Lucid Theater To Stage WORLD PREMIERE of Comedy BUDDHA’S BIRTHDAY August 1-17 at The Edge Theatre

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Lucid Theater's World Premiere of

BUDDHA’S BIRTHDAY 

by WELLS AND WELLES playwright Amy Crider

Directed by Iris Sowlat 

Opening August 2 at the Edge Theatre

An anxiety-ridden college professor faces crises in her career, her marriage and her family relationships while planning an 80th birthday party for her overbearing mother.

Featuring Kristie Berger, Kathleen Ruhl, Christopher Hainsworth, and Ada Grey

Iris Sowlat will direct Kristie Berger, Kathleen Ruhl, Christopher Hainsworth, and Ada Grey in World Premiere comedy

Lucid Theater will present the world premiere of BUDDHA’S BIRTHDAY by Chicago playwright Amy Crider, whose WELLS AND WELLES was a breakout hit of summer 2024. In BUDDHA’S BIRTHDAY, an anxiety-ridden college professor faces crises in her career, her marriage and her family relationships while planning an 80th birthday party for her overbearing mother. Neither medication, meditation, nor the tenets of Buddhism are enough to soothe her anxiety over the upcoming party or the ongoing challenges in her life. BUDDHA’S BIRTHDAY will be performed at the Edge Theatre, 5451 N. Broadway, Chicago from August 1 – 17. I'll be out for the Press Opening Saturday, August 2nd, so check back soon for my full review. 

BUDDHA’S BIRTHDAY will be performed by a cast of Chicago stage veterans, led by Actors Equity member Kristie Berger as the insecure professor Pamela. Berger’s career includes roles at the Goodman, Steppenwolf, and Victory Gardens; as well as productions at storefronts including City Lit, Lifeline, Strawdog, and many others. Pamela’s difficult mother Roberta will be played by Kathleen Ruhl, an ensemble member at Redtwist Theatre, where she has performed in nine plays. Ruhl’s decades-long career includes two Jeff Awards (for supporting actress in DOLLY WEST’S KITCHEN and ensemble for THIS HAPPY BREED, both with TimeLine), and roles with Piven Theatre, Writers, and Shattered Globe. For Shattered Globe, she played the title role in FOR PETER PAN ON HER 70TH BIRTHDAY, written for her by her daughter Sarah Ruhl.

Pamela’s husband Lawrence, a self-assured philosophy professor, will be played by Christopher Hainsworth, a Lifeline Theatre ensemble member who has also performed with The Gift Theatre, Remy Bumppo, Chicago Shakespeare Theatre, The Factory, Strawdog Theatre Company, and The House Theatre of Chicago, among others. Ada Grey will play Jennifer, niece of Pamela and a free spirit who has returned from abroad for her grandmother’s party.  A pesky raccoon that is an habitual irritant to Pamela’s routine will be created and performed by Emilie Wingate of Flying Leap Productions.

Top Row L-R: Kristie Berger, Kathleen Ruhl.

Lower Row L-R: Christopher Hainsworth, Ada Grey

Iris Sowlat, a Chicago-based director who holds an MFA in Theatre Directing from University of Massachusetts Amherst, where she directed Sarah Ruhl’s ORLANDO and Lauren Gunderson’s EMILIE: LA MARQUISE DU CHATELET DEFENDS HER LIFE TONIGHT, will direct BUDDHA’S BIRTHDAY. Sowlat’s previous Chicago directing credits include productions with Accidental Theatre Company, PrideArts, Piven, and others. Alvaro Ledesma is creating the sound and lighting design.

BUDDHA’S BIRTHDAY has been in development for over a decade, starting as a ten-minute play written for a Scene Shop Showcase at Chicago Dramatists in 2014. Crider expanded it into a full-length play for a Chicago Dramatists’ Master Class in 2020, and it has received several readings since then.

Tickets for BUDDHA’S BIRTHDAY are $38.00 and are on sale at  www.lucidtheater.com. Performances will be Thursdays, Fridays, and Saturdays at 7:30, and Sundays at 3:00, from August 1 – 17 at the Edge Theatre, 5451 N. Broadway, Chicago.

MORE INFORMATION

BUDDHA’S BIRTHDAY

WORLD PREMIERE

Written by Amy Crider

Directed by Iris Sowlat.

Produced by Lucid Theater Company

August 1 - 17, 2025

Press Opening Saturday, August 2 at 7:30 pm

Thursday, Friday, and Saturday at 7:30, and Sunday at 3:00

Edge Theatre, 5451 N, Broadway, Chicago

Tickets: $38, on sale at www.lucidtheater.com

Please visit www.lucidtheater.com for more information.

BUDDHA’S BIRTHDAY is a comedy about anxiety, enlightenment, and raccoons. Pamela, an insecure history professor, is pressed by her husband to try medication for anxiety. She’s always counted on the benefits of meditation. Stressed by her overbearing mother and some relentless animals, she learns that liberation is open to all of us in a moment of grace. In the end, her journey is only beginning, and the raccoons will always be with us.  

BIOS

Amy Crider (Playwright) studied comedy at Second City, and attended workshops with Chicago Dramatists, Jackalope Theatre, and LaMaMa. Her last production, WELLS AND WELLES, produced in Chicago in July/August 2024, was a nominee for the 2025 ATCA/Steinberg Award. Her plays have won the Tennessee Williams One Act Play Contest, Word Wave, and New Plays from the Heartland. Two of her plays have been published by TRW. She is also the author two novels published by the University of New Orleans Press. Her podcast Continuous Dream is on Spotify. You’re welcome to find out more at www.amycrider.com

Iris Sowlat (Director) is a Chicago-based director who holds an MFA in Theatre Directing from University of Massachusetts Amherst, where she directed Sarah Ruhl’s ORLANDO and Lauren Gunderson’s EMILIE: LA MARQUISE DU CHATELET DEFENDS HER LIFE TONIGHT. This year, she directed Gunderson’s THE BOOK OF WILL for Triton College (as Adjunct Faculty) and will direct COME ALONG FOR THE RIDE by Rozina Kanchwala for Eco Logic (June 2025). Favorite Chicago directing credits include ROMEO AND JULIET (Accidental Shakespeare Company), JOAN OF ARC and UNDERWORLD ANTHEM (RhinoFest), THE DAYS ARE SHORTER (Pride Arts), ABCD (Piven Theatre) and NARRATIVES OF ACHROMATOPSIA and TURN THAT THING AROUND, (Chicago Fringe Festival), and three different sold-out fundraiser readings of Paula Kamen’s JANE: ABORTION AND THE UNDERGROUND. She has also worked with Northlight Theatre, About Face Theatre, American Theatre Company, Chicago Dramatists, Collaboraction, Broken Nose, Stage Left Theatre (former Artistic Associate), Possibilities Theatre Company, NoPassport Theatre Alliance, and many others. Iris is one half of the leadership (with Allison Fradkin) of the DIY queer feminist theatre Violet Surprise. In 2018, she was named one of WINDY CITY TIMES  “30 Under 30.” Find her on the web at www.IrisSowlat.com.

Kristie Berger (Pamela) last appeared in THE MOUSETRAP at Citadel Theatre. Regional theater credits include Barbara Fordham in AUGUST: OSAGE COUNTY and Frankie in  FRANKIE & JOHNNY IN THE CLAIR DE LUNE at The Human Race Theatre in Dayton; the long-running national tour of THE ODD COUPLE: FEMALE VERSION starring Barbara Eden; VANYA AND SONIA AND MASHA AND SPIKE, CIRCLE MIRROR TRANSFORMATION, BUS STOP, and RESIDENT ALIEN at Nebraska Repertory Theatre.  Chicago area credits include Diane in THE BIRDS, Citadel Theatre; Jeanette in THE LAST OF THE RED HOT LOVERS, Illinois Theatre Center; THE VAGINA MONOLOGUES, ALWAYS…PATSY CLINE, and THE ODD COUPLE: FEMALE VERSION, Apollo Theater. Other theaters she has worked with include the Goodman, Steppenwolf, Victory Gardens, Equity Library Theater, City Lit, Lifeline, Strawdog, Mary-Arrchie, Touchstone, Center Theater, and Absolute.  She also works in TV, voice-overs, commercials, films, and industrial films. Kristie is a proud member of Actors’ Equity. 

Ada Grey (Jennifer). Television credits include THE RED LINE (CBS), SHRINK (NBC), SIRENS (USA), and CHICAGO FIRE (NBC). Most recent credits at the London Academy of Dramatic Arts (LAMDA) include: DANCE NATION (LAMDA), CHAOS, SAINT GEORGE AND THE DRAGON, and OUR HOUSE. Chicago stage credits include NO HOME FOR BEES (20% Theatre), OUR TOWN (Redtwist Theatre), THE HAVEN PLACE and I AND MY IPHONE (A Red Orchid Youth), SCARCITY (Redtwist Theatre, Broadway World Chicago Nomination Best Actress), THE AWAKE (First Floor Theatre), THE HAMMER TRINITY (The House Theatre), TO KILL A MOCKINGBIRD (Oak Park Festival Theatre), JANE EYRE (Lifeline Theatre), MEN SHOULD WEEP (Griffin Theatre, Jeff Award Best Production), and SIX CHARACTERS IN SEARCH OF AN AUTHOR (The Hypocrites).  She recently graduated from London Academy of Music and Dramatic Art with a BA in acting. 

Christopher Hainsworth (Lawrence) is a Lifeline Theatre ensemble member, where he has performed in TREASURE ISLAND, NEVERWHERE, THE COUNT OF MONTE CRISTO, THE THREE MUSKETEERS, THE KILLER ANGELS, A TALE OF TWO CITIES, MISS HOLMES, FRANKENSTEIN and MISS HOLMES RETURNS; and penned the adaptations of HUNGER, MONSTROUS REGIMENT, MIDNIGHT COWBOY and FABLE-OUS! He has also worked for The Gift Theatre, Remy Bumppo, Chicago Shakespeare Theatre, The Factory, Strawdog Theatre Company, and The House Theatre of Chicago, among others.

Kathleen Ruhl (Roberta) Over many years in Chicago, Kathleen Ruhl has been lucky enough to have performed on a lot of stages with many wonderful actors and directors. She started on the Chicago City Players stage (four shows) which later became the TimeLine stage (three shows), where she won Jeffs for best supporting actor (DOLLY WEST’S KITCHEN) and member of a Best Ensemble (THIS HAPPY BREED). Kathleen did Shakespeare at the outdoor Court Theatre at the University of Chicago (MACBETH, TWELFTH NIGHT, and AS YOU LIKE IT) and Noel Coward at the “new” Court Theatre (HAY FEVER). She studied with Joyce Piven and performed in seven shows directed by Joyce at the Piven Theatre. Some of the other stages she has trod in Chicago and the northern suburbs include those at Writer’s Theatre (HEDDA GABLER), the Attic playhouse in Highwood (three shows), Shattered Globe (Peter Pan in FOR PETER PAN ON HER SEVENTIETH BIRTHDAY) and Music Theatre of Hyde Park (Sarah Brown in GUYS AND DOLLS). Kathleen is currently a company member at Redtwist, where she has done nine shows.

ABOUT LUCID THEATER COMPANY

Lucid Theater Company has been producing plays since 2017. Previous productions include LEDA (2017), CHARLIE JOHNSON READS ALL OF PROUST (2019), METADATA (2021), and A LEGACY (Rhinofest, 2023). The company also produces the podcast series of audio plays CONTINUOUS DREAM.

Mission:

Lucid Theater produces original plays with a broad range of subjects and styles. We center ideas and emotions to evoke thoughtful reflection, courageous choices, and compassion. Our goal is to fight against numbness and awaken our audiences to the richness and depth of emotional experience. Rather than replicate reality, we seek to reveal subjective experience for its dreamlike sensibility.

Values:

We honor the artist by paying everyone involved.

We commit to a respectful work environment.

We strive to hire female directors and leadership.

We pledge to listen deeply and question authentically.

We vow to uplift the human spirit.

World Premiere of Artemis Books & the Well-Meaning Man Via The Village Theater at Rivendell Theatre July 17 - August 2, 2025

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The Village Theater Presents the World Premiere of 

Artemis Books & the Well-Meaning Man

by Paul Michael Thomson

Directed by Clara Zucker

Poster design by Andi Muriel

The Village Theater's inaugural production is playing 

July 17th Through August 2nd at Rivendell Theatre Ensemble

Regina (Reggie) runs a femme-centric feminist bookstore in Tucson, AZ. Artemis Books is a safe space for queer people, free expression, and womxn of all kinds. When her boss unexpectedly jumps ship, Reggie is stuck with a new hire: straight, white, cis-male JJ. Workplace romances, existential anxieties, and some questionable spell-casting abound as Reggie tries to reclaim her safe space. Does identity have to influence ideology? Does colonialism ever stop? And what in the actual hell is a “good guy”?

The production will run from July 17-August 2 at Rivendell Theatre Ensemble. Tickets can be purchased via the-village-theater.com/artemisbooks.

"Artemis Books and the Well-Meaning Man" will run from July 18 to August 3 at the Rivendell Theatre 5779 N. Ridge Ave. Please join us for our post-show dialogues following select matinee performances on July 19, July 20, and August 2-- beverages will be provided!

*PREVIEW IS THURSDAY, JULY 17. Discounted tickets available.*

*UNDERSTUDY PERFORMANCE IS WEDNESDAY, JULY 23.*

*INDUSTRY NIGHT IS MONDAY, JULY 28. Use code INDUSTRY for $10 tickets*

Seating is GA for Access and Standard Ticket levels. For Donor level tickets, seats will be reserved. The house will open 30 minutes before the performance's scheduled start time. If you have any questions or need accommodations, please email us at villagetheaterchi@gmail.com.

Performance Schedule

July 17th – August 2nd

7:30pm Thursday, July 17th, Preview Performance

8:00pm Friday, July 18th, Opening

8:00pm Thursdays and Fridays

3:00pm and 8:00pm Saturdays

3:00pm Sunday, July 20th

8:00pm Saturday, August 2nd Closing

Additional Performances

8:00pm Wednesday, July 23rd Understudy Performance

8:00pm Monday, July 28th Industry Night Performance

ARTEMIS BOOKS & THE WELL-MEANING MAN will be performed at:

Rivendell Theatre Ensemble

5779 N. Ridge Avenue

Chicago, IL 60660

Tickets:the-village-theater.com/artemisbooks

Phone: (872) 529-6792

Email: villagetheaterchi@gmail.com

Tickets follow a pay-as-you-are model:

● Access tickets (limited quantity): $12

● Standard tickets: $25

● Donor tickets (includes a reserved seat): $50

ARTEMIS BOOKS & THE WELL-MEANING MAN is a topical and comedic examination of morality, identity, and community in a capitalist and patriarchal society. Set in a feminist bookstore in Tucson, AZ, the show follows the chaos that ensues when JJ, a straight, white, cis man, joins the staff. For The Village Theater’s debut performance, director Clara Zucker, also the co-artistic director of The Village, has selected a show that reflects The Village Theater’s values of amplifying marginalized voices, championing local organizations, and allowing the audience to engage with difficult questions.

Creative Team

Playwright: Paul Michael Tomson

Director: Clara Zucker*

Assistant Director: Carmia Imani

Stage Manager: Amanda Tancioco Rokosz

Scenic Designer: Katelyn Montgomery

Sound Designer: Satya Chávez

Lighting Designer: Joseph Nelson

Props Master: Averly Sheltraw

Costume Designer: Maggie McGlenn

Dramaturg: Naomi Kalter*

Intimacy Coordinator: Bailey McWilliams-Woods*

Producers: Lena Romano and Emily Newmark*

*denotes Village Team Member

Cast

Regina - Daniela Martinez (u/s Teri Talo)

Asha - Tierra Matthews (u/s Aysia Slade)

Emerson - Phoebe Jacobs (u/s Janey Elliott)

JJ - Kyle Roth (u/s Bryce Miller)

Paul Michael Thomson is a playwright, performer, producer, and PhD candidate based in Chicago. Nationally produced plays include: brother sister cyborg space (Raven Theatre); Fremont Junior High Is NOT Doing Oklahoma! (Good Company Theatre, Live Theatre Workshop); What a Time to Be Alive (You Say That Every Time) (Definition Theatre, Great Plains Theatre Commons); Leave Me Alone! (The Story Theatre); The G.O.A.T., or Who Is Ximone? (Theatre L'Acadie, O'Neill Center NPC Finalist); and more. 

As an actor, Paul Michael has worked onstage at Steppenwolf, Goodman, Chicago Shakespeare, and Drury Lane, and his on-camera work includes: All Happy Families, Drawn Back Home, Chicago Med, and Chicago Justice. Paul Michael is a proud co-founder and Governing Ensemble member of The Story Theatre, where his producing credits include: At the Wake of a Dead Drag Queen, the love object, Marie Antoinette & the Magical Negroes, and The (W)rites of Summer new play festivals. He is a PhD candidate in Afro-American Studies through the University of Massachusetts Amherst, and his scholarly work has been published in Theatre History Studies, the Black Theatre Review, and Theatre Annual. He is represented by Gray Talent Group. Paul Michael's play Pot Girls will premiere with The Story Theatre in February 2026, in collaborative conversation with Raven Theatre's production of Top Girls by Caryl Churchill. He is honored to be a part of The Village Theater's inaugural production and stands in awe of this brilliant team and the village they're creating.

paulmichaelthomson.com @paulmichaelt

Clara Zucker*- Director (Co-Artistic Director of The Village Theater)

Clara Zucker is a Chicago-based director, playwright, and dramaturg. She is passionate about utilizing theater as a tool for social change and firmly believes in theater’s ability to uplift and unify diverse voices. 

Directing credits include the Midwest premiere of The Lacy Project (The Understudy), Sophie Sucks Face (Edinburgh Fringe Festival, shortlisted for best show for Edinburgh Comedian's Choice Awards), Doom Tank (Under St. Mark’s Theatre), Shayna Punim, The Aliens, Athena, Mr. Marmalade (Oberlin College). Past playwriting credits include Fishing for Whales (2024 Cherry Picking, New York, NY), and Shayna Punim (Oberlin College, Oberlin Ohio). Clara currently serves as the literary and dramaturgy apprentice at Goodman Theatre and is the dramaturg for the upcoming world premiere of Ashland Avenue (Dir. Susan Booth, Goodman Theatre). Clara holds a B.A. in Theater and American Studies from Oberlin College and is the recipient of the Nash Drama Award for exceptional achievement in Oberlin Theater. She would like to thank her family for making the trek from NYC and her community here in Chicago. It takes a village!

ARTEMIS BOOKS & THE WELL-MEANING MAN is the first production of The Village Theater’s inaugural season.

The production will run from July 18-August 2 at Rivendell Theatre Ensemble. Tickets can be purchased via the-village-theater.com/artemisbooks.

The Village Theater of Chicago is a director-driven collective that harnesses theater as an instrument for cultivating community. Through intimate storytelling, community partnerships, and post-show dialogues, we reveal the profound magic of human connection. Transformative art emerges from collaboration. After all, it takes a village.

Stay updated with The Village at our website https://www.the-village-theater.com/ and follow us on Instagram @the.village.theater

World Premiere of Billie Jean at Chicago Shakespeare Theater July 18–August 10, 2025 in The Yard

 ChiIL Live Shows On Our Radar

Chicago Shakespeare Theater’s Electrifying World Premiere Play 

Billie Jean

Based on the life of sports icon and equality champion Billie Jean King

by Lauren Gunderson and directed by Marc Bruni

Starring Chilina Kennedy in the title role

July 18 Through August 10, 2025 in The Yard

Chicago Shakespeare Theater (CST) presents the world premiere play Billie Jean, about sports icon and equality champion Billie Jean King. Playwright Lauren Gunderson, one of the most-produced playwrights in the US, and director Marc Bruni (Broadway’s The Great Gatsby and Beautiful: The Carole King Musical), team up to stage this empowering new look at a legend who shattered glass ceilings on and off the court. Following her path to becoming a sports icon, from her record-breaking victories to her relentless fight for equal pay and equal rights, Billie Jean explores the cost of public battles and private struggles—bringing us closer than ever before to a woman whose battle for identity and equality inspired and continues to inspire generations. The production runs July 18–August 10, 2025, in The Yard at Chicago Shakespeare Theater.

Chilina Kennedy stars as Billie Jean King, leading a cast that also includes Dan Amboyer, Julia Antonelli, Elena Hurst, Courtney Rikki Green, Wynn Harmon, Carolyn Holding, Jürgen Hooper, Callie Rachelle Johnson, Lenne Klingaman, Nancy Lemenager, and Murphy Taylor Smith.

Named one of the “100 Most Important Americans of the 20th Century” by Life magazine, Billie Jean King is the first woman athlete to receive the Presidential Medal of Freedom and the first individual woman athlete to be awarded the Congressional Gold Medal. She is the founder of the Women’s Sports Foundation, the Women’s Tennis Association and the Billie Jean King Foundation. She is part of the ownership groups of the Los Angeles Dodgers and Angel City FC and a member of the Advisory Board of the Professional Women’s Hockey League (PWHL). In 2020, King became the first woman to have an annual global team sports event named in her honor when Fed Cup, the women’s world cup of tennis, was rebranded as the Billie Jean King Cup. The National Tennis Center, home of the US Open, was renamed the USTA Billie Jean King National Tennis Center in 2006 in honor of her accomplishments on and off the court.

Chicago Shakespeare Theater’s world premiere production of Billie Jean is developed by special arrangement with four-time Tony-winning producer Harriet Newman Leve (Beautiful: The Carole King Musical, War Horse, Stomp) and Stephanie Sandberg (Country Lane Productions), with Lily Tomlin and Jane Wagner (powerhouse creative duo in television, sound recording, film, theater, and animation for more than 40 years). 

Chilina Kennedy is best known for playing Carole King in Beautiful: The Carole King Musical on Broadway for over 1,200 performances. Her Broadway credits include Myrtle in The Great Gatsby, Annie in Paradise Square, and Mary Magdalene in Jesus Christ Superstar, and she starred in the first national tour of The Band’s Visit (Toronto Critics Award). Kennedy’s other selected credits include the Off-Broadway world premiere of This Ain’t No Disco, the world premiere of A Gentleman’s Guide to Love and Murder (Hartford Stage/The Old Globe in San Diego), and the one-woman play The Human Voice (filmed for Toronto’s Ontario International College). She spent three seasons each at the Shaw Festival Theatre and the Stratford Festival, with credits including Rose of Sharon in The Grapes of Wrath.

The cast also features Dan Amboyer (Netflix’s Survival of the Thickest and Uncoupled, TV Land’s Younger, NBC’s Blacklist: Redemption) as Larry King, Julia Antonelli (Ari Aster’s Beau Is Afraid, Netflix’s Outer Banks, Nickelodeon’s Every Witch Way and WITS Academy) as Young Billie Jean, and Elena Hurst (Becoming A Man and Twilight: Los Angeles, 1992 at American Repertory Theater) as Rosie Casals, as well as Courtney Rikki Green (Henry V at CST, Romeo and Juliet at the Oregon Shakespeare Festival), Wynn Harmon (Porgy and Bess on Broadway), Carolyn Holding (HBO’s The Gilded Age, STARZ/Netflix’s Heels), Jürgen Hooper (The Comedy of Errors, Amadeus, and more at CST, Brighton Beach Memoirs on Broadway), Callie Rachelle Johnson (Hamlet at CST, Next to Normal at Drury Lane, Pal Joey at Porchlight), Lenne Klingaman (Waitress on Broadway and first national tour, The Underlying Chris at Second Stage), Nancy Lemenager (McNeal, Chicago, Never Gonna Dance, and more on Broadway), and Murphy Taylor Smith (A Transparent Musical at Center Theatre Group).

Understudies include Miles Borchard, Sydney Feldman, Kelli Harrington, Nathe Rowbotham, Hannah Ruwe, Marlene Slaughter, and Jocelyn Zamudio.

“It’s so exciting to be announcing this brilliant cast for Lauren Gunderson’s play about the heroic Billie Jean King,” shared Chicago Shakespeare’s artistic director Edward Hall. “Bringing thought-provoking and original drama into our repertoire alongside Shakespeare gives us and our audiences such a wonderful opportunity to explore the connections between Shakespeare’s world and ours. Billie Jean has left and continues to leave her mark on our world, helping to shape our thoughts and challenge accepted societal norms. It is a joy and a privilege to be bringing this play to CST first.”

Playwright Lauren Gunderson has been one of the most produced playwrights in America since 2015, topping the list thrice. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the William Inge Distinguished Achievement in Theatre Award, the Lanford Wilson Award, and a finalist for the Susan Smith Blackburn Prize. Her plays have been translated into a dozen languages and are produced across the world including the West End. Her anthology, Revolutionary Women, is published by Bloomsbury, where her play I and You is a “modern classic.”

Gunderson shared, “CST is the perfect place to launch this new play about Billie Jean King, her activism, and her ongoing impact on the world. Her story is a hero’s journey, and the house of Shakespeare’s heroes is a fitting home for this theatrical debut about excellence, equality, and heart. We want this play to be an exploration of contrast: instantly recognizable and also deeply surprising; athletic and also theatrical; heartfelt and heroic. I am honored and thrilled to have Billie Jean be a part of CST’s season.”

Director Marc Bruni’s credits include The Great Gatsby, currently running on Broadway and the West End as well as the Tony, Grammy, and Olivier Award-winning Beautiful: The Carole King Musical on Broadway, in the West End, US and UK Tours, and in Australia. He also directed Trevor: The Musical which was filmed Off-Broadway at Stage 42 and now streams on Disney+. Bruni was Jeff Award-nominated for Chicago credits Trevor at Writers Theatre and Old Jews Telling Jokes at the Royal George, and his many additional credits include Bye Bye Birdie, Guys and Dolls, The Music Man, How to Succeed in Business..., 50 Years of Broadway (Kennedy Center), and Hey, Look Me Over!, Paint Your Wagon, Pipe Dream and Fanny (City Center Encores!).

Billie Jean features movement direction by Steph Paul (Sanctuary City at Steppenwolf Theatre, Nobody Loves You at American Conservatory Theater), scenic design by Wilson Chin (Cost of Living and Pass Over on Broadway), costume design by Linda Cho (Two Noble Kinsmen, Othello, and Mary Stewart at CST, Tony Award winner for The Great Gatsby and A Gentleman's Guide to Love and Murder on Broadway), lighting design by Jen Schriever (Tony Award nominee for A Strange Loop and Death of a Salesman on Broadway), sound design by Jane Shaw (credits at Theater for a New Audience, Roundabout Theatre Company, Playwrights Horizons and many more), and video and projection design by David Bengali (Tony Award nominee for Water for Elephants). The creative team also includes Chels Morgan (Intimacy Coordinator), Eva Breneman (Dialect Coach), Tom Watson (Hair & Makeup Designer),The Telsey Office | Karyn Casl CSA & Charlie Hano CSA (Casting), Bob Mason (Chicago Casting), Amy Marie Seidel (Associate Director), Lily Tomasic (Assistant Scenic Designer),

Herin Kaputkin (Assistant Costume Designer), Colleen Doherty (Assistant Lighting Designer), Taylor Edelle Stuart (Associate Video Designer), Kristi J. Martens (Production Stage Manager, Amanda Blanco (Assistant Stage Manager), and Ethan Coon (Production Assistant).

More information at chicagoshakes.com/billiejean or on social media at @chicagoshakes.

Billie Jean By Lauren Gunderson

Directed by Marc Bruni

July 18 – August 10, 2025

The Yard at Chicago Shakespeare Theater

PERFORMANCE DETAILS

• Tuesdays at 7:30 p.m.

• Wednesdays at 1:00 p.m. and 7:30 p.m. (no matinee July 23)

• Thursdays at 7:30 p.m.

• Fridays at 7:30 p.m.

• Saturdays at 2:30 p.m. and 7:30 p.m.

• Sundays at 2:30 p.m.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive

listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced

performances include:

• Audio-described performance – Sunday, August 3 at 2:30 p.m.

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision.

• Open captioned performance – Wednesday, August 6 at 1:00 p.m. and 7:30 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

• ASL interpreted performance – Friday, August 8 at 7:30 p.m.

All dialogue and lyrics are translated into American Sign Language by two certified interpreters

Creative Team

Lauren Gunderson - Writer

Marc Bruni - Director

Steph Paul – Movement Director

Wilson Chin - Scenic Designer

Linda Cho - Costume Designer

Jen Schriever - Lighting Designer

Jane Shaw - Sound Designer

David Bengali - Video & Projections Designer

Chels Morgan - Intimacy Coordinator

Eva Breneman - Dialect Coach

Tom Watson - Hair & Makeup Designer

The Telsey Office | Karyn Casl CSA & Charlie Hano CSA - Casting

Bob Mason - Chicago Casting

Amy Marie Seidel - Associate Director

Lily Tomasic - Assistant Scenic Designer

Herin Kaputkin - Assistant Costume Designer

Colleen Doherty - Assistant Lighting Designer

Taylor Edelle Stuart - Associate Video Designer

Kristi J. Martens - Production Stage Manager

Amanda Blanco - Assistant Stage Manager

Ethan Coon - Production Assistant

Cast

Chilina Kennedy - Billie Jean King

Dan Amboyer - Larry King

Julia Antonelli - Young Billie Jean

Courtney Rikki Green - Woman Two

Wynn Harmon - Man One

Carolyn Holding - Woman Five

Jürgen Hooper - Man Two

Elena Hurst - Rosie Casals

Callie Rachelle Johnson - Woman Six

Lenne Klingaman - Woman Three

Nancy Lemenager - Woman One

Murphy Taylor Smith - Woman Four

Miles Borchard - Understudy

Sydney Feldman - Understudy

Kelli Harrington - Understudy

Nathe Rowbotham - Understudy

Hannah Ruwe - Understudy

Marlene Slaughter - Understudy

Jocelyn Zamudio - Understudy

CHICAGO SHAKESPEARE THEATER (CST)

CST is a leading international theater company and the nation’s largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. Each year, nearly a quarter of a million people experience CST’s artistry through more than 12 productions. With Shakespeare at the heart of the artistic work, CST also produces compelling, contemporary stories from fresh voices of today. CST brings the world to Chicago and sends Chicago out into the world as Chicago’s foremost presenter of international theater, and consistent producer of North American and world premieres. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 students to performances and programs like Chicago Shakespeare SLAM, alongside professional development opportunities for teachers. CST activates its campus with three venues: 700-seat The Yard; the 500-seat Jentes Family Courtyard Theater; and the 200-seat Carl and Marilynn Thoma Upstairs Studio. Free programs like Shakes in the City bring performances to parks and community spaces across Chicago’s 77 neighborhoods. Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare. chicagoshakes.com 

The Crane Wives Beyond Beyond Beyond Album Release Tour To Play The Vic in Chicago July 26, 2025

ChiIL Live Shows On Our Radar

The Crane Wives

Announce New Dates For 

Beyond Beyond Beyond Album Release Tour 

Photo Credit for all unless otherwise noted: Dugan Kenaz-Mara for ChiIL Live Shows

"The Crane Wives charmed us again with its harmony-laced folk-rock…

polished sound and dynamic energy…

proves just how much fun the band is having with its music.” - NPR

Grand Rapids, MI-based indie rock band The Crane Wives (1.4m Spotify monthly listeners, 713.5k TikTok likes) are ready to charm live audiences once again, heading back out on the road this spring in support of their highly acclaimed new album Beyond Beyond Beyond, out everywhere now. Due to overwhelming demand, the band has also announced a new string of dates taking place through July, and will be making stops in major cities like Nashville, Chicago, Brooklyn, New Orleans, Philadelphia, Atlanta, and beyond. Tour dates and tickets for all shows are available here.

 "The Crane Wives are a four-piece band that have an uncanny ability 

at crafting goose-bump inducing three-part harmonies.” - No Depression

 

Here at ChiIL Live Shows, we've covered The Crane Wives since their inception, and my 24 year old son and his girlfriend did a fabulous photo feature and review on their last Chicago gig in July of 2024. Check it out, then get your tickets for the summer leg of their album release tour.  The Crane Wives will be back in Chicago July 26th at The Vic, and Dugan and his girlfriend, Kit are covering the show again for ChiIL Live Shows. They're especially excited since the show falls on Kit's actual birthday, and The Crane Wives are a favorite of theirs. Check out their 2024 feature/review HERE.

"They’re an impeccable band with incredibly tight instrumentation and harmonies that, 

paired with an inclination for catchy hooks and scintillating lyricism, 

make a strong case for their burgeoning popularity.” - For Folk’s Sake

 

"They're reshaping the indie folk landscape 

with unforgettable performances and passionately crafted music." - Blurred Culture

Born of the 2010’s folk boom and now comfortably stationed in their rock and roll era, The Crane Wives epitomize the evolving landscape of indie folk. Their high-energy performances have been described as “charged with emotion and technical skill” (Blurred Culture), while their harmony-dense melodies support deeply resonant lyrics, exploring the vulnerable and the ugly sides of the human condition. The band has built a global community and has amassed over 1m Spotify monthly listeners and 100m total streams with their unparalleled, spirited live show, evocative lyricism and glimmering harmonies.

Featured by Michigan Radio and NPR’s “All Songs Considered," the band recently released their sixth full-length studio record, Beyond Beyond Beyond, to high praise, with Glasse Factory calling the album “a testament to the band’s ability to turn personal struggles into universally relatable anthems." 

Niner Times describes the new release as “angsty, haunting and gritty,” praising its departure from the more traditional folk sound of The Crane Wives’ previous records. Since its release in September 2024, Beyond Beyond Beyond has accrued over 7 million streams on Spotify.

The pulse of The Crane Wives is delivered by Ben Zito (bass) and Dan Rickabus (drums), creating a driving, dynamic backdrop while co-leads Emilee Petersmark and Kate Pillsbury establish expansive and gritty conversations between their electric guitars. A web of three-part harmony helps to soften the blow of their emotional candor, like a 21st century Cerberus, the hound of Hades reimagined as an emotional support animal.

The Crane Wives have 6 full-length albums under their belts and have performed over 600 shows across the US, sharing stages with acts such as The Avett Brothers, Lake Street Dive, Rusted Root, The Dead South, Joseph, and many more.

2025 US Tour Dates Newly Added:

July 10          Milwaukee, WI @ Pabst Theatre

July 11          Madison, WI @ The Sylvee

July 12          Minneapolis, MN @ Palace Theatre

July 14          Kansas City, MO @ Truman

July 15          St. Louis, MO @ The Pageant

July 17          Nashville, TN @ Brooklyn Bowl 

July 18          Louisville, KY @ Mercury Ballroom

July 19          Indianapolis, IN @ Hi-Fi Annex

July 20          Indianapolis, IN @ Hi-Fi Annex

July 22          Cincinnati, OH @ Bogart’s

July 23          Columbus, OH @ Athenaeum Theatre

July 25          Detroit, MI @ St. Andrews

July 26          Chicago, IL @ The Vic

 

Follow The Crane Wives:

Website | Instagram | Facebook | TikTok | Spotify | YouTube

Photo Credit: Hwa-JeenNa

About Face Theatre Presents OM Mission Limited Engagement for Pride Month at The Den Theatre June 20-28, 2025

ChiIL Live Shows On Our Radar

About Face Theatre presents 

OM Mission

Co-Created and Performed by Zahra Baker and Shanta Nurullah

Directed by Kezia Waters

Limited engagement for Pride Month at The Den Theatre

June 20-28, 2025

About Face Theatre announces OM Mission, a special, limited engagement event for Pride Month, to be held at The Den Theater for two weekends only. This spellbinding and joyful journey through stories, music, and ritual amplifies the lives and legacies of Black lesbians. Co-created and performed by award-winning artists Zahra Baker and Shanta Nurullah and directed by Kezia Waters, this theatrical celebration runs June 20-28 at The Bookspan at The Den Theatre, 1331 North Milwaukee Ave.

Co-creators Zahra and Shanta set out on an adventure to find stories of Black lesbians in the public archive. At first they are met with silence and gaps, until they come to discover unexpected and remarkable unsung histories of some loud and out Blues women of the 1920s and ‘30s. Gathering inspiration from the past, these visionary performers build a vibrant and joyful tribute that shines a light on Black lesbians today. Along your journey with them, you’ll get to add your voice to the growing chorus of people building a future that is safe and inclusive for all.

Through a combination of performance, ritual, and communal storytelling, this collaborative team aims to disrupt erasure, amplify Black lesbian narratives, and invite audiences into a brave, joy-filled space of remembrance and transformation.

OM Mission was originally commissioned and produced as part of About Face Theatre’s KICKBACK festival in partnership with the Stony Island Arts Bank. The show has since been featured as part of Chicago, Live! Festival on Navy Pier and other venues.

Director Kezia Waters, in collaboration with Baker and Nurullah, aims to “create a space where Queer Black histories are not only redressed but celebrated like a rotating kaleidoscope.” Waters envisions “a living archive, an embodied celebration, and a call for visibility.” 

TICKETS

Tickets available at AboutFaceTheatre.com by calling 773.697.3830, or by visiting The Den Theatre box office. Ticket prices range from $5 to $35.

AFT offers a ticket pricing system that allows each patron to decide the price that they can comfortably afford to pay for a ticket. Ultimately, About Face wants everyone who wants to attend a show to be able to do so. Please note: there are limited quantities available at each pricing level.

The Performance Schedule is: 

Friday, June 20 8PM

Saturday, June 21 8PM

Sunday, June 22 3PM 

Wednesday, June 25 8PM

Thursday, June 26 8PM

Friday, June 27 8PM

Saturday, June 28 3PM and 8PM

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. AFT envisions an affirming and equitable world in which all LGBTQ+ individuals are thriving and free from prejudice and discrimination. Due to the intersectionality of our identities, we understand that our work to advance LGBTQ+ equity is directly connected to movements for economic and racial justice and we are guided by our values of collaboration, care, equity, courage, sustainability, and joy.

Two Times the TUTA in Rotating Repertory June 27 – August 16, 2025

ChiIL Live Shows On Our Radar

TUTA Theatre Announces Summer Rep of 

Celine Song’s TOM & ELIZA 

Alternating With 

White Rabbit, Red Rabbit

Plays to be performed in rotating repertory June 27 – August 16.

TUTA Theatre announces changes in two-play summer rep: 

Celine Song’s TOM & ELIZA will now be paired with the experimental 

WHITE RABBIT, RED RABBIT by Iranian playwright Nassim Soleimanpour

TUTA Theatre has announced a change in its two-play summer repertory. WHITE RABBIT, RED RABBIT will replace the replace the previously announced EVERY BRILLIANT THING and will play Sundays and Mondays through August 16. This highly experimental play by Iranian German playwright Nassim Soleimanpour, like some of his other plays, is performed cold by a different actor at each performance, with no rehearsal, no director, and no set. Company member Huy Nguyen will perform the play on opening night, with actors for the remaining performances to be announced. Forbidden to leave his country, playwright Nassim Soleimanpour distilled the experience of an entire generation in a wild, utterly original play. WHITE RABBIT, RED RABBIT is as much about contemporary Iran as it is about power dynamics in the rest of the world. Please note - this play is NOT overtly political and should not be portrayed as such. It operates on a deeper, metaphoric level, and very expressly avoids overt political comment. I'll be reviewing WHITE RABBIT, RED RABBIT for ChiIL Live Shows at the press opening Monday, July 7th, so check back shortly after for my full review. I reviewed Interrobang's version of this show back in 2018, and I'm eager to see what TUTA's style and the changing world over the past 7 years will bring to this fresh production. The show will play Sunday and Monday evenings through August 11.

Since its joint premiere in 2011 in Edinburgh and Summerworks festival, WHITE RABBIT RED RABBIT has been translated into more than 30 different languages and been performed over 3000 times by some of the biggest names in theatre and film including actors John Hurt, Whoopi Goldberg, Nathan Lane, Stephen Rea, Sinead Cusack, Marcus Brigstocke, Dominic West and film director Ken Loach. It was produced off-Broadway in New York in 2016. The production team for TUTA’s staging will be Co-Artistic Director Jacqueline Stone (Artistic Producer), Huy Nguyen (Artist Liaison), Keith Parham (Lighting Design), Becky Warner (Stage Manager), and Helen Lattyak (Creative Producer).

TUTA’s summer rep will begin on June 26 with the Chicago premiere of TOM & ELIZA by Celine Song, whose directorial film debut PAST LIVES (2023) received critical acclaim and was nominated for the Academy Awards for Best Picture and Best Original Screenplay. Song’s following feature film, MATERIALISTS, opened to rave reviews on June 13. TUTA Co-Artistic Director Aileen Wen McGroddy will direct. The two plays will be performed in repertory through mid-August at TUTA Theatre, 4670 N. Manor Avenue, Chicago.

TOM & ELIZA, which premiered at Brooklyn, New York’s JACK theater in 2016, examines a young couple from their ordinary first date toward the end of civilization. In little more than an hour, with no intermission, the two characters use rapid-fire language to chronicle their entire relationship, mercilessly withholding nothing. A teethy battle of wills that centers on obsessions with bathing and book-burning, the play wakens both ecstasy and disgust with life. TUTA Co-Artistic Director Aileen Wen McGroddy, who was Jeff-nominated for her direction of the Jeff Award-winning ensemble of TUTA’s ATTEMPTS ON HER LIFE in summer 2024, is directing this Chicago premiere.

The two-hander TOM & ELIZA will be played by Clifton Frei and Seoyoung Park, who were both members of the Jeff Award-winning ensemble cast of ATTEMPTS ON HER LIFE. Keith Parham, Jeff-nominated for his lighting design of ATTEMPTS ON HER LIFE, is Lighting Designer. Tatiana Kahvegian, a 2024 Tony Award nominee for the scenic design of THE OUTSIDERS, is Set and Costume Designer. I'll be covering TOM & ELIZA for ChiIL Live Shows on Sunday, June 29th so check back soon for my full review. Previews begin June 26th. It will play an irregular schedule through August 16.

Seats for all performances of TOM & ELIZA and WHITE RABBIT, RED RABBIT can be reserved by purchasing in advance. Prices for all performances (excluding opening nights) are $20,  $45 and $60 (plus a $3.00 per ticket fee). Any seating not reserved in advance will be available the day of the performance for in person, pay-what-you-choose tickets at the door 30 minutes before curtain time. Additional information on TUTA Theatre’s ticketing is available at www.tutatheatre.org. There is no late seating. If available, pay what-you-choose 30 minutes before curtain.

Clifton Frei and Seoyoung Park. 

MORE PRODUCTION INFORMATION

TOM & ELIZA

By Celine Song

CHICAGO PREMIERE

Directed by Aileen Wen McGroddy

Performed by Seoyoung Park and Clifton Frei

June 26 – August 16, 2025

Performance Days: Vary per week. See schedule below.

Press Openings Sunday, June 29 at 7:30 pm and Monday, June 30 at 7:30 pm

TUTA Theatre, 4670 N Manor Ave, Chicago, IL 60625

Ticket Prices: $20 - $60

Tickets and more information at www.tutatheatre.org

Tom's mother and father made love

Tom was born

Tom grew up

Tom entered this restaurant

Tom is on a date

 

Eliza's mother and father made love

Eliza was born

Eliza grew up

Eliza entered this restaurant

Eliza is on a date

 TOM & ELIZA is a dual meditation on the choices we make (and those we don't) in a world that spins relentlessly into the future. Performed in one long breath by two virtuosic actors, TUTA Co-Artistic director Aileen Wen McGroddy directs the Chicago premiere of this idiosyncratic work by Celine Song, writer of Oscar-nominated PAST LIVES and the recently released rom-com MATERIALISTS.

Performance Schedule:

Previews: Thursday 6/26 – 7:30 pm, Friday 6/27–7:30 pm, Saturday 6/28 – 7:30, pm

Openings: Sunday 6/29 – 7:30 pm and Monday 6/30 – 7:30 pm

Regular Run: Thursday 7/3 – 7:30 pm, Thursday 7/10 - 7:30 pm, Friday, 7/11 – 7:30 pm, Saturday 7/12 – 7:30 pm, Sunday 7/13 – 2:00 pm, Thursday 717 – 7:30 pm, Saturday 7/19 – 7:30 pm, Sunday 7/20 – 2:00 pm, Thursday 7/24 – 7:30 pm, Friday 7/25 – 7:30 pm, Sunday 7/27 – 2:00 pm, Thursday 7/31 – 7:30 pm, Saturday 8/2– 7:30 pm, Sunday 8/3 – 2:00 pm, Thursday 8/7 – 7:30 pm, Saturday 8/9– 7:30 pm, Sunday 8/10 – 2:00 pm, Friday 8/15 – 7:30 pm, Saturday 8/16 – 7:30 pm

Additional performances listed above in bold. Monday 7/28 – 7:30 pm will now be a performance of WHITE RABBIT, RED RABBIT.

WHITE RABBIT, RED RABBIT

by Nassim Soleimanpour

Presented in association with Nassim Soleimanpour Productions

July 6 – August 11, 2025

Press Opening Monday, July 7 at 7:30 pm

Performance days and times vary per week

TUTA Theatre, 4670 N Manor Ave, Chicago, IL 60625

Ticket $20 - $60

Ticketing and more information at www.tutatheatre.org

Forbidden to leave his country, playwright Nassim Soleimanpour distilled the experience of an entire generation in a wild, utterly original play. WHITE RABBIT RED RABBIT is as much about contemporary Iran as it is about power dynamics in the rest of the world. The play is  performed cold by a different actor at each performance, with no rehearsal, no director, and no set.

Performance Schedule

Preview: Sunday 7/6 – 7:30 pm.

Press Opening: Monday, 7/7 – 7:30 pm

Regular Run: Sunday 7/13 – 7:30 pm, Monday 7/14 – 7:30 pm, Sunday 7/20 – 7:30 pm, Monday 7/21 – 7:30 pm, Sunday 7/27 – 2:00 pm, Monday 7/28 – 7:30 pm, Sunday 8/3 – 7:30 pm, Monday 8/4 – 7:30 pm, Sunday 8/10 – 7:30 pm, Monday 8/11 – 7:30 pm.

BIOS

Celine Song (Writer, TOM & ELIZA) is a Canadian director, playwright, and screenwriter based in New York City. Her directorial film debut PAST LIVES (2023) received critical acclaim and was nominated for the Academy Awards for Best Picture and Best Original Screenplay. Song's other plays include ENDLINGS and THE SEAGULL ON THE SIMS 4  FAMILY, and THE FEAST. According to her biography on The Playwright's Realm, "she has been awarded residences, fellowships, and commissions from MTC/Sloan, Sundance, the Millay Colony for the Arts, the MacDowell Colony, Yaddo, and the Edward F. Albee Foundation." Her next film project,  MATERIALISTS, starring Dakota Johnson, Pedro Pascal, and Chris Evans, was released in theatres on June 13, 2025. 

Aileen Wen McGroddy (Director, TOM & ELIZA; TUTA Co-Artistic Director) is a Chinese and Irish American theatre director, educator, and producer of live events. She is a co-artistic director of TUTA Theatre Chicago. She is also the Creative Producer for the Writing is Live Festival at Brown University, a member of the Roundabout Directors Group, a past 2050 Fellow at New York Theatre Workshop, and the BOLD Resident Director at Northern Stage. MFA Directing from Brown-Trinity. Past work includes: ATTEMPTS ON HER LIFE (TUTA, Jeff Award winner for Ensemble – Play), A CHRISTMAS CAROL (Trinity Rep); THE CHINESE LADY (Kitchen Theatre and Geva Theatre Center); SENSE AND SENSIBILITY (Northern Stage); AIRNESS (Breckenridge Backstage Theatre); THE LATE WEDDING, THE DUMB WAITER, SUMMER AND SMOKE, and THE TEMPEST (Brown-Trinity); COLD WAR CHOIR PRACTICE, THROWBACK ISLAND, ON THE Y-AXIS, AKIRA KUROSAWA EXPLAINS HIS MOVIES AND YOGURT (Writing is Live); MR. BURNS: A POST-ELECTRIC PLAY (Adelphi); THE GLASS MENAGERIE, OR,, DANI GIRL (Winnipesaukee Playhouse); KNUFFLE BUNNY: A CAUTIONARY MUSICAL and THE SNOWY DAY (Emerald City Theatre); MONTAUCIEL TAKES FLIGHT (Lifeline Theatre); ULYSSES (The Plagiarists); A HERO’S JOURNEY, THE HUNTING OF THE SNARK, ROBIN HOOD, and THE PIED PIPER (The Forks & Hope Ensemble); THE WHISKEY RADIO HOUR, WAKE: A FOLK OPERA, KODACHROME TELEPHONE and SIGN OF RAIN (The Whiskey Rebellion). She has directed readings for New York Theatre Workshop, The Bushwick Starr, Clubbed Thumb, NY Classical Theatre, The Yale Drama Prize, Northern Stage, and Babes with Blades.

Jacqueline Stone (Artistic Producer, WHITE RABBIT, RED RABBIT; TUTA Co-Artistic Director) Jacqueline Stone is honored to be Co-Founder and Co-Artistic Director of TUTA. Her TUTA directing credits include THE LONG CHRISTMAS DINNER, the world premiere of HEDDA GABLER (as well as adaptor), Chicago and New York premieres (59E59 Theaters) of Adam Rapp's THE EDGE OF OUR BODIES, world premiere of THE ANYWAY CABARET (AN ANIMAL CABARET), and U.S. premiere OF THE SILENT LANGUAGE.  Her TUTA performance credits include FULTON STREET SESSIONS, BAAL, THE WEDDING (1996, 2010, 2011), UNCLE VANYA (2008, 2009), A STILL LIFE IN COLOR, THE BIRDS, THE SWEET LITTLE PRINCE, ALICE, and THE HOUR.  

In addition to TUTA, Stone currently serves as Producing Artistic Director of Breckenridge Backstage Theatre in Breckenridge, CO. BBT directing credits include the Colorado premiere of Jim DeVita and Josh Schmidt’s musical adaptation of THE GIFT OF THE MAGI, MT Cozzola’s A LADY’S GUIDE TO MOUNTAINS (Denver Fringe), and A CHRISTMAS STORY. This spring she will direct EVERY BRILLIANT THING.

From 2016 - 2020, Stone served as Artistic Director of Emerald City Theatre Company, Chicago's largest professional theatre serving young audiences.  ECT directing credits include the Chicago premiere of FANTASTIC MR. FOX, the Chicago premiere of KEN LUDWIG'S 'TWAS THE NIGHT BEFORE CHRISTMAS (Broadway Playhouse), the Chicago premiere of THE SNOWY DAY & OTHER STORIES, the world premiere of MOTHER GOOSE'S GARDEN, world premiere of PETER RABBIT (also adapter), JUNIE B. JONES, RAMONA QUIMBY, and the world premiere of Mo Willems' DON'T LET THE PIGEON DRIVE THE BUS.  

Select Chicago directing credits include Strawdog Theatre, Chicago Dramatists, Chicago Immersive, Broadway in Chicago, Piven Theatre, The Second City, Mudlark Theater, Akvavit Theatre, Step Up Productions, 20% Theatre Company, You & Me Productions, and DCASE. Jacqueline is co-founder of Sirens, the longest running all-female improv group in the country.  She has appeared and created over 200 original shows with them.

Stone taught acting and improvisation at The Second City for ten years and Columbia College Chicago for five years. She spent twelve years as Emerald City Theatre's Education Director, building and fostering new acting programs for young people ages 3.5 - 13 years old.  Other select teaching credits include The Faculty of Dramatic Arts (Belgrade, Serbia), Chicago Improv Festival, Miami Improv Festival, Duke University's FUQUA School of Business, UCLA, and University of Chicago. 

ABOUT TUTA THEATRE

TUTA Theatre was established in 1995 in Washington, DC by co-founders Zeljko and Natasha Djukic, who brought a unique sense of artistic expression from their European homeland. In 2002, they relocated the company to Chicago. In the ensuing 23 years, TUTA has presented numerous US premieres of foreign plays from France, Russia, Austria, and Serbia. TUTA has produced seven world premieres, eight US premieres, four Midwest premieres and many modern re-imaginings of classics.  In 2012, longtime company member Jacqueline Stone stepped into the role of Artistic Director, and TUTA added productions for youth with the US premiere of THE SILENT LANGUAGE.  TUTA’s productions have been listed on Chicago critics’ ‘best of the year’ list eight times in the past 10 years and have been produced nationally (in NYC and LA) and internationally (in Serbia with the National Theatre in Belgrade).In 2023, TUTA named a new leadership structure with Co-Artistic Directors Aileen Wen McGroddy, Aziza Macklin, and Jacqueline Stone. Brad Gunter is Managing Director.

World Premiere of GIRLS & BOYS Via Griffin Theatre Company at Bramble Arts Loft July 11 - August 16, 2025

ChiIL Live Shows On Our Radar

GRIFFIN THEATRE COMPANY 

ANNOUNCES THE MIDWEST PREMIERE OF 

GIRLS & BOYS 

AT BRAMBLE ARTS LOFT, JULY 11 - AUGUST 16, 

WRITTEN BY DENNIS KELLY 

DIRECTED BY ROBIN WITT

This Solo Performance that’s Equal Parts Hilarious and Harrowing Stars Cynthia Marker 

Griffin Theatre Company, is proud to announce the midwest premiere of Girls & Boys, written by Dennis Kelly and directed by Robin Witt, July 11 - August 16 at Bramble Arts Loft, 5545 N Clark St. Previews for Girls & Boys are Friday, July 11, Saturday, July 12, Thursday, July 17 and  Friday July 18 at 7:30 p.m. and Sunday, July 13 at 3 p.m. The press opening is Saturday, July 19 at 7:30 p.m. The regular performance schedule is Thursdays through Saturdays at 7:30 p.m. with Sunday matinees at 3 p.m. Girls & Boys has an approximate runtime of 90 minutes with no intermission. Tickets go on sale Friday, June 6 for $30- $43 and may be purchased at GriffinTheatre.com.

When a woman meets the man of her dreams, their whirlwind romance promises a future full of happiness and fulfillment. Their lives are painted with the vibrancy of passion, success and the joys of parenthood. Yet, as their ambitions escalate and subtle fractures begin to emerge, the veneer of their idyllic existence starts to crumble, leading to the unimaginable. A powerful and unflinching exploration of love and the dark truths that lie beneath, Girls & Boys is told with biting humor and raw emotion--a masterclass in storytelling that’s equal parts hilarious and harrowing.

Girls & Boys will be performed by Cynthia Marker as “Woman,” understudied by Andrea Uppling.

The Girls & Boys creative team includes Robin Witt (director); Sotirios Livaditis (scenic design); Brandon Wardell (lighting design); Jessical Wardell (costume design); Thomas Dixon (sound design); Paloma Locsin (properties design); Matthew Chase (production management); Grace Elizabeth Mealey (stage management); Adam Goldstein (dialect coach); Harrison Ornelas (technical director) and Joe Johnson (asst. scenic designer).  

ABOUT DENNIS KELLY, playwright

DENNIS KELLY (Playwright) is a British screenwriter and playwright.  Born in Barnet, North London, Kelly left school at age sixteen. While working at a Sainsbury's grocery store, Kelly became involved in local youth theatre. Kelly later pursued a degree in Drama and Theatre Arts at Goldsmiths College in South London. Kelly's first play, Debris, was well-received. After a string of other successful plays (Orphans, Love and Money) , Kelly co-wrote the BBC Three sitcom Pulling, which was nominated for a BAFTA TV Award in 2007. Kelly is also known for co-writing Matilda the Musical (Tony Award - Best Book of a Musical) and for his 2007 play DNA, which has been staged and taught in many secondary schools.

ABOUT ROBIN WITT, director

For Griffin Theatre, Robin Witt has directed For Services Rendered, London Wall (Jeff Award), Men Should Weep (Jeff Award), Flare Path (Jeff Nomination) and Stage Door (Jeff Nomination).  She is also a member at Steep Theatre where she recently directed A SlowAir by David Harrower and A Case for the Existence of God by Samuel D. Hunter. Among the other productions she has helmed for Steep are Simon Stephens’s Light Falls, Harper Regan and Wastewater, Alistair McDowall’s Pomona and Brilliant Adventures, as well as Cordelia Lynn’s Lela & Co (Jeff Award) and Dennis Kelly’s Love and Money. Other theatres she has worked for include Steppenwolf, Goodman, Northlight, Writers Theatre, Lookingglass Theatre Company, Edinburgh Theatre Festival, Everyman Theatre (Baltimore), A Red Orchid and The Artistic Home. Her essay,  “Interview theatre and the Dream Act: Activism through raising community voices” may be found in “DREAM Act Activists & Teacher Allies: Are You Listening?” (Teachers College Press). She is a professor of directing at UNC Charlotte and holds a BFA from New York University Tisch School of the Arts and an MFA from Northwestern University. As an actor, she last appeared on stage in A Red Orchid’s production of Bug by Tracy Letts in 2001. Robin is the daughter of the late actor Howard Witt.

ABOUT CYNTHIA MARKER, (Woman)

Cynthia Marker is a member of Steep Theatre where she has appeared in Light Falls, Mosquitoes, Linda, Birdland, Earthquakes in London and Moment. Marker most recently played the role of “Dean Healy” in First Floor Theater's premiere of One Party Consent. An alum of The School at Steppenwolf, she is ecstatic to return to Griffin and resume her work with the indomitable and incomparable Robin Witt.

ABOUT ANDREA UPPLING (Woman U/S)

Andrea Uppling is very excited to be working with Griffin Theatre Co. and these amazing creators. Recent credits include her work with Paramount Theatre in What the Constitution Means to Me (“Heidi” U/S) and A Streetcar Named Desire (“Eunice,” “Blanche” U/S) as well as The Winter's Tale (“Hermione”) and the Jeff Award-winning Who's Afraid of Virginia Woolf? (‘Martha”) at Invictus Theatre Co.

ABOUT THE GRIFFIN THEATRE COMPANY

Established in 1988, the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience. 

The Griffin Theatre has provided a wide range of work including world and mid-west premieres of acclaimed scripts, critically lauded productions of Shakespeare and original adaptations of novels.  Many of the Griffin’s 150 plus productions have appeared on Chicago area critics “Best of the Year” lists. The Griffin Theatre Company is the recipient of 140 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was honored with four 2018 Jeff awards for Ragtime including Best Ensemble, Best Musical, Best Director-Musical and Best Performer in a Supporting Role-Musical. Additionally, the company was the repeat winner of the 2016 Jeff Award for Best Production of a Play for London Wall having won the same award in 2015 for its production of Men Should Weep. In 2014, the Griffin was honored with a Special Jeff Award for  artistic excellence and its dedication to provocative and transformational theatre for Chicago  audiences as well as its touring theater that engages and enlightens youth throughout the  United States.

The Griffin is a nationally recognized producer of youth touring theatre in the United States. The Griffin’s national audience exceeds 100,000 young people and adults each year. Tours have included such prestigious venues as Cleveland Playhouse Square, Tennessee Center for the Performing Arts in Nashville, and the Cerritos Center for the Arts in Cerritos, California. Touring productions include both youth focused plays, Frindle and The Stinky Cheese Man and the Griffin’s hit adult production of Letters Home—a production that pays tribute to the men and women in the US military, In to America, a play that traces America’s 400-year immigrant history and Ghosts of War. Most recently, the Griffin produced the world premiere production of Astronaut Group I, the story of the original Mercury 7 Astronauts. Overall, Griffin’s touring productions have been performed in 44 of the 50 United States.

Griffin Theatre Company, is proud to announce the midwest premiere of Girls & Boys, written by Dennis Kelly and directed by Robin Witt, July 11 - August 16 at Bramble Arts Loft, 5545 N Clark St. Previews for Girls & Boys are Friday, July 11, Saturday, July 12,  Thursday, July 17 and Friday July 18 at 7:30 p.m. and Sunday, July 13 at 3 p.m. The press opening is Saturday, July 19 at 7:30 p.m. The regular performance schedule is Thursdays through Saturdays at 7:30 p.m. with Sunday matinees at 3 p.m. Girls & Boys has an approximate runtime of 90 minutes with no intermission. Tickets go on sale Thursday, June 5 for $30- $43 and may be purchased at GriffinTheatre.com.