Chicago Shakespeare Theater Presents the Midwest Premiere ofJaja's African Hair Braiding January 14–February 2, 2025

ChiIL Live Shows On Our Radar 

Chicago Shakespeare Theater presents

the Midwest Premiere of

Jaja’s African Hair Braiding

Direct from a Tony Award-winning Broadway run

A vibrant comedy about West African immigrant women who find community in a Harlem salon

Written by Jocelyn Bioh and directed by Chicago native Whitney White

January 14–February 2 in The Yard

Straight from a twice-extended Broadway run, Chicago Shakespeare Theater (CST) presents the Midwest premiere of Jaja’s African Hair Braiding. Hailed as “wickedly entertaining” by The Washington Post and nominated for five Tony Awards including Best Play, Jaja’s African Hair Braiding was written by award-winning, Ghanaian-American playwright Jocelyn Bioh (School Girls; Or, The African Mean Girls Play, Nollywood Dreams) and is directed by Chicago native, Tony Award nominee, and Obie Award winner Whitney White (Our Dear Dead Drug Lord, What to Send Up When It Goes Down). The production runs January 14–February 2, 2025 in The Yard. 

The cast includes Melanie Brezill, Leovina Charles, Victoire Charles, Yao Dogbe, Mia Ellis, Tiffany Renee Johnson, Jordan Rice, Awa Sal Secka, Aisha Sougou, and Bisserat Tseggai.

This vibrant comedic gem offers a glimpse into the lives of a group of West African immigrant women who find community in a bustling Harlem hair salon. Over the course of a sweltering summer day, love ignites, dreams soar, and secrets unravel. Uncertainty simmers below the surface, and when it boils over, this tight-knit community is forced to confront what it means to be an outsider on the edge of the place they call home. With humor as rich as its characters, this play weaves hilarious moments with profound insights to create “an overwhelmingly affectionate portrait of Black female joy” (TheaterMania). 

Jaja's African Hair Braiding is a co-production with Arena Stage, Berkeley Repertory Theater, and La Jolla Playhouse and is presented in association with Madison Wells Live and LaChanze. The play had its world premiere at Manhattan Theatre Club.

"It's such a joy to be able to give the gift of this whip smart, funny, and original comedy to Chicago audiences,” shared Artistic Director Edward Hall. “Like all great comedies, there is plenty to laugh about and reflect on as Whitney White has orchestrated Jocelyn Bioh's play with the kind of dramatic perfection that is as rare as it is supremely enjoyable.”

"I am thrilled and honored that audiences beyond Broadway will get to come to 'the shop' and meet the vibrant women of Jaja's African Hair Braiding,” says Playwright Jocelyn Bioh. “This play means so much to me as both a native New Yorker and as a first-generation Ghanaian American as it speaks to the heart of what makes our country so beautifully unique: its rich diversity of people and culture. There is a real universality to these women's experiences, and I can't wait for audiences to connect and fall in love with each of them." 

The cast features three performers returning to the Chicago Shakespeare stage: Melanie Brezill, whose CST credits include As You Like It and The Comedy of Errors, along with Broadway and National Tour credits in The Book of Mormon, Harry Potter and the Cursed Child, and Mamma Mia!; Yao Dogbe, returning to CST after appearing in Richard III, Twelfth Night, and Short Shakespeare! Macbeth; and Tiffany Renee Johnson, who appeared in CST’s Red Velvet and whose other Chicago credits include Blues for an Alabama Sky at Remy Bumppo Theatre, School Girls; Or, The African Mean Girls Play at Goodman Theatre, and Ma Rainey’s Black Bottom at Writers Theatre. 

Making CST debuts are Leovina Charles (The Lion King on Broadway, Lempicka at La Jolla Playhouse), Victoire Charles (Golden Age and Ruined at Manhattan Theatre Club), Mia Ellis (The Amen Corner at Shakespeare Theatre Company), Jordan Rice (Ava DuVernay’s film Selma), Awa Sal Secka (After Midnight at Paper Mill Playhouse, Goddess at Berkeley Repertory Theater), Aisha Sougou (Beehive and Beautiful: The Carole King Musical at Marriott Theatre), and Bisserat Tseggai (The Jungle at St. Ann’s Warehouse, For All The Women Who Thought They Were Mad at Soho Repertory Theater).

Playwright Jocelyn Bioh is a Tony Award-nominated, Ghanian-American writer and performer from New York City. Her other work includes Merry Wives, which won the 2022 Drama Desk Award for Outstanding Adaptation, Nollywood Dreams, Broadway-bound musical Goddess, and the multi-award-winning School Girls; Or, The African Mean Girls Play, which has been produced more than 65 times regionally and in the UK. She was a Tow Playwriting Fellow and has won several playwriting awards including the Drama Guild’s Hull-Warriner Prize, Steinberg Playwright Award, Lortel Award, and Drama Desk Award. Bioh has also written for TV series including Russian Doll, Spike Lee’s She’s Gotta Have It, Tiny Beautiful Things, and The Acolyte, and is also writing the upcoming film adaptation of the Broadway musical Once on This Island for Disney.

Director Whitney White is an Obie Award and Lilly Award-winning, as well as a Tony Award-nominated, director, writer, and musician from Chicago. Jaja’s African Hair Braiding marks her CST debut, but it is also a homecoming; she fondly remembers field trips to CST productions as a high school student and credits a Shakespeare workshop at CST as an impactful early-career experience. Her Chicago credits include directing The Most Spectacularly Lamentable Trial of Miz Martha Washington at Steppenwolf Theatre, and other directing credits include the upcoming Broadway production of The Last Five Years starring Nick Jonas and Adrienne Warren, What To Send Up When It Goes Down (NYT Critic’s Pick) and Jordans at The Public Theater, The Secret Life of Bees at The Almeida in the UK, and Soft at MCC Theatre (NYT Critic’s Pick). Original works include Semblance (New York Theatre Workshop), Definition (Bushwick Starr), and Macbeth in Stride (American Repertory Theater, Under the Radar Festival at The Public Theater), for which she won an Elliot Norton Award for Outstanding Musical Performance. Her four-part cycle deconstructing Shakespeare’s women is currently in development with American Repertory Theater and the Royal Shakespeare Company.

White is joined by the creative team from the Broadway production, including three-time Tony-winning scenic designer David Zinn (Stereophonic, SpongeBob SquarePants: The Musical, The Humans), returning to CST after designing the set for The Notebook; costume designer Dede Ayite, the first Black woman to win a Tony Award for Best Costume Design of a Play (Jaja’s African Hair Braiding); Tony Award-nominated lighting designer Jiyoun Chang (Stereophonic, for colored girls who have considered suicide/when the rainbow is enuf, Slave Play); Tony-nominated original music and sound designer Justin Ellington (Jaja’s African Hair Braiding, for colored girls who have considered suicide/when the rainbow is enuf); Tony-nominated video designer Stefania Bulbarella (Jaja’s African Hair Braiding); and Tony Award-winning hair and wig designer Nikiya Mathis (Jaja’s African Hair Braiding). The company also includes associate director Manna-Symone Middlebrooks, dialect and vocal coach Yetunde Felix-Ukwu, intimacy consultant Sierra Young, associate sound designer Dwaine Potts, stage manager Melanie J. Lisby, and assistant stage manager Brillian Qi-Bell. Casting is by Caparelliotis Casting, Kelly Gillespie and Erica A. Hart.

There will be a student matinee performance during the run which will host nearly 600 students, 90% of whom are from Chicago Public Schools. This is one of many live performance opportunities for students offered in the 2024/2025 season, including student matinees of the Royal Shakespeare Company’s Pericles this fall and 40 performances of Short Shakespeare! A Midsummer Night’s Dream in the spring.

I'll be out for the press opening for Jaja’s African Hair Braiding on January 17th, so check back shortly after for my full review. 

More information at chicagoshakes.com/jaja or on social media at @chicagoshakes.  

PERFORMANCE DETAILS:

Tuesdays at 7:00 p.m.

Wednesdays at 1:00 p.m. and 7:00 p.m. (no matinee on January 15)

Thursdays at 7:00 p.m.

Fridays at 7:00 p.m.

Saturdays at 2:00 p.m. and 7:00 p.m.

Sundays at 2:00 p.m.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced performances include:

Audio-described performance with optional touch tour – Sunday, January 26 at 2:00 p.m.

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision. Touch Tours provide patrons the opportunity to experience, firsthand, a production’s design elements.

Open captioned performances – Wednesday, January 29 at 1:00 p.m. and 7:00 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

ASL interpreted performance – Thursday, January 30 at 7:00 p.m.

All dialogue and lyrics are translated into American Sign Language by two certified interpreters

CREATIVE TEAM

Jocelyn Bioh - Playwright

Whitney White - Director 

David Zinn - Set Designer

Dede Ayite - Costume Designer

Jiyoun Chang - Lighting Designer 

Justin Ellington - Original Music and Sound Designer

Stefania Bulbarella - Video Designer

Nikiya Mathis - Hair and Wig Designer

Manna-Symone Middlebrooks - Associate Director

Yetunde Felix-Ukwu - Dialect and Vocal Coach

Erica A. Hart, CSA - Casting

Kelly Gillespie, CSA - Casting

David Caparelliotis, CSA - Casting

Sierra Young - Intimacy Consultant

Dwaine Potts - Associate Sound Designer

Melanie J. Lisby - Stage Manager

Brillian Qi-Bell - Assistant Stage Manager

CAST

Melanie Brezill - Michelle, Chrissy, LaNiece

Leovina Charles - Vanessa, Sheila, Radia

Victoire Charles - Jaja

Yao Dogbe - James, Franklin, Olu, Eric

Mia Ellis - Jennifer

Tiffany Renee Johnson - Aminata

Jordan Rice - Marie

Awa Sal Secka - Bea

Aisha Sougou - Ndidi

Bisserat Tseggai - Miriam

Onye Eme-Akwari - Nollywood Dreams Actor

Morgan Scott - Nollywood Dreams Actor

Kevin Medesse Aousso - Understudy

Renea S. Brown - Understudy

Debora Crabbe - Understudy

CHICAGO SHAKESPEARE THEATER (CST)

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a bold and innovative year-round season that includes Shakespeare, original plays, musicals, family programming, and international theatrical events. CST is committed to serving as a cultural center across its three stages—the 700+ seat Yard, 500 seat Jentes Family Courtyard Theater, and the 200 seat Carl and Marilynn Thoma Upstairs Studio as well as in classrooms, neighborhoods, and venues around the world. CST has a deep commitment to education and lifelong learning with robust programming for students, teachers, and lifelong learners, and engagement with communities across the city. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted theater—inviting audiences, artists, and community members to share powerful stories that illuminate the complexities, ambiguities, and wonders of our world. www.chicagoshakes.com

World Premiere of Ayn Rand's "It's a Wonderful Life" as Performed by the Conspirators December 20 - 22, 2024

ChiIL Live Shows On Our Radar 

THE CONSPIRATORS ANNOUNCE THE WORLD PREMIERE-ISH OF: 

AYN RAND’S “IT’S A WONDERFUL LIFE” 

AS PERFORMED BY THE CONSPIRATORS, UNDER THE DIRECTION OF PRESIDENT BIDEN—NO WAIT, LIZ CHENEY 

DECEMBER 20 - 22, AT OTHERWORLD THEATRE

CONTENT WARNING: MAY CONTAIN VARIETY ACTS AND HOLIDAY-THEMED SONG AND DANCE.

The running time is 80 minutes with no intermission.

The Conspirators are proud to present the world premiere of Ayn Rand's "It's a Wonderful Life" as Performed by the Conspirators Under the Direction of President Biden NO WAIT, Liz Cheney (RAND/CHENEY) written by Sid Feldman and directed by Wm. Bullion, at the Otherworld Theatre, 3914 N. Clark St, in a very limited run, December 20 - 22. The performance schedule is Friday - Sunday at 7:00 p.m. Tickets are $15 and may be purchased at the door or online at www.conspirewithus.org. 

The Conspirators bring RAND/CHENEY, their “was-going-to-be-annual-until-the-pandemic” holiday tradition back for THREE NIGHTS ONLY! A traditional TV holiday special goes awry when progressive factions demand better content; a series of sensible patriots led by President Biden—NO WAIT, Liz Cheney try to keep back the chaos. The centerpiece is a hilarious retelling of "It's a Wonderful Life" through the eyes of libertarian goddess Ayn Rand.

The cast of RAND/CHENEY includes: Eva Andrews (she/her), Elena Avila (she/they), Meaghan Morris (they/them), Wm. Bullion (in he/his triumphant return), Olivia Anton (she/they), Sarah Franzel (she/her), AL SMART! (they/them), Evan Richter (he/him), Sam Erwin (they/them), Zach Foley (he/him), Brian Rohde (he/him), Demitri Magas (he/him), Andrew Bosworth (he/him), Donaldson Cardenas (he/him), Kate Akerboom (they/she) and Aimee Bass (she/her) on percussion.

Crew includes: Matt Bonaccorso (he/him, stage manager), Wm. Bullion (he/him, director), Sid Feldman (he/him, playwright, style coach, technical director), Mike McShane (he/him, lights), Sebby Woldt (they/them, sound) and Madison Rivers (she/they, music director).

ABOUT WM. BULLION (Director, Artistic Director)

Wm. Bullion is a veteran tragicomedian, director, and actor on the fringe of the Chicago theater fringe. Bullion is an Emeritus member of The Factory Theater, for whom he directed Prophet$ and Born Ready. He started Sliced Bread Productions in 1988 and put up some solid work before it folded in 2008. He co-founded The Conspirators in 2016 (and has proudly directed all their big pieces: Commedia Divina: It’s Worse Than That; Viva La Mort; The Conspirators 125th Anniversary Jubilee, Feat. “The Ineptidemic”; Accidental Death of a Black Motorist; The Deckchairs, or Make the Titanic Great Again; and The Resistible Rise of Herr Helmut Drumpf) but he was a fool to think starting another theater group in Chicago is a viable, sustainable idea. Yet, here we are, getting grants and making stuff for YOU.

ABOUT SID FELDMAN (Author/Style Coach/Producing Director)

Sid Feldman co-founded The Conspirators and has written plays, adaptations, screenplays, reviews and essays. He has produced plays, concerts and events for numerous organizations including New Crime and Sliced Bread Productions (also with Wm. Bullion).

ABOUT THE CONSPIRATORS

The Conspirators are a (still relatively new) theater and performance collective in Chicago dedicated to provoking thought and action through dynamic, immediate theater art. The Conspirators work exclusively in a style of neo-Commedia called “The Style”—a highly theatrical performance mode developed by movie stars Tim Robbins and John Cusack from the techniques of Ariane Mnouchkine, Commedia dell’Arte, Bugs Bunny cartoons and punk rock, as historically performed by New Crime Prod. (R.I.P.) and The Actors’ Gang. The company also offers Style workshops to interested performers of all calibers.

The Conspirators are proud to present the world premiere of Ayn Rand's "It's a Wonderful Life" as Performed by the Conspirators, Under the Direction of President Biden NO WAIT, Liz Cheney (RAND/CHENEY) written by Sid Feldman and directed by Wm. Bullion, at the Otherworld Theatre, 3914 N. Clark St, in a very limited run, December 20 - 17. The performance schedule is Friday - Sunday at 7:00 p.m. Tickets are $15 and may be purchased at the door or online at www.conspirewithus.org.

For more show info, go to www.conspirewithus.org and follow The Conspirators on Facebook and Instagram.

SAVE THE DATE: Three-time Jeff Award winner Ron OJ Parson to direct Hymn at Chicago Shakespeare Theater April 29–May 25

ChiIL Live Shows On Our Radar 

Three-time Jeff Award winner Ron OJ Parson to direct 

Hymn

Olivier Award winner Lolita Chakrabarti  re-sets her acclaimed play in Chicago

April 29–May 25 in the Courtyard Theater

Three-time Jeff Award winner, Ron OJ Parson and Hymn, Olivier Award winner, Lolita Chakrabarti

Chicago Shakespeare Theater (CST) announces renowned Chicago director Ron OJ Parson will helm the North American premiere of Lolita Chakrabarti’s Hymn, making his CST directorial debut. Chakrabarti has re-imagined her play in the South Side of Chicago, following an acclaimed premiere at London’s Almeida Theatre. The creative team also includes scenic and projection designer Rasean Davonté Johnson, costume designer Yvonne Miranda, lighting designer Jason Lynch, and sound designer and composer Willow James. The production runs April 29–May 25, 2025 in the Jentes Family Courtyard Theater. 

Hymn charts the lives of two middle-aged Black men as they form a deep bond in an intimate exploration of the loyalties and betrayals of brothers, fathers, and sons. The play received five-star reviews in its UK premiere from The Observer, The Daily Mail, and WhatsOnStage, which hailed it as “mind-blowingly excellent.”

“I wanted to write a story of two Black men who find love with each other—a familial, platonic love,” says Chakrabarti. “My own male friends have often surprised me with their sensitivity, femininity, fussiness, insecurities, fun, kindness, and warmth—the list goes on. Hymn was born out of my desire to tell a different story. To reframe this play for Chicago is very exciting indeed, and I believe it will lend itself beautifully to this city’s rich culture.”

CST artistic director Edward Hall said, "In my brief time in Chicago it has not taken me long to get acquainted with the work of the brilliant Ron OJ Parson. Both Lolita and I felt he was the missing piece in this delicate jigsaw, and I am deeply happy that the play resonated so powerfully with him. This will be Ron’s Chicago Shakespeare debut, and I am delighted to be welcoming the director of such a huge and important body of work into our company."

“I’ve long admired the work at Chicago Shakespeare, during my theater journey here in Chicago,” said Parson. “I am truly honored to be working on Hymn by world-renowned playwright Lolita Chakrabarti. As my journey continues, what better play than a play about brothers, family, love, faith, and hope. What the world needs a lot of. Peace.”

Lolita Chakrabarti won the Olivier Award for Best New Play for her adaptation of Yann Martel’s novel Life of Pi, which later went on to a Tony Award-winning Broadway run and a national tour. Her adaptation of Maggie O’Farrell’s novel Hamnet premiered at the Royal Shakespeare Company and the West End last year. Chakrabarti’s debut play Red Velvet enjoyed an acclaimed run at CST in 2017.

Ron OJ Parson is the co-founder and former artistic director of Onyx Theatre Ensemble, a resident artist at Court Theatre, and an ensemble member at TimeLine Theatre. In 2022, he received the Zelda Fichandler Award from the Stage Directors and Choreographers Foundation and was recognized as the Chicago Tribune’s Chicagoan of the Year for Theater. He has won three Jeff Awards for directing for Relentless at TimeLine Theatre, and Blues for an Alabama Sky and Fences at Court Theatre. Other credits include East Texas Hot Links, The Lion In Winter, Arsenic and Old Lace, Two Trains Running, King Hedley II, Radio Golf, Five Guys Named Moe, Gem of the Ocean, Seven Guitars, Jitney, and The Piano Lesson at Court Theatre, Trouble in Mind, Too Heavy For Your Pocket, and A Raisin in the Sun at TimeLine Theatre Company, Toni Stone and Sweat at Goodman Theatre, and Ma Rainey’s Black Bottom and East Texas Hot Links at Writers Theatre.

Parson is joined on the creative team by scenic and projection designer Rasean Davonté Johnson, a two-time Jeff Award winner returning to Chicago Shakespeare after Measure for Measure and It Came From Outer Space, with other recent credits including Romeo and Juliet at Oregon Shakespeare Festival, Lucha Teotl at Goodman Theatre, and Her Honor Jane Byrne at Lookingglass Theatre; costume designer Yvonne Miranda, who makes her CST debut with recent credits including Leroy & Lucy at Steppenwolf Theatre, Primary Trust at Goodman Theatre, and The Hot Wing King at Writers Theatre; lighting designer Jason Lynch, a Jeff Award winner returning to CST after Beauty and the Beast, with other credits including Layalina and the ripple, the wave that carried me home at Goodman Theatre and Choir Boy at Steppenwolf Theatre; and sound designer and composer Willow James, who returns to CST after Twelfth Night, with other credits including A Christmas Carol, The Penelopiad, and The Nacirema Society at Goodman Theatre.

More information at chicagoshakes.com/hymn or on social media at @chicagoshakes.  

CHICAGO SHAKESPEARE THEATER (CST)

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a bold and innovative year-round season that includes Shakespeare, original plays, musicals, family programming, and international theatrical events. CST is committed to serving as a cultural center across its three stages—the 700+ seat Yard, 500 seat Jentes Family Courtyard Theater, and the 200 seat Carl and Marilynn Thoma Upstairs Studio as well as in classrooms, neighborhoods, and venues around the world. CST has a deep commitment to education and lifelong learning with robust programming for students, teachers, and lifelong learners, and engagement with communities across the city. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted theater—inviting audiences, artists, and community members to share powerful stories that illuminate the complexities, ambiguities, and wonders of our world. www.chicagoshakes.com

Chicago Premiere of Reina Hardy’s GLASSHEART Via City Lit Theatre January 10 – February 23

ChiIL Live Shows On Our Radar

Cast and production team announced for Chicago Premiere of 

Reina Hardy’s 

GLASSHEART

January 10 – February 23

Modern-day reimagining of BEAUTY AND THE BEAST is both hilarious and poignant. City Lit Executive Artistic Director Brian Pastor to direct.

City Lit Theater has announced its cast and creative team for the Chicago Premiere of GLASSHEART, by Chicago-based playwright Reina Hardy. City Lit Executive Artistic Director Brian Pastor will direct this new take on the Beauty and the Beast story, in which the Beast has had to live centuries enduring his existence in a hideous body. He has moved to present-day Chicago with his only friend, a lamp named Only, who thinks he should get out more and meet a woman who might fall in love with him and break the spell. The landlady of their new home – a low rent apartment in an unnamed Chicago neighborhood – happens to be a Witch, perhaps the one who turned him into a beast in the first place. But there is hope when Only and the Beast meet their new neighbor Aiofe, a recent transplant from Michigan who is looking forward to her new life as a barista in the Windy City. Though the Beast is very much an 18th Century European gentleman and Aiofe a 21st Century independent woman, they find they have much in common and together learn things about their true selves and what it means to be human. GLASSHEART will open to the press on Sunday, January 19 at 3 pm, following previews from January 10, and play through February 23, 2025.

Pastor’s cast for the four-person play will include three veterans of City Lit and the Chicago theater scene, along with one newcomer. Actor and playwright Mark Pracht, a Jeff Award winner for his leading role in REQUIEM FOR A HEAVYWEIGHT with The Artistic Home, a nominee for his John Proctor in Invictus Theatre’s THE CRUCIBLE, and known most recently to City Lit audiences for the title role in PROMETHEUS BOUND, will play The Beast. Additionally, Pracht’s “Four Color Trilogy” of plays about the comic book industry was produced at City Lit over the past three seasons, concluding with THE HOUSE OF IDEAS this past fall. Kat Evans, whose many roles at City Lit include Bridget in THE SAFE HOUSE and Io to Pracht’s Prometheus, will play the lamp called Only.

Appearing as The Witch will be Elaine Carlson, whose most recent of many City Lit roles was as Meg in THE BIRTHDAY PARTY. She has earned Jeff Award nominations for her title role in MRS. WARREN’S PROFESSION and her Eleanor of Aquitane in A LION IN WINTER, both with Promethean Theatre Ensemble; and won an Actress in a Principal Role Jeff Award for SALT OF THE EARTH with Famous Door Theatre. Completing the cast as the independent, politically minded Aiofe will be Cailyn Murray, a new-to-Chicago actress who moved from Washington DC to Chicago in 2023. Since arriving in Chicago, she has appeared in Corn Productions’ DRINK:PRIDE and has been a Dungeon Master for Otherworld Theatre’s Interactive D20 Dungeons & Dragons events. Cailyn holds a BA in Theatre from Muhlenberg College. 

L-R: Mark Pracht, Cailyn Murray, Elaine Carlson, Kat Evans. 

The production team will include Jeremiah Barr (Scenic Design), Liz Cooper (Lighting Design), Petter Wahlbäck (Sound Design and Original Music), kClare McKellaston (Costume Design), Paul Chakrin (Violence Design), Courtney Abbott (Intimacy Coordinator), Meghan Norine McGrath (Props Design), and Hazel Marie Flowers-McCabe (Stage Manager).

A Chicago-based self-described “playwright and fabulist,” Reina Hardy’s work has been produced across the United States, and in the UK, Australia and Greece. GLASSHEART was praised by the WASHINGTON POST for its “off-key insights” and its “funky, poetic” nature. THE WASHINGTONIAN called it “enchanting, funny, and thought-provoking.”

Tickets may be ordered online at www.citylit.org or purchased over the phone by calling 773-293-3682. Ticket prices are $30 for previews and $35 for regular performances. Senior prices are $25 for previews and $30 for regular performances. Students and military are $12.00 for all performances. City Lit Theater is located at 1020 W. Bryn Mawr, on the second floor (accessible via elevator) of the Edgewater Presbyterian Church.

Production Details 

January 10 – February 23, 2025

Previews January 10 – 18, 2025

Press opening Sunday, January 19 at 3 pm

Regular run January, January 24 – February 23, 2025

Fridays and Saturdays at 7:30 pm, Sundays at 3 pm

Mondays, February 10 and 17, 2025 at 7:30 pm

Tickets $30 for previews and $35 for regular performances. Senior prices are $25 previews and $30 regular performances. Students and military are $12.00 for all performances.

Tickets available online at www.citylit.org  or by phone at 773-293-3682.

All performances at City Lit Theater, 1020 W. Bryn Mawr, on the second floor (accessible via elevator) of the Edgewater Presbyterian Church.

Chicago premiere of a new play by Chicago-based playwright Reina Hardy. A modern-day reimagining of the Beauty and the Beast fairy tale. The Beast has moved into a low-rent district in Chicago with his last loyal friend, a lamp named Only. They meet a neighborly witch and a young woman who might, somehow, still break the curse.

BIOS

Reina Hardy (Playwright). Reina Hardy's plays, which usually contain magic and sometimes contain science, have been produced across the US, the UK, Australia and Greece. Her prose has appeared in Electric Literature, Fantasy Magazine, Startrek.com, and more, and her first movie as a screenwriter, PAGING MR. DARCY, aired on the Hallmark Channel in February 2024. She is currently under contract with Simon and Schuster for a nonfiction book entitled SH*TTY BOYFRIENDS OF WESTERN LITERATURE. Hardy’s honors include a Michener Fellowship, Kilroy’s List, National New Play Network New Play Showcase, Source Festival, Kennedy Center MFA Playwrights Workshop, Interact 20/20 Commission, Kennedy Center ACTF TYA PRIZE. Her plays are currently licensed through Broadway Play Publishing and TRW Plays.

She received her Master of Fine Arts in Playwriting and Screenwriting from the University of Texas at Austin. Hardy is represented  by the Gurman Agency for theatre, Aevitas for nonfiction, and Arlook Management and Verve for television and film.

Brian Pastor (they/them, Director, Executive Artistic Director) is a trans/non-binary producer, director, actor, and playwright in Chicago and the Executive Artistic Director of City Lit Theater. Brian previously spent ten and a half years on staff at City Lit, including nine as Managing Director. Brian has served as City Lit’s Resident Director, from 2019 until assuming their current position on July 1. For City Lit, they directed THE NIGHT OF THE HUNTER, THE PLAYBOY OF THE WESTERN WORLD, George Bernard Shaw’s ARMS AND THE MAN, Archibald MacLeish’s J.B., and their own acclaimed adaptation of Robert Kennedy’s THIRTEEN DAYS. Brian is a founder and Emeritus Artistic Director of Chicago’s Promethean Theatre Ensemble, where they directed THE LION IN WINTER, THE WINTER’S TALE, and GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE (all Broadway World Award Nominated - Best Director), as well as HENRY V and THE DARK SIDE OF THE BARD. Brian also directed the world premiere of THE BLACK KNIGHT by Angeli Primlani, the inaugural show for Lifeboat Productions. As an actor, Brian has worked with Strawdog, Raven, WildClaw, Promethean, Accomplice, and City Lit, among others. Brian is the former Executive Director of Sideshow Theatre and the former Executive Director of Raven Theatre. They also served as a board and company member of The Mime Company and as a founding company member of Chicago dell’Arte. A Pittsburgh native, Brian has called Chicago home since their graduation from Northwestern University in 2003.

 

ABOUT CITY LIT THEATER COMPANY:

City Lit is the eighth oldest theatre company in Chicago, behind only Goodman, Court, Northlight, Oak Park Festival, Black Ensemble Theatre, Steppenwolf, and Pegasus theatres.  It was founded in 1979 with $210 pooled by Arnold Aprill, David Dillon, and Lorell Wyatt.  For its current season, its 44th , it operates with a budget slightly over $200,000.  It was the first theatre in the nation devoted to stage adaptations of literary material.  There were so few theatres in Chicago at the time of its founding that at City Lit’s launch event, the founders were able to read a congratulatory letter they had received from Tennessee Williams.

For four decades and counting, City Lit has explored fiction, non-fiction, poetry, memoirs, songs, essays and drama in performance. A theatre that specializes in literary work communicates a commitment to certain civilizing influences—tradition imaginatively explored, a life of the mind, trust in an audience’s intelligence—that not every cultural outlet shares.

City Lit is located in the historic Edgewater Presbyterian Church building at 1020 West Bryn Mawr Avenue. Its work is supported in part by the Gaylord and Dorothy Donnelley Foundation, the Illinois Arts Council Agency,  and the City of Chicago Department of Cultural Affairs and Special Events CityArts program.  An Illinois not-for-profit corporation and a 501(c)(3) federal tax-exempt organization, City Lit keeps ticket prices below the actual cost of producing plays and depends on the support of those who share its belief in the beauty and power of the spoken written word.

World Premiere Musical Revue Hitt Records December 21, 2024 – January 26, 2025, at the Black Ensemble Theater

ChiIL Live Shows On Our Radar

Black Ensemble Theater announces new musical revue

2024 Season of Affirmation with

HITT RECORDS

Written and Directed by Daryl D. Brooks

DECEMBER 21, 2024 – JANUARY, 2025

Black Ensemble Theater’s Founder and CEO Jackie Taylor announces the world premiere musical revue as part of the 2024 Season of Affirmation: Protection – Hitt Records, written and directed by Black Ensemble Theater’s Producing Managing Director Daryl D. Brooks. Hitt Records, replacing the previously announced A Gamble on Huff: The Story of Gamble and Huff, runs December 21, 2024 – January 26, 2025, at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago. 

Join James and Charles Hitt at their vintage record shop, Hitt Records, CDs and Tapes, as they school their nephew and customers on their vast knowledge of music. Together they show that music has no limits but there is nothing new under the sun. Featuring hits from Curtis Mayfield, Phil Collins, Alexander O’Neil, Shalamar, Sister Sledge, The Brothers Johnson, Bob Marley, and many more! 

The cast of Hitt Records includes: Lyle Miller, Dennis Dent, Michael Lunder, Rhonda Preston, Qiana McNary, DeVaughn Loman, Dwight Neal, Trequon Tate, Jaitee Thomas, Britt Edwards and Destin Warner.

The creative team is Jackie Taylor (Executive Producer), Daryl D. Brooks (Writer/Director/Producing Managing Director), Robert Reddrick (Music Director), Christopher Chase Carter (Choreographer), Denise Karczewski (Set/Light Designer), Evelyn Danner (Costume Designer), Sean Alvarez (Sound Designer), DJ Douglass (Projection Designer), and Harrison Ornelas (Technical Director).

Under the music direction of Robert Reddrick, the band includes: Adam Sherrod (keys), Eric Troy (keys), Myron Cherry (drums), Oscar Brown, Jr. (bass/band leader), Charles "Chip" Dubose (guitar)

Dawon Washington (saxophone), Antwan Washington (trumpet), and Bill McFarland (trombone).

Tickets for Hitt Records are available at www.blackensemble.org, (773) 769-4451 and at the Black Ensemble Theater Box Office, 4450 N. Clark Street in Chicago. Performances are Fridays at 8:00pm, Saturdays at 3:00 p.m. and 8:00 p.m. and Sundays at 3:00 p.m. Tickets are $56.50-$66.50 (fees included). Valet parking is available for $13 (cash only).

The 5-Play Card

Black Ensemble Theatre’s 5-Play Card is a digital ticket package unlike any other. At a cost of $225, buying a 5-Play Card saves $20 off each individual ticket, giving an average of $45 a ticket as opposed to our standard $65 ticket price. One of the greatest perks of the 5-Play Card is its flexibility – use the five tickets any way you want! You can: bring five people to one show, treat yourself to five different shows, or use the 5-Play Card in any ticket number combination until all five tickets are spent.

The 5-Play Card is good for 18 months and becomes active immediately after purchasing. If you buy multiple 5-Play Card packages, please note that a maximum of five tickets can be redeemed on a single show date. 

Production Details

Written and Directed by: Producing Managing Director Daryl D. Brooks

Cast: Lyle Miller, Dennis Dent, Michael Lunder, Rhonda Preston, Qiana McNary, DeVaughn Loman, Dwight Neal, Trequon Tate, Jaitee Thomas, Britt Edwards, Destin Warner

Artistic Team: Jackie Taylor (Executive Producer), Daryl D. Brooks (Writer/Director) Robert Reddrick (Music Director), Christopher Chase Carter (Choreographer), Denise Karczewski (Set/Light Designer), Evelyn Danner (Costume Designer), Sean Alvarez (Sound Designer), DJ Douglass (Projection Designer), Harrison Ornelas (Technical Director).

Band: Adam Sherrod (keys), Eric Troy (keys), Myron Cherry (drums), Oscar Brown, Jr. (bass/band leader), Charles "Chip" Dubose (guitar), Dawon Washington (saxophone), Antwan Washington (trumpet), and Bill McFarland (trombone).

Schedule: December 21, 2024 – January 26, 2025

Press Opening: Sunday, December 29, 2024, at 3:00pm

Previews: December 21 at 8pm, December 22 at 3pm and December 28 at 8pm

Regular run: January 3-26, 2025 

Fridays at 8pm

Saturdays at 3pm and 8pm

Sundays at 3pm

Location: Black Ensemble Theater Cultural Center, 4450 N. Clark Street, Chicago

Valet parking is available for $13 (cash only).

Tickets: $56.50-$66.50 (fees included)

Box Office: The Box Office is located at 4450 N. Clark Street in Chicago.

(773) 769-4451; www.blackensemble.org

Black Ensemble Theater 

Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially, and ethnically diverse north side Uptown community. Through its Four Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally, and internationally with outstanding original musicals that are entertaining, educational, and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists. 

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts and community engagement. For more information on the Black Ensemble Theater Company, visit www.BlackEnsembleTheater.org or call 773-769-4451. 

A BRIGHT ROOM CALLED DAY Via Blank Theatre Company December 6th, 2024 - January 5th, 2025 at The Greenhouse Theatre Center

 Full Cast & Creative Team Set For 

A BRIGHT ROOM CALLED DAY 

At Blank Theatre Company

Blank Theatre Company presents the cast and creative team for the final show of their 2024 season, A BRIGHT ROOM CALLED DAY by Tony Kushner. A BRIGHT ROOM CALLED DAY was originally produced by the Heat and Light Company (New York) and is produced by special arrangement with Broadway Play Publishing Inc, NYC. I'll be catching it on opening night, December 10th, so check back soon for my full review. 

Set against the backdrop of 1930’s Germany, this gripping drama follows a group of artists and activists as they navigate the rise of fascism and the erosion of democracy. As their personal lives intertwine with the political upheaval of the time, they must confront the unfortunate parallels to our contemporary world. Kushner's poignant exploration of power, resistance, and the human spirit resonates more than ever in today's turbulent times, offering both a haunting reflection on history and a powerful call to action. 

A BRIGHT ROOM CALLED DAY will be directed by Blank’s co-Artistic Director Danny Kapinos and assistant directed by Sophie Murk. Jeff-nominated Cindy Moon returns to Blank to design costumes. Other creatives on the team include Ellie Humphries (Lighting Design), Marcus Klein (Scenic Design), James Allen (Composer), Alex J. Gendal (Projection Design), Reiley Duffy (Props Designer), and Line Bower (Technical Director).

A BRIGHT ROOM CALLED DAY features Katherine Schwartz (Agnes Eggling), Grant Carriker (Gregor Bazwald), Brandy Miller (Paulinka Erdnuss), Raúl Alonso (Vealtninc Husz), Shannon Bachelder (Annabella Gotchling),  Lilah Weisman (Zillah), Grayson Kennedy (Roland), Ann James (Die Alte), Hadar Zusman (Rosa Malek), Alex Levy (Emil Traum), and Ben Veatch (Gottfried Swetts). Alex Albrecht, Brice Baron, Peyton Hooks, Sonya Shea Robinson, Jeffrey David Thomas, and Natalie Younger will understudy.

"This beautiful play has been a favorite of ours for many years, and we are excited to continue our mission of presenting works from the recent past that we feel are worthy of being considered classics. While this piece is a departure from our typical musical theatre programming, we hope audiences will be dazzled by the language and compelled by the characters of this great piece of writing,” say Co-Artistic Directors Dustin Rothbart and Danny Kapinos.

A BRIGHT ROOM CALLED DAY is the final mainstage production of Blank’s 2024 season and runs December 6th, 2024 - January 5th, 2025 at The Greenhouse Theatre Center, 2257 N Lincoln Ave., in Lincoln Park.Tickets range from $15 - $35. Additional information is available at www.blanktheatrecompany.org.

The One of a Kind Holiday Show Is Back December 5th Through Sunday, December 8th, 2024

ChiIL Live Shows On Our Radar

THE ONE OF A KIND HOLIDAY SHOW AND SALE® CHICAGO 

Photo Credit: Bonnie Kenaz-Mara

RETURNS TO THE MART DECEMBER 5-8 FEATURING OVER 600 OF THE NATION’S BEST ARTISTS AND MAKERS 

Chicago’s Beloved Holiday Shopping Destination Celebrates its 23rd Edition with the Ultimate Winter Weekend of Exclusive Finds, Live Entertainment, Gourmet Food, Drinks and More! 

The holiday season fan-favorite will feature an impressive selection of original handmade work from over 600 talented artists and makers.

Here at ChiIL Live Shows and ChiIL Mama, we've been covering The One of a Kind Holiday Show for 15 of their 23 years and we'll be back again on Friday for a photo filled feature. Check out our socials for a boots on the ground view of some of our favorites out of the 600 artists and makers! We cruised by THE MART on the final Chicago Architecture Cruise of the season the weekend before Thanksgiving and caught The One of a Kind Holiday Show signage from the river view, and started to get shopping fever.

Photo Credit: Bonnie Kenaz-Mara

We've always discovered so many unique finds here! You can knock out your holiday gift list with ease, while supporting artisans, craftsmen, and small businesses. Their reusable, canvas tote bags are adorable for gift giving, too, and will be welcome year round. Don't miss this!  

Chicago’s favorite 4-day shopping extravaganza is back! The One of a Kind Holiday Show is pleased to announce the 23rd edition of the beloved event will return to the 7th Floor of THE MART Thursday, December 5 through Sunday, December 8. Attendees will have the opportunity to meet and shop directly from the show’s acclaimed artists and emerging talent to discover behind-the-scenes insights and inspirations. 

“We are so proud to be returning for the 23rd edition of the Holiday show this December. We have an incredible lineup of talented artists, each hand-selected by our jury.” Kathleen Hogan, Director of the One of a Kind Holiday Show. “Each maker has their own background, style and perspective, truly making it a one-of-a-kind event. Year over year we can’t wait to bring the holiday cheer while offering these makers a platform to share their work with the world.” 

The One of a Kind Holiday Show will offer the best in everything from Fine Art to Furniture, Apparel, Jewelry, Home Goods, Ceramics and more. In addition to an extraordinary shopping experience, attendees will enjoy music courtesy of acoustic powerhouse Nashon Halloway and the Old Town School of Folk Music, hands-on craft activities from local non-profit, Marwen, and a fresh Winter Pine Market with stunning seasonal arrangements and wreaths from show partner, Flowerchild Chicago. Attendees can also enjoy delicious food and drinks from many cafes and bars available on the show floor.

Shoppers should plan to save the date as tickets will officially go on sale online on Monday, October 21 via the show website. Tickets start at $15 for adult admissions (12+)and are valid for re-entry all four days of the show. A portion of the proceeds will benefit Ann and Robert H. Lurie’s Children’s Hospital of Chicago. 

General Show Information:

The One of a Kind Holiday Show® Chicago takes place at THE MART, 222 Merchandise Mart Plaza, 7th Floor, December 5-8, 2024. For tickets or more information, visit: http://oneofakindshowchicago.com/.

Hours are as follows:

Thursday, December 5: 10 a.m. – 7 p.m.

Friday, December 6: 10 a.m. – 7 p.m.

Saturday, December 7: 10 a.m. – 7 p.m.

Sunday, December 8: 10 a.m. – 5 p.m.

For news and real-time updates, follow the One of a Kind Show on Facebook, Instagram and LinkedIn. 

About THE MART

THE MART (formerly The Merchandise Mart), located in the center of the sought-after River North submarket, is interwoven into the fabric of Chicago as an innovator in business, technology, culture, art, media and more. It is one of the world’s leading commercial buildings, wholesale design centers and the preeminent international business location in Chicago. Encompassing 4.2 million gross square feet, THE MART spans two city blocks, rises 25 stories, and is visited by an average of 30,000 people each business day and nearly 10 million people annually. Offering continuous innovation and creativity from leading manufacturers and design forward showrooms, THE MART serves as the home to Chicago's most creative and technologically innovative companies. 

ART BEAT: ARTS OF LIFE ANNOUNCES ITS 25TH ANNIVERSARY WITH CELEBRATORY EXHIBITIONS, EVENTS, AND PROGRAMMING FEBRUARY 22, 2025

 ART BEAT: ChiIL Live Shows On Our Radar 

ARTS OF LIFE ANNOUNCES ITS 25TH ANNIVERSARY 

WITH CELEBRATORY EXHIBITIONS, EVENTS, AND PROGRAMMING 

Book cover of 2wenty 5ive – Arts of Life 2000-2025; Artwork by Veronica Cuculich

Anniversary year kicks off with 25th Birthday Party & Book Launch in February to celebrate new artwork-filled hardcover retrospective highlighting organization’s role in the progressive art studio movement supporting artists with disabilities.

The Chicagoland non-profit Arts of Life is pleased to announce its 25th Anniversary and associated programming. With locations in Chicago and Glenview, Arts of Life advances the creative arts community by providing artists with intellectual and developmental disabilities a collective space to expand their practice and strengthen their leadership. Throughout the anniversary year, Arts of Life will look back at its history, celebrate its impact, and cast eyes toward its future. The launch of an artwork-filled, retrospective hardcover book kicks off Arts of Life 25th Anniversary festivities in a celebratory fashion (February 22), continuing with a New York City Book Launch at Outsider Art Fair (February 27-March 2); a booth at EXPO Chicago (April 24-27); a dedicated exhibition at the Chicago Design Museum (August 11-September 30) and correlating Art on theMART feature projection (September 11-October 6); and the Arts of Life annual Benefit Art Auction (October 2025). More information on Arts of Life and current and upcoming galleries and programming can be found at artsoflife.org.

The anniversary year of celebrations will begin on February 22, 2025 with 2wenty 5ive: Arts of Life Birthday Party & Book Launch to celebrate the launch of its new book, 2wenty 5ive – Arts of Life 2000-2025, a retrospective that highlights the organization’s role in the progressive art studio movement in supporting artists with disabilities. With planned distribution at Urban Outfitters stores across the US, the book includes a foreword by Intuit Center for Intuitive and Outsider Art Executive Director Deb Kerr, in addition to impact stories from individual artists.

The book launch event will take place at Seven Star Venue Space in Rogers Park (2017 West Howard Street) and will honor Wilmette resident and arts supporter Cindy Shanker for her commitment to the Arts of Life community as a longtime, devoted volunteer as an arts facilitator. Throughout her time working with Arts of Life, Shanker has helped artists achieve their artistic goals and provided support within the studio. She has also led both the Art Talk and Poetry Group gatherings, which provides group work for art sharing, learning about art history, and writing poetry to accompany their visual art.

Tickets and more information on 2wenty 5ive: Arts of Life Birthday Party & Book Launch are available on artsoflife.org.

Arts of Life Co-Founder and Executive Director Denny Fisher says, “The excitement is building as we approach this remarkable milestone at Arts of Life. We cannot wait to celebrate our community’s achievements as we look ahead to the next quarter century. 2025 offers a fantastic opportunity to get involved - meet our artists, buy their work, and join the festivities. We cannot wait to shine the light on our artists and their work.”

More details on the above programming and more are to come.

About Arts of Life

Arts of Life advances the creative arts community by providing artists with intellectual and developmental disabilities a collective space to expand their practice and strengthen their leadership.

Arts of Life is a 501(c)3 non-profit founded in January 2000 with a shared vision: to create a working, person-centric, artistic community while providing a work environment of equality in Chicago. Motivated by founding artist Veronica Cuculich along with two co-founders Arts of Life brought nine other individuals with developmental disabilities to create the organization we are today. Their shared vision grew from a passion for artistic expression and a need for an alternative system.

For artists at Arts of Life, a career in the visual arts is an opportunity for meaningful employment. Each artist has their own studio space and works independently from individualized project plans or receives one on one visual arts facilitation to increase their artistic skill set. Artists also receive 60% of art sales.

Today, Arts of Life has two professional art studios and represent over 60 artists with varying levels of physical and intellectual disabilities. Each studio is 6,000 square feet and includes a community gallery that is open to the public.

For more information on Arts of Life and its programs, visit artsoflife.org. Connect with Arts of Life on Facebook, Instagram, and YouTube.

SAVE THE DATE: Tickets On Sale January 7, 2025 for Chicago Theatre Week 2025 February 6 – 16, 2025

ChiIL Live Shows On Our Radar: 

League of Chicago Theatres, in partnership with Choose Chicago, Presents 

Chicago Theatre Week 2025

February 6 – 16, 2025

Tickets go on sale starting Tuesday, January 7, 2025

Here at ChiIL Live Show and ChiIL Mama, I personally catch over 200 shows a year, and often closer to 300! We're passionate about Chicago's world class theatre scene, and cover everything from scrappy, low budget storefronts to opulent operas, and Broadway touring extravaganzas. The weather in Chicago may be frightful, come February, but our theatre's delight-FULL. Save the date on January 7th at 10am and get out of the deep freeze and into some hot shows at a huge discount. We've been covering Chicago Theatre Week (#CTW25) since its inception and it always makes ChiIL Mama's Chi, IL Picks List. There are plenty of family friendly picks, adult shows, and something for every taste. Our talent pool here in Chicago is deep, so don't miss this!

Chicago Theatre Week (#CTW25), an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets, will take place February 6-16, 2025. For the third consecutive year, HotTix.org will host Chicago Theatre Week Continued from February 17-23, 2025, which will extend Theatre Week discounts to participating productions for an additional week.

The value-priced CTW tickets will be $30, $15, or less. Tickets will go on sale at 10:00am CST on Tuesday, January 7, 2025 at ChicagoTheatreWeek.com.

Last year’s Chicago Theatre Week saw massive ticket sales with more than 18,000 tickets sold to 81 participating productions for more than 446 performances. 64 theaters participated in CTW 2024, with 29 neighborhoods and suburbs represented. The program continues to bring in new audiences to area theatres with approximately 58% of patrons visiting their chosen theatre for the first time. Chicago Theatre Week also raises the visibility of the theater industry, as evidenced by the 144,689 unique visitors to ChicagoTheatreWeek.com from the tickets sale date through the end of Theatre Week.

A small sample of the many productions expected to participate are:

Sondra Radvanovsky in Concert – Lyric Opera

Singin’ In the Rain in Concert – Lyric Opera

A Raisin in the Sun – Court Theatre

Beautiful – The Carole King Musical – Drury Lane

Avaaz – Chicago Shakespeare Theater

The Heart Sellers – Northlight Theatre

Fool for Love – Steppenwolf Theatre Company

A Midsummer Night’s Dream – Chicago Shakespeare Theater

Betrayal – Goodman Theatre

Winter Series – Hubbard Street at Harris Theater for Music and Dance

Fat Ham – Goodman Theatre and Definition Theatre

The announcement of Chicago Theatre Week 2025 comes as Choose Chicago, the League of Chicago Theatres, and the Chicago Department of Cultural Affairs and Special Events present the second Chicago Theater Season campaign. From now until the end of the year, this campaign will encourage locals and visitors to explore productions across Chicago’s diverse theater community. For find more information on the 2024 Theater Season campaign, including a full calendar of performances and ticketing information, visit TheaterSeason.com.

League of Chicago Theatres Executive Director Marissa Lynn Jones comments, “Chicago Theatre Week is a time for exploration and discovery. It is a pleasure to bring new audiences to our treasured stages that bring talent from across the globe. Chicago is the home of the best theatre artists in the world with stories for all ages and experiences.’ 

“Chicago offers one of the most dynamic performing arts scenes in the world," said Choose Chicago Interim President and CEO Rich Gamble. "I am proud to support Theatre Week in partnership with the League of Chicago Theatres. Initiatives like this and our Chicago Theater Season campaign are critical to attracting new audiences to our venues and ensuring residents and visitors alike have the opportunity to experience the excitement and vibrancy of live theater in Chicago for generations to come."

Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago. Subscribe to the Theatre Week email newsletter for updates and announcements.

The official hashtag for Chicago Theatre Week 2025 is #CTW25.

 

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 7 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. For more information, visit www.chicagoplays.com. #ChiTheatre

The League of Chicago Theatres’ Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

About Choose Chicago

Choose Chicago is the official sales and marketing organization responsible for promoting Chicago as a global visitor and meetings destination, leveraging the city’s unmatched assets to ensure the economic vitality of the city and its member business community.

Follow @choosechicago on Facebook, Instagram, and Twitter and tag #ChicaGOandKNOW. For more information, visit choosechicago.com. Support the theatre community this fall during Theater Season and explore more than 100 shows happening now through the end of the year at TheaterSeason.com.

LOOKINGGLASS ANNOUNCES TWO NEW BOARD MEMBERS AND PREPARES TO REOPEN WITH CIRCUS QUIXOTE JANUARY 30, 2025

LOOKINGGLASS THEATRE COMPANY ANNOUNCES TWO NEW BOARD MEMBERS: FOUNDING ENSEMBLE MEMBER DAVID SCHWIMMER 

AND CHICAGO ATTORNEY JAMES (JIMMY) OH

STRENGTHENING ITS LEADERSHIP AS LOOKINGGLASS 

PREPARES TO REOPEN WITH 

CIRCUS QUIXOTE, JANUARY 30, 2025

The 2024/2025 Season Includes Two World Premieres: Circus Quixote, Jan. 30 – March 30, 2025, and Iraq, But Funny, May 29 – July 20, 2025; a Renovated Lookingglass Lobby, Bar and Café Also Reopens Thursday, Jan. 30

Here at ChiIL Mama and ChiIL Live Shows, we've been covering Lookingglass Theatre Company and reviewing all their shows for over 15 years. We're elated that they're returning with a new managing director, Jamey Lundblad, a new artistic director, Kasey Foster, a longtime favorite of ours on stage and behind the scenes, and a couple of powerhouse board members. David Schwimmer and James (Jimmy) Oh are fabulous assets to have on board. We can't wait to check out Lookingglass' new lobby makeover, and 2 world premiers shows coming in January and May! 

After pausing its operations last year to reorganize and create a new business model, Chicago’s Tony-Award winning Lookingglass Theatre Company is proud to announce two new Board members as it prepares to reopen January 30, 2025: founding ensemble member, actor and director David Schwimmer and Chicago employment and healthcare attorney James (Jimmy) Oh. Lookingglass’ Board of Directors is now composed of 25 business, civic and arts leaders charged with advancing the mission of this ensemble-based company founded in 1988. Located inside the historic Water Tower Water Works building, 163 E. Pearson St. at Michigan Ave., Lookingglass will present two world premieres this season: Circus Quixote, Jan. 30 – March 30, 2025, and Iraq, But Funny, May 29 – July 20, 2025, plus Young Ensemble performances and special events in neighborhoods throughout Chicago. A renovated lobby, bar and café also reopens Thursday, Jan. 30, with its menu and programming to be announced in the coming months. The full list of Board members and 2024/2025 season details may be found at LookingglassTheatre.org. 

“We are thrilled to welcome Jimmy and David to our Board of Directors, as we continue to strengthen Lookingglass’ leadership at this pivotal moment for the Company,” said Board Chair Richard Chapman. “David and Jimmy bring a passion for the performing arts and unique skill sets and networks that will help advance our vital mission—to redefine the limits of theatrical experience and to make theatre exhilarating, inspirational and accessible to all.”

Jamey Lundblad (formerly with the City of Chicago’s Cultural Affairs department) joined Lookingglass as managing director this fall, and ensemble member and multi-hyphenate artist Kasey Foster was named artistic director earlier this year. Additionally, this past spring, the Company welcomed four new members into its ensemble: Atra Asdou, Wendy Mateo, Ericka Ratcliff and Matthew C. Yee.

“Lookingglass has been my artistic home for more than three decades, and I have worked hard to sustain it, but this is my first time serving on the Board,” said David Schwimmer. “I’m incredibly excited to partner with our dedicated Board of Directors, talented Ensemble and hardworking Staff to bolster an organization that means so much to me, and to Chicago.”

“My passion for theatre is personal. All four of our sons performed in children’s theatre, three earned theatre degrees—and now they’re working in the arts,” said Jimmy Oh. “So, I’m thrilled to be directly involved in and supporting the creative industries through my Board service at Lookingglass, one of the best regional theatres in the U.S.”

ABOUT DAVID SCHWIMMER

David Schwimmer’s many television and film acting credits include the hit comedy series “Friends,” for which he received his first Emmy Award nomination, “American Crime Story: The People v. O.J. Simpson” for which he received a second Emmy nomination, “Band of Brothers,” “Curb Your Enthusiasm,” “Madagascar 1, 2 &; 3,” “Feed the Beast,” “Six Days Seven Nights,” “Apt Pupil,” “The Pallbearer,” “Duane Hopwood,” “The Iceman,” “The Laundromat” and “Little Death.” Schwimmer executive produced and starred as the lead in the Sky TV/Peacock original sitcom “Intelligence” and in “Extrapolations” for Apple TV+.  

He will next be seen in Disney’s anthology series “Goosebumps,” based on R.L. Stine’s bestselling Scholastic series.

Schwimmer has directed over twenty plays, including his adaptations of Studs Terkel’s RACE and Upton Sinclair’s The Jungle for Lookingglass and Laura Eason’s Sex with Strangers for the Second Stage Theatre. Other stage credits outside of Lookingglass include Detroit at Playwrights Horizons, The Caine Mutiny Court-Martial on Broadway and the premiere of Neil LaBute’s Some Girls in the West End, London.

Schwimmer’s television and film directing includes ten episodes of “Friends,” the HBO series “Little Britain USA,” “Growing Up Fisher” for NBC, the feature films “Since You’ve Been Gone,” “Run Fat Boy Run” and the independent drama “Trust” starring Clive Owen, Catherine Keener and Viola Davis. He also produced the film “LOVE” directed by Alexander Zeldin for the BBC based on his play produced at the National Theatre in London.

ABOUT JAMES (JIMMY) OH

Jimmy Oh is an employment and healthcare attorney based in Chicago, with a passion for theatre. At Epstein Becker Green, Oh’s work traverses all three of the firm’s core practices: employment, labor and workforce management (ELWM); health care and life sciences (HCLS) and litigation and business disputes. He  has tried cases in federal courts around the country on both employment and healthcare-related issues. 

Oh is a member of Epstein Becker Green’s ELWM Steering Committee, health employment and labor (HEAL®) strategic industry group (which consists of members of both the ELWM and HCLS practices) and litigation and business disputes practice. He also holds leadership roles on the firm’s Diversity and Professional Development Committee and serves on the Executive Committee of the firm’s Minority Attorney Forum.

In addition, he has published numerous articles and made presentations on a variety of topics. He is a graduate of Northwestern University Pritzker School of Law and Northwestern University.

ABOUT THE 2024/2025 SEASON

WORLD PREMIERE 

Circus Quixote

January 30 – March 30, 2025

Joan and Paul Theatre at Water Tower Water Works, 163 E. Pearson St. at Michigan Ave. 

Based on Miguel de Cervantes’ Don Quixote of La Mancha

Written and Directed by Kerry and David Catlin

Circus by Sylvia Hernandez-DiStasi

Produced in Association with Actors Gymnasium

Somewhere in La Mancha there lived a man who read so many books that his brains dried up…Saddle up with Lookingglass as they go tiltingly, acrobatically into the dreamy madness of Don Quixote and his impossible folly-filled quest to bring good-deed doing back into the world— whether the world wants it or not!

Circus Quixote production sponsors include Greg Thompson & Greg Cameron and Marla Mendelson, M.D. & Stephen Wolf. 

WORLD PREMIERE 

Iraq, But Funny 

May 29 – July 20, 2025 

Joan and Paul Theatre at Water Tower Water Works, 163 E. Pearson St. at Michigan Ave. 

Written by Atra Asdou 

Directed Dalia Ashurina 

A raucous satire about five generations of Assyrian women reclaiming their stories, as narrated by a British guy. Making its world premiere at Lookingglass Theatre, Ensemble Member Atra Asdou’s original dark comedy jauntily marches through the Ottoman Empire to modern-day U.S.A. exploring history, family and dysfunction.  

2024/2025 season sponsors are Joan & Paul Rubschlager, Shirley Ryan Ability Lab, HMS Media, Waldorf Astoria Chicago and the City of Chicago. 

Lookingglass Young Ensemble 

March 2025 

The Lookingglass Young Ensemble (YE) is a group of Chicago-area young adults, ages 13-18 years old, committed to building their theater skills, lifting their voices and developing theircreativity through collaborative creation. Three months of rehearsal and ensemble-building amongst this incredible group of artists will culminate in three public performances. 

 

Lookingglass Outdoors 

Summer 2025

Lookingglass takes their art outside the historic Water Tower Water Works and into the neighborhoods through special events like Sunset 1919, educational opportunities like summer camp and recurring programs that tour around town. This summer, Lookingglass continues its ambitious video project to bring Chicago together despite the lines that divide us, 50 Wards: A Civic Mosaic. The series currently has 10 wards available for viewing at LookingglassTheatre.org. 

ABOUT LOOKINGGLASS THEATRE COMPANY

Founded in 1988 by graduates of Northwestern University, Lookingglass Theatre Company is a nationwide leader in the creation and presentation of new, cutting-edge theatrical works and in sharing its ensemble-based theatrical techniques with Chicago-area students and teachers through Education and Community Programs. Guided by an artistic vision centered on the core values of collaboration, transformation and invention, Lookingglass seeks to capture audiences’ imaginations leaving them changed, charged and empowered. Recipient of the 2011 Tony Award for Outstanding Regional Theatre, Lookingglass has built a national reputation for artistic excellence and ensemble-based theatrical innovation. Notable world premieres include Mary Zimmerman’s Tony Award-winning Metamorphoses and The Odyssey, J. Nicole Brooks’ Her Honor Jane Byrne, David Schwimmer’s adaptation of Upton Sinclair’s The Jungle and Studs Terkel’s Race: How Blacks and Whites Think and Feel about the American Obsession, Matthew C. Yee’s Lucy and Charlie's Honeymoon and David Catlin’s circus tribute to Lewis Carroll, Lookingglass Alice, which was captured by HMS Media and reached 1.6 million PBS viewers. Lookingglass Alice is now available to more than four million students worldwide through Digital Theatre+. Work created by Lookingglass artists has been produced in Australia, Europe and dozens of cities throughout the United States.

Guarneri Hall Celebrates Schoenberg’s Seminal Composition Pierrot Lunaire in Concert Series Pierrot Unmasked December 9-10, 2024

 ChiIL Live Shows On Our Radar

Guarneri Hall celebrates Schoenberg’s seminal composition 

Pierrot lunaire in concert series 

Pierrot Unmasked

With Different Experiences on December 9th and 10th at 6:30 p.m.

The 2-day event enlivens the melodrama on the tragic-comic character Pierrot via poetry reading and theatrical performance, followed by Q&A and intimate reception with the artists

The nonprofit Guarneri Hall, a state-of-the-art, custom-built classical music venue in the heart of downtown Chicago at 11 E. Adams St., presents Pierrot Unmasked, a concert series exploring the poetic and theatrical context of Arnold Schoenberg’s seminal melodrama, Pierrot lunaire. On December 9th and 10th, 2024, at 6:30 p.m. Pierrot Unmasked presents two different performances around the tragic-comic character Pierrot from Commedia dell'Arte, one with a reading of Albert Giraud’s poems on which Pierrot lunaire is based, and the other featuring a lively theatrical performance. Tickets can be purchased at guarnerihall.org, with general admission priced at $40 and student discounts available.

The stock character Pierrot originated in the Commedia dell’Arte of 17th-century Italy. This sad clown has been a source of artistic inspiration since, reflected in the work of many French painters and Symbolist poets. Giraud’s 50-poem set, Pierrot lunaire: rondels bergamasques, formed the basis of the commission that resulted in Schoenberg’s Pierrot lunaire. The extended tonality of Schoenberg’s musical language super-charges the haunting, other-worldly quality of Giraud’s poems, making both performances of Pierrot lunaire uniquely evocative and modernistic experiences.

Guarneri Hall’s unique pair of evenings will provide context for Pierrot lunaire with in-depth perspectives on the literary and theatrical histories of the Pierrot character. Each evening will culminate in a performance of Pierrot lunaire by soprano Kristina Bachrach with pianist Daniel Pesca, flutist Stefán Ragnar Höskuldsson, clarinetist Graham Steele Johnson, and Guarneri Hall’s resident ensemble, NEXUS Chamber Music, and include a post-performance Q&A session with the performers and event organizers. While the music is the same both nights—taking a cue from Schoenberg himself, who with his circle frequently staged performances where works were played twice in their entirety—the two evenings promise to offer uniquely different experiences, as outlined below.

Pierrot Unmasked: Pierrot the Poet

Monday, December 9th, 2024, at 6:30 p.m.

Renowned poet David Yezzi of Johns Hopkins University will discuss the interpretive implications of existing translations of the Giraud poems followed by a performance of the Schoenberg by Bachrach and NEXUS Chamber Music. Yezzi is an American poet, editor, actor, and professor, who currently teaches poetry in the Writing Seminars at Johns Hopkins University. He last appeared in Guarneri Hall in 2021, reading poems of Emily Dickinson and Gustav Mahler.

Pierrot Unmasked: Pierrot the Actor

Tuesday, December 10th, 2024, at 6:30 p.m.

Pierrot the Actor will feature a semi-staged theatrical performance of Pierrot lunaire directed by actor-director Jim Iorio, Associate Professor of Theatre at Roosevelt University. The evening begins with Iorio providing the historical background of the character Pierrot, and completes with a semi-staged theatrical performance of the Schoenberg by Bachrach and NEXUS Chamber Music, directed by Iorio.

Performing artists include Kristina Bachrach, soprano; Daniel Pesca, piano; Brian Hong, violin and viola; Alexander Hersh, cello; Stefán Ragnar Höskuldsson, piccolo and flute; Graeme Steele Johnson, clarinet and bass clarinet.

About Guarneri Hall

Guarneri Hall NFP delivers extraordinary classical music to a broad and diverse audience through a curated mix of live performances and original music videos. The hall is a uniquely intimate, custom-built, 60-seat venue in the heart of downtown Chicago with optimal acoustics designed by Threshold Acoustics. In addition to presenting live performances that connect audiences to the dynamism of live performance with unparalleled intimacy, Guarneri Hall also produces high-quality video content designed to advance classical music in the digital age. Named after the famous Italian family of luthiers whose prominence in violin making is equaled only by that of Stradivari, Guarneri Hall (pronounced gwar-NAIR-ee) was founded in 2018 by esteemed violinist and violin dealer Stefan Hersh. For more information on Guarneri Hall visit guarnerihall.org.

Photos left to right, top to bottom: David Yezzi, Jim Iorio, Kristina Bachrach, Daniel Pesca, Brian Hong, Alexander Hersh, Stefán Ragnar Höskuldsson, Graeme Steele Johnson.