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Friday, January 11, 2013

WHAT WE'RE WATCHING: Must See Shows at Music Box This Weekend



It's a director filled weekend in Chi-town.  Chicago-born filmmaker Linda Goldstein Knowlton will be here for the opening of her new movie Somewhere Between, Jan 11-13, as will the stars of the movie.   We caught a press preview of this moving, thought provoking doc. and highly recommend it!

I'm the daughter of an ESL (English as a second language) teacher and my cousin adopted Chinese girl twins as toddlers who are now 9.   You can check out their "Somewhere Between" experiences via the blog And Babies Make Four right here.  International families have always been a part of my world, and we're making a concerted effort to raise urban kids who have friends from many cultures.   So this film was of particular interest to me.   My husband's also a location sound engineer who travels the world on documentaries and other TV shoots, so he's picky about production values.   Even he was impressed by the quality of the audio and video in Somewhere Between.

The girls' stories are thought provoking, unique and insightful and raise great questions for adoptive multicultural families and society as a whole.   Check it out!


JOYOUS AND MOVING SOMEWHERE BETWEEN ASKS “WHO AM I?”

Award-winning documentary about adopted Chinese girls by Chicago-born filmmaker Linda Goldstein Knowlton opens exclusively at Music Box Theatre January 11
LINDA GOLDSTEIN KNOWLTON AND TEENAGERS FROM THE MOVIE WILL BE AT THE MUSIC BOX OPENING WEEKEND FOR POST-SCREENING Q&A’S

In profiling Chinese adoptees in contemporary America, the joyous Somewhere Between illustrates that even the most specific of experiences can be universally relatable. The deeply moving documentary by Linda Goldstein Knowlton (The World According to Sesame Street) intimately follows four American teenagers, some of the 80,000 girls who have been adopted from China since 1989 a decade after the country implemented its One Child Policy. These typical American teens reveal an inspiring sense of self-awareness as they attempt to answer the uniquely human question, “Who am I?” Somewhere Between makes its Midwest premiere Friday, January 11 for a limited engagement at Music Box Theater, 3733 N. Southport Avenue. Filmmaker Linda Goldstein Knowlton and the girls from the movie will be in attendance for post-screening Q&A’s on Friday, Saturday and Sunday. www.musicboxtheatre.com/features/somewhere-between


“My daughter's name is Ruby Goldstein Knowlton,” Knowlton explains. “She’s seven. When my husband and I adopted her from China, we had no idea what lay ahead. We became a family in an instant. But as I began to think about Ruby's future, I started to wonder how her coming of age would differ from mine. I began talking to older girls who had been adopted from China and brought to the U.S., and plunged into a world not just of identity but of what it means to be who we are. This film, SOMEWHERE BETWEEN, was born.”

The four girls at the center of the movie – Haley, Jenna, Ann and Fang – meet and bond with other adoptees, some journey back to China to reconnect with the culture, and some reach out to the orphaned girls left behind. In their own ways, they attempt to make sense of their complex identities. Issues of belonging, race and gender are brought to life through these articulate subjects, who approach life with honesty and open hearts.  Born in China to families who are unable to keep them, largely because of China’s “One Child Policy,” the baby girls were raised in orphanages, and then eventually adopted by American families. Here, they grow up with Sesame Street, hip-hop and Twitter. They describe themselves as “bananas”: white on the inside and yellow on the outside. All is well until they hit their teen years when their pasts pull at them, and they begin to wonder, “Who am I?”

As Somewhere Between plunges the viewer into the ordinary and extraordinary days of these four girls’ lives, we, too, are forced to pause and consider who we are—both as individuals and as a nation of immigrants.


Linda Goldstein Knowlton (Director/Producer)

Linda Goldstein Knowlton co-directed and co-produced the feature-length documentary, THE WORLD ACCORDING TO SESAME STREET. The film examines Sesame Street's international co-productions, made primarily in some of the world's political hotspots, including Kosovo, Bangladesh, and South Africa. The film made its World Premiere in competition at the 2006 Sundance Film Festival as an Official Selection in the U.S. Documentary category. The film was selected and screened at the Hot Docs Film Festival in Toronto, the Seattle Film Festival, and other festivals including Boston, Dubrovnik, New Zealand, Melbourne, and Zurich. Previously, Goldstein Knowlton produced the New Zealand film WHALE RIDER (2002), directed by Niki Caro, which was the winner of the Audience Awards at Toronto, Sundance, Rotterdam, Seattle, San Francisco, and Maui film festivals. Goldstein Knowlton became involved with WHALE RIDER in 1992, a decade before its theatrical release, after reading the novella upon which the film is based. Prior to that, she initiated the development of THE SHIPPING NEWS after reading the novel in galley form in 1993, and then produced the 2001-released film, directed by Lasse Hallstrom. She made her feature-film producing debut in 1999 with both MUMFORD, written and directed by Lawrence Kasdan, and CRAZY IN ALABAMA, directed by Antonio Banderas. She is currently developing both fiction and documentary films.

Born and raised in Chicago, Goldstein Knowlton studied neuroscience at Brown University. Following college, she remained in Providence to serve the governor of Rhode Island in the Office of Intergovernmental Relations. She subsequently worked raising funds for film preservation at The American Film Institute, in Washington, D.C., and, later, in Los Angeles. She lives in Los Angeles with her husband and daughter.

About the Music Box Theatre: For nearly 30 years the Music Box Theatre has been the premier venue in Chicago for independent and foreign films, festivals and some of the greatest cinematic events in Chicago. It currently has the largest cinema space operated full time in the city. The Music Box Theatre is independently owned and operated by the Southport Music Box Corporation. SMBC, through its Music Box Films division, also distributes foreign and independent films in the theatrical, DVD and television markets throughout the United States. 




Thursday, January 10, 2013

ACT OUT EXTENDED: 20th Anniversary Hellcab at Profiles Through 1/27 #review




Profiles Theatre extends Jeff recommended hit
20th Anniversary Production of Hellcab by Will Kern

now playing through January 27, 2013

It's 10 days into the new year and if you're anything like us, you're just now recovering from the "Holidaze".   December was a whirlwind of excellent live theatre productions and holiday shows in Chicago.   Our only regret is that it's over all too soon.   

As luck would have it, though, you can still see one of our absolute favs.  Hellcab is still taking fares and kicking ass through 1/27 

Of course we've been promoting this excellent remount since before we saw it on opening night, but if by some chance you haven't managed to see it yet, what are you waiting for?!    This show is almost worth seeing just for the impressively over the top 33 passenger curtain call alone!   (The original was done with one driver and just 6 ensemble members cycling through as new passengers.)  Konstantin Khrustov is stellar in the cabbie role.   And Profiles intimate space firmly places the audience right there in the action.

Hellcab is highly recommended and makes our ChiIL Picks list for the holidays and beyond.    It's a perfect antidote to the saccharine sweetness and falsehood of Christmas consumerism.   Sure it takes place on Christmas Eve, but the insights into human nature, the hilarious absurdity, gritty reality, and the tenderness are perennial.    Language and mature themes make this one for the older kids (AKA:  adults) and teens.

Profiles Theatre announces the extension of its hit 20th Anniversary production of Hellcab by Will Kern, directed by Profiles Co-Artistic Director Darrell W. Cox.  All cast members are continuing in their roles including Konstantin Khrustov as the driver and the original cast of 33 as the passengers. The production has been selling out since its opening on November 15, 2012 and has now been extended an additional five weeks, through January 27, 2013, at Profiles Theatre’s Main Stage, 4139 N. Broadway in Chicago.

Hellcab presents a day in the life story of a cab driver in for the longest night of his life as he transports a bizarre and mysterious collection of customers through the gritty streets of Chicago. Playwright Will Kern draws from personal experience as a former cab driver to create this alternately frightening, hilarious and poignant journey. Throughout his long shift, the eclectic collection of passengers includes a trio of drug-addicts, a smug lawyer, a born-again couple, a randy couple on their way to a motel. Set during a bitter cold Christmas Eve, Hellcab presents a rear-view image mirroring the passing parade of humanity.

Profiles presents the 20th Anniversary production of Kern’s landmark play. First produced as a late-night show by Famous Door Theatre in 1992, the play was originally scheduled for twelve performances and ended up running for over nine years, becoming one of the longest running shows in Chicago theatre history. 

Hellcab has been performed all over the U.S. and abroad, including Scotland, Israel, Singapore, and Ireland. The play won numerous awards, including a Fringe First at the Edinburgh Festival and was adapted for the screen by Mr. Kern in 1998.

Continuing in their roles are Konstantin Khrustov as the driver with the passenger roles performed by Anthony John Lawrence Apodaca, Dennis Bisto, Rebecca Julia Brown, Maryann Carlson, Chris Carr, Eric J. Ciak, Alex Fisher, LJ Flora, Jeff Gamlin, Carly Jo Geer, Philena Gilmer, Rob Grabowski, Desmond Gray, Aaron Holland, Khalil Lesaldo, Kaitlyn Majoy, Jack McCabe, Christopher McMorris, Katrina V. Miller, Stephanie Monday, Joseph W. Moore III, Todd Neal, Brennan Roche, Sarai Rodriguez, Andrew L. Saenz, Sheridan Singleton, Adam Soule, Aaron Spencer, Elise Spoerlein, Scott Stockwell, Rachel Weeks and Jin You.

Hellcab is the third production of Profiles Theatre’s 24th season. The Midwest premiere of The Dream of the Burning Boy by David West Read, the fourth show of the season, opens January 24, 2012 at Profiles original venue, The Alley Stage.

FACTS

Title:                 Hellcab
        Playwright:        by Will Kern
Directed by:        Darrell W. Cox
Featuring:         Anthony John Lawrence Apodaca, Dennis Bisto, Rebecca Julia Brown, Maryann Carlson, Chris Carr, Eric J. Ciak, Alex Fisher, LJ Flora, Jeff Gamlin, Carly Jo Geer, Philena Gilmer, Rob Grabowski, Desmond Gray, Aaron Holland, Konstantin Khrustov, Khalil Lesaldo, Kaitlyn Majoy, Jack McCabe, Christopher McMorris, Katrina V. Miller, Stephanie Monday, Joseph W. Moore III, Todd Neal, Brennan Roche, Sarai Rodriguez, Andrew L. Saenz, Sheridan Singleton, Adam Soule, Aaron Spencer, Elise Spoerlein, Scott Stockwell, Rachel Weeks, Jin You
           
Dates:              Extended Run:             
                         Now playing through January 27, 2013

Schedule:         Thurs., Fri.:                  8:00 p.m.
                       Saturday:                5:00 p.m. and 8:00p.m.
        Sunday:                    7:00 p.m.

Location:          Profiles Theatre, The Main Stage, 4139 N. Broadway
                        
                   Parking is available for $10 - $12 at 4100 N. Clarendon
(One block east of the theatre at the corner of Clarendon and Belle Plaine)

Ticket prices:    Thursdays are $35, Fridays, Saturdays and Sundays are $40; Students and Senior Citizens receive a $5 discount on all performances; Group rates are available.

Box Office:       Buy online at www.profilestheatre.org
or call (773) 549-1815

The designers are Shaun Renfro (set), Mike Durst (lights), Jeffrey Levin (sound and original music), and Raquel Adorno (costumes). Jordan Muller is the stage manager and Eric Burgher and Harmony France serve as assistant directors. Kaylie Honkala is the assistant stage manager and Claire Chrzan is the assistant lighting designer.

ABOUT PROFILES THEATRE

Profiles Theatre, founded in 1988 by Artistic Director Joe Jahraus, joined shortly thereafter by Artistic Director Darrell W. Cox, was formed as an actor-driven theatre ensemble dedicated to creating provocative and emotionally truthful productions. Passionate about shaping an original vision for new works, they focused on performing World, American and Midwest premieres as well as rarely performed plays. Critically acclaimed hits, such as BLACKBIRD, FAT PIG, GRACELAND and the multiple Jeff Award-winning KILLER JOE, established Profiles as a destination for challenging and edgy theatre. Their unique collaboration with playwright Neil LaBute led the ensemble to perform an entire season of his plays in 2007-2008. Now a Resident Artist at Profiles, LaBute remains an unequivocal artistic influence on the ensemble.

After performing at 4147 North Broadway for more than two decades, Profiles acquired an adjacent theatre at 4139 North Broadway in 2012. Profiles’ new theatre, The Main Stage, with its larger seating capacity, increased performance space and higher ceilings, accommodates more ambitious and technically demanding productions. Their long-time venue, renamed The Alley Stage, continues as the home for plays strengthened by a more intimate staging. Driven by an undiminished appetite for creating honest and resonant theatre, Profiles still seeks to present work that illuminates the determination and resiliency of the human spirit.

 

TNK Fest: ChiIL Live Shows Recommendations #TNKfest


Urge Overkill LIVE at Bottom Lounge 5/20/11 by ChiIL Live Shows

ChiIL out with ChiIL Live Shows at TNK Fest.   We'll be shooting stills and covering some of our fest favorites for you.   Here are our recommendations below in red.
Wednesday, Jan 16
Bear In Heaven
Hooray For Earth
Supreme Cuts
The Drum

Born Ruffians
Night Moves
Future Monarchs
DJ STEP
Thursday, Jan 17
Merchandise
Dusted
Sundress
Sybris

Wild Belle
High Highs
Black Light Dinner Party
Winston Wolf

The Low Times Podcast w/
Tom Sharpling
Maggie Serota
Daniel Ralston
Friday, Jan 18
Free Energy
The Orwells
Boats
Wedding Dress

Niki & The Dove
SSION
Onuinu
Vacationer
Moon Boots

Slam
Jeff Derringer

The Walkmen
Father John Misty
Limited availability for 5-Day Pass holders
First come first served

Kurt Braunohler
Cameron Esposito

Delocated Witness Protection Program Variety Show
Musical Guest: Archer Prewitt
Saturday, Jan 19
School of Rock Chicago presents:
A Tribute to Wilco

Chelsea Wolfe
The Amazing
King Dude
Sabers

Freelance Whales
Hundred Waters
Snowmine

Lucero
Matrimony
Houndmouth

Delocated Witness Protection Program Variety Show
Musical Guest: Urge Overkill

Kurt Braunohler
Cameron Esposito

RETREAT
Studio Casual
Only Children
Hey Cliché video club
Sunday, Jan 20
School of Rock Chicago presents:
A Tribute to Wilco

Geographer
Family Of The Year
Royal Canoe
The Hudson Branch

Jessie Ware
Rochelle Jordan
Mister Lies
Kriz Baronia

Derrick Carter
Michael Serafini
Garrett David


Check out the full lineup and get your tickets or 5 day passes here.

TNK: Snowmine, Freelance Whales & Hundred Waters at Lincoln Hall 1/19/13 #TNK



                     
                                                 SNOWMINE
Photo Credit: Emily Raw


ChiIL Live Shows will be there for Snowmine...will YOU?!   We'll be shooting stills and we'll have a photo filled recap for you shortly thereafter.

Just because it's January in Chi, IL, that's no reason not to have a music fest!   The annual Tomorrow Never Knows fest is back to thaw your frozen soul.   ChiIL Live Shows will be covering the fest and shooting stills of some of our top picks.   Check out our recommendations and get outta the house and hear some great bands.





Snowmine will be playing Lincoln Hall next Saturday, January 19th with Freelance Whales and Hundred Waters for the Tomorrow Never Knows festival.

The Brooklyn-based band blends afrobeat with electro-acoustic pop that melds into catchy, upbeat songs that always keep the room dancing. They craft a unique show by incorporating a special interactive app, Colorbeast, which takes sound from the live show and filters it into vibrant visuals in real time. 

XPN comments on this experience declaring, "Brooklyn’s Snowmine envelope you in their intricate layers of texture and atmosphere."  

You can listen to tunes from their 2011 album, Laminate Pet Animal, as well as their great follow-up single, "Saucer Eyes" here. They have just finished their sophomore record, to be released this year and will be performing songs from the upcoming LP for the first time.  


Snowmine don't just want to create music that you hear. They want to make music that you feel, that is in every breath, every corner and settles deep within the heart.
The Brooklyn quintet formed out of a longtime friendship between bassist Jay Goodman, drummer Alex Beckmann, and lead singer/composer Grayson Sanders. They soon met guitarist Austin Mendenhall after his then recent move from the DC jazz scene, and finally invited their old friend, guitarist Calvin Pia, to complete the five-piece.
Sanders, the son of an opera singer and oil painter, discovered a voracious appetite for Classical and IDM music at an early age. A zealous disciple of Stravinsky, Ravel, Bartok, Ligeti and Autechre, he spent the better part of his adolescent life in a bedroom, hunched over manuscript paper or staring at a computer screen. By the time he was 22, he had written five full symphonic premiers, including a recent modern orchestral cover of Bjork’s “Cover Me.”
These classical influences can be found throughout their music, while also combining elements of classic afrobeat, electro-acoustic soundscapes and early 20th Century orchestrations.
Snowmine self-released and self-produced their debut LP, Laminate Pet Animal, in May 2011 to much critical acclaim and solidified their presence in the hearts of loyal fans across the country, playing grandiose performances with chamber orchestras, installation art gallery shows and just about anything in between.
The band has spent the summer hard at work recording their new LP to be released in early 2013. Recorded in Germano Studios in Manhattan and Doctor Wu's in Brooklyn, the new record promises to build on the band's distinguished, textual and rich sound.
Right now one thing is certain. Next year is going to be a very, very busy one for the band.
Tour Dates /
01/15 - Brillobox - Pittsburgh, PA *
01/16 - MOTR Pub - Cincinnati, OH
01/17 - The Bishop - Bloomington, IN
01/18 - Maintenance Shop - Ames, IA
01/19 -Tomorrow Never Knows Festival -  Lincoln Hall - Chicago, IL ^
01/22 - Chronic Town - State College, PA
01/23 - Great Scott - Boston, MA
01/24 - Glasslands - Brooklyn, NY
03/06 - The Camel - Richmond, VA
03/07 - Local 506 - Chapel Hill, NC
03/08 - Savannah Stopover Music Festival - Savannah, GA
03/09 - Drunken Unicorn - Atlanta, GA 
 
* with Bear In Heaven 
^ with Freelance Whales & Hundred Waters


Links /



Liquid Soul 20th Anniversary at Double Door 1/20/13




We've been huge Mars Williams fans since back in the Psychedelic Furs days.   Here's Mars in orbit at Chicago Folk and Roots Fest 2011 with Soul Sonic Sirkus.


The Grammy-nominated Liquid Soul is celebrating its 20th Anniversary with a show at Double Door on Sunday, Jan. 20. The show will feature all original members and some very special guests.  (21+).   ChiIL Live Shows will be there...will YOU?!   We'll be shooting stills and we'll have a photo filled recap for you shortly thereafter.



Double Door Welcomes
Liquid Soul 20th Anniversary Show!
Sun, January 20, 2013
Doors: 7:30 pm / Show: 8:30 pm
Double Door
$10.00 - $20.00



Having exploded from a small underground street-jazz sound in Chicago in the mid-1990s, the Liquid Soul universe continues to expand at a dizzying pace. Founded and led by innovative saxophonist/composer Mars Williams, the ensemble has developed a trademark mixture of jazz and urban dance music that incorporates everything from R&B to hard-bop to hip-hop to world music and more. 

Downbeat proclaims that Liquid Soul “sweeps the mold and mildew out of jazz-funk and breathes it back to glorious life.”

Liquid Soul have opened for Sting at Madison Square Garden and Central Park, played at the Bill Clinton inaugural parade and 21st century ball, and twice rocked South By Southwest, where they were heralded by the Austin American-Statesman as “the single hottest showcase of the festival.”

The band’s impressive discography includes Make Some Noise (1998), Evolution (2002), and One-Two Punch (2006).


Click here for ChiIL Live Shows past Mars Williams related coverage including Liquid Soul, Soul Sonic Sirkus, and Midnight Circus collaborations.



ACT OUT OPENING: Court Theatre Present Skylight



Laura Rook as Kyra Hollis and Philip Earl Johnson as Tom Sergeant. Photo Credit: Joe Mazza


COURT THEATRE PRESENTS SKYLIGHT
WRITTEN BY DAVID HARE
DIRECTED BY WILLIAM BROWN


January 10 - February 10, 2013

Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present Skylight, written by David Hare, and directed by William Brown. Skylight will run January 10 – February 10, 2013 at Court Theatre, 5535 S. Ellis Avenue. 

  • Skylight was awarded the Laurence Olivier Theatre Award for Best Play in 1996 and was nominated for the Tony Award for Best Play in 1997.


A chamber play of surprising force, David Hare’s Skylight captures a cultural rift as powerful and polarizing today as it was when the piece premiered at the National Theater in Great Britain in 1995. On a bitterly cold London evening, schoolteacher Kyra Hollis (Laura Rook) receives an unexpected visit from her former lover, Tom Sergeant (Philip Earl Johnson), a successful and charismatic restaurant owner whose wife has just passed away. As the night wears on, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires. Director William Brown makes his Court Theatre debut with this intimate, contemporary drama.

  • This marks William Brown’s 16th production with Court Theatre, but his first as a director. He made his Chicago acting debut thirty years ago at Court Theatre as one of the twins in You Never Can Tell. 

“I'm thrilled to be making my Court Theatre directorial debut with Skylight,” said Director William Brown. “It's a powerful, intimate drama. Every scene in the play is a two-person scene which makes it my favorite type of play to direct. Plus, the play is in such good hands with the actors—Phil and Laura, the two leads, have undeniable chemistry, and with Matt Farabee, it's an extraordinary cast.”

The cast of Skylight includes Laura Rook as Kyra Hollis, Philip Earl Johnson as Tom Sergeant and Matt Farabee as Edward Sergeant.


  • Philip Earl Johnson, who returns to Court Theatre after just having played “Gabriel Conroy” in James Joyce’s “The Dead” has also performed for 23 years as MooNiE the Magnif’Cent.


The creative team includes Todd Rosenthal (scenic design), Rachel Healy (costume design), Jesse Klug (lighting design), Andy Hansen (sound design), John DiResta (assistant director). Sara Gammage is the production stage manager, and Amber Johnson. Eva Breneman is the dialect coach and Maren Robinson is the dramaturg.

ABOUT THE ARTISTS
DAVID HARE (Playwright) is a British playwright and prominent member of the British theatrical left. A founder of the Portable Theatre and the Joint Stock, he became resident dramatist and literary manager of the Royal Court Theatre, London (1967-71), and at the Nottingham Playhouse (1973). His plays are personal dramas, often presented in a historical context. Among the best of his early works is Teeth 'n' Smiles (1975), a satirical commentary on the state of modern British society. He achieved wide critical and popular acclaim with Plenty (1978), a dramatic tour-de-force for its female star, which deals with disillusionment in post-World War II Britain. His most successful play was Pravda (1985), which he wrote with his frequent collaborator Howard Brenton. The 1998-99 Broadway season marked a peak in Hare's success, featuring productions of The Judas Kiss, The Blue Room, and Amy's View, as well as a one-man play, Via Dolorosa, performed by Hare. The Breath of Life (2002) is a caustic study of two women in late middle age abandoned by the same man, roles originated in London by Dames Judi Dench and Maggie Smith. Stuff Happens (2004) is a bitingly topical examination of the Iraq war, repeatedly updated, with actors playing George W. Bush, Tony Blair, Colin Powell, and other real-life characters. The Iraq war is also central to The Vertical Hour (2006), the first of Hare's plays to debut on Broadway.

  • Playwright David Hare has been awarded the John Llewellyn Rhys Prize (1975), BAFTA Award (1979), the New York Drama Critics Circle Award (1983), the Berlin Film Festival Golden Bear (1985), the Olivier Award (1990), and the London Theatre Critics' Award (1990). He has been nominated for Broadway's Tony Award three times as the author of a Best Play (Plenty – 1983; Racing Demon – 1996; Skylight – 1997). Hare has also been nominated for two Academy Awards for Best Adapted Screenplay (The Hours – 2003; The Reader – 2009). He was knighted in 1998 for his services to drama.


WILLIAM BROWN (Director) most recently directed the world premiere of Wasteland at TimeLine Theatre Company where he also co-wrote and directed the world premiere of To Master the Art. For Writers’ Theatre, where he has directed twelve productions, he most recently directed A Little Night Music. At American Players Theatre he directed Troilus and Cressida as well as The Critic, Another Part of the Forest, Comedy of Errors, Hay Fever, A Midsummer Night's Dream, The Night of the Iguana, The Matchmaker, Twelfth Night, The Cherry Orchard, and Antony and Cleopatra. He has also directed plays at Goodman Theatre, Northlight Theatre, Indiana Repertory Theatre, and Milwaukee Repertory Theatre and is the Associate Artistic Director of Montana Shakespeare in the Parks. Bill made his Chicago acting debut thirty years ago at Court Theatre as one of the twins in You Never Can Tell.

MATT FARABEE (Edward Sergeant) has appeared in Chicago in punkplay (Steppenwolf Garage); MilkMilkLemonade (Pavement Group); Elizabeth Rex (Chicago Shakespeare Theater); Tigers Be Still (Theater Wit); and The Trestle at Pope Lick Creek (Eclipse Theatre Company).  Off Broadway credits include A Bright New Boise at Partial Comfort.  Regional credits include Lord of the Flies and One Flew Over the Cuckoo’s Nest at Round House Theatre.  Matt is a graduate of the University of North Carolina at Chapel Hill and is represented by Paonessa Talent. 

PHILLIP EARL JOHNSON (Tom Sergeant) returns to Court Theatre having just played Gabriel Conroy in James Joyce’s “The Dead.” Other credits include The Mystery Cycle (Jesus) at Court Theatre and the National tour of Angels in America (Joe). Other Chicago credits include Talking Pictures (Willis) at the Goodman Theatre, Old Glory (Peter) at Writers’ Theatre, The Big Meal (Man #2) at American Theater Company, Picasso at the Lapin Agile (Picasso) at Steppenwolf Theatre Company, and The Herbal Bed (Rafe) at Chicago Shakespeare Theater.  Regional credits include Cyrano de Bergerac (Cyrano) at the Illinois Shakespeare Festival.  Recent television credits include Chicago Fire (NBC) and Unemployed (MTV).  Philip Earl Johnson has also performed for 23 years as MooNiE the Magnif’Cent.

LAURA ROOK (Kyra Hollis) makes her Court Theatre debut. Recent credits include productions at American Players Theater, Montana Shakespeare in the Parks, Illinois Shakespeare Festival, Writers’ Theatre, Bohemian Theatre, Silk Road Rising, and XIII Pocket. This spring she will appear as “Juliet” in Chicago Shakespeare Theater’s Short Shakespeare! Romeo and Juliet. Laura holds a BFA from the Chicago College of Performing Arts at Roosevelt University and is represented by Paonessa Talent.

CHARLES NEWELL (Artistic Director) has been Artistic Director of Court Theatre since 1994, where he has directed over 30 productions. He made his Chicago directorial debut in 1993 with The Triumph of Love, which won the Joseph Jefferson Award for Best Production. Directorial highlights at Court include James Joyce’s “The Dead,” Angels in America, An Iliad, Porgy and Bess, Three Tall Women, The Year of Magical Thinking, The Wild Duck, Caroline, Or Change, Titus Andronicus, Arcadia, Man of La Mancha, Uncle Vanya, Raisin, The Glass Menagerie, Travesties, Who’s Afraid of Virginia Woolf?, Hamlet, and The Invention of Love.  Charlie has also directed at the Goodman Theatre (Rock ‘n’ Roll), the Guthrie Theater (Resident Director: The History Cycle, Cymbeline), Arena Stage, John Houseman’s The Acting Company (Staff Repertory Director), the California and Alabama Shakespeare Festivals, Juilliard, and New York University. He is the recipient of the 1992 TCG Alan Schneider Director Award. He has served on the Board of Theatre Communications Group, as well as on several panels for the National Endowment for the Arts. Opera directing credits include Marc Blitzstein’s Regina at the Lyric Opera of Chicago, and Rigoletto at Opera Theatre of St. Louis. Charlie is a multiple Joseph Jefferson Award (Chicago’s highest theatrical honor) nominee and recipient.

STEPHEN J. ALBERT (Executive Director) is a founding Partner in Albert Hall & Associates, LLC a leading arts consulting firm. Prior to forming the consulting practice, Albert was recognized as a leading arts manager. He has led some of America’s most prestigious theatres, including the Mark Taper Forum/Center Theatre Group, Alley Theatre, and Hartford Stage Company. Albert began his career with the Mark Taper Forum/Center Theatre Group in Los Angeles where he worked in senior management positions for over a decade, rising to Managing Director. He went on to become Executive Director of Houston’s Alley Theatre where he led a turnaround that stabilized the organization, enabling the Alley to return to national standing and drove a capital campaign that secured the organization’s future. At Hartford Stage, his partnership with Mark Lamos resulted in some of the theatre’s most successful seasons and reinforced Hartford Stage’s position at the forefront of the regional theatre movement. During his tenure in Hartford, Mr. Albert led the initiative to create a 25,000 square foot, state-of-the-art production center, securing the donation of the facility and the funding for its renovation. Albert has served as both President and Vice President of the League of Resident Theatres (LORT) and as a board member of Theatre Communications Group (TCG). He has also written and produced a variety of productions for television, is an ACE Award nominee, and has been an associate producer of numerous acclaimed Broadway productions. He is a Senior Fellow with the American Leadership Forum, a graduate of the University of Southern California and holds a MBA from the UCLA Graduate School of Management.

Previews are January 10 – January 18, 2013.  The opening press performance is on Saturday, January 19, 2013 at 8:00 p.m. Curtain times are Wednesdays and Thursdays at 7:30 p.m.; Fridays and Saturdays at 8:00 p.m. with Saturday matinees at 3 p.m.; Sundays at 2:30 p.m. and 7:30 p.m.

Ticket prices are $35 to $45 for preview performances; $45 to $65 for regular run performances. Tickets are available at the Box Office, 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online at www.CourtTheatre.org. Student and senior discounts available. Groups of 10 or more may purchase discounted tickets by calling Kate Vangeloff at 773-834-3243.

Skylight is sponsored by Kirkland and Ellis.

Now in its 58th season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.


Laura Rook as Kyra Hollis and Philip Earl Johnson as Tom Sergeant. Photo Credit: Joe Mazza

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