisa Jalili shared her thoughts on this momentous occasion: “For 65 years, our performers, staff, and audiences have built an unparalleled legacy of comedy and connection. This celebration is for everyone who has ever filled our theaters with laughter, and we look forward to welcoming even more comedy lovers into our community.”

Thursday night performances in each city will feature this special $19.59 ticket price through November 20, 2025. Don’t miss the chance to experience the hilarity of The Second City’s e.t.c. show in Chicago, the Mainstage show in Toronto, and the Mainstage show in New York at this anniversary price.

Celebrate with us and be part of this historic milestone! Tickets are available at each city’s box office or by visiting https://www.secondcity.com/celebrate-65-years-of-comedy.

About The Second City

The Second City opened its doors in 1959 as a small comedy cabaret and has since grown to become the world's most influential name in improvisation and comedy. Celebrating 65 years, The Second City's stages, Touring Companies, and Training Centers across North America have proudly been the launch pad and artistic home for many of the funniest performers, writers, directors, and comedic minds on the planet. 

For more information on The Second City, visit www.secondcity.com and follow The Second City on TikTok, Instagram, Facebook and Twitter.

Additional Performances of Betrayal and Fat Ham Extend the Run of Both Shows at Goodman Theatre

ChiIL Live Shows On Our Radar

HIGH DEMAND FOR TICKETS PROMPTS EXTENSIONS OF TWO GOODMAN PRODUCTIONS

***FAT HAM EXTENDS A SECOND TIME (THROUGH MARCH 9) AND SUSAN V. BOOTH’S MAJOR REVIVAL OF BETRAYAL, STARRING IAN BARFORD, HELEN HUNT AND ROBERT SEAN LEONARD, EXTENDS THROUGH MARCH 23***

The new year is off to a strong start on stage as Goodman Theatre announces additional performances for both of its current productions: Fat Ham in the 350-seat Owen Theatre—marking the second extension for Tyrone Phillips’ Chicago-premiere production of James Ijames’ Pulitzer Prize-winning play—and Susan V. Booth’s major revival of Betrayal in the 856-seat Albert Theatre. Dates and times for the extension week performances appear below. Betrayal, which begins performances this weekend, features Tony Award nominee and Outer Critics Circle Award winner Ian Barford as Robert, Oscar, Emmy and Golden Globe Award winner Helen Hunt as Emma and Tony Award winner Robert Sean Leonard as Jerry in Harold Pinter’s masterwork. Betrayal appears February 8 – March 23. 

I'll be out to review for ChiIL Live Shows on opening night, February 17th. Tickets ($40 - $175; subject to change) are available at GoodmanTheatre.org/Betrayal or by phone at 312.443.3800. 

The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor), Katten Muchin Rosenmann LLP and PAXXUS, Inc. (Corporate Sponsor Partners). 

Fat Ham, the “heartwarming, tension-filled and laugh-out-loud funny” (Daily Herald) reimagination of Shakespeare’s Hamlet directed by Tyrone Phillips adds five performances to its Chicago run with a second extension. Co-produced with Chicago’s famed Definition Theatre—of which Phillips is Founding Artistic Director and playwright James Ijames is a company member—Fat Ham tells the story of Juicy, a Black, queer young man who is confronted by the ghost of his father during a family barbeque. Seeking revenge for his murder, his father puts a screeching halt to Juicy’s quest for joy and liberation. Ijames’s reinvention of Shakespeare’s masterpiece features an all-Chicago cast: Trumane Alston (Juicy), Sheldon Brown, E. Faye Butler, Ronald L. Conner, Victor Musoni, Ireon Roach and Anji White. 

It was my great pleasure to catch opening night of Fat Ham, reviewing for ChiIL Live Shows. We've long been fans of Definition Theatre's excellent work and love this creative, high energy riff on Hamlet as a modern black barbecue. Don't miss this! 

(This "Juicy" collab's so nice they extended it twice! FAT HAM is Goodman Theatre's co-production with Definition Theatre and an absolute must see. Now playing through March 9, 2025)

Highly recommended. ★★★★ Four out of four stars. B Kenaz-Mara, ChiIL Live Shows

Fat Ham appears through March 9. Tickets ($35 - $85; subject to change) are available at GoodmanTheatre.org/Ham or by phone at 312.443.3800. 

Goodman Theatre is grateful for the support of ITW (Corporate Sponsor Partner), the Elizabeth Morse Charitable Trust (Lead Sponsor of IDEAA Programming) and the National Endowment for the Arts (Production Support).

FAT HAM EXTENSION WEEK SCHEDULE

-Thursday, March 6 at 7:30pm

-Friday, March 7 at 7:30pm

-Saturday, March 8 at 2pm

-Saturday, March 8 at 7:30pm

-Sunday, March 9 at 2pm

BETRAYAL EXTENSION WEEK SCHEDULE

-Tuesday, March 18 at 7:30pm 

-Wednesday, March 19 at 2pm 

-Wednesday, March 19 at 7:30pm 

-Thursday, March 20 at 7:30pm 

-Saturday, March 22 at 2pm and 7:30pm*

-Sunday, March 23 at 2pm and 7:30pm

*At these two performances, the role of Emma will be played by Cheyenne Casebier.

Full Company of Betrayal (in alphabetical order)

By Harold Pinter

Directed by Susan V. Booth

Ian Barford…Robert

Nico Grelli…Waiter

Helen Hunt…Emma

Robert Sean Leonard…Jerry

Understudies…Cheyenne Casebier, Michael Milligan and Jeff Parker.

Creative Team

Set Designer…..Neil Patel

Costume Designer ……Linda Roethke

Lighting Designer…..Xavier Pierce

Projection Designer….Rasean Davonté Johnson

Sound Designers and Composers….Michael Bodeen and Rob Milburn

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Nikki Blue is the Production Stage Manager and Jennifer Gregory is the Stage Manager.

Full Company of Fat Ham (in alphabetical order)

By James Ijames

Directed by Tyrone Phillips

Trumane Alston…Juicy

Sheldon Brown…Larry

E. Faye Butler…Rabby

Ronald L. Conner…Rev/Pap

Victor Musoni…Tio

Ireon Roach…Opal

Anji White…Tedra

Understudies…Blake Hamilton Currie, Marquise De’Jahn, TayLar, Joseph Primes and Jazzy Rush.

Creative Team

Set Designer…..Arnel Sancianco

Costume Designer ……Jos N. Banks

Lighting Designer…..Jason Lynch

Sound Designer….. Willow James

Illusion Consultant…Benjamin Barnes

Fight and Intimacy…Gaby Labotka

Casting is by Lauren Port, CSA. Jared Bellot is the Dramaturg. Patrick Fries is the Production Stage Manager.

ABOUT DEFINITION THEATRE

Definition Theatre has been a vibrant force for over a decade, celebrating stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibilities found at the intersection of art, innovation, and education. Known for bold and impactful productions, we’ve brought to life plays by Oscar-winner Tarell Alvin McCraney, Pulitzer Prize-winners James Ijames and Jackie Sibblies Drury, and Tony Award-winner Branden Jacobs-Jenkins. We strive to promote equity, foster empathy, and enhance the quality of life for our community members by offering opportunities for creative, entrepreneurial, and cultural expression. Our work emphasizes collaboration in theater-making and raises awareness of career paths in the arts. In 2024, Definition leased and equipped a storefront space in Hyde Park, enabling us to engage artists and expand programs as we prepare for our permanent home in Woodlawn on the southside of Chicago. This new theater, community center, and business incubator will amplify and preserve BIPOC voices, promote social justice, and empower the next generation of artists, entrepreneurs, and changemakers to drive positive progress through the transformative power of the arts. Tyrone Phillips is the Artistic Director, Neel McNeill is the Executive Director, Willow James is the Civic Engagement Director.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.