FEST ALERT: Destinos 7th Chicago International Latino Theater Festival September 30-November 17, 2024

Fest Alert: ChiIL Live Shows On Our Radar Destinos 7th Chicago International  Latino Theater Festival  boasting most extensive line-up yet with works from Brazil, Chile, Argentina, Mexico and the U.S. playing all over the city, September 30-November 17 Here at ChiIL Live Shows and ChiIL Mama, we've covered every year of Destiny's Fest since its inception, and this year's no exception. We are so fortunate to have multicultural, world class theatre right on our doorstep. There's something for everyone at 7th Chicago International Latino Theater Festival. Don't miss this!  Only in Chicago can you experience a Brazilian play about a female shaman, a Chilean all-ages adventure about saving trees, the return of Port of Entry at Albany Park Theater, Chicago’s Satya Chávez in Brian Quijada’s Where Did We Sit on the Bus?, The Magic Parlour headlined by Latine magicians from Ecuador and Chicago, and the world premieres of a father/son dramedy set in Wrigley Field, a one-woman Mariachi musical, the true story of Humboldt Park church refugee Elvira Arellano and a Latine drag comedy. The Destinos 2024 lineup includes (top, from left) Chile’s Astillero Teatro’s all-ages family show, the North American premiere of La Memoria de los Sésiles, at Chicago Shakespeare Theater, Oct. 31-Nov. 3. The U.S. premiere of Desvenar from Mexico’s Kraken Teatro explores the significance of the chile in Mexican culture, Oct. 3-5 at the National Museum of Mexican Art. (Middle) Latin Standards, a one-woman comedy by San Francisco solo artist Marga Gomez, plays Center on Halsted, Oct. 4-5. Albany Park Theater Project and Third Rail Projects present the return of their hit immersive production, Port of Entry, Oct. 17-Nov. 2. (Bottom) The North American premiere of El Brote from Compañia Criolla in Argentina features Roberto Peloni as an actor who can’t be sure who is writing the events in his own life, Oct. 2-5 at The Den. Chicago artist Satya Chavez stars in Brian Quijada’s Where Did We Sit on the Bus?, Nov.15-17 at Steppenwolf’s 1700 Theater.  The 2024 Destinos Festival is bringing exciting international productions from Argentina, Brazil, and Chile to Chicago.

Wednesday, October 2 at 8 p.m. El Brote  at The Den Theatre 1331 N. Milwaukee Ave., Wicker Park I'll be catching El Brote on opening night, so check back soon for my full review at ChiILLiveShows.com.  Presented by Compañía Criolla, Argentina North American Premiere Written and directed by Emiliano Dionisi  Starring Roberto Peloni Four shows only, October 2-5: Wednesday - Saturday at 8 p.m.  Presented in Spanish with English subtitles 90 minutes Ages 15+ The lines between fiction and reality begin to blur for an actor, and now he cannot even be sure who is writing the events in his own life. What kind of character are we in this story?

CANCELLED DUE TO PERFORMER VISA ISSUES Desvenar at the National Museum of Mexican Art, 1852 W. 19th St., Pilsen Presented by Kraken Teatro, Mexico U.S. Premiere Written, directed by and co-starring Richard Viqueira Featuring Valentina Garibay and Angel Luna  CANCELLED  Presented in Spanish with English subtitles 90 minutes Ages 12+ Desvenar is a scenic mole that delves into the intricate layers of extravagance associated with spice, intertwining culinary traditions with historical, religious, botanical and patriotic perspectives. Through the lens of mole—a sauce rich in flavor and symbolism—this work explores the dual nature of spiciness as both a source of cultural flavor and a metaphor for the challenges and contradictions we face as a nation.

Thursday, October 3 at 7 p.m. Elvira at St. Augustine College, Charlie Chaplin Hall, 1345 W. Argyle St. in Uptown World Premiere Presented by Colectivo El Pozo, Chicago Written by Raúl Dorantes Directed by Mark Litwicki October 2-26: Thu and Fri at 7 p.m., Sat at 3 p.m. and 7 p.m. Performed in Spanish with English subtitles 75 minutes All Ages  Elvira tells the story of Elvira Arellano, a Mexican immigrant, single mother, worker and eventual activist. Fearing deportation, Elvira takes sanctuary for a year in a Humboldt Park church. Her year enclosed in sanctuary allows her to observe herself and the systems that led to her arrest and enclosure. Her son, a friend, her pastor, and other supporters accompany her as well as the demands and cruelty of the law-is-the-law Sistema. A story about a struggle for survival and for justice.

Friday, October 4, 8 p.m. Latin Standards at Center on Halsted, 3656 N. Halsted St. in Lakeview Written by and starring Marga Gomez  Chicago Premiere via San Francisco Directed by David Schweitzer Two shows only, October 4 and 5: Fri and Sat at 8 p.m. Performed in English Runs 75 minutes Ages 16+ A loving, funny and true story of perseverance and creative and caffeinated addiction passed down from immigrant father to lesbian daughter. Mixing nostalgia, urgency, and comic edge, Gomez portrays herself as a driven adult child of a Cuban entertainer.

Saturday, October 5 at 7 p.m. El Piélago de las Calamidades Presented by Chicago's Teatro Tariakuri, 3117 W. 63rd St. in Chicago Lawn U.S. Premiere Written by Alejandro Licona Directed by Karla Galván October 5-27: Sat and Sun at 5 p.m. Performed in Spanish with English subtitles 90 minutes Ages 15+ (includes strong language and sexual innuendo) This U.S. premiere comedy is the unwritten story of what happened to a troupe of nomadic actors who were hired by Hamlet to represent the murder of his father.

Thursday, October 24 at 7:30 p.m. Azira’i at Chicago Shakespeare Theater Upstairs Studio, Navy Pier,  800 E. Grand Ave. I'll be catching Azira’i on opening night, so check back soon for my full review at ChiILLiveShows.com.  Presented by Sarau Cultura Brasileira, Brazil North American Premiere A biographical one-woman musical starring Zahy Tentehar  Conceived and with dramaturgy by Zahy Tentehar and Duda Rios Directed by Denise Stutz and Duda Rios Four shows only: October 24-27 Thu, Fri and Sat at 7:30 p.m.; Sun at 3 p.m. Performed in Portuguese and Ze’eng eté with projected English translation 90 minutes Ages 15+ This biographical musical show looks at Zahy Tentehar’s relationship with her mother, Azira’i, the first female Shaman from the Cana Brava reserve (MA), who held the rank of Supreme Shaman of the Tentehar peoples, which is only for people with extremely developed medicinal and spiritual knowledge. Chicago Shakespeare Theater hosts the North American premiere of Azira’i, a biographical one-woman show starring Zahy Tentehar presented by Sarau Cultura Brasileira in Brazil. The play looks at Tentehar’s relationship with her mother, Azira’i, a female Shaman.

Thursday, October 31 at 7:30 p.m. La Memoria de los Sésiles at Chicago Shakespeare Theater Upstairs Studio, Navy Pier, 800 E. Grand Ave. Presented by Astillero Teatro, Chile North American Premiere Written by Nicolás Cancino-Said Directed by: Gabriel Contreras Four shows only: October 31-November 3: Thu, Fri and Sat at 7:30 p.m.; Sun at 3 p.m. Performed in Spanish with English translation 55 minutes Ages 6+ Created in the key of family theater, filled with songs, games and beautiful stagecraft, La Memoria de los Sésiles takes place in a not-too-distant future where all the trees have been cut down by uncontrolled real estate expansion. Sacha, an old hermit, will embark on a journey deep underground in the face of the inevitable destruction of his home. Accompanied by Tujo, a rebellious young environmentalist, they will go in search of the last living roots to the path that will allow them to make the forest emerge again.

New Destinos partners include Center on Halsted, Albany Park Theater Project and the American Music Theatre Project at Northwestern University U.S. productions, traveling from out-of-town for their Chicago debuts, include: Latin Standards, a one-woman comedic family memoir by San Francisco solo artist Marga Gomez, is a loving, funny and true story of perseverance and creative and caffeinated addiction passed down from immigrant father to lesbian daughter. It’s presented in partnership with Center on Halsted, two shows only, October 4-5. Press opening is Friday, October 4 at 8 p.m. Goodman Theatre is partnering with CLATA to bring the art of magic to Destinos with The Magic Parlour presents Siegfried Tieber (top). Twelve performances only, October 9-20 at The Magic Parlour, include two with special guest appearances by Chicago magicians (bottom, from left) Luis Carreon and Mago Gozner.  Goodman Theatre builds on its long-running partnership with CLATA to bring the art of magic to Destinos with The Magic Parlour presents Siegfried Tieber. This year, legendary Chicago magician Dennis Watkins has invited Tieber and local Latine magicians to take the stage of The Magic Parlour for this exclusive limited engagement, October 9-20 at The Magic Parlour, adjacent to Goodman Theatre and Petterino’s. Originally from Ecuador, Tieber is a L.A.-based magician who has fooled thousands, including Penn & Teller, with his amazing sleight-of-hand, psychology and humor. Watkins considers Tieber one of his favorite magic entertainers, calling him “smart, funny, gracious and incredibly devious.” Twelve performances only, including two with special guest appearances by local magicians Luis Carreon and Mago Gozner.  Rising musical theater composer and 2023 Jonathan Larson Award-winner Jaime Lozano comes to the American Music Theatre Project at Northwestern University to continue development of Desaparecidas, his new state-fair concert musical about stories of disappeared women from the borderlands. Told through the lens of Mexican folklore and music, writers Lozano, Florencia Cuenca and Georgina Escobar explore the strategic erasure of female voices in the fight to end gender-based violence and the disappearance of women and girls. From the missing, to the socially invisible, to the forgotten, Desaparecidas takes place in a classic and timeless Mexican state fair (a Palenque) where the audience will experience a special appearance by some stories of the missing. Performances are October 18-20 at Wirtz Center for the Performing Arts Chicago. Press opening is Friday, October 18 at 7:30 p.m.  I came here to weep, first presented at Brooklyn’s Chocolate Factory Theatre in 2023, is a performance installation led by Bessie Award-winning choreographer and interdisciplinary artist Yanira Castro. Co-created with the public, I came here to weep is a multimodal, interactive project with a built audio environment designed by Northwestern faculty member Stephan Moore. A culmination of Castro's design residency at Northwestern, I came here to weep examines U.S. territorial possession and Puerto Rican sovereignty and invites the audience into a collective exorcism. Experience I came here to weep November 15-16 at Wirtz Center for the Performing Arts Chicago. Press opening is Friday, November 15 at 7:30 p.m.  Chicago Latine companies, artists and shows participating in the 7th Destinos Festival are: Elvira, a world premiere from Colectivo El Pozo, tells the true story of Elvira Arellano, a Mexican immigrant, single mother, worker, and eventual activist, who, fearing deportation, took sanctuary for a year in a Humboldt Park church in 2005. Elvira, written by Raúl Dorantes and directed by Mark Litwicki, runs October 2-26 at the Charlie Chaplin Hall at St. Augustine College in Uptown. Press opening is Thursday, October 3 at 7:30 p.m.  Teatro Tariakuri in Chicago Lawn presents the U.S. premiere of El Piélago de las Calamidades, a comedy by Alejandro Licona, directed by Karla Galván, about the unwritten story of what happened to the nomadic actors who Hamlet hired to represent the murder of his father. Performances are October 5-27. Press opening is Saturday, October 5 at 7 p.m.  The setting is Wrigley Field, Cubs versus the Brewers, in the world premiere dramedy Que Te Vaya Bien from Subtext Studio Theatre, debuting October 10-27 at the Greenhouse Theater. After learning his wife is pregnant, Elias buys a ticket to the Cubs game to spiritually connect with his deceased father, in the hope of gaining some clarity on what it means to be a good father. A new play written by Omar Vicente Fernandez and directed by Octavio Montes De Oca. Press opening is Friday, October 11 at 7:30 p.m.  Childhood photo of Ruth Guerra, writer and star of Concrete Content's world premiere of Ruth on the Rocks, directed by Ricardo Gamboa, October 11 - November 16 at The Storyfront in Back of the Yards. Concrete Content presents the world premiere of Ruth on the Rocks, a dramedy developed and directed by Ricardo Gamboa, written by and starring Ruth Guerra. Ruth is just your average Mexican American, middle-aged girl that grew up in the hood on Chicago’s south side. Ruth loves a good drink or ten, her jams and a messy relationship. Oh! She’s also a mother and grandmother, regular at a few bars and backyards, sometimes actor and storyteller, and still grieving her father. She probably needs a therapist or an Ayahuasca trip but instead this veteran of Chicago’s underground Latino performance and storytelling scene made a play about her hot ass mess of a life. Performances are October 11 - November 16 at The Storyfront in Back of the Yards. Press opening is Friday, October 11 at 7 p.m.    Jeff Award-winning Visión Latino Theatre Company presents the world premiere of Jocey y Las Mariachis, a one-woman musical created by Jocey Villa, October 12-27 at the APO Culture Center in Pilsen. Jeff Award-winning Visión Latino Theatre Company presents the world premiere of Jocey y Las Mariachis, a one-woman musical created by Jocey Villa, directed by Yajaira Custodio. Experience one woman’s musical journey through culture, love and self-discovery in Chicago, accompanied by live mariachi music! Performances are October 12-27 at the APO Culture Centerin Pilsen. Press opening is Monday, October 14 at 7:30 p.m.  Albany Park Theater Project and Third Rail Projects present the return of their hit immersive production, Port of Entry. Step inside the real-life stories of immigrants and refugees from all parts of the world living side by side in a single apartment building in Albany Park. Each performance welcomes just 28 audience members into an iconic courtyard apartment building meticulously recreated in a 12,000 square foot warehouse. With each step, guests experience the struggles, joys and triumphs of people forging new lives alongside one another. The Chicago Tribune called the original 2023 staging “an astonishing piece of work…a beautiful and fresh tribute to those who came first.” Performances are October 17-November 2. Press opening is Thursday, October 17 at 7 p.m.  Destinos Spotlight Week returns with a series of one-night-only performances highlighting Chicago’s local talent, including Antojitos Improv on October 19 at The Den Theatre.  Destinos Spotlight Week returns with a series of one-night-only performances highlighting Chicago’s local talent. Enjoy storytelling hosted by Nestor Gomez on October 18, Antojitos Improv on October 19 and a Latine edition of Physical Theater Scratch Night on October 21. All performances are at The Den Theatre. Cabaret Parodia presents Más Dramáticas, written and directed by Esteban Pantoja, a comedy about an acting school director who shares the history of her prestigious academy and reveals the intense drama behind the auditions of five extraordinary students, each played by Chicago Latine drag performers. With fierce competition, high stakes and unwavering ambition, these girls are prepared to give it their all. Expect more music, more laughter, more wigs and more drama. Two shows only, October 23 and 24 at the National Museum of Mexican Art. Press opening is Friday, October 23 at 7 p.m.  Repertorio Latino Theater presents the Chicago premiere of Juicio a una Zorra, a dramatic monologue by Miguel Del Arco, directed by Sebastian Ligarde. Mafer Roussell plays Helen of Troy, famous for her beauty that sparked the most renowned war of Antiquity, and vilified as the adulterous queen of Sparta. Performances are October 24-November 10 at Citlalin Gallery & Theater. Press opening is Thursday, October 24 at 8 p.m.  Aguijón Theater, the city’s longest running Latino and Spanish-language theater, based in Belmont-Cragin, presents the Chicago premiere of Adverses, a contemporary take on the Electra myth by Rey Andujar, directed by Sándor Menéndez and Marcela Muñoz. This is a humorous yet poignant tragicomedy about the corrosive nature of the pursuit of power and the often-complicated relationship between mothers and daughters. Performances are November 1-December 15. Press opening is Friday, November 1 at 8 p.m.        Celebrating its 35th anniversary, Aguijón Theater will present a remount of Cintas de seda, about an imagined encounter between Frida Kahlo and Sor Juana Inés de la Cruz,four shows only, November 7-10 at the National Museum of Mexican Art, where Aguijón first performed in 1990.  Celebrating its 35th anniversary, Aguijón Theater will also present a remount of Cintas de seda, four shows only, November 7-10 at the National Museum of Mexican Art, where Aguijón first performed in 1990. On the eve of Day of the Dead, Frida Kahlo and Sor Juana Inés de la Cruz come together in an impossible dialogue where ghosts, hallucinations, and images of the past are present from death in a poetic representation of life. This special run will also serve as a fundraiser for Chicago’s longest running Spanish language theater company. Press opening is Thursday, November 7 at 7:30 p.m.  Where Did We Sit on the Bus?, the smash hit solo musical by Chicago native Brian Quijada, performed by the acclaimed multi-hyphenated Chicago artist Satya Chavez, runs for a very limited engagement, November 15-17 at Steppenwolf’s 1700 Theater. During a third grade lesson on the Civil Rights movement and Rosa Parks, a Latina child raises her hand to ask, “Where did we sit on the bus?” Her teacher can’t answer the question. Performed by Chavez, an actor, singer, multi-instrumentalist, composer, and intersectional feminist, and infused with Latin rhythms, hip-hop, and live-looping, don’t miss this high-octane, tour-de-force theatrical experience that examines what it means to be Latine in America. Press opening is Friday, November 15 at 7:30 p.m.  Additional programming for Destinos includes: The 2024 Destinos festival will mark the launch of Alianzas, a week of gatherings and events from October 21-27 dedicated to facilitating exchanges between artistic programmers representing international and national festivals and local Latine theater groups. Another first will be the introduction of Intercambios, a series of workshops throughout the run of the festival focusing on different skill building sessions. About the Chicago Latino Theater Alliance (CLATA) The Chicago Latino Theater Alliance (CLATA) is a leading advocate organization for Latine theater in Chicago. Supporting the development of emerging and established Latine playwrights, actors, directors and theater professionals is central to its mission. CLATA’s goal is to cultivate a vibrant and inclusive theater community, by presenting and producing Latine theater that celebrates and promotes the richness and diversity of our Latinidad. CLATA believes together we can build a stronger and more sustainable Latine theater industry. CLATA has four signature programs: 1) Destinos, the Chicago International Latino Theater Festival, an annual, citywide festival showcasing Chicago's Latine theater artists and companies alongside top Latine artists from the U.S. and Latin America, 2) Destinos Al Aire, a free outdoor family festival that brings performing arts to Chicago Latine communities with the goal of making the arts accessible to everyone, 3) Inicios: Chicago Latine Playwright Festival, an annual festival dedicated to elevating and promoting Chicagoland area Latine playwrights and 4) Latine Theatre Artist Week, a weeklong series of free workshops and offerings specifically for Latine theatre actors and artists. CLATA is supported by the Ford Foundation, John D. and Catherine T. MacArthur Foundation, Joyce Foundation, Arts Work Fund, Paul M. Angell Family Foundation, National Latinx Theater Initiative, Driehaus Foundation, Gaylord and Dorothy Donnelly Foundation, Excellerator Fund, Shubert Foundation and Illinois Arts Council. Destinos is supported by the National Endowment for the Arts, Allstate, Arts Midwest GIG Fund and the Consulate General of Argentina. For more information, visit clata.org, or follow CLATA on Facebook, Instagram and Threads at @latinotheater.

World Premiere of the love object Via The Story Theatre October 10 – November 3, 2024

ChiIL Live Shows On Our Radar 

World Premiere!

The Story Theatre Presents

the love object

Pictured (left to right) Mollyanne Nunn, Emily Holland, Spencer Diaz Tootle and Cat Christmas

The Story Theatre’s world premiere of the love object. Photo by David Hagen.

By Justine Gelfman

Directed by Jasmine B. Gunter

October 10 – November 3, 2024

The Story Theatre is pleased to welcome back audiences with its world premiere of the love object by Emerging Playwright-in-Residence Justine Gelfman, directed by Northwestern MFA Directing alum Jasmine B. Gunter. This new play, which explores agency, betrayal and power through the bubblegum veneer of the early 2000s pop music industry, will take place October 10 - November 3, 2024 on Raven Theatre’s Schwartz Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at thestorytheatre.org/tickets or by calling (773) 338-2177. I'll be out for the press opening, October 13th so check back soon after for my full review. 

The production will feature Cat Christmas, Kaylah Marie Crosby, Spencer Díaz Tootle, Emily Holland, Mollyanne Nunn and William Anthony Sebastian Rose II. Understudies include Jordan Marie Ford, Freddy Mauricio Jr., Mollyanne Nunn and Jacinda Ratcliffe.

On the eve of Ramona’s sold-out stadium tour, her best friend and trusted assistant Paula announces she is leaving to pursue her own artistry. Fearing the loss of her closest confidante, Ramona reveals that a sex tape she made is about to be released, tainting her image (and ticket sales) forever. Will Paula stay and clean up Ramona’s mess one more time or finally escape the oppressive celebrity machine for good? A contemporary adaptation of Euripides’ Hippolytus, the love object examines the hyper-sexualization of women celebrities, the power struggles of interracial friendship and the tragedies of late-stage capitalism, all through the bubblegum veneer of an early 2000s pop superstar.

The production team includes Tianxuan Chen (Scenic Design), Ben Argenta Kress (Costume Design), Seojung Jang (Lighting Design), Newt Schottelkotte (Sound Design, Original Composition), Angelíca Grace (Choreographer), Racquel Postiglione (Prop Design), Courtney Abbott (Violence & Intimacy Design), Stina Taylor (Technical Direction), Ruby Lowe (Master Electrician), Ariel Beller (Stage Manager), Emma Johnson (Assistant Stage Manager), Lucy Whipp* (Production Manager), Brenna DiStasio*, Paul Michael Thomson*, Terry Guest* (Producers) and Ayanna Bria Bakari* (Associate Producer)

*denotes a member of The Story Theatre’s Governing Ensemble

Content Advisory: This production features strobe light effects and a confetti cannon. This play explores the hyper-sexualization of women and features designed intimacy. If you would like more details before purchasing your ticket, please feel free to email production@thestorytheatre.org. The Story recognizes that individual sensitivities are myriad, and we encourage you to reach out with any questions.

 Production Details:

Title: the love object

Playwright: Emerging Playwright-in-Residence Justine Gelfman

Director: Jasmine B. Gunter

Cast (in alphabetical order): Cat Christmas (Tish), Kaylah Marie Crosby (Paula), Spencer Díaz Tootle (Randy), Emily Holland (Ramona), Mollyanne Nunn (Kylie) and William Anthony Sebastian Rose II (Simon).

Understudies: Jordan Marie Ford, Freddy Mauricio Jr., Mollyanne Nunn and Jacinda Ratcliffe.

Location: Raven Theatre Schwartz Stage, 6157 N. Clark St (at Granville), Chicago

Dates: Previews: Thursday, October 10 at 7:30 pm and Friday, October 11 at 7:30 pm

Friends and Family Opening: Saturday, October 12 at 7:30 pm

Press Opening: Sunday, October 13 at 3 pm

Regular run: Thursday, October 10 – Sunday, November 3, 2024

Curtain Times: Thursdays, Fridays, Saturdays at 7:30 pm; Sundays at 3 pm

Tickets: Previews $15, Regular run $20, Students/active military and veterans $10

Tickets are available at thestorytheatre.org/tickets or by calling (773) 338-2177

Group tickets: Special group grates are available. For more information, call (773) 338-2177 or email paulmichael@thestorytheatre.org.  

Plan Your Visit:

 Free parking is provided in a lot adjacent to the theatre—additional street parking is available.

Nearest El station: Granville Red Line. Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson). 

About the Artists:

Justine Gelfman (Playwright) is a Brooklyn-based playwright and the Season IV Emerging Playwright-in-Residence at The Story Theatre. Her work has been developed or produced at Ars Nova, Williamstown Theatre Festival, IRT Theater, Theater Masters’ Take Ten, ESPA/Primary Stages, Dixon Place, The Story, Crashbox, Pete's Candy Store, New Women Space, New York Fringe Festival, UT Austin, Northwestern University and Kenyon College. She has been a resident at Yaddo, Colt Coeur, SPACE on Ryder Farm, Sewanee Writers' Conference, Vineyard Arts Project and Kenyon Playwrights Conference. Her writing has been published by Concord Theatricals. Her plays include the love object (The Story Theatre, 2024 Eugene O'Neill Theater Center semi-finalist), In Sisters We Trust, or My F**ked Up American Girl Doll Play (2019/20 DVRF Playwrights Program Winner, 2023 Kennedy Center NAPAT Award finalist, 2024 Lanford Wilson New American Play Festival finalist, 2020 Leah Ryan’s FEWW Prize finalist, 2020 New Harmony Project finalist, Playwrights Realm's 2020 Scratchpad Series semi-finalist, 2021 Eugene O'Neill Theater Center semi-finalist), The Galas (Ars Nova), The Technicians (2019 Seven Devils Playwrights Conference finalist, 2019 Blue Ink Playwriting Award finalist, 2019 Bay Area Playwrights Festival semi-finalist, 2019 Eugene O'Neill Theater Center semi-finalist), Doormat (2021 Theater Masters’ Take Ten MFA Festival) and The Thing That Never Happened (FringeFAVE at the New York Fringe Festival). Justine was the assistant to writer/director Annie Baker on her A24 film, Janet Planet. MFA: The University of Texas at Austin. BA: Northwestern University.

Jasmine B. Gunter (Director) is the current Resident Director/Associate Producer at Geva Theatre Center in Rochester, NY. In the spring of 2024, Jasmine finished her studies as an MFA directing candidate at Northwestern University. She was the 2021 recipient of the Hangar Directing Drama League fellowship, the 2020 recipient of the Leighton M. Ballew Directing Scholarship and a proud SDC associate member. Recent directing credits include Dracula: A Feminist Revenge Fantasy, Really (Northwestern University), The Revolutionists (Northwestern University), jump (Northwestern University) Lost Girl (Hangar Theatre), The Wonderful Wizard of Oz (Hangar Theatre), Hedda Gabler (Northwestern University) Wine in the Wilderness (Northwestern University), Intimate Apparel (SUNY Brockport), Ghost Story (Kane Repertory Theatre), Lines in the Dust (Geva Theatre Center), Reroute (24 Hour Plays: Nationals). Associate/Assistant Credit: Blues for an Alabama Sky (Remy Bumppo), Nina Simone: Four Women (Arena Stage), In the Heights (Seattle Rep), Quixote Nuevo (Hartford Stage/Huntington Theatre Company) and The Luckiest People (Actors Theatre of Charlotte/NNPN). Jasmine has also taught as a teaching artist at the Berkshire Theatre Group and the Redhouse Arts Center in Syracuse, NY.

About The Story Theatre:

Founded in 2018, The Story Theatre will pose questions rather than provide answers. We develop and produce new work that is whimsical, melancholic, mythic in vision and intimate in scale. We are run by a Governing Artistic Ensemble, who ensures our work is actively dismantling racism and inequity, while cultivating community through activism and catharsis. 

Our Emerging Playwright Residency Program fosters the growth of a playwright at the beginnings of an exciting career. After an intensive application and interview process, the Governing Ensemble chooses one playwright-in-residence and offers them: a fully-produced run of a completed full-length play; the development of a new script through our unique inquiry-based workshop process; a free public staged reading of this new script; and our trusted advocacy with industry professionals every step of the way. 

The Story Theatre is funded in part by The Michael and Mona Heath Fund, Chicago Department of Cultural Affairs & Special Events, The Saints of Chicago, The Iole Foundation, and the CrossRoads Seed Fund.

Drury Lane 2025/26 Season to Include Chicago Premiere of The Da Vinci Code and More

Chi, IL Live Shows On Our Radar 

Drury Lane announces the 2025/26 Season 

featuring a lineup of shows that invite audiences to escape the ordinary 

including the Chicago premiere of The Da Vinci Code, Always…Patsy Cline, Dial M For Murder, Sister Act, and the Chicago regional premiere of On Your Feet! The Story of Emilio & Gloria Estefan

Drury Lane Theatre invites audiences to escape the ordinary with an enticing lineup of productions in its 2025/2026 season, including a gripping Chicago premiere, a tale of envy and murder, and a trio of beloved female-driven musicals sure to have you singing along. The new season is packed with shows audiences have been clamoring for, and Drury Lane is proud to present them as only it can, with unparalleled theatrical artistry.

Drury Lane kicks off the 2025/26 season with the action-packed Chicago premiere of The Da Vinci Code, adapted from the best-selling novel by Dan Brown; a tale of friendship and heartache based on a true story in Always…Patsy Cline; a new adaptation of the beloved thriller of jealousy and deception, Dial M For Murder, adapted by Jeffrey Hatcher from the original by Frederick Knott; the heavenly musical comedy Sister Act, based on the hit 1992 film; and the Chicago regional premiere of the unstoppable rhythm of the Miami Sound Machine in On Your Feet! The Story of Emilio & Gloria Estefan.

Drury Lane’s new season runs from April 1, 2025 – March 22, 2026, at 100 Drury Lane in Oakbrook Terrace. For more information, visit www.drurylanetheatre.com.

“For me, announcing the 2025-2026 season is a thrilling experience. Drury Lane has crafted a groundbreaking series of productions with titles you will recognize, music you can start singing now, and surprises that I hope will bring thrills and chills,” comments Drury Lane Managing Director Wendy Stark Prey.

The performance schedule for Drury Lane’s 2025/2026 Season is Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 7 p.m., Fridays at 7 p.m., Saturdays at 3 p.m. and 8 p.m., and Sundays at 2 p.m. and 6 p.m.

Excellence isn’t limited to the stage at Drury Lane! Before or after the show, theatergoers can indulge in delicious onsite dining at Lucille Restaurant, which features seasonal pre-fixe menus and an elevated atmosphere to complete their experience. Boasting over a century of collective expertise in hospitality, the dedicated team ensures that you will be cared for with freshly prepared meals, handcrafted cocktails, and exceptional service. At Drury Lane, everything is in one place, so you will never be late for your performance. 

Drury Lane Theatre Membership Program

Lock in your seats for a season of spectacular theatre with Drury Lane’s new Membership Program! Members have exclusive access to uniquely tailored benefits designed to enrich their Drury Lane experience, all at a cost savings of more than 50% off single ticket prices. Membership includes Tier One seating for all five Drury Lane Theatre productions, free ticket exchanges, dedicated dining credits at Lucille Restaurant, exclusive event invitations, Member pre-sales and unlimited single ticket discounts. Membership prices range from $229.25 - $260.75. For more information, visit www.drurylanetheatre.com.

Group tickets start at $45 and Student group tickets start at just $35. To book a group of 10 people or more, call Group Services at 630-570-7272 or email Groups@DruryLane.com.

The Drury Lane Theatre 2024/2025 Mainstage Season is as follows:

Chicago Premiere

The Da Vinci Code

Adapted by Rachel Wagstaff and Duncan Abel

Based on the novel by Dan Brown

April 9 – June 1, 2025

Press Opening: Thursday, April 17, 2025 at 7pm

 

Witness the action-packed novel live on stage as Professor Robert Langdon and cryptologist Sophie Neveu race against the clock to unlock the secrets of Da Vinci in this Chicago regional premiere.

 

Based on a True Story

Always…Patsy Cline

Created and originally directed by Ted Swindley

June 11 - August 3, 2025

Press Opening: Thursday, June 19, 2025 at 7pm

Featuring 27 of Patsy Cline’s biggest hits, this is the ultimate love letter to one of the most celebrated and influential performers of the 20th century.

 

New Adaptation

Dial M For Murder

Adapted by Jeffrey Hatcher

From the original by Frederick Knott

September 3 - October 26, 2025

Press Opening: Thursday, September 11, 2025 at 7pm

An affair, a fortune on the line, and the perfect murder…But what happens when it all goes wrong? Find out in this riveting new adaptation.

 

Sister Act

Music by Alan Menken

Lyrics by Glenn Slater

Book by Cheri Steinkellner & Bill Steinkellner

Additional Book Material by Douglas Carter Beane

November 12, 2025 - January 11, 2026

Press Opening: Thursday, November 20, 2025 at 7pm

Based on the hit 1992 film, this divine, feel-good comedy will have you rejoicing with your group this holiday season.

 

Chicago Regional Premiere

On Your Feet! The Story of Emilio & Gloria Estefan

Book by Alexander Dinelaris

Featuring Music Produced and Recorded by Emilio & Gloria Estefan & Miami Sound Machine

January 28 - March 22, 2026

Press Opening: Thursday, February 5, 2026 at 7pm

Filled with the exhilarating music of the Miami Sound Machine, this celebration of Gloria Estefan’s greatest hits will have you dancing in the aisles.

 

Theatre for Young Audiences 2025 

A Christmas Carol

By Charles Dickens

November 28 – December 27, 2025

Single Tickets: $30-$40, Group Tickets: $17.50 (10 or more)

Continue your tradition or start a new one by gathering the whole family for Drury Lane Theatre's heartwarming production of Charles Dickens’ A Christmas Carol. Set in Victorian-era London, A Christmas Carol tells the classic tale of Ebenezer Scrooge and the ghosts that visit him one fateful Christmas Eve hoping to change his miserly ways. Complete with falling snow and magical illusions, the play is a visually stunning experience and, at one hour long, perfect for children of all ages.

 

About Drury Lane Theatre  

Built from scratch. Built in Oakbrook. Built for you.

Founded by Anthony DeSantis over 60 years ago, Drury Lane remains a family-run organization under the leadership of President Kyle DeSantis. Drury Lane Theatre continues as a major force in the Chicagoland theatre scene, producing world-class theatre in collaboration with some of the nation’s leading actors, directors, and creative minds. Drury Lane Theatre produces the highest quality theatrical experience that immerses and supports our artists and audiences in the exploration of what it means to be human and to experience the transcending power of the performing and visual arts. Drury Lane strives to create an environment in which every individual or group is welcomed, respected, supported, valued and able to fully experience and participate in this transformative art form.

The theatre has staged more than 2,000 productions and has been nominated for over 360 Joseph Jefferson Awards. Drury Lane proudly employs thousands of professional actors, musicians, designers, and crew members to entertain upwards of nine million audience members and counting

 

Steep Theatre Presents The World Premiere of Happy Days Are Here (Again) September 13 - October 27, 2024

 ChiIL Live Shows On Our Radar

Steep Theatre Presents The World Premiere of

Happy Days Are Here (Again)

By Omer Abbas Salem Directed by Azar Kazemi 

September 13 - October 27, 2024

A World Premiere commission by Steep ensemble member Omer Abbas Salem, examines man-made "divine" power, who wields it, and if they should be trusted.

This September, Steep Theatre will present the World Premiere of ensemble member Omer Abbas Salem’s Happy Days Are Here (Again) directed by Azar Kazemi. Preview performances begin Friday, September 13th, at Steppenwolf’s 1700 Theater as renovations progress on Steep’s recently acquired home, and the production officially opens on Friday, September 20th. The show will run through October 27th. This world premiere is Steep’s follow-up to the sold-out run of Samuel D. Hunter’s A Case for the Existence of God, which closes on September 7, 2024.

An unanswered question rings through the halls of St. Boniface High School: "Who will help me?" This large ensemble piece explores how people in power abuse their systems and the resilience that fighting them requires. The thirteen-person cast features Steep ensemble members Patricia Donegan (Earthquakes in London, Love and Money) and Alex Gillmor (Paris, First Love is the Revolution); previous Steep collaborators Ashlyn Lozano (Light Falls, Pomona) and Maya Hlava (Zurich); and a collection of first-time Steep artists, including John Zhou Duncan, Katie Incardona, Rich Adrian Lazatin, Eric Lindahl, Oliver Maalouf, Carter Shimp, Yourtana Sulaiman, Gage Wallace, and Jocelyn Zamudio.

Commissioned and workshopped by Steep over the last year, Happy Days Are Here (Again) is Salem’s first collaboration as a playwright with the theater company. He has been produced by the Actors Theatre of Louisville, The New Colony, Jackalope Theatre, Theatre Viscera, Means of Production, Definition Theatre, and Steppenwolf Theatre. His play Mosque4Mosque was developed with Steppenwolf Theatre’s SCOUT program. This production will mark director Azar Kazemi’s debut with Steep Theatre. Kazemi recently directed Rivendell Theatre’s smash-hit, world premiere production of Tuckie White’s Motherhouse, which won Jeff Awards for both Best New Work and Best Ensemble.

Tickets are available on Steppenwolf’s website (www.steppenwolf.org) and prices range from $10 - $40 with performances Thursday - Sunday throughout the production run.

Artists

Omer Abbas Salem (Playwright; Happy Days are Here (Again); he/they) is an actor and playwright. As an actor, they've worked at Roundabout Theatre, Atlantic Theatre, St. Louis Repertory Theatre, Actors Theatre of Louisville, The Goodman, Steep Theatre, Jackalope Theatre, Silk Road Rising, First Floor Theatre, The New Coordinates, About Face Theatre, Griffin Theatre, and The Second City. As a playwright, their work has been produced at The Goodman, Steppenwolf Theatre, About Face Theatre, Steep Theatre, First Floor Theatre, Jackalope Theatre, The New Coordinates, The Story Theatre, Actors Theatre of Louisville, National Queer Theatre, Definition Theatre, and The Theatre School of DePaul. They are a member of the 2021/22 Goodman Playwrights Unit and had a play developed in The Goodman’s New Stages Festival in 2022. They are the winner of the 2022 Blueprint Commission winner from First Floor and recipient of the 2021 Cunningham Commission from DePaul University. They were given an Emerging Playwright commission from Audible Theater and are also the most recent recipient of the Edgerton Commission at Steppenwolf Theater. They also won the 2022 3Arts Award in Theater. They are an ensemble member of Steep Theatre, First Floor Theater, and The New Coordinates. They graduated from the University of Illinois Urbana Champaign and the University of Chicago. They are represented by Gray Talent and the Gersh Agency. Find out more at www.omerabbassalem.com

Azar Kazemi (Director, Happy Days Are Here (Again) is first-generation Persian American and a freelance director and educator based in Chicago. She directs socially-charged plays where the political and personal collide, most recently directing the Jeff Award winning world premiere of Motherhouse by Tuckie White at Rivendell Theatre Ensemble. Some of Azar’s other Chicago directing credits include: the U.S. premiere of debbie tucker green’s dirty butterfly, the Midwest premiere of Samuel D. Hunter’s Jack’s Precious Moment, and Sarah Kane’s Crave. Azar received her MFA from The Theatre School at DePaul University, where she is also on faculty and received the 2020-21 Excellence in Teaching Award. Azar has worked at the Goodman Theatre, Chicago Shakespeare Theatre, Jackalope Theatre, Victory Gardens, American Theatre Company, Chicago Dramatists, and the Oregon Shakespeare Festival. In New York City Azar worked at The New Group where she assistant directed three Off-Broadway productions, two under the direction of her mentor Ethan Hawke. Azar is a proud member of SDC. To learn more please visit: azarkazemi.com

CAST

Patricia Donegan^ John Zhou Duncan Alex Gillmor^ Maya Hlava

Katie Incardona Rich Adrian Lazatin Eric Lindahl

Ashlyn Lozano Oliver Maalouf Carter Shimp Yourtana Sulaiman Gage Wallace* Jocelyn Zamudio

CREATIVE TEAM

Director – Azar Kazemi

Stage Manager – Olivia Sullam

Scenic Designer - Lauren Nichols

Lighting Designer - Conchita Avitia

Costume Designer - Emily McConnellˆ

Sound Designer - Thomas Dixonˆ

Props Designer - Saskia Bakker

Intimacy and Violence Consultant - Gloria Imseih Petrelli Dramaturg - Caroline Uy

Production Electrician - Baylee Speer

Assistant Director - Jordan Kost

Intimacy & Violence Consultant - Gloria Imseih Petrelli Technical Director - Emmanuel Jimenez

Photographer - Joseph Chretien-Golden

Graphic Designer - Stu Kiesow

ˆSteep Company Member

ˆˆ Steep Artistic Associate

* Appearing through an Agreement between Steep Theatre and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States

About Steep Theatre

Founded in 2000 by three actors, Steep has grown into a dynamic ensemble of forty-five theatre artists, supported by a dedicated and inspired team of arts administrators and community members.  Described by Chris Jones of the Chicago Tribune as "the most fearless theater in town", Steep creates powerful productions of plays by today's most exciting writers and features the work of Chicago's hottest theatre artists in an intimate, accessible space. Steep is known as a home for hard-hitting, finely-tuned ensemble work. With each production, the company has shepherded a growing community of audiences and artists into bold new territories of story and performance. Steep Theatre is committed to creating an inclusive and anti-racist environment for making and watching theatre. To learn more, please visit https://steeptheatre.com/antiracism.

Steep is in the midst of its Lights Up Edgewater Capital Campaign to support the creation of Steep’s new theater and artistic home and to fund robust and equitable compensation for artists and staff. To learn more about this campaign, please visit www.steeptheatre.com/lightsup.

Production Information

WHERE:

Steppenwolf’s 1700 Theater 1700 N Halsted

Chicago, Illinois 60614 www.steppenwolf.org

WHEN:

September 20 - October 27, 2024

Previews: September 13 - September 19, 2024

Press Opening: Friday, September 20, 2024 at 8:00pm

Schedule: Thursday, Friday, and Saturday nights at 8:00pm | Sunday matinees at 3:30pm

Accessible Performances:

-Audio Description: Sunday, October 6, 2024 at 3:30pm

-Open Captioning: Saturday, October 12, 2024 at 8:00pm and Sunday, October 13, 2024 at 3:30pm

Contact us at info@steeptheatre.com or 773-649-3186 for more information.

 Social: Twitter: @SteepTheatre Facebook: SteepTheatre Instagram: @steeptheatre

Steppenwolf Theatre Company Presents Noises Off September 12 – October 27, 2024

ChiIL Live Shows On Our Radar

Steppenwolf Theatre Opens 49th Season with

NOISES OFF

By Michael Frayn 

Directed by ensemble member Anna D. Shapiro

A co-production with Geffen Playhouse

Featuring ensemble members Audrey Francis, Francis Guinan, Ora Jones and James Vincent Meredith with Vaneh Assadourian, Amanda Fink, Rick Holmes, Andrew Leeds and Max Stewart

September 12 – October 27, 2024 

in Steppenwolf’s Downstairs Theater

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased open its 49th season with a revival of Michael Frayn’s classic comedy Noises Off, directed by Tony Award-winning ensemble member Anna D. Shapiro (August: Osage County, The Minutes), presented in a co-production with Geffen Playhouse. Steppenwolf’s take on the funniest farce ever written will play September 12 – October 27, 2024 in Steppenwolf’s Downstairs Theater, 1650 N. Halsted St. in Chicago. Classic Memberships are now on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason. Single tickets for Noises Off starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

Noises Off features ensemble members Audrey Francis (The Thanksgiving Play, The Doppelgänger), Francis Guinan (Downstate, August: Osage County), Ora Jones (The Doppelgänger, The Brother/Sister Plays) and James Vincent Meredith (The Minutes, The Doppelgänger) with Vaneh Assadourian (Steppenwolf debut, Wish You Were Here), Amanda Fink (Pro-Am, POTUS u/s), Rick Holmes (Steppenwolf debut, Spamalot, Peter and the Starcatcher), Andrew Leeds (Steppenwolf debut, Bones, The Patient) and Max Stewart (Steppenwolf debut, Chicago Fire, Southern Gothic).

About the Production:

The cast and crew of Nothing On are scrambling to prepare for opening night, but despite their earnest efforts, the production is an absolute mess. Line flubs and lost props and missed cues, oh my! Can this beleaguered ensemble overcome egos and jealousies to pull the show together in time? 

Onstage antics collide with offstage foibles in Steppenwolf’s production of Noises Off, the classic comedy that writes an ingenious, slapstick and zany tribute to “theatre people” everywhere. By the end of this dizzying play-within-a-play, you won’t know stage right from left.

Steppenwolf Theatre Artistic Director Glenn Davis comments, “Is there any better way to begin our season than by welcoming the visionary Anna D. Shapiro – one of the finest directors working today – back to her home theater? It’s a gift to have Anna back in the building, directing this unruly and demanding farce; I can’t wait to see what she creates with her remarkable cast. And we’re incredibly excited to be producing this in partnership with my dear friend and Steppenwolf ensemble member Tarell Alvin McCraney, Artistic Director at the Geffen Playhouse. Seeing Steppenwolf’s work onstage across the country, stewarded by fellow ensemble members, is a humbling reminder of the vital contributions Steppenwolf has made to the American theatre for 49 years and counting.”

The creative team includes Todd Rosenthal (Scenic Design), Izumi Inaba (Costume Design), Josh Epstein (Lighting Design), Cricket Myers (Sound Design), Kate DeVore (Dialect and Voice Coach), R&D Choreography (Violence Design), Kristina Fluty (Intimacy Consultant), Patrick Zakem (Creative Producer), Tom Pearl (Producing Director), JC Clementz, CSA and Phyllis Schuringa, CSA (Casting), Laura D. Glenn (Production Stage Manager) and Kathleen Barrett (Assistant Stage Manager). 

Location: Steppenwolf’s Downstairs Theater, 1650 N. Halsted St., Chicago

Dates: Previews: Thursday, September 12 - Saturday, September 21, 2024

Press performance/Opening: Sunday, September 22, 2024 at 6 pm

Regular run: Tuesday, September 24 – Sunday, October 27, 2024

Curtain Times: Tuesday, Wednesday, Thursdays and Friday at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not be 7:30 pm performances on Tuesday, September 17, Tuesday, October 1, Thursday, October 3, Wednesday, October 9, Thursday, October 10, Wednesday, October 16 and Tuesday, October 22; there will be a 2 pm matinee performance on Wednesday, October 16.

Tickets: Classic Memberships are now on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Noises Off ($20 - $128) are now on sale at  steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.

Education and Engagement:

Throughout the 2024/25 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. Programming includes dedicated student matinee performances during four of the five Membership Series productions including Noises Off, Leroy and Lucy, Fool for Love and The Book of Grace (including ASL and Spanish Language Captioned performances), in-school residencies in partnership with Chicago Public schools, workshops, panels and events specifically geared towards teens, as well as professional development trainings and resources for educators. Additionally, Steppenwolf is reimagining their community engagement and will pilot new public programming, continue accessibility programming and offer opportunities for deeper explorations for audiences throughout the season. For additional information about Steppenwolf’s Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education.

Accessible Performance Dates:

Audio-Described and Touch Tour: Sunday, October 13 at 3 pm (1:30 pm touch tour)

Open-Captioned: Saturday, October 12 at 3 pm & Thursday, October 17 at 7:30 pm

ASL-Interpreted: Friday, October 18 at 7:30 pm

Relaxed/Sensory-Friendly: Saturday, October 19 at 3 pm

Artist Biographies:

Vaneh Assadourian (Poppy Norton-Taylor) is thrilled to be making her Steppenwolf Theatre Company debut. Regional: Wish You Were Here (Yale Repertory Theatre - Connecticut Critics Circle Award Outstanding Ensemble nomination); A Distinct Society (Co-Production with Pioneer Theater Company and TheatreWorks Silicon Valley); Happiest Song Plays Last (LATC); Hostage (Skylight Theatre Company). Education: BA, UCLA School of Theater, Film and Television. Assadourian is an award winning audiobook narrator, voice actor and dialect coach and is fluent in Farsi and Armenian, and conversational in German. Represented by Stewart Talent Chicago and Sandy Joseph , SLJ Management. @vaneh_33 (IG)

Amanda Fink (Brooke Ashton/Vicki) Steppenwolf Theatre Company: POTUS (u/s Stephanie/Dusty performed). Chicago: Pro-Am, Plano, I’m Gonna Pray For You So Hard, peerless (First Floor Theater, selected); Long Day’s Journey Into Night (Court Theatre, u/s); Tilikum, Give It All Back (Sideshow Theatre Company, u/s). Education: The ACADEMY at Black Box Acting; University of Chicago. She is a proud company member of First Floor Theater, a co-owner of Black Box Acting and is represented by Grossman & Jack Talent.

Audrey Francis (Belinda Blair/Flavia Brent) currently serves as Artistic Director of Steppenwolf Theatre, alongside Glenn Davis, where she has been an Ensemble member since 2017. She is an actor, director, educator and coach. Audrey directed POTUS in Steppenwolf's 23/24 season. Steppenwolf performing credits include The Thanksgiving Play, The Herd, Between Riverside and Crazy, The Fundamentals, The Doppelgänger (an international farce) and Dance Nation. TV credits include Justified: City Primeval, Chicago Med, Chicago Fire and Empire. Film credits include Perpetrator, Knives and Skin, Later Days and Distant Learners. She has taught acting in New York, LA, Toronto, Sydney and Melbourne, as well as at The University of Chicago and The Theatre School at DePaul. Audrey is a professional acting coach for Showtime, NBC, Fox and Amazon, and is the co-founder of Black Box Acting.

Francis Guinan (Selsdon Mowbray/Burglar) has been a member of the Steppenwolf Theatre Company ensemble since 1979. He has appeared in more than 30 Steppenwolf productions including Downstate, The Rembrandt, The Herd, The Night Alive, Tribes, The Birthday Party, The Book Thief, Time Stands Still, Endgame, American Buffalo, Fake, The Seafarer, Balm In Gilead and August: Osage County. He has also appeared in productions for Northlight Theatre, Goodman Theatre (appearing in Chekhov’s Seagull and The Cherry Orchard), Writers Theatre, Victory Gardens Theater, TimeLine Theatre Company and American Blues Theater. Television appearances include The Exorcist, Boss, Mike and Molly, Chicago Fire, Chicago Med, Frasier and several Star Trek episodes. Film work includes roles in The Last Airbender, Typing, Low Tide, Ghostlight and Constantine. For Kate.

Rick Holmes (Lloyd Dallas) Broadway: Junk: The Golden Age Of Debt, The Visit, Matilda, Peter and the Starcatcher, Spamalot, The Pillowman, Cabaret, Major Barbara, The Deep Blue Sea, The Government Inspector, Timon of Athens, Saint Joan. Off-Broadway: Dan Cody’s Yacht (Manhattan Theater Club); Lives of the Saints (Primary Stages); The Threepenny Opera (Atlantic Theater Company); Stop Kiss, Dog Opera, Richard III, Othello (The Public Theater). Chicago: National Tours of Spamalot and Cabaret. Other National Tours: Angels in America. Film: The Post, The Stepford Wives, Melinda and Melinda, etc. Television: Atlanta “Juneteenth”, Modern Family, Dead To Me, Fosse/Verdon, The Punisher, Fantasy Island, The Politician, Tommy, The Resident, Law and Order. Upcoming: Monsters: The Lyle and Erik Menendez Story, No Good Deed. MFA in Acting from New York University.

Ora Jones (Dotty Otley/Mrs. Clackett) was most recently seen at Steppenwolf as Rose in The Children. She also appeared as the mother in Steppenwolf’s production of True West at the Galway Arts Festival in Ireland. Other Steppenwolf shows include Familiar, The Roommate and The Doppelgänger (an international farce) in the past few seasons there. Other Steppenwolf productions include The Wheel, Middletown, The Brother/Sister Plays, Three Sisters, The Unmentionables, The Violet Hour, Carter’s Way and Morning Star. Chicago roles include Catherine Adams Green in The Nacirema Society, Essie Miller in Ah, Wilderness!, Mrs. Rittenhouse in Animal Crackers, Claire in Proof, C Ana in Seeking the Genesis and Elizabeth I in The Beard of Avon for the Goodman Theatre; the Abbess in The Comedy of Errors, the Countess in All's Well that Ends Well, Katherine of Aragon in Henry VIII, Queen Charlotte in The Madness of George III, Maria in Twelfth Night, Lucienne in A Flea in Her Ear and the Nurse in Sunday in the Park with George for Chicago Shakespeare Theater; Jaclyn in Rasheeda Speaking for Rivendell Theatre; Rita Jeffries in My Kind of Town for Timeline Theatre; the Stage Manager in Our Town for Writers Theatre; and Gwen in Execution of Justice for About Face Theatre. Her Broadway roles include Madame de Volanges in Les Liaisons Dangereuses at the Booth and Mrs. Phelps in Matilda the Musical, both at the Shubert and in the first national tour. Regional and other New York credits include Dr. Therese Stockmann in The Messenger for Pioneer Theater, and performances at Long Wharf Theatre, Yale Repertory, Manhattan Theatre Club, Public Theatre, Milwaukee Repertory, Next Act, and a particular favorite, the role of Mrs. Muller in Doubt for The Weston Playhouse in Weston, VT, directed by Malcolm Ewen. Television: Emperor of Ocean Park, Somebody Somewhere, 61st Street, Betrayal, Chicago Fire. Film: Stronghold, Consumed, Were the World Mine, Stranger than Fiction, The Weatherman. Awards: Chicago Magazine 2011, Best Actress; Black Theatre Alliance Award, Seeking the Genesis; After Dark Award, A Flea in Her Ear, Our Town.

Andrew Leeds (Garry Lejeune/Roger Tramplemain) Broadway:Teddy & Alice; Falsettos. Touring: Les Miserables (National Tour). Television: The Patient (FX/Hulu); The Dropout (Hulu); Barry, Veep, Silicon Valley (HBO); Ghosts (CBS); Zoey’s Extraordinary Playlist (NBC); Bones (Fox); Cristela, A Million Little Things, The Conners, Modern Family (ABC); Get Shorty (MGM+); The Morning Show (Apple TV+); Shameless (Showtime); It’s Always Sunny in Philadelphia (FX). Education: Stanford University, degree in Computer Science. He is a member of the Main Company at The Groundlings Theatre in Los Angeles. As a writer, he has written pilots for various networks including ABC, CBS, NBC, FOX, USA and Showtime.

James Vincent Meredith (Frederick Fellowes/Philip Brent) received critical acclaim as John Proctor in The Crucible, his first role as a Steppenwolf Theatre Company ensemble member. James has appeared at Steppenwolf in 16 productions over the years, most recently in: Describe the Night. Broadway credits include: The Book of Mormon (Eugene O’Neill-also national tour), The Minutes (Steppenwolf and also Studio 54) Skin of Our Teeth (LCT) and Superior Donuts (Music Box). Other Chicago theatre credits include work at Goodman, Lookingglass, Writers, Victory Gardens, Court and Chicago Shakespeare. Recent TV: Chicago Med (NBC), Your Honor (Showtime) FBI (CBS) and Fargo (FX).

Max Stewart (Tim Allgood) Chicago: Fairview (Definition Theatre); Southern Gothic, Sons of Hollywood (Windy City Playhouse); Walk on the Wild side (Pale Horse Playhouse); Romeo and Juliet (Kane Repertory Theatre); Letters Home (Griffin Theatre). Television: Chicago Fire, Soundtrack. Awards: NFAA Young Arts. Education: Theatre School at DePaul University (BFA Acting), British American Dramatic Academy, Groundlings. @maxflash4

Michael Frayn (Playwright) was born in London in 1933. He began his career as a reporter for the Guardian and later the Observer. After leaving the Observer he continued to write as a columnist as well as publishing novels and plays for television and stage. His plays for stage include: Copenhagen, After Life, The Two of Us, Alphabetical Order, Donkeys’ Years, Clouds, Balmoral (Liberty Hall), Make and Break, Noises Off, Benefactors, Alarms and Excursions, Look Look, Here and Make and Break. Other translations include: four full-length Chekhov plays – The Cherry Orchard, Three Sisters, The Seagull and Uncle Vanya and four one-act plays – The Evils of Tobacco, Swan Song, The Bear and The Proposal. Mr. Frayn is married to the biographer and critic Claire Tomalin.

Anna D. Shapiro (Director) is a Tony Award-winning director and served as Artistic Director of Steppenwolf Theatre Company from 2015 to 2021, where she remains an ensemble member. She joined the Steppenwolf ensemble in 2005 and was awarded the 2008 Tony Award for Best Direction of a Play for August: Osage County (Steppenwolf, Broadway, London). She was nominated in 2011 in the same category for The Motherf**ker with the Hat (Public Theater, Labyrinth Theater). Other Steppenwolf directing credits include the world premiere production of The Minutes (also on Broadway); Mary Page Marlowe, Visiting Edna, Three Sisters, A Parallelogram, Up, The Crucible, The Unmentionables (also at Yale Repertory Theatre), The Pain and the Itch (also in New York), I Never Sang for My Father, Man from Nebraska, Purple Heart (also in Galway, Ireland), The Drawer Boy, Side Man (also in Ireland, Australia and Vail, Colorado), Three Days of Rain, The Infidel and This Is Our Youth (which transferred to Broadway). Additional Broadway credits include Of Mice and Men (with James Franco) and Fish in the Dark (with Larry David), and Off Broadway Domesticated (Lincoln Center Theater). She directed the premiere of the Broadway musical The Devil Wears Prada with music by Sir Elton John, lyrics by Shaina Taub and book by Kate Wetherhead. Shapiro is a graduate of the Yale School of Drama and Columbia. She is a professor in Northwestern University’s Department of Theatre.

Accessibilty:

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access. If you have questions or would like to make a specific request, e-mail access@steppenwolf.org or call our box office at (312) 335-1650.

Sponsor Information:

Noises Off is sponsored in part by Northern Trust. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown, CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported 

About the Companies:

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions – from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays – have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown – Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world.  steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Geffen Playhouse has been a hub of the Los Angeles theater scene since opening its doors in 1995. Noted for its intimacy and celebrated for its world-renowned mix of classic and contemporary plays, provocative new works and productions, the not-for-profit organization continues to present a body of work that has garnered national recognition. Named in honor of entertainment mogul and philanthropist David Geffen, who made the initial donation to the theater, the company was founded by Gilbert Cates and is currently helmed by Executive Director/CEO Gil Cates, Jr., Artistic Director Tarell Alvin McCraney and Board Chair Adi Greenberg. Proudly associated with UCLA, the Geffen welcomes an audience of more than 130,000 each year, and maintains extensive education and community engagement programs, designed to involve underserved young people and the community at large in the arts. geffenplayhouse.org