Beautiful: The Carole King Musical at Drury Lane January 29 – March 23, 2025

ChiIL Live Shows On Our Radar 

Follow the journey of one of the most celebrated voices in popular music in

 Beautiful: The Carole King Musical

January 29 – March 23, 2025

Tickets are on sale now for this inspiring true story

Drury Lane Theatre is thrilled to announce casting for Beautiful: The Carole King Musical, a heartwarming journey through Carole King's inspirational life story, where her music shines as a beacon of hope and personal growth, playing January 29 – March 23, 2025. Beautiful: The Carole King Musical features a book by Douglas McGrath, words and music by Gerry Goffin, Carole King, Barry Mann and Cynthia Weil, with music by arrangement with Sony/ATV Music Publishing. At the helm of Drury Lane Theatre’s production is director Jane Lanier, who most recently directed and choreographed Drury Lane’s hit production A Chorus Line. I'll be out for the press opening February 6th, so check back soon for my full review.

Witness the captivating story of Carole King's meteoric rise to stardom, from humble beginnings to her undeniable status as one of the most celebrated voices in popular music. With melodies such as “I Feel the Earth Move” and “(You Make Me Feel Like) A Natural Woman,” this production weaves an emotional tapestry rich with nostalgia. Beautiful isn't just a musical, it's an immersive celebration of resilience, creativity, and the authentic spirit of a music legend.

The cast of Beautiful: The Carole King Musical is led by Samantha Gershman (Broadway’s Water for Elephants and A Beautiful Noise) in the role of Carole King and features Alex Benoit (Gerry Goffin), Andrew MacNaughton (Barry Mann), Alexandra Palkovic (Cynthia Weil), Michael Lawrence Brown (Donny Kirshner), and Rebekah Ward (Genie Klein), along with Averis Anderson, Ryan Michael Armstrong, Anna Louise Bramlett, Lydia Burke, Raeven Carrol, Maxwell J. DeTogne, Alley Ellis, Ian Geers, Emily Goldberg, Makenzy Jenkins, Alanna Lovely, Chamaya Moody, Austin Nelson Jr., Nataki Rennie, Mitzi Smith, Michael Turrentine, and Rico Velazquez.  

The creative team includes Jane Lanier (director), Gerry McIntyre (choreographer), Carolyn Brady (musical director), Misha Kachman (scenic designer), Nicole Boylan (costume designer), Julie Mack (lighting designer), Stephanie Farina (co-sound designer), Sarah Ramos (co-sound designer), Anthony Churchill (projection designer), Kevin Foster (wig designer), Cassy Schillo (properties designer), Larry Baker (production stage manager).

All events take place at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace. Single tickets for Beautiful: The Carole King Musical are on sale now and available by phone at (630) 530-0111 or online at www.drurylanetheatre.com. Groups of 10 or more can receive special group pricing. 

Beautiful: The Carole King Musical is rated PG-13.

Dates: January 29 – March 23, 2025

Press Opening: Thursday, February 6, 2025 at 7pm

Schedule:  Wednesdays and Thursdays: 1:30 p.m.

Thursdays: 7:00 p.m.

Fridays: 7:00 p.m.

Saturdays: 3:00 p.m. and 8:00 p.m.

Sundays: 2:00 p.m. and 6:00 p.m.

Location: Drury Lane Theatre at 100 Drury Lane in Oakbrook Terrace

Tickets: Tickets range from $53.00 - $125 

Group discounts available to groups of 10 or more

Dining and show packages available

Senior discounts available

Box Office:

100 Drury Lane in Oakbrook Terrace

(630) 530-0111

Monday through Sunday from 10am to 5pm or visit DruryLaneTheatre.com

Season and Membership Information

Currently on stage is the spellbinding Disney’s The Little Mermaid (November 6, 2024 – January 12, 2025); and the inspiring true story Beautiful: The Carole King Musical (January 29, 2025 – March 23, 2025) will close out the 2024/25 season.

The 2025/2026 season includes the Chicago premiere of The Da Vinci Code (April 9 – June 1, 2025), a love letter to a country music icon in Always…Patsy Cline (June 11 - August 3, 2025); the riveting thriller Dial M for Murder (September 3 - October 26, 2025); the divine feel-good musical comedy Sister Act (November 12, 2025 - January 11, 2026) and the exhilarating music of the Miami Sound Machine in On Your Feet! The Story of Emilio & Gloria Estefan (January 28 - March 22, 2026). 

Drury Lane Theatre’s performance schedule for the 2025/2026 season is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 7:00 p.m., Fridays at 7:00 p.m., Saturdays at 3:00 p.m. and 8:00 p.m., and Sundays at 2:00 p.m. and 6:00 p.m.

Five-show Memberships for the 2025/2026 season are now on sale with packages starting at $229.25 - over 50% savings compared to single ticket prices. This includes priority theatre seating, dining credits at Lucille Restaurant, exclusive presale opportunities, and much more. For more information, visit DruryLaneTheatre.com/Subscribe.

Group tickets start at $45 and Student group tickets start at just $35.35. On-site dining is available at Lucille Restaurant with convenient pre-show or post-show prix fixe menus. To book a group of 10 people or more, call Group Services at 630-570-7272 or email Groups@DruryLane.com.

Give the gift of Drury Lane! Gift certificates to Drury Lane can be purchased in any denomination, never expire, and can be used for performances, at Lucille Restaurant or for Drury Lane Events. Gift certificates can be purchased online at drurylanetheatre.com/gift-certificates or by calling the box office.

Dining and Special Events

Excellence isn’t limited to the stage at Drury Lane! Before or after the show, theatergoers can indulge in delicious onsite dining at Lucille Restaurant featuring seasonal pre-fixe menus and an elevated atmosphere to complete their experience. Boasting over a century of collective expertise in hospitality, the dedicated team ensures that you will be cared for with freshly prepared meals, handcrafted cocktails, and exceptional service. At Drury Lane, everything is in one place, so you will never be late for your performance.

Special Drury Lane holiday offerings include Holiday Afternoon Tea, Breakfast, Brunch and Dinner with Santa, and special New Year’s Eve packages to ring in 2025 in style. Special event packages in conjunction with Disney’s The Little Mermaid will also be available. All dining events are on sale at lucillerestaurant.com.

About Drury Lane Theatre    

Built from scratch. Built in Oakbrook. Built for you. 

Founded by Anthony DeSantis over 70 years ago, Drury Lane remains a family-run organization under the leadership of President Kyle DeSantis. Drury Lane Theatre continues as a major force in the Chicagoland theatre scene, producing world-class theatre in collaboration with some of the nation’s leading actors, directors, and creative minds. Drury Lane Theatre produces the highest quality theatrical experience that immerses and supports our artists and audiences in the exploration of what it means to be human and to experience the transcending power of the performing and visual arts. Drury Lane strives to create an environment in which every individual or group is welcomed, respected, supported, valued and able to fully experience and participate in this transformative art form. 

The theatre has staged more than 2,000 productions and has been nominated for over 360 Joseph Jefferson Awards. Drury Lane proudly employs thousands of professional actors, musicians, designers, and crew members to entertain upwards of nine million audience members and counting.

REVIEW: Hilarious Hit Shucked at Broadway In Chicago’s CIBC Theatre Through January 19th Only

ChiIL Live Shows On Our Radar

SHUCKED

NOW PLAYING AT BROADWAY IN CHICAGO’S CIBC THEATRE

THROUGH JANUARY 19 ONLY

Ah-maize-ing! 

Humor, grit, and kernels of wisdom. 

Hilarious hit, Shucked is a great respite from reality for a couple hours. 

Felt a-maize-ing to laugh so hard! Corny puns were poppin’ and there were quite a few clever lines that just might sneak into my real world vernacular. 

Highly Recommended. ★★★★ Four out of four stars. 

Bonnie Kenaz-Mara, ChiIL Live Shows

SHUCKED is recommended for ages 10+ due to adult themes, moments of adult language and a harvest of corny innuendo. 

All persons entering the theater, regardless of age, must have a ticket.

REVIEW

By Bonnie Kenaz-Mara

It was pure joy to catch opening night of Shucked last night at Broadway In Chicago’s CIBC Theatre. This Ah-maize-ing Tony Award winning hit is hands down hilarious. I laughed so hard my ribs hurt today. Shucked is filled with humor, grit, and kernels of wisdom, not to mention catchy tunes, bad puns, and excellent talent across the board. This production is a great reminder that simple is different than stupid, there are many types of wisdom, and never underestimate determined women.

Quinn VanAntwerp as Gordy and Miki Abraham as Lulu 

All Production Photos by Matthew Murphy and Evan Zimmerman

Jake Odmark as Beau and Danielle Wade as Maizy with Cast Members

In our current political climate, while global warming related environmental disasters rage, Shucked is a great respite from reality for a couple hours. It's well worth the ticket price to escape into simpler times, and hide out in a corn maze of cons, relationship woes, and good old fashioned community for a spell. Corny puns were poppin’ and there were quite a few clever lines that just might sneak into my real world vernacular. The writing and score are witty, wonderful, and too much fun. 

Danielle Wade as Maizy

I especially loved Maizy (Danielle Wade) known for playing “Cady” in the Mean Girls National Tour. We need more of her adventurous spirit and gems like "This isn't an argument. I'm right and you're just saying things." She's the corn fed, small town, girl next door type, who's been underestimated all her life. She's also equal parts smart and smart-ass and we're here for it. We also adored Miki Abraham as LuLu, continuing in the role from Shucked on Broadway.  She's fierce and fabulous.

Miki Abraham as Lulu and Ryan Fitzgerald

Danielle Wade as Maizy and Miki Abraham as Lulu 

This modern day Music Man brings a fake physician "corn specialist" to an isolated rural town, to fix their agricultural woes. Instead, the town ends up fixing him. 

Quinn VanAntwerp as Gordy

The Cast of The North American Tour of SHUCKED 

Much like The Music Man's iconic, traveling con artist Harold Hill, Gordy in foiled in his con by smart women, but succeeds in finding love and community, despite his questionable past. Quinn VanAntwerp (Shucked on Broadway) is a treat to see as Gordy. 

The Cast of The North American Tour of SHUCKED 

The creatives and the entire cast are talent filled and top notch. We particularly adored the fabulous lighting, sound, and set design. Don't miss this! Highly Recommended. ★★★★ Four out of four stars. ChiIL Live Shows.

I was unfamiliar with the storyline and score going in, but they won me over by the opening number. I'll certainly be playing this one at home. Want to hear more?

Get an ear full of clever lyrics with this playfully incredible score: 

**The Grammy Award nominated SHUCKED – Original Broadway Cast Recording is available on all streaming platforms and on CD.  The album is produced by Jason Howland, Billy Jay Stein, and the show’s composers Shane McAnally and Brandy Clark.**

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

The Cast of The North American Tour of SHUCKED 

Broadway In Chicago is delighted to announce the Tony Award® winning musical comedy, SHUCKED is now playing at Broadway In Chicago’s CIBC Theatre (18 W. Monroe St.) for a limited engagement through January 19 only.

“More hilarious than any show since The Book of Mormon” – New York Stage Review

SHUCKED features a “superb book” (New York Post) by Tony Award winner Robert Horn, a score filled with “earworm songs” (The Daily Beast) by Grammy Award winners, Tony Award nominees and Nashville music superstars Brandy Clark and Shane McAnally, and direction with “an infectious spirit of glee and warmth” (Variety) by three-time Tony Award winner Jack O’Brien.

Maya Lagerstam as Storyteller 1 and Tyler Joseph Ellis as Storyteller 2

The Cast of The North American Tour of SHUCKED 

What do you get when you pair a semi-neurotic, New York comedy writer with two music superstars from Nashville? A hilarious and audacious farm-to-fable musical about the one thing Americans everywhere can’t get enough of: corn. SHUCKED is the new musical comedy that proves sometimes tearing down a few walls, rather than growing them, is the only way to preserve our way of life. SHUCKED is turning musical theater on its ear and is offering a kernel of hope for our divided nation.

“More laughs than every other Broadway show put together” – Chicago Tribune

The cast includes Miki Abraham (Shucked on Broadway) as Lulu, Tyler Joseph Ellis (“The Sex Lives of College Girls”) as Storyteller 2, Maya Lagerstam (The Gospel According to Heather) as Storyteller 1, Mike Nappi (Darling Grenadine) as Peanut, Jake Odmark (Kinky Boots) as Beau, Quinn VanAntwerp (Shucked on Broadway) as Gordy and Danielle Wade (“Cady” in the Mean Girls National Tour) as Maizy.

Jake Odmark as Beau and Danielle Wade as Maizy

Jake Odmark as Beau and Mike Nappi as Peanut

The cast also includes Zakiya Baptiste, Mackenzie Bell, Carly Caviglia, Cecily Dionne Davis, Ryan Fitzgerald, Sean Casey Flanagan, Jackson Goad, Erick Pinnick, Nick Raynor, Celeste Rose, Kyle Sherman and Chani Wereley.

Danielle Wade as Maizy and Erick Pinnick as Grandpa  

With choreography by Sarah O’Gleby, and music supervision, music direction, orchestrations, and arrangements by 2023 Tony Award, Drama Desk, and Outer Critics Circle Award nominee Jason Howland, the design team for SHUCKED includes 2023 Tony Award nominee and Tony Award winner Scott Pask (scenic design), 2023 Drama Desk Award nominee Tilly Grimes (costume design), Tony Award nominee Japhy Weideman (lighting design), Tony Award winner and 2023 Drama Desk Award nominee John Shivers (sound design), Academy Award® winner and Emmy Award® winner Mia Neal (wig design), and Stephen Kopel, C12 Casting (casting director). SHUCKED is produced by Mike Bosner and Jason Owen.

“Shucked is totally original, unexpected, and brilliant!”  – Forbes

www.shuckedmusical.com

www.facebook.com/shuckedmusical

www.instagram.com/shuckedmusical

www.tiktok.com/@shuckedmusical

Mike Nappi as Peanut

PERFORMANCE SCHEDULE

Tuesday, January 7 at 7:00 p.m.

Wednesday, January 8 at 7:00 p.m.

Thursday, January 9 at 7:00 p.m.

Friday, January 10 at 7:30 p.m.

Saturday, January 11 at 2:00 p.m. & 7:30 p.m.

Sunday, January 12 at 1:00 p.m. & 6:30 p.m.

Tuesday, January 14 at 7:00 p.m.

Wednesday, January 15 at 1:00 p.m. and 7:00 p.m.

Thursday, January 16 at 7:00 p.m.

Friday, January 17 at 7:30 p.m.

Saturday, January 18 at 2:00 p.m. & 7:30 p.m.

Sunday, January 19 at 1:00 p.m.

Jake Odmark as Beau 

TICKET INFORMATION

Individual tickets for SHUCKED are on sale now and range from $35.00 - $130.00 with a select number of premium tickets available. Patrons can also participate in a digital lottery for a chance to purchase $25.00 tickets for each performance. In addition to the lottery, a limited number of day-of-show, in person Rush tickets will be available for all performances. Click here for more info on Digital Lottery and In Person Rush. Tickets are available for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more information, visit www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 25 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the  Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway  Playhouse at Water Tower Place.

For more information and tickets, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Instagram @broadwayinchicago ● TikTok @broadwayinchicago ● #broadwayinchicago

The Cast of The North American Tour of SHUCKED 

All Production Photos by Matthew Murphy and Evan Zimmerman

Alvin Ailey American Dance Theater returns to The Auditorium March 7-9

ChiIL Live Shows On Our Radar

Alvin Ailey American Dance Theater 

returns to The Auditorium March 7-9

The Auditorium proudly presents the 2025 Alvin Ailey American Dance Theater Chicago season featuring two programs packed with premieres March 7-9, 2025

New works abound by Hope Boykin, Lar Lubovitch, and Matthew Rushing, plus 25th anniversary restaging of Ronald K. Brown’s rapturous Grace, and new production of Elisa Monte’s mesmerizing duet Treading.

Alvin Ailey’s Cry pays tribute to the late Artistic Director Emerita Judith Jamison on opening night, while Ailey masterpiece Revelations concludes both programs.

Alvin Ailey American Dance Theater, one of the world’s most popular dance companies, returns to The Auditorium, Chicago’s landmark stage at 50 E Ida B. Wells Drive, in four performances only, Friday-Sunday, March 7-9, 2025 as part of a coast-to-coast 2025 United States tour in a season celebrating the life and legacy of Artistic Director Emerita Judith Jamison (1943-2024). I'll be out for opening night on Friday the 7th, covering for ChiIL Live Shows.

Led by Interim Artistic Director Matthew Rushing, the passionate spirit and extraordinary technique of Ailey’s dancers will be showcased in two exciting programs featuring a trio of Chicago premieres alongside compelling new productions and beloved Ailey Classics including Alvin Ailey’s must-see signature masterpiece Revelations. Tickets start at $39.00 and are now available at AuditoriumTheatre.org. or by calling The Auditorium’s Ticket Service Center at 312.341.2300.

“Auditorium audiences welcome Alvin Ailey American Dance Theater with great enthusiasm each Spring, knowing a joyful experience awaits, and this year’s programming will be no exception. In this, the Company’s 56th visit to The Auditorium, we are saddened by the recent passing of the legendary Ailey dancer and Artistic Director, Judith Jamison, with whom we collaborated many times, but are pleased to pay tribute with a special opening night performance featuring an excerpt of Cry, the exuberant Ailey work that became her signature,” said The Auditorium CEO Rich Regan. “And in addition to our public programming, we are proud to be offering two student performances by the Company this year, enabling The Auditorium to introduce thousands of students to this inspiring, dynamic company.”

Chicago’s own Vernard J. Gilmore will celebrate his farewell hometown engagement with Ailey, taking his final bow after 28 seasons with the Company. Currently the longest tenured Company member, the Englewood native began his professional dance training at Curie Performing and Creative Arts High School before receiving a scholarship to The Ailey School, performing with Ailey II, and joining Alvin Ailey American Dance Theater in 1997.

In addition to the inspiring finale of Revelations for all performances, the programs for the 2025 Chicago engagement of Alvin Ailey American Dance Theater are as follows:  Friday, March 7 at 7:30pm & Sunday, March 9, at 3pm

Grace (1999, Chicago Premiere of 25th anniversary production) Set to Duke Ellington's classic "Come Sunday," Peven Everett’s hit "Gabriel," and the irresistible pulse of Fela Kuti's Afro-Pop, Ronald K. Brown’s spellbinding work depicts individuals on a journey to the promised land, expanding from a single angel-like figure in white to the fireball intensity of 12 powerful dancers. Here, the secular and sacred meet in a tour-de-force connecting African and American dance.

Finding Free (2024, Chicago Premiere) by former Company member Hope Boykin who returns to explore personal freedoms in this collaboration with pianist Matthew Whitaker who is composing an original score. This insightful work uses Boykin’s movement-language and Whitaker’s jazz- and gospel-influenced music to examine the challenges and restrictions throughout life’s peaks and valleys that propel the journey forward.

*Friday only: Special Opening Night excerpt of Cry as a tribute to Ms. Jamison.  

Cry excerpt (1971) Alvin Ailey choreographed the solo ballet, Cry, as a birthday present for his mother; it went on to become an enduring work of American art. First danced by the legendary Judith Jamison, an excerpt of this powerful work dedicated to "all black women everywhere - especially our mothers" will be performed on the opening night program (Friday, March 7) as a tribute to Ms. Judith Jamison, the beloved Company dancer and Artistic Director Emerita who passed away in late 2024.

Saturday, March 8 at 1pm & 7:30pm

Sacred Songs (2024, Chicago Premiere) by Matthew Rushing features music used in the original 1960 premiere of Alvin Ailey’s seminal Revelations but later omitted when the piece was edited into the current version that has captivated audiences for decades. Drawing inspiration from the roots of Mr. Ailey’s most venerated and consummate creation, this stirring new work will resurrect and reimagine those spirituals—with the collaboration of musical director Du’Bois A’Keen—as an offering to our present need for lamentation, faith, and joy.

Treading (1979, Chicago Premiere of new production) by Elisa Monte is a sculptural, mesmerizing duet featuring fluid, intricate movements that combine with Steve Reich's evocative music to create an aura of mystery and sensuality.

Many Angels (2024, Chicago Premiere) by Lar Lubovitch in his first premiere for the Company, features the native Chicago choreographer’s renowned lush choreography and musicality set to Gustav Mahler’s Symphony No. 5.  Many Angels is inspired by a question posed by 13th century theologian St. Thomas Aquinas, “How many angels can dance on the head of a pin?,” illustrating that some questions have no logical response but are understood as a question of faith.

Culminating each program will be Alvin Ailey’s must-see American masterpiece Revelations, acclaimed around the world for sending hearts soaring and lifting audiences to their feet with its perfect blend of reverent grace and spiritual elation. Since its debut in 1960, Revelations has been moving audiences with its powerful storytelling and soul-stirring music, evoking timeless themes of determination, hope, and transcendence. An intimate reflection of Mr. Ailey’s childhood memories of growing up in the South and attending services at Mount Olive Baptist Church in Texas, Revelations pays homage to the rich cultural heritage of the African American community and explores the emotional spectrum of the human condition. 

2025 Chicago program & performance schedule

Friday, March 7 at 7:30pm & Sunday, March 9, at 3pm

Grace, Finding Free, Cry* (excerpt), Revelations 

*Friday only: Special Opening Night excerpt of Cry as a tribute to Ms. Jamison.  

Saturday, March 8 at 1pm & 7:30pm

Sacred Songs, Treading, Many Angels, Revelations

In addition to these four public performances, the Company will present two student matinees at The Auditorium, reaching thousands of youths with an inspiring program of Ailey Classics on Thursday, March 6 and Friday, March 7 at 11am. 

About Alvin Ailey American Dance Theater

Alvin Ailey American Dance Theater, recognized by U.S. Congressional resolution as a vital American “Cultural Ambassador to the World,” grew from a now-fabled March 1958 performance in New York that changed forever the perception of American dance. Forged during a pivotal moment in the civil rights movement, the Company was established to uplift the African American experience while transcending boundaries of race, faith, and nationality with its universal humanity. Founded by Alvin Ailey, the posthumous recipient of the Presidential Medal of Freedom—the nation’s highest civilian honor. Before his untimely death in 1989, Mr. Ailey named Judith Jamison as his successor, and for 21 years she led the Company to unprecedented success. Alvin Ailey American Dance Theater has performed for an estimated 25 million people in 71 countries on 6 continents—as well as millions more through television broadcasts, film screenings, and online platforms—promoting the uniqueness of the African American cultural experience and the preservation and enrichment of the American modern dance tradition. In addition to being the Principal Dance Company of New York City Center, where its performances have become a year‐end tradition, the Ailey company performs annually at The Auditorium; Lincoln Center for the Performing Arts; the John F. Kennedy Center for the Performing Arts in Washington, DC; The Fox Theatre in Atlanta; Zellerbach Hall in Berkeley, CA, and at the New Jersey Performing Arts Center in Newark where it is the Principal Resident Affiliate, and appears frequently in other major theaters throughout the United States and the world during extensive yearly tours. The Ailey organization also includes Ailey II (1974), a second performing company of emerging young dancers and innovative choreographers; The Ailey School (1969), one of the most extensive dance training programs in the world; Ailey Arts in Education & Community Programs, which brings dance into the classrooms, communities, and lives of people of all ages; and Ailey Extension (2005), a program offering dance and fitness classes to the general public, which began with the opening of Ailey’s permanent home—the largest building dedicated to dance in New York City, the dance capital of the world—named The Joan Weill Center for Dance, at 55th Street at 9th Avenue in New York City. For more information, visit ailey.org.

The compelling story of the life, work, and legacy of Alvin Ailey is the subject of Portrait of Ailey, a new eight-part documentary series available for free on PBS LearningMedia. Created by Ailey II Artistic Director Emerita Sylvia Waters, Portrait of Ailey uses rare historical film and still images as well as contemporary footage to create a sweeping narrative of Mr. Ailey as a performer, choreographer, celebrity, teacher, social activist, arts advocate, and the creator of an enduring institution. All eight chapters are currently available online.

About The Auditorium

The Auditorium, located at 50 E. Ida B. Wells Drive in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889. The Auditorium’s 2024-25 performance season features a dynamic mix of cultural events from ballet to rock and roll and everything in between. For more information on The Auditorium and a complete listing of events at The Auditorium, please visit AuditoriumTheatre.org.

We Always Bounce Black: A Black Excellence Comedy Revue Playing January 31– March 29 in UP Comedy Club at The Second City

 ChiIL Live Shows On Our Radar

The Second City’s Black Excellence Revue is Back! Artists from across Second City’s stages round out the cast for

We Always Bounce Black: 

A Black Excellence Comedy Revue

 Playing January 31 – March 29 

in UP Comedy Club at The Second City

Celebrating its 65th year, the world’s most influential name in live comedy, The Second City, is proud to announce the cast and crew of We Always Bounce Black: A Black Excellence Comedy Revue. Second City Alum and celebrated theater director Anthony LeBlanc leads creative on this production with a cast that includes Spencer Hodges, Kaleb Jackson, Wanjiku Kairu, Terrance Lamonte Jr., Daryn Robinson, and Brittani Yawn. Rounding out the creative team are Assistant Director Julia Morales, Music Director Tilliski Ramey and Stage Manager Devonte E. Washington.

Chicago giving you the winter blues? We Always Bounce Black is here to bring much-needed warmth. Brimming with brand new songs, sketches, and – of course- The Second City’s world-renowned style of improv, this cast of future stars are delivering an unforgettable night. The Black Excellence Revue is more than a comedy show – it’s a celebration of Black Joy. And, just like at the Apollo, you are a part of the show.

We Always Bounce Black: A Black Excellence Comedy Revue will run January 31 – March 29 on Friday and Saturday nights at 8pm in the UP Comedy Club, located at 230 W North Ave, 3rd Floor of Piper’s Alley, Chicago. Tickets, starting at $29, are available at The Second City Box Office, by phone at 312-337-3992 or online at www.secondcity.com.  

The producing team includes Ed Wells (CEO), Parisa Jalili (COO/CRO), Elizabeth Howard (VP of Production), Jen Ellison (VP, Head of Creative), and Jeremy Smith (Assistant General Manager & Managing Producer).

About the Artists

Spencer Hodges (Ensemble) (she/her) is an actress, writer, and improviser from NC who is happy to call Chicago a second home. You can catch her performing around town at LSI, iO, The Annoyance, and Second City with her teams Mortal Enemies, The Mermaids, Lil Sluggers, and Hell Mash. Elon University grad.

Kaleb Jackson (Ensemble) (they/them) is a Chicago-based producer, writer, director, and Jeff Nominated actor currently understudying the Mainstage Revue “The Devil is in the Detours” at The Second City and understudied last year’s Black Excellence Show, “Black By Popular Demand.”

Wanjiku Kairu (Ensemble) (she/her) is a comedy writer, producer and singer and is thrilled to be a part of the Black Excellence 2025 ensemble. Off stage, Wanjiku works with a wide range of producers in short films, commercials and print ads. She produces her musical comedy webseries Models, as well as comedy shorts RuPaul's Space Race, and Girl Meets God. Wanjiku can also be found understudying for the latest Mainstage Show, “The Devil is in the Detours”.

Terrance Lamonte, Jr. (Ensemble) (he/him) is thrilled to be part of the Black Excellence Revue! A Chicago West Side native, Terrance has graced Mainstages in the US from ComedySportz-Chicago, Laugh Out Loud, The Annoyance Theater to international stage with Boom Chicago in Amsterdam, NL. At The Second City, he has served as an understudy for numerous productions, including “Best Decision You’ve Ever Made”, “Algorithm Nation and the Static Quo,” and “Dream Freaks Fall from Space”.

Julia Morales (Assistant Director) (she/her) is a performer, writer, director, teacher, and mentor originally from Houston, Texas. She attended the University of Houston - School of Theatre & Dance and graduated from The American Musical and Dramatic Academy (AMDA). Jules first studied improv comedy in Houston and later moved to New York in 2008 after receiving the NBC Diversity Scholarship to study both sketch and improv comedy. She later moved to Chicago in 2015 while performing with the Second City Theatricals on the Norwegian Cruise Line. She was a 2018 Bob Curry Fellow and was later cast as an ensemble member of the Second City Green Co Touring Company. She is a Second City alum having completed two Mainstage revues, “Do the Right Thing, No Worries If Not” and “Don’t Quit Your Daydream”. Jules performs, directs, and teaches at the Annoyance Theater and performs at various theaters in the Chicago community. She is also an adjunct teacher and director at The Theatre School at DePaul University Comedy Studies program. In 2020, she founded a nonprofit organization called the Stepping Stone Theater which celebrates diversity in the comedy community. Jules is a master movie buff, a self-care enthusiast, and an avid traveler. Follow her journey on IG @callmejules.

Daryn Robinson (Ensemble) (she/her) is a writer/comedian originally from Washington, D.C. She recently performed in The Second City’s long-running and award-winning show “She The People” and understudied The Second City e.t.c. and Touring Company. Daryn also improvises with Shamilton! The Improvised Hip-Hop Musical (Baby Wants Candy) and Improvised Jane Austen (iO Theater), and co-produces the Chicago Reader Award-winning variety show “My Best Friend is Black” (Lincoln Lodge). A proud graduate of Northwestern University (MFA ‘23), Daryn contributes jokes to The Onion.

Brittani Yawn (Ensemble) (she/her) is a performer and writer originally from Cleveland, OH and has earned her BA in Theatre from Miami University. She has toured with The Second City’s Touring Company and is an alum of The Second City Bob Curry Fellowship (2021). Some of her credits include “Oh! The Places You’ll Glow!” (The Second City, ETC), “Poison” (The Plagiarists), “The Suffrage Plays” (Artemisia Theatre), and “The Ridiculous Darkness” (Sideshow Theatre Company). She has also performed with Hell in a Handbag Productions, the Annoyance, and iO, among others.

Anthony LeBlanc (Director) (he/him) Anthony LeBlanc works at Nickelodeon/Paramount doing talent development and as an on-set acting coach on such hit shows as The Reboot of All That and The Really Loud House. He acted as Interim Executive Producer of The Second City in 2020. Previously, LeBlanc served as an Artistic Director for The Second City Inc., as well as a part-time faculty member at Columbia College Chicago. Anthony is a Second City alum who wrote and performed in two original Chicago Mainstage revues, “Taming of the Flu” and the Jeff Award-nominated America: All Better!. He has been a teacher and resident director for Second City, directing several resident stage and theatrical productions in Chicago and Washington, D.C., including “The Winner ... of Our Discontent” (Chicago Mainstage), “Soul Brother, Where Art Thou?” (The Second City e.t.c.), “Generation Gap” at the Kennedy Center for the Performing Arts, and the Helen Hayes-nominated “Nothing to Lose (But Our Chains)” at Woolly Mammoth Theatre Company. And Independently including The Magic Negro and Other Blackity Blackness as Told by an African-American Man Who Also Happens to be Black at The Alliance Theatre in Atlanta. A native of Beaumont, Texas, Anthony holds a degree in Computer Science and Physics from Loyola University New Orleans. Anthony is an autistic Blerd dedicated to promoting Neurodiversity and DEI in comedy.

Tilliski Ramey (Music Director) (he/him) has music directed for three revues with the Second City in the e.t.c. Theater along with their Touring Company. He also plays at the Chicago Magic Lounge, iO, ComedySportz, and performed at The Annoyance.

Devonte E. Washington (Stage Manager) (he/him) is a Chicago native. Born and raised on the southside. He has been working in production for over 10 years. He has molded his skills by learning the aspects of designing and building shows from scratch. His Talents have been used with many events, venues and shows throughout the city.

About The Second City

The Second City opened its doors in 1959 as a small comedy cabaret and has since grown to become the world's most influential name in improvisation and comedy. Celebrating 65 years, The Second City's stages, Touring Companies, and Training Centers across North America have proudly been the launch pad and artistic home for many of the funniest performers, writers, directors, and comedic minds on the planet.

For more information on The Second City, visit www.secondcity.com and follow The Second City on TikTok, Instagram, Facebook and Twitter.

 

Spring and Summer Block of *The Magic Parlour* Performances Now Available

ChiIL Live Shows On Our Radar 

The Magic Parlour Extends Performances Through Summer 

Tickets Now on Sale

Production photos Courtesy of The Magic Parlour unless otherwise noted

MORE MAGIC THIS SPRING/SUMMER!  DENNIS WATKINS OPENS THE MAGIC PARLOUR TIX THRU AUGUST 2025

***VALENTINE’S DAY WEEKEND (FEBRUARY 13-16) PERFORMANCES FEATURE EXTRA SPECIAL MAGIC + MIND-READING WHILE PETTERINO’S OFFERS A SPECIAL FOUR-COURSE SENSORY EXPERIENCE WITH COCKTAIL + WINE PAIRINGS***

The Magic Parlour is recommended for audiences ages 12+; while there is no inappropriate content, this elegant experience is designed for adults.

Bonnie Kenaz-Mara, Dennis Watkins, and Catherine Hellmann

at The Magic Parlour at Palmer House, 2019 

Here at ChiIL Live Shows, we've been fans of Dennis Watkins for decades. I caught some of his early Magic Parlour shows in the basement of Chopin Theatre, and many years of performances at first the Palmer House, and now at Petterino's, in partnership with Goodman Theatre. He's a longtime favorite of ours and his show and VIP experience aftershow in The Encore Room are highly recommended for Chicago locals and tourists alike. Don't miss this! 

Highly Recommended. ★★★★ Four out of four stars. 

Bonnie Kenaz-Mara, ChiIL Live Shows

  Photo Credit for all The Magic Parlour 2025 Photos Kyle Flubacker

On the heels of holiday season success—including welcoming 2,200+ guests to 40 performances over two months, nearly a third of which were sold out—third generation magician Dennis Watkins now opens a new block of tickets to The Magic Parlour performances, through August 31, 2025. This extension also increases the potential for bespoke group bookings with Watkins: in addition to performing close-up magic in his custom theater at 50 W. Randolph, established in partnership with Goodman Theatre and Petterino’s restaurant, “Chicago’s premiere resident magician” (Chicago Tribune) offers group and private event bookings on location. 

  Photo Credit for all The Magic Parlour 2025 Photos Kyle Flubacker

Performances of The Magic Parlour, now on sale through August 31, 2025, take place every Thursday through Sunday. Tickets are $85 (includes the 90-minute performance + complimentary beverage) or $115 (includes the performance, beverage and “The Encore Room” 25-minute VIP experience). To purchase tickets, call the Goodman Theatre Box Office at 312.443.3800 (12 Noon – 5pm daily) or visit TheMagicParlourChicago.com. 

“It’s been a thrill to see The Magic Parlour grow from a weekly installation to a downtown destination—for all kinds of audiences and gatherings, from date nights and family outings to team celebrations and corporate events,” said magician Dennis Watkins. “We’ve been able to serve our audience with six shows weekly, and have found ways to host events for groups of 20-120 for tailored magical celebrations. I’m excited that we’re now able to release tickets through August of this year, to help bring magic to those traveling and celebrating in Chicago this Spring and Summer.”

  Photo Credit for all The Magic Parlour 2025 Photos Kyle Flubacker

Expect extra-special magic at Watkins’ special Valentine’s Day weekend six-performance stand. Wedding rings mysteriously interlock as he reads the mind of your loved one in an unforgettable, elevated night out for couples, gal-entines, family and friends alike. Valentine’s Day weekend performance pricing is $85-$115 (February 13 and 16) and $95-$125 (February 14 and 15). Theatergoers can make it dinner and a show with “The Relationship”—a four-course Valentine’s sensory experience at Petterino’s. Diners embark on a journey through the four stages of a relationship, starting from flirtatious courtship, with each course designed to invoke the emotions and enjoyment of each moment. For more information, visit Petterinos.com. 

Hailed as a “star attraction dazzling audiences in an elegant underground Loop parlor” (WBEZ), The Magic Parlour is “90 minutes of mind-boggling fun that would make Houdini proud, offer(ing) warmth, intimacy and a great close-up view of the magic being performed right before your eyes” (WGN Radio). In a first-of-its-kind creative collaboration, Watkins teamed up with Goodman Theatre and Petterino’s restaurant to establish a permanent home for Chicago’s longest-running magic show—an intimate evening of classic magic and mind-reading previously hosted for more than a decade at the Palmer House (opened on New Year’s Eve, 2011). 

The audience participates in much of the performance as Watkins wows the room with classic sleight of hand, unbelievable mind-reading and magical wisdom passed down from his grandfather. The space at 50 W. Randolph, situated adjacent to the Goodman in Petterino’s transformed lower-level area, continues Watkins’ famed tradition of the VIP experience in The Encore Room, an upgraded ticket option for guests seeking an exclusive 25-minute interaction following the performance. Immediately following the performance, up to 20 guests are escorted to a private space where Watkins performs up-close magic. 

  Photo Credit for all The Magic Parlour 2025 Photos Kyle Flubacker

A co-founder of The House Theatre of Chicago, Dennis Watkins has collaborated as an actor, writer, director and/or designer on 30+ world-premiere plays with companies including Lookingglass, Steppenwolf and Goodman Theatre. After studying theater at Meadows School of the Arts and the British American Drama Academy in London, he launched The House Theatre with Artistic Director Nathan Allen and cohorts from school on Halloween of 2001. His appearance in the title role of Death and Harry Houdini—including performing Houdini’s infamous Water Torture Cell escape in every show—earned him a Joseph Jefferson Award.

Pictured: Dennis Watkins as Houdini

Courtesy of  The House Theatre

Here at ChiIL Mama, this is one of our top favorite shows of all time! 

DEATH & HARRY HOUDINI is oh SO highly recommended! 

We reviewed it in 2012, 2013 & 2016.

BLAST FROM THE PAST: Back in 2012, before a revival of Death & Harry Houdini, I had the great pleasure of interviewing Dennis Watkins in his lovely home, filled with show posters and retro magic tricks from his grandfather's stash. Check out our original video interview right here!

ABOUT THE PARTNERS

Petterino’s has been a beloved downtown icon in the Chicago community for 20+ years, continuing to offer the same spirit and tradition that diners know and love. Enjoy timeless flavors, authentic Italian fare, comfortable interiors and warm hospitality. Our passion for creating memorable dining experiences aligns perfectly with the mystique of magic. The synergy between the culinary artistry of our chefs and the magical prowess of Dennis Watkins promises an evening of unparalleled wonder and flavor. We've joined forces with the Goodman and this talented magician to bring you a dining experience like no other. Blend the flavors of Italy with the wonder of magic, by dining at Petterino’s before or after the show. You may also consider booking a private or corporate event in conjunction with a show. Whether you're celebrating a special occasion, a romantic evening, or simply seeking an escape from the ordinary, our magical collaboration guarantees an enchanting escape into a world where delectable cuisine dances with spellbinding illusions.

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Photo Credit for all The Magic Parlour 2025 Photos Kyle Flubacker

WORLD PREMIERE OF FIRST FLOOR THEATER'S “ONE PARTY CONSENT” February 13 - March 15, 2025

ChiIL Live Shows On Our Radar

FIRST FLOOR THEATER ANNOUNCES CAST AND PRODUCTION TEAM FOR WORLD PREMIERE OF

“ONE PARTY CONSENT”

Written By: Omer Abbas Salem*

Directed By: Nadya Naumaan

Production Runs February 13 - March 15, 2025

Chicago’s First Floor Theater today announced the cast and production team for the World Premiere production of ONE PARTY CONSENT, written by Omer Abbas Salem, running February 13 - March 15, 2025 (previews February 13 - 19) at The Den Theatre’s Crosby stage, 1331 N. Milwaukee Ave. Tickets ($10 - $35) on sale now at www.firstfloortheater.com. 

Trust is tricky. You enter working relationships and it's unprofessional not to offer it. When you feel your trust challenged, you convince yourself that you're the problem. And some people take advantage of that. Fola is an MFA directing grad student stepping into a mid-year review with their advisor. What happens when you record a professional meeting and you don't tell the other? And what do you do when you record something really incriminating? This is a play about the degradation of trust.

The cast includes Stephanie Shum (Fola), Ashlyn Lozano (Sandra/Ms. Brite), Cindy Marker (Dean Ellen Healy), with understudies Leslie Huang (Fola u/s), Bashany Garcia (Sandra/Ms.Brite u/s) and Wendy Lee Evans (Dean Ellen Healy u/s). 

Led by director Omer Abbas Salem*, a Company Member of First Floor Theater and the most recent past recipient of the company’s Blueprint Commission, the production team includes Kendyl Meyer (Stage Manager), Spencer Donovan (Scenic Designer), Conchita Avitia (Lighting Designer), Satya Chavez (Sound Designer), Caitlin McCarthy* (Costumes Designer), and Adanna Eziri (Props Designer).

*Denotes First Floor Theater Company Member

First Floor Theater’s World premiere ONE PARTY CONSENT runs February 13 - March 15, 2025, with previews February 13, 15, 16, and 19. Performances are held Thursdays, Fridays, and Saturdays at 8 p.m., and Sundays at 3 p.m. in the Crosby 2B at The Den Theatre, 1331 N. Milwaukee Ave. Tickets are $10 - $35; to purchase tickets visit www.firstfloortheater.com. 

Cast: Stephanie Shum (Fola), Ashlyn Lozano (Sandra/Ms. Brite), Cindy Marker (Dean Ellen Healy), with understudies Leslie Huang (Fola u/s), Bashany Garcia (Sandra/Ms.Brite u/s) and Wendy Lee Evans (Dean Ellen Healy u/s). 

Production Team: Kendyl Meyer (Stage Manager), Spencer Donovan (Scenic Designer), Conchita Avitia (Lighting Designer), Satya Chavez (Sound Designer), Caitlin McCarthy* (Costumes Designer), and Adanna Eziri (Props Designer). 

*Denotes First Floor Theater Company Member

Dates: February 13 - March 15, 2025 (Previews February 13, 15, 16, 19)

Press Opening: Thursday, February 20, 2025 at 8 p.m.

Schedule: Thursdays, Fridays, and Saturdays at 8 p.m.; Sundays at 3 p.m.

Location: The Den Theatre Crosby 2B (1331 N. Milwaukee Ave.)

Tickets: General Admission: $10 - $35 

Chicago Theatre Week (February 13-19): $15 with code CTW25

Box Office: https://www.firstfloortheater.com

ABOUT FIRST FLOOR THEATER

Founded in 2012, First Floor Theater has garnered a reputation for pairing some of the most cutting-edge scripts in Chicago and the American Theater with a signature innovative design style. Shortly after their inaugural season, FFT was named “Best New Theater Company” by the Chicago Reader. FFT was also honored to be recognized with the 2018 Francesca Primus Prize from ATCA for their production of Leah Nanako-Winkler’s Two Mile Hollow, and in Newcity’s Players 2019: “The Fifty People Who Really Perform for Chicago.” Some of First Floor’s notable past productions include Hooded or Being Black for Dummies, Mike Pence Sex Dream, Two Mile Hollow, peerless, Plano, and Pro-Am. First Floor Theater is a Resident Company at The Den Theatre.