WIN a Pair of Preview Tickets ($40 Value) to Lifeline Theatre's Emma (2 Winners) Choice of Dates

Giveaway! Enter below through midnight 5/23/19
2 Lucky Readers Will 
WIN a Pair of Tickets ($40 Value) to your choice of preview dates 

(Previews are Fridays, May 24 and 31 at 7:30 p.m.; Saturdays, May 25 and June 1 at 8 p.m.; and Sunday, May 26 at 4 p.m.)

Lifeline Theatre Presents 

Emma,

Opens June 4

Performances with Open Captioning on June 15 and July 12

Performance with Touch Tour and Audio Description on June 16

ChiIL Live Shows on our radar

Lifeline Theatre presents Emma, adapted by Lifeline Theatre ensemble member Phil Timberlake and directed by Lifeline Theatre ensemble member Elise Kauzlaric. Making his Lifeline playwriting debut, Timberlake joins Kauzlaric, director of 2012’s Pride and Prejudice and 2016’s Northanger Abbey (Non-Equity Jeff nomination: Best Production–Musical), for a fresh, intimate look at this beloved Austen romp. 

After a successful experiment in matchmaking, Emma Woodhouse is convinced she can do no wrong. So the high-spirited socialite inserts herself in the love lives of everyone around her, meddling despite their wishes, and leaves a tangle of heartbreak in her wake. To restore happiness to her fractured world, Emma must swallow her pride and learn to value the needs of others over her own desires. Navigate the blunders of the heart in this world premiere adaptation of the 1815 romantic comedy by Jane Austen. The production runs approximately 2 hours with an intermission. The novel will be on sale in the lobby.

Emma Sipora Tyler as Emma.  Photo by Suzanne Plunkett.

I'll be out for the press opening June 2nd and can't wait to catch Emma Sipora Tyler as Emma Woodhouse! She's a favorite of ours. 


Emma runs May 24 – July 14 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below). Opening night is Tuesday, June 4 at 7:30 p.m. (Previews are Fridays, May 24 and 31 at 7:30 p.m.; Saturdays, May 25 and June 1 at 8 p.m.; and Sunday, May 26 at 4 p.m.)


Regular performance times (June 6 – July 14) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $40 for regular single tickets, $30 for active and retired military personnel (with ID), $30 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $20 for previews. Group rate for 12 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.


Accessible Performances: The Saturday, June 15, 4 p.m. performance and the Friday, July 12, 7:30 p.m. performances will feature open captioning for patrons who are deaf or hard-of-hearing. The Sunday, June 16, 4 p.m. performance will feature a pre-show touch tour of the set at 2:30 p.m. and live audio description for patrons who are blind or have low vision. For more information about Lifeline’s accessibility services, please contact our Accessibility Coordinator Erica Foster at 773.761.4477 x703 or at access@lifelinetheatre.com.


The complete cast and production team for Emma includes:


CAST: Guest artists Peter Gertas (Frank/Elton), Jeri Marshall (Jane), Maddie Pell (Harriet), Emma Sipora Tyler (Emma), and Cory Williamson (Knightley). With understudies Aissa Guerra, Royan Kent, Jamie Sandomire, Sana Selemon, and Zach Twardowski.


PRODUCTION TEAM: Lifeline Theatre ensemble members Aly Renee Amidei (Costume Designer), Diane Fairchild (Lighting Designer), Elise Kauzlaric (Director/Dialect Coach), Maren Robinson (Dramaturg), and Phil Timberlake (Adaptor); with guest artists Andrew Hansen (Sound Designer), Persephone Lawrence (Properties Designer), Sarah Lewis (Scenic Designer), Jennifer McClendon (Production Manager), Kate Reed (Stage Manager), Joe Schermoly (Technical Director), and Jonah White (Master Electrician)


Lifeline Theatre presents Emma runs May 24 – July 14 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below). Press opening is Sunday, June 2 at 4 p.m. Opening night is Tuesday, June 4 at 7:30 p.m. (Previews are Fridays, May 24 and 31 at 7:30 p.m.; Saturdays, May 25 and June 1 at 8 p.m.; and Sunday, May 26 at 4 p.m.) Regular performance times (June 6 – July 14) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $40 for regular single tickets, $30 for active and retired military personnel (with ID), $30 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $20 for previews. Group rate for 12 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.


Lifeline Theatre is accessible by CTA (Red Line Morse stop/busses) and free parking is available at Sullivan High School (6631 N Bosworth Ave — the lot is located on the corner of Bosworth Ave and Albion Ave, with the entrance on Albion) with free shuttle service before and after the show.  Street parking is also available. Lifeline is accessible to wheelchair users and visitors who need to avoid stairs.






Now in its 36th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close.




Lifeline Theatre’s programs are partially supported by Alphawood Foundation; A.R.T. League Inc.; Blue Cross & Blue Shield of Illinois; Elizabeth F. Cheney Foundation; Chicago CityArts, a grant from the Chicago Department of Cultural Affairs and Special Events; CIG Management; CNA Foundation; Gaylord and Dorothy Donnelley Foundation; FGMK LLC; FlexPrint Inc.; Lloyd A. Fry Foundation; The Michael and Mona Heath Fund at The Chicago Community Trust Foundation; Illinois Arts Council Agency; Illinois Humanities Council; MacArthur Fund for Arts and Culture at Prince; The National Endowment for the Arts; The PAV Grant Fund; The Polk Bros. Foundation; Rogers Park Social; The Saints; S&C Electric Company Fund; The Shubert Foundation; The Steele Foundation; The Manufacturing; and the annual support of businesses and individuals.

Giveaway! Enter HERE through midnight 5/23/19

2 Lucky Readers Will 

WIN a Pair of Tickets ($40 Value) to your choice of preview dates 

(Previews are Fridays, May 24 and 31 at 7:30 p.m.; Saturdays, May 25 and June 1 at 8 p.m.; and Sunday, May 26 at 4 p.m.)

**ENTER HERE**

SAVE THE DATES: TEATRO VISTA 2019-20 SEASON

ChiIL Live Shows on our radar

Midwest debut of Evelina Fernández’s ‘60s comedic drama with music Hope: Part II of A Mexican Trilogy is part of DESTINOS – Chicago International Latino Theater Festival

Romance meets physical theater in Marvin Quijada’s world premiere The Dream King, directed by Sandra Márquez

Make way for an all-female mariachi band in American Mariachi by José Cruz González, directed by Teatro Vista co-founder Henry Godinez, in association with Goodman Theatre

The Midwest premiere of Hope: Part II of A Mexican Trilogy by Evelina Fernández brings a grand exploration of Mexican American life in the ’60s to the start of Chicago’s fall theater season. Hope follows the voyage of the Morales family through that turbulent, transformational time, marked by a new young president, the dawn of the sexual revolution and the rock ‘n’ roll explosion. Teatro Vista Artistic Director Ricardo Gutiérrez directs. Hope: Part II of A Mexican Trilogy is also the company’s entry in DESTINOS – 3rd Chicago International Latino Theater Festival. Performances are September 21 – October 27, 2019 at a location TBA.

Next spring Teatro Vista breathes life into The Dream King, a world premiere by ensemble member Marvin Quijada, directed by fellow ensemble member Sandra Márquez. The Dream King is a genre-bending classic love story with a twist: a man falls in love with the woman of his dreams, while in his dreams. Imaginative, inventive, sweet and sometimes scary, The Dream King is a stunning piece of physical theater, told with a lush musical score and mostly without words. Performances are April 4 – May 10, 2020 at The Richard Christiansen Theatre in The Biograph, 2433 N. Lincoln Ave., Chicago.

Women mariachis? It’s about time! Teatro Vista’s third 2019-20 production is American Mariachi, a heartwarming and hilarious new comedy about the freedom to dream big by José Cruz González, presented in association with Goodman Theatre. Familia, amor and tradición are at the heart of this hilarious and heartwarming new comedy about an all-female mariachi band. Goodman Resident Artistic Associate Henry Godinez, who co-founded Teatro Vista 30 years ago, directs. Performances are April 25-May 31, 2020 in Goodman’s Albert Theatre, 170 N. Dearborn St., Chicago.

Teatrovista.org is your online gateway to tickets and information about the company’s 2019-20 season.

Single tickets to Teatro Vista’s fall production Hope: Part II of A Mexican Trilogy go on sale this summer via clata.org, the DESTINOS – 3rd Chicago International Latino Theater Festival’s website.

Tickets to The Dream King go on sale Monday, February 24, 2020 online at victorygardens.org and via the Victory Gardens box office,
(773) 871-3000. Single tickets to Teatro Vista productions are $20-$35, with discounts for students, seniors and groups of 10 or more.

Memberships to Goodman Theatre’s 2019-20 season including American Mariachi are on sale now at goodmantheatre.org, in person, or by calling (312) 443-3800 (12noon – 5 p.m., daily). Single tickets to American Mariachi, $20-$70, go on sale on February 14, 2020. Discounted tickets for groups of 10 or more are available now. 

                                                               
More about Teatro Vista’s 2019-20 season

Hope: Part II of A Mexican Trilogy
A Midwest Premiere
By Evelina Fernández
Directed by Artistic Director Ricardo Gutiérrez
September 21 – October 27, 2019
At a location TBA
Part of DESTINOS – 3rd Chicago International Latino Theater Festival



The Midwest premiere of Hope: Part II of A Mexican Trilogy by Evelina Fernández is a grand exploration of Mexican American life in the ’60s. Hope follows the voyage of the Morales family through that turbulent, transformational time, marked by a new young president, the dawn of the sexual revolution and the rock ‘n’ roll explosion. Filled with nostalgic ballads, fantasy sequences and healthy doses of humor, Hope pops with keen visuals and poignant storytelling as it offers a glimpse of the Mexican diaspora in ’60s America.

Teatro Vista’s Hope: Part II of A Mexican Trilogy is presented as part of DESTINOS – 3rd Chicago International Latino Theater Festival, September 19 – October 27, 2019. DESTINOS, produced by the Chicago Latino Theater Alliance (CLATA), is dedicated to showcasing the Latino experience as told by Latino artists from Chicago, the U.S. and Latin America. Discover more at CLATA.org.

Evelina Fernández (playwright), born and raised in East LA, is an award-winning playwright, screenwriter and actor and she writes about the U.S. Latinx experience. She received the L.A. Drama Critics Circle Award for Outstanding Writing of a World Premiere Play for A Mexican Trilogy published by Samuel French. The first work in the trilogy, Hope: Part II of a Mexican Trilogy, premiered in October 2011 at the Los Angeles Theatre Center to critical acclaim, earning Fernández a Best Playwright Ovation Award nomination. Charity: Part III of A Mexican Trilogy premiered next in May 2012 (Backstage’s Critic’s Pick) and Faith: Part I of a Mexican Trilogy followed that October, also to critical acclaim. In fall 2016, the plays were combined for a six-hour epic production, A Mexican Trilogy: An American Story at the Los Angeles Theatre Center. Her plays have made the Los Angeles Times Critic's Choice list; Solitude (2009), Dementia (2010) and her holiday pageant play, La Virgen de Guadalupe, Dios Inantzin, have been featured in the Los Angeles Times and the New York Times. In 2003, Dementia won the GLAAD Media Award for Outstanding Theater Production in L.A. and received four L.A. Stage Alliance Ovation Award nominations, including Best World Premiere. Her most recent play, Premeditation was nominated for three Ovation Awards including Best Theater Production in 2014. In March 2015, her adaptation of Plautus’s Pot of Gold, LA Olla was staged at the Getty Villa Lab and had a full production at her home base, the LATC. She was part of the CTG Writers Workshop where she began her “Virgin” series with The Mother of Henry. She was a writer for Emmy Nominated East Los High seasons two and three and is developing A Mexican Trilogy for television with Wise Entertainment, producers of East Los High. Fernández has won several awards and recognitions nationally and internationally for her work in film and television, including the Nosotros Golden Eagle Award for Outstanding Writing for her produced screenplay, Luminarias; International Film Festival in Bolivia (Best Screenplay – Luminarias), and many more. She was nominated for the Humanitas Prize in 2005 for an episode of PBS’s Maya and Miguel, “Give me a little sign." She was awarded the "Women in Entertainment" award by the Comision Femenil of Los Angeles along with other prominent Latinas; and was honored by the Community Coalition for her community work. She received a commendation from the Los Angeles City Council and was the recipient of the Lifetime Television Latino Pioneer Award in Washington, D.C; the Spirit Award from the Latino Legislative Caucus in Sacramento, CA and the Latina Business Women Association’s Entertainment Award. She was a proud member of Honorable Mayor Antonio Villaraigosa’s Transition Team in 2005, was appointed by both Mayor Villaraigosa and Mayor Garcetti as a Commissioner on the City of Los Angeles Human Relations Commission. Fernández was honored by La Opinion with the Mujeres Destacadas Award for her contribution to the Arts, received recognition awards from Playwright’s Arena, the National Hispanic Media Coalition and the California State Assembly. Fernández is a founding and board member of the Latino Theater Company and the Los Angeles Theatre Center.

Teatro Vista Executive Artistic Director Ricardo Gutiérrez (director) recently staged the company’s world premieres of Stephanie Alison Walker’s The Madres and The Abuelas. Other Teatro Vista directing credits are The Wolf at the End of the Block, Parachute Men, In The Time of the Butterflies, Between You, Me & The Lampshade, A View From The Bridge, Momma’s Boyz, i put the fear of mexico in ’em and La Mágica Posada. He is co-founder of the Alliance of Latinx Theatre Artists of Chicago (ALTA), a service organization dedicated to promoting and fostering Latinx theater artists in Chicago. As an actor, his credits include Destiny of Desire at Goodman Theatre and South Coast Repertory, In The Heights at Paramount and the world premieres of Song For The Disappeared and Fish Men at Goodman. He has also performed at Actors Theatre in Louisville, Denver Center Theatre, Steppenwolf Theatre, Victory Gardens and Lookingglass Theatre. TV credits include Chicago PD, Sirens and Boss. Before joining Teatro Vista, Gutiérrez served as the artistic director of Nosotros in Los Angeles and The Canterbury Theatre in Indiana.



The Dream King
A World Premiere
By Marvin Quijada
Directed by Sandra Márquez
April 4 – May 10, 2020
At The Richard Christiansen Theatre in The Biograph,
2433 N. Lincoln Ave., Chicago



The Dream King is a genre-bending classic love story with a twist: a man falls in love with the woman of his dreams, while in his dreams. Imaginative, inventive, sweet and sometimes scary, this piece of physical theater, told with a lush musical score and mostly without words, evokes wonder and delight as it delves into the places where sometimes you must confront your personal demons in order to prevail. 

Marvin Quijada (creator, performer) is a Chicago based electronic music producer/composer, iOS musician, DJ, theatrical actor, and a clown/mime. He is an ensemble member with Teatro Vista and Silent Theater. His Teatro Vista stage credits include La Havana Madrid, Mommas Boyz and i put the fear of mexico in ‘em. Other Chicago credits include Pericles, Short Shakespeare! The Comedy of Errors, Romeo and Juliet and Othello (Chicago Shakespeare), Season on the Line (The House Theatre) and The Dueling Gentlemen (Silent Theatre Company) which he wrote and directed. His New York credits include Lulu: A Black and White Silent Play (Silent Theatre) which won best play at the NY Fringe Festival in 2005. TV credits include Chicago Fire and Chicago P.D. Follow him on SoundCloud and Instagram: SILENT MARVIN.

Sandra Márquez (director) is a longtime Teatro Vista member where her directing credits include Fade, My Mañana Comes, Breakfast Lunch & Dinner and the Jeff-nominated Our Lady of the Underpass. She has acted in numerous Teatro Vista productions including A View from the Bridge for which she received a Jeff Award. Márquez joined the Steppenwolf ensemble in spring 2016 where she most appeared in Mary Page Marlowe, The Motherf**ker with the Hat, The Roommate, A Streetcar Named Desire, Sonia Flew and One Arm. She completed a three-year arc playing Clytemnestra in what was billed as Court Theater's Iphigenia Cycle (Iphigenia at Aulis, Electra and Agememnon). Film and television credits include Boss, Empire, Chicago Med, Chicago Justice and Timer. Márquez is on the theater faculty at Northwestern University.



American Mariachi
In association with Goodman Theatre
By José Cruz González
Directed by Henry Godinez
April 25 – May 31, 2020
At Goodman’s Albert Theatre, 170 N. Dearborn St., Chicago





Familia, amor and tradición are at the heart of this hilarious and heartwarming new comedy about the freedom to dream big. Lucha spends her days caring for her ailing mother, but longs to shake up her 1970s home life. When a forgotten record album sparks her mother’s memory, Lucha and her cousin strike upon a radical idea: to create an all-female mariachi band. Infused with live mariachi music, this “big-hearted, musical tug at the heartstrings” (Denver Post) reveals how music and love can make just about anything possible.

José Cruz González's plays include American Mariachi (Denver Center Theatre Company, Old Globe Theatre), Sunsets & Margaritas (Denver Center Theatre Company), September Shoes (Geva Theatre), Curious (Teatro del Pueblo), Among the Darkest Shadows (Wharton Center for Performing Arts), The Highest Heaven (Childsplay), The Long Road Today (South Coast Repertory), The Astronaut Farmworker (La Jolla Playhouse) and The Magic Rainforest (The Kennedy Center). González has written for PAZ, the Emmy Award nominated television series produced by Discovery Kids for The Learning Channel. His plays have been published by Dramatic Publishing, University of Texas Press, Smith and Kraus, Inc., Anchorage Press Plays, Inc., Playscripts, Inc., Lion and Seagoat Press, and Dutton Children’s Books. González was a 2016 PEN Center USA Literary Award Finalist, 2015 Orlin Corey Medallion by the Children’s Theatre Foundation, 2012 Ann Shaw Fellowship by Theatre for Young Audiences/USA, 2010 Kennedy Center National Teaching Artist Grant, and is a member of the College of Fellows of the American Theatre, John F. Kennedy Center for the Performing Arts. He is a professor at California State University Los Angeles and a member of The Dramatists Guild of America and TYA/USA. He is a Playwright in Residence at Childsplay (AZ).

Henry Godinez (Director) is the Resident Artistic Associate at Goodman Theatre. As an actor, Godinez appeared most recently in Robert Falls’ reimagining of Shakespeare’s The Winter’s Tale, 2666 and the Goodman/Teatro Buendía of Cuba world premiere of Pedro Páramo, and at Writers Theatre in the title role of Quixote: In the Conquest of Self. He has also appeared on television in Chicago PD, Above the Law, The Beast, The Chicago Code, Boss and Chicago Fire. His Goodman directing credits include Charise Castro Smith’s Feathers and Teeth, The Sins of Sor Juana and Mariela in the Desert by Karen Zacarías; José Rivera’s Boleros for the Disenchanted (and world premiere at Yale Repertory Theatre); Regina Taylor’s Millennium Mambo; Luis Alfaro’s Electricidad and Straight as a Line; The Cook by Eduardo Machado; Zoot Suit by Luis Valdez; the Goodman/Teatro Vista co-production of José Rivera’s Cloud Tectonics and the 1996–2001 productions of A Christmas Carol. He also served as director of the Goodman’s Latino Theatre Festival. Co-founder and former artistic director of Teatro Vista, Godinez is the recipient of the 1999 Theatre Communications Group Alan Schneider Director Award, the Distinguished Service Award from the Lawyers for the Creative Arts and was honored as the 2008 Latino Professional of the Year by the Chicago Latino Network. Born in Havana, Cuba, Godinez is a professor at Northwestern University and serves on the Board of Directors of the Illinois Arts Council and Albany Park Theater Project.

 American Mariachi | Director Henry Godinez

About Teatro Vista

Teatro Vista shares and celebrates the riches of Latinx culture with Chicago audiences. The company provides work and professional advancement opportunities for Latinx theatre artists, with special emphasis on the company’s ensemble members, and seeks to enhance the curricular goals of Chicago students through theater. Teatro Vista was celebrated as one of “Chicago’s Cultural Leaders” by the Arts & Business Council of Chicago and received the League of Chicago Theatre’s Artistic Leadership Award.

Teatro Vista’s primary focus is producing new works by Latinx theatre artists and presenting classic plays featuring artists of color. Its artistic vision is shaped by the company’s ensemble members, a group of multi-generational, multi-ethnic and multi- disciplinary artists. They inform Teatro Vista’s artistic aesthetic by devising original works as well as by selecting plays with themes that are engaging and relevant to Chicago’s diverse population.

Teatro Vista was founded in 1990 by Edward Torres and Henry Godinez. As Teatro Vista’s first Artistic Director, Godinez guided the company during the formative years. He helped stage successful productions and establish vital relationships with other theatre companies and artists. When Godinez stepped down, Torres was appointed Artistic Director. Under Torres’ direction, Teatro Vista used the stage to engage, connect and challenge audience members using the company’s mission as his guide.

In 2012, Torres moved to New York and the Board of Directors promoted Associate Artistic Director Ricardo Gutiérrez to the position of Executive Artistic Director. In 2017, Sylvia Lopez joined Teatro Vista as Managing and Development Director. Previously, Lopez was Director of Marketing and Development of the International Latino Cultural Center and had her own
multicultural event production company.

Teatro Vista ensemble members include Charín Álvarez, Max Arciniega, Desmín Borges, Cheryl Lynn Bruce, Ramón Camín, Ivonne Coll, Laura Dahl, Sandra Delgado, Liza Fernández, Khanisha Foster, Cruz Gonzalez-Cadel, Issac Gomez, Ricardo Gutiérrez, Erik Juárez, Jon Lyon, Sandra Márquez, Eddie Martinez, Salome Martinez, Joe Minoso, Ayssette Muñoz, Christina Nieves, Marvin Quijada, Tommy Rivera-Vega, Gabriel Ruíz, Nate Santana, Cecilia Suarez and co-founder Edward Torres.

Teatro Vista’s Board of Directors is Tom Vega-Byrnes, President; Joan Pantsios, Secretary, and Ezequiel “Zeek” Agosto, Bhuvana Badrinathan, Adela Cepeda, Edgar Delgado, Ricardo Gutiérrez, Kelly Jones, Sylvia Lopez, Kareem Mohamednur, Carina Sanchez, Angel Torres and Jose Vasquez.

Teatro Vista is supported by Alphawood Foundation, Paul M. Angell Family Foundation, The MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, Bloomberg Philanthropies, the Department of Cultural Affairs and Special Events of the City of Chicago, Art Works, Illinois Arts Council, Lester and Hope Abelson, The Shubert Foundation, The Gaylord and Dorothy Donnelly Foundation, the Bayless Family Foundation and Vidal & Associates. Purple Group is Teatro Vista’s Headline Season Sponsor.

For more, visit teatrovista.org, or follow the company on Twitter, Facebook or Instagram.

About Goodman Theatre
GOODMAN THEATRE, America’s “Best Regional Theater” (Time) and “Chicago’s flagship resident stage” (Chicago Tribune), is a premier not-for-profit theater distinguished by the quality and scope of its artistic programming and civic engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Key to the theater’s success are its distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Awards for artistic excellence include two Pulitzer Prizes, 22 Tony Awards and more than 160 Joseph Jefferson Awards. GoodmanTheatre.org

OPENING: THE WORLD PREMIERE OF ANTHONY TOURNIS’ PROPHET$ VIA THE FACTORY THEATER JUNE 7 – JULY 20

ChiIL Live Shows on our radar

THE FACTORY THEATER ANNOUNCES THE WORLD PREMIERE OF ANTHONY TOURNIS’

PROPHET$, 

JUNE 7 – JULY 20

Last year, religion took in $71 billion, tax-free. Prophet$ is the hilarious slack-to-riches story of a couple of con artists that get into the business of belief. 

Wm. Bullion Directs This Eye-Opening and Hilarious Comedy About Profiteering in the World of ’80s Televangelism, Premiering this Summer

The Factory Theater concludes its 26th season with Prophet$, June 7 – July 20, written by Factory Theater Ensemble Member Anthony Tournis and directed by Factory Theater Ensemble Member Wm. Bullion, at the Factory Theater, 1623 W. Howard St., Chicago. Previews are Friday, June 7 and Saturday June 8 at 8 p.m. and Sunday, June 9 at 3 p.m. Opening night is Friday, June 14 at 8 p.m. Performance times are Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. Ticket prices are $10 for previews, $18 for students and seniors and $25 for general admission. All tickets may be purchased through the box office at 866-811-4111 or by visiting TheFactoryTheater.com.

Set in 1988, this Stripes-inspired world premiere production, by ensemble member Anthony Tournis, brilliantly brings shameless comedy back to The Factory stage.  

Cast members of Prophet$ courtesy of The Factory Theater. 

(Top Row, L to R) Timothy C. Amos (Rev. Leslie Goode), Conor Clark (Ensemble),  Lorraine Freund (Agnes), Kirk Jackson (Red), Eric Roach (Owen) and Hilary Sanzel (Evelyn Goode (Bottom Row, L to R) Will Snyder (Ensemble), Anthony Tournis (Playwright/ Vic Jacobowski), Eric Wang (Seth Levy), Abigail Warhus (Ensemble), LaRose Washington (Ensemble) and Ashley Yates (Darla Grant)

The cast for Prophet$ includes: Anthony Tournis*, (Vic Jacobowski); Eric Wang, (Seth Levy); Eric Roach*, (Owen); Ashley Yates, (Darla Grant); Timothy C. Amos*, (Rev. Leslie Goode); Hilary Sanzel, (Evelyn Goode); Kirk Jackson, (Red); Lorraine Freund, (Agnes); Abigail Warhus, (ensemble); Conor Clark, (ensemble); LaRose Washington, (ensemble); Will Snyder, (ensemble); Rebecca Flores, (Darla u/s); Kelly Opalko, (Evelyn u/s); Mark Bjorkquist, (Red u/s); Tehilla Newman, (Agnes u/s); Chase Wheaton-Werle, (ensemble u/s); and Zia Hillocks, (ensemble u/s).

The production team for Prophet$ includes: Anthony Tournis*, playwright; Wm. Bullion*, director; Sarah Scanlon, production manager; Manny Tamayo*, production manager; Becca Holloway, assistant director; Joeseph Pindelski, dramaturg; and Shellie DiSalvo, stage manager. The design team includes Eric Luchen, scenery; Jordan Kardasz, lights; Isaiah Williams, costumes; Wyatt Kent, props; Sarah Espinoza**, sound; and Dag Juhlin, original songs. C.W. van Baale* is the master electrician. 

ABOUT ANTHONY TOURNIS*, playwright

This is the third play written by Anthony Tournis, and his first solo writing project. Previous works produced by The Factory Theater include Black and Blue with Nick Digilio and Street Justice: Condition Red with Colin Milroy. Anthony has been an Ensemble member of The Factory Theater since 2006 and has been seen as an actor in countless shows there since then.

ABOUT WM. BULLION*, director

Wm. Bullion is a Factory ensemble member and has been a professional director in Chicago for over 25 years. His previous directing gig at The Factory was Stacie Barra’s hit Born Ready in 2017. In 2016 he formed The Conspirators, for whom he has directed all three shows: The Deckchairs, Yankee Doodles, and The Resistible Rise of Herr Helmut Drumpf. Additional directing credits include Scream, Queen, Scream! (Hell in a Handbag Productions), as well as Blue Planet, A Summer’s Day, and the original burlesque satire Pippi’s Lost Stockings: A Skirt Raiser (Akvavit Theatre). Bullion is the Artistic Director of DirectorsLabChicago, an artist-service organization dedicated to emerging directors and is a graduate of UCLA’s school of Theater, Film and Television.

*Denotes Factory Theater Ensemble Member
** Denotes Factory Theater Artistic Associate



ABOUT The Factory Theater
For more than 25 years, The Factory Theater has created its shows from scratch, doing exactly the kind of theater they’ve wanted to do. From writing workshops to the closing night bash, The Factory’s shows are a unique experience that fit its exacting standards: original, bold, and full-tilt. Its shameless Ensemble are ambassadors of a good time, making certain that Chicago remains heartily entertained.

The Factory Theater concludes its 26th season with Prophet$, June 7 – July 20, written by Factory Theater Ensemble Member Anthony Tournis and directed by Factory Theater Ensemble Member Wm. Bullion, at the Factory Theater, 1623 W. Howard St., Chicago. Previews are Friday, June 7 and Saturday June 8 at 8 p.m. and Sunday, June 9 at 3 p.m. Opening night is Friday, June 14 at 8 p.m. Performance times are Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. Ticket prices are $10 for previews, $18 for students and seniors and $25 for general admission. All tickets may be purchased through the box office at 866-811-4111 or by visiting TheFactoryTheater.com.

FEST ALERT: Full Line-Up Announced for The New Colony’s UNCHARTED Festival at The Den Theatre July 11 – 20, 2019

ChiIL Live Shows on our radar

Full Line-Up Announced!

The New Colony’s 

UNCHARTED Festival

July 11 – 20, 2019 at The Den Theatre

The New Colony’s UNCHARTED Festival playwrights include (top, l to r) Fin Coe, Grace McLeod, Michael Turrentine, Mario (Mars) Wolfe, Christina Renee Jones, Patriac Coakley and Evan Linder. Directors include (bottom, l to r) Elyse Dolan, James Fleming, Toma Tavares Langston, Rinska Carrasco-Prestinary, Dani Wieder, Megan Johns and Zach Weinberg.

The New Colony is pleased to present UNCHARTED, a two-week showcase of plays at different points in their journeys to production, playing July 11 – 20, 2019 at TNC’s resident home, The Den Theatre (2B) 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets will go on sale in June at www.thenewcolony.org.

UNCHARTED is a two-week festival showcasing bold new works from Chicago playwrights developed, incubated and curated by The New Colony. The company provides Chicago playwrights with support from professional directors, actors and designers to help them take the next step in the creation of a new work. UNCHARTED was founded in recognition and celebration of the Chicago community’s passion for creating and producing new American plays and aims to connect audiences and theatrical producers with today’s stories and tomorrow’s playwrights. Each offering will receive two presentations over the course of the festival.

Comments The New Colony Co-Artistic Directors Fin Coe and Stephanie Shum, "The New Colony's pipeline is full of intriguing new plays, more than we could ever give a production to. UNCHARTED is our attempt to break the cycle of wonderful, timely new plays staying undiscovered and unproduced. We've curated a selection of promising new stories that deserve to be showcased for other Chicago theatres to see and hear. Our ensemble and staff are applying our decade of new play development experience to connecting these plays and their playwrights with the organizations that are hungry for contemporary scripts that fit their aesthetic and mission. We're confident that this matchmaking will result in more new Chicago classics finding homes and productions."

The UNCHARTED line-up includes:

OTHER ROCKPOOLS
Written by Fin Coe*
Directed by Elyse Dolan

In the summer of 2001, a brilliant physicist sets up shop in her family's cabin and gathers a team of scientists for one wild, irresistible purpose: build a machine to get them all the hell out of their awful timeline.

SCARE ME
Written by Grace McLeod
Directed by James Fleming

When Alex gets hired at a Halloween pop-up store in the suburbs of Chicago, she's thrilled to start her gap year with her first real job. As she and her older, jaded co-workers scramble to meet their sales goal and push superhero capes and fake blood on strangers, they each struggle to distinguish the masks they wear from the masks they sell. Scare Me is a queer coming-of-age comedy about the fear of being yourself, the desire to be somebody else, and the danger of getting attached to something that was always meant to be temporary.

IF ONLY ONCE
Written by Michael Turrentine
Directed by Toma Tavares Langston

Ryan and Tyler live in a quaint little house in the near suburbs of Chicago. They’ve been married two years, are insatiably in love, and thinking of starting a family in the near future. But when Ryan asks his ex-wife of four years, Lona, to be the surrogate mother, Tyler is forced to dive deep into Ryan’s past, to see his husband in a way he never thought possible. If Only Once is a story of feeling trapped inside our own lives and poses the question: do we ever really know the people we choose to love?

BERTHA VAN ATION 3.0 (birth-of-a-nation 3 point-oh)
Written by Mario (Mars) Wolfe 
Directed by Rinska Carrasco-Prestinary 

Genesis double oh seven. Sometime after Adam and Eve learned to fart and fornicate and much after the Twin Towers. Oprah Shy X (Shy) and Oprah Shy Y (O) set out to recall the story of their escape from incarceration and enslavement. Their brother, Cole, steers the whip to freedom, using 8-oh-8 to guide the Odyssey. The siblings find their task to be a tall order when the memories of the Privileged and their genetic experiments resurface. Scientists, Sanitation Workers, and a Nurse join the Children on their quest for truth within recycled myths, parables, and trap beats.

THE PUPPET PLAY
Written by Christina Renee Jones
Directed by Dani Wieder

Julie grew up following all the rules. While she aced her youth, she is currently flunking adulting. After years of horrible luck, bad decisions and undiagnosed mental illnesses, Julie decides she just can’t deal with it anymore. Until one night, when her reality is transformed into the world of her favorite childhood public television show, "Puppet Playhouse." Sunny days, the air is sweet, and the arts and crafts made streets are populated with irritating, singing puppets. The Puppet Play is brought to you by the letters F: for embracing Friendship, M: for tackling Mental illnesses, and L: for learning to Love yourself.

Bits & Pieces Series (presented together in one program as scripts still in process):

LETTS WRITE A PLAY
Written by Patriac Coakley*
Directed by Megan Johns*

After winning a raffle at a benefit, two members of a struggling Chicago storefront theatre go to a famous Chicago playwright’s house for dinner. Resentment brews under conversation and intentions for the evening are revealed to go beyond a dinner… and maybe the law.

JO & LIV
Written by Evan Linder*
Directed by Zach Weinberg

Liv has accepted her estranged sister Jo’s invitation to spend Christmas together with their families in New York in 1961. With years of hurt between them, they hope this can be their chance to finally exhume all the skeletons in their closets. Or at least the contentious Academy Award stuffed in the cupboard. Jo & Liv is at turns hysterical and heartbreaking as it explores two legendary Hollywood siblings who love each other fiercely, but love their grudges more. Jo & Liv was commissioned as part of the Goodman Theatre's 2017 Playwright Unit.

*Denotes The New Colony Ensemble Member

UNCHARTED Performance Schedule:

Thursday, July 11 at 7:30 pm
Friday, July 12 at 7:30 pm
Saturday, July 13 at 3 pm & 7:30 pm
Sunday, July 14 at 3 pm & 7:30 pm
Monday July 15 at 7:30 pm
Wednesday, July 17 at 7:30 pm
Thursday, July 18 at 7:30 pm
Friday, July 19 at 7:30 pm
Saturday, July 20 at 3 pm & 7:30 pm

Note: a detailed schedule by production will be posted shortly at www.thenewcolony.org.

About the Artists

Fin Coe (Playwright, Other Rockpools) is a Chicago-based theatre artist, and the Co-Artistic Director of The New Colony. A native of Silicon Valley and a graduate of Case Western Reserve University, his past writing credits include Pretty/Windy Theatre Company, Scribble Bibble, A-Squared Theatre, the Sketch Review, and others. Fun Harmless Warmachine is his first full-length play to be produced.

Elyse Dolan (Director, Other Rockpools) is excited to join the New Colony team! Previously at TNC, she directed the Associate Company production of Here After by Evan Sesek and acted as Assistant Director on Kin Folk (dir. Evan Linder). She is the Assistant Producer at American Blues Theater, where she is also an Artistic Affiliate. At Blues, she has directed several short plays in past Ripped festivals and has been Assistant Director on a handful shows including Six Corners (dir. Gary Griffin) and Little Shop of Horrors (dir. Jonathan Berry). Her directing work has been seen across Chicago at Broken Nose Theatre, Prop Thtr, Babes with Blades, Commission Theatre, 20% Theatre Company, Pride Films & Plays, Gorilla Tango Theatre, and more. She has also served as Assistant Director on productions at Raven Theatre, Oracle Theatre, 16th Street Theater and Redtwist Theatre. Elyse holds a B.A. from Denison University.

Grace McLeod (Playwright, Scare Me) is a playwright and screenwriter based in Chicago and New York. She was the recipient of the 2018 Olga and Paul Menn Foundation Prize for Playwriting and a 2017-18 Trellis playwright-in-residence at the Greenhouse Theater Center, where she developed her play Herland (2019 National New Play Network Rolling World Premiere at MOXIE Theatre in San Diego, Redtwist Theatre in Chicago, and Greenway Court Theatre in Los Angeles). Grace has developed her plays with First Floor Theater, The New Colony, Commission Theatre, American Blues Theater, and the Victory Gardens College Night series, among others. She was a 2013-14 Tribeca Film Fellow and wrote and directed the short film Under the Table, which premiered during the 2014 Tribeca Film Festival, and co-wrote and produced Local/Express, an experimental short film that screened across Times Square as part of the Midnight Moment Series, the world’s largest, longest-running digital art exhibition. Grace is a recent graduate of the University of Chicago. She is represented by the Gersh Agency.

James Fleming (Director, Scare Me) Chicago-based director, Director of New Works at The New Colony, and Associate Artistic Director at Redtwist Theatre. Recent directing credits include Fun Harmless Warmachine by Fin Coe (The New Colony), Herland by Grace McLeod, Our Town by Thornton Wilder, and Sagittarius Ponderosa by MJ Kaufman (Redtwist Theatre). He has also directed readings, workshops and events for Goodman Theatre, Route 66 Theatre, AstonRep, Broken Nose Theatre, and arc theatre. He's had the pleasure of assistant directing at Goodman Theatre, Court Theatre, and Greenhouse Theatre Center. James worked as part of a collaborative team with Peca Stefan, Tamilla Woodard and Ana Margineanu of PopUp Theatrics to produce the Chicago story for #THENEWOLDHOME, a mix between puzzle, social game, exhibition, audio drama and interactive installation which premiered at CLB Berlin in January 2018. He has served on the literary panels for the National New Play Network's Annual Showcase of New Plays, Route 66's TEST DRIVE and Kitchen Dog Theatre's New Play Festival. James was a participant in the Chicago Directors Lab and a recipient of an SDC Foundation Observership. This fall, he will begin pursuing his MFA in Directing at Yale School of Drama.

Michael Turrentine (Playwright, If Only Once) is mainly an actor around Chicago, appearing at companies including Remy Bumppo, The Gift Theatre, Haven Theatre, Firebrand Theatre, The Lyric Opera, and several others. More recently, he has found himself writing for the theater. He began his writing career writing various short, physical theater shows, some of which traveled around the U.S. However, If Only Once is his first full length play and he is very excited to share it. (Michael will also be writing a piece for Broken Nose Theatre's Bechdel Fest this Summer.) He is represented by Gray Talent Group.

Toma Tavares Langston (Director, If Only Once) is a freelance theater director. Theo Ubique Cabaret Theatre: Hedwig and The Angry Inch. New Colony: The Light (2018 Joseph Jefferson Nomination for Director – Play). Victory Gardens: 2015 Directors Inclusion Initiative Director Fellowship. (Assistant Director) Sucker Punch. Jackalope Theatre: (Assistant Director) 1980 (or Why I'm Voting for John Anderson). Sideshow Theatre: (Assistant Director) Truth and Reconciliation and Give It All Back. Other directorial credits include The Last Five Years, The Shadow Box, For Colored Girls Who Considered Suicide/When the Rainbow Is Enuf.  

Mario (Mars) Wolfe (Playwright, Bertha Van Ation 3.0) is a writer, performance artist and theatre manager from central Florida. Mars’ plays – Bus 74, Turnt the Screw; or a trigger warning and Click Fate – have been read and performed at Victory Gardens, The Arc, Studio@620 and NoMads Art Collective. Mars was recently featured in the ArciTEXT Festival (Goddess, Forbid) and the Activate: Midwest Festival (1st Imani 22nd Six). Mars' play Party Goin On will be produced in New York later this year. Mars is a graduate of the Theatre School at DePaul and the Juilliard Apprentice Program.

Rinska Carrasco-Prestinary (Director, Bertha Van Ation 3.0) is a Dominican-American who is proud member of SAG-AFTRA, Gray Talent Group, Teatro Vista and Associate Artistic Director of Halcyon Theatre. A Columbia College Directing Grad, she has worked alongside companies such as Chicago Shakespeare, Goodman Theatre, Silk Road Rising, Steep, Stage Left, Red Twist, Northlight and Something Marvelous, among many others both on and off stage. Selected directing credits include: Between Riverside and Crazy (Red Twist) Firefly Love (Something Marvelous) The River Bride (Halcyon) Heat Wave (Steppenwolf Garage), Between Pancho Villa and a Naked Woman (Halcyon). Past selected production credits include: Taming of the Shrew Assistant Director (Barbara Gaines/Chicago Shakes), Romeo and Juliet Directing Intern (Marti Lyons/ Chicago Shakes), Fishmen Assistant Director/ Casting Director (Goodman Theatre/Teatro Vista). Select acting credits include: There’s always the Hudson (Goodman New Stages), In the Time of the Butterflies (Teatro Vista), She Kills Monsters (Steppenwolf Garage). She has also been seen on Chicago P.D, Empire, A.P.B and CHI-IRAQ.

Christina Renee Jones (Playwright, The Puppet Play) is a Chicago performer and writer of silly stories. She is an ensemble member of Birch House, a company that focuses on immersive, theatrical experiences. She also writes, performs and goofs around as a company member with Hobo Junction. Other acting credits include City Lit, Otherworld, Midsommer Flight, A Dead Whale Productions, the side project, Promethean, Akvavit, and other theatres that are now defunct. Her writing has been seen in many different forms around town through the Eccentric Expedition, Junior Varsity, the Crowd, Potluck, and Factory Theatre. christinareneejones.com

Dani Wieder (Director, The Puppet Play) is a director of performance and film in Chicago. Recent credits include People in the Wind (Haven Theatre), In the Canyon by Calamity West (dramaturg, Jackalope Theatre), La Ronde (American Theatre Company, CORE), Josephine the Mouse Singer by Franz Kafka (Curious Theatre Branch, Rhinofest), and Miss Julie (University of Chicago). She has assistant directed and dramaturged plays across Chicago at theaters such as at The Goodman Theatre, American Theater Company, Steep Theatre Company, and Court Theatre. Dani is also the Literary Manager of Haven Theatre Chicago. She is a graduate of the University of Chicago. Up next, Dani will be the Associate Director for The Fly Honey Show 10, and her film Cool for Five Seconds will be appearing at festivals around the country. www.daniwieder.com

Patriac Coakley (Playwright, Letts Write a Play) is an ensemble member with The New Colony. He is grateful to be a part of the work. Past works with TNC include Small World, The Bearsuit of Happiness, Frat and That Sordid Little Story. He performs sketch with OPIE and improv with losdosdudes.

Megan Johns (Director, Letts Write a Play) is an improviser, teacher, writer and director who has been living in Chicago for the last 15 years. She is originally from Virginia, where the mountains are blue. In Chicago, Meg has taught improv at The Annoyance for 11 years and instructed collaborative theatre at both The University of Chicago and After School Matters. At The Annoyance, Meg has been in Love is Dead: A Necromantic Musical Comedy, Burlesque is More, and hosted a weekly variety show featuring LGBTQIA and female-identifying performers. She has collaborated with and directed sketch duo OPIE for the last four years and most recently took OPIE: Vol. 2 to The 2018 New York International Fringe Festival. Meg is a proud ensemble member of The New Colony, and there has directed, performed and created devised theatre for the last 10 years, including directing 11:11 and co-writing ReWilding Genius with Andrew Hobgood.

Evan Linder (Playwright, Jo & Liv) is an ensemble member and the founding Co-Artistic Director of The New Colony. He works in Chicago as a playwright, actor and director. He also teaches playwriting at the University of Chicago. Evan is a proud graduate of the College of Charleston, which presented him the Alumnus of the Year award in 2016. His plays include Byhalia Mississippi, 11:11, The Warriors, The Bear Suit of Happiness, B-Side Studio, The Hunted, Jo & Liv and 5 Lesbians Eating a Quiche, which was named Best Overall Production at the 2012 NYC International Fringe Festival and is published by Samuel French. 5 Lesbians also enjoyed an Off-Broadway run as part of the Soho Playhouse’s 2012-13 season and has seen productions in over 35 States, Canada, Australia, Denmark, Spain, South Africa, Great Britain and Japan. Byhalia, Mississippi (2016 Jeff Award: Best New Work) opens in Washington, D.C. in June 2019 as part of the Kennedy Center’s 2018-19 Season. At The New Colony, Evan continues to teach the Writers Room, an education program he created in 2015 that has now welcomed over 100 emerging Chicago playwrights. evanlinder.com

Zach Weinberg (Director, Jo & Liv) is a Chicago-based theater director, adaptor and administrator. He is interested in the creation of new, non-traditional works and finding the perfect medium for the message. Zach is a company member and Grants Manager at Red Tape Theatre, and a graduate of Oberlin College. Selected directing credits include serving as a Directing Apprentice with the late Redmoon Theatre, the 2016 Director’s Haven at Haven Theatre, two seasons with the Oberlin Summer Theatre Festival, two original adaptations at Curious Theatre Branch’s Rhinofest: Love in a Maze (’17) and MAY DAY (’18), and the world premiere of 2 unfortunate 2 travel, an original semi-devised work, as part of the Prop Thtr’s 2018-19 season. His credits as an assistant director include The New Colony, Organic Theatre Company, Oracle Productions, the Actors' Gymnasium, and Redmoon.



About The New Colony
The New Colony develops New Art and New Artists in order to educate and build New Audiences.

Now in its tenth year, The New Colony has established itself as “one of Chicago’s essential off-Loop companies” (Chicago Tribune). Through the premiere of over thirty premiere plays and musicals, The New Colony has cultivated a diverse audience of theatergoers eager to have a voice in the storytelling. Conversation, collaboration and innovation remain at the heart of everything they produce. The New Colony’s work has been honored with five non-Equity Jeff Awards, Broadway In Chicago’s 2011 Emerging Theatre Award and Best Overall Production at the 2012 New York International Fringe Festival. The New Colony’s 2018/19 Season marks their fourth year as a resident company in the Upstairs Mainstage of The Den Theatre in Wicker Park.

OPENING: Chicago Premiere of QUEEN OF THE MIST Via Firebrand Theatre at The Den Theatre May 25 – July 6, 2019

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Chicago Premiere!

Firebrand Theatre Presents

QUEEN OF THE MIST

Book, Music & Lyrics by Michael John LaChiusa

Directed by Elizabeth Margolius

Music Direction by Charlotte Rivard-Hoster

May 25 – July 6, 2019 at The Den Theatre

Firebrand Theatre is pleased to present the Chicago premiere of QUEEN OF THE MIST, based on the sensational true story of Anna (Annie) Edson Taylor, the first woman to go over Niagara Falls. Featuring book, music and lyrics by Michael John LaChiusa (The Wild Party, Marie Christine), direction by Elizabeth Margolius and music direction by Charlotte Rivard-Hoster, QUEEN OF THE MIST will play May 25 – July 6, 2019 at The Den Theatre’s Janet Bookspan Theatre, 1331 N. Milwaukee Ave. in Chicago. Single tickets are currently available at firebrandtheatre.org. 

QUEEN OF THE MIST features Barbara E. Robertson as Anna (Annie) Edson Taylor with Maryam Abdi, Neala Barron, Brianna Buckley, Max J. Cervantes, Liz Chidester and Hannah Starr. Understudies/swings include: Liz Bollar, Adelina Feldman-Schultz, Cari Meixner and Steven Romero Shaeffer.

QUEEN OF THE MIST is based on the astounding and outrageous true story of Anna (Annie) Edson Taylor, who in 1901 set out to be the first person to go over the Niagara Falls in a barrel of her own design. Navigating both the treacherous Falls and a fickle public with a ravenous appetite for sensationalism, this unconventional heroine vies for her legacy in a world clamoring with swindling managers, assassins, revolutionaries, moralizing family, anarchists and activists. With a soaring score that incorporates turn of the century themes with LaChiusa’s signature complexity and insight, QUEEN OF THE MIST is the story of a single great fall, and how one woman risked death so that she could live.

Firebrand is the first musical theatre company committed to employing and empowering women by expanding opportunities on and off the stage.

The production team for QUEEN OF THE MIST includes: Lauren Nichols (scenic design), Brenda Winstead (costume design), Carl Wahlstrom (sound design), Cat Wilson (lighting design), Wendy Huber (props deign), Daren Leonard (assistant director), Rose Hamill (production manager), Josh Prisching (technical director), Giselle Castro (sound operator), JC Widman (stage manager) and Martina Scofano (assistant stage manager).


Location: The Den Theatre’s Janet Bookspan Theatre, 1331 N. Milwaukee Ave.

Dates: Previews: Saturday, May 25 at 7:30 pm and Sunday, May 26 at 3 pm
Press performance: Tuesday, May 28 at 7:30 pm
Regular run: Thursday, May 30 – Saturday, July 6, 2019

Curtain Times: Thursdays, Fridays & Saturdays at 7:30 pm; Sundays at 3 pm
Industry Night: Wednesday, July 3 at 7:30 pm

Tickets: Previews $25. Regular run $55. $20 students/industry rush tickets available at the box office. Single tickets are currently available at firebrandtheatre.org. 

About The Creative Team
Elizabeth Margolius (Director) is a Chicago-based stage and movement director with a primary focus in developing and directing new and rarely produced musical theatre, operetta and opera. Stage/movement directorial credits include: James and the Giant Peach (Viterbo University, WI), Machinal (Greenhouse Theater Center), The Bridges of Madison County (Peninsula Players, WI), Uncle Philip’s Coat (Greenhouse Theater – Jeff nomination for Best Solo Peformance), Haymarket: The Anarchist’s Songbook (Underscore Theatre – 3 Jeff nominations, including Best New Musical), Sitayana (Gift Theatre’s TEN Festival), The Girl in the Train (Chicago Folks Operetta), Goldstar, Ohio (ATC), The Merry Wives of Windsor (Chicago Shakespeare Theater, asst. director to Barbara Gaines), The Mikado (the Savoyaires), The Last Cyclist (Genesis Theatrical), The Land of Smiles and The Cousin from Nowhere (Chicago Folks Operetta), Opus 1861 (City Lit Theater – 3 Jeff nominations, including Best Adaptation), Violet (Bailiwick Chicago –5 Jeff nominations, including Best Musical and Best Director), Bernarda Alba and Songs for a New World (BoHo Theatre). Elizabeth is an alumna of the Lincoln Center Theater Directors Lab in New York, a recipient of a full directorial scholarship at the Wesley Balk Opera-Music Theater Institute in Minneapolis, a respondent and workshop artist for the Kennedy Center’s American College Theatre Festival and a finalist for the Charles Abbott Fellowship. She is the Co-Founder and Artistic Director Emeritus of DirectorsLabChicago; a forum for emerging nationally and internationally based stage directors. Elizabeth is a proud member of the American Guild of Musical Artists (AGMA) and the Stage Directors and Choreographers Society (SDC).

Charlotte Rivard-Hoster (Music Director) is proud to make her debut with Firebrand! Favorite credits: Legally Blonde, Wizard of Oz (Paramount), Fun Home (Victory Gardens), Marry Me a Little (Porchlight), Urinetown (BoHo), Bat Boy (Griffin), Heathers (Kokandy), Methtacular! (About Face), The Light in The Piazza (Berklee). Charlotte has taught at The Chicago Academy for the Arts, Lake Forest College, Roosevelt, Merit School of Music, and this winter she continues her seventh year with the little musicians at Kellman Elementary through Foundations of Music. With immense gratitude to those I love and lean on, and to those who open doors and leave them open.

Firebrand Theatre’s 2018-19 season sponsor: Michael and Mona Heath of the HeathFund.



Firebrand Theatre is a musical theatre company committed to employing and empowering women by expanding their opportunities on and off the stage. Firebrand is a 501(c)(3) Equity theatre.

Company members: Artistic Director: Harmony France; Advisory Board: Lili-Anne Brown, Emjoy Gavino, Kate Garassino, Amber Mak and Danni Smith; Company Members: Kasey Alfonso, Becca Brown, Sydney Charles, Liz Chidester, Heather Clark, Adelina Feldman-Schultz, Amanda Horvath, Jon Martinez, Eric Martin, Natalie O'hea, Amelia Jo Parish, Tyler Symone and Andra Velis Simon.

OPENING: FOUR PLACES Via The Den Theatre May 24 – June 30, 2019

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The Den Theatre Presents

FOUR PLACES

By Joel Drake Johnson

Directed Ensemble Member Lia Mortensen

May 24 – June 30, 2019

The cast of The Den Theatre’s revival of FOUR PLACES includes (left to right) Amy Montgomery, Bruch Reed, Meg Thalken and Rebekah Ward. 

The Den Theatre is pleased to present a revival of Joel Drake Johnson’s true-to-life drama FOUR PLACES, directed by ensemble member Lia Mortensen, playing May 24 – June 30, 2019 at 1331 N. Milwaukee Ave. (2B) in Chicago. Tickets are currently available at www.thedentheatre.com, in person at the The Den box office or by calling (773) 697-3830. I'll be out for the press opening May 30th, so check back soon for my full review.

FOUR PLACES features Amy Montgomery, Bruch Reed, Meg Thalken and Rebekah Ward. 

Deceptively simple in its structure and unfolding in real time, this emotionally precise play deploys its spare components to devastating and darkly comic effect. A brother and sister have gotten word from their elderly parents' caretaker that they may be a danger to each other. The brother joins his sister and mother on their weekly lunch date, hoping that he and his sister can get a clearer picture of the situation. As the mother confronts the indignities of age and the children stare down a mounting list of losses and disappointments, a harrowing and true-to-life image of the family emerges. Ultimately, with unwavering clarity and sensitivity, Joel Drake Johnson explores the ways that familial love and knowledge create both hurt and comfort.

Comments Director Lia Mortensen, “I was drawn to this play because it examines the universality of family: love, secrets, trust, lies – while also navigating how alcoholism threads through the tapestry of this family. It is at once hysterical, tragic, and ultimately moving. We recognize ourselves in these imperfect humans.”

The production team includes Jeffrey D. Kmiec (scenic design), Josh Prisching (technical director) and Tina M. Jach (production stage manager).

Location: The Den Theatre (2B), 1331 N. Milwaukee Ave., Chicago

Dates: Previews: Friday, May 24 at 7:30 pm, Saturday, May 25 at 7:30 pm, Sunday, May 26 at 3 pm and Wednesday, May 29 at 7:30 pm

Press performance: Thursday, May 30 at 7:30 pm

Regular run: Friday, May 31 – Sunday, June 30, 2019

Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm

Tickets: Previews $28. Regular run $45. Students/seniors: $33. Tickets are currently available at www.thedentheatre.com, in person at the The Den box office or by calling (773) 697-3830.

About The Artists
Joel Drake Johnson (Playwright) is an award winning, internationally-produced playwright and teacher best known for his work at Chicago’s Victory Garden's Theater, where he was a member of the company’s Playwrights Ensemble for many years. His plays include Rasheeda Speaking, Four Places, A Blue Moon, As The Beaver, The End of the Tour, The Fall To Earth, A Blameless Life and Tranquillity Woods. His work has also been produced in Chicago at Steppenwolf Theatre and globally in New York City, Los Angeles, London, and many others cities.

Lia Mortensen (Director) is thrilled to be back at The Den where she co-directed Bus Stop by William Inge alongside her pal, Ryan Martin and directed The Quality of Life by Jane Anderson. As an actor, Lia has appeared in many productions in her hometown of Chicago at Goodman, Steppenwolf, Chicago Shakespeare, Northlight and Writers Theatre to name a few. Some productions include The Mystery of Love and Sex, Company, City of Conversation, Pericles, Annapurna, An Inspector Calls, Cymbeline, Ten Chimneys, The Big Meal, Rabbit Hole, Closer, Faith Healer, All’s Well, Measure for Measure, Lady Windermere’s Fan, Talley’s Folley, Ghosts and Twelfth Night. Her film and TV credits include the 2010 remake of Nightmare on Elm Street, View from Tall, Consumed, Blink, Empire, Shameless, Chicago Med, Chicago Fire, Chicago PD and Crisis.

About The Den Theatre
Artistic Director Ryan Martin opened The Den in 2010 with a single theatre space. Seven years later, The Den boasts five intimate and unique theaters on two floors ranging from 50 – 200 seats, as well as two additional spaces primarily used for classes and rehearsals. The Den is also equipped with two bars enveloped by a never-ending field of lounge space for audiences and like-minded culture hounds to drink, talk, read, watch, think, listen and live. The Den is home to seven resident theatre companies including First Floor Theater, Haven Theatre Company, Griffin Theatre, The New Colony, Broken Nose Theatre, WildClaw Theatre and Firebrand Theatre. Hundreds of other companies from Chicago and beyond have also called The Den home, utilizing its theaters, studio space and easily convertible cabaret space to accommodate a stream of programming, including plays, musicals, film screenings, classical and jazz performances, dance, improv and stand-up, seminars and speaking engagements. For additional information, visit www.thedentheatre.com.

OPENING: Václav Havel’s classic play, THE MEMO Via ORGANIC THEATER COMPANY at The Greenhouse Theater Center May 22 - June 16, 2019

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ORGANIC THEATER COMPANY PRESENTS:

Václav Havel’s classic play,

THE MEMO

Organic Theater Company of Chicago returns to the Greenhouse Theater Center for the second play of its 2019 season with Václav Havel’s classic play, THE MEMO. The Organic is committed to staging bold, relevant productions of classic, contemporary, and adapted works with a permanent group of artists over a sustained period of time.

THE MEMO, Paul Wilson’s 21st century translation of Havel’s The Memorandum, an absurd story of shady, behind-the-scene office politics and ridiculous bureaucracy, has new relevance in our current bizarre political climate.  Havel’s absurdist plays were highly critical of communism and were eventually banned in his home country of Czechoslovakia. This led to his political activism, which resulted in several stays in prison, and eventually landed him, almost unwillingly, the role of the final president of Czechoslovakia.  A few years later, he was elected to be the first president of the newly created Czech Republic.

This Orwellian farce about language, bureaucracies, and surveillance takes place at the surprisingly real and relevant intersection of Monty Python, The Office, and 1984. THE MEMO follows Gross, the harassed managing director who unwittingly authorizes an experiment that will introduce an incomprehensible artificial language in an absurd attempt to increase efficiency. Playwright Václav Havel explores the self-deluding rationalizations and moral compromises that characterize life under a totalitarian political system, or everyday office life…

Directed by Bryan Wakefield, who directed last summer’s THE REVOLUTIONISTS and the previous summer’s EMILIE, THE MEMO features guest artist Tricia Rogers as the baffled managing director Gross who finds herself at a loss to understand how changes were made.  Company Member Joel Moses, as the clever and never-at-a-loss-for-an-explanation Balas, is a great foil against her straightforwardness, a rare commodity in Havel’s crazy workplace, where workers are more invested in reassigning responsibility, running out to buy food or heading off to lunch than actually getting work done.

OPENS: Wednesday, May 22, 2019 at 7:30 (Press Opening)
DATES: May 22 - June 16, 2019
TIMES: Wednesdays - Saturdays at 7:30 PM & Sundays at 2:30 PM
VENUE: The Greenhouse Theater Center - 2257 North Lincoln Avenue
Website: www.organictheater.org

The Cast:
Gross - Tricia Rogers
Balas - Joel Moses
Kubs/Suba – Subhash Thakrar
Director’s Assistant – Mary Mikva
J.V. Brown – Nick Bryant
Kalous – Stephanie Sullivan
Masat – Schanora Wimpie
Kunc – Kate Black-Spence
Talaura – Laura Sturm
Translation Assistant - Kris Downing
The Monitor – Colin Jackson

The Production team: Bryan Wakefield – Director, Nyssa Lowenstein - Assistant Director, Angela Kring - Stage Manager, Jeremy W. Floyd - Costume Designer, Tony Reimer - Sound Designer, Terrence McClellan - Scenic Designer, David Goodman-Edberg - Lighting Designer, Kevin Nedberg-Technical Director, Justin Torres – Props Designer

Purchase tickets online at www.organictheater.org or by calling Greenhouse at 773-404-7366.

Admission is $25 (Adults)---www.organictheater.org