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Tuesday, January 8, 2013

ACT OUT OPENING: Northlight Theatre announces The Whipping Man




Northlight Theatre announces
The Whipping Man
Written by Matthew Lopez
Directed by Kimberly Senior


Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2012-2013 season with Matthew Lopez’s The Whipping Man, directed by Kimberly Senior. The production will run at Northlight Theatre, 9501 Skokie Blvd in Skokie, from January 18-February 24, 2013.

When Caleb, a wounded Confederate soldier returns to his family’s home at the end of the Civil War, he finds it in ruins and abandoned by all but two former slaves. United by their Jewish faith, the three men celebrate a Seder while wrestling with a shared past they can’t escape—and uncover a tangle of secrets that threatens their family and their faith.

Artistic Director BJ Jones comments, “There is historical precedence for the storylines in Mathew Lopez’s compelling and surprising play The Whipping Man. The context of the fallen South at the end of the Civil War, the newly freed slaves, the returning Confederate soldier - son of a Jewish slave owner, makes for an exotic and combustive cocktail for a play, which is at once gripping and intellectually satisfying.”
The cast features Derek Gaspar, Sean Parris, and Tim Edward Rhoze.

The design team includes Jack Magaw (set design), Rachel Laritz (costume design), Chris Binder (lighting design), Christopher Kriz (sound design), Eva Breneman (dialect coach) and Chris Rickett (violence design).

ABOUT THE ARTISTS
Matthew Lopez (Playwright) The Whipping Man is one of the most celebrated and widely-produced new American plays of the last few theatrical seasons.  It premiered off-Broadway at Manhattan Theatre Club, directed by Doug Hughes and starring André Braugher.  Mr. Lopez was awarded the John Gassner New Play Award from the Outer Critics Circle for this production. His play Somewhere premiered in 2011 at the Old Globe and is currently on the stage at Theatre Works in Palo Alto.  Other plays include Reverberation, The Legend of Georgia McBride and The Sentinels, which premiered in 2011 in London.  He is commissioned by Roundabout Theatre Company, Manhattan Theatre Club, and Hartford Stage, where he is the 2012/13 Aetna New Voices Fellow.  Mr. Lopez is currently a staff writer on Aaron Sorkin’s HBO series The Newsroom.
Kimberly Senior (Director) Northlight: The Whipping Man (debut).  Chicago: The Letters (Writers' Theatre); Want, The North Plan (Steppenwolf); After the Revolution, The Overwhelming (Next); Cripple of Inishmaan, Bug, The Pillowman (Redtwist); Disgraced (American Theater Company); Waiting for Lefty (American Blues); Old Times, Uncle Vanya, Cherry Orchard, Three Sisters (Strawdog); Thieves Like Us (House Theatre); All My Sons, Dolly West's Kitchen (TimeLine Theatre). Regional: Disgraced (LCT3); Murder on the Nile, A Few Good Men (Peninsula Players); Mauritius (Theatre Squared). Founder/Collaboraction, Artistic Associate/Next, Strawdog, Chicago Dramatists. Kimberly lives in Evanston with her husband, scenic designer Jack Magaw and her two children.
Derek Gaspar (Caleb), making his Northlight debut, has appeared in Three Sisters and The March (Steppenwolf Theatre), Chicago Boys (Goodman Theatre), Waiting for Lefty (American Blues Theater) and Orpheus Descending (Shattered Globe). Other companies he has had the pleasure to work with include Court, Next, Timeline, Pinebox and Trap Door Theatres.

Sean Parris (John), making his Northlight Theatre debut, has appeared in the world premiere of A Girl with Sun in Her Eyes (Pine Box Theatre), Letters Home (Griffin Theatre), A Midsummer Night’s Dream (Chicago Shakespeare), Pornography (Steep Theatre), Seascape (Remy Bumppo); Understudy in Angels In America (Court Theatre). Regional Credits include: Hamlet (Saratoga Shakespeare Festival). Sean is a graduate of The Theatre School at DePaul University.
Tim Edward Rhoze (Simon) is the Producing Artistic Director of the Fleetwood-Jourdain Theatre in Evanston, Illinois; he has directed For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, Having Our Say, Five Guys Named Moe, From the Mississippi Delta, Heat, Home, and playwright Tania Richards’ solo performance in her autobiographical Truth Be Told. Tim has performed at the Goodman Theatre in over a dozen plays, and more than 30 other productions at Steppenwolf, Victory Gardens, Detroit Repertory Theatre, Detroit’s Harmonie Park Playhouse, Plow Shares and Attic Theatres, Wayne State University’s Hilberry Repertory, University of Detroit Theatre Company and GEVA Theatre in Rochester New York.

The Box Office is located at the North Shore Center for the Performing Arts, 9501 Skokie Boulevard, in Skokie. Box Office hours are Monday-Friday 10:00am-5:00pm, and Saturdays 12:00pm-5:00pm. On performance days, the box office hours are extended through showtime. The Box Office is closed on Sundays, except on performance days when it is open two hours prior to showtime.

Curtain times are: Tuesdays: 7:30pm; Wednesdays: 1:00pm and 7:30pm; Thursdays: 7:30pm; Fridays: 8:00pm; Saturdays: 2:30pm and 8:00pm; Sundays: 2:30pm, and 7:00pm.

Northlight is continuing its popular special event series in conjunction with each production. All events are free for subscribers and ticket holders.

Salon Series will be held on select Wednesdays at 6:15pm and last approximately one hour. Gain deeper insight into each of the five plays in our 2012-13 mainstage season. Salon Series for The Whipping Man will be held January 30, 2013 and will feature Northwestern University professor E. Patrick Johnson. Event is FREE, but RESERVATIONS ARE REQUIRED.  Please call 847.679.9501 x 3605 to RSVP.

Community Conversations is a series of post-show discussions. Local experts join a Northlight facilitator, engaging audiences in a dialogue about the play's themes and the creative process behind live theatre! The post-show discussions for The Whipping Man will be held on Sundays, January 20 and February 3 after the 2:30 performances; Tuesday, January 22 after the 7:30 performance; Wednesday, January 23, after the 7:30 performance; and Wednesdays January 30 and February 13 after the 1:00pm performances.

Backstage with BJ is a mid-day discussion with Artistic Director BJ Jones, featuring special guest artists, actors, directors and designers, offering behind-the-scenes insight into each production while it is still in rehearsal.  Backstage with BJ for The Whipping Man will be held on January 11 at 12:00pm and will last approximately one hour. Reservations are required, 847.679.9501 x3555 or specialevents@northlight.org.

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Now in its 38th season, the organization has mounted nearly 200 productions, including over 40 world premieres. Northlight has earned 151 Joseph Jefferson Award nominations and 28 Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

Northlight’s production of The Whipping Man is sponsored in part by The Pauls Foundation, The Elizabeth F. Cheney Foundation, and Quince at the Homestead.

Northlight is supported in part by generous contributions from The Allyn Foundation; Arts Midwest; Blackman Kallick Bartelstein, LLP; BMO Harris Bank; Draft FCB; the Elizabeth F. Cheney Foundation; ComEd, An Exelon Company; Edgerton Foundation for New American Plays Award; Ernst & Young; Evanston Community Foundation; Gand Music & Sound; The Homestead Hotel; Illinois Arts Council, a state agency; The Irving Harris Foundation; The Joyce Foundation; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Madison Dearborn Partners; Melvoin Award for Playwriting; Modestus Bauer Foundation; North Shore Center for the Performing Arts Foundation; Nuveen Investments; The Offield Family Foundation; The Pauls Foundation; Pioneer Press; Quince at the Homestead; Daniel F. and Ada L. Rice Foundation; Room & Board; Sanborn Family Foundation; Shubert Foundation; Skokie Fine Arts Council; Sullivan Family Foundation; Target; and Tom Stringer Design Partners.


Schedule: Tuesdays: 7:30pm (January 22 and February 12 only)
Wednesdays: 1:00pm (except February 6), and 7:30pm (except February 13)
Thursdays: 7:30pm
Fridays: 8:00pm (except Opening on January 25 at 7:30pm)
Saturdays: 2:30pm (except January 19) and 8:00pm
Sundays: 2:30pm, and 7:00pm (except January 27, February 3 and 24)

Location: Northlight Theatre is located at the North Shore
Center for the Performing Arts, 9501 Skokie Blvd,
Skokie.

Tickets: Previews: $25-$54
Regular run: $25-$72
Student tickets are $15, any performance,
(subject to availability)

Box Office: The Box Office is located at 9501 Skokie Blvd, Skokie.
847.673.6300; northlight.org

Notes of Interest:
Over the past year, Kimberly Senior directed the World Premiere of Disgraced at American Theater Company and in New York; After the Revolution at Next; Cripple of Inishmaan at Redtwist; Murder on the Nile at Peninsula Players; and The Letters at Writers’ Theatre. Kimberly was, formerly, a teaching artist at Northlight Theatre.

The Whipping Man is the first play by Matthew Lopez’s to be professionally produced. He won the 2011 John Gassner Playwriting Award by the NY Outer Critics Circle. The Whipping Man was one of the most produced plays in the country this year.

The Whipping Man represents an important part of American History. There is record of slaves being raised Jewish, most likely if the owner was Jewish. The play takes place at the end of the Civil War and raises questions of freedom, servitude and identity for all the characters.

In conjunction with The Whipping Man, Northlight is hosting a number of special events with community partners. All events are subject to change, and new events may be added. For up-to-date details, visit northlight.org/events.

  • Civil War era medical practice: why amputation was often the answer
Monday, January 21 at 4:00pm
Evanston Public Library
Free and open to the public

  • A post-Civil War state of affairs: the politics of race and religion and the Great Migration of African Americans
Wednesday, January 30 at 6:15 PM (preceding 7:30 performance)
Free and open to the public as part of Northlight’s Salon Series

  • A conversation with director Kimberly Senior and cast members
Thursday, January 31 at 3:30pm
Skokie Public Library
and
Wednesday February 6 at 3:30pm
Wilmette Public Library
Free and open to the public

  • Jewish slave owners in 19th-century America: a panel discussion with Rabbi Andrea London (Beth Emet), Reverend Mark Dennis (Second Baptist Church), Tim Rhoze (cast), and Skokie Mayor/Civil War expert George Van Dusen
Thursday February 7 at 3:30pm
Skokie Public Library
Free and open to the public

  • Abraham Lincoln on stage and screen: an expert from Springfield’s Lincoln Library examines the historical accuracy of Lincoln’s many theatrical representations
Date and Time TBA
Location TBA
Free and open to the public

  • Contrasts in construction: the Chicago Architecture Foundation compares Chicago’s post-Civil War architectural boom with a rapidly deteriorating South
Date and Time TBA
Location TBA
Free and open to the public

  • Scene Selections and Discussion of Matthew Lopez’s The Whipping Man
Saturday, February 2 at 7:30pm
Chicago History Museum (1601 N Clark, Chicago)
***This event is part of the New Voices: Festival of Jewish Playwrights presented in collaboration with the Chicago History Museum. For staged reading plays and dates, visit northlight.org/newvoices. Tickets $15/$10 museum members: 312.642.4600




Wino LIVE at Reggies Opening for Mondo Generator 1-6-13 #liveshowshots #HDvideo



Wino LIVE at Reggies in Chicago.   Check out ChiIL Live Shows' original shots and video from 1-6-13, opening for Mondo Generator.    Special guests pictured include Nick Oliveri (Kyuss, Queens of the Stone Age, Mondo Generator) and many more.




According to Wikipedia:


Robert Scott "Wino" Weinrich[1] (born September 29, 1960[2]) is an American heavy metal guitarist, songwriter and singer.

Biography

He has been highly influential in helping develop and codify doom metal's trademark sound.[3] Active since 1976, when he started his first band War Horse, Weinrich is best known for being the frontman and guitarist of the doom metal bands The Obsessed and Saint Vitus. Weinrich is also a solo artist, having released three studio albums since 2009.
From 2010 onwards, Wino's solo material consists exclusively of acoustic material. Having released two acoustic albums so far, Adrift in 2010 and Heavy Kingdom (a collaboration with Conny Ochs) in 2012, Wino toured extensively Europe and North America as a solo artist.

ACT OUT OPENING: American Theater Company announces the world premiere of the revised version of columbinus



World premiere of the revised version of columbinus Opens at ATC
WRITTEN BY STEPHEN KARAM AND PJ PAPARELLI
DRAMATURGY BY PATRICIA HERSCH
CONCEIVED AND DIRECTED BY ARTISTIC DIRECTOR PJ PAPARELLI

American Theater Company announces the world premiere of the revised version of columbinus, written by Stephen Karam and PJ Paparelli, with dramaturgy by Patricia Hersch, and conceived and directed by Artistic Director PJ Paparelli.  The 2013 production will premiere material devised from recent interviews with survivors of the Columbine High School Shootings, families of victims and residents of Littleton, Colorado. The new material includes never-before-released information on the shooters and their families and first-hand accounts of both the Columbine and Aurora shootings.  

Columbinus will run February 1  – March 10, 2013, at American Theater Company, 1909 W Byron St, Chicago, IL. 

  • Co-writer Stephen Karam’s play Sons of the Prophet was a 2012 Pulitzer Prize finalist.


Littleton, Colorado. 1999.  Two teenagers devastate a community and shock the country when they walk into their suburban high school and kill twelve students and one teacher.  Based on interviews with teenagers across the country and survivors and community members in Littleton, this haunting drama takes a hard look at modern teenagers through the lens of the most infamous high school shooting in American history. 

  • PJ Paparelli returned to Littleton, Colorado earlier this year to conduct additions interviews with the families of victims.    Information was discussed openly for the first time, mainly due to previous restrictions as a result of court cases.  The new script contains new and revised scenes based on the interviews, and including current events.  


“Folks who didn’t want to talk before because of lawsuits or their healing process, have now all opened up,” said Paparelli about the recent interviews.  “I was shocked at what I heard and I am glad that theater will be the vehicle to get this information out to the world.”

Several survivors who are featured in the documentary play will travel to Chicago to work with the cast and attend Opening Night.

  • Victims’ families will be attending columbinus throughout the run.  Additional information will be available soon about post-show discussions in conjunction with visitors from Littleton.


Paparelli continues, “The events in Newtown have saddened and, frankly, angered our entire company as well as those survivors from Columbine with whom we have been working with so closely on this project.  While the nation mourns, a passionate dialogue has begun about the larger issues of gun control, mental health treatment, and ultimately, the unanswerable question of, “why?”.  Our interviewees in Colorado and our artistic team hope that columbinus will be forum for Chicagoans to further that dialogue, which is exactly why teenagers from Chicago Public School are at the center of that dialogue, as they work on the play in classrooms around the city.”

Over 1000 ninth grade students in Chicago Public Schools English classes will have a first-hand experience with columbinusThrough ATC’s American Mosaic program and in conjunction with the city-wide initiative to address violence in the schools, Now Is The Time, ATC teaching artists will collaborate with classroom teachers to lead students in a performance-based study of the play.  Through American Mosaic, ATC hopes to strengthen reading competency and comprehension, spark interest in reading and lead and inspire meaningful conversation about solutions to violence.


Schedule:         Thursdays & Fridays: 8:00 p.m .
Saturdays: 2:00 p.m. & 8:00 p.m.                     
Sundays: 2:00 p.m.      
                                                            
There will be an additional performance on Tuesday, February 5 at 7 p.m.

Location:                                  American Theater Company, 

                                                  1909 W Byron St., Chicago

Tickets:                      Previews: $33
Regular run: 
Thurs, Sat matinees, Sun matinees $38
Fri & Sat evenings $43

Opening night including post-show reception $50

*As part of Chicago Theater Week, a limited number of $15 tickets will be available for all performances February 14 – 17, 2013.

Box Office:                 The Box Office is located at 

                                      1909 W Byron St., Chicago

773.409.4125; www.atcweb.org

  • columbinus was a critical success when it premiered in 2005 in a co-production with Round House Theatre in DC and Perseverance Theater and then Off-Broadway at the New York Theatre Workshop in 2006. 



columbinus features Matt Bausone (Freak/Eric Harris), Rob Fenton (Prep), Eric Folks (Loner/Dylan Klebold), Leah Karpel (Faith), Aaron J. Nelson (Jock), Kelly O’Sullivan (Perfect), Tyler Ravelson (AP), andSadieh Rifai (Rebel).

The creative team for columbinus includes William Boles (Scenic Designer), Jesse Klug (Lighting Designer), Mac Vaughey (Associate Lighting Designer), Sally Dolembo (Costume Designer), Andre Pluess(Sound Designer) and Martin Desjardins (Original Sound Designer) and Mike Tutaj (Projection Designer).  Michael Leibenluft is the Assistant Director, Rick Combs is the Technical Director, G. Max Maxin IV is the Properties Master, and Katie Klemme is the Stage Manager. 

ABOUT THE ARTISTS

PJ PAPARELLI (Conceiver, Co-Writer, Director) is the author of Any Year is This Year a documentary play in partnership with Maria Irene Fornes (ATC’s Silver Project); Raven Odyssey (Perseverance Theater) a documentary style play on Alaska Native Raven stories; and columbinus (New York Theatre Workshop). columbinus was nominated for 2 Lucille Lortel Awards, 5 Helen Hayes Awards, and has had over 150 productions around the world.  He is in his sixth season as Artistic Director of American Theater Company where his directing credits include The Original Grease (2011 Jeff Award Best Musical), The Catholic Rep, The Amish Project, Escape, Distracted, Yeast Nation by the writers of Urinetown, Hedwig and the Angry Inch, True West (Caucasian & African American versions), and Speech & Debate (2008 Jeff Nomination Best Director). From 2004-2007 he was the Artistic Director of Perseverance Theater in Juneau, Alaska and from 1998-2004 he was the Associate Director of the Shakespeare Theatre Company in Washington, DC.  Regional directing credits include Romeo and Juliet (The Folger), a collaboration with Terrence McNally on a new version of Corpus Christi at Source Theatre (2003 GLAAD Media Award), Romeo and Juliet(Shakespeare Festival of St. Louis), Twelfth Night at Shakespeare Santa Cruz (2005 Newsweek’s Top Five summer productions), The Merchant of Venice (American Shakespeare Center), Action (Circle Rep) andTrue West in Russian at the Moscow Art Theatre School. PJ has directed and/or taught Shakespeare at The Juilliard School, Bread Loaf School of English at Middlebury College, North Carolina School of the Arts, University of Alaska-Southeast, UNC at Chapel Hill, Catholic U, U of Pennsylvania, and Johns Hopkins.  He holds a BFA in directing from Carnegie Mellon and graduate studies in acting at the Moscow Art Theatre School.  He was in residency last summer at The Orchard Project in NY, developing a documentary play on Chicago’s Public Housing.

STEPHEN KARAM (Co-Writer) is the author of Sons of the Prophet (2012 Pulitzer Prize Finalist and winner of the Drama Critics Circle, Outer Critics Circle & Lucille Lortel Awards for Best Play).  Other plays includeSpeech & Debate, the inaugural production of Roundabout Underground and the regional premiere at American Theater Company; columbinus (New York Theatre Workshop); Girl on Girl (Brown/Trinity Playwrights Rep); and Emma (a modern, musical version of Jane Austen’s novel), performed by students of the Professional Performing Arts High School in NYC in association with Waterwell.  He wrote the libretto for Dark Sisters, an original chamber opera with composer Nico Muhly (co-produced by Gotham Chamber Opera, MTG and Opera Company of Philadelphia). Stephen has been a guest teacher at Brown University, NYU, University of Scranton, The New School and is a 2012 writer-in-residence at the Fieldston School in NYC. A MacDowell Colony Fellow, Stephen grew up in Scranton, PA and is a graduate of Brown University.  He is the recipient of the inaugural Sam Norkin Off-Broadway Drama Desk Award and the Dramatists Guild’s Hull-Warriner Award for Sons of the Prophet.

PATRICIA HERSCH (Dramaturg) is the author of the critically acclaimed book A Tribe Apart: Journey into the Heart of American Adolescence. Considered the "first report from the home front" the year it was released, both Amazon.com and The Wall Street Journal named it one of the top 10 books in parenting, families and work. As lecturer, consultant, writer and youth advocate, she tours the country bridging the gap between adolescents and the adult world around them. Immediately following the Columbine shootings, she was called upon to address a special meeting of the COPS (Community Oriented Police in the Schools) program at the Department of Justice in Washington, D.C., and a Speak Out Forum for Youth convened by MTV and the National Association of Attorneys General and to keynote a conference of Educational Writers Association on Violence in the Schools. A former contributing editor to Psychology Today, she has been published in The Washington Post, USA Today, The Baltimore Sun and other newspapers and magazines. Her new book A Passion of Their Own: The Adolescent Quest for Connection will include some of her experiences working on columbinus.

MATT BAUSONE (Freak/Eric Harris) is making his American Theater Company debut in columbinus. He is a recent graduate of Illinois State University.

ROB FENTON (Prep) makes his second appearance with American Theater Company. Rob moved to Chicago to be in Timeline Theatre's production of The History Boys and was last seen with TheMASSIVE in their production of Macbeth. Rob is a founding ensemble member of The Alluvium Group. He has also worked with Dog and Pony, Griffin, Mary Arrchie, The Neo-Futurists, Sinnerman Ensemble, Signal Ensemble, and Steppenwolf Theatre companies.


ERIC FOLKS (Loner/Dylan Klebold) is a New York based actor where he is a company member at the Flea Theater. At the Flea he has appeared in the world premieres of JOB by Thomas Bradshaw, Just Cause by Zack Russel, and The Wundelsteipen and Other Difficult Roles for Young People by Nick Jones. He has also played a slew of roles in #serials@theflea, the Flea's raucous late-night episodic play competition. Other Credits: Almost, Maine (New London Barn Playhouse), Fiddler on the Roof (New London Barn Playhouse), and A Man of No Importance (Gallery Players, Brooklyn). Eric is a graduate of Otterbein University.

LEAH KARPEL (Faith) has appeared in Chicago in The Glass Menagerie, The Hot L Baltimore (Steppenwolf Theatre); We Are Proud to Present... (Victory Gardens Theatre); Punk Rock (Griffin Theatre); Neighborhood 3: Requisition Of Doom (Strawdog Theatre Company); and Feet Of Clay (Last Match Theatre).  Regional credits include Ten Chimneys (Milwaukee Rep); Half And Half (Penguin Rep); The Play About My Dad (CollaborationTown); and Evanston: A Rare Comedy (HERE Arts/PS 122).  She will be seen next in The Whale at Victory Gardens Theatre.  Leah received her BFA from Boston University and is a graduate of The School At Steppenwolf.

AARON J. NELSON (Jock) has worked with Disney, Estee Lauder, The Chicago Bulls, Six Flags, Profiles’ Theatre, and The World Literacy Crusade. He is also a songwriter and producer under his musical alias “Apollo.” Aaron received his Bachelors of Arts in Arts, Entertainment, and Media Management from Columbia College Chicago in 2012.

KELLY O’SULLIVAN (Perfect) has appeared in Hesperia (Writers Theatre), The Seagull (Goodman Theatre), Honest, Good Boys and True, The Crucible, and 100 Saints You Should Know (Steppenwolf Theatre),Freshly Fallen Snow (Chicago Dramatists), The Lieutenant of Inishmore (Northlight Theatre), Jon (Collaboraction Theatre), Boom (Next Theatre), The Dark at the Top of the Stairs (American Theater Company), The Glory of Living (Profiles Theatre), and Mr. Marmalade -Jeff Nomination Principal Actress in a Play (Dog & Pony Theatre), My Wonderful Day- Barrymore Nomination Outstanding Supporting Actress (The Wilma Theatre) and the Ojai Playwrights Conference.  Her film and TV credits include In Memoriam, Battleground, and The Mob Doctor.  Kelly is a graduate of Northwestern University and The School at Steppenwolf.

TYLER RAVELSON (AP) has previously appeared at American Theater Company in It’s A Wonderful Life: The Radio Play, The Original Grease (Jeff Award: Best Musical) and Rent, directed by David Cromer. Most recently, he was seen in the Goodman Theatre’s Sweet Bird of Youth, also directed by David Cromer. Other Chicago credits include The Nutcracker and Girls vs. Boys at The House Theatre, Talk Radio at State Theatre Chicago, and The Hundred Dresses at Chicago Children’s Theatre. Regional credits include Frank Galati’s production of Twelve Angry Men at The Maltz Jupiter Theater in Florida. A Massachusetts native, he is a 2009 BFA graduate of Roosevelt University’s Theatre Conservatory.

SADIEH RIFAI (Rebel) is an ensemble member at American Theater Company where she has performed in The Catholic Rep: Doubt and Agnes of God, The Amish Project, The Original Grease, Welcome to Arroyo’s, Hedwig and the Angry Inch, Distracted, and Speech and Debate for which she won an After Dark Award for Outstanding Performance. Other credits include The Piano Teacher (Next Theater), Merchant of Venice(Silk Road Theatre), Ski Dubai (Steppenwolf Theatre First Look) and understanding the role of Johanna Monevata in August: Osage County (Steppenwolf Theatre). Sadieh is a graduate of The School at Steppenwolf.  Film credits include: the award winning The Wise Kids (New Fest, Out Fest and NYC LGBT Film Festival) and the feature film Nate and Margaret. She’s also a recurring character in the mockumentary Bad Sides, which was recently a finalist in the Chicago Comedy TV Pilot Competition. Sadieh was most recently awarded the Princess Grace Theater Award.

AMERICAN THEATER COMPANY
American Theater Company is an ensemble of artists committed to producing new and classic American stories that ask the question, “What does it mean to be an American?” 

American Theater Company is supported by a CityArts Program 2 Grant from the City of Chicago Department of Cultural Affairs and Special Events; Illinois Arts Council, a state agency; Shubert Foundation; Lloyd A. Fry Foundation; Polk Bros. Foundation; Pauls Foundation; Elizabeth F. Cheney Foundation, and Prince Charitable Trusts.

Bear in Heaven at Tomorrow Never Knows Fest 1-16-13 #originalphotos


ChiIL Live Shows--Bear in Heaven at Schubas--original LIVE show shots 4-19-12



   

BEAR IN HEAVEN


Music Videos


Check 'em Out
"Kiss Me Crazy"/
"Sinful Nature" /
"The Reflection Of You" /


Quotes /
"New York trio Bear In Heaven turns its synthesizers into a full orchestra. Leader Jon Philpot uses his voice as an instrument, opting for patterns over melodies, and guitars recall the Cure while reaching for the stars." LA Times

"The band created an impromptu dance club setting, with an extraordinarily visceral onslaught of pounding kick drums and distorted bass lines that had much of the room, and frontman Jon Philpot in particular, dancing in earnest." Boston Globe

"Another outstanding entry from the electro-enclave, Brooklyn-based Bear in Heaven's I Love You, It's Cool is a slick ride—harder to brush off than the "aw, shucks" title suggests" Filter

"Its songs are sweet, reasonably simple and charmingly buzzy, with each whirring synth wrapped around a core of pure pop" NPR

"Melody, texture, and groove, yet I have not the slightest idea how to dance to it — making it a glorious electro-pop mystery" Esquire

Upcoming Tour Dates /
01.13.13 - Black Cat Backstage - Washington, DC !  
01.15.13 - Brillobox - Pittsburgh, PA % 
**01.16.13 - Schubas (Tomorrow Never Knows Festival) - Chicago, IL** 




01.17.13 -  Grog Shop - Cleveland, OH &
02.26.13 - Bowery Ballroom - New York, NY * 
! with Hooray for Earth
% with Snowmine
@ with The Drum, Supreme Cuts, Hooray For Earth
& with Aurora del Sole, Hooray for Earth
* with Bob Mould

I Love You, It's Cool | Tracklisting /
01. Idle Heart
02. The Reflection Of You
03. Noon Moon 
04. Sinful Nature 
05. Cool Light
06. Kiss Me Crazy
07. World Of Freakout
08. Warm Water
09. Space Remains
10. Sweetness and Sickness
 


Links /
Dead Oceans

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