WIN 4 Tickets to Monster Jam at Allstate Arena #OriginalVideo #Giveaway

Chicago Fans Revved Up for Annual 

Monster Jam^® Event!

FIVE World Champions to Appear at Allstate Arena, Feb. 7- 9!!

ChiIL out with ChiIL Mama & ChiIL Live Shows at Monster Jam.   We've got our tickets... do YOU?!  The world’s premier monster truck series, Monster Jam^®, is weighing in with more than 100,000 pounds of super-charged star power for its annual hometown appearance, Feb. 7 - 9, at the Allstate Arena in Rosemont, IL.  Be there.

Check out our original video footage from Monster Jam 2013-opening night at Allstate Arena right here:

**Click here for your chance to win a family 4 pack of tickets from ChiIL Mama for opening night, February 7th at 7:30pm at Allstate Arena.  Entries accepted through midnight February 4th.**

**All our readers are winners.  We've got a rockin' 30% discount on Monster Jam adult tickets for you with the code MOM1!  Click here to purchase yours.**

Discount does not apply to Front Row VIP or Gold Circle seats.  No double discounts.  Service charges, handling, and facility fees may apply.   All tickets $2 more day of show.

*Check out more of our Monster Jam video & photo footage here.*

Five World Champions:

Among the field of 10 Monster Jam trucks competing at this year’s event will be a record-setting five World Champions, including the sport’s marquee machine, the best known monster truck of all time, Grave Digger^®, driven by versatile veteran Carl Van Horn, and the Monster Jam truck many have called the fastest machine in the sport, six-time World Racing Champion Max-DSM, driven by Neil Elliot. 

In a nod to her celebrity appeal, the “Queen of Carnage,” former WCW and WWF star Madusa, returns to Rosemont after a multi-year absence in the only truck in the history of Monster Jam to be named after its driver. Madusa, also known as the “First Lady of Monster Jam,” was the first woman ever to win a Monster Jam World Finals, claiming the World Freestyle title in 2004 and, in a rarely duplicated feat, the World Racing championship the very next year.

The two remaining World Champions on the roster are the wildly popular “crazy bull,” El Toro Loco^® with driver Chuck Werner of Paxton, Ill., and 2011 World Freestyle champion Avenger, driven by “Mr. Excitement” Jim Koehler. 

Making their Chicago-area debuts are the Spark Industries-inspired Iron ManTM, driven by Lee O’Donnell, cult favorite Metal Mulisha, driven by former off-road star and rising Monster Jam driver Todd LeDuc, and arguably the most futuristic machine ever to hit the Monster Jam circuit, New Earth AuthoritySM, a.k.a. N.E.A. Police. Unveiled just a few weeks prior to its arrival here, the chrome-plated New Earth Authority, driven by police officer Norm Miller, commands order, seeking out and destroying those who stand in the way of peace. 

Rounding out the elite line-up are Monster Jam’s 2013 “Fans Choice,” the unmistakable and hauntingly hard-core Zombie, driven by Sean Duhon, and the aptly named Wrecking Crew, driven by Steve Koehler.

Produced by Aurora, Ill.-based Feld Motor Sports^®, Monster Jam events attract more than 4 million fans annually at the most prestigious arenas and stadiums throughout the world. Monster Jam trucks are custom-designed machines that average 12 feet tall by 12 feet wide, sit atop 66-inch-tall tires and weigh a minimum of 10,000 pounds. Built for short, high-powered bursts of speed, Monster Jam trucks generate 1,500 to 2,000 horsepower and are capable of speeds of up to 100 miles per hour. They can fly up to 125 to 130 feet (a distance greater than 14 cars side by side) and up to 35 feet in the air.

Allstate Arena Monster Jam shows are scheduled for 7:30 p.m. on Friday, Feb. 7, and 2 p.m. and 7:30 p.m., Saturday, Feb. 8, and Sunday, Feb. 9. Tickets are available at the Allstate Arena Box Office, all Ticketmaster outlets, online at www.ticketmaster.com, and by phone at (800) 745-3000. There are a limited number of premium-priced Gold Circle and VIP seats available for every show. All opening night tickets, with the exception of Gold Circle and VIP, are $12.

            

Two pre-show pit parties – 11 a.m. to 1 p.m., Saturday, Feb. 8, and Sunday, Feb. 9 –afford fans (with a pit pass and 2 p.m. show ticket) the chance to see their favorite Monster Jam trucks up close, meet drivers, take pictures and get autographs. Pit passes are available for $10 at all Ticketmaster locations, while supplies last.

            

For additional information, visit www.MonsterJam.com. Fans can also follow Monster Jam on Facebook, Twitter, and www.instagram.com/MonsterJamLive, or subscribe to the Monster Jam YouTube channel atwww.youtube.com/MonsterJamLive.

INCOMING: Monster Jam at Allstate Arena 2/7 #TicketDiscount #ChiMonsterJam #OriginalPhotos #Video

Check back with ChiIL Mama like we vote in Chi, IL... early and often.   We've got more smokin' original video footage from last year's Monster Jam at Allstate Arena coming soon.   For now, check out our full set of stills in the slideshow below and our favorites imbedded at the bottom of this post.  







**All our readers are winners.   ChiIL out with ChiIL Mama and a rockin' 30% discount on Monster Jam adult tickets with the code MOM1!  Click here to purchase yours.**

Discount does not apply to Front Row VIP or Gold Circle seats.  No double discounts.  Service charges, handling, and facility fees may apply.   All tickets $2 more day of show.

Here's our fun, original Monster Jam Video From 2012.

Advance Auto Parts Monster Jam 2012--opening night at Allstate Arena in Chicago. Check out ChiILMama.com for more original content including event videos, photo filled features, live show clips, original band video interviews, great giveaways and more. Like the music? It's Red Fang's tune, Dirt Wizard. Check 'em out.

Click here for more of our past photo & video filled Monster Jam coverage.

Monster Jam is THE most exciting form of family motorsports entertainment on the planet.  The stars of the show are the biggest performers on four wheels: the Monster Jam trucks! The twelve-feet-tall, ten-thousand-pound machines will bring you to your feet, racing and ripping up a custom-designed track full of obstacles to soar over - OR smash through. The 2014 touring season brings more Monster Jam excitement providing entertainment tailored perfectly for your family's budget, and these colorful, larger-than-life beasts are sure to capture the hearts of both young and old.

ChiIL Tips:

Advanced tickets save $2 over day of show, so buy your tickets now!  Pit Passes are limited get those in advance or you may miss out.   Got decent seats?!  Ear protection is highly recommended for all and necessary for kids.   They do sell over the ear, muff style earplugs for the kids there that look like Monster truck tires. Cute for the littles, but I'm not sure how much sound they block.  

As we wrote last year...helpful hint:   Bring ear protection.   Eh, what was that?    I said, you'll be regretting not throwing in earplugs for everyone.   What?! I can't hear you over the deafening roar of those powerful truck engines.   I SAID....BRING EARPLUGS!  YOU CAN BUY SOME FUN TIRE SHAPED ONES ON SITE FOR $20, BUT IF YOU'D RATHER SPEND THE CASH ON A COOL SHIRT YOU CAN WEAR MORE OFTEN OR A CREEPY SNO CONE CUP, THEN BRING YOUR OWN EARPLUGS.

Allstate Arena in Rosemont, IL. Feb 7-9, 2014

You can purchase tickets online at www.Ticketmaster.com now!

Show Dates: Feb 7-9, 2014 at Allstate Arena

Ticket Prices:

Ticket prices may vary.  Please refer to www.ticketmaster.com for more details.

Schedule:

Friday, Feb 7 – 7:30pm

Saturday, Feb 8 – 2pm & 7:30pm

Sunday, Feb 9 – 2pm & 7:30pm

PIT PARTY

11am – 1pm prior to each 2pm performance.  Walk the track, meet the drivers, grab autographs!  Pit Passes available for $10 online and at the Allstate Arena box office.

More than 100 productions expected to participate in Chicago Theatre Week 2/11-16 #ChicagoTheatreWeek

More than 100 productions expected to participate in

Chicago Theatre Week 2014

FEBRUARY 11-16, 2014

We may not be able to escape the polar vortex or rush spring along, but here in Chicago, we can engage in escapism with the best of them.   World class theatre makes winter a lot more fun.   So stop hibernating.   Theatre Week is back and better than ever!

Theatre Week adds partnerships with local hotels

and welcomes the return of the Storefront Playwright Project

Tickets now on sale!

Chicago Theatre Week 2014, which celebrates the rich tradition of theatre-going in Chicago, is returning for its second year after beating expectations in its inaugural season.  Over 100 productions are expected to participate.  New to this year’s Theatre Week is a partnership with area hotels, which will be offering Chicago Theatre Week packages to include a hotel room and a pair of tickets to one of ten productions.  Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago.

Chicago Theatre Week ticket and hotel offers will be listed on a centralized website, www.chicagotheatreweek.com starting at 9:00am on January 7, 2014.  In its inaugural year, 97 shows offered value-priced tickets to over 330 performances in one week. Visitors and residents will again have the opportunity to sample the extraordinary range of theatrical offerings throughout Chicagoland.

The hotel packages, on sale January 7 – February 5, include a hotel room for a stay between February 13-15, 2014, and a pair of tickets to one of ten participating productions.  Participating hotels include Essex Inn, Fairmont Chicago Millennium Park, Park Hyatt Chicago, PUBLIC Chicago, Renaissance Blackstone Chicago, Thompson Chicago, and W Chicago City Centre.  

Participating productions include Blue Man Group, Briar Street Theatre; The Golden Dragon, Sideshow Theatre Company; The How and The Why, TimeLine Theatre Company; Luna Gale, Goodman Theatre; Million Dollar Quartet, Apollo Theater; The Phantom of the Opera, Broadway In Chicago; Rose and the Rime, The House Theatre of Chicago; Russian Transport, Steppenwolf Theatre Company; The Second City’s 102^nd Revue, The Second City; and Strangers, Babies, Steep Theatre. Additional information and booking instructions will be available at www.chicagotheatreweek.com.

A new feature of Chicago Theatre Week,  the Storefront Playwright Project, will offer passers-by a look into part of the theatre process February 11-16, 2014. It will take place at Expo 72, located at 72 E. Randolph St.  Emerging and established playwrights will once again take center stage in a window space at Expo 72 to work on a current writing project in view of the public. From a large screen in a window facing the sidewalk, the public will be able to read what the playwright is writing and watch the creation of the next great Chicago play in real time. The Storefront Playwright Project aims to support the playwriting community, increase awareness of emerging and established playwrights, and encourage audiences to engage more deeply with Chicago theatre and the creative process of writing a new play for the theatre.    For more information about the Storefront Playwright Project: http://storefrontplaywright.tumblr.com.

“After a successful inaugural Chicago Theatre Week in 2013, the League of Chicago Theatres is presenting Chicago Theatre Week 2014, celebrating Chicago theatre by offering patrons special incentives and encouraging participation throughout all Chicago neighborhoods.  The remarkable results last year showed a heightened visibility for the theatre industry as people all over Chicago experienced a new theatre or revisited an old favorite.  Theatre Week met its ticket sales expectations, had a digital reach of 1.6 million through email, Facebook and Twitter; over 51,000 unique website visitors; and almost 7,000 Theatre Week email subscribers.  We plan to continue that reach for the upcoming season and we are thrilled with the level of expected participation in this year’s events,” comments Deb Clapp, Executive Director of the League of Chicago Theatres.

  

 “Theatre Week supports the effort to expand the visibility of theatre as a vital industry in Chicago.  Theatre is an important part of what attracts visitors to this city and Choose Chicago is honored to participate in the development and promotion of the week-long event,” says Melissa Cherry, Choose Chicago's Vice President for Cultural Tourism and Neighborhoods.  “As we continue our work with the League of Chicago Theatres to make this year’s week-long celebration even better, we are pleased that several Chicago hotels will be participating with theatre packages, making Chicago an ideal and affordable destination for theatre lovers.”

Kate Lipuma, Executive Director of Writers Theatre and Chair of the League of Chicago Theatres adds, “We are looking forward to another spectacular Theatre Week, which proved itself last year as being a motivator for people to experience a great afternoon or evening out in theatres across the Chicago area.  We hope that Chicagoans and tourists, alike, will take note of all of the productions happening on Chicago stages—downtown, in neighborhoods and in the suburbs--and will purchase tickets for their favorite theatres, or try something brand new.”

About Chicago theatre

Chicago theatre is a leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theaters to the most renowned resident theatres in the country, including 5 that have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. In 2012-13 alone, Chicago theatre companies produced more than 130 world premiere productions and adaptations. Each year, Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. 

About the League of Chicago Theatres

The League of Chicago Theatres is an alliance of theatres which leverages its collective strength to promote, support, and advocate for Chicago's theatre industry locally, nationally, and internationally. The League of Chicago Theatres Foundation is dedicated to enhancing the art of theatre in the Chicago area through audience development and support services for theatres and theatre professionals.

Additional information about Chicago Theatre Week is available at www.chicagotheatreweek.com. For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, www.chicagoplays.com.  Half-price tickets are available each week at www.hottix.org. 

ACT OUT OPENING: Buzzer at The Goodman's Owen Theatre Space 2/8

"A study of sex and the city in post-racial times" (Minneapolis Star Tribune), Buzzer follows three young people as they move into a newly-rehabilitated building—one with broken buzzers—in a lower-class, urban neighborhood that is grappling with the effects of gentrification and can be dangerous. 

February 8 - March 9, 2014 In the Owen

Love. Race. Fear. Money. This dark comedy from Tracey Scott Wilson pushes every button.

Jackson is a young, successful African American attorney determined to build a life in the rapidly gentrifying neighborhood of his youth. When he returns “home” with his girlfriend and troubled best friend—both white—in tow, the trio are soon forced to confront the simmering racial and sexual tensions that exist both inside their home, and outside their apartment.

Groups of 10+ can reserve specially priced tickets for Buzzer. Learn more on our Groups page or email Groups@GoodmanTheatre.org for details.

RACIAL AND SEXUAL TENSIONS SIMMER IN THE CHICAGO PREMIERE OF BUZZER BY TRACEY SCOTT WILSON JESSICA THEBUS DIRECTS A PIERCING, DARK COMEDY ABOUT FRIENDS AND LOVERS LIVING TOGETHER IN A DAUNTING TRANSITIONAL NEIGHBORHOOD, FEBRUARY 8 – MARCH 9 IN THE OWEN THEATRE Love, race and class take center stage in Buzzer, Chicago native Tracey Scott Wilson’s intimate, darkly comic 21st-century exploration of the effects of a changing neighborhood on three cohabitating twenty-somethings—“a study of sex and the city in post-racial times” (Minneapolis Star Tribune). The trio is forced to confront the racial and sexual tensions that exist both inside their home and outside their apartment in a changing Brooklyn neighborhood. As previously announced, the cast of director Jessica Thebus’ Chicago-premiere production includes Eric Lynch (Broken Fences at 16th Street Theatre, Blacktop Sky at Theatre Seven, part of Steppenwolf’s Garage Rep); Lee Stark (The Iceman Cometh, Disgraced at American Theater Company); and Shane Kenyon (Big Love at Strawdog Theatre Company, Trainspotting USA with Book and Lyrics Theatricals).  Buzzer runs February 8 – March 9 in the Owen Theatre; opening night is Tuesday, February 18. Tickets ($10 - $40; subject to increase) are available at GoodmanTheatre.org/Buzzer, by phone at 312.443.3800 or at the box office (170 North Dearborn). Bank of America is the Owen Season Sponsor, the Goodman Scenemakers Board is a Sponsor Partner and Heidrick & Struggles is a Contributing Sponsor.  “Tracey has made a name for herself through her incisive, explosive dramas that deal with issues surrounding the contemporary African American experience. Her terrific new play, Buzzer, opens the door for thoughtful discourse about the conversations we have—or don’t have—about race, class and how best to treat each other,” said Artistic Director Robert Falls. Hailed a "singular new voice" by the New Yorker, Wilson's work has been seen at venues across the country; the Goodman has produced The Story (2005) and The Good Negro (2010), both directed by Chuck Smith, and Buzzer was included in the 2012 New Stages festival, directed by Thebus. A co-commission of Minneapolis’ Guthrie Theater and Pillsbury House Theater, Buzzer made its world premiere at the Pillsbury House in 2012; critics unanimously endorsed the play as timely, important and simultaneously hilarious and tragic. It was remounted in a sold-out run at the Guthrie in 2013, directed by Marion McClinton. “I have lived in neighborhoods that have been gentrified, and I have gentrified neighborhoods; the issue is always there,” said Tracey Scott Wilson. “The characters in Buzzer are of a generation that has been raised on the Disney Channel, in a very multicultural world where Beyoncé and Jay-Z are considered the biggest stars. It’s very different from someone who grew up when there were not many black characters on TV. Especially in the ‘post-racial Obama age’ we’re entering, there are the things we are supposed to say, the things we actually say and the things we really believe.” Buzzer follows three young people as they move into a newly-rehabilitated building—one with broken buzzers—in a lower-class, urban neighborhood that is grappling with the effects of gentrification and can be dangerous. Jackson (Eric Lynch), a successful African American attorney who grew up in this neighborhood, has returned home, determined to enjoy its renaissance and build a life there. Having attended Exeter, then Harvard and Harvard Law School, Jackson managed to avoid much of the neighborhood’s strife in his younger years. Suzy (Lee Stark), his girlfriend and a teacher at a tough inner-city school, and his troubled boyhood best friend Don (Shane Kenyon)—both white, and who have a history of their own—move in with him. Don hails from a privileged background, but has extensively battled drug addiction; as a result, he is more street-smart than Jackson. The neighborhood and its newest residents’ emotional entanglement take a toll, and the apartment becomes a kind of crucible in which the ever-present urban landscape has devastating results. Director Jessica Thebus, who previously directed Sarah Ruhl’s The Clean House and Stage Kiss for the Goodman, works with Wilson for the first time. “Tracey challenges our assumptions; we’re surprised and invigorated by her argument, and we’re illuminated by the intimacy of this story. The economy of just these three very real people invites you to ask yourself, who am I judging and why? Who’s doing what? Whose side am I on? And you’re not sure quite where to position yourself as the story unwinds.” The design team for Buzzer—Walt Spangler (set), John Culbert (lights), Mikhail Fiksel (sound) and Birgit Rattenborg Wise (costumes)—incorporates elements of Wilson’s former Brooklyn neighborhood to create a realistic setting. Added Thebus, “Don, Jackson, and Suzy are always dealing with the outside, which feels a little unstable. From the cars driving by—questioning, ‘was that a car backfire or was that a gunshot?’—to the guys on the corner to the radio, we have extraordinary designers who will make us feel like the presence of that neighborhood is there.” EVENTS AROUND BUZZER POST-SHOW DISCUSSIONS Following each Wednesday performance of Buzzer, stay for a discussion about the play with members of the artistic team. Goodman Theatre | FREE COLLEGE NIGHT Enjoy pizza, pop and the opportunity to mingle with other students and Goodman artists before a performance of Buzzer. Tuesday, February 12, 6pm | Goodman Theatre | $10 with promo code COLLEGEBUZZ (must redeem with valid student ID) ARTIST ENCOUNTER A discussion with playwright Tracey Scott Wilson and director Jessica Thebus. Sunday, February 16, 5pm | Goodman Theatre | FREE Reservations are required. Call 312.443.3800 to reserve your seats. BUZZER AND BREWS Mingle with cast members and Goodman artists in the theater’s rehearsal space before and after a performance of Buzzer. Thursday, March 6, 6pm Reception / 7:30pm Performance| Goodman Theatre | $60

ACT OUT OPENING: THE PITCHFORK DISNEY by Interrobang Theatre Project

Interrobang Theatre Project Continues Fourth Season:

THE PITCHFORK DISNEY

By Philip Ridley 

Directed by Co-Artistic Director Jeffry Stanton

February 6 – March 2, 2014

Following its critically-acclaimed, Jeff Award-nominated production of Terminus, Interrobang Theatre Project is pleased to continue its 4th season with Philip Ridley’s dark comedy THE PITCHFORK DISNEY, directed by Co-Artistic Director Jeffry Stanton, playing February 6 – March 2, 2014 at The Athenaeum Theatre, 2936 N. Southport in Chicago, where it is now a resident company.  Tickets for THE PITCHFORK DISNEY are on sale through the Athenaeum Theatre Box Office at www.athenaeumtheatre.org  or by calling (773) 935-6875.  

THE PITCHFORK DISNEY features Fred Geyer, Aislinn Kerchaert, Mark Lancaster and Kevin Webb.

How easy it is to stop living. Not to die, but to stop being alive.”

Cosmo Disney, THE PITCHFORK DISNEY

Ten years ago, something dreadful happened to Presley and Haley. Ever since, the grownup siblings have hid in their dead parents’ flat keeping the big bad world at bay on a diet of chocolate, drugs, fractured memory and fantasy. But one night their feral isolation is threatened by the arrival of the sinister cockroach-munching Cosmo Disney and his mute mate Pitchfork Cavalier.

The 1991 debut of Philip Ridley’s gothic fairytale is the stuff of legend sparking debate, horror and a renaissance of British playwriting. At its heart, THE PITCHFORK DISNEY is the story of two innocents, a modern day Hansel and Gretel, staring down a cruel, chaotic world in which money is all, fear sells, truth lies and existence is survival of the sickest. 

23 years after it came kicking and screaming into the world, director Jeffry Stanton takes on this contemporary classic revealing THE PITCHFORK DISNEY has finally come of age. Or perhaps our age has simply come to reflect Ridley’s prophetic nightmare. 

A spine-chilling pitch black comedy for our anxiety-ridden era!

The production team for THE PITCHFORK DISNEY includes: Stephen Carmody (Scenic Designer), Noël Huntzinger* (Costume Designer), Claire Chrzan* (Lighting Designer & Production Manager), Christopher LaPorte* (Sound Designer), Josh Hurley (Props Master), Lindsay Bartlett (Dialect Coach), Julia Rohed* (Stage Manager) and Justin Snyder (Technical Director).  *Denotes Interrobang Theatre Project Company Member.

PRODUCTION DETAILS:

Title:  THE PITCHFORK DISNEY

Playwright:  Philip Ridley 

Director:  Co-Artistic Director Jeffry Stanton

Featuring:  Fred Geyer (Presley Stray), Aislinn Kerchaert (Haley Stray), Mark Lancaster (Pitchfork Cavaliere) and Kevin Webb (Cosmo Disney). Understudies: Eric Feltes (Cosmo Disney) and Matthew Dealy (Presley Stray).

Location:  The Athenaeum Theatre, 2936 N. Southport in Chicago

Dates:  Preview: Thursday, February 6 at 8 pm

Opening: Friday, February 7, 2014 at 8 pm

Special understudy performance: Saturday, February 22 at 3 pm.  All tickets $10

Regular run: Sunday, February 9 - Sunday, March 2, 2014. 

Curtain Times:  Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be added 3 pm performances on Saturday, February 15, 22 and March 1; there will be an added 8 pm performance on Wednesday, February 12.

Tickets: Previews: $12. Regular run: $20 Fridays and Saturdays evenings, $18 Thursdays, Saturday and Sundays matinees. $12 students and industry tickets (with ID).  Tickets are available through the Athenaeum Theatre Box Office at www.athenaeumtheatre.org  or by calling (773) 935-6875.  Note: all ticket prices include a $2 Athenaeum Theatre restoration fee.

About the Playwright

Philip Ridley was born in the East End of London where he still lives and works. In addition to three books for adults and the highly acclaimed screenplay for the The Krays feature film (winner of The Evening Standard Best Film of the Year Award), Ridley has written eight adult stage plays: The Pitchfork Disney, the multi-award-winning The Fastest Clock in the Universe, Ghost from a Perfect Place, Vincent River, the highly controversial Mercury Fur, Leaves of Glass, Piranha Heights and, most recently, the hugely successful Tender Napalm (nominated for the London Fringe Best Play Award), plus several plays for young people: Karamazoo, Fairytaleheart, Moonfleece, Sparkleshark and Brokenville. He has also written many books for children, including Scribbleboy (shortlisted for the Carnegie Medal), Kasper in the Glitter (nominated for the Whitbread Prize), Mighty Fizz Chilla (shortlisted for the Blue Peter Book of the Year Award), ZinderZunder, Vinegar Street, Zips’Apollo and the bestseller Krindlekrax (winner of both the Smarties Prize and WH Smith’s Mind-Boggling Books Award), the stage play of which, adapted by Philip himself, was premiered at the Birmingham Rep Theatre in the summer of 2002. He has also directed three feature films from his own screenplays: The Reflecting Skin (winner of eleven international awards, including the prestigious George Sadoul Prize), The Passion of Darkly Noon (winner of the Best Director Prize at the Porto Film Festival) and, most recently, Heartless (winner of The Silver Meliers Award for Best Fantasy Film), starring Jim Sturgess and Noel Clarke. Philip has won both the Evening Standard’s Most Promising Newcomer to British Film and Most Promising Playwright Awards; the only person ever to receive both prizes. He also studied painting at St. Martin’s School of Art and his work has been exhibited widely throughout Europe and Japan.

About Interrobang Theatre Project

Founded in 2010, Interrobang Theatre Project (Jeffry Stanton and James Yost, Co-Artistic Directors) produces visceral and timely plays that are not readily seen on other Chicago stages. Interrobang upholds live theatre and the act of collective imagining as a powerful means to change our world one play at a time. Interrobang is not recommended for audiences who prefer theatre to be benign or familiar.

Interrobang Theatre Project’s third season opened with the “scintillating revival” (Time Out Chicago) of Paula Vogel’s Hot ‘N’ Throbbing. The Chicago Tribune hailed Interrobang “a company to watch,” Time Out Chicago’s 5-star review claimed, “as the production barrels to its shocking finale, it’s clear (Jeffry) Stanton and his impeccable cast are in complete control,” and Newcity Stage exclaimed, “Interrobang Theatre Project, guns ablaze, dives headfirst into the play’s challenging themes, and offers a rare production in which every element onstage is as robust and capable as every other.”  Other Interrobang Theatre Project productions include the one-man Here Lies Henry by Daniel MacIvor, the Midwest premiere of The Argument by Gregory Moss, Orange Flower Water by Craig Wright, a co-production with BareBones Theatre and most recently, Mark O’Rowe’s critically acclaimed Irish drama Terminus.

What’s an interrobang?

An interrobang is the combination of a question mark and an exclamation point, joining the Latin for “question” (interro) with a proofreading term for “exclamation” (bang). Punctuation expresses an attitude, an idea, an attempt to make things clearer. Through the plays we produce, Interrobang Theatre Project poses muscular questions. Navigating through the dark together with our audience we attempt to arrive at new understandings and fresh perspectives of who we are and the world in which we live.

For more information on Interrobang Theatre Project, visit www.interrobangtheatreproject.org  or www.facebook.com/interrobangtheatreproj. 

ACT OUT OPENING: The Rose and the Rime at House Theatre (ages 6+)

THE HOUSE THEATRE OF CHICAGO RETURNS TO MODERN MYTH-MAKING WITH ROSE AND THE RIME AT THE CHOPIN THEATRE, JANUARY 17 – MARCH 9

**Although designed for adults, The Rose and the Rime is suitable for kids six and up.** 

The run time is 85 minutes with no intermission--so make sure your kids can handle it, if you're considering bringing the littles. 

The House Theatre has long been a top favorite of ours here at ChiIL Mama and ChiIL Live Shows.   We can't wait to see their latest original play, The Rose and the Rime!   Last month we saw The phenomenal House Nutcracker for the 3rd or 4th time, and the kids still begged to see it yet again.   It's become a beloved annual tradition.   Before that, our whole family thoroughly enjoyed The Crownless King.   We'd been eagerly waiting a YEAR for The Stag King sequel.   And of course the incomparable Dennis Watkins' magic has no equal.   We've been raving about his Death and Harry Houdini, The Magnificents and Magic Parlour shows for years.   Click here for some of our past House Theatre related coverage including video interviews, reviews, and photo filled features.   Then don't take our word for it.   Buy your tickets before they sell out and GO already.   We'll be there this Sunday for the press opening and will have a full review up shortly.    

Artistic Director Nathan Allen Leads Cast of Ten in Re-imagined Production

The House Theatre of Chicago presents the all-ages original play Rose and the Rime at the Chopin Theatre Upstairs Theatre, 1543 W. Division St., Friday, Jan. 17 – Sunday, March 9. The play is created by Company Members Chris Matthews, Jake Minton and Artistic Director Nathan Allen, who will also serve as the production’s director, and has choreography by Company Member Tommy Rapley and music by Company Member Kevin O’ Donnell. 

The Rose and the Rime Schedule

Previews begin Friday, Jan. 17 through Saturday, Jan. 25 and play on Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m.  Regular performances are Thursdays, Fridays and Saturdays at 8 p.m. and Saturday and Sunday matinees at 3 p.m. 

Preview tickets are $15, Regular Run tickets range from $20 to $40 and $10 Student and Industry Same-Day discounted tickets are available for all dates, seats permitting. For more information and to purchase tickets, please visit www.thehousetheatre.com or call 773.769.3832.

Rose and the Rime

House Theatre Chicago 1/17/14 - 3/9/14. 

“…This whole intensely creative show—which deals with a plucky young girl who stares down
an evil witch, only to confront the ambivalence of power—is relentlessly optimistic. That’s one of the great pleasures of The House.” – Chicago Tribune

“Wonderfully imaginative stagecraft and a unique approach to movement." – Chicago Sun-Times

ROSE AND THE RIME will transfer to The Adrienne Arsht Center for the Performing Arts of Miami-Dade County starting April 23, 2014 for a five-week run, in a continuing partnership between Arsht and The House.

The multi-talented ensemble of The House Theatre of Chicago utilizes their signature style that blends music, swirling acrobatic dance, spectacle, and stage craft to spin the cautionary tale of their favorite myth, Rose and the Rime. Set in Radio Falls, “a little town by a big lake," young Rose (played by Company Member Paige Collins) must risk her life to rescue a magic coin from the icy clutches of the Rime Witch (played by Ericka Ratcliff), her only hope in saving her friends and family from the spell that keeps them frozen in perpetual winter. When the coin is returned, the freezing spell is lifted, and for a moment, Radio Falls appears rescued from their icy fate. But the coin's power inspires bigger dreams, and greed creeps slowly into the thawed Townsfolk. Rose must finally fight to keep the coin from falling into the wrong hands. But can she bear the power herself? Originally developed at Hope College in 2008, Rose and the Rime won the honor of playing the Kennedy Center as Best Original Work in the KCACTF festival. Re-staged by The House in 2009, Rose and the Rime tackles big themes considered central to many of the stories told at The House.

ABOUT THE ARTISTS
ROSE AND THE RIME is written by Nathan Allen, Chris Mathews and Jake Minton, and directed by Nathan Allen. Tommy Rapley leads the ensemble in the dance-like movement as Choreographer, and Kevin O'Donnell lends the score.

Company Members Michael E Smith and Joey Steakley return to their roles as Uncle Roger and Charlie, respectively. Company Member Paige Collins (The Nutcracker, The Crownless King) will take on the title role as Rose, and Company Member Christine Mayland Perkins also appears in the ensemble. Last seen in 2007's The Nutcracker, Equity actress Ericka Ratcliff returns to The House in the title role of the Rime Witch, complete with wire work and new original songs to make Rose's encounter with the Witch particularly spellbinding and heartbreaking.

Guest artist Brandon Holmes (recently seen in Steppenwolf's Three Sisters) appears as Rose's love interest, Jimmy. The ensemble is rounded out by returning guest artist Kara Davidson, and new faces Jeremy Sonkin, Dan Toot, and Tamara White.

Company Member Collette Pollard designs a new space for this re-imagined production, creating a darker, more isolated world for each resident of Radio Falls, where tiny homes stand in solitary snow storms day after day. With seating on three sides of the stage, the audience is a part of the snowy world. 

Company Member Melissa Torchia bundles the cast up for the icy weather, in an urban Midwestern palate. Company Member Lee Keenan designs lights that transport us from Rose's dreamy, childhood visions, to the harsh realities of life in a broken town. Jeff Award-winning composer and Company Member Kevin O’Donnell shares a score influenced by doo-wop, harkening to the show's Michigan roots. Company Member Joshua Horvath completes the team as sound designer.

HELP OUT:

Benefit - The Red Rows Spectacular

Recovery on Water

Feb 12th 7p -2nd Annual Benefit performance to raise funds for ROW (Recovery on Water) a rowing program for breast cancer survivors.  Tonight's entertainment includes live comedy, exotic burlesque performances, feats of strength and more!  Cocktails and light hor'doueves at 7p with performances at 730pm.

Tickets - $25

ABOUT THE HOUSE THEATRE OF CHICAGO 
The House is Chicago's premier home for original works of physical and spectacle storytelling. Founded and led by Artistic Director Nathan Allen and driven by an interdisciplinary ensemble of Chicago’s next generation of great storytellers, The House aims to become a laboratory and platform for the evolution of the American theatre as an inclusive and popular artform.

The House was founded in 2001 by a group of friends to explore connections between Community and Storytelling through a unique theatrical experience. Since becoming eligible in 2004, The House has been nominated for 60 Joseph Jefferson Awards (19 wins) and became the first recipient of Broadway in Chicago’s Emerging Theater Award in 2007. Now in its 12th year of original work, The House continues its mission to unite Chicago in the spirit of Community through amazing feats of Storytelling.

ACT OUT OPENING: The Drowsy Chaperone at Bailiwick Chicago

Bailiwick Chicago Presents

THE DROWSY CHAPERONE

February 4 – 8, 2014 at Stage 773

Actors Bid For Roles at Annual CHICAGO CASTING AUCTION

It’s no ordinary cast!  Dozens of competitors bid for roles in a professionally produced stage production of the hit musical comedy parody THE DROWSY CHAPERONE at Bailiwick Chicago’s annual Chicago Casting Auction.  Now, they’re ready to take the stage for six performances only, February 4 – 8, 2014 at Stage 773, 1225 W. Belmont Ave. in Chicago.  With book by Bob Martin and Don McKellar, music and lyrics by Lisa Lambert and Greg Morrison, THE DROWSY CHAPERONE is directed by Bailiwick Chicago Managing Director Geoff Bleeker* with music direction by Robert Ollis*.  Tickets are currently available at bailiwickchicago.com.

The cast of THE DROWSY CHAPERONE includes Andy Lambros (Man In Chair), Paula Goedert (Drowsy Chaperone), Jill Renn (Janet Van der Graff), Rusty Rector (Robert Martin), Jerry Hickey (George), Varris Holmes (Adolpho), Nancy Studenroth (Mrs. Tottendale), Herb Quinde (Underling), Larry Blust (Feldzeig), Laura Ladeweski (Kitty), Leatrice Berman Sandler (Trix), Christine Hadley and Amy Robbins (Gangsters), Myles Tobin (Superintendent), Penny Reynolds and Peg Wander (Reporters) with a special guest cameo by Noodles The Wonder Dog.  The ensemble includes Michelle Bibergal, Mary Burke, Stuart Burstein, Carol Christensen, Jenny Davis, Denise Doherty, Maria Harrigan, Deb Hayes, Kim Klein, Marcelline Klestil, Corey Krol, Diana Lynch, Bliss McMahon, Linda Effinger-Quinde, Fred Snow, Eileen Sweeney and Nora Winsberg. The teen and youth chorus includes youth from Bailiwick Chicago’s partner school, Franklin Fine Arts Center, and the Chicago area. The youth chorus includes: Dylan Lainez, Joshua Steinfels-Saenz and Bennett Van York with Franklin Arts Center students Abbie Branda, Annie Goldenberg, Haley Goldenberg, Rory Kopplin, Rory Normal, Thomas Serges, Emily Smagacz, Myles Tanzer and Khilah Turnipseed.  

A rare combination of unprecedented originality and blinding talent, THE DROWSY CHAPERONE boldly addresses a great unspoken desire in all of our hearts: to be entertained. It all begins when a die-hard musical-theater fan plays his favorite cast album on his turntable, and the musical literally bursts to life in his living room, telling the rambunctious tale of a brazen Broadway starlet trying to find, and keep, her true love. If you've ever sat in a dark theatre and thought, "Dear Lord in heaven, please let it be good," this is the show for you!

THE CHICAGO CASTING AUCTION

Bailiwick Chicago’s annual Chicago Casting Auction is a unique opportunity for non-professionals to experience the thrill of being on stage in a professionally produced Chicago stage production. More than 35 roles were auctioned off during the November 2, 2013 event at Chicago’s Dank Haus German American Cultural Center Grand Ballroom, 4740 N. Western Ave. Contenders for leading and major supporting roles took the stage during the nail-biting live auction, often edged on by the crowd to show off their vocal and dancing talents. Additional supporting and chorus roles were won via silent auction. The event raised more than $60,000 for Bailiwick Chicago.  Last year’s auction, which culminated in a sold-out public run of Joseph and the Amazing Technicolor Dreamcoat, raised $75,000 (including ticket sales to the production itself) to support Bailiwick Chicago programming.

The production team for THE DROWSY CHAPERONE includes: Chris Kristant* (scenic design), D.J. Reed  (costume coordinator), Jessica Carson (lighting design), Alex Heika (choreographer), Jon Martinez (asst. choreographer), Kyle Pollio (vocal director), Kate Garassino* (youth choir director/producer), Casi Maggio (associate youth choir director), Varris Holmes* (assistant director) and Heather Stuck* (stage manager).

PRODUCTION DETAILS:

Title:  THE DROWSY CHAPERONE

Book: Bob Martin and Don McKellar

Music & Lyrics: Lisa Lambert and Greg Morrison

Director:  Managing Director Geoff Bleeker

Music: Robert Ollis*

Musicians: Robert Ollis* (Keyboard I, Conductor), Diane Hansen (woodwinds), Derek Fitting (trumpet), Deb Johnson (bass) and Lindsay Williams (percussion).

Location:  Stage 773, 1225 W. Belmont Ave. in Chicago

Dates:  Previews: Tuesday, February 4 and Wednesday, February 5 at 7:30 pm

Regular run:  Thursday, February 6 – Saturday, February 8, 2014

Curtain Times:  Thursday at 7:30 pm; Friday at 7:30 pm, Saturday at 2 pm & 7:30 pm

Tickets: Previews: $20. $15 children 12 & under. Regular run: $45. Tickets are currently available at bailiwickchicago.com.

*Denotes Bailiwick Chicago Collective Member.

Bailiwick Chicago is a non-profit professional company with a mission to produce contemporary musicals and plays, reinvent classic musicals and develop new work, while sharing a powerful and authentic theatrical experience. The company celebrates and engages our community through diverse programming, artistic partnerships and outreach opportunities. In its first three seasons Bailiwick Chicago has garnered 44 award nominations, including 10 Non-Equity Jeff Award Nominations in its first Jeff-Eligible season (2011-12).  For additional information, visit www.bailiwickchicago.com. 

Bailiwick Chicago Staff:

Artistic Director: Lili-Anne Brown

Executive Director: Kate Garassino

Creative Director: Eric Martin

Managing Director: Geoff Bleeker