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Tuesday, May 21, 2013

SCamp13 Is Imminent & Thursday Pre-Party Choices From Chicago & Beyond @summercampfest #SCamp13




SCamp12 Thursday/Friday  ChiILLiveShows.com



We'll be going off line and into the woods for Summer Camp Music Festival--the annual kick off to the Summer Music Festival Season this Thursday through Memorial Day Monday.    Once again, we have press credentials this year and both of our sites (ChiILLiveShows.com & ChiILMama.com) will go dark for 5 days so we can give our full attention to photographing, interviewing and covering SCamp in the wilds of Chillicothe, IL at 3 Sisters Park.



Here's our ginormous... full set... slideshow from SCamp 2012 broken down by days starting with Thursday/Friday last year.  This is the first time we've put the good, the bad & the ugly out there unedited.   We generally break our shots into smaller features by band, theme, etc. and the public only ever sees a tiny fraction of what we shoot.  But... just in case you & your friends or your fav bands are in there and didn't make the "best of" cut, we're putting the whole thing out there for you, just this once.   Enjoy!




*Click here for loads of ChiIL Live Shows & ChiIL Mama's past SCamp Coverage going back

years!



Les Claypool rockin' SCamp12

ChiIL Picks List Thursday (pre-party) 2013 

Shows on our radar:  Cornmeal--8 Starshine & 11:30-1 Soulshine Stage Caravan of Thieves--9 Campfire  Reverend Peyton's Big Damn Band--11:30 Campfire Stage Quixotic--12:45 Red Barn.




Kellar Williams--one of our all time favs--is back this year.   

Click HERE for ChiIL Mama's original video interview with Kellar & More photo filled past Kellar coverage.



Thursday Chicago bands playing: Lakeshore Vibe--5 Camping Stage Family Groove Company--6:30 Starshine Stage Digital Tape Machine--9:15 Starshine Future Rock 2:30-4 Red Barn







*Photo Credit:   Bonnie Kenaz-Mara for ChiILLiveShows.com/ ChiILMama.com. 


FULL LINEUP 2013:   Click on the band names for more details.  Wanna see the full line up for 2013 by stage/time/full description etc?   Click right here.   





moe.
Umphrey's McGee
Trey Anastasio Band
  • PLUS
  • STS9







                                                     
                                                        ZEDS DEAD









Chi town favs & scamp regulars, VAN GHOST, will be back again for 2013:

 
















THE SOUL REBELS MIKE DILLON BAND MAPS AND ATLASES

Sunday, May 19, 2013

Summer Camp Music Festival Photo Filled Feature Sunday 2012 @summercampfest @SCamp12 @SCamp13



SCamp12 Sunday/Monday

Calling all SCamp's and Scoundrels.... ChiIL Live Shows will be scampin' to the beat this Thurs-Sunday... will YOU?!


We'll be going dark on line this Thursday through Monday at both of our sites, and takin' to the woods, for 4 full days of photo filled coverage of SCamp13!   

The slideshow above features our full, unedited photo coverage from Sunday/Monday at Summer Camp Music Fest 2012.   Enjoy!   





Summer Camp 2012 was a blast, from a multi band stellar lineup of orchestrated improv in the Red Barn...







to a burlesque tent show... 



and a main stage extravaganza by infamous alt rock legend, Perry Farrell and Jane's Addiction.



Here's Perry telling the glo stick throwing ravers & jam band kids just where they can stick 'em!


*Click here for loads of ChiIL Live Shows & ChiIL Mama's past SCamp Coverage going back years.





















 

























 
















All photos are by Bonnie Kenaz-Mara for ChiILLiveShows.com/ ChiILMama.com. 

ACT OUT OPENING: InFusion Theatre Co. Presents Fight Girl Battle World at Theater Wit #review



ChiIL Mama and Sagezilla (10) had a chance to check out opening night and Fight Girl Battle World rocks.   This show is the good kind of cheese--a campy, kooky space romp with a kickin' grrrrrl power protagonist, effective use of multimedia screens, scale model space toys, and puppetry with creepy manipulators in head to toe black spandex.    Highly recommended!



Sheila O'Connor as E-V kicks some serious alien butt as the last human girl in the known universe

Visiting Company InFusion Theatre Co.
Fight Girl Battle World
by Qui Nguyen
directed by Mitch Golob

Now playing through June 16, 2013






The costumes and alien characters were particularly fun, although Sagezilla really dug this one and felt sorry for his defeat.

We'd rate this one PG13, for stage violence, minor language and some "sex talk", but it's basically appropriate for tweens & teens and up.  There's nothing too violent or over the top and we both thoroughly enjoyed the two level stage combat, the creative costumes, grrrrrl power, and clever script.   Though the stage combat, choreography and "martial arts" are relatively simplistic, there's enough campy humor and colorful characters to carry the show.


Sarcastic playwright robots and vengeful pink haired generals round out the colorful, hilarious cast.

 

Theater Wit
1229 W. Belmont Avenue
Chicago, IL 60657

Tickets are $25; $15 for students & seniors, $12.50 industry tickets on Thursdays & Sundays

Regular Run (through June 16):
  • Thursday, Friday & Saturday at 8:00 pm, and Sunday at 3:00 pm


Here's what InFusion has to say:

From the team that brought you our hit production of Soul Samurai, comes an action-packed sci-fi saga that blends punch-ups and parody into one delicious mix. Set in a futuristic universe where humanity is nearly non-existent, Fight Girl revolves around E-V, a hardnosed prizefighter and the last known female human in the galaxy. We infuse video projection, puppetry, stage combat, and much more in this raucous Midwest premiere.
Running Time: 1 hour 50 minutes with intermission

InFUSION THEATRE CO. PRESENTS THE MIDWEST PREMIERE OF QUI NGUYEN’S FIGHT GIRL BATTLE WORLD,
MAY 14 – JUNE 16

InFusion Theatre's Artistic Director Mitch Golob Blends Stage Combat, Multi-Media, and Puppetry In An Action-Packed Sci-Fi Comedy At Theater Wit

InFusion Theatre Company is proud to announce its second collaboration with award-winning playwright Qui Nguyen with the Midwest premiere of Fight Girl Battle World, directed by InFusion Artistic Director Mitch Golob, May 14 – June 16, at Theater Wit, 1229 W. Belmont Ave. Performances are Thursdays - Saturdays at 8:00 p.m. and Sundays at 3:00 p.m. Preview tickets are $10. Tickets are $25 for general admission, $15 for students and seniors, and $12.50 for industry professionals Thursdays and Sundays only. Tickets are on sale now at infusiontheatre.com or by calling 773-975-8150. 

From the team that brought you Soul Samurai, comes a new chapter of interspace anarchy from Qui Nguyen, Fight Girl Battle World. Set in a futuristic universe where humanity is nearly non-existent, Fight Girl revolves around E-V (Sheila O’Connor), a hardnosed prizefighter and the last known female human in the galaxy. The New York Innovative Theatre Awards nominated Fight Girl for Best Production of a Play, Best Original Full Length Script, Best Direction, Best Featured Actor and Best Sound Design during its world premiere. 

Additional Fight Girl Battle World cast includes Brian Barber, Rob Grabowski, Kimberly Logan, Steve Thomas, Michael Harris, Zach Livingston, Meredith Rae Lyons, Elise Mayfield, Kai Young and understudies Maureen Yasko and Kevin Anderson.

The production staff includes David Blixt, fight choreographer; Rasean Davonte Johnson, co-video designer; Anna Henson, co-video designer; Kimberly Morris, puppetry designer, Dave Ferguson, set designer; Charles Cooper, lighting designer, Stephen Ptacek, sound designer; Rachel Sypniewski, costume designer; Cassy Schillo, props designer; Majel Cuza, production manager; Jason Crutchfield*, stage manager and Claire Tuft, casting director.
*Connotes InFusion Company Member


Boyish women (or are they curvy males?!) and regenerating megalomaniacs add to the drama.  All Production Photos by Johnny Knight

ABOUT QUI NGUYEN
Qui Nguyen is a playwright and co-founder/co-artistic director of the OBIE Award-winning Vampire Cowboys Theatre Company of New York City.  His plays include She Kills Monsters (currently running in Steppenwolf’s Garage Rep and premiering in Boston; originally produced by The Flea in NYC); Krunk Fu Battle Battle (East West Players); Trial By Water (Ma-Yi Theater); Bike Wreck (Ensemble Studio Theatre); Soul SamuraiThe Inexplicable Redemption of Agent G (Ma-Yi Theater & Vampire Cowboys); Alice in SlasherlandMen of Steel; and Living Dead in Denmark (Vampire Cowboys). Qui is a proud resident artist of New Dramatists, a core member of The Playwrights Center, an alumnus of Youngblood and a member of Ensemble Studio Theatre and The Ma-Yi Writers Lab.  Currently, he’s the playwright-in-residence at Mixed Blood Theatre in Minneapolis.

ABOUT MITCH GOLOB
Mitch Golob has directed InFusion’s first eight productions:  the world premieres of The Improv PlayPluto is Listening, Ghostbox and Créole (nominated for five Black Theatre Alliance Awards), the United States premiere of The Last Supper, and the Midwest premieres of Intrigue With FayeRhymes With Evil, and Soul Samurai.  Some of his other directing projects include 8 By Tenn at Hartford Stage Company, where he worked with Tony Award winners Elizabeth Ashley and Amanda Plummer.  He directed the U.S. premiere of Jump to Cow Heaven at Profiles Theatre, And Then They Came For Me at Apple Tree Theatre, and was associate director of the award winning world premiere of Hannah & Martin at TimeLine Theatre. 

ABOUT INFUSION THEATRE COMPANY
InFusion Theatre Company seeks out new plays and “infuses” them with other elements of entertainment such as music, dance, and film. “We strive to create dynamic performances by combining different forms of entertainment that will result in both exciting and thought-provoking work and we focus on giving voice to new works, as well as looking at older works in a new way,” says Artistic Director Mitch Golob.

Qui Nguyen’s Fight Girl Battle World, directed by InFusion Artistic Director Mitch Golob runs May 14 – June 16 at Theater Wit, 1229 W. Belmont Ave.   Performances are Thursdays - Saturdays at 8:00 p.m. and Sundays at 3:00 p.m.   Tickets are $25 for general admission, $15 for students and seniors and $12.50 for industry professionals Thursdays and Sundays only. Tickets are on sale now at infusiontheatre.com or by calling 773-975-8150.




ACT OUT KIDS EXTENDED: The Silent Language at TUTA Studio Theatre




NOW EXTENDED

"★★★★...Critic's Choice" -Timeout Chicago

"Highly Recommended" - Chicago Reader

April 19-June 9, 2013
The Silent Language by Miodrag Stanisavljevic
Directed by Jacqueline Stone
THIS is The Silent Language:











NEW!  


TUTA is now using social media - connect with us on Facebook and Twitter to get all the latest news!
You can also catch up with our blog.


The Silent Language By Miodrag Stanisavljevic @ TUTA Studio Theatre
"The Silent Language", a U.S. premiere, by Serbian playwright Miodrag Stanisavljevic, translated by Zoran Paunovic, is a highly musical and darkly comedic fairy tale. Written in the 1981, "The Silent Language" is an adaptation of an old Serbian folk tale originally called Nemusti Jezik.  It follows the journey of a young village servant named Poor Gasho as he gains the ability to understand the "the silent language."   As defined in this story, it is the language that only animals can speak and understand.  On a larger scale, the script also speaks to the things we see and hear in everyday life, but fail to recognize due to our inabilities to listen and focus on details.  

Stanisavljevic's structure is exciting and risky, marking a departure from the typical "alls-well-that-ends well" fairy tale structure.  It's very open and at times, exposes the harsh realities of both good and evil.  A large forest provides a backdrop for countless discoveries, facing your fears, and finding secrets in unexpected places.

"The Silent Language" will mark two big milestones at TUTA.  It will be the U.S. premiere of a rarely produced Serbian play and it will mark the directorial debut at TUTA of their newly appointed Artistic Director, Jacqueline Stone.  Stone, a co-founder and longtime company member, brings a wealth of experience and a unique understanding of TUTA's mission and desire to bring innovative international works to American audiences.  The Silent Language is an ensemble piece, and will draw upon the long tradition and commitment TUTA has to working with its company members.  It's musical in both form and content, and there will be a continued exploration of TUTA's commitment to original and rearranged forms of music.  

The production features the talents of company member Jaimelyn Gray, and guest artists Sean Ewert, Laurie Larson, Carolyn Malloy, Max Lotspeich, Aaron Lawson, and Angela Bullard, under the direction of Jacqueline Stone (co-founder).  Design and technical collaborators include:  Original Music and Musical Direction by Wain Parham; set design by Michelle Lilly; costume design by Branimira Ivanova; lighting design by Keith Parham; sound design by Joe Court; prop design by Joel Lambie; and stage management by Allison Raynes.

Artistic Director and Co-Founder Jacqueline Stone directs "The Silent Language", which makes this the 13th production she has been artistically a part of for the company over the last eleven years.  As an actress, she has appeared in numerous TUTA productions including The Wedding (1996, 2010, 2011), The Hour, Alice, Little Prince, Still Life in Color, Uncle Vanya (2008, 2009), Baal, and Fulton Street Sessions.  Other Chicago theatre she has worked with include Chicago Dramatists, The Second City, Prop Thtr, 20% Theatre Company, WNEP Theatre, New Leaf Theatre, Backstage, Brown Couch, and io (formerly Improv Olympic).  Stone recently directed the world premiere of Chelsea Marcantal's Devour at 20% Theatre Company, in addition to Jenny Siedelman's August 8, 1974.  She directed the world premiere of Dee Bolos' acclaimed one woman show Southside (Prop Thtr, NYC Fringe, Seattle Fringe).  In addition she directed the world premiere of Don't Let The Pigeon Drive the Bus! (Apollo,Touring company, and Millennium Park) and the Midwest première of Junie B. Jones at Emerald City Theatre Company.  

"The Silent Language" will perform at TUTA Studio Theatre, 2010 W. Fulton Avenue, from April 19 to June 9th, Friday and Saturday at 8pm, and Saturday and Sunday at 4pm (no show Saturday, May 4, Sunday May 12, Saturday June 1, or Friday, June 7).  There is an additional 8pm show on Sunday, June 2nd.  Preview performances are Thursday, April 11, to Thursday, April 18. Opening press nights are Friday, April 19 and Saturday, April 20 at 8 p.m.  Spots are "Pay-what-you-can" for previews and a suggested donation of $25 for adults and $15 for industry/students/children under 18 for the regular performances.  Spots are extremely limited, and reservations are highly recommended.  To reserve spots to The Silent Language:  Call 1-800-838-3006 (24 Hours) or buy here online.  For more information on TUTA, visit www.tutato.com.

ACT OUT OPENING: BLACK ENSEMBLE THEATER PRESENTS AIN’T NO CRYING THE BLUES (IN THE MEMORY OF HOWLIN WOLF)




BLACK ENSEMBLE THEATER PRESENTS
AIN’T NO CRYING THE BLUES
(IN THE MEMORY OF HOWLIN WOLF)
WRITTEN BY FOUNDER AND CEO JACKIE TAYLOR
DIRECTED BY ASSOCIATE DIRECTOR RUEBEN ECHOLES

THE NEW BLACK ENSEMBLE THEATER CULTURAL CENTER

JUNE 1 – AUGUST 11, 2013

Black Ensemble Theater announces Ain’t No Crying the Blues (In The Memory of Howlin Wolf), written by Black Ensemble Theater Founder and CEO Jackie Taylor, directed by Associate Director Rueben Echoles, and starring Rick Stone, one of the stars of the classic movie Cooley High. Ain’t No Crying the Blues will be presented at the new Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago, June 1 – August 11, 2013. The official press opening is scheduled for Sunday, June 9, 2013 at 3:00PM.

When Rick Stone first performed as Howlin Wolf at Black Ensemble, Hedy Weiss of the Chicago Sun-Times wrote, "It's Rick Stone who consistently knocks your socks off in his terrifically sustained performance. And as he moves through Wolf's hits—Red Rooster, Goin' Down Slow, I Ain't Superstitious, Baby Please Don't Go and more—it's the audience that begins howlin' loudest."  Now Rick Stone returns to do it again with this brand new script, reflecting the life and times of one of the greatest blues singers the world has ever known—Howlin Wolf.

Howlin Wolf’s was born “Chester Arthur Burnett” and became one of the greatest and most influential blues singers that ever lived.  Wolf was inducted into the Blues Foundations Hall of Fame in 1980 and the Rock & Roll Hall of Fame in 1991.  His musical influences can be heard in the country singers of the 1950’s to the punk blues bands of the 1990’s.  Wolf was highly known for his dynamic stage energy and presence – from crawling around the stage to climbing up the stage curtains.  No performance would be complete without his infamous howl.

“No one can bring Howlin Wolf to life better than Rick Stone.  Rick, who also played the famous Howlin Wolf at Black Ensemble in a different script in 2003, is Wolf reincarnated.  In bringing Howlin Wolf back to the stage there was just one man who could give the role justice and that’s Rick Stone,” says Jackie Taylor.  “This production takes us to a different place and time—and takes place in the mind of Howlin Wolf.  The cast and company, including director Rueben Echoles and the BE Band led by Robert Reddrick, is the perfect team for this new production.” 

The, headlined by Rick Stone, includes Kylah Williams as Wolf’s wife Lillie, Dwight Neal as Wolf’s nemesis Muddy Waters, and Rashawn Thompson as Wolf’s lifelong guitar player Hubert Sumlin.  The ensemble includes Claudia Cunningham, Cesil Jones, Raymond Wise, Theo Huff, Cynthia Carter, Danielle Davis, Michael Reckling and Mark Hood, all playing various roles.
                     
Ain’t No Crying The Blues is produced and written by BE Founder and CEO Jackie Taylor.  Associate Director of Black Ensemble Rueben Echoles is the Director, with Daryl Brooks, also an Associate Director of BE, serving as Assistant Director.  The creative team also includes Denise Karczewski (Lights), Kristy Leigh Hall (Costumes), Helen Latyak (Props), and CoCo Lemry (Scenic Painter), Bekki Lambrecht is the Technical Director and the Stage Manager is Emily Wall.

As with all Black Ensemble Theater productions, Robert Reddrick will serve as musical director.  The Black Ensemble Band includes Robert Reddrick on drums, Tracy Baker on bass, Herbert Walker and Oscar Brown on guitar, and Mark Moultrup on piano.

Black Ensemble Theater performance times are Wednesdays and Thursdays at 7:30 p.m., Fridays at 8:00 p.m., Saturdays at 3:00 and 8:00 p.m. and Sundays at 3:00.  Ticket prices are as follows:
Previews are $45; Tickets during the regular run are $55 (Wednesdays, Thursdays and Saturday matinees) and $65 (Fridays, Saturday evenings and Sunday matinees).

The Five Play Card is a much more flexible way of becoming a subscriber to the theater’s 36th Season of Excellence: Treasures and Tributes.  The Five Play Card can be used for one person to see 5 plays or to bring 4 other friends to one show or in any other combination that adds up to five.  The Five Play Cards issued in 2013 will be good for one year.

Gold Five Play Card, $247.50, can be used on Wednesdays, Thursdays and Saturday matinees.  The Platinum Five Play Card, $292.50, can be used for any performance.  

Tickets and Five Play Cards are available at the box office, 4450 N. Clark Street and by phone, (773)
769-4451. Performances are held at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street.

FACTS

Title:                             Ain’t No Crying the Blues (In The Memory of Howlin Wolf)
Written by:                    Black Ensemble Theater Founder and CEO Jackie Taylor
Directed by:                  Associate Director Rueben Echoles
Assistant Director:         Associate Director Daryl Brooks
Musical Director:           Robert Reddrick

Featuring:  Rick Stone (Howlin’ Wolf), Kylah Williams (Lillie Wolf), Dwight Neal
(Muddy Waters), and Rashawn Thompson (Hubert Sumlin), with Claudia Cunningham, Cesil Jones, Raymond Wise, Theo Huff, Cynthia Carter, Danielle Davis, Michael Reckling and Mark Hood.

Orchestra:   Tracy Baker (bass), Robert Reddrick (drums), Herbert Walker (guitar), Oscar Brown (guitar), Mark Moutrup (piano)

Other Creative Team:  Denise Karczewski (Lights), Kristy Leigh Hall (Costumes), Helen Latyak (Props), CoCo Lemry (Scenic Painter), Bekki Lambrect (Technical Director), Emily Wall (Stage Manager)

Dates:                          June 1 – August 11, 2013
                                 
Schedule:                     Wed & Thurs:               7:30 p.m.
                                    Friday:                         8:00 p.m.
                                    Saturday:                     3:00 p.m. and 8:00 p.m.
Sunday:                       3:00 p.m.
Location:                      Black Ensemble Theater Cultural Center, 4450 N. Clark Street.
                                    Valet parking is             available.

Ticket prices:   Previews: $45
Regular Run: $55 on Wednesdays, Thursdays, and Saturday matinees; and $65 on Fridays, Saturday evenings, and Sunday matinees.
A 10% discount is available for students, seniors, and groups.  Preview tickets are $45.00
Box Office:  773-769-4451 or online at www.blackensemble.org.

The Black Ensemble Theater
Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.
On November 18, 2011, The Black Ensemble Theater Cultural Center opened and is able to accommodate larger-scale productions, bigger audiences and a wider range of educational programming. The new facility includes amenities such as a 299-seat main stage theater (double the capacity of the original venue); 14 offices, classroom space; rehearsal hall, dance studio, scene shop, costume shop, and wardrobe rooms; seven dressing rooms; rehearsal room for musicians; front lobby space with concession areas; and an indoor parking garage.  In addition, a 150-seat studio theater, which will serve as an experimental stage for the work of the Black Playwright Initiative (BPI), is in development as part of a long range strategic plan for the Black Ensemble Theater Cultural Center.

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, please visit www.BlackEnsembleTheater.org or call 773-769-4451.

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