OPENING: WORLD PREMIERE Steampunk Christmas Carol at Raven Theatre Via E.D.G.E THEATRE 12/6-16

Chi, IL LIVE Shows On Our Radar:

E.D.G.E THEATRE PRESENTS THE WORLD PREMIERE OF Steampunk Christmas Carol, 

ADAPTED BY Jared McDaris, at Raven Theatre , 

December 6-December 16

Get in gear, break out your top hats and check out Steampunk Christmas Carol. 

E.D.G.E. Theatre is pleased to announce the world premiere of Steampunk Christmas Carol, adapted and directed by Jared McDaris, December 6-December 16 at Raven Theatre, 6157 N Clark St, Chicago, IL. Opening night is December 6. The performance schedule is 12/6, 12/8, 12/15 at 8pm and 12/9, 12/16 at 2pm. Tickets are $18. Tickets may be purchased at https://edgeoforion.com/steampunk-christmas-carol.

Charles Dickens meets Jules Verne (the Father of Science Fiction) in EDGE Theater and Steampunk Chicago's inventive reimagining of the classic holiday tale A Christmas Carol. Set in fanciful Victorian England, mechanized ghosts tell of the fate of a world without Christmas. In this land of industry, populated with strange machines powered by gas, gears and electricity, Scrooge comes to realize that the best investment man can make is in mankind. Witness the revolution of a soul when Jared McDaris' Steampunk Christmas Carol swings into Chicago's Raven Theatre.

The cast of Steampunk Christmas Carol includes X-2: Gilly Guire
The Engineer: Sarah Franzel
Scrooge: Joshua Carroll
Fred: Erik Burke
Barb Ratchet: Elizabeth Quilter
Marley: Jessica Goforth
Christmas Past: Kate Lass
Mad Madam Fizzlewig: Jennifer Mohr Young Scrooge: Seamus McMahon
The Creation "Claire": Sarah Jean Tilford Christmas Present: Kaelea Rovinsky

The Steampunk Christmas Carol production team includes Roxie Kooi, stage manager; Kate Lass, fight director; Peter McManus, set designer and David Trudeau, lighting designer.

ABOUT E.D.G.E. THEATRE
E.D.G.E.’s anachronism stands for “Esteem Development through Greater Expectations”. Using the theatre arts, they educate and entertain to foster the tools of social change. E.D.G.E has a goal of finding every participant’s personal best and holding them accountable to it. E.D.G.E. main thrust is developing theatre for marginalized communities and to bring a message of non-violence, civic and social change through exploration of the theatre arts. E.D.G.E.’s four sectors are: E.D.G.E Core, company produced classes offered on a select curriculum in theatre, social skills, history and stage combat; E.D.G.E. Satellite, E.D.G.E programs produced, collaborated or sub contracted by an outside produced program; E.D.G.E Troupe, a professional actor program providing a training ground for interns from our marginalized community to observe the highest standards of professionalism and be part of the process and E.D.G.E Workshops, limited time commitment programs are meant to harness their educational and entertainment abilities in a workshop environment. These programs are targeted for school assemblies, conventions, and camps.

REVIEW: Griffin Theatre's Violet Reverberates With Sounds of 60's South

Chi IL Live Shows On Our Radar:

VIOLET

Book & Lyrics by Brian Crawley

Music by Jeanine Tesori 

Directed by Scott Weinstein 

Music Direction by John Cockerill

November 26, 2017 – January 13, 2018 
at The Den Theatre
Griffin Theatre Company Launches 30th Anniversary Season

Review:

Griffin is off to a mythic start to their 30th anniversary season. Violet has the intimacy and connection of a small storefront production upstairs at The Den Theatre, yet it's remarkably big on sound, and this score is amazing. With an onstage band and power vocals, the show fills the space in a huge way, to tell a traveling tale of self discovery, healing, accidental friendships, adventure and the Grayhound bus ride that altered the future.

I thought it was an interesting choice to not use stage makeup to create Violet's huge facial scar from a childhood ax accident, since it was such a huge plot point, yet other characters' reactions to her face spoke volumes. It was even more apparent without special effects makeup that her scaring went deeper than the surface and the bullying and ostracism she'd lived with since childhood had been internalized and given her self consciousness and self hatred but also stubborn tenacity, emotional survival skills and a honed sense of humor.

The rock, folk and gospel score easily and effectively transports the audience to the 60's south where Violet is setting off on a pivotal journey that turns out quite different than she expected. Violet is heartbreaking, poignant, and stellar storytelling, reinforcing the idea that it's the travels not the destination that matter more and change one the most. Ultimately this is a unique love story and a celebration of the discovery of those who see past surface scars and skin color to truly see into each other's souls. 

I'm thrilled to see another show with a female protagonist portrayed both as a young teen and a young adult, and to hear this story from her perspective. Violet's story is a tale full of painful tragedy, loss, coping, and longing. Yet ultimately this is a tale of bravery, tenacity, friendship, acceptance, forgiveness and soul mates. Nicole Laurenzi as Violet and Maya Hlava (Young Violet) are stand outs, as is Will Lidke as Monty, and Stephen Allen as Flick. Brianna Buckley, and LaShera Moore are also quite impressive and a joy to hear.

Griffin Theatre Company is pleased to launch its 30th anniversary season with a revival of the Tony-nominated musical VIOLET, with book and lyrics by Brian Crawley (A Little Princess), music by Jeanine Tesori (Fun Home, Caroline, or Change), direction by Scott Weinstein (Ragtime, Bat Boy: The Musical) and music direction by John Cockerill (Bonnie & Clyde). VIOLET will play November 26, 2017 – January 13, 2018 at The Den Theatre's Upstairs Mainstage, 1333 N. Milwaukee Ave. in Chicago. 

Single tickets and season subscriptions are currently available at www.griffintheatre.com or by calling (773) 697-3830. 

PHOTO CREDIT: The cast of Griffin Theatre Company’s production of VIOLET: (top, l to r) Nicole Laurenzi as Violet, Will Lidke as Monty, Stephen Allen as Flick, Matt Miles as Father and Maya Hlava (Young Violet) with (bottom, l to r) Connor Baty, Brianna Buckley, Nick Druzbanski, Sarah Hayes, Anthony Kayer and LaShera Moore.

Based on the short story "The Ugliest Pilgrim" by Doris Betts, this award-winning musical fuses a powerful rock, folk and gospel score. With a ticket, a suitcase and a heart full of expectation, Violet Karl, facially disfigured since childhood, boards a bus and travels across the deep south in 1964 to see if a faith healer can transform her life. Along the way, she forms unlikely friendships with her fellow passengers, who teach her about beauty, love and courage and that it's the journeys you take in life that help you discover who you are.

The production team for VIOLET includes: Lauren Nigri (scenic design), Izumi Inaba (costume design), Alexander Ridgers (lighting design), Keegan Bradac (sound design), Jamie Karas (properties design), Kasey Alfonso (choreographer), Catherine Allen (production manager), Laura McClain (asst. director) and Jon Ravenscroft (stage manager).

Dates: Previews: Sunday, November 26 at 3 pm, Monday, November 27 at 7:30 pm, Thursday, November 30 at 7:30 pm, Friday, December 1 at 7:30 pm and Saturday, December 2 at 7:30 pm.

Regular run: Thursday, December 7, 2017 – Saturday, January 13, 2018
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3pm. 

Please note: there will not be a performance on Sunday, December 24 (Christmas Eve) or Sunday, December 31 (New Year’s Eve); there will be an added performance on Saturday, January 13 at 3 pm.

Tickets: Previews $30. Regular run $42. Students, seniors & veterans $37 ($25 previews). Group discount are available for groups of ten or more. Single tickets and season subscriptions are currently available at www.griffintheatre.com or by calling (773) 697-3830.

About the Creative Team
Scott Weinstein (Director) is an award-winning director whose upcoming work includes Sex With Strangers (Cardinal Stage), Million Dollar Quartet (Phoenix Theatre) and Frost/Nixon (Redtwist Theatre). Favorite Chicago credits include Rock of Ages (Drury Lane Theatre), a new chamber version of Ragtime, Titanic (Jeff Nomination – Best Director, Best Musical) and Bat Boy: The Musical (Jeff Nomination – Best Director) all with Griffin Theatre; Rent (Theo Ubique, Jeff Award – Best Director & Best Musical); She Kills Monsters (Steppenwolf Theatre Garage Rep); and Seussical (Chicago Shakespeare Theater). Favorite New York and regional credits include Million Dollar Quartet (Fingerlakes Musical Theatre Festival); Baristas (New York International Fringe Festival) Knights of The Sales Office and Murder For Two (Adirondack Theatre Festival). He is a company member with Redtwist Theatre where he has directed Circle Mirror Transformation, All-American and The Drawer Boy. Scott is the Associate Director for the National Tour, Las Vegas, Chicago and Norwegian Cruise Line productions of Million Dollar Quartet and directed the first regional production currently running at the Lawrence Welk Theatre. Scott is a proud graduate of Northwestern University and member of SDC. www.Scott-Weinstein.com

John Cockerill (Music Director) is a collaborative pianist, vocal coach and music director. Recent credits include: Bonnie & Clyde (Kokandy Productions). María de Buenos Aires (Des Moines Metro Opera), Xanadu (American Theatre Company), and High Fidelity (Refuge Theatre Project). He was a featured pianist on the premiere recording of Ross Crean’s opera, The Great God Pan (Navona Records, 2017), and he’ll be joining Chicago Fringe Opera for their upcoming season of As One and The Great God Pan. 

The Griffin Theatre Company's 2017/2018 Premiere Season Sponsors are Michael and Mona Heath.

The Griffin Theatre Company is a Blue Star Theater and is proud to support our military enlisted and veterans. 

About Griffin Theatre Company
Established in 1988 and celebrating its 30th season, the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience.

The Griffin Theatre Company is the recipient of 115 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was the repeat winner of the 2016 Jeff Award for “Best Production of a Play” for London Wall having won the same award in 2015 for its production of Men Should Weep.

The Griffin Theatre Company is partially supported by the Illinois Arts Council, a state agency.

For additional information, visit www.griffintheatre.com.

Two Nights Only: BETTE, LIVE AT THE XMAS BATHS at Steppenwolf’s 1700 Theatre 12/12 & 13

Chi, IL LIVE Shows On Our Radar:

Two Nights Only!

BETTE, LIVE AT THE XMAS BATHS

A Musical Tribute Starring Caitlin Jackson 

Adapted by David Cerda & Caitlin Jackson

Directed by Becca Holloway

Music Direction by Jeremy Ramey

December 12 & 13, 2017 at Steppenwolf’s 1700 Theatre

Hell in a Handbag Productions is pleased to bring back its steamy cabaret sensation – this time, with a holiday twist! Handbag diva Caitlin Jackson recreates Bette Midler’s historic concert at New York’s Continental Baths in BETTE, LIVE AT THE XMAS BATHS, playing two nights only, December 12 & 13, 2017 at 8 pm at Steppenwolf’s 1700 Theatre, 1700 N. Halsted St. in Chicago. Tickets, priced at $25, are available at www.steppenwolf.org or by calling (312) 335-1650.

With the inimitable Jeremy Ramey tickling the ivories as Barry Manilow, Handbag’s loving recreation of the beginning of Ms. Midler’s stellar career features the fabulous songs she sang for the boys in the bathhouse, including Chattanooga Choo-Choo, Superstar – plus holiday ditties done in Bette’s inimitable style. Directed by Becca Holloway, BETTE, LIVE AT THE XMAS BATHS also features Ed Jones as Mr. Gerald, bathhouse patron and hairdresser to the stars, and Sydney Genco and Allison Petrillo as her bawdy back-up broads.

It’s Christmas Eve at the Continental Baths…. can Bette, our reluctant holiday hero, spread some cheer to the holiday orphans that have gathered to see her? Join Bette, her go-to gals, Trixie and Laverne, and her loyal hairdresser, Mr. Gerald, for an evening of unmatched MARY-ment.

BETTE, LIVE AT THE XMAS BATHS is presented as part of Steppenwolf’s LookOut Series.

About Hell in a Handbag Productions
Founded in 2002, Hell in a Handbag Productions is Chicago’s only theater dedicated to camp and the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage.   Handbag is a 501(c)(3) Not for Profit Corporation.  For additional information, visit www.handbagproductions.org.

About Steppenwolf’s LookOut Series
LookOut is Steppenwolf’s performance series that presents the work of artists and companies across genre and form, emerging artists and performance legends, quintessential Chicago companies and young aspiring ensembles, familiar Steppenwolf faces and new friends. steppenwolf.org/lookout

Illinois Year Long Bicentennial Beginning Celebrated by Cast of Hamilton With Unveiling of The Bicentennial Flag of Illinois

The cast of Hamilton at the CIBC Theatre in Chicago officially began the Illinois Bicentennial Celebration by unveiling the Bicentennial Flag from the stage. 

Here at ChiIL Live Shows, we're Illinois proud and excited for the bicentennial. Chi, IL isn't just part of my business name, it's home! We particularly love celebrating the world class arts and entertainment scene in our fabulous home town, and cover theatre/music/art/food and more daily. Chi, IL is an integral part of my family history too. My two children (now teens) were born and raised here in Chicago, as was my father and his 3 sibling, and his parents too. We're ready to celebrate all the amazing people and things Born-Built-Grown in Illinois over the past 200 years. 

Alexander Gemignani, who plays King George III, declared, “Today marks the birthdate and the kick off to the Illinois Bicentennial. We are honored to reveal to you the new bicentennial flag and celebrate 200 years of history with the Governor and all the people of Illinois.”

Governor Rauner greets 100 students at the performance who won the Bicentennial Countdown Video Contest featuring “Something to Learn About Illinois History”

In attendance were 100 Illinois high school and college students whose videos were chosen as part of the 100 Day Countdown to the start of the Bicentennial. The videos theme was ‘Something to Learn about Illinois History’.



Gemignani gave a special shout out to the students who distinguished themselves with winning videos, highlighting the people, places and things that make Illinois so great. "We are all Illinoisans today!" he decried.  

  

“What a great way to begin this very important year-long celebration of our 200 year history,” said Gov. Rauner. “I am so proud of the work these students have done. Let the Bicentennial begin.”



The 100 Day Countdown to the Bicentennial Celebration was sponsored by BMO Harris Bank, who celebrated its 200th Birthday in 2017.  “We are excited to support the Illinois Bicentennial especially as we conclude celebrations for BMO Harris’ 200th birthday,” BMO Harris President & CEO Dave Casper said.  



Illinois was recognized as a state on Dec. 3, 1818, and the official Illinois Bicentennial will be celebrated in 2018 with events planned across the state on Constitution Day, Aug. 26, 2018, and the grand birthday celebration at the United Center on Dec. 3, 2018. Municipalities and organizations that are planning Bicentennial activities between Dec. 3, 2017, and Dec. 3, 2018, can apply for endorsement by the Illinois Bicentennial. Visit the Participate page at www.illinois200.com for more information and to submit an application for endorsement.

OPENING: Chicago-based comedy duo, Poutine bring Thanks for Coming to CIC Theater

Chi, IL LIVE Shows On Our Radar:

Vienna Juvenile 

to Produce Second Full-Length Revue from Sketch Comedy Duo “Poutine” 

at CIC Theater

January 13 – February 3, 2017

Vienna Juvenile, the minds behind last summer’s hit comedy festival, Story Arc Sketch Comedy Festival, are returning this winter to produce a new, full-length sketch comedy revue from Chicago-based comedy duo, Poutine, titled Thanks for Coming. The four-week run will begin on January 13 and will be performed on Saturdays at 8pm until February 3 at the CIC Theater (1422 W Irving Park Rd, Chicago, IL 60613) near the corner of Irving Park Rd and Clark St. Tickets are $10, and will be available for purchase at cictheater.com/shows-tickets beginning Monday, December 11.

“We are so proud and excited to announce our next producing venture, this time with the phenomenally talented Poutine,” says Vienna Juvenile Ensemble Member and Co-Producer Hank Greene. “Not only are they simply one of the funniest sketch comedy groups I’ve ever seen—they’re a thoughtful, patient pair of performers. They’re experts at mining their characters for depth and emotional insight, not just the easy laugh.”

Featuring the combined writing/performing talents of Chicago improvisers Taylor Overstreet and Tim Felton, Poutine’s first revue, What Might Have Been, was a smash hit at the CIC last February, and was directed by Tim Lyons. Thanks for Coming is directed by Jorin Garguilo, and introduces the audience to a “Cult of Nice”—a concept Overstreet says pokes fun at the obsessively pleasant personas she and Felton have cultivated in their lives… but that may not tell their whole story.

“While our first revue focused much more on the choices Tim and I made to get where we are—we wanted our second revue to tear away at what people can see, and explore a little more about who we actually are,” says Overstreet.

“It’s part being invited into someone's home, part peeking behind the curtain,” adds Felton. “I think this show is a fun exploration of what’s interesting and even worth laughing about in real relationships, playful imaginings, and abstract expressions. We try and make the real, the surreal, and the in-between engaging.”

It will be Vienna Juvenile’s first producing venture since last summer’s Story Arc Sketch Comedy Festival, which Overstreet says fell right in line with the kind of sketch comedy she and Felton hope to perform.



“Having seen Story Arc this summer and watching the groups involved, it felt like Vienna Juvenile would be a great producing partner for this show,” says Overstreet. “From day 1, we’ve been committed to doing a show that’s more than just funny or self-deprecating—we’ve wanted to blur the lines between Chicago comedy and Chicago theater. To have Vienna Juvenile backing us with that same kind of philosophy has helped us create the show we envisioned when we started.”

Greene says the feeling was mutual, and that if audiences have enjoyed Vienna Juvenile’s past shows, they’ll absolutely fall in love with Poutine.

“Tim and Taylor have an ability to make you think without ever losing that air of likeability or light-heartedness that draws audiences in,” he says. “Every audience member who goes to see them will be immediately taken with their honesty, and will leave with a smile on their face.”

For more information, head to ViennaJuvenileComedy.com or visit CICTheater.com  following the ticket release date (December 11).

Thanks for Coming

A new sketch comedy revue from Poutine and Vienna Juvenile Productions
January 13 - February 3 at CIC Theater (1422 W Irving Park Rd, Chicago, IL 60613)

Meet Tim and Taylor. They're nice. They're very nice. Have you heard how nice they are? Because for one evening, they'd like to invite you into their very nice home to show you that they're so nice... you may never want to leave. From Poutine, the minds behind What Might Have Been, comes an evening full of slightly off-kilter houseguests... in one house party you won't soon forget.

Tickets available December 11 at CICTheater.com

REVIEW: Hey Mary! Christmas With Rudolph the Red Hosed Reindeer Through 12/30

Chi IL Live Shows On Our Radar: 

Old School Drag Delight, 20th Season of Rudolph the Red Hosed Reindeer  Classic Camp

All Photos by Rick Aguilar Studios

Review:
Come out of the closet and into the attic, Hamburger Mary's attic that is. On opening night drag queens on roller skates were camping it up in the ground floor burger joint, while upstairs, a hilarious holiday musical tradition hit the double decades mark. It was a hoot to catch opening night as the audience was filled with Hell in a Handbag celebs and divas from their other hit shows. Everyone is welcome, gay... straight... non binary... crossdressing... LGBTQ... LPGA... 



This parody of, you guessed it, the animated Rudolph Christmas classic is ripe for high camp and Hell in a Handbag kills it. I have friends that have come to this show annually for years, but I was a Mary's Attic virgin. The show was every bit as kitschy as I'd expected from King of Camp, David Cerda, and the upstairs bar had an impressive selection of drinks. 

The script has been updated to lampoon current political figures and events (Melania's holiday twigs decor makes a cameo!) with Trump's over the top crazy front and center. Expect a jilted, alcohol soaked ex on the prowl, a slightly incestuous hybrid Ivana/Ivanka, and even Kellyanne "Conjob". I must know where Mrs. Claus gets her collection of holiday themed polyester babydoll dresses!





Of course, leave the littles home for this one unless you want them traumatized by santa in a g-string, drunken cougar ex Mrs. Claus, the abominable drag beast who abducts people and makes them listen to her sing, and other assorted sordid characters, but it's great fun for the 21+ set. We adored "Yukon Cornelia" (who claimed to be straight), crossdressing Rudolph (so adorable I want to adopt him and raise him as my own), gender fluid metal chick Clarice, Herbie the not gay enough elf, the "mean girls" elves, the island of misfit toys, and of course the hilarious snowman narrator.


Rudolph (Graham Thomas Heacock) upstaging the also adorable Herbie (Kristopher Bottrall)

Overall, the message is much like the original, it's OK to be different. Friends and allies can be found in unlikely places. And sometimes you have to run away before your family can appreciate the true you.

Back by Popular Demand!

Hell in a Handbag Productions Presents the Holiday Hit

RUDOLPH THE RED-HOSED REINDEER 2017

By David Cerda

Co-Directed by Becca Holloway & AJ Wright

November 25 – December 30, 2017 at Mary’s Attic

Hell in a Handbag Productions is pleased to conclude its 15th Anniversary Season with its most popular show ever: the holiday hit RUDOLPH THE RED-HOSED REINDEER 2017 by David Cerda*, co-directed by Becca Holloway and AJ Wright*. Handbag’s irreverent parody of the 1967 Rankin Bass children’s television special will play November 25 – December 30, 2017 at Mary’s Attic, 5400 N. Clark St. in Chicago’s Andersonville neighborhood. Tickets are on currently available at www.handbagproductions.org (through Brown Paper Tickets) or by calling (800) 838-3006.

RUDOLPH THE RED-HOSED REINDEER will feature Graham Thomas Heacock as Rudolph, Kristopher Bottrall* as Herbie, Allison Petrillo as Jane Donner, Chase Wheaton-Werle as Tom Donner, Michael Hampton as Santa, Tommy Bullington as Mrs. Claus, Sydney Genco* as Elfina, Colin Funk as Spike, Michael Rawls as Score, Josh Kemper as Coach Comet, Lori Lee* as Yukon Cornelia, Terry McCarthy* as Connie Blitzen, David Cerda* as Gladys Dasher, Christea Parent* as Clarice and Matthew Sergot as Sam the Snowman.

Chicago’s favorite cross-dressing reindeer is back and he’s 20 years old! RUDOLPH THE RED-HOSED REINDEER had its first reading in 1996 and has evolved into one of Chicago’s most popular anti-holiday, holiday shows. Join Rudolph and all of his misfit friends as they struggle with fitting in and being ‘normal’ in an increasingly abnormal world. Playwright David Cerda* always adjusts the show to fit the current social climate. 

The production team for RUDOLPH THE RED-HOSED REINDEER includes: Roger Wykes (set design), Kate Setzer Kamphausen (costume design), Cat Wilson* (lighting design), Ralph Loza (sound design), Adrian Hadlock* (props design), Lauren Griffith (choreography), Keith Ryan* (wig design), Sydney Genco* (make-up design) JD Caudill* (music director) and Drew Donnelly (stage manager).

*Denotes Hell in a Handbag Ensemble Members

Cast (in alphabetical order): Kristopher Bottrall* (Herbie), Tommy Bullington (Mrs. Claus), David Cerda* (Gladys Dasher), Colin Funk (Spike), Sydney Genco* (Elfina), Michael Hampton (Santa), Graham Thomas Heacock (Rudolph), Josh Kemper (Coach Comet), Lori Lee* (Yukon Cornelia), Terry McCarthy* (Connie Blitzen), Christea Parent* (Clarice) Allison Petrillo (Jane Donner), Michael Rawls (Score), Matthew Sergot as (Sam the Snowman) and Chase Wheaton-Werle (Tom Donner).

Location: Mary’s Attic, 5400 N. Clark St., Chicago
Dates: Previews: Saturday, November 25 at 7:30 pm, Sunday, November 26 at 7:30 pm and Thursday, November 30 at 7:30 pm
Regular run: Thursday, December 7 – Saturday, December 30, 2017

Curtain Times: Thursday, Fridays and Saturday at 7:30 pm; Sundays at 6 pm. Please note: there will not be performances on Saturday, December 2, Sunday, December 3 or Sunday, December 24 (Christmas Eve); there will be an added performance on Wednesday, December 20 at 7:30 pm.

Tickets: Previews $13. Regular run $25 in advance, $30 at the door. VIP tickets with cocktail $40 and up. Group rates $20 for 10 or more. Tickets are currently on sale at www.handbagproductions.org (through Brown Paper Tickets) or by calling (800) 838-3006.

About the Creative Team

David Cerda (Playwright) is the Jeff Award winning co-founder and Artistic Director of Hell in a Handbag Productions. He has written and appeared in POSEIDON! An Upside Down Musical (Jeff Recommended), The Birds, Rudolph the Red-Hosed Reindeer, SCARRIE The Musical, Caged Dames (Jeff Recommended), Lady X, How Whatever Happened to Baby Jane Happened, TROGG! A Rock and Roll Musical, Christmas Dearest (Jeff Recommended), Scream, Queen! SCREAM!, The Rip Nelson Halloween Spooktacular, Sexy Baby (Jeff Award Nomination – Best New Work), Lady X: The Musical (Jeff Recommended) and his new hit, The Golden Girls: The Lost Episodes. His plays have been produced around the country. He has also worked as a songwriter/lyricist with Amazon Films on an animated project and as an actor with various theater companies throughout the city of Chicago. Cerda was recently inducted into the Chicago Gay and Lesbian Hall of Fame for his contributions to Chicago theatre.

Becca Holloway (Co-Director) is thrilled to be working with Hell in a Handbag again after assistant directing Bewildered this past fall. Directing credits include: 44 Plays for 44 Presidents (Oil Lamp Theatre) and Buried in the Bahamas (Artistic Home). Becca has also had opportunities to work around Chicago and surrounding areas with: The Comrades, Refuge Theatre Project and Big Noise Theater. Stay tuned for her choreography in Brown Paper Box Co.'s Speech and Debate this February.

AJ Wright (Co-Director) is a proud ensemble member with Hell in a Handbag Productions. Directing credits with Handbag include: Caged Dames (Jeff Recommended), Christmas Dearest (Jeff Recommended), and Rudolph the Red-Hosed Reindeer (2011 & 2012). Around Chicago, AJ has also had the pleasure of directing/assistant directing with Kokandy Productions, Pride Films and Plays and Waltzing Mechanics.  You may also recognize AJ from his work as an actor in Handbag’s Bewildered (Darrin G), The Golden Girls: The Lost Episodes (Blanche), Rip Nelson’s Holiday Spectacular (Peggy Lennon), Sexy Baby (Kyle Kennedy) and SCARRIE (Tommy Ross).  AJ holds a degree in theatre from Ball State University.

About Hell in a Handbag Productions
Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.

For additional information, visit www.handbagproductions.org.

Tickets On Sale December 3rd: T H E H U M A N S at Cadillac Palace 1/30/18-2/11/18

Chi IL Live Shows On Our Radar:

T H E H U M A N S

*WINNER* BEST PLAY - 2016 TONY AWARD

*WINNER* BEST PLAY - 2016 NEW YORK DRAMA CRITICS AWARD

*WINNER* BEST PLAY - 2016 DRAMA DESK AWARD

*WINNER* BEST PLAY - 2016 OUTER CRITICS CIRCLE AWARD

*WINNER* BEST PLAY - 2016 DRAMA LEAGUE AWARD

  

INDIVIDUAL TICKETS GO ON SALE

SUNDAY, DECEMBER 3

Broadway In Chicago is pleased to announce that individual tickets for the most acclaimed American play in recent memory,  The Humans, will go on sale Sunday, Dec. 3. The Humans plays Broadway In Chicago’s Cadillac Palace Theatre for a limited two-week engagement Jan. 30 – Feb. 11, 2018.

The cast of The Humans will feature Richard Thomas as Erik, Pamela Reed as Deirdre, Daisy Eagan as Brigid, Lauren Klein as Momo, Therese Plaehn as Aimee, and Luis Vega as Richard.

Garnering the most ecstatic reviews of any play in recent memory, and heralded in 2016 as “The Best Play of the Year” by The New York Times, New York Magazine, The Washington Post, The Chicago Tribune, The Record, Time Out New York, The Hollywood Reporter, Deadline, and The Wrap, the tour will feature the entire creative team from the Broadway production, led by Tony Award-winning director Joe Mantello and including Tony Award-winning scenic designer David Zinn, costume designer Sarah Laux, lighting designer Justin Townsend, and sound designer Fitz Patton.

The angst, anguish and amity of the American middle class are first coaxed–then shoved–into the light in this uproarious, hopeful, and heart-breaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate and give thanks at his daughter’s apartment in lower Manhattan. As darkness falls outside the ramshackle pre-war duplex, and eerie things start to go bump in the night, the Blake clan’s deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed, with humor and compassion, in this new American classic.

The Humans is the recipient of 4 2016 Tony Awards including Best Play (Author, Stephen Karam), Best Featured Actress in a Play (Jayne Houdyshell), Best Featured Actor in a Play (Reed Birney), and Best Scenic Design of a Play (David Zinn), 4 Drama Desk Awards including Outstanding Play, Outstanding Lighting Design of a Play (Justin Townsend), Outstanding Sound Design in a Play (Fitz Patton), and a 2016 Special Drama Desk Award for Outstanding Ensemble. In 2016, The Humans was named the Best Play of the Year by the New York Drama Critics’ Circle, the Outer Critics Circle, and the Drama League. The Obie Awards honored Stephen Karam with a 2016 Award for Playwriting and Jayne Houdyshell with a 2016 Award for Performance.

The Humans, a 2016 Pulitzer Prize Finalist, is Stephen Karam's second play commissioned by Roundabout Theatre Company, following his Pulitzer Prize Finalist Sons of the Prophet (his first Roundabout commission; 2011) and the hugely acclaimed premiere of Speech & Debate (2007).

The Humans is produced by Scott Rudin, Barry Diller, Fox Theatricals, James L. Nederlander, Roy Furman, Jon B. Platt, Eli Bush, The John Gore Organization, Jack Lane, Barbara Whitman, Jay Alix & Una Jackman, Sonia Friedman, Amanda Lipitz, Peter May, Stephanie P. McClelland, The Shubert Organization, Diana DiMenna. Joey Parnes, Sue Wagner, and John Johnson serve as Executive Producers.

www.TheHumansOnBroadway.com  
www.twitter.com/TheHumansPlay  



PERFORMANCE SCHEDULE
Tuesdays at 7:30PM
Wednesdays 7:30PM (Added 2PM matinee on Feb. 7)
Thursdays at 7:30PM
Fridays at 7:30PM
Saturdays at 2:00PM & 8:00PM
Sundays at 2:00PM (Added 7:30PM performance on Feb. 4)

TICKET INFORMATION
Individual tickets for The Humans range from $25 - $98. A select number of premium seats are also available for many performances. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710. Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000 and online at www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 17 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theatre District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, Oriental Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place as well as presenting Broadway shows at The Auditorium Theatre of Roosevelt University.  For more information, visit www.BroadwayInChicago.com.

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