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Sunday, March 27, 2022

MAGGIE ROSE at THE VIC THEATRE MARCH 27 SUPPORTING CHRISTONE "KINGFISH" INGRAM

ChiIL Live Shows On Our Radar 


Tonight I'll be out to shoot a photo feature on Maggie Rose and Christone "Kingfish" Ingram.  I'm eager to catch them both live. Check back soon for my full review.

Maggie Rose is a Nashville-based singer/songwriter who dreamed up her own unbridled collision of rock n’roll, soul, folk, funk, and R&B for her third studio album. Have a Seat was produced by Ben Tanner of Alabama Shakes and came to life at the iconic FAME Studios in Muscle Shoals, AL.  


“Rose is doing her part to make the world a better place.” 

- People

 

“A vocalist who is finally having her moment.”

- Rolling Stone Country


“It’s not just that the new music is more textured and complex, or that her vocals soar with greater authority, which they do, it is really about Maggie Rose having found her own lane, her own groove.”

  - Forbes

 

“An artist at the top of her craft.”

- Garden & Gun

  

“A marvelously entertaining 33-year-old mover-and-shaker

for female empowerment and DIY ingenuity.” 

- PopMatters


Have A Seat found Rose approaching her music with more confidence and clarity of vision than ever, ultimately sharing a selection of songs both timeless and urgent and appropriately named one of the "Best Albums of 2021" by both Rolling Stone and American Songwriter while NPR’s World Cafe called Rose “a multi-genre powerhouse...A must see act,” and Garden & Gun hailed her “an artist at the top of her craft.”

“Soul-rendering.” 

- American Songwriter 

 

“A multi-genre powerhouse...A must see act” 

- NPR’s World Cafe


After years of honing her chops and making her name as a force-of-nature vocalist, Rose’s live experiences include opening for Heart and Joan Jett & the Blackhearts and touring as direct support for Kelly Clarkson. She has made festival appearances at Bonnaroo, Newport Folk Fest and Austin City Limits, and has taken the stage at The Grand Ole Opry over 80 times.


“On her third album, “Have a Seat,” the Nashville-based songwriter Maggie Rose seeks reconciliation and balance” 

- New York Times

PopMatters called Rose “a marvelously entertaining mover-and-shaker for female empowerment and DIY ingenuity.” Like any great soul singer, Rose beautifully captures the tensions of the current moment, gently presenting her pensive social commentary while providing a much-needed reprieve from the everyday chaos.


“I am claiming a seat I believe is rightfully mine, and I want others to do the same.”

 - Maggie Rose


Check out her work at maggierosemusic.com

Thursday, March 24, 2022

Irish Theatre of Chicago Presents MOLLY SWEENEY March 31 – May 8, 2022 at The Chopin Theatre

 ChiIL Live Shows On Our Radar 

Irish Theatre of Chicago Presents

MOLLY SWEENEY

By Brian Friel

Directed by Ensemble Member Siiri Scott

March 31 – May 8, 2022 at The Chopin Theatre

 

Irish Theatre of Chicago is pleased to return to the Chicago stage with Brian Friel’s moving play Molly Sweeney, directed by Ensemble Member Siiri Scott, playing March 31 – May 8, 2022 at The Chopin Studio Theatre, 1543 W. Division Street in Chicago. Tickets go on sale shortly at www.irishtheatre.org. I'll be out for the press opening April 2nd so check back soon for my full review. 

Molly Sweeney features ensemble members Matthew Isler*, Robert Kauzlaric* and Carolyn Kruse*.

*Denotes Irish Theatre of Chicago ensemble member

Blind since birth, Molly knows the world through touch, sound, taste and smell. When her hopeful husband and ambitious doctor propose restoring her sight, everyone begins to understand things may not be as they appear. Brian Friel, Ireland's master storyteller, brings us a riveting contemporary drama about the unexpected consequences of a medical miracle. 

The production team for includes Jessica Baldinger (scenic design), Louise Gregory (costume design), Smooch Medina (lighting design), Agata Pacia (sound design) Evan Sposato (production design), Parick Starner (production manager) and Jen Bukovsky* (stage manager).



COVID protocols: To ensure the health and safety of artists, audiences and staff, proof of vaccination and masking is required at all performances. These protocols are subject to change based on evolving guidance from Actors’ Equity Association, the City of Chicago, the State of Illinois and the CDC.

 


Location: The Chopin Studio Theatre, 1543 W. Division Street in Chicago

Dates: Previews: Thursday, March 31 at 7 pm and Friday, April 1 at 7 pm

Press performance: Saturday, April 2 at 7 pm

Regular run: Sunday April 3 – Sunday, May 8, 2022. Please note: there will not be a performance on Sunday, April 17 (Easter).

Curtain Times: Thursdays, Fridays and Saturdays at 7 pm; Sundays at 4 pm.

Tickets: Preview $25. Regular run $40. Seniors/students $5 off. Tickets are currently available at www.irishtheatre.org.


CREATIVE BIOGRAPHIES:

Brian Friel (Playwright) wrote The Enemy Within (1962); Philadelphia, Here I Come! (1964); The Loves of Cass McGuire (1966); Lovers (1967); Crystal and Fox (1968); The Mundy Scheme (1969); The Gentle Island (1971); The Freedom of the City (1973); Volunteers (1975); Living Quarters (1977); Aristocrats (1979); Faith Healer (1979); Translations (1980); a translation of Three Sisters (1981); The Communication Cord (1982); an adaptation of Turgenev’s novel Fathers and Sons (1987); Making History (1988); Dancing at Lughnasa (1990); The London Vertigo (1991); an adaptation of A Month in the Country (1992); Wonderful Tennessee (1993); and Molly Sweeney (1994). Dancing at Lughnasa premiered at the Abbey Theatre, transferred to London’s West End, and then went on to Broadway, where it won three 1992 Tony Awards, including Best Play. The play has been performed around the world, including national tours in Ireland, England and Australia. His plays have been performed extensively in Dublin at the Abbey, Gate, and Olympia theatres, and in many West End theatres in London. New York productions include Philadelphia, Here I Come! (Helen Hayes, 1965); The Loves of Cass McGuire (Helen Hayes, 1966); The Mundy Scheme (Royale, 1969); The Freedom of the City (Alvin, 1974); Faith Healer (Longacre, 1979); Lovers (Lincoln Center, 1986); Aristocrats (MTC, 1989); Dancing at Lughnasa (Plymouth, 1991); Wonderful Tennessee (Plymouth, 1993); Philadelphia, Here I Come! (Roundabout, 1994) and Translations (Plymouth, 1995). In 1992, Faith Healer was revived by King’s Head Theatre, London, and transferred to the Wyndham in the West End; and A Month in the Country opened at the Gate Theatre in Dublin. Molly Sweeney opened at the Gate Theatre and transferred to the Almeida Theatre in London. Born in Omagh, County Tyrone, in Ireland in 1929, Mr. Friel began writing short stories for "The New Yorker" in 1959 and subsequently published two collections: "The Saucer of Larks" and "The Gold in the Sea." His first radio plays were produced by the BBC, Belfast, in 1958. In 1989, BBC Radio devoted a six-play season to his work, the first living playwright to be so distinguished. He co-founded Field Day Theatre Company in Derry, Ireland, where Translations, The Communication Cord and Making History premiered. 

Siiri Scott (Director) is the Head of Acting and Directing at the University of Notre Dame. After over 25 years in the classroom and multiple teaching awards, she trains advanced students in acting, voice, dialect and movement and teaches international masterclasses on acting pedagogy. She received her MFA in Acting from The Theatre School at DePaul University before she began working professionally. An actor and director, she has worked in regional theatre and television in Chicago, Milwaukee, Seattle and Los Angeles. Siiri is a member of two theatre companies and performs Japanese Noh with Theatre Nohgaku and directs/produces with Irish Theatre of Chicago. She directed the Jeff-nominated production of My Brilliant Divorce, The Weir and Pineapple for ITC, and she produced the Notre Dame tours for the company. A classically trained performer, she keeps herself in the game as a voice actor and works on both commercials, installations and educational software, and is an award-winning narrator of over 80 audiobooks. Publications include the chapter "Vulnerability in Performance" in The Pedagogy of Vulnerability and she is co-editing an anthology for Routledge, titled “Stanislavsky & Race,” which examines inclusivity and equity in the training and application of the Stanislavsky System in the U.S. and abroad.

Irish Theatre of Chicago (formerly Seanachaí Theatre Company) is supported in part by The Richard H. Driehaus Foundation, the Illinois Arts Council, The Arts Work Fund,The National Endowment for the Arts, and The Grainger Foundation. 

 

Pay What You Can: Rhinoceros Theater Festival April 1 – May 7, 2022 at Jimmy Beans Coffee & Pride Arts Center

ChiIL Live Shows On Our Radar:

Fest Alert 

The Curious Theatre Branch, in association with Pride Arts Center and Jimmy Beans Cabaret, Prop Thtr and Labyrinth Arts, is pleased to present A Hint of Rhino: Rhinoceros Theater Festival 2022, playing April 1 – May 7, 2022. Shows will run Thursdays – Sundays at Jimmy Beans Coffee (2553 W. Fullerton Ave, second floor) in Logan Square and the Broadway Theater at Pride Arts Center (4139 N Broadway Ave) in Uptown.

Curious and friends present a pared-down, curated series of events including music, spoken word, new plays, drag and variety events. Programming on Sunday, May 1 at Pride Arts Center will include a special celebration of Matt Rieger, longtime Managing Director for Curious, who died suddenly in October 2021, and whose final play, Jimmy and the Nickels, will run Sunday afternoons and Thursday evenings at Pride Arts. Rhino Fest returns this year following a hiatus in 2021, in which festival producers awaited the return of safer gatherings in public spaces rather than shifting to a virtual format. This Rhino Fest represents the result of invitation and collaboration among small groups of Chicago artists, making inquisitive and expansive events for the current moment.



Tickets to all events are $20 or pay-what-you-can. 


Proof of vaccination will be required at the door, and audience members and crew will remain masked inside venues. Cash and credit cards accepted at the door. Tickets are currently available through Eventbrite. Further additional information and updates, visit rhinofest.com.

 


The full Rhino Fest 2022 line-up includes:

 A Hint of a Rhino Party

Saturday March 26 at 7 pm, Broadway Theater at Pride Arts

An opening night party to mosey back to Rhino. An evening of food and drinks, presentations, some previews of shows to come, a film or two, some jokes and lots and lots of mingling.  

 

John & Paul: Strictly Platonic

Fridays at 8 pm, April 1 – 29, Broadway Theater at Pride Arts Center

Chicago sketch comedy veterans John Klingle and Paul Brennan bring their anarchic humor back to the stage in a raucous celebration of dysfunctional friendship. Watch John and Paul juggle the roles of emasculated fathers, naive prison guards and problematic method actors, all while struggling to keep their corporate sponsorships. Special guests include drag artist Tara Bitchup, songstress Zoë Pike\ and stand-up comic Katie Zane.

 

New Speculative Fiction

Friday, April 1 at 7 pm, Jimmy Beans Coffee

Sharon Houk, Andy Sullivan, and Tanner Vaughan Halversen read new work.

 

Labyrinth Hour Cabaret

Saturdays at 8 pm, April 2 – 30, Broadway Theater at Pride Arts Center

A musical and variety adventure featuring bands, musical guests and variety acts.

April 2 & 23: The Improper Behavior Jump Blues Band featuring Miss Sharon and Keith Fort.

April 9 & 16: Drag Show with Narcisca and Slussy Vanity. Further guest artists to be announced. Produced and directed by Diane Hamm with Labyrinth Arts and Performance Collective.

 

The Chicago Beast Women

Saturdays at 10 pm, April 2 – 30, Broadway Theater at Pride Arts Center

Chicago’s longest-running showcase for veteran and premiering female artists comes to Pride!  An inspiring line-up of solo and collaborative artists showcasing new and urgent work. Jillian Erickson, Michelle Power, Cristina McCrystal, Alley Cat and many, many more beloved Chicago performers.

 

Vernon Tonges

Saturday, April 2 at 7 pm, Jimmy Beans Coffee

Known to many as Spoo Willoughby, Vernon Tonges is a low-profile performing songwriter and singer known for his crippling introversion and disastrous inability to adequately self-promote. Many of his shows occur unannounced in random parking lots where his audience mainly consists of drivers idling in the drive-through line awaiting takeout chicken. Surplus thigh meat comprises his chief compensation. The world remains a tough nut to crack.

 

The Crooked Mouth and Special Guests

Saturday, April 2 at 9 pm and Saturday, May 7 at 9 pm, Jimmy Beans Coffee

A Chicago-based music group including Jenny Magnus, Beau O'Reilly, T-Roy Martin, Vicki Walden and Heather Riordan with ample harmonies and lyrics to sink one's teeth into. Rock/pop/alt-country/vaudeville, if you must have a genre.

April 2: Special guest Izzy Yellen. "Izzy yellin'? No, he's making ambient folk."

May 7: Special guests Michael Amandes and Mac Modean

 

Writers Aloud

Sunday, April 3 at 3 pm, Broadway Theater at Pride Arts Center

For over three years, from in-person to online and now both live and streaming – this unassuming monthly forum organized by Donna Dunlap, Karen Fort and Cordis Heard for those who write and have seldom if ever spoken their own written words – a core Prop Thtr tradition. Two hours with three to five readers.

 

Jimmy and the Nickels

Sundays: April 3 at 5 pm, April 24 & May 1 at 3 pm. Note: the May 1 show will be followed by a celebration of Matt Rieger, Broadway Theater at Pride Arts Center

Thursdays: April 7, 14, 21, 28 at 8 pm, Broadway Theater at Pride Arts Center

A follow up to 2020’s lauded My Dinner with Joe, this chamber comedy, the last work of the beloved and abruptly departed Curious playwright and Managing Director Matt Rieger, features Mike McKune, Don Schroeder, Nick Leininger and Paul Brennan, and is directed by Stefan Brün with Charlotte Lastra.

 

Hypnosis

Friday, April 8 & 22, Saturday April 9 & 23 at 7pm, Jimmy Beans Coffee

A new monologue from Chicago poet and fringe theater mainstay Barrie Cole.

 

Cafe Neckbeard To Go

Fridays: April 8, 15, 22, 29 and May 6 at 9 pm, Jimmy Beans Coffee

Saturdays: April 9, 16, 23, 30 at 9 pm, Jimmy Beans Coffee

PR Representative and Procurement Specialist Chris Bower will theatrically update the world on the ongoing saga of the most experimental and explosive and explosively experimental cash-only fine dining celiac-intolerant temporarily to-go cafe in The Historic Logan Square Neighborhood (THLSN): Chef Anton "*" Anis's Cafe Neckbeard! Featuring Chris Bower and Steak Richardson.

 

The Problem With Flowers

Sundays: April 10, 17, 24 at 5 pm, Broadway Theater at Pride Arts Center

Thursdays: April 14, 21, 28 at 7 pm, Broadway Theater at Pride Arts Center

Roberto Del Rio’s solo work playfully examines the loves and miseries, the delights and betrayals in an emotional day off. From dawn until dusk we’ll hear those struggles, triumphs, fears and desires that only manifest when we’re by ourselves.

 

Deconstructing Desolation Row

Friday, April 15 and Saturday, April 16 at 7 pm, Jimmy Beans Coffee

Four writers respond to Bob Dylan's 1965 ballad from Highway 61 Revisited in song and lecture. Performances by Jayita Bhattacharya, Frank Bonacci, Michaela Chan and Bill Ferguson.

 

Time in a Teacup

Friday, April 29 and Saturday, April 30 at 7 pm, Jimmy Beans Coffee

New work by Jay Sebastian. Musings on time, memory, and baloney sandwiches through stories, original songs and 8mm movies.

 

The Anchovy's Song, The Pelican's Apocalypse

Friday, May 6 at 7 pm, Jimmy Beans Coffee

Jeff "Hollywood" Dorchen weaves together songs, obvious lies (elaborate and simple) and poems.

 

Sheila Donohue and Friends

Saturday, May 7 at 7 pm, Jimmy Beans Coffee

Performance poet and four-time National Poetry Slam Champion Sheila Donohue returns to Rhino Fest for an evening of new and archival work, with special guests.

Venue Note: Broadway Theater at Pride Arts Center is a first-floor space and is wheelchair accessible, with two accessible bathrooms. Jimmy Beans Cabaret is up one flight of stairs and is not easily accessible for wheelchair users.

 

About Rhino Fest

The event that became the Rhinoceros Theater Festival began in 1988 as an offshoot of the Bucktown Arts Fest, and in its first year featured just two days of performances, including work by Jenny Magnus and Beau O'Reilly. When the event's founder moved away from Chicago in 1990, he asked a ragtag group of local artists (including Beau O'Reilly and Theatre of the Reconstruction’s Scott Turner) to keep the festival going, and the Rhino Fest was born. The Curious Theatre Branch went on to produce the Rhino across many neighborhoods and venues over the years, with events variously taking place in Wicker Park/Bucktown, Rogers Park, Andersonville and Avondale; at spaces including the Lunar Cabaret and Full Moon Café, the Neo-Futurarium, the Society for New Things, The Garage, The Firehouse, Remains Theatre and Prop Thtr. In the mid-2000s, Rhino Fest settled at Prop Thtr in Avondale as its long-term base, and Prop and Curious co-produced the festival among a shifting group of curators for many years. Following the closure of Prop's Elston Ave. space in 2020, and a year off during the height of the pandemic, Rhino Fest is once more becoming itinerant, this year producing shows at The Broadway at Pride Arts Center in Uptown and Jimmy Beans Coffee in Logan Square.

Thursday, March 17, 2022

REVIEW: Lynn Nottage’s Pulitzer-prize Winning Drama SWEAT On Stage at Paramount's Copley Theatre Through April 24, 2022


 ChiIL Live Shows On Our Radar 

PARAMOUNT THEATRE LAUNCHES NEW BOLD SERIES WITH 

SWEAT

INAUGURATING THE NEWLY RENOVATED COPLEY THEATRE IN DOWNTOWN AURORA, MARCH 9-APRIL 24, 2022


REVIEW:

By Bonnie Kenaz-Mara

Imagine yourself in a dive bar in Philly, in a working class hood, at the end of the Clinton era. Generations of hard working Americans have made a decent living here, with seniority workers making up to $40 an hour. Yet that's all about to come crashing town, as factory after factory packs up and moves to Mexico and cheaper digs overseas, putting profits over people. Sweat spans the Bush era and the utter decimation of this factory town, and the poverty, desperation, violence, and addiction that follow in the wake of plant closings. 

It's a brilliant and crucial set up for understanding the Trump years and the ongoing rage of the working class who punch down and blame immigrants and other working poor instead of management, and wealthy factory owners. Sweat is a scathing look at racism, scapegoats, injuries, alcoholism driven by poverty and pain, and the difficulty of employment after incarceration. It's not all doom and gloom, though. Sweat also depicts lifelong friendships, bonding, birthdays, and the strength in a sense of community.

Photo credit for all production shots unless noted otherwise: Amy Nelson


If you're expecting Paramount's usual fare of crowd pleasing musicals with big song and dance numbers, this is not that production. Head across the street. If you're ready for an epic fight scene, an unflinching look at human nature under pressure, and complicated family dynamics, don't miss this! We love Lynn Nottage’s phenomenal writing, and her all too timely treatise on the dissolving of living wage, blue collar jobs, and the havoc it wreaks on individuals, families, and communities. Paramount's take on this vital, contemporary drama is outstanding.

Here at ChiIL Live Shows, we're so excited for Paramount's new space and bold choices. The Copley Theatre renovation is a gorgeous mix of retro and modern with a nod toward a 1960's esthetic with a 2022 flair. 

Paramount's award winning main-stage shows have sparked an artistic renaissance in Aurora and now they're expanding to include a new space with an edgier lineup seldom seen in suburban theatre settings. What a wonderful resource for the region! We adored Lynn Nottage’s Pulitzer-prize winning drama, Sweat, when we caught it in 2019 at Chicago's Goodman Theatre, and we're thrilled that Paramount's bringing it back with a phenomenal cast, in their intimate, new space. 

We truly felt like patrons in the on-stage bar, with the action taking place feet away. The set design is top shelf and the entire cast pours their hearts and souls into this production, expertly immersing the audience in their world. This production gave me chills and elicited a rousing, unanimous standing ovation from the opening night crowd. There were audible gasps in the audience during the vicious fight scene and more than a few patrons were moved to tears. This is the kind of theatre that leaves a mark, and sparks not only empathy, but vital post show discussions. Highly recommended. 

Bonnie is a Chicago based writer, theater critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 


Sweat, Lynn Nottage’s Pulitzer-prize winning drama, is the first of four Bold productions in 2022 in the newly modernized Copley Theatre, right across the street from Paramount Theatre

After two years of waiting, Paramount Theatre will launch its new Bold Series next month, bringing a new, four-show subscription series and a new type of live theater – fearless, unexpected and thought provoking – to the heart of Aurora’s downtown entertainment district.

The inaugural production is Sweat, Lynn Nottage’s acclaimed modern-day drama about life in an American Rust Belt town being battered by the constant threat of company shutdowns. Sweat, running March 9-April 24, 2022, opening to the press Wednesday, March 16 at 7 p.m., is the winner of the 2017 Pulitzer Prize for Drama, nominated for a Tony Award for Best Play and a landmark achievement of American theater.

Just as exciting, Paramount will lift the curtain on its new home for its Bold Series, the newly remodeled Copley Theatre, right across the street from Paramount at 8 E. Galena Blvd., in the North Island Center.

Photo Credit: Bonnie Kenaz-Mara


Following a two-year, $2 million, top-to-bottom renovation, the Copley is no longer an unknown, underutilized space, but an intimate, state-of-the-art theater with 165 comfortable new seats and a modern new lobby bar, ready to attract more audiences to downtown Aurora.

Behind-the-scenes of Paramount’s inaugural Bold production, Sweat

Sweat is set in a bar in an impoverished American town, where factory workers gather to laugh, talk, and drink their cares away, despite the constant threat of company shutdowns. When promotions and layoffs are rumored, tensions and jealousy begin to rip apart their community. Can friendships and family endure when all hopes of economic stability and mobility disappear? An intense examination of race, class and the human costs of capitalism, Sweat captures the ever-present battle between human needs and business in America’s Rust Belt.

Veteran Chicago director Andrea J Dymond is director. The cast features Jordan Anthony Arredondo (Oscar), Tiffany Bedwell (Jessie), Emmanuel K. Jackson (Chris), Linda Gillum (Tracey), Joshua L. Green (Brucie), Bryant Hayes (Evan), Shariba Rivers (Cynthia), Randy Steinmeyer (Stan) and Gage Wallace (Jason).

The production team includes Jeffrey D. Kmiec, scenic designer; Yvonne L. Miranda, costume designer; Jessica Neill, lighting designer; Jeffrey Levin, sound designer; Jesse Gaffney, properties designer; David Woolley, fight choreographer; Khalid Long, dramaturg; Jinni Pike, stage manager; and Lanita VanderSchaaf, assistant stage manager. 

The cast for Paramount’s Bold Series production of Sweat features Jordan Anthony Arredondo (Oscar), Tiffany Bedwell (Jessie), Linda Gillum (Tracey), Joshua L. Green (Brucie), Bryant Hayes (Evan),

 Emmanuel K. Jackson (Chris), Shariba Rivers (Cynthia), Randy Steinmeyer (Stan) and Gage Wallace (Jason).

Sweat performance schedule and ticket information

Previews start Wednesday, March 9, 2022. Press opening is Wednesday, March 16 at 7 p.m. Sweat runs through April 24. Show times are Wednesdays at 1:30 p.m. and 7 p.m.; Thursdays at 7 p.m.; Fridays at 8 p.m.; Saturdays at

2 p.m. and 8 p.m.; Sundays at 1 p.m. and 5:30 p.m. Tickets are $67 to $74.

The Copley Theatre is located at 8 E. Galena Blvd., in the North Island Center, directly across the street from Paramount Theatre in downtown Aurora. For tickets and information, visit paramountaurora.com, call (630) 896-6666, or stop by the Paramount box office, 23 E. Galena Blvd., Monday through Saturday, 10 a.m. to 6 p.m.

Access Services

If you require wheelchair or special seating or other assistance, please contact the box office at (630) 896-6666 or boxoffice@paramountarts.com in advance.

Paramount offers assistive listening devices free of charge at all performances. Check in at the coat room before the show to borrow a listening device.

Paramount Theatre’s Covid-19 commitment to and safety and protocol

Paramount Theatre is committed to the health and safety of all patrons, theater employees, production staff and artists, and adheres to federal, state and municipal COVID-19 protocols.

What’s next in Paramount’s new Bold Series

Following Sweat, Paramount’s new Bold Series continues with Hand to God by Robin Askins, a darkly humorous shocker told Sesame Street meets Exorcist style, puppets included, May 25-July 10. Next is the Tony Award-winning musical Fun Home, book by Lisa Kron, music by Jeanine Tesori, based on the graphic novel by Alison Bechdel, playing the Copley August 3-September 18. The 2022 Bold series culminates with BULL: a love story, Nancy García Loza’s world premiere drama about a Mexican-American man who returns to Chicago to find a family who has moved on and a neighborhood he no longer recognizes, October 5-November 20.

Summing up the series, Paramount Artistic Director Jim Corti said, "Up close and personal, the Bold Series calls audiences together urgently and right on time. By turns comic and cautionary, rendered by prize-winning, contemporary playwrights, passionate voices will soon be let loose in the dynamically renewed space of Paramount's Copley Theatre. Come discover what we've found for you in these four inaugural season productions. 

“After nearly two years since we were originally supposed to launch our Bold Series, the time has finally come to lift the curtain on an exhilarating and new storytelling experience,” added Tim Rater, President and CEO, Paramount Theatre. “Housed in the beautifully renovated Copley Theatre, audiences will discover stories that challenge, enlighten, engage and entertain. I could not be more excited to share these stories with our patrons and hope that when the lights come up, the conversations will last long after the ride home.”

Four-show Bold Series subscriptions are on sale now, ranging from just $134-$148. That’s a “buy two shows, get two shows free” offer. Single tickets to individual performances are $67-$74. To purchase subscriptions, single tickets or for more information, visit ParamountAurora.com, call (630) 896-6666, or stop by the Paramount box office, 23 E. Galena Blvd., Aurora, Monday through Saturday, 10 a.m. to 6 p.m.

All four Bold Series performances will be staged in Copley Theatre, located in the North Island Center, 8 E. Galena Blvd., in downtown Aurora. 

About Paramount Theatre

Paramount Theatre, 23 E. Galena Blvd., is the center for performing arts and education in Aurora, the second largest city in Illinois. The beautiful, 1,843-seat theater, graced with a strong 1930s Art Deco influence and original Venetian décor, nationally known for its high-quality productions, superb acoustics and historic grandeur, has been downtown Aurora’s anchor attraction since 1931.

After launching its own Broadway Series in 2011, Paramount Theatre grew to be the second largest subscription house in the U.S. Before Covid, more than 41,000 subscribers from all over Chicagoland and the Midwest were enjoying Paramount’s critically acclaimed, 2019-20 Broadway-caliber productions. In addition, Paramount also presents an array of internationally known comedians, musicians, dance troupes and family shows annually.

Paramount Theatre is one of four live performance venues programmed and managed by the Aurora Civic Center Authority. ACCA also manages downtown Aurora’s newly renovated 165-seat Copley Theatre, Paramount’s smaller, more intimate, 165-seat “sister” stage, right across the street at 8 E. Galena Blvd. ACCA also oversees the Paramount School of the Arts, RiverEdge Park, the city’s 6,000-seat outdoor summer concert venue, and Stolp Island Theatre, an immersive space opening in summer 2023.

Paramount Theatre continues to expand its artistic and institutional boundaries under the guidance of Tim Rater, President and CEO, Aurora Civic Center Authority; Jim Corti, Artistic Director, Paramount Theatre; a dedicated Board of Trustees and a devoted staff of live theater and music professionals.

For the latest updates, visit ParamountAurora.com or follow @ParamountAurora on Facebook, Instagram or Twitter.

Playwright and director biographies

Lynn Nottage (playwright) is the first, and remains the only, woman to have won the Pulitzer Prize for Drama twice. Her plays have been produced widely in the United States and throughout the world. Her play Sweat (Pulitzer Prize, Evening Standard Award, Obie Award, Susan Smith Blackburn Prize, Tony Nomination, Drama Desk Nomination) premiered and was commissioned by the Oregon Shakespeare Festival American Revolutions History Cycle/Arena Stage. It moved to Broadway after a sold-out run at The Public Theater. Goodman Theatre presented the Chicago premiere of Sweat in 2019. Most recently, Nottage premiered MJ the Musical at the Neil Simon Theater on Broadway, and Clyde's at Second Stage Theater on Broadway. Other plays include Floyd's (Guthrie Theater) Mlima’s Tale (Public Theater), By The Way, Meet Vera Stark (Lilly Award, Drama Desk Nomination), Ruined (Pulitzer Prize, OBIE, Lucille Lortel, New York Drama Critics’ Circle, Audelco, Drama Desk, and Outer Critics Circle Award); Intimate Apparel (American Theatre Critics and New York Drama Critics’ Circle Awards for Best Play); Fabulation, or The Re-Education of Undine (OBIE Award); Crumbs from the Table of Joy; Las Meninas; Mud, River, Stone; Por’knockers; Stone and POOF! Nottage also wrote the book for the world premiere musical adaptation of Sue Monk Kidd's novel The Secret Life of Bees, with music by Duncan Sheik and lyrics by Susan Birkenhead. She is the recipient of a MacArthur "Genius Grant" Fellowship, Steinberg "Mimi" Distinguished Playwright Award, PEN/Laura Pels Master Playwright Award, TIME 100 (2019), Merit and Literature Award from The Academy of Arts and Letters, Columbia University Provost Grant, Doris Duke Artist Award, The Joyce Foundation Commission Project & Grant, Madge Evans-Sidney Kingsley Award, Nelson A. Rockefeller Award for Creativity, The Dramatists Guild Hull-Warriner Award, the inaugural Horton Foote Prize, Helen Hayes Award, the Lee Reynolds Award, and the Jewish World Watch iWitness Award. Her other honors include the National Black Theatre Fest's August Wilson Playwriting Award, a Guggenheim Grant, Lucille Lortel Fellowship and Visiting Research Fellowship at Princeton University. She is a graduate of Brown University and the Yale School of Drama. She is also a screenwriter and an Associate Professor in the Theatre Department at Columbia School of the Arts. For more, visit lynnnottage.com.

Andrea J Dymond (director) is a Chicago-based freelance director, specializing in developing and directing new work. Recent directing credits include Thirst at Strawdog Theatre, the world premieres of The Greatest Theatrical Event…EVER! at the Edinburgh Fringe Festival and Shepsu Aahku’s Black and Blue for MPAACT. Dymond was formerly Resident Director at Victory Gardens Theater, where she directed 11 productions, including seven world premieres, and helped to develop and launch the The Ignition Festival of New Plays. In addition to directing around Chicago and the U.S., her experience includes literary management, research and production dramaturgy, directing at new works festivals; serving as thesis play advisor for MFA playwrights at Carnegie Mellon University and directing at NNPN’s MFA Playwrights Workshops at the Kennedy Center. A teacher at Columbia College Chicago, Dymond's courses have included Directing, Collaboration, African American Scene Study, Text Analysis, Dramaturgy, Acting and New Play Development. She was also the facilitator of the Theodore Ward Award for African American Playwriting.

Wednesday, March 16, 2022

Cast Announced for Chicago Premiere of SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN at The Greenhouse Theater Center April 8 Through July 2, 2022

 ChiIL Live Shows On Our Radar 

CAST ANNOUNCED FOR 

“SEX TIPS FOR STRAIGHT WOMEN FROM A GAY MAN”

AHEAD OF CHICAGO PREMIERE



Following smash-hit runs in Las Vegas and New York, this inventive and wildly entertaining show announces its cast as it prepares to hit the stage in Chicago!

Voted Best Comedy for Couples, Sex Tips for Straight Women from a Gay Man, presented by Matt Murphy and Shawn Nightingale, has announced the cast for its Chicago debut. Starring Adam Fane as Dan, Emma Jo Boyden as Robyn, and Bradley Allen Meyer as Stefan, Sex Tips will preview April 8th and open April 23st for a limited engagement at the Greenhouse Theater Center, located 2257 N. Lincoln Avenue. Becoming Off-Broadway's Longest-Running Comedy in New York and launching a national tour before making its Las Vegas debut, this “uproariously funny” show is finally bringing its "big laughs and naughty fun,” taking the audience on a hilarious and wild ride where no topic is taboo and the insider ‘tips’ come straight from the source: a gay man. 

“I feel incredibly blessed to get to work with such a talented and group of actors for our Chicago premiere,” said Matt Murphy, Playwright and Producer of Sex Tips for Straight Women from a Gay Man. “I have no doubt Adam, Emma, and Bradley are going to have the audience in stitches throughout our run and I can't wait to see them shine on the stage!”

The play is set at a local university auditorium where the English department holds its monthly meet the authors event. Robyn is the shy and studious moderator of the event and this month's featured author is Dan Anderson of Sex Tips for Straight Women from a Gay Man.  With the help of a hunky stage assistant named Stefan, Dan aims to turn this meet the authors event upside down with a highly theatrical, audience interactive sex tip seminar.

Written and directed by Matt Murphy, Sex Tips for Straight Women from a Gay Man is produced by Murphy and Shawn Nightingale. The cast features Adam Fane as seen in Rock of Ages (National Tour); Ms. Blakk for President (Steppenwolf) and Jersey Boys (Norwegian), Emma Jo Boyden, as seen in A Recipe for Disaster (Windy City Playhouse), Cat on a Hot Tin Roof (Drury Lane); and Hamlet (Chicago Shakespeare Theater), and Bradley Allen Meyer, an actor who studied at the Atlantic Theater Company known for Chicago Fire (2012), Soundtrack (2019), and Black and Blue (2018). The production features Scenic Design by Luke Cantarella, Lighting Design by Brian Tovar, Costume Design by Tilly Grimes, and Projection and Sound Design by Randy Blair. 

 

Hailed by critics as “one of the best date-night shows of the year,” SexTips has recently been showcased on television in three different reality series whose stars performed in the show, including Kendra On Top, Real Housewives of New York, and Shahs of Sunset. The popularity of this production is no surprise given its source material is the international best-selling book of the same title, which has been published in over 50 different countries and translated into 17 different languages.  

Sex Tips for Straight Women from a Gay Man will run at the Greenhouse Theater Center, 2257 N. Lincoln Avenue in Chicago previewing April 8 and opening April 23 for a limited engagement through July 2, 2022. The performance schedule is as follows: Thursday, Friday and Saturday at 8:00 pm. The running time is 1 hour and 15 minutes with no intermission. Tickets range from $49.95 to $79.95 plus processing fees. For tickets and more information, visit SexTipsPlay.com or call the Greenhouse Theater Center Box Office at 773-404-7336. 


Wednesday, March 9, 2022

OPENING: Issac's Eye via Redtwist Theatre March 20 Through April 24, 2022

ChiIL Live Shows On Our Radar  

R E D T W I S T  T H E A T R E  P R E S E N T S

Isaac's Eye

by Lucas Hnath

Directed by Rinska Carrasco-Prestinary


Long before the infamous apple landed, Sir Isaac Newton was a backcountry experimenter, hoping to make the discovery of a lifetime. When the Royal Society’s prestigious academic Robert Hooke appears on the scene, Isaac thinks it’s his shot at the scientific big-time -- provided he can prove his own hypothesis. 

Part historical drama, part contemporary satire, Isaac’s Eye will have you rolling in the aisles – alongside all those apples.

Opens Sunday, March 20, 2022 at 3pm

Runs Thurs, Fri, Sat at 7:30pm; Sun at 3pm, through April 24, 3:00pm

C A S T

Josh Servantez* (Isaac Newton)

Michael Sherwin* (Robert Hooke)

Brooke Reams (Catherine)

Jackie Seijo (Dying Man/Actor)

P R O D U C T I O N

Rinska Carrasco-Prestinary (Director), Lucas Hnath (Playwright), Jonathan Berg-Einhorn (Scenic Designer), Elizabeth Niemcsyk (Costume Designer), Cat Davis, (Lighting Designer), AJ Morley (Props Designer), Jeff Brain (Technical Director), Alyssa Flasch (Production Manager), Corbin Paulino (Stage Manager), Jen Poulin (Assistant Director), Shariba Rivers* (Casting Director), Jose Jimenez* (Graphic Designer), Lauren Thompson* (Resident Production Manager), Alyssa Victoria Flasch (Box Office Manager), Annette Galeas, Johnny Garcia*, Amanda Grissom & Eric Eilersen (Box Office Associates), Charlie Marie McGrath* (Producing Artistic Director)

* Denotes Redtwist Staff or Company Member

P R E V I E W S

mar 17 - 19

preview tickets only $15

thurs – sat @ 7:30pm


O N S T A G E

mar 20 - apr 24

tickets start at $35

thurs – sat @ 7:30pm

sun @ 3pm


BUY TICKETS

SENIORS + STUDENTS GET $5 OFF



REVIEW: Remy Bumppo Theatre Company's Passage at Theater Wit Through April 10, 2022

ChiIL Live Shows On Our Radar  

Remy Bumppo Theatre Company Presents

PASSAGE 

by Christopher Chen Directed by Kaiser Ahmed

March 2 - April 10, 2022 at Theater Wit


REVIEW:

By Bonnie Kenaz-Mara

Passage breaks through the 4th wall and straight into the souls of the audience. Remy Bumppo's latest is a thought provoking journey that illuminates the chasm between different ethnicities, the complicated topography of colonialism, and the humanity that connects us all. I loved the use of letters to designate names and places, as it left a bit of mystery, but also made the content more universal. 

Patrick Agada, Carolyn Hu Bradbury, Adam Poss, Leyla Beydoun, Tiffany Renee Johnson, Charin Alvarez and Peter Sipla.  All photos by Nomee Photography

At the top of the show, with house lights still blazing, it was enjoyable to get to see the whole cast introduce themselves and share a bit of family background on where they've come from in life and how they got here, as in literally HOW they made the trek in to the performance space today. As the lights dimmed and the actors morphed into their characters, they did an amazing job of bringing the entire audience of newfound friends along for the ride.

This timely and timeless production is a must see as long as humans are still invading each other's countries, judging worth on the basis of ethnicity or physical characteristics, and reacting to others based on fears, stereotypes, and prejudices.



Peter Sipla and Carolyn Hu Bradbury

Kudos to Scenic Designer: Yeaji Kim for the unique set, that provides a powerful visual metaphor.

Carolyn Hu Bradbury


The entire cast was strong, whether connecting with one another or addressing and engaging the audience directly with rhetorical questions and visualization journeys. Charin Alvarez and Patrick Agada were particularly excellent in their respective roles.

Charin Alvarez and Patrick Agada 

Charin Alvarez, Peter Sipla, Tiffany Renee Johnson and Adam Poss

Cheers to Remy Bumppo Theatre Company for celebrating ageless, nearly universal traditions of spilling the tea, adding a flask for a bit of a spike, and both listening and engaging in meaningful dialogue with those different from ourselves even when we may end up with more questions than answers. This production is a lovely exploration of the subtle layers and nuances to the human condition, sacred spaces, and the ways we help and harm others intentionally or accidentally. 


Adam Poss

If clever tangents, multicultural friendships, anthropomorphic critters, mystical caves, and forging new ways to repair systemic racism are your jam, don't miss this. After seeing Passage, I'm eager to read  E. M. Forster's  1924 novel, A Passage to India, though it's certainly not a prerequisite to enjoy this production. Good theatre entertains while great theatre enlightens, encourages thought, and challenges ingrained thoughts and behaviors. Passage does just that. Highly recommended.

Bonnie is a Chicago based writer, theater critic, photographer, videographer, actress, artist and Mama. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 


Leyla Beydoun and Adam Poss


Remy Bumppo Theatre Company is pleased to announce the casting and design team for the first show in its 2022 Season, 

PASSAGE by Christopher Chen and directed by Kaiser Ahmed. 

The show will run from March 2 through April 10, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago.

Q is building a new life in Country X, having immigrated from Country Y. But it’s hard to make friends in Country X — the history between the two countries is fraught, and political tensions are running high. As Q tries to navigate interpersonal dynamics, the past and present collide in a complex geopolitical landscape. And no one is off the hook. Christopher Chen’s deeply humane, exquisitely theatrical play inspired by E.M. Forster’s A Passage to India is tense, fascinating, delicate, and dangerous.

PASSAGE will feature Patrick Agada, Charin Alvarez (Remy Bumppo Core Ensemble Member), Leyla Beydoun, Carolyn Hu Bradbury, Tiffany Renee Johnson, Adam Poss, Peter Sipla. Designs for this production will feature work by Himabindu Poroori (Dramaturg), Yeaji Kim (Scenic Design), Izumi Inaba (Costume Design), Liz Gomez and Mac Vaughey (Co-Lighting Design), Michael Huey (Sound Design and Original Music) and Rowan Doe (Properties Design).

Marti Lyons enthusiastically speaks to kicking off her first season as Artistic Director with PASSAGE: “I am thrilled to launch our 2022 season with this production. PASSAGE, written by one of my favorite playwrights, Christopher Chen, is a kaleidoscopic examination of power that could be anywhere and anytime, but feels intensely now. The Core Ensemble and I cannot wait to be back onstage and start our season with this show.”

Remy Bumppo Theatre Company’s production of PASSAGE will run from March 2 through April 10, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago. Subscriptions and single tickets are on sale at www.RemyBumppo.org or by calling the Theater Wit Box Office at 773.975.8150.

Remy Bumppo Theatre Company’s 2022 Presenting Sponsor is Geoffrey A. Anderson. Remy Bumppo Theatre Company’s 2022 Season Sponsors are Brenda and James Grusecki and Charlotte Toerber.

Cast (in alphabetical order): Patrick Agada (F); Charin Alvarez (B); Leyla Beydoun (Q); Carolyn Hu Bradbury (J/S/MOSQUITO); Tiffany Renee Johnson (D/M); Adam Poss (H/R/GECKO); Peter Sipla (G); Flavia Pallozzi (u/s D / M); Natalie Santoro (u/s J / S / MOSQUITO). Tina El Gamal (u/s B); Nathaniel Elfant (u/s H /R / GECKO); Aissa Guerra (u/s Q); Tulsi McDaniels (u/s F); Michael Mejia (u/s G);

Artistic Director: Marti Lyons 

Producer: Alexis Taylor

Intimacy and Culture Consultant: Greg Geffrard

Associate Intimacy and Culture Consultant: Courtney Abbott

Casting Director: Rachael Jimenez, CSA

Casting Associate: Emily Gruhl

Stage Manager: Jean E. Compton

Assistant Stage Manager: Cori Lang

 Technical Director: Harrison Ornelas

 Production Manager: Ellen Willett

Dramaturg: Himabindu Poroori 

Scenic Designer: Yeaji Kim 

Costume Designer: Izumi Inaba

 Assistant Costume Designer: Aija Moreno

 Co-Lighting Designer: Liz Gomez

 Co-Lighting Designer: Mac Vaughey

 Sound Designer and Original Music: Michael Huey

 Properties Designer: Rowan Doe

 Scenic Charge Artist: Emily Altman

 Wardrobe Supervisor: Stefani Azores-Gococo

 Head Electrician: Nick Chamernik

Leyla Beydoun, Adam Poss, Peter Sipla, Carolyn Hu Bradbury, Patrick Agada, and Tiffany Renee Johnson


Location: Theater Wit, 1229 W. Belmont Ave., Chicago, IL 60657

Dates: Previews: Wednesday, March 2 - Saturday, March 5, 2022 at 7:30pm; Sunday, March 6, 2022 at 2:30pm

Press Performance: Monday, March 7, 2022 at 7:30pm

Regular Run: Thursday, March 10 through Sunday, April 20, 2022

Curtain Times: Wednesdays – Saturdays at 7:30pm, Sundays at 2:30pm

Matinee Performances (other than Sundays): Saturday, March 19 at 2:30pm; Saturday, March 26 at 2:30pm; Saturday, April 2 at 2:30pm; Thursday April 7 at 2:30pm Audio Description/Touch Tour Performance: Saturday, March 19, 2022; Touch Tour starts at 1:00pm, and the performance starts at 2:30pm

Open Caption Performance: Saturday, April 2, 2022 at 2:30pm

Tickets: Previews: $30.00 - $40.00

Regular Run: $35.00 - $55.00

Industry Tickets: $20.00, available Wednesdays – Fridays

Student Tickets: $15.00, available day of

Group Discounts: Available for parties of 10 or more, call 773.244.8119

ABOUT REMY BUMPPO THEATRE COMPANY:

Remy Bumppo Theatre Company expands and enriches their community’s view of the world, and their own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, Remy Bumppo authors a more humane culture that listens to, and seeks to understand, the voices, the ideas and the stories of one another. Since its inception in 1996, Remy Bumppo has produced a blend of modern classics and complex contemporary works, presented in an intimate setting with clarity, wit and passion. We invite audiences to engage directly with the art through conversation with the artists.


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