The Ugly One Via Trap Door Theatre Now Playing Through October 29, 2022

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The Ugly One

Written By: Marius von Mayenburg 

Translated By: Maja Zade Directed By: Michael Mejia

Company Manager Michael Mejia returns to direct famous German playwright Marius von Mayenburg's quick witted comedy on beauty, ambition, and the brutality of capitalism.

Lette was never concerned with his looks until his peers, coworkers, and wife told him he’s the ugliest man in the world. If a pretty face is all he needs to succeed, and plastic surgery is the solution, will he be willing to go under the knife?

Cast: Dennis Bisto, Alexis Dawtyne, Juliet Huneke, David Lovejoy, and Matty Robinson

Marius von Mayenburg (Playwright) was born in 1972 in Munich; he studied Germanic medieval literature and writing for the stage at the Berlin University of the Arts. Since 1997 he is known as author of numerous plays translated into over thirty languages and performed at home and abroad, making him one of the most important and successful contemporary playwrights writing in German language. In 1998 he began working with the known director Thomas Ostermeier at the Baracke at the Deutsches Theater Berlin. With the beginning of Ostermeier's artistic leadership of the legendary Schaubühne, Berlin, Mayenburg also joined the artistic team and continues working there as guest dramaturg until today. At Schaubühne, Mayenburg has been author in residence and dramatic advisor, but also a director of other author's creations as well as most of his own plays. 

His plays transcend the “new realism” of the German dramaturgy of the 1990s into grotesque exposures of absurdities of middle-class life under global neoliberal capitalism. His work for the stage revisits and reinvents key conventional dramatic mechanisms from a postdramatic perspective. Mayenburg uses montage for his staccato dramaturgical approach achieving a fluid sequence of dramatic situations. His characters are first and foremost in conflict with themselves finding solution in violence, loss of individuality or suicide. The language of his social satires is impersonal, crisp and laconic. Among his best-known plays are Fireface (1997), The Ugly One (2007), The Dog, The Night, The Knife (2008), Perplex (2010), Martyr (2012), Plastic (2015), and Mars (2019).

Michael Mejia (they/them) (Director) is extremely excited to be back directing with Trap Door Theatre! Michael studied acting and music performance at Indiana University. Michael is the Company Manager for Trap Door Theatre, where they are also a proud ensemble member. Trap Door Directing credits: ALAS, Decomposed Theatre Episode 3, and Queen C. Acting credits: The White Plague, Love and Information, The Killer, The Old Woman Broods, Monsieur d’Eon is a Woman (Trap Door Theatre); Proxy (Underscore Theatre); Kingdom (Broken Nose Theatre); Little Shop of Horrors (Stoughton Village Players); Passage (Remy Bumppo). Michael is also a visual artist and musician who plays guitar, piano and writes. For more info visit: www.mejiah.com

Assistant Director: Anna Klos / Set Designer: J. Michael Griggs / Lighting Design: Richard Norwood / Costume Design: Rachel Sypniewski / Sound Design: Michael Mejia / Make-Up Design: Zsófia Ötvös / Graphic Design: Michal Janicki / Dramaturg: Milan Pribisic /Stage Manager: Jake Snell / Swings: Cat Evans, Caleb Jenkins, and Kade Cox

Opens: Thursday, September 22, 2022 at 8PM Closes: Saturday, October 29, 2022 at 8PM Runs: Thursdays, Fridays, Saturdays at 8PM

Admission: $25 on Thursdays, Fridays, and Saturdays, with 2-for-1 Admission on Thursdays https://trapdoor.ticketleap.com/the-ugly-one/

Where: Trap Door Theatre is located at 1655 West Cortland St. Chicago, IL 60622

To view Trap Door Theatre’s COVID protocol, visit:

https://trapdoortheatre.com/chicago-and-trap-door-covid-19-protocol/

Shattered Globe Theatre Presents the Chicago Premiere of STEW September 9 – October 22, 2022 at Theater Wit

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STEW

Written by Zora Howard

Directed by Malkia Stampley

September 9 – October 22, 2022 at Theater Wit

Shattered Globe Theatre is pleased to launch its 2022-23 season with the Chicago premiere of STEW, Zora Howard’s Pulitzer Prize Finalist for Drama, directed by Malkia Stampley, playing September 9 – October 22, 2022 at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Tickets are currently available on at sgtheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

 

STEW features Ensemble Members Demetra Dee* and Jazzma Pryor* with Velma Austin and Jasmine Cheri Rush.

 

The Tucker women are up early to prepare an important meal, or at least that’s what Mama says. As the day wears on, tensions simmer inside and around Mama’s kitchen. Zora Howard’s award-winning play, STEW, is a hilarious and haunting drama that explores the unbreakable bond between kinswomen and reveals the power that loss holds over our lives when we refuse to share it with others.

 

SGT Producing Artistic Director Sandy Shinner comments, “SGT is delighted to introduce award- winning playwright and screenwriter Zora Howard to Chicago audiences with our production of STEW, finalist for the 2021 Pulitzer Prize in Drama. Our entire cast and production team is excited that Ms. Howard continues to be in conversation with us about the play, and will join us in Chicago for several rehearsals. I am equally thrilled to welcome nationally recognized actor, director and producer Malkia Stampley as director of STEW, her first mainstage production in Chicago. The entire artistic team is inspired by her passion for this important play.”

 

The production team includes Sotirios Livaditis (Scenic Designer), Austin Winter (Costume Designer), Levi Wilkins (Lighting Designer),Persephone Lawrence-Wescott (Props Designer), Zack Berinstein (Composer), Danielle Davis (Assistant Director), JJ Porterfield (Sound Technician), Judy Anderson (Executive Production Manager) Dusty Brown (Production Manager), Johnnie Schleyer (Technical Director), Tina M. Jach* (Stage Manager) and Ayanna Wimberly⁺ (Assistant Stage Manager).

COVID-19 safety: All patrons at Theater Wit will be required to show proof of full vaccination before they even enter the lobby. Please note that masks are mandatory for all patrons for the entire duration of the performance, except when actively drinking beverages. Visit sgtheatre.org for more information. 

 

*Denotes SGT Ensemble Member  ⁺Denotes SGT Artistic Associate

 

Cast (in alphabetical order): Velma Austin (Mama), Demetra Dee* (Lil' Mama), Jazzma Pryor* (Lillian) and Jasmine Cheri Rush (Nelly).

 

Location: Theater Wit, 1229 W. Belmont Ave., Chicago

Dates: Previews: Friday, September 9 at 8 pm, Saturday, September 10 at 8 pm, Sunday, September 11 at 3 pm and Wednesday, September 14 at 8 pm

Press Performance: Thursday, September 15 at 7:30 pm

Regular Run: Saturday, September 17 – Saturday, October 22, 2022

Curtain Times: Thursdays, Fridays, Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be not be a performance on Friday, September 16.

Touch Tour/Audio Description Performance: Friday, October 7 – 6:45 pm touch tour, 8 pm performance with audio description. $20 tickets available with code “ACCESS20.”

Global Perspectives: SGT will present a series of post-show discussions and events following select Sunday matinees: September 18 (conversation led by Protégé Alumni Aja Singletary), September 25 (spoken word and dance performance from Global Girls, plus pop-up fromThe Understudy bookstore) and October 2 (conversation led by Ensemble Member Devonte Washington, plus pop-up from The Understudybookstore).

 

Tickets: Previews: Friday: pay-what-you-can; Saturday & Sunday: $25 general admission, $10 students. Regular Run: $45 general admission. $15 students. $35 seniors. $25 under 30 years old. $15 industry tickets on Thursdays and Fridays with code “INDUSTRY.” Tickets are currently available at sgtheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. Group discounts are available by contacting groupsales@shatteredglobe.org or by calling (773) 770-0333.

 

Shattered Globe understands that ticket prices can pose a financial burden and, at times, an obstacle for theatregoers. A number of waived tickets are available on a first-come, first-serve basis for students and community members experiencing access barriers to theatre. If you would like to be added to SGT’s Waived Ticket Waitlist, please email lswanson@shatteredglobe.org. Please note: all requests must be completed by 12 pm the Friday before the performance you would like to attend. The e-mail will not be monitored at all on weekends or after 5 pm on weekdays.

 

About the Artists:

 

Zora Howard (Playwright) is a Harlem-bred writer and performer. Plays include STEW (2021 Pulitzer Prize Finalist; P73), The Master’s Tools (WTF), Bust (2022 Susan Smith Blackburn Prize Finalist), Hang Time (2022 Creative Capital Award Finalist) and Good Faith. Her work has been developed with SPACE at Ryder Farm, Ojai Playwrights Conference, the Lark, Primary Stages and Cape Cod Theatre Project, among others. In 2020, her film Premature (2020 Film Independent John Cassavetes Award nominee), which she co-wrote with director Rashaad Ernesto Green, opened in theaters following its world premiere at the 2019 Sundance Film Festival. Zora is the inaugural Judith Champion Fellow at MTC, a 2022 Lilly Award recipient and is currently under commission from Seattle Rep, MTC, and Wessex Grove.

 

Malkia Stampley (Director) hails from Milwaukee where she attended Marquette University for Theater Arts with internships at Milwaukee Repertory Theater and Skylight Music Theater. She joined Goodman Theatre as Producer in 2021 after serving as founding Artistic Producer for Milwaukee Black Theater Festival. Select producing credits: Goodnight Oscar, Gem of the Ocean, Notebooks of Leonardo da Vinci, Life After, STEW and Pretty Fire. She is an alum of Theatre Producers of Color and Broadway for Racial Justice’s Casting Directive Fellowship. Malkia is a founder of Bronzeville Arts Ensemble and served as Producing Artistic Director for three seasons. Select directing credits: Shakesfest (Chicago Shakespeare), Lady Day at Emerson’s Bar and Grill (Farmer's Alley), The Gift of the Magi (American Players), Black Nativity (Black Arts MKE, three years), STEW (Milwaukee Chamber), Nunsense (Milwaukee Rep), Five Guys Named Moe (Skylight Music) and readings for Congo Square, #ENOUGH and Texas State Black and Latino Playwright Celebration. 

 

About Shattered Globe Theatre

 

Shattered Globe Theatre (Sandy Shinner, Producing Artistic Director) was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 80 plays, including nine American and world premieres, and garnered an impressive 42 Jeff Awards and 107 Jeff Award nominations, as well as the acclaim of critics and audiences alike. 

 

Shattered Globe Theatre seeks to discover new connections between story, artist and audience by exploring drama from bold, challenging perspectives, and continuously redefining what it means to be an ensemble theater.

 

SGT’s values are rooted in a commitment to racial equity, respect for all artists and support for the ensemble, while creating new opportunities to amplify traditionally marginalized voices and collaborate in all aspects of our work. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

 

Shattered Globe Theatre is partially supported and funded by generous grants from The Shulman-Rochambeau Charitable Foundation, The James P. and Brenda S. Grusecki Family Foundation, Bayless Family Foundation, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Fund for Arts & Culture at The Richard H. Driehaus Foundation, the Paul M. Angell Family Foundation, a CityArts Grant from the City of Chicago Department of Cultural Affairs and Special Events, the Illinois Arts Council, The Shubert Foundation, the Chicago Community Foundation, and The Saints.

 

For more information on Shattered Globe Theatre, please visit  sgtheatre.org.

 

PEQUEÑOS TERRITORIOS EN RECONSTRUCCIÓN SEPTEMBER 21 – 25, 2022 IN GOODMAN THEATRE'S OWEN THEATRE

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GOODMAN THEATRE PRESENTS 

PEQUEÑOS TERRITORIOS EN RECONSTRUCCIÓN 

IN 2022 DESTINOS—5TH CHICAGO INTERNATIONAL LATINO THEATER FESTIVAL AND IN COLLABORATION WITH THE CHICAGO LATINO THEATER ALLIANCE

***HAILING FROM MEXICO CITY’S TEATRO LÍNEA DE SOMBRA, PEQUEÑOS TERRITORIOS EN RECONSTRUCCIÓN APPEARS IN A LIMITED ENGAGEMENT SEPTEMBER 21 – 25 IN THE OWEN THEATRE***

Running time is approximately 60 minutes (no intermission)

Goodman Theatre and the Chicago Latino Theater Alliance (CLATA) presents the Midwest premiere of Pequeños Territorios en Reconstrucción by Teatro Linea de Sombra of Mexico City, appearing in a limited engagement September 21-25 at the Goodman. The production is produced as part of Destinos—the 5th Chicago International Latino Theater Festival, a five-week festival of Latino theater artists and companies from Chicago, the U.S. and Latin America in shows, panels and student performances at venues citywide. Pequeños Territorios en Reconstrucción appears September 21 – September 25 in the 350-seat flexible Owen Theatre. Tickets ($10 –$25, subject to change) are now available at GoodmanTheatre.org/Pequenos or by phone at 312-443-3800.

Photo Credit: Julie Cherki

The Chicago Latino Theater Alliance (CLATA), a transformative cultural engine helping drive the city’s local Latino theater community to a more prominent level, was founded by Myrna Salazar and the National Museum of Mexican Art (NMMA), the International Latino Cultural Center (ILCC) and the Puerto Rican Arts Alliance (PRAA). Chicagoans are still stunned by the recent loss of Ms. Salazar, who passed away suddenly on August 3. “CLATA’s success would not have been possible without a visionary at the helm, a person with the tenacity and passion to bring Chicago’s Latino theater community to a level that had not yet been imagined. Now, in Myrna’s honor, CLATA is charged with the task of making sure her legacy forges ahead with the same unbridled zeal that she brought to her beloved organization, the Destinos Festival, and her everyday life,” wrote the CLATA staff in a program note dedicating this year’s Destinos to her memory.

Pequeños Territorios en Reconstrucción is among the six world premieres, four U.S. premieres and three Midwest premieres featured at 2022 Destinos. The complete festival line-up, with performances presented at marquee venues downtown, neighborhood storefront theaters and cultural institutions throughout Chicago, is now available at DestinosFest.org. Directed by Jorge A. Vargas, the Midwest premiere features Sonya Madrigal, Shanttal Saad, Abril Pinedo and Alicia Laguna in a story about the “City of Women” in Turbaco, Colombias where 15 years ago, a group of women displaced by armed conflict created the “League of Displaced Women” and built 98 houses with their own hands. After a short stay there, Teatro Linea de Sombra created a documentary fable posing a series of ethical questions on the potential destiny of the settlement, of the women who built it and especially of the children who inhabit it.

Photo Credit: Julie Cherki

ABOUT THE ARTISTS

Jorge A. Vargas (Director) has been the artistic director of Teatro Línea de Sombra (Shadow Line Theatre) since its inception in 1993.  In the mid 1980s he studied at École de Mime Corporel Dramatique of Ettiene Decroux in Paris, which led to his first work, Galería de Moribundos (Gallery of Dying Men), and established Vargas in physical and visual theater in México City.  He subsequently trained with the International Theatre School for Latin America and the Caribbean in Havana, Cuba (1990) and Tlaxcala, Mexico (1994.) Until 2010, he alternated between devising experimental theater and directing plays written by authors such as Roland Schimmelpfenning, Jon Fosse, Anthony Neilson, Neil LaButte and Lars Norén. The Association of Theater Writers and Critics (UCCCT) twice recognized Vargas and Teatro Línea de Sombra (TLS) with Best Theatre Group in the Provinces (1982, 1991), and Vargas with two awards for Best Research Theatre Director (2001, 2005). Their work tours throughout Mexico and has toured to major festivals and theaters in France, Argentina, the U.S., Canada, Colombia, Peru, Brazil, Spain, Finland, Russia, Korea, Slovenia and Macedonia. Amarillo, the hallmark work by Vargas with TLS, received the Latin ACE Award for the Best Foreign Production in New York, in 2012 and the Audience Award for the Best Performance of the 21st Exponto International Performing Arts Festival in Ljubljana, Slovenia. The Universal Forum of Cultures Monterrey commissioned Vargas to create and direct The Forge of the World, a large-scale performance piece inside Oven 3 of Fundidora Park in Monterrey. More than a million spectators attended its 80 performances. Their most recent international co-production, which Vargas also co-directed, is Artículo 13 (Article 13) with Cie Carabosse in France, an immersive installation regarding migratory movements around the world.  Last pieces of the company are – Baños Roma (2013); Pequeños Territorios en Reconstrucción (2014); Durango66; El Puro Lugar,  a Site Specific piece in Jalapa Veracruz and Theatre Version ( 2016-2017); Filo de Caballo(s) (2018), a commission of the Contermporary Arts Museum in Chicago that opened in fall 2018 at Teatro El Galeón; Danzantes del Alba, a co-production of Internation Cervantino Festival Teatro UNAM and TLS (2020-2021). Their most recent project is Zona Clausurada, a scenic installation presented at Museo Universitario del Chopo, UNAM.  

Sonya Madrigal (Narrator) is thrilled to be making her Goodman Theatre acting debut. Previously Sonya choreographed and was a movement consultant on the Goodmans productions of Zulema and American Mariachi. Sonya is a proud first-generation Mexican-American from Chicago IL, where she received her BFA in Acting from the University of Illinois at Chicago. She is currently an MFA acting candidate at the University of Iowa. Favorite Chicago credits include Day of Absence (Congo Square); Hope Part II; A Mexican Trilogy (Teatro Vista); Oedipus Rex and the premiere of David Auburn's The Adventures of Augie March (Court Theater). Recent credits include Henry V (Riverside Theater); Letters From Cuba and Our Lady of 121st. Sonya is proudly represented by Stewart Talent.  

Shanttal Saad is a Mexican-American actress, singer and songwriter with over 10 years of experience in working with performing arts with a focus on vocal proficiency and experimental music. With studies in drama, she has performed for theatrical productions in the U.S., Mexico and Europe as an actress and as a live musician working with international theater companies such as Teatro Línea de Sombra. She has created original soundtracks for theater, movies and radio. Shanttal is also known as Frida Canti in a project where she transforms into the lead performer of her own compositions and explores Latin genres, rock and folk music. 

Abril Pinedo was born in Ciudad Juárez Chihuahua in 198 and graduated from the University Theater Center, UNAM in 2010. With more than 20 years of artistic experience, she has performed in almost all areas of the performing arts. As an actress, she has participated in more than thirty productions, including Desert under lunar scenery by Alberto Villarreal; Words of love in German by Gilberto Guerrero; Bullet music by Hugo Salcedo under the direction of Alfonso Cárcamo; Nothing Always Everything Never with Colectivo Macramé directed by Mariana Gándara and Tales of Boca en Boca with Vereda Teatro, directed by Sofía Sanz. She has collaborated on numerous occasions with T3Y Teatro as director of Tania Mayrén's text, Hedda. She is the artistic director of the Colectivo La Maqueta with whom she has directed two productions, Radiocuento, music noise and sound (2016) and What can be invented, not all stories are for children (2016). She is currently working on her new project La Casa.

Alicia Laguna has trained at the Universidad de Nuevo León in Monterrey, Mexico. She has been the artistic co-director of Teatro Línea de Sombra (TLS) since 1993 and a company actress and a creator of plays addressing the context of Mexico’s socio-political reality for over ten years. She has toured with TLS in Europe, South America, Canada, USA, Korea, China and Russia. As an actress she has participated in movies such as Norteado, directed by Rigoberto Perezcano and has won the prize for best actress at the Abu Dabhi Film Festival. She was, along with film director Maria Berns, a co-creator of the experimental film So Long. 

THE COMPANY OF PEQUEÑOS TERRITORIOS EN RECONSTRUCCIÓN 

Sonya Madrigal

Shanttal Saad

Abril Pinedo

Alicia Laguna

Please note: Masks are currently recommended, but not required, while in the theater. Policies may change based on prevailing medical guidance. Learn more about Goodman’s current Health and Safety Protocols at GoodmanTheatre.org/Protocols.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. The theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Today, Goodman Theatre is led by Artistic Director Susan V. Booth and Executive Director Roche Schulfer. Theater leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Craig McCaw is President of the Scenemakers Board for young professionals.

ABOUT DESTINOS, 5TH CHICAGO INTERNATIONAL LATINO THEATER FESTIVAL

Now entering its fifth year, Destinos is the signature program of the Chicago Latino Theater Alliance (CLATA), a transformative cultural engine helping drive the city’s local Latino theater community to a more prominent level.

CLATA, which produces Destinos, was founded in 2016 as a non-profit 501(c)(3) organization by Myrna Salazar and Chicago’s three most prominent Latino arts organizations: the National Museum of Mexican Art (NMMA), the International Latino Cultural Center (ILCC), and the Puerto Rican Arts Alliance (PRAA). 

“In Spanish, the word ‘destinos’ has multiple meanings: destinies, destinations or fate,” explained CLATA’s late Executive Director Myrna Salazar, who passed away suddenly this past August, and to whom the 2022 festival is dedicated. “Destinos showcases Latino theater artists from Chicago, across the U.S. and Latin America to present engaging and thought-provoking stories that transcend boundaries, amplify Latino voices, and diversify Chicago stages to encourage cross-cultural conversation.” 

The organization’s goal is to create the country’s leading international Latino theater festival with an emphasis on showcasing Chicago Latino theater artists and companies. Additionally, CLATA provides local groups ongoing organizational, marketing and financial support, and works diligently to create a permanent home for Chicago’s Latino theater artists. Ultimately, CLATA strives to underscore Chicago’s reputation as one of the most exciting and culturally diverse theater cities in the world.

CLATA gratefully acknowledges ongoing support from the John D. and Catherine T. MacArthur Foundation, Paul M. Angell Family Foundation, Joyce Foundation, Ford Foundation, Walder Foundation, Driehaus Foundation, Bezos Family Foundation, Creative Reaction Lab, Gaylord and Dorothy Donnelly Foundation, Shubert Foundation, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, Illinois Arts Council Agency, National Endowment for the Arts, Wintrust, Allstate, Choose Chicago, ComEd and Comcast/Xfinity.

OPENING: THE NOTEBOOK A World Premiere Musical at Chicago Shakespeare Theater Through October 16, 2022

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 THE NOTEBOOK

A New Musical

Music and lyrics by Ingrid Michaelson

Book by Bekah Brunstetter

Based on the novel by Nicholas Sparks

Choreographed by Katie Spelman

Directed by Michael Greif & Schele Williams

A World Premiere Musical based on the bestselling novel that inspired the iconic film

Performances begin September 6

Chicago Shakespeare Theater presents the highly anticipated world premiere of The Notebook, a new musical based on the bestselling novel by Nicholas Sparks that inspired the iconic film. Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart, in a deeply moving portrait of the enduring power of love. Broadway directors Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, Motown the Musical) team up with multi-platinum singer-songwriter Ingrid Michaelson on music and lyrics, book by playwright Bekah Brunstetter (writer and producer on NBC's This Is Us), and choreography by Katie Spelman. Now playing in a limited engagement through October 16, 2022. I'll be out for the press opening, September 28th, so check back shortly after for my full review.

Portraying Allie and Noah across their lifetimes are Jordan Tyson as Younger Allie, Joy Woods as Middle Allie, and Tony Award-winner Maryann Plunkett as Older Allie; John Cardoza as Younger Noah, Ryan Vasquez as Middle Noah, and John Beasley as Older Noah.

The company also includes Yassmin Alers (Nurse Joanna), Andréa Burns (Nurse Lori / Mother), Jonathan Butler-Duplessis (Father / Son), Dorcas Leung (Georgie), Omar Lopez-Cepero (Lon), Sophie Madorsky (Sarah), and Liam Oh (Fin / Justin). Understudies include Alex Benoit, Mary Ernster, Jerica Exum, Jerome Harmann-Hardeman, RhonniRose Mantilla, and Carson Stewart.

The production’s music supervisor is Carmel Dean, who is also collaborating on arrangements with Ingrid Michaelson and on orchestrations with John Clancy. Geoffrey Ko is The Notebook’s music director.

The Notebook features scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, and wig and make-up design by Mia Neal. Casting is by The Telsey Office / Patrick Goodwin, CSA, with Chicago casting by Chicago Shakespeare Theater Artistic Associate/Casting Director Bob Mason. Also featured on the creative team are Asmeret Ghebremichael (Associate Director), Anna Ebbeson (Assistant Music Director), Emily Madigan (Assistant Choreographer), Sasha Smith (Intimacy Director), Matthew Buttrey (Associate Scenic Designer), Annie Le (Associate Costume Designer), Wilburn Bonnell (Associate Lighting Designer), Daniel Lundberg (Associate Sound Designer), Erica Maholmes (Assistant Lighting Designer), and Emily Hayman (Assistant Sound Designer). Victoria Navarro is the Production Stage Manager

More information at www.chicagoshakes.com/notebook or on social media at @chicagoshakes with #NotebookMusical.

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, the Theater’s onstage work has expanded to as many as twenty productions and 650 performances annually. Chicago Shakespeare is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, the Theater works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On the Theater’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire. www.chicagoshakes.com

HELP OUT: Northlight Theatre's 2022 Gala: “Purpose. Passion. Progress” Thursday, October 6, 2022

Northlight Theatre 2022 Gala:

“Purpose. Passion. Progress.” 

Thursday, October 6, 2022 at 6:00 p.m.

at Theater on the Lake

with Master of Ceremonies Karen Jordan of ABC7

  

Northlight Theatre’s Board of Directors proudly presents the premier fundraising event for the 2022-2023 Season “Purpose. Passion. Progress” on Thursday, October 6, 2022, 6:00pm, at the Theater on the Lake, 2401 N Lake Shore Dr, Chicago, IL 60614. Northlight supporters and friends will celebrate a year of entertaining theatre during a benefit evening of dinner, music, and gorgeous skyline views.

Guests will a picturesque view of Chicago’s skyline as they celebrate a year of purpose, passion, and progress - from the art on Northlight’s stage to its education and community engagement programs.

The Gala evening's master of ceremonies is Emmy Award-winning Co-Anchor for the ABC7 Weekend News Karen Jordan. 

Entertainment is by vocalist Rashada Dawan. The evening will kick off with appetizers, cocktails and music by Evanston Township High School string quartet. The event will also include a silent auction filled with a variety of unique experiences, followed by dinner, a live auction and paddle raise, lively music, and more!

Proceeds from the event will benefit Northlight Theatre’s imaginative and inclusive arts education and community engagement programs, as well as the ground-breaking Arts for Everyone Free Ticket program which breaks down the barriers to accessing theatre starting with the price of a ticket.

Tickets are $300; Tables of 10 are priced at $3,000. Corporate sponsorships are also available at varying levels. Tickets are available for purchase on the gala page of Northlight Theatre’s website. Visit northlight.org/nlgala/ to reserve your spot. To inquire about sponsorships, contact Northlight Theatre at 847.324.1616.

Gala chairs are Julie Chernoff (Evanston) and Susie McMonagle (Chicago).

The Northlight Board of Trustees is: J. Douglas Gray, Chair (Evanston), Mark McCarville, President (Evanston), Julie Chernoff, Vice President (Evanston), Donna Frett, Vice President (Evanston), Robert J. Regan (Evanston), Paul Lehner, Secretary (Evanston), Percy Berger (Evanston), E. Faye Butler (Chicago), Carole Cahill (Highland Park), Christy Callahan (Wilmette), Ron Chadha (Northbrook), Jennifer Christensen (Wilmette), Paul Epner (Evanston), Timothy J. Evans, Executive Director (Evanston), Freddi Greenberg (Evanston), BJ Jones, Artistic Director (Evanston), Tobi Laczkowski (Wilmette), Dennis Marino (Evanston), Blythe McGarvie (Evanston), Susie McMonagle (Chicago), Rahul Roy (Evanston), Kelly Ryan (Chicago), Reetu Gowdar Sanders (Chicago), Bob Silverman (Skokie), Craig M. Smith (Chicago), Thomas D. Stringer (Chicago), Dr. Eric Witherspoon (Evanston), and Ale Treviño, Kellogg Board Fellow.

Gala Sponsors are Polsinelli, Tom Stringer Design Partners, Grumman/Butkus Associates, Hagerty Consulting, Bulley & Andrews, Eckenhoff Saunders, Northwestern University, Byline Bank, The Mather, Rotary International, The Merion Senior Living, Romano Brothers and Co. Wealth Management, Schuler Shook Theatre Planners, Quarles & Brady, LionBird, and John J. Cahill Inc.

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Founded in 1974, the organization has mounted over 220 productions, including more than 40 world premieres. Northlight has earned 208 Joseph Jefferson Award nominations and 36 Awards, as well as ten Edgerton Foundation for New Play Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; BMO Harris Bank; Bulley and Andrews; Byline Bank; The Elizabeth F. Cheney Foundation; CoBank; ComEd, An Exelon Company; Eckenhoff Saunders; Evanston Arts Council; Evanston Community Foundation; Lloyd A. Fry Foundation; Full Circle Foundation; The Gross Foundation; Gruman Butkus Associates; John R. Halligan Fund; Illinois Arts Council, a state agency; Illinois Humanities; Katten Muchin Roseman LLP; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; NorthShore University HealthSystems; Northwestern University; The Offield Family Foundation; PNC Bank; Polsinelli; Ralla Klepak Trust for the Performing Arts; Sanborn Family Foundation; The Saints Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; and Tom Stringer Design Partners.

Chicago Magic Lounge Presents Paige Thompson in A Paige in Time Wednesdays beginning October 5, 2022

ChiIL Live Shows On Our Radar

Paige Thompson’s A Paige in Time

Chicago Magic Lounge, Chicago’s home for close-up magic, continues its Artist-In-Residence series with Paige Thompson’s A Paige in Time, Wednesdays at 7:00pm, October 5 – December 21, 2022. A Chicago Magic Lounge favorite, Thompson’s new show is built on the moments in her life that have shaped her unique approach to magic. Tickets for all Chicago Magic Lounge shows are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com.

What can you say about Paige Thompson? She's talented and quirky. She loves the Miami Dolphins and Oakland A's. Sequins and stilettos. And, above all else, Magic. Join Paige as she shares moments from her life that have motivated her to pursue her passion and fuel the inspiration for her unique take on Magic. Fun, interactive, and amazing, A Paige in Time is a Magic show with heart.

Paige Thompson travels the world sharing her distinctive brand of Magic. A resident company member of Chicago Magic Lounge, she has also wowed crowds in Branson, Missouri, Liberty Magic in Pittsburgh, the world-famous Magic Castle in Hollywood, and House of Cards in Nashville, Tennessee.

Her television credits include multiple appearances on the CW's Masters of Illusion and as a featured contestant on FOX's Showtime at the Apollo, hosted by Steve Harvey. Most recently, Paige was featured on Penn and Teller: Fool Us. Her international television credits include the highly acclaimed America's Got Talent and Germany's Das Supertalent, where she can be seen working alongside some of the top illusionists in the game.

A Paige in Time will be presented on Wednesdays at 7:00pm, October 5 – December 21, 2022. Tickets are priced $45 (Main Floor) and $50 (Front Row).

Also Happening at Chicago Magic Lounge

Music & Magic

Mondays at 7:00pm

Tickets: General Admission $30

 

The Showcase

Tuesdays at 7:00pm

Tickets: Standard: $35; Front Row: $40

Artist-in-Residence Series

Wednesdays at 7:00pm

Luis Carreon, La Bestia, Now through September 28, 2022

Tickets: Standard: $45; Front Row: $50

What you see is not always what you get. Beneath Luis Carreon's suave and debonair exterior lies La Bestia (The Beast). In his one-man show, Luis combines his jaw-dropping magical skills, his Latin heritage, and off-the-wall comedy to share his real-life experiences, poking fun at stereotypes, cultural differences, and himself. 

Luis Carreon is a highly sought-after entertainer, performing magic across the country – from New York City's Monday Night Magic to House of Cards in Nashville to the world famous Magic Castle in Hollywood, California. An award-winning and well-respected magician, Luis regularly travels the country teaching other magicians about the art of magic. He is also a regular performer, fan favorite, and co-founding company member of the Chicago Magic Lounge. 

The Signature Show

Thursdays-Sundays at 7:00pm, Fridays and Sundays at 10pm

Tickets: Front Row $85, Premium Main Floor (main floor banquette and main floor cabaret) $72.50, Standard (rail and elevated banquette) $65, Mezzanine $52.50. 

The Signature Show was conceived in 2015 as an homage to the historic, Chicago magic bar scene. Experience close-up magic right at your table during the cocktail hour, followed by an hour of stage magic featuring masters of their craft performing feats of prestidigitation and sleight of hand. Guests who purchase Premium tickets (Front Row, Main Floor Cabaret, Main Floor Banquette) are invited to an exclusive performance of close-up magic directly after the main stage show in our 43-seat close-up gallery, The 654 Club.

 

Holiday Week

Chicago Magic Lounge presents a week of Signature Shows between Christmas and New Year’s Eve.

 

The Holiday week schedule for The Signature Show is as follows:

December 26-30 at 7pm

Thursday, December 29 and Friday, December 30 at 10pm

New Year’s Eve Signature Show, Friday, December 31 at 7pm, New Year's Eve Celebration Show at 10pm

Tickets for performances December 26-30 are (Front Row) $85, (Premium Main Floor) $72.50, (Standard Main Floor) $65, (Mezzanine) $52.50. Tickets to the early New Years Even show are (Front Row) $90, (Premium Main Floor) $77.50, (Standard Main Floor) $70, (Mezzanine) $57.50.

Make your New Year’s Eve extraordinary with a night of magic at The New Year’s Eve Celebration, Saturday, December 31 at 10pm. The evening starts with close-up magic performed right at your cabaret table by our talented house magicians. In between visits, you will have time to socialize with your party and order from our full-service bar and kitchen. Table magic is followed by a 60-minute stage show. Tickets are $80 (Mezzanine); $85 (Standard Main Floor); $95 (Premium Main Floor) and $110 (Front Row). Ticket prices include a champagne toast at midnight and souvenir champagne flute.

Tickets for all Chicago Magic Lounge performances are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com. Chicago Magic Lounge is a 21+ venue. Ages 16+ allowed to ticketed shows with a legal guardian. 

For the health and safety of our staff, guests and community, you must be fully vaccinated to enter the premises. Ticket holders will be asked to present proof of vaccination status upon arrival.

For a complete schedule of performances and more information about Chicago Magic Lounge, resident and guest performers, and more, please visit chicagomagiclounge.com.

OPENING: World Premiere of Enough to Let the Light In at Steppenwolf’s 1700 Theater September 21-October 23, 2022

ChiIL Live Shows On Our Radar

TEATRO VISTA PREMIERES PALOMA NOZICKA’S PSYCHOLOGICAL THRILLER 

ENOUGH TO LET THE LIGHT IN

DIRECTED BY GEORGETTE VERDIN, STARRING MELISSA DUPREY AND LISANDRA TENA, SEPTEMBER 21-OCTOBER 23 AT STEPPENWOLF’S 1700 THEATER, PART OF 5TH DESTINOS FESTIVAL

The performance is presented in English. Runtime is 85 minutes

Melissa DuPrey (left) and Lisandra Tena star in Teatro Vista's psychological thriller Enough to Let the Light In

Teatro Vista opens its 2022-23 season with Enough to Let the Light In, a world premiere drama about love, truth, and the ghosts that won't let us go by Mexican-American actor/playwright/ filmmaker/director Paloma Nozicka.

It’s co-presented at Steppenwolf’s 1700 Theater, September 21-October 23, 2022, as part of the 5th Destinos, Chicago International Latino Theater Festival. I'll be out for opening night, September 23rd, so check back soon for my full review. 

Enough to Let the Light In is a riveting psychological thriller about girlfriends Marc and Cynthia, who start an evening together celebrating a milestone. But the night quickly devolves into chaos as buried secrets are revealed and lives are irrevocably changed. 

(from left) Playwright Paloma Nozicka, director Georgette Verdin, and actors Melissa DuPrey and Lisandra Tena

Chicago’s own Melissa DuPrey, known for her role as Dr. Sara Ortiz on ABC’s Grey’s Anatomy, plays Marc. Lisandra Tena, who trained at the Theater School of DePaul and played Lola Guerrero on AMC’s Fear The Walking Dead, is Cynthia. Georgette Verdin directs.

“Enough to Let the Light In is a taut, poignant and startling exploration of love and loss,” said Verdin. “Audiences will experience one fateful evening in the lives of Marc and Cynthia, two women who are very much in love. But what happens when everything they thought they understood about each other gets thrown into question and their commitment is put through the ultimate test? Paloma’s play will have you leaning in and grasping for solid ground.” 

Nozicka, the playwright, elaborated, “Enough to Let the Light In is, at its core, a love story - albeit a different version than what we’re used to seeing onstage. I wanted to write something that features the characters that I want to see more of in theater - funny, complicated, deeply flawed women who are trying their best to deal with truly strange circumstances. My hope is that this play, and these characters, stay in people’s minds for a long, long time.”  

Teatro Vista’s production team includes Sotirios Livaditis (scenic design), Gregory Graham (costumes), Stefanie M. Senior (sound), Emma Deane (lights), Lonnae Hickman (props), Courtney Abbott (intimacy director), Adelina Feldman-Schultz (casting), Julie Jachym (production manager), Johnnie Schleyer (technical director) and Conchita Avitia (master electrician). Stage manager is Wendye Clarendon. Olivia Ellery is assistant stage manager. Covers are Gaby Moldovan and Sofia Tew. Lorena Diaz and Wendy Mateo are co-artistic directors of Teatro Vista. Cruz Gonzalez-Cadel is artistic producer. 

Previews of Enough to Let the Light In are Wednesday and Thursday, September 21 and 22 at 8 p.m. Press opening is Friday, September 23 at 8 p.m. Performances run through October 23: Thursdays and Fridays at 8 p.m.; Saturdays at 3 p.m. and 8 p.m.; and Sundays at 3 p.m.

Steppenwolf’s 1700 Theater is located at 1700 N. Halsted St., Chicago. Tickets, $25-$45, are on sale now at steppenwolf.org.

Sign up for Teatro Vista’s e-newsletter at teatrovista.org to receive first notice of new shows, episodes, and behind-the-scenes content, or follow Teatro Vista on Twitter, Facebook or Instagram. 

Teatro Vista’s Enough to Let the Light In doubles as the company’s entry in the 5th Destinos, Chicago International Latino Theater Festival. This year’s annual, city-wide event, produced by the Chicago Latino Theater Alliance (CLATA), will showcase top Latino theater artists and companies from Chicago, the U.S. and Latin America for five consecutive weeks, September 14-October 16, 2022. Visit destinosfest.org to purchase tickets and see the full line-up.

Play Description: En Espanol

Una pareja disfruta una noche de celebración, pero rápidamente se convertirá en un caos a medida que algunos secretos vayan siendo revelados y sus vidas cambien para siempre. Enough to Let the Light In es un thriller psicológico sobre el amor, la verdad y los fantasmas que no nos abandonan.

This is a Teatro Vista Joint: In-person show discount opportunities

Student Nights: Thursday nights are Student Nights at Teatro Vista. Students with a valid student ID can get tickets at $15 with the code TVSTUDENT to every Thursday performance. (Please note: one ticket per student ID.)

Teatro For All: Teatro For All is a new initiative to offer affordable tickets to students, artists, seniors or anyone on a tight budget. Teatro For All tickets are available for every performance on a first come first served basis. We trust our community inherently and hope these tickets find the folks who need them most. If you need to access a Teatro For All priced ticket, please use code TEATROFORALL at checkout.

Group Tickets: Booking a group of 10 or more? Group rates are available. To check availability or other details, please send an email to info@teatrovista.org.

Covid-19 Policy: Enough to Let The Light In is co-presented at Steppenwolf 1700 Theater, which, at press time, requires patrons to wear masks. 

Enough to Let the Light In: Playwright, director and actor bios 

Paloma Nozicka (playwright) is a Mexican-American actor, writer and director. TV acting credits include recurring roles on The Red Line (CBS); Proven Innocent, Empire (FOX); Chicago Med, Chicago PD (NBC). She’s worked at some of the country's most prestigious theaters, including Geffen Playhouse, Goodman Theatre, and Steppenwolf Theatre. She's written several short plays, two short films, and currently has a feature film in development. Directing credits include her short film Each Lovely Thing (currently in festivals). palomanozicka.com

Georgette Verdin (director), is a Cuban-American director, arts educator and the current Michael Maggio Directing Fellow at Goodman Theatre. Since 2015, she has served as the Managing Artistic Director of Interrobang Theatre Project. Verdin is also a company member with Rivendell Theatre Ensemble. Select directing credits include Chagall in School (Grippo Stage Company at Theater Wit), Spay by Madison Fiedler (Rivendell Theatre), This Wide Night by Chloë Moss (Shattered Globe Theatre/Interrobang Theatre Project), Tribes by Nina Raine (Western Michigan University), the U.S. Premiere of Out of Love by Elinor Cook, as well as, Utility, the 2016 Yale Drama Series winner by Emily Schwend (Interrobang Theatre Project). Verdin holds a Bachelor of Arts in Theatre Performance from McNeese State University and a Master in Directing from the Chicago College of Performing Arts at Roosevelt University. Verdin received 3Arts Make-A-Wave grant in 2021 and is an associate member of Stage Directors and Choreographers Society. georgetteverdin.com

Melissa DuPrey (Marc) is a multidisciplinary artist with roots from Humboldt Park, Chicago. After earning double Bachelor of the Arts degrees from the University of Houston, she returned to Chicago to join the all-Latina theatre company, Teatro Luna. Her one-woman show, SEXomedy (2012), was developed during their monthly series for women of color in the arts and received a Chicago Reader Recommendation, a Member's Pick, and had a successful debut Off-Broadway in New York. The popular show spurred a progressive sequel, SEXomedy 2.0, which debuted at Steppenwolf Theatre in April 2019. Her second solo show, SUSHI-frito, has also been critically acclaimed as part of MPAACT's Signature Series for solo artists. DuPrey is also a community organizer and spiritualist who also launched The Good Grief Project-an extension of the social justice component from her play GOOD GRIEF where communities of color are connected to local, accessible and multidisciplinary mental and spiritual wellness practitioners of color. In 2021, the New York-based new work development company, ARS NOVA, invited her to develop her fifth solo play, RISE OF THUNDERDOME, to a national digital audience. Her full-length play BRUJAJA was selected as part of 16th Street’s New Play Pop Up Reading Series for 2019 and received its world premiere in 2021 as a digital theatrical release produced by UrbanTheater Company. In 2014, she was selected as a new talent in the ABC Diversity Showcase in New York City. She has performed stand-up comedy in Chicago, New York, New Jersey, Philadelphia, and Los Angeles. She is a featured actor in the Emmy-nominated web-series Brown Girls and has many regional and non regional theater credits in Chicago. She is credited with playing “Dr. Sara Ortiz” on Grey's Anatomy (Season 17 and 18). Other TV credits include a recurring appearance on Empire (FOX), and guest appearances on The Resident (FOX), Chicago PD (NBC), and The Chi (Showtime). Film credits include: Relative (2022), Long Division (2022), Cherry (2020), Two in the Bush (2017), The Way We Speak (2014) and Bromance (2014). As a musician and active member of her community, she is dedicated to the preservation of Puerto Rican culture by way of the folkloric music, Bomba y Plena, with Africaribe and Las BomPleneras. She is currently an Ensemble Member at UrbanTheater Company and Artistic Associate at Sideshow Theater.

Lisandra Tena (Cynthia) graduated magna cum laude from the Theatre School at DePaul University. Stage credits include Mother Road (Goodman Theatre), Crime Scene: A Chicago Anthology (Collaboraction Theatre), Your Problem with Men (Los Angeles Theatre Center), and her self-written one-woman show, Güera (tour included Illinois, New Mexico, and Arizona). Tena has also appeared in numerous films, commercials, and voiceovers. She is best known for her role as Lola Guerrero on AMC’s Fear The Walking Dead. Other television credits include The Good Place, NCIS, Chicago PD and Good Trouble. She is currently based in Los Angeles. 

Coming Soon as part of Teatro Vista’s 2022-23 season

Teatro Vista’s season’s theme is “Shadow Work,” featuring two world premiere live productions and two exciting new digital works intended “to bring to light that which sits in the unconscious mind.”

(from left) Marvin Quijada, Sandra Márquez, Alice da Cunha

Next spring, Chicago will be hailing The Dream King, a silent musical by Teatro Vista ensemble member Marvin Quijada, co-directed by ensemble member Sandra Márquez and Alice da Cunha.

The Dream King is a story of a man who falls in love with the woman of his dreams while in his dreams. A story told using no words. An exploration of the psyche told through movement, circus, projections, puppetry, and a willingness to let go of what one thinks a play should be. Performance dates and venue are TBA.

Teatro Vista digital productions in 2022-23

(from left) Isaac Gómez, Monty Cole

Digital productions dropping this season are La Vuelta, an original Teatro Vista film exploring how our existence in the world has ripple effects beyond us, particularly in times of great crisis and isolation. La Vuelta is written by ensemble member Isaac Gómez, directed by Monty Cole, and devised by ensemble members Charín Álvarez, Cruz Gonzalez-Cadel, Ramón Ybarra, Eddie Torres, Sandra Marquez and Sandra Delgado.  

Gabriel Ruiz

In addition, look for season two of The Fifth World, a serial fiction podcast written by ensemble member Gabriel Ruiz.

Season one, voiced by an all-Teatro Vista ensemble cast, followed Sebastian Reyes as he arrived in the small desert town of Palomas, Arizona to make his name producing a true crime story about a missing child. But things weren’t always what they seemed in Palomas, and Seba found himself in a whole other world.

Rescripted.org called season one of Teatro Vista’s serial podcast “tense, suspenseful, horrifying, gorgeous, and evocative…a must-listen.” Season two will uncover even more mysteries and seal Seba’s fate in a riveting tale rooted in Aztec mythology, set in modern times and influenced by a pandemic.

Get ready by listening to season one of The Fifth World, available to stream for free via teatrovista.org, Apple Podcasts and Spotify.

Enjoy Season 1, episodes 1 & 2 of The Fifth World. If you dare.

“At Teatro Vista, we believe the artists we collaborate with are inherently genius”

Teatro Vista Co-Artistic Directors Lorena Diaz (left) and Wendy Mateo

In a statement accompanying Teatro Vista’s season announcement, Co-Artistic Directors Lorena Diaz and Wendy Mateo wrote, “At Teatro Vista, we believe that the artists we collaborate with are inherently genius. These artists have not always been given the privilege to explore their work through different expressions in spaces where they see themselves reflected. As artists of color, we know what it means to be drawn into boxes we feel powerless to break out of. It is the work of our artists that defies the idea of what we have been known to produce as a Latine theater company and pushes us into greater depths of expression. Teatro Vista’s 2022-23 ‘Shadow Work’ season will explore what healing looks like and how humans are nurtured to fight against their dark unconscious, in a courageous search for the peace of mind of their inner light.”

Sign up for Teatro Vista’s e-newsletter at teatrovista.org to receive first notice of new shows, episodes, and behind-the-scenes content, or follow Teatro Vista on Twitter, Facebook or Instagram.