JEFF RECOMMENDED: Chicago Premiere I Saw My Neighbor on the Train and I Didn't Even Smile at Redtwist Through December 18th

ChiIL Live Shows On Our Radar:

THE PLAY
A dysfunctional family of three generations of alienated women with vastly different personalities are thrown together due to circumstances they can’t quite control. They immediately disrupt each other’s lives, then drastically change each other’s worlds, and finally enrich each other’s souls.

CAST (in alphabetical order)

Adam Bitterman (Jamie), John Blick (Paul), Jacqueline Grandt (Rebecca), Emma Maltby (Sadie), Kathleen Ruhl (Daphne), Joshua Servantez (Eric)

Understudy cast: Daniel Dauphin (Paul), Isabel Sophia Dieppa (Sadie), Buzz Leer (Jamie), Darrelyn Marx (Daphne), Jeanne Scurek (Rebecca), Jared Sheldon (Eric)

uscast

STAFF 
Erin Murray (Director), Max Colvill (Assistant Director), Jenn M. Thompson (Stage Manager), Josy Gonzalo (Assistant Stage Manager), Joel Collins (Production Manager), Johnnie Schleyer (Tech Director), Arnel Sancianco (Set Designer), Daniel Friedman (Lighting Designer), Sebby Woldt (Sound Designer), Kotryna Hilko (Costume Designer), Abigail Cain (Props Designer), Natalie Santoro (Scenic Charge), Ashley Neal (Vocal Coach), Jan Ellen Graves (Graphic Designer & Marketing), Charlie Hano (Casting Director), E. Malcolm Martinez (Box Office Manager), Charles Bonilla & Johnny Garcia (Box Office Associates), James Fleming & Michael Colucci (Producers)

SCHEDULE
Showtimes: Thu, Fri, Sat, 7:30pm; Sun, 3pm
Understudy Performance: $20, (seniors & students $5 off), Tue, Dec 12, 7:30pm
Closes: Mon, Dec 18 (7:30pm show)
Running Time: 1:45, no intermission
Tickets: Thursdays, $35; Fridays, Saturdays, Sundays, $40 (seniors & students $5 off)

RESERVATIONS
Call: 773-728-7529
Website/Tickets: www.redtwist.org

LOCATION/PARKING
Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line EL station.

Valet parking for Redtwist is available across the street in front of Francesca’s Bryn Mawr for most performances—hours vary. Dining is not required. 

Limited FREE street parking is available on side streets. There is metered street parking via ParkChicago.com app or 3-hour Paybox on Bryn Mawr and 2-hour Paybox on side streets. Free on Sundays, and after 10pm Mon thru Sat.

OPENING: RED VELVET at Chicago Shakespeare Theater 12/1/17-1/21/18

Chi, IL LIVE Shows On Our Radar:

Ira Aldridge (Dion Johnstone) made history as the first black actor to play Othello on the London stage in 1833, explored in Chicago Shakespeare Theater’s production of Red Velvet, directed by Gary Griffin, in CST’s Courtyard Theater, December 1, 2017–January 21, 2018. 

Extraordinary life of trailblazing African-American actor

whose Othello shocked nineteenth-century London

RED VELVET

award-winning drama staged by Gary Griffin

featuring celebrated Stratford Festival actor Dion Johnstone

begins performances December 1

We can't wait to catch Chicago Shakespeare Theater's next production, the stirring historical drama Red Velvet, staged by Broadway and Chicago director Gary Griffin and starring celebrated Shakespearean actor Dion Johnstone! It's tough to be the first in any field, and we're eager to see the inspirational story of Ira Aldridge come to life on stage. 



Presented in CST’s Courtyard Theater December 1, 2017–January 21, 2018, the award-winning play by Lolita Chakrabarti shines new light on the seldom-told, true story of Ira Aldridge.

In 1833 at the Theatre Royal in Covent Garden, Edmund Kean, the greatest actor of his age, collapses on stage while performing the lead in Othello. He is replaced by a young, black American actor, Ira Aldridge—a first for the role on London's West End, sending shockwaves through the streets as a bill promoting the abolition of slavery is debated in Parliament. After breaking barriers on the London stage, Aldridge went on to forge a remarkable decades-long career performing across Europe—garnering acclaim in roles like Shylock, Macbeth, and King Lear.

Photo by Liz Lauren.

In what is sure to be a career highlight, Dion Johnstone takes on the role of theatrical trailblazer Ira Aldridge across the span of his storied career. Johnstone is celebrated for his portrayals of some of the most demanding roles in Shakespeare’s canon: he has appeared in nine seasons at Canada’s Stratford Festival, and recently made his off-Broadway debut in the title role of Coriolanus. He returns to Chicago Shakespeare after appearing as Marc Antony in Julius Caesar, and Helicanus in Pericles. Now, after having performed the role of Othello twice, Johnstone explores the pivotal figure who made history by taking on the role.

On portraying Aldridge, Johnstone shared, “Ira Aldridge used his platform on the stage to convince European audiences that people of color had souls and intellects as wise and as deep as theirs. His struggle resonates powerfully today—and yet he’s a part of American and European history that has almost been forgotten. It’s a privilege to be able to bring Ira’s voice to life, and I hope this production helps elevate him to the status he deserves.”

Award-winning director of Broadway and Chicago stages Gary Griffin returns to Chicago Shakespeare, where he stages his twenty-fourth production. Griffin’s work has been seen on Broadway in Honeymoon in Vegas, The Color Purple and The Apple Tree. The ten-time Jeff Award winner’s CST directing credits feature a diverse body of work spanning musicals (Gypsy, Road Show, Follies); Shakespeare plays (A Midsummer Night’s Dream, As You Like It); and classics (Private Lives, Amadeus). His landmark production of Pacific Overtures at Chicago Shakespeare went on to the Donmar Warehouse in London, where it garnered the Olivier Award for Outstanding Musical Production and a nomination for Best Director.

A leading lady of Chicago theater, Chaon Cross portrays the legendary stage actress Ellen Tree, who appears as the ill-fated Desdemona opposite Aldridge’s Othello. Cross makes her highly anticipated return to Chicago Shakespeare, where she has memorably appeared as Celia in As You Like It, Sybil in Private Lives, Imogen in Cymbeline and Cressida in Troilus and Cressida. Michael Hayden depicts Charles Kean, an aspiring actor in the shadows of his famous father, Edmund Kean. Hayden notably garnered Olivier and Drama Desk nominations for his portrayal of Billy Bigelow in the Royal National Theatre/Lincoln Center Theatre production of Carousel, and gained acclaim for performing the title roles of Henry V and Richard II in repertory for DC’s Shakespeare Theatre Company.

Greg Matthew Anderson appears as Pierre LaPorte, the entrepreneurial theater manager who propels Aldridge into the role. The Red Velvet company includes Jürgen Hooper (Casimir/Henry), Tiffany Renee Johnson (Connie), Roderick Peeples (Bernard Ward/Terence), Annie Purcell (Margaret/Halina), and Bri Sudia (Betty).

Collaborators on the Red Velvet creative team are Scenic Designer Scott Davis, Costume Designer Mara Blumenfeld, Lighting Designer Christine Binder, and Sound Designer Chris Kriz. Davis has designed over 25 Chicago Shakespeare productions, including most recently Shakespeare in Love, The Book of Joseph and the Tug of War saga. A four-time Jeff Award winner, Blumenfeld is a frequent collaborator with Griffin, having previously designed King Charles III, Sunday in the Park with George and A Midsummer Night’s Dream at CST. Binder’s designs have graced opera and theatre stages internationally. Kriz has been honored with three Jeff Awards for his Sound Design and original compositions. Award-winning composer and lyricist Jenny Giering creates new music score for the production. Joining Gary Griffin on the directing team is Associate Director Tyrone Phillips, who was named to the Chicago Tribune’s “Hot New Faces of Theater” in 2015. Rounding out the creative team are Dialect Coach Eva Breneman and Fight Choreographer David Woolley.

For more information, visit www.chicagoshakes.com/velvet.

Red Velvet will be presented in Chicago Shakespeare’s Courtyard Theater, December 1, 2017–January 21, 2018. Single tickets are on sale now for $48–$88 (subject to change). Special discounts are available for groups of 10 or more, as well as CST for $20 tickets for patrons under 35. For more information or to purchase tickets, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com.

CST strives to make its facility and performances accessible to all patrons through its Access Shakespeare programs. Red Velvet will have Open-captioned performances on Thursday, December 21 at 1:00 p.m. and 7:30 p.m.; an ASL Duo-interpreted performance on Friday, January 12 at 7:30 p.m.; and an Audio-described performance on Sunday, January 14 at 2:00 p.m. (with optional touch tour at 12:00 p.m.).

ABOUT CHICAGO SHAKESPEARE THEATER
A global theatrical force, Chicago Shakespeare Theater (CST) is known for vibrant productions that reflect Shakespeare’s genius for storytelling, musicality of language, and empathy for the human condition. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago Shakespeare has redefined what a great American Shakespeare theater can be, putting forward a company that delights in the unexpected and defies theatrical category. A Regional Tony Award-winning theater, CST produces acclaimed plays at its home on Navy Pier, throughout Chicago’s schools and neighborhoods, and on stages around the world. In 2017, the Theater unveiled a radical new stage, The Yard at Chicago Shakespeare. Together with the Jentes Family Courtyard Theater and the Thoma Theater Upstairs at Chicago Shakespeare, The Yard positions CST as the city’s most versatile performing arts venue.

OPENING: TRAP DOOR THEATRE'S THEY 12/7/17-1/13/18

ChiIL Live Shows On Our Radar:

THEY

Written by Stanislaw I. Witkiewicz

Translated by Daniel Gerould & C.S. Durer

“They are running everything but no one knows who THEY actually are?” Using the text of Stanislaw Witkiewicz, They examines who THEY are and if the secret government really exists.

Adapted and Directed by:

Beata Pilch

Cast Featuring Mary-Kate Arnold, Daniel Chenard, Halie Ecker, Adam Huizenga, and Carl Wisniewski

When:                   
Opens: Thursday, December 7, 2017 at 8PM
Closes: Saturday, January 13, 2018 at 8PM
Runs: Thursdays, Fridays, Saturdays at 8PM

Admission: $20 on Thursdays and Fridays;  $25 on Saturdays, with a special Holiday 2-for-1 Admission on Thursdays and Fridays
Where:  TRAP DOOR THEATRE 1655 West Cortland Ave.  Chicago, IL 60622
For Information/Reservations: 773-384-0494 To purchase online www.trapdoortheatre.com

They tragically examines how the beauty in love and art is poisoned by the toxic remedy of normalization and the destruction of freedom and imagination.

Stanislaw I. Witkiewicz (1885-1939) is one the most brilliant figures of the European avant-garde, Witkiewicz was a poet, painter, playwright, an expert on drugs, an early spokesman for a radically non-realistic theatre and an original philosopher and social critic of mass culture, post-industrial society, and the rise of totalitarianism. He was also a pioneer in serious experimentation with narcotics and prophetically recognized the growing importance that they would have on Western civilization. Politics, revolution, and even art were similar “drugs.” Witkiewicz committed suicide shortly after the outbreak of War in September of 1939. He is best known for his plays The Madman and the Nun, The Mother, The Water Hen, The Anonymous Work, and The Shoemakers.


Beata Pilch- (Director) born in the Polish district of Chicago, holds a Bachelor's Degree in Acting from the United States International University in San Diego, California, and a Master's Degree in Acting from the California Institute of the Arts in Valencia, California. Pilch founded Chicago's Trap Door Theatre in 1990 and still presides as its Artistic Director. She cultivated her life-long fascination with the avant-garde and obscure as a graduate student at the California Institute of the Arts.  A Chicago native and frequent European traveler, she felt that a company that combined bold and physical European acting technique with rich European theatrical literature would provide Chicago's entertainment scene with a unique and vibrant voice. Past favorite directing credits include: Madman and the Nun, Nana, Quills, The Bitter Tears of Petra Van Kant, The Fourth Sister, The Unveiling, Vatzlav, The Shoemakers, The Crazy Locomotive. Most recently, Beata directed Blood on the Cat’s Neck in Barcelona, Spain. She is a featured performer in the work of international multi-media visual artist Catherine Sullivan. She has performed in over 60 Trap Door productions and has toured abroad annually with the company to France, Romania, Hungary, and Poland. She will perform in the next touring production Occidental Express at the international theatre festival in The Republic of Moldova next fall, 2018.
             
Assistant Director Sami Ismat/ Sound Designer Danny Rockett/ Lighting Design Richard Norwood /Set Design Stefan Roseen/Costume Design Rachel Sypniewski/Graphic Design Michal Janicki/Video Design David Holcombe/Dramaturge Milan Pribisic/Stage Managers Mihta Garan and Elizabeth Melio




Special Art Event: Trap Door is proud to announce its first art show in rep! Original Artwork will be on display throughout the run, with a special artists reception following the performance on Friday, December 8, beginning at 9:30. Exhibiting artists include Kevin Moeller, Brain Morgan, Marzena Bukowska, Robin Rios, CJ Hungerman, Lovietta Simpkins, George Bowles, Poppy G, Bernadette Zawiesjska, Michael Garvey, ter Arts Zawitkowska, Alex XII- Paintings/artwork.

OPENING: World Premier of SAMMY: THE STORY OF SAMMY DAVIS JR. at BLACK ENSEMBLE THEATER 12/9/17-1/21/18

Chi, IL LIVE Shows On Our Radar:

BLACK ENSEMBLE THEATER CONCLUDES 2017 SEASON WITH

SAMMY: THE STORY OF SAMMY DAVIS JR.

WRITTEN AND DIRECTED BY DARYL D. BROOKS

December 9, 2017 – January 21, 2018

Black Ensemble Theater concludes the 2017 Season (The Dance Theater Season) with Sammy: The Story of Sammy Davis Jr., written and directed by Black Ensemble Theater Associate Director Daryl D. Brooks, with choreography by Rueben D. Echoles. Sammy: The Story of Sammy Davis Jr. will be performed at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago, December 9, 2017 – January 21, 2018.

ChiIL Live Shows will be out for the press opening December 17th. We can't wait to check out another world premiere musical from acclaimed Chicago favorites, BET! Just in time for holiday gifting... 

Black Ensemble Theater’s “The Dance Theater Season” concludes with Sammy: The Story of Sammy Davis, Jr. Telling the story of the rise of the great entertainment icon and Rat Pack member, this production follows his career from the beginnings in vaudeville to his success in Las Vegas, earning him the nickname greatest entertainers in the world. 

Sammy: The Story of Sammy Davis Jr. features Michael Adkins (Sammy Davis Jr.), Dwight Neal (Sammy Davis Sr.), Rueben D. Echoles (Will Mastin), Rhonda Preston (Rosa Davis), Nathan Cooper (Frank Sinatra), Mark Yacullo (Dean Martin), Emily Hawkins (May Britt), Kylah Williams (Altovis Davis), and Trequon Tate (George Johnson), as well as ensemble members Linnea Norwood and Brian Boler.

As with all Black Ensemble Theater productions, Sammy: The Story of Sammy Davis Jr. features live musicians led by musical director/arranger Robert Reddrick.

The designers are Alexia Rutherford (costumes), Denise Karczewski (set/lights), Aaron Quick (sound/projection design), David Samba (sound). The equity stage manager is Bekki Lambrecht.

Tickets are available at the Black Ensemble Box Office located at 4450 N. Clark St in Chicago, or online at www.blackensemble.org, or by phone at (773) 769-4451. Tickets are $45 for previews (preview dates); $55 (Thursdays and Saturday matinees) and $65 (Fridays, Saturday evenings and Sunday matinees).  There is a 10% discount for students, seniors and groups.

Featuring: Michael Adkins (Sammy Davis Jr.), Dwight Neal (Sammy Davis Sr.), Rueben D. Echoles (Will Mastin), Rhonda Preston (Rosa Davis), Nathan Cooper (Frank Sinatra), Mark Yacullo (Dean Martin), Emily Hawkins (May Britt), Kylah Williams (Altovis Davis), Trequon Tate (George Johnson), and ensemble members Linnea Norwood and Brian Boler

Creative Team: Alexia Rutherford (costumes), Denise Karczewski (set/lights), Aaron Quick (sound/projection design), David Samba (sound), Bekki Lambrecht (equity stage manager)

Dates:                            
December 9, 2017 - January 21, 2018
Previews: December 9, 10, 15 and 16

Schedule:                        
Thursdays: 7:30 pm (except 12/14)
Fridays: 8:00 pm
Saturdays: 3:00 pm (12/23, 12/30, 1/6, 1/13, 1/20 only)
8:00 pm
Sundays: 3:00 pm (except 12/24 and 12/31)
No performances on Christmas Eve (12/24) or New Year’s Eve (12/31)

Location: Black Ensemble Theater Cultural Center, 4450 N. Clark Street, Chicago

Valet parking is available.

Ticket prices: $45 Previews
$55 on Thursdays and Saturday matinees;
$65 on Fridays, Saturday evenings and Sunday matinees
A 10% discount is available for students, seniors, and groups.
Box Office: Buy online at www.blackensemble.org or call (773) 769-4451

The Black Ensemble Theater
Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.

On November 18, 2011, The Black Ensemble Theater Cultural Center opened and is able to accommodate larger-scale productions, bigger audiences and a wider range of educational programming. The new facility includes amenities such as a 299-seat main stage theater (double the capacity of the original venue); 14 offices, classroom space, rehearsal hall, dance studio, scene shop, costume shop, and wardrobe rooms; seven dressing rooms; rehearsal room for musicians; front lobby space with concession areas; and an indoor parking garage.  The completion of a 150-seat theater, which will serve as an experimental stage for the work of the Black Playwright Initiative (BPI), with construction by General Contractor Norcon Inc., is expected in 2018.

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, please visit www.BlackEnsembleTheater.org or call 773-769-4451.

Chicago Gift Ideas for Theatre Lovers: New Gift Card Option at Steppenwolf

Steppenwolf Announces New Gift Card 

Give the Gift of a Great Night Out 

Steppenwolf Theatre Company announces an exciting new promotional deal in time for the 2017 holiday season. Perfect for both personal and business gifting, it’s easy to warm hearts with the gift of theatre. Spread some holiday cheer with a Night Out Gift Card that includes two flexible ticket credits to any Steppenwolf performance and $25 Front Bar gift card for the low price of $179. The Night Out Gift Card can be purchased through Audience Services (1650 N Halsted St) at 312-335-1650 or steppenwolf.org\holiday. Limited time offer through January 6, 2018.

Upcoming Shows

The Minutes

Written by ensemble member Tracy Letts

Directed by Artistic Director Anna D. Shapiro

November 9 – December 31, 2017 in the Downstairs Theatre

A scathing new comedy about small-town politics and real-world power exposes the ugliness behind some of our most closely-held American narratives.

BLKS

Written by Aziza Barnes

Directed by Nataki Garrett

December 7, 2017 – January 28, 2018

Three friends. One f**ked up night. A whole lot of growing pains.

You Got Older

Written by Clare Barron

Directed by Jonathan Berry

January 25 – March 11, 2018

Mae, brokenhearted and unemployed, returns home to care for her ailing father and escape the loneliness of a life that just can’t seem to get off the ground.

The Doppelgänger (An International Farce)

Written by Matthew-Lee Erlbach

Directed by ensemble member Tina Landau

April 5 – May 27, 2018 

After a British businessman's untimely death, his unwitting American doppelgänger is thrust into background deals that could shape the face of Africa.

Guards at the Taj

Written by Rajiv Joseph

Directed by ensemble member Amy Morton

May 31 – July 22, 2018

As the sun rises for the first time on the newly-constructed Taj Mahal, two hapless imperial guards are charged with an unspeakable task that will shake their faith in God, the empire and their lifelong friendship.

The Roommate

Written by Jen Silverman

Directed by Phylicia Rashad

June 21 – August 5, 2018

A comically mismatched pair of roommates leads to a surprising and touching friendship. Think The Odd Couple meets Breaking Bad.

Front Bar: Coffee and Drinks

Connected to the Downstairs Lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open Tuesdays – Sundays from 8am to midnight, Front Bar serves artisanal coffee and espresso provided by La Colombe and food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. www.front-bar.com

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble of 49 members represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 259-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

REVIEW: Acclaimed It’s a Wonderful Life: Live in Chicago! Now in 16th Year at American Blues Theater

American Blues Theater Presents

16th Annual Production of

It’s a Wonderful Life: Live in Chicago!

From Frank Capra’s film

Directed by Artistic Director Gwendolyn Whiteside

Through January 6, 2018 

Photo credit for all: Michael Brosilow

**Holiday Events: Children 12 & under receive keepsakes on December 16 (Hanukkah) and December 24 (Santa visits)**

Review: 
Guest Post by Lori Morrison-Contreras


It’s a Wonderful Life is one of my favorite Christmas movies. It was one of my Grandma’s too and I have so many wonderful memories of watching it with her that it now has much deeper meaning for me. The live radio version of It’s a Wonderful Life by American Blues Theater is a wonderful old fashioned treat to kick off the holiday season! The stage was gorgeously set, in deep red with lots of light and many, fully decorated Christmas trees. As you walk in, the actors are singing your favorite classic holiday songs. 

It is definitely the full 40’s small town Beford Falls experience with the actors greeting everyone as they walk in and passing out cookies and milk as you leave. They even kept the commercials and all references within the theme of old time 40’s language and charm.



As it is a radio play, there is no physical action on stage. Yet, you are able to see each actor change the tone and expression of their voice to truly become so many different characters that it keeps audience members of all ages engaged and entertained. My son and I loved being able to see the sound booth and how ordinary items like glasses and crinkled paper are used to do all the sound effects and add so much to the telling of the story.



In these times of huge special effects, it is a welcome change to go back to a more minimalist, basic approach with this classic. Some of my favorite, more visual scenes (like falling into the pool during the dance contest) are left out of the radio telling, but all the classic elements of George Bailey’s life are there and at the end you will still have a tear in your eye as Clarence earns his wings and George realized that he truly is the richest man in town.

About the Show:
American Blues Theater continues its 2017-2018 Season with its 16th Annual Production of It’s a Wonderful Life: Live in Chicago! from Frank Capra’s film and directed by Artistic Director Gwendolyn Whiteside with musical direction by Ensemble Member Michael Mahler. It’s a Wonderful Life: Live in Chicago! runs through January 6, 2018 at Stage 773, 1225 W. Belmont Ave. in Chicago.

Schedule:      
Wednesdays:  7:30pm
Thursdays:  7:30pm
Fridays:  7:30pm
Saturdays:  4:30pm & 7:30pm
Sundays:  2:30pm

Additional performances on November 29 at 2:30pm; December 20 at 2:30pm; and January 2 at 4:30pm and 7:30pm

No performances on December 13 at 7:30pm; December 25 (Christmas Day); or January 6 at 7:30pm

Arrive 10 min early for prizes and audiograms

Ticket prices: $19 - $49

Box Office: Buy online at AmericanBluesTheater.com or by calling 773.327.5252.

For 16 years, the American Blues Ensemble has treated Chicago audiences to a live 1940s radio broadcast of holiday favorite It’s a Wonderful Life. The incredible cast recreates the entire town of Bedford Falls with Foley sound effects, an original score and holiday carols. The Bedford Falls “residents” extend their hospitality after every performance treating audiences to milk and cookies served by the cast.

“This story is a staple of our mission: American Blues Theater explores the American identity through the plays it produces and communities it serves,” notes Artistic Director Gwendolyn Whiteside. “This story reminds us of the fragility of life. Frank Capra’s line – “Each man’s life touches so many other lives. When he isn’t around, he leaves an awful hole, doesn’t he?” – resonates throughout the year. During the holidays, it becomes a poignant reminder as we gather with our loved ones.”

The cast of It’s a Wonderful Life: Live in Chicago! includes Blues artists Dara Cameron (Violet), Ian Paul Custer (Harry), Shawn Goudie (Foley), James Joseph (Uncle Billy), Zach Kenney (George Bailey), Michael Mahler (Announcer), John Mohrlein (Clarence/Mr. Potter), Camille Robinson (Mary Bailey – 12/20-1/6) and Gwendolyn Whiteside (Mary Bailey – 11/16-12/17). 

The creative team includes Austin Cook (score composer), Grant Sabin (scenic), Christopher J. Neville (costumes), Katy Peterson (lighting), Elyse Dolan (properties) and Paul Deziel (projection design). The stage manager is Kathryn Lochert.

It’s a Wonderful Life: Live in Chicago! has received Joseph Jefferson Award nominations for Best Midsize Production and Best Ensemble. 

About the Artists
GWENDOLYN WHITESIDE (Director, Mary Bailey Nov. 16 – Dec. 17) is a proud Ensemble member of American Blues Theater and has served as Producing Artistic Director since 2010. Under her leadership, American Blues has nearly doubled the size of its Ensemble, added 28 Artistic Affiliates, and diversified its base of artists. She created the nationally-recognized annual Blue Ink Playwriting Award, Blueprint Development for new work, implemented community service into the company’s mission, and adapted the arts education program The Lincoln Project for Chicago Public Schools which serves over 1,500 students annually. She led American Blues through its 2009 rebirth and built the operational budget from zero to $825,000 in six (6) years. Whiteside served numerous panels for the National Endowment for the Arts and sat on the national Board of Directors for Network of Ensemble Theaters. She’s a graduate of Northwestern University (cum laude), The School of the Art Institute of Chicago (MFA), and a Kellogg Executive Scholar in Nonprofit management (Kellogg School of Management, Northwestern University). She was nominated for “Chicagoan of the Year” in Chicago Magazine and twice listed in Newcity’s annual Players list. In six years, six American Blues’ productions won or were nominated for best production by the Joseph Jefferson Award committee. She’s received 11 Joseph Jefferson Awards, Citations, and nominations as an actress and Producing Artistic Director. Her favorite performances include Jeff Award for Solo Performance (Grounded), Jeff Award nomination for Solo Performance (the K of D), Mary’s Wedding (Top 5 performances in Indianapolis), Collected Stories (Best Actress Broadway World Chicago Award), and 6 years as “Mary Bailey” (It’s a Wonderful Life: Live in Chicago!). She’s the recipient of two (2) After Dark Awards and numerous Broadway World Chicago Awards and nominations.

DARA CAMERON (Violet) is a proud Ensemble member of American Blues Theater. She so happy to be back with her American Blues family for her fifth It’s a Wonderful Life: Live in Chicago. Other favorite credits include Audrey in Little Shop of Horrors (American Blues Theater); Jovie in Elf, October Sky, Sister Act, City of Angels, Hero, The Wizard of Oz, Cinderella, Fiddler on the Roof, and Little Women (Marriott Theatre); Old Jews Telling Jokes (Off-Broadway and at the Royal George); Wednesday in The Addams Family (Mercury Theatre); Sunset Boulevard, Seussical, Thoroughly Modern Millie, and Buddy: The Buddy Holly Story (Drury Lane). She is a proud member of Actors’ Equity and a graduate of Northwestern University. As always, she’s delighted to share the stage with her husband, Michael Mahler, and even more delighted that this year they get to share their favorite holiday tradition with their son-to-be, due to arrive in March. 

IAN PAUL CUSTER (Harry) is a proud ensemble member of American Blues Theater.  Recent American Blues credits: The Columnist (David Halberstam, Jeff Nomination for Best Production – Midsize), It’s A Wonderful Life: Live in Chicago! (Jeff Nomination for Best Ensemble and Best Production – Midsize), Little Shop of Horrors (Orin Skrivello, Jeff Nomination for Best Production of a Musical – Midsize), and Yankee Tavern.  Recent Chicago theatrical credits: Bad Jews (Theatre Wit, North Shore Center, Royal George), 33 Variations (TimeLine Theatre, Jeff Award for Best Production – Midsize), Annie Bosh is Missing (Steppenwolf Theatre), High Holidays (Goodman Theatre), To Master the Art (Broadway Playhouse/TimeLine Theatre), Strangers, Babies (Steep Theatre), and Fiddler on the Roof (Paramount Theatre).  Regional theatrical credits: Hero: The Musical (Asolo Rep Theatre), Cymbeline (Notre Dame Shakespeare), Romeo and Juliet (Cardinal Stage), Peter Pan (360 Entertainment - London, England).  Television credits: APB, Empire, Chicago Fire, and Chicago PD.  Love to Shannon, my friends, and my family for all the support.  

SHAWN J. GOUDIE (Foley) is a proud Artistic Affiliate of American Blues Theater. He excited to be returning for his 9th season of It's A Wonderful Life: Live in Chicago. It is a joy for him to share the magic of old time radio with so many wonderful folks year after year. He would like to thank his amazing wife, their endlessly curious children and his loving parents.

ZACH KENNEY (George Bailey) is a proud Artistic Affiliate of American Blues Theater. He is thrilled to return as “George”, and to return to It’s a Wonderful Life: Live in Chicago for a third time. Previous work with American Blues also includes Waiting for Lefty, directed by Kimberly Senior. Chicago credits include: Hit the Wall (The Inconvenience); Hair (American Theater Company); The March (u/s, Steppenwolf Theatre); Chicago Boys (Goodman Theatre New Stages); The Gospel According to James (Victory Gardens Theater); and The Farnsworth Invention and Not Enough Air (TimeLine Theatre). Regional: The Great Gatsby, Red, Mary’s Wedding (opposite Gwendolyn Whiteside), and Who Am I This Time? (Indiana Rep); A Little Night Music (u/s) and 1776 (A.C.T.); 1776 (Asolo Rep); and An Immaculate Misconception (Eureka Theatre Co.). Television/film: Chicago Fire, LifeSteps…, and Schizo Cool. A San Francisco native, Zach trained at A.C.T.'s Young Conservatory (originating the title role in Horton Foote's The Actor in 2002) before attending The Theatre School at DePaul University. Zach resides in Los Angeles and thanks Alli, GTG, and this exceptional company.

JAMES JOSEPH (Uncle Billy) is a proud Artistic Affiliate of American Blues Theater. He returns for his eighth season of It’s A Wonderful Life: Live in Chicago!  Also at American Blues he appeared in Tobacco Road, performed voiceovers for Hank Williams: Lost Highway and American Myth, and has written for the Ripped festival.  He has performed on Chicago stages for twenty years, including at Steppenwolf Theatre, Northlight Theatre, Victory Gardens Theater, and TimeLine Theatre.  He is your audio guide for the permanent Chicago Authored exhibition at the Chicago History Museum, and was nominated for a Non-Equity Jeff Award (Supporting Actor) for his role in Faith Healer with UMA Productions.  

MICHAEL MAHLER (Announcer/Pianist) is a proud Ensemble member of American Blues Theater. He happily returns for a seventh season in Bedford Falls. American Blues credits include Little Shop of Horrors, Side Man, and Hank Williams: Lost Highway. Other Chicagoland credits include: Honeymoon in Vegas, City of Angels, and The 25th Annual… Spelling Bee (Marriott Theatre); The March (Steppenwolf Theatre); Working (Broadway in Chicago); and The Fox on the Fairway, Dirty Rotten Scoundrels (Jeff nomination), and The Producers (Theatre at the Center). Michael is the Jeff award-winning composer/lyricist of Diary of a Wimpy Kid, October Sky, The Man who Murdered Sherlock Holmes, Wonderland: Alice's Rock & Roll Adventure, and Hero. He also contributed additional lyrics to the new Broadway production of Miss Saigon. Up next, Michael will music direct and appear in Blues’ production of Buddy: the Buddy Holly Story. He is proud to share the stage with his wife, Dara Cameron, who is full of the joy of the season (and also a baby).

JOHN MOHRLEIN (Clarence/Mr. Potter) is a proud Ensemble member of American Blues Theater. 16 years as “Clarence/Mr. Potter”, and he loves getting to revisit and reinvent these characters year after year.  At American Blues, he’s appeared in Half of Plenty, It’s a Wonderful Life, A View from the Bridge, Strictly Dishonorable, American Dead, The Hairy Ape, A Lie of the Mind, Endgame, American Buffalo, The Skin of Our Teeth, The Threepenny Opera, A Stone Carver (Jeff nomination for Best Actor, After Dark Award for Outstanding Performance), and directed Catch-22. Other credits: The Glass House at the Art Institute of Chicago; nine productions at Goodman Theatre; and Cripple of Inishmaan, Heart of a Dog, and Murder of Cardinal Tosca at Northlight Theatre. His extensive television and film work includes Golden Boy, Good Night Sweet Wife, Dillinger, Killing Floor, Early Edition, Crime Story (recurring role), Untouchables, Devil’s Dominoes, Stranger Than Fiction, No Place to be Somebody, Hellcab, Hero, and Cold Justice.  Now he’s developing “Star Crossed Lovers”, “Pope Frank in Venice”, while continuing to install his art works.

CAMILLE ROBINSON (Mary Bailey, Dec. 20 – Jan. 6) is a proud Artistic Affiliate of American Blues Theater. She is thrilled to be returning to this lovely, timeless show! She owes everything to her family for she would be nothing without their love and support. Recent Chicago theater credits include: Lizzie (Firebrand Theatre), Big River (Theatre at the Center), Jesus Christ Superstar (Paramount Theatre), A Wonder in My Soul (Victory Gardens Theater), Wonderful Town (Goodman Theatre), and Little Shop of Horrors (American Blues Theater). Recent TV/Film credits include: Chicago Med and Chicago PD (NBC). Represented by Gray Talent Group.

Community Service
For this production, American Blues Theater will support and partner with the USO and U.S. Dept of Veterans Affairs, and Misericordia. American Blues also continues its “Pink Previews” to donate proceeds from all preview performances to The Lynn Sage Foundation for breast cancer research.

Soldier Spotlight
During each performance, American Blues Theater honors one serviceman or servicewoman with a short personal tribute, a projected photo, and two (2) complimentary tickets. Submissions should be sent to American Blues Theater. There are limited spots available for the 2017 production. Neither you nor the nominee must be present to receive the spotlight.  For more information, contact Elyse Dolan at ElyseD@AmericanBluesTheater.com. 




About American Blues Theater
Winner of the American Theatre Wing’s prestigious 2016 National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home.  American Blues Theater explores the American identity through the plays it produces and communities it serves.

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 36-member Ensemble has 530+ combined years of collaboration on stage. As of 2017, the theater and artists received 195 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 35 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  

American Blues Theater programs and activities are made possible, in part by funding by The MacArthur Funds for Arts & Culture at Prince, the Shubert Foundation, The Chicago Community Trust, SMART Growth Grant, Gaylord & Dorothy Donnelley Foundation, the Illinois Arts Council Agency, Anixter Foundation, Actors’ Equity Foundation, and the Chip Pringle Fund. ComEd is the Season Lighting Sponsor.

HELP OUT: Steppenwolf Women in the Arts Luncheon to Honor Sarah Paulson, Golden Globe and Emmy Award-Winning Actor

Golden Globe and Emmy Award-Winning Actor

Sarah Paulson

to be Honored at the

Steppenwolf Women in the Arts Luncheon

January 22, 2018

Steppenwolf Theatre Company proudly announces Golden Globe and Emmy Award-winning actor Sarah Paulson as the 2018 honoree at the annual Steppenwolf Women in the Arts fundraising luncheon on Monday, January 22, 2018 at 12noon at the Radisson Blu Aqua Hotel (221 N Columbus Dr). VIP Reception begins at 11:30am. Ms. Paulson joins Steppenwolf Artistic Director Anna D. Shapiro for an exciting conversation about her career both on-stage and on-screen and her impact as a leader in her industry.

Sarah Paulson is acknowledged as one of today’s most critically acclaimed actresses of the screen and stage. She was first introduced to Steppenwolf through her work in ensemble member Tracy Letts’s Killer Joe, and the two appear in Stephen Spielberg’s upcoming film The Post. Paulson’s impressive film career includes features with ensemble members Lois Smith (Griffin & Phoenix), Austin Pendleton (The Notorious Bettie Page) and John Malkovich, whom she joins in the upcoming Netflix film Bird Box. On stage, she has appeared in a wide-range of productions including the title role in Lanford Wilson’s Pulitzer Prize-winning play Talley’s Folly, Cherry Orchard with Alfred Molina and Annette Bening, and Broadway’s The Glass Menagerie alongside Jessica Lange.

On television, Sarah Paulson’s inspired performances have captured the attention of audiences and critics alike. Her portrayal of attorney Marcia Clark in American Crime Story: The People v. O.J. Simpson earned her numerous awards including a Golden Globe Award, a Screen Actors Guild Award and Emmy Award. Sarah also received four consecutive Emmy nominations for her character portrayals in Ryan Murphy’s award-winning television series, American Horror Story. Her upcoming projects include American Crime Story: Katrina, Gary Ross’s Ocean’s 8, the female-driven spinoff of Ocean’s Eleven, M. Night Shyamalan's Glass, and the Netflix series Ratched, based on the character Nurse Ratched from One Flew Over the Cuckoo’s Nest, for which she is set to produce and star in the title role.

The ninth annual Women in the Arts luncheon brings together nearly 400 leaders from Chicago’s business and civic communities to honor Ms. Paulson for her indelible contribution to the field. The event raises funds for Steppenwolf’s professional development programs, including Steppenwolf for Young Adults, the nationally recognized education program, the School at Steppenwolf, as well as the Professional Leadership Programs, providing apprenticeships, fellowships and internships for the next generation of arts managers and producers.

Individual tickets start at $250. VIP tickets that include pre-lunch reception begin at $500. Table sponsorships for Women in the Arts are currently available at $5,000, $10,000 and $25,000. To purchase tickets or learn about table sponsorship opportunities, contact Steppenwolf’s Special Events Department at 312-654-5632 or specialevents@steppenwolf.org.

Lead sponsor of the 2018 Women in the Arts luncheon is Helen Zell. United Airlines is the Official and Exclusive Airline Partner of Steppenwolf Theatre Company.

Previous honorees for Steppenwolf Salutes Women in the Arts include ensemble members Joan Allen, Laurie Metcalf and Martha Plimpton, along with Claire Danes, Juliette Lewis, Julianna Margulies, Margo Martindale, Julianne Nicholson, Mary-Louise Parker and Phylicia Rashad.

About the Honoree
Award winning actress Sarah Paulson has built an impressive list of credits in film, television and on stage.

Paulson's Emmy win for Outstanding Lead Actress in a Miniseries or Movie was earned for her portrayal of attorney Marcia Clark in the critically acclaimed mini-series, The People v. O.J. Simpson: American Crime Story on FX. Also for this role, Paulson received a Golden Globe Award in the category of “Best Actress in a Miniseries or Television Film,” a Screen Actors Guild award in the category of “Outstanding Performance by a Female Actor in a Miniseries or Television Movie,” a Critics Choice Award in the category of “Best Actress in A Movie Made For Television Or Limited Series” as well as a Television Critics Association award in the category of Individual Achievement in Drama.

Upcoming, Paulson will be seen in Stephen Spielberg’s film, The Post, which is inspired by The Washington Post’s role in publishing the infamous study about America’s role in the Vietnam War. Paulson will star opposite Tom Hanks, Meryl Streep, Bob Odenkirk, Alison Brie, Carrie Coon, David Cross, Bruce Greenwood, Tracy Letts, Jesse Plemons, Matthew Rhys, Michael Stuhlbarg, Bradley Whitford, and Zach Woods in this ensemble drama which will see a limited release on December 22, 2017 and a wide release on January 12, 2018.

Next year, Paulson has Gary Ross’s Ocean’s 8. The female-driven spinoff of Ocean’s Eleven will also star Sandra Bullock, Cate Blanchett, Anne Hathaway, Rihanna, Helena Bonham Carter, Mindy Kaling and Awkwafina. Warner Brothers will release the film June 8, 2018.

Paulson is now in production on M. Night Shyamalan's thriller Glass, opposite James McAvoy, Anya Taylor-Joy, Bruce Willis and Samuel L. Jackson. The film is a sequel to the writer-director's 2000 thriller Unbreakable, which centered on a man (Willis) who learns something extraordinary about himself after a devastating accident. Universal is slated to release this on January 18, 2019. After that she will begin lensing Liz Garbus’s narrative-film, Lost Girls. The film was adapted by Michael Werwie from Robert Kolker’s 2013 non-fiction book of the same name. The story focuses on a Long Island mother (Paulson) who, while searching for her missing daughter, discovers the bodies of four murdered girls. She was also recently cast in the Netflix film Bird Box where she will star opposite Sandra Bullock, John Malkovich, Trevante Rhodes, Jacki Weaver, and Danielle Macdonald. The story follows a woman and a pair of children who are blindfolded, and make their way through a post-apocalyptic setting.

On the small screen, Paulson is in the seventh installment of Ryan’s Murphy’s award-winning television series, American Horror Story for FX. The season premiered on September 5, 2017. Paulson has received four consecutive Emmy nominations for her roles in the franchise: Sally in AHS: Hotel; Bette and Dot Tattler, conjoined twins, in AHS: Freak Show; Cordelia Foxx in AHS: Coven; and Lana Winters in AHS: Asylum. She has also earned two additional Critics Choice Awards for her roles in the anthology.

Paulson is also set to produce and star in the upcoming series, Ratched, where she will play the title role. The series, set to be distributed by Netflix, centers on the early life of the villainous nurse from the 1962 Ken Kesey novel, One Flew Over the Cuckoo’s Nest.

In 2016, Paulson was seen in Alex Leherman’s Blue Jay, opposite Mark Duplass, whom also wrote the screenplay. Distributed by The Orchard, the film follows two former high-school sweethearts who meet by chance when they return to their tiny California hometown. Prior to that, she co-starred in Todd Haynes’s critically acclaimed Carol alongside Cate Blanchett and Rooney Mara. In 2013, Paulson was seen in Steve McQueen's 12 Years a Slave, which received an Academy Award® for Best Picture. Paulson appears alongside Michael Fassbender, Chiwetel Ejiofor and Lupita Nyong’o as Mistress Epps. That same year, Paulson was also seen alongside Reese Witherspoon and Matthew McConaughey in Jeff Nichols' film Mud. The cast received the Robert Altman Award at the Film Independent Spirit Awards. She previously starred in the critically acclaimed independent feature Martha Marcy May Marlene alongside Elizabeth Olsen.

Paulson received her first Emmy nomination and second Golden Globe nomination for her role as Nicolle Wallace in HBO's critically acclaimed telefilm Game Change. Directed by Jay Roach, the film follows John McCain's 2008 presidential campaign.

Paulson's additional film credits include Danny Strong’s Rebel in the Rye, in which she stars opposite Kevin Spacey and Nicholas Hoult; Lionsgate's The Spiri”, opposite Samuel L. Jackson, Eva Mendes, and Scarlett Johansson; Marry Harron's The Notorious Bettie Page; Down with Love with Renee Zellweger, Ewan McGregor and David Hyde Pierce; What Women Want opposite Mel Gibson and Helen Hunt; The Other Sister directed by Gary Marshall and starring Diane Keaton and Juliette Lewis; and Diggers alongside Paul Rudd and Ken Marino.

Paulson received her first Golden Globe nomination for her performance in Aaron Sorkin's Studio 60 on the Sunset Strip, in which she starred opposite Matthew Perry, Amanda Peet, Bradley Whitford and Steven Weber.

Paulson made her return to the stage in 2013 in the Roundabout Theatre Company’s production of Lanford Wilson’s Pulitzer Prize winning play Talley’s Folly. She previously starred on Broadway in the two-hander Collected Stories opposite Linda Lavin, and as Laura Wingfield in The Glass Menagerie, alongside Jessica Lange. On stage she also appeared opposite Alfred Molina and Annette Bening in Cherry Orchard, as well as in Tracy Letts’ critically acclaimed Killer Joe.

Anna D. Shapiro joined the Steppenwolf ensemble in 2005 and was awarded the 2008 Tony Award for Best Direction of a Play for August: Osage County (Steppenwolf, Broadway, London). She was nominated in 2011 in the same category for The Motherf**ker with the Hat (Public Theatre, Labyrinth Theater). Other directing credits at Steppenwolf include Tracy Letts’s world premiere of The Minutes (opening November 18, 2018), Visiting Edna, Mary Page Marlowe, Three Sisters, A Parallelogram, Up, The Crucible, The Unmentionables (also at Yale Repertory Theatre), The Pain and the Itch (also in New York), I Never Sang for My Father, Man from Nebraska, Purple Heart (also in Galway, Ireland), The Drawer Boy, Side Man (also in Ireland, Australia and Vail, Colorado), Three Days of Rain, The Infidel and This is Our Youth (which transferred to Broadway). Other Broadway credits include Of Mice and Men (with James Franco) and Fish in the Dark (with Larry David). Off-Broadway credits include Domesticated (Lincoln Center). Anna is a graduate of the Yale School of Drama and Columbia. She was appointed Steppenwolf’s Artistic Director in 2015 and is a professor in Northwestern University’s Department of Theatre.

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble of 49 members represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 295-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.