OPENING: XANADU, AT AMERICAN THEATER COMPANY

AMERICAN THEATER COMPANY OPENS

XANADU

A TRIBUTE TO LATE ARTISTIC DIRECTOR PJ PAPARELLI

DIRECTED BY LILI-ANNE BROWN

NOW PLAYING THROUGH JULY 17, 2016

Chi, IL LIVE Shows On Our Radar:

Livin' in the 80's?! Come on out and get your neon and quad rollers fix. Tonight ChiIL Mama will be ChiILin' at ATC, for their live, stage version of XANADU. I prepped for the occasion with a family movie night with my husband who vaguely remembered it and my teens who had never seen it. XANADU came out when I was 13 and my husband was 15 -- exactly the ages our kids are now. It was a fun trip through the waaaaay back machine, especially since the movie recreates both the 40's and 80's. I can't wait to see American Theater Company's take on it, in memory of one of their inspirations, PJ Paparelli. Maybe he's hangin' on the other side with Zeus and the muses today?! I wouldn't be surprised.

Xanadu takes place in Venice, California in 1980. Struggling artist Sonny Malone seeks to create his own version of the American dream by renovating an abandoned warehouse into a venue for world-class entertainment – a roller disco! A hilarious and modern update of the1980’s camp classic, Xanadu celebrates the artist’s muse, even when it comes from the most unlikely of places.

Xanadu Performance Schedule:

Regular Run: June 7–July 17: Tuesday–Saturday evenings at 8 p.m. with matinees on Saturdays and Sundays at 2 p.m.

American Theater Company (ATC) opens musical comedy Xanadu, the final production of its Legacy Season, this Sunday, June 5. Presented as a tribute to ATC’s late Artistic Director PJ Paparelli—a not-so-secret fan of this camp classic—Xanadu is directed by Lili-Anne Brown and runs at ATC now through July 17, 2016. The production has music and lyrics by Jeff Lynne and John Farrar and a book by Douglas Carter Beane, based on the 1980 Universal Pictures film of the same title.

Single tickets for Xanadu range from $48-$58. Student tickets are available for $15 with valid student ID in-person at the Box Office. More information and tickets are available by visiting the ATC Box Office at 1909 W. Byron Street, by calling 773-409-4125 or visiting www.atcweb.org. 

The cast for ATC’s tribute production of Xanadu includes Missy Aguilar (Calliope), Kasey Alfonso (Erato) Karla L. Beard (Melpomene), Jim DeSelm (Sonny), Landree Fleming (Kira), Aaron Holland (Danny Maguire, Zeus), Michelle Lauto (Kira U/S & Swing), Hanah Rose Nardone (Euterpe), James Nedrud (Terpsichore/Sonny cover), Daniel Spagnuolo (Thalia/Danny cover), and Cameron Turner (Swing).

As the final event of its season-long Legacy Campaign, ATC will host a special performance of Xanadu on Wednesday, June 8 at 8 p.m. The event features a post-show reception and talk-back with actress Katie Hanley who, among other theater and film credits, appeared in the 1980 Universal Pictures film Xanadu, and on Broadway as “Marty” in the original 1972 production of Grease. Hanley will be joined by native Chicagoan Jim Jacobs, co-creator of the musical Grease and ATC’s Legacy Campaign chairman. Tickets are $75 for a single ticket and $125 for a pair. Proceeds from the campaign are dedicated to developing and producing new work and providing free education programming to Chicago Public High School students. To purchase tickets for this special Xanadu evening, visit www.atcweb.org or call 773-409-4125.

ARTIST BIOS

Missy Aguilar (Calliope) most recently appeared as Baby Rose in Babes in Arms, Oolie/Donna in City of Angels with Porchlight Music Theatre and U/S Ivy (performed) in The Man Who Murdered Sherlock Holmes with Mercury Theatre. Last spring and summer she was happy to spend on the pier at Chicago Shakespeare Theater with Disney’s The Little Mermaid (Atina/Ensemble, U/S Ursula), and Sense and Sensibility: A New Musical (U/S Fanny/Mrs. Jennings, performed). Ms. Aguilar’s other recent Chicago area credits include: Women on the Verge of a Nervous Breakdown (Ivan’s Concierge, U/S Lucia) and The Beverly Hillbillies (Cousin Pearl/Gloria) with Theatre at the Center; Les Miserables (Ensemble & U/S Mdme. Thenadier) with Drury Lane; Nunsense (Sister Hubert) with Fox Valley Repertory; and In The Heights (Ensemble & U/S Abuela Claudia) with Paramount Theatre.

Kasey Alfonso (Erato) makes her ATC debut. Chicago credits include: West Side Story, Rent and In The Heights (Paramount Theatre); Seussical (Chicago Shakespeare); Iphegenia in Aulis (Court Theatre); Wonderland (Chicago Children’s Theatre); Carrie: The Musical (Bailiwick Chicago); and Smokey Joe’s Café (Theo Ubique). She also stars as Kid Zhuyin in the web series The Adventures of Jacketmen. Ms. Alfonso is a proud graduate of the Chicago College of Performing Arts.

Karla L. Beard (Melpomene) returns to ATC after appearing in Rent. She has appeared in Second City productions of What the Tour Guide Didn’t Tell You in the Up theatre, Soul Brother, Where Art Thou, Rush Limbaugh! The Musical, The Absolute Best Frigging Time of Your Life on the ETC stage, an assortment of Second City BizCo productions, several episodes of Chicago Live! and briefly in The Second City Guide to the Opera and Let Them Eat Chaos. TV/Film credits: Chicago PD, Empire, Mind Games and a variety of commercials. Other credits include: Mamma Mia! (National Tour); Doubt and Little Shop of Horrors (Peninsula Players); Sunday in the Park with George, Anyone Can Whistle and Princess and the Black-eyed Pea (Ravinia); The Amen Corner (Goodman Theatre and Huntington Theatre); The Piano Lesson (Madison Repertory Theatre; artist and music director); Miss Saigon and Hot Mikado (Marriott Lincolnshire); Ain’t Misbehavin’ (Arkansas Repertory); and Ragtime (Porchlight Theater). Ms. Beard received Jeff Nominations for her portrayals of the title character in the Midwest premiere of Dessa Rose, TiMoune in Once on This Island and Young Barbara Jordan in Voice of Good Hope at Victory Gardens.

Jim DeSelm (Sonny) makes his ATC debut. Chicago area credits: West Side Story and Beaches (Drury Lane Oakbrook); Road Show (Chicago Shakespeare Theater); James Joyce’s The Dead (Court Theatre); Fiddler on the Roof (Paramount Theatre); South Pacific (Marriott Theatre); Godspell and Jesus Christ Superstar (Theatre at the Center); Juno (TimeLine Theatre Company); A Catered Affair (Porchlight Music Theatre); Parade and Floyd Collins (Boho Theatre; Jeff Award Nomination - Actor/Musical); The Mikado (The Hypocrites); The Last Five Years (Kokandy Productions, Jeff Award Nomination - Actor/Musical); and Pump Boys & Dinettes (Theo Ubique Cabaret Theatre, Jeff Nomination - Music Direction). Regional Credits include: Snapshots (Village Theatre/Arizona Theatre Company); Oklahoma!, Once Upon A Mattress and Plain & Fancy (Round Barn Theatre). Television credits include Chicago P.D. (NBC) and Double Cross (Investigation Discovery).

Landree Fleming (Kira) makes her ATC debut. She was most recently seen as Penny in Hairspray (Paramount Theatre). Other Chicago credits include: Seussical (Marriott Theatre); Spelling Bee (Drury Lane Theatre, Griffin Theatre, Theatre at the Center); Gypsy (Chicago Shakespeare Theater); Godspell (Theatre at the Center); She Kills Monsters (u/s, Buzz22); Reefer Madness (Circle Theatre, Jeff Nomination - Best Actress); and The Giver (Adventure Stage Chicago). Ms. Fleming is a member of musical sketch comedy group Off Off Broadzway. She is represented by Gray Talent.

Aaron Holland (Danny Maguire, Zeus) returns to ATC. Recent Chicago credits include: SISTER ACT! (Marriott); Seussical! (Chicago Shakespeare Theater); Hair (American Theater Company); The Color Purple (Mercury Theatre); A Christmas Carol (Goodman Theatre); Goodnight Moon and Dot & Ziggy (Chicago Children’s Theatre); and Passing Strange (Bailiwick Chicago). TV credits: Chicago Med. Mr. Holland received a BFA in Theatre Performance from Virginia Commonwealth University.

Michelle Lauto (Kira U/S & Swing) makes her ATC debut. Favorite credits include the Chicago premieres of Murder Ballad (Bailiwick Chicago), 35mm (Circle Theatre) and The Boy From Oz (Pride Films & Plays). Ms. Lauto is a proud graduate of The Second City Training Center Conservatory.

Hanah Rose Nardone (Euterpe) makes her ATC debut. Chicago credits include: Bye Bye Birdie and White Christmas (Drury Lane Oakbrook); The Little Mermaid (Chicago Shakespeare Theater); and The Wild Party, Thoroughly Modern Millie, Ripper and Spring Awakening (CCPA at Roosevelt University). Regional credits include: 42nd Street, Big River, Legally Blonde and The Sound of Music (The Little Theatre on the Square); Guys and Dolls, Boeing Boeing, Footloose and Cabaret (Timber Lake Playhouse). Ms. Nardone recently received her BFA in Musical Theatre from The Chicago College of Performing Arts at Roosevelt University.

James Nedrud (Terpsichore/Sonny cover) makes his ATC debut. Recent credits include: Angry Fags (Pride Films and Plays at the Steppenwolf Garage); Mary Poppins (Paramount Theatre, Aurora); Les Miserables (Drury Lane Theatre, Oak Brook); Applause (Porchlight Revisits); WOZ: A Rock Cabaret (Kim Lawson at Victory Gardens); Three Little Pigs (Emerald City); and Under a Rainbow Flag (Pride Films and Plays; Jeff nomination for best supporting actor in a musical). He has also worked with Chicago Shakespeare Theater, About Face Theatre and Bohemian Theatre Ensemble, among others. Mr. Nedrud is a proud graduate of the Chicago College of Performing Arts and member of Pride Films and Plays.

Daniel Spagnuolo (Thalia/Danny cover) has worked at The Paramount Theatre, Porchlight Music Theatre, ProfilesTheatre, Boho Theatre Ensemble, The Little Theatre on the Square, and Light Opera Works. Danny’s choreography credits: Rent (Theo Ubique Cabaret); The Full Monty (Kokandy Productions; Non-Equity Jeff Award Nomination); Godspell and A New Brain (Brown Paper Box Co.; Broadway World Nominations); The Little Mermaid (Drury Lane Oakbrook); and Ruthless (Big Noise). Mr. Spagnuolo has served as assistant choreographer on such productions as A Funny Thing Happened on the Way to the Forum (Porchlight Music Theatre) and American Idiot (The Hypocrites).

Cameron Turner (Swing) makes his ATC debut. He is a Chicago-based actor/director/choreographer and proud graduate of The Chicago College of Performing Arts at Roosevelt University. Previous performance credits include: Jesus Christ Superstar (Theo Ubique Cabaret); DamnYankees and Annie Get Your Gun (Light Opera Works); and Les Miserables and A Chorus Line (Timber Lake Playhouse). Other Chicago credits include: 35MM: A Musical Exhibition (Director/Choreographer - Circle Theatre); The Boy From Oz (Choreographer - Pride Film & Plays); Jesus Christ Superstar (Asst. Choreographer - Theo Ubique Cabaret); and The Wild Party (Asst. Choreographer - Bailiwick Chicago).

Douglas Carter Beane’s (Playwright) plays include: The Nance, The Little Dog Laughed (Tony, Olivier nominations; GLAAD Media Award), Mr. & Mrs. Fitch, As Bees in Honey Drown (Outer Critics Circle, Gassner Playwriting awards), Advice From a Caterpillar, The Country Club, Music From a Sparkling Planet, The Cartells.  Musicals: Rodgers + Hammerstein’s Cinderella(Tony nom.), Sister Act (Tony nom.), Lysistrata Jones (Tony nom.), Xanadu (Tony nom.; Drama Desk, Outer Critics Circle awards). Revues: White Lies; Mondo Drama; The Late, Late Show. Opera: Die Fledermaus (Met). Screenplays: To Wong Foo, Thanks For Everything! Julie Newmar; Advice From a Caterpillar (Best Feature, Aspen Comedy Festival).  Producer: 21 plays as founder and artistic director of New York’s Drama Dept. Member of the Dramatists Guild and is on the Playwrights Walk of Fame at the Lucille Lortel Theatre.

Jeff Lynne (Music and Lyrics) is a founding member of the Electric Light Orchestra, or ELO, whose discography includes five platinum-selling albums: Face the Music, A New World Record, Out of the Blue, Discovery, and Xanadu. In addition to his recording work with the ELO, Lynne co-produced studio albums by George Harrison (Cloud Nine), Roy Orbison (Mystery Girl), Tom Petty (Full Moon Fever), Ringo Starr (Time Takes Time), and Paul McCartney (Flaming Pie). He co-founded the "supergroup," the Traveling Wilburys, with Tom Petty, Roy Orbison, Bob Dylan, and George Harrison. Lynn co-wrote and produced the track "Let It Shine" for Beach Boy Brian Wilson's debut solo album in 1988.

John Farrar (Music and Lyrics) is a music producer, guitarist, singer, and former member of the British rock group, The Shadows. He worked extensively with Olivia Newton-John, producing fourteen of her albums and writing many of her hit singles, including "You're the One That I Want" (Golden Globe nom.), "Hopelessly Devoted to You" (Academy Award nom.), and "Have You Never Been Mellow." He co-wrote with Tim Rice songs for the 1995 musical, Heathcliff, and collaborated with Francis Ford Coppola to create songs for a new musical, Gidget.

Lili-Anne Brown (Director) is the Artistic Director of Bailiwick Chicago. She received the Joseph Jefferson Award in 2014 (Direction of a Musical) for her direction of Ahrens & Flaherty's Dessa Rose. Other directing credits include: Michael John LaChiusa's See What I Wanna See (Steppenwolf Theatre Garage Rep), the critically acclaimed Chicago premiere of Passing Strange (BTA Award for Best Director of a Musical, Jeff Award nomination for Best Director of a Musical), and the world premiere of Princess Mary Demands Your Attention by Aaron Holland, for Bailiwick Chicago; On the Boards and Hearts of Darkness at Roosevelt University; and Hairspray, Unnecessary Farce, Cabaret, Sweet Charity, The 25th Annual Putnam County Spelling Bee, and Buddy: The Buddy Holly Story, all at Timber Lake Playhouse, where she is an Artistic Associate. Upcoming next season: American Idiot at Northwestern University and Jabari Dreams of Freedom by Nambi Kelley at Chicago Children's Theatre. She works as an actor, director and educator, both locally and regionally, and is a member of Actors’ Equity Association and SAG-AFTRA, and an associate of SDC. Lili-Anne is a Northwestern University graduate (Performance Studies), and a proud native Chicagoan.

About American Theater Company

American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.

American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.

REVIEW: Shakespeare 400 Continues With I, Malvolio and Tug of War at Chicago Shakespeare Theatre

Tonight, ChiIL Mama will be ChiILin' out at The Chicago Shakespeare Theatre with England's hilarious Tim Crouch. As I've mentioned many times before, Twelfth Night has been a favorite of mine since I was in the show myself in college. As many wildly varied adaptations as I've seen, I can't say I've ever seen it done as an hour long solo show from Malvolio's point of view. I'm very much looking forward to it. Get your tickets fast, as this is a short one week run.

I, Malvolio | Tim Crouch Theatre at Chicago Shakespeare Theater | Photo by Bruce Atherton and Jana Chiellino

Shakespeare 400 Chicago continues with 

Celebrated UK theater-maker, Tim Crouch’s reimagining of Twelfth Night

Hilarious and thought-provoking rant by Twelfth Night's slandered steward

5 performances only as part of Shakespeare 400 Chicago, June 2–5

On the occasion of the 400th Anniversary of Shakespeare’s legacy in 2016, Chicago Shakespeare Theater welcomes one of Britain’s most innovative and respected theater makers, Tim Crouch, in his inventive one-man show 
I, Malvolio as part of the Shakespeare 400 Chicago festival line-up. Following the international success of Crouch’s I, Caliban, I,Peaseblossom and I, Banquo—a collection of plays shedding light on some of Shakespeare’s more shadowy characters—I, Malvolio plucks the pompous steward out of Shakespeare’s  Twelfth Night and unravels a hilarious and thought-provoking story of cruelty, self-hatred and revenge. 

Conceived, written and performed by Crouch and designed by Olivier Award-winner Graeme Gilmour, I, Malvolio is performed in the theater Upstairs at Chicago Shakespeare for five performances only, June 2–5, 2016.  

Performance Listing

Thursday, June 2 – 7:30 p.m.
Friday, June 3 – 7:30 p.m.
Saturday, June 4 – 3:00 p.m. and 8:00 p.m.
Sunday, June 5 – 2:00 p.m.

For more information about the production, visit www.chicagoshakes.com/malvolio.

Reimagining the much-maligned steward pining for his mistress in Shakespeare’s Twelfth Night, I, Malvolio is a charged, hysterical and sometimes unsettling rant from a man adrift in front of a cruel audience. Crouch’s Malvolio asks the audience to explore the delight we take in other people’s suffering. Part clown, part theater-hating disciplinarian, Malvolio is ultimately a man sorely wronged. Both heart-breaking and ingenious with a crass sense of humor, I, Malvolio takes the audience on a one-hour ride, humanizing the character with raw honesty.

The Guardian gives I, Malvolio five stars—saying “Tim Crouch is at the top of his game, sharing a text that plays as much with intelligence as slapstick.” 

The New York Times declares “I, Malvolio improbably finds its own delicate sweet (and sour) spot between comedy and self-subverting analysis.” 

The Times (UK) praises “this is a treasure…Immaculate, moving, funny, wise.” 

Crouch’s Malvolio is described by the Scotland Herald as “a pompous ass who falls somewhere between the buffoonery of Boris Johnson, the absurdism of Vic Reeves and the misguided self-importance of the late Princess Diana’s former butler Paul Burrell.” 

The production has amused and affected audiences on stages around the globe in Sydney, Singapore and New York. Described as “one of the smartest artists making theatre in Britain now” by Kulturflash, Tim Crouch is a multi-talented theater maker who writes, performs and produces new work. Crouch’s work is noted for rejecting theatrical conventions and for engaging the audience in an active role during the performance. He has collaborated with some of the UK’s finest theater companies, including the Royal Shakespeare Company, the National Theatre, the Royal Court Theatre and the British Council. 

Currently, he is adapting and directing Spymonkey’s highly anticipated premiere of The Complete Deaths, which will be presented by Chicago Shakespeare as part of Shakespeare 400 Chicago, November 30–December 11, 2016.

More of ChiIL Mama's ChiIL Picks List:

Chi, IL Live Shows On Our Radar 

REVIEW:  

Tug of War is a 6 hour epic and we highly recommend it! The live band on stage, melding of anti war ballads, and tales of soldiers, kings, passion and power plays makes this production a must see. I never thought I'd hear Pink Floyd ballads and Shakespeare sharing a stage! Chicago Shakespeare makes it work and then some. Ancient history comes alive and it's stunning how little has truly changed in the world in over 400 years. The "Tug of War" is indeed mighty and nearly inescapable. 

We particularly loved the minimalist set design reminiscent of tire swings, junk yards, and children's playground games like capture the flag and king of the hill. The costume design was also fantastically ragtag and we adored the kings' capes with their names running around the bottom hem and their likenesses on their backs. This production is highly entertaining and a fabulous alternative to binge watching TV at home. Try out this historical Game of Thrones. There's something cathartic about seeing so much live theatre for hours on end that has to be experienced at least once.

Take a day for this full on Shakespeare immersion. Great for an adult day out or for families with tweens and up. My 15 year old son has now completed the Chicago theatre trifecta with me in the last couple of years. Together we enjoyed the award winning 12 hour All Our Tragic by The Hypocrites, the 9 hour Hammer Trinity by House Theatre and now Chicago Shakespeare Theatre's Tug of War. This show makes ChiIL Mama's ChiIL Picks List. Highly recommended.

THE PLAY:

Get ready for the ultimate game of thrones... Artistic Director Barbara Gaines takes us on a riveting gallop through two centuries, distilling six Shakespeare masterworks into two action-packed dramas that trace the rise and fall of kings, and the uncommon courage of common men. Power plays, ego, lust, humor and, yes, even love: no writer surpassed Shakespeare in portraying the forces that drive leaders to war—or the wisdom and valor of the common soldier. Twenty-two actors including a four-member band, form the company that will satisfy your craving for a multi-episode immersion into some of the most brilliant stories of the cyclical human condition. The adventure begins with Edward III, Henry V and Henry VI, Part 1 in Foreign Fire, where France is the prize. The action continues in Fall 2016 when turmoil seizes England in Tug of War: Civil Strife.

This fabulous, free program has been a favorite of ours since it's inception. Bring a picnic, a chair and as many friends, neighbors and family members as you can rally. Shakespeare in the Parks is a multigenerational must see and great for Chicago's communities. ChiIL Mama will be there... will YOU?! Highly recommended. ChiIL Mama's ChiIL Picks List: Family Friendly Fun for all ages.

ABOUT CHICAGO SHAKESPEARE THEATER
Chicago Shakespeare Theater (CST) is a leading international theater company and the recipient of the Regional Theatre Tony Award®. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to creating extraordinary production of classics, new works and family programming; to unlocking Shakespeare’s work for educators and students; and to serving as Chicago’s cultural ambassador through its World’s Stage Series. Through a year-round season encompassing more than 650 performances, CST attracts 225,000 audience members annually. One in four of its audience members is under eighteen years old, and today its education programs have impacted the learning of over one million students. CST is proud to take an active role in empowering the next generation of literate, engaged cultural champions and creative minds. During 2016, CST has spearheaded the Shakespeare 400 Chicago festival in addition to announcing the creation of an innovative performance venue, The Yard at Chicago Shakespeare. www.chicagoshakes.com

ABOUT SHAKESPEARE 400 CHICAGO
Shakespeare 400 Chicago is a yearlong international arts festival in 2016 celebrating the vibrancy, relevance and reach of Shakespeare. As the world commemorates the four hundred years since Shakespeare’s death in 1616, Shakespeare 400 Chicago engages more than 500,000 Chicagoans and visitors to the City through 850 events. Spearheaded by Chicago Shakespeare Theater and with leading support from the Julius Frankel Foundation, John D. and Catherine T. MacArthur Foundation and the Pritzker Military Museum & Library, this quadricentennial celebration is anticipated to be the world’s largest and most comprehensive celebration of Shakespeare’s enduring legacy. Current and upcoming highlights include: Chicago Shakespeare Theater’s production of Tug of War: Foreign Fire, adapted and directed by Artistic Director Barbara Gaines (ongoing to June 12); CST’s Chicago Shakespeare in the Park production of Twelfth Night (July 14–August 14); David Carl in NY Fringe Festival hit, Gary Busey’s One Man Hamlet (July 12–17) and the Shakespeare’s Globe production of The Merchant of Venice starring Jonathan Pryce (August 4–14).www.shakespeare400chicago.com

OPENING: Constellations at Steppenwolf

Chi, IL LIVE Shows On Our Radar:

ENSEMBLE MEMBER JON MICHAEL HILL AND JESSIE FISHER STAR

IN THE CHICAGO PREMIERE PRODUCTION OF 

CONSTELLATIONS

WRITTEN BY NICK PAYNE

DIRECTED BY JONATHAN BERRY

MAY 26 – JULY 3, 2016 IN THE UPSTAIRS THEATRE

A BEAUTIFUL PLAY ABOUT ONE RELATIONSHIP AND INFINITE POSSIBILITIES

Tonight ChiIL Mama will be ChiILin' out at Steppenwolf Theatre Company’s Chicago premiere production of Constellations, the 80-minute, award-winning hit by British playwright Nick Payne. Directed here by prolific Chicago director and Steppenwolf artistic producer Jonathan Berry, Constellations premiered at the Royal Court in London to rave reviews before transferring to the West End and Broadway. The romantic two-hander stars ensemble member Jon Michael Hill as Roland (CBS-TV’s Elementary, Steppenwolf’s Superior Donuts) and Jessie Fisher as Marianne (Once on Broadway, Chicago Shakespeare Theater’s Othello). Constellations begins previews May 26, 2016 and runs through July 3, 2016 in the Upstairs Theatre, 1650 N Halsted St. Tickets ($20 - $89; $35 tickets offered every Tuesday with code ‘TUESDAYS’) are available through Audience Services at 312-335-1650 and steppenwolf.org.

JUST ADDED—JON AND JESSIE SHOW OFF MUSICAL TALENTS 

IN 1700 THEATRE, JUNE 13 & 14

Audiences can see a different side of Jon and Jessie when they show off their musical talents for two nights only as part of the LookOut performance series in the 1700 Theatre. Hill performs with his Detroit-based band, Jon Michael Hill and The Wolves, bringing a smooth sounding mix of blues, country blues, hard rock and hip hop. Opening for his band is The Hellish Family Band, a roots, Americana duo led by local actors and real-life couple Jessie Fisher and Erik Hellman. LookOut performances take place Monday, June 13 at 8pm (doors open at 7:30pm) and Tuesday, June 14 at 9:30pm (doors open at 9pm), immediately following the performance of Constellations. Tickets ($12) are now on sale through Audience Services, 312-335-1650 and steppenwolf.org. Steppenwolf Black and Red Card members may use credits to book. LookOut is Steppenwolf’s new multi-genre performance series; for the complete LookOut lineup, visit steppenwolf.org/lookout.

About Constellations

Roland (a bee keeper) and Marianne (a theoretical physicist) meet at a party. In that single moment, an unfathomable multitude of possibilities unfold. Their chance meeting might blossom into a meaningful relationship or a brief affair: it might lead to nothing at all. Each step along those possible paths in turn offers a new series of potential outcomes: a marriage can exist alongside a breakup and a tragic illness can exist on a parallel plane to a happily ever after. In this clever, eloquent and moving story, Roland and Marianne’s romance plays out over a myriad of possible lifetimes, capturing the extraordinary richness of being alive in the universe. 

Production Info

Single tickets for Constellations are currently available through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org: Regular Run: $20 – $89. Prices subject to change. 

Twenty for $20: Twenty $20 tickets are available through Audience Services beginning at 11am on the day of each performance (1pm for Sunday performances). Discounts: $35 tickets available for every Tuesday with code ‘TUESDAYS.’ Rush Tickets: half-price rush tickets are available one hour before each show. Student Discounts: a limited number of $15 student tickets are available online. Limit 2 tickets per student; must present a valid student ID for each ticket. 

Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season, steppenwolf.org/groups. For subscription options, call 312-335-1650. 

Accessible performances include American Sign Language interpretation on Friday, June 17 at 7:30pm, Open Captioning on Saturday, June 25 at 3pm and Audio Description and Touch Tour on Sunday, June 26 (1:30 touch tour; audio-described performance at 3pm). For more information, visit steppenwolf.org/access.

Here at ChiIL Live Shows, we're also excited to announce Steppenwolf’s new café & bar, Front Bar: Coffee and Drinks, is now open. If it was up to me, every performance space in town would have an adjoining place to hang out before or after shows and grab a drink or a bite to eat. It's a stellar way to facilitate theatre conversations and a pleasant way to wait for friends or meet new ones. Front Bar is at 1700 N Halsted, which connects to the main theater building. Click HERE for menu and additional details. Guests can stop by before or after the show to grab a drink or light fare in Steppenwolf’s new Front Bar: Coffee and Drinks (www.front-bar.com). 

Parking/Transportation info is available here including valet parking ($14 cash) directly in front of the main entrance at 1650 N Halsted St. With last minute parking questions or concerns, call the Steppenwolf Parking Hotline: (312) 335-1774.

Bios

Nick Payne is a British playwright and screenwriter. Constellations opened at the Royal Court in 2012 and transferred to the West End where it received universally glowing reviews, won the Evening Standard Best Play Award and was nominated for an Olivier Award for Best New Play. In 2015, Constellations transferred to Broadway starring Jake Gyllenhaal and Ruth Wilson under the direction of Michael Longhurst. Payne received the prestigious George Devine Award in 2009 with his play, If There Is I Haven't Found It Yet, which was produced at the Bush Theatre in 2009 and went on to the Roundabout Theatre, starring Jake Gyllenhaal and directed by Michael Longhurst.

Jonathan Berry joined the Steppenwolf staff as Artistic Producer in June 2015. A prolific director, he began his work in Chicago as Steppenwolf’s Artistic Office intern in 1998, and has continued a strong relationship with the company. His Steppenwolf directing credits include Melinda Lopez's Gary for the First Look new play series and A Separate Peace for Steppenwolf for Young Adults, as well as assisting on The Weir, The Man Who Came to Dinner, Mother Courage and Her Children and This Is Our Youth. Since 2009, Berry has taught Viewpoints for the School at Steppenwolf. A company member of both Steep and Griffin Theatres, Berry has also directed for many Chicago companies, including Goodman Theatre, Remy Bumppo, Lifeline, The Gift, American Theatre Company and American Blues.

Jessie Fisher (Marianne) starred as the lead in Once on Broadway for the final year of its run. Chicago credits include Othello, The Heir Apparent and Short Shakespeare! The Taming of the Shrew (Chicago Shakespeare Theatre); Cabaret (Jeff Award, Best Actress in a Musical), Frankenstein (The Hypocrites); 33 Variations (TimeLine Theatre Company); The Pride, Abraham Lincoln Was a F*gg*t (About Face Theatre); The Original Grease, It’s a Wonderful Life (American Theatre Company); Of Mice and Men (Steppenwolf Theatre Company); These Shining Lives (Rivendell Theatre Ensemble); and Cloud 9 (The Gift Theatre), among others. She attended University of Colorado and is a graduate of the School at Steppenwolf.  

Jon Michael Hill (Roland) currently appears as ‘Detective Marcus Bell’ in the CBS-TV series, Elementary. He was nominated for a Tony Award and won an Outer Critics Circle and Theatre World Award for his role as ‘Franco Wicks’ in the Broadway production of Superior Donuts by Tracy Letts, a role which he originated at Steppenwolf. A Steppenwolf ensemble member since 2007, Hill has performed in many productions including The Hot L Baltimore, The Tempest, Kafka on the Shore and The Unmentionables. Additional television and film credits include Detroit 1-8-7, Eastbound and Down, Law & Order: Special Victims Unit and Person of Interest.

Constellations production team includes Joe Schermoly (scenic design), Izumi Inaba (costume design), Heather Gilbert (lighting design) and Christopher Kriz (sound design and original music). Additional credits include Christine D. Freeburg (stage manager), Tam Dickson (casting) and Hallie Gordon (artistic producer).

J.P.Morgan is the Corporate Production Sponsor of Constellations.

Currently playing in the 2015/16 Subscription Season is the world premiere of Mary Page Marlowe by ensemble member Tracy Letts, directed by artistic director Anna D. Shapiro, extended through June 5, 2016. Concluding the season is the Chicago premiere of Between Riverside and Crazy by Stephen Adly Guirgis, directed by ensemble member Yasen Peyankov (June 23 – August 21, 2016).

Steppenwolf’s 2016/17 Subscription Season includes the world premiere of Visiting Edna by David Rabe, directed by artistic director Anna D. Shapiro (September 15 – November 6, 2016); the world premiere of The Fundamentals by Erika Sheffer, directed by ensemble member Yasen Peyankov (November 10 – December 23, 2016); the Chicago premiere of The Christians by Lucas Hnath, directed by ensemble member K. Todd Freeman (December 1, 2016 – January 29, 2017); the Chicago premiere of Straight White Men, written and directed by Young Jean Lee (February 2 – March 19, 2017); the world premiere of Linda Vista by Tracy Letts, director TBA (March 30 – May 21, 2017); and the Chicago premiere of Hir by Taylor Mac, director TBA (June 29 – August 20, 2017).

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 46 actors, writers and directors. Beginning in 2016/17, Steppenwolf expands artistic programming to include a seven-play Season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a new multidisciplinary performance series. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and 12 Tony Awards. Anna D. Shapiro is the Artistic Director and David Schmitz is the Managing Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit www.steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

OPENING: Haven at Raven US PREMIERE OF THE DISTANCE

Chi, IL LIVE Shows On Our Radar:

HAVEN THEATRE COMPANY PRESENTS THE U.S. PREMIERE OF 

THE DISTANCE 

WRITTEN BY DEBORAH BRUCE AND DIRECTED BY ELLY GREEN, AT THE RAVEN THEATRE COMPLEX, MAY 20 – JUNE 26 

Tonight we'll be ChiILin' with Haven at The Raven for opening night of the US Premiere of The Distance. Check back soon for our full review. 

Haven Theatre Company announces the United States premiere of Deborah Bruce’s The Distance, directed by Elly Green, at the West Stage within the Raven Theatre Complex, 6157 N. Clark St., May 20 – June 26. The regular schedule is Thursday – Saturday at 8 p.m. and Sunday at 3:30 p.m. Regular run tickets are $28, senior/student/industry tickets are $14 and preview tickets are $10. You may purchase tickets and get more information at www.haventheatrechicago.com.

Good friends should be there for one another - no matter what. However, when Bea returns home to England after five years abroad, having made a bold choice about her life, old friends struggle to support her or even to understand. One night in Brighton, things threaten to slide into chaos...The Distance is a painfully funny play about motherhood and fatherhood, about keeping control and about letting go.

Cast for The Distance includes: Abigail Boucher (Bea), Allison Latta (Alex), Megan Kohl (Kate), Layne Manzer (Darragh), Patrick Gannon (Vinnie), Josh Odor (Man and Dewy U/S), Nik Kmiecik (Liam), Jon Beal (Vinne/Man U/S), Julie Dahlinger (Kate U/S), Adithi Chadrashekar (Alex U/S), Erin Rein (Bea U/S) and James C. Romney (Liam U/S).

The production team for The Distance includes: Elly Green (director), Emily Dillard (stage manager), Krista Mickelson (production manager), Anna Trachtman (asst. production manager), Alyssa White (asst. director), Joseph Schermoly (set designer), Rachel Sypniewski (costume designer), Claire Chrzan (lighting designer), Joe Court (sound designer), Stephen O’Connell (music composition), Archer Curry (props designer), Adam Goldstein (dialect coach), Cody Ryan (master electrician/ALD), Alan Weusthoff (technical director) and Justin Lance (digital marketer).

ABOUT PLAYWRIGHT DEBORAH BRUCE

Deborah Bruce is a celebrated theatre director with over 20 years of experience. She recently began writing and several of her works have been published by Nick Hern books. The Distance has recently been performed in Melbourne Australia, as well as enjoying a revival in the UK. It was a finalist in the 2012/13 Susan Smith Blackburn Prize. Bruce is currently writing an original drama for the BBC with Tanya Ronder. She has been commissioned to write plays for the National Theatre and The Royal Court in London. Other work Bruce has written include Joanne (Clean Break), Same (National Theatre) and Godchild (Hampstead Theatre Downstairs).

ABOUT DIRECTOR ELLY GREEN

Elly Green is a British freelance text-based theatre director based in Chicago who received her MFA in Theatre Directing at Birkbeck College, University of London from 2004-2006. Since moving to Chicago, she has directed for Sideshow Theatre Company, Strawdog Theatre Company, Trap Door Theatre, Stage Left Theatre, Redtwist Theatre, Theatre Seven, Livewire Theatre Company and assisted for the Court Theatre and Chicago Shakespeare Theatre. Her first production in the United States. was The TomKat Project at the Playground Theatre, which then transferred to the New York Fringe in 2013. 

Previously, Green worked as a freelance director in the United Kingdom for several years in London and in regional theatres, including the Royal National Theatre, Royal Court Theatre, AlmeidaTheatre and Royal & Derngate, Northampton. She has an equal passion for classic and contemporary material and for several years in London, worked as a director and producer for Brother Tongue, a company she co-founded which focused on producing new translations of European work.

ABOUT HAVEN THEATRE COMPANY

Haven Theatre Company, led by Artistic Director Josh Sobel and Executive Director and Founder Carol Cohen, is dedicated to nurturing empathy and passion in the Chicago community through championing artistic voices, visions and values that are staking their claim within the immediate future of the American Theatre. 

OPENING: Commedia dell’arte Comedy One Man, Two Guvnors at Court Theatre

Chi, IL LIVE Shows On Our Radar:

Court Theatre presents the Midwest Premiere of

One Man, Two Guvnors

by Richard Bean

based on The Servant of Two Masters by Carlo Goldoni

with songs by Grant Olding

directed by Artistic Director Charles Newell

Here at ChiIL Live Shows we adore the commedia dell’arte style and are eagerly anticipating this show. We'll be there tonight for the press opening. Check back soon for our full review.

May 12 – June 12, 2016

Court Theatre, under the leadership of Artistic Director Charles Newell and Executive Director Stephen J. Albert, presents the Midwest Premiere of Richard Bean’s One Man, Two Guvnors, based on Carlo Goldoni’s The Servant of Two Masters, with songs by Grant Olding and directed by Artistic Director Charles Newell. One Man, Two Guvnors runs May 12 – June 12, 2016 at Court Theatre, 5535 S. Ellis Avenue in Chicago. 

Regular Run: May 22 – June 12, 2016

Schedule: Wed & Thurs: 7:30 p.m.

Fridays: 8:00 p.m.

Saturdays: 3:00 p.m. & 8:00 p.m.

Sundays: 2:30 p.m. & 7:30 p.m.

Location: Court Theatre, 5535 S. Ellis Ave.

Tickets: $35-$45 previews

$45-$65 regular run

Box Office: Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org.

“This production continues Court’s exploration into works that enable our artists to revive, re-examine, and reconsider previous texts that are enduring,” comments Artistic Director Charles Newell. “Richard Bean’s play is an adaption of The Servant of Two Masters, Carlo Goldoni’s 18th century classic. The original is that rare thing: a wonderfully amusing piece of commedia dell’arte. This adaptation is a glorious comedy with an original mix of satire, songs, and physical comedy.”

Set in 1963 on the coast of Brighton, Francis Henshall is separately employed by two men: local gangster Roscoe Crabbe, and upper-class criminal Stanley Stubbers. Francis tries to keep the two from meeting and discovering his secret, but Roscoe is really Rachel Crabbe in disguise—her twin brother Roscoe was killed by her lover, who happens to be Stanley Stubbers! One man, two jobs. How hard could it be?

An incredible cast of Chicago actors come together for a rollicking jaunt through crooked schemes, cross-dressing twins, and general buffoonery in this riotous summer delight.

One Man, Two Guvnors features Elisa Carlson (Ensemble/Musician), Chaon Cross (Pauline Clench), Allen Gilmore (Lloyd Boateng), Alex Goodrich (Alan Dangle), Francis Guinan (Charlie Clench), Derek Hasenstab (Ensemble/Musician), Erik Hellman (Stanley Stubbers), Timothy Edward Kane (Francis Henshall), Elizabeth Ledo (Rachael Crabbe), Ross Lehman (Harry Dangle) and Hollis Resnik (Dolly).

About the Artists

CHARLES NEWELL (Director/Artistic Director) was awarded the SDCF Zelda Fichandler Award, “which recognizes an outstanding director or choreographer who is transforming the regional arts landscape through singular creativity and artistry in theatre.” Charlie has been Artistic Director of Court Theatre since 1994, where he has directed over 50 productions. He made his Chicago directorial debut in 1993 with The Triumph of Love, which won the Joseph Jefferson Award for Best Production. Charlie’s productions of Man of La Mancha and Caroline, or Change have also won Best Production Jeffs. Other directorial highlights at Court include Satchmo at the Waldorf, Agamemnon, The Secret Garden, Iphigenia in Aulis, The Misanthrope, Tartuffe, Proof, Angels in America, An Iliad, Porgy and Bess, Three Tall Women, Titus Andronicus, Arcadia, Uncle Vanya, Raisin, The Glass Menagerie, Travesties, Who’s Afraid of Virginia Woolf?, The Invention of Love, and Hamlet. Charlie has also directed at Goodman Theatre (Rock ‘n’ Roll), Guthrie Theater (The History Cycle, Cymbeline), Arena Stage, John Houseman’s The Acting Company (Staff Repertory Director), the California and Alabama Shakespeare Festivals, Juilliard, and New York University. He has served on the Board of TCG, as well as on several panels for the NEA. Opera directing credits include Marc Blitzstein’s Regina (Lyric Opera of Chicago), Rigoletto (Opera Theatre of St. Louis), Don Giovanni and The Jewel Box (Chicago Opera Theater), and Carousel (Glimmerglass Festival). Charlie was the recipient of the 1992 TCG Alan Schneider Director Award, and has been nominated for 16 Joseph Jefferson Director Awards, winning four times. In 2012, Charlie was honored by the League of Chicago Theatres with its Artistic Achievement Award.

ELISA CARLSON (Actor/Musician/US) holds a Bachelor’s degree in piano performance and theater from Indiana University. Elisa is currently a singer and multi-instrumentalist at Howl at the Moon Chicago, entertaining audiences nightly on the piano, violin, drums, and bass. In addition, she is an ensemble member of Barrel of Monkeys, a company member of Innervation Dance Cooperative, and a member of the Chicago-based band, Mechanical Animals. Elisa is also proud to be choreographing Seussical for the Dream Big Performing Arts Workshop this summer, and she is thrilled to be appearing alongside such incredible talent in this production of One Man, Two Guvnors. 

CHAON CROSS (Pauline Clench) Chicago credits include: The Wheel, The Cherry Orchard (Steppenwolf Theatre Company), Proof (Joseph Jefferson Award Nomination), Uncle Vanya, The Glass Menagerie, Scapin, The Romance Cycle, Phèdre (Court Theatre), Cyrano (Court Theatre and Redmoon Theater), As You Like It, Private Lives, Cymbeline, Troilus and Cressida, The Two Noble Kinsmen, The Taming of the Shrew (Chicago Shakespeare Theater), Macbeth (Lyric Opera of Chicago), Brothers Karamazov (Lookingglass Theatre Company) and Grace (Northlight Theatre). Regional credits include: Lady Windermere's Fan (Milwaukee Repertory Theater) and Pride & Prejudice (Cleveland Play House). TV credits: Chicago Fire (NBC), Boss (Starz) and Detroit 187 (ABC). Film credits: My Dog Skip (Warner Bros).

ALLEN GILMORE (Lloyd Boateng) returns to Court Theatre. He has previously been seen here in Scapin (M. Geronte; BTA nom), Cyrano (Cyrano De Bergerac), Endgame (Hamm), Sizwe Banzi  Is Dead (Sizwe Banzi; Jeff, BTA, Black Excellence noms), Jitney (Turnbo), The Misanthrope (Mlle Arsinoe), Tartuffe (Mme Pernelle), Seven Guitars (King Hedley), Waiting for Godot (Vladimir; Jeff, BTA, Black Excellence noms), and The Good Book (St. Paul and others). In 2014, he became the first black actor to perform the role of Scrooge in Goodman Theatre’s annual production of A Christmas Carol. Other favorite Chicago performances include Joe Turner’s Come and Gone (Bynum; Jeff, BTA noms) and The African Company Presents Richard the Third (Papa Shakespeare), both with Congo Square Theatre Company; Argonautika (Typhius) and Arabian Nights (Ishaak of Mosul), both with Lookingglass Theatre; and Rosencrantz and Guildenstern Are Dead (The Player; BroadwayWorld nom) with Writers Theatre. He is a 2015 3Arts prize awardee, a 2015 Lunt-Fontanne fellow, and a proud ensemble member of Congo Square.

ALEX GOODRICH (Alan Dangle) returns to Court Theatre where his credits include The Comedy of Errors. Other Chicago credits include Elf The Musical, On The Town, I Love You, You're Perfect, Now Change, HERO (Jeff Award), For the Boys, How Can You Run With A Shell On Your Back? (Marriott Theatre); Seussical, The Emperor’s New Clothes, Taming of the Shrew, Aladdin, A Midsummer Night's Dream, and How Can You Run..? (Chicago Shakespeare); The Explorers Club (Windy City Playhouse); Shining Lives, A Civil War Christmas, She Stoops to Conquer (Northlight); as well as shows at Next Theater, Timeline, Chicago Children’s Theater, and Provision Theater. 

FRANCIS GUINAN (Charlie Clench) is a member of the Steppenwolf Theatre Ensemble. With Steppenwolf he has appeared in over 30 productions, including East of Eden, The Night Alive, The Seafarer, The Birthday Party, Time Stands Still, American Buffalo, August: Osage County, Balm in Gilead, and Say Goodnight, Gracie. He has also appeared in productions at Northlight Theatre (White Guy on the Bus, Stella and Lou, Season’s Greetings, and Inherit the Wind), Victory Gardens Theatre (A Guide for the Perplexed), Goodman Theatre (Seagull, Pullman Porter Blues) and American Blues Theatre (Rantoul and Die), Route 66 Theatre (Goldfish). Television appearances include Boss in the role of Gov. Cullen; Eerie, Indiana; ER; Frasier; and several Star Trek franchise episodes. Film roles include appearances in Abundant Acreage Available, The Last Airbender, Typing, Low Tide, and Constantine. 

DEREK HASENSTAB (Actor/Musician) National Tour: Zazu in The Lion King. Regional: Doc in Come Back, Little Sheba (Huntington Theatre), Hermes in Metamorphoses (Arena Stage and Mark Taper Forum), and Tom in The Glass Menagerie (Kansas City Repertory). Chicago: Never The Sinner (Victory Gardens); October Sky (Marriott Lincolnshire); Road Show, Sunday In The Park With George (Chicago Shakespeare); Animals Out of Paper, Disappeared (Steppenwolf); Eastland (Lookingglass); The Game’s Afoot, The Foreigner (Drury Lane Oakbrook); Cloud Nine (After Dark Award), and A Home At The End Of The World (About Face Theatre).

ERIK HELLMAN (Stanley Stubbers) returns to Court Theatre after appearing in The Good Book, Tartuffe, The Misanthrope, Proof (Jeff Award Nomination - Supporting Actor), The Comedy of Errors, The Mystery of Irma Vep (Jeff Award Nomination - Lead Actor), Titus Andronicus, and Arcadia. Chicago credits include Luna Gale (Goodman); Marjorie Prime, Hesperia, and The Frog Prince (Writers’ Theatre); Shining Lives, The Commons of Pensacola, and Lost in Yonkers (Northlight); The Madness of  King George III, The Taming of the Shrew, Macbeth, and Edward II (Chicago Shakespeare); Honest, The Elephant Man, and Huck Finn (Steppenwolf);  Eastland (Lookingglass);  All My Sons (TimeLine); as well as shows at Next, Chicago Dramatists, Remy Bumppo, The House Theatre of Chicago, and as a company member of Strawdog. Outside of Chicago, Erik has appeared at Milwaukee Repertory, Geva, Syracuse Stage, Indianapolis Repertory, Shakespeare Santa Cruz, Houston’s Stages Repertory, and Off-Broadway at The Mirror Repertory.  Film/TV work includes The Dark Knight, The Chicago Code, Boss, Betrayal, Chicago Fire, and Chicago PD.

TIMOTHY EDWARD KANE (Francis Henshall) returns to Court Theatre having previously appeared in An Iliad (2013 & 2011), The Illusion, Wild Duck, Titus Andronicus, Uncle Vanya, The Romance Cycle, and Hamlet. Chicago credits include: Blood and Gifts (Timeline Theatre Company); Hamlet, Rosencrantz and Guildenstern Are Dead, Arms and the Man (Writers Theatre); The North Plan (Steppenwolf Garage); Lost in Yonkers, The Miser, She Stoops to Conquer (Northlight Theatre); and fourteen productions at Chicago Shakespeare Theatre including: The Comedy Of Errors, A Flea In Her Ear, Henry IV Parts 1 & 2 (CST and at the Royal Shakespeare Company, Stratford-Upon-Avon), and the upcomingTug of War: Civil Strife. Regional credits: The Mark Taper Forum, Notre Dame Shakespeare, Peninsula Players, and the Illinois Shakespeare Festival. TV: Chicago Fire. Education: BS, Ball State University; MFA, Northern Illinois University. He is the recipient of a Joseph Jefferson Awards and an After Dark Award. Kane is married to actress Kate Fry with whom he has two sons.

ELIZABETH LEDO (Rachel Crabbe) returns to Court Theatre where she previously appeared in The Secret Garden, Tartuffe (Jeff award), The Misanthrope, The Illusion, The Comedy of Errors, Titus Andronicus, Uncle Vanya, and The Real Thing. Chicago credits include: The Matchmaker, Boleros for the Disenchanted, and three seasons of A Christmas Carol (Goodman Theatre); Charm, and The Chalk Garden (Norhtlight Theatre); Le Switch, The Homosexuals, and Say you Love Satan (About Face Theatre); Issac’s Eye and Arms and the Man (Writers Theatre); A Midsummer Night’s Dream, As You Like It, Amadeus, and Funk it Up About Nothin’ (Chicago Shakespeare Theatre); The How and The Why (Timeline Theatre); Barefoot in the Park and The Odd Couple (Drury Lane Oakbrook); The Old Curiosity Shop (Lookingglass Theatre); Homebody/Kabul and Morningstar (Steppenwolf Theatre). Regional credits include: Richard III, Hamlet, The Merchant of Venice, The Comedy of Errors, and Romeo and Juliet (Shakespeare at Notre Dame); Arcadia (Indiana Repertory Theatre); and over 25 productions with Milwaukee Repertory Theatre, including Almost Maine, Anna Karenina, Wit, The Lonesome West, and The Clean House. Ms. Ledo is a graduate of Loyola University of Chicago.

ROSS LEHMAN (Harry Dangle) makes his Court Theatre debut. Ross Lehman’s Broadway credits include A Funny Thing Happened on the Way to the Forum, The Tempest, and One Flew Over the Cuckoo's Nest. Most recently, Ross was seen as Vanya in Vanya and Sonia and Masha and Spike at the Goodman Theatre, where he also appeared in Waiting for Godot, A Funny Thing Happened on the Way to the Forum (Jeff Award), The Rover, A Christmas Carol, and Stage Kiss. Ross last appeared at the The Marriott Theatre in Lincolnshire as Moonface Martin in Anything Goes. Earlier at the Marriott, he appeared in Hot Mikado, Hairspray, The Producers, and Fiddler on the Roof. At Chicago Shakespeare Theatre, he has been seen most recently as The Fool in King Lear. Among his other CST roles have been Jacques/As You Like It, Feste/Twelfth Night, Dudley Marsh and Dromio of Syracuse/The Comedy of Errors, Thersites/Troilus and Cressida, and Peto, Rumour, and Lord Hastings/Henry IV (at CST and on tour to the Royal Shakespeare Company, Stratford-upon-Avon). Steppenwolf Theatre Company credits: The Man Who Came to Dinner and One Flew Over the Cuckoo's Nest. At Apple Tree Theatre: A Man of No Importance (Jeff Award), The Dresser (After Dark Award), and Where's Charlie (Jeff Award). Writer’s Theatre credits: As You Like It and Bach at Leipzig. His reprise of his role as Koko in Hot Mikado in London’s West End production earned him a Laurence Olivier Award nomination. Ross just completed a year as an Artist in Residence at Loyola University.

HOLLIS RESNIK (Dolly) Court theatre productions include: Angels in America, Man of La Mancha, The Good Book, Little Foxes, Learned Ladies, The Cherry Orchard, The Chairs, Carousel, Travesties, An Ideal Husband, and many more. Hollis has also been seen at Goodman Theatre, The Marriott Theatre in Lincolnshire, Chicago Shakespeare Theatre, Northlight Theatre, Apollo Theater, Arena Stage, Indiana Repertory Theatre, Milwaukee Repertory Theater, Philadelphia Theatre Company, Alliance Theatre in Atlanta, Shakespeare Theatre Company, and Long Wharf Theatre. National tours include: Sister Act, Les Miserables, Dirty Rotten Scoundrels, and Thoroughly Modern Millie. Awards include the Helen Hayes Award, several Jeff Awards, and two Sarah Siddon Awards. Hollis is the recipient of the 2012 Lunt/Fontaine fellowship and a proud member of Actors Equity.

Now in its 61^st season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.

CLOSING: 2 For 1 Tickets for Seedfolks at Chicago Children's Theatre Closing This Sunday

Chi, IL LIVE Shows On Our Radar:

Don't miss this! Highly recommended for ages 7+. This show is part of Chicago Children's Theatre's Later Stages shows for older children. I went with my whole family for Mother's Day and my 13 & 15 year olds loved it as much as the adults. Sonja Parks is a consummate story teller and a true joy to see in action. We adore this story of a literal garden and the perfect metaphor it provides of growing community, growing friendships and growing hope. 

http://chicagochildrenstheatre.org/shows/seedfolks/

One woman plays 14 characters to tell the story of the founding and first year of a community garden in a gritty, immigrant neighborhood in Cleveland, Ohio. Each character is from a different ethnic group, and describes the transformation of the empty lot into a vibrant garden. While doing so, each one of those characters experiences his or her own transformation.

“14 characters, 1 amazing actress” – 

TwinCities.com

WATCH TRAILER

**If you have special seating accommodations, please inform the Box Office 72 hours before the performance.

*Run time 60 min. including Q&A session.

*Tickets can be purchased at the Box Office one hour prior to performances with no additional fees.

*Children under 2 years of age will be admitted without a ticket provided they sit on another guest’s lap and do not occupy a seat. Any child 2 years of age and older will require a ticket to enter.