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Saturday, November 25, 2017

OPENING: World Premiere of ERIC JOHN MEYER’S “MY LITTLE PONY” CULT COMEDY THE ANTELOPE PLAY

Chi, IL LIVE Shows On Our Radar:

THEATER WIT TO PREMIERE ERIC JOHN MEYER’S 
“MY LITTLE PONY” CULT COMEDY 
THE ANTELOPE PLAY 
JAN. 5-FEB. 24, 2018 



Chicago’s Theater Wit is off to the races after the New Year with the world premiere of Eric John Meyer’s The Antelope Play, an amazing and timely new comedy about adult fans of My Little Pony, and the first major theater opening of 2018.

Wit Artistic Director Jeremy Wechsler directs Meyer’s comedic exploration of how the currents of history, normalization and fear can spur the rise of a new social order. Will Allan, Anu Bhatt, Mary Winn Heider, Evan Linder, Edward Mawere and Annie Munch will horse around on stage as fellow members of the Rust Belt Ponies Meet Up Group for Adult Fans of My Little Pony.



It's sometime in the 2010s. The Rust Belt Ponies Meet Up Group has gathered in Brony Ben's Philadelphia apartment, but two of their company have not yet arrived. A new recruit seems unusually shy and curiously paranoid about a local neighborhood watch group. What happened to their pegasister friend, Maggie? Why is Brony Doug so paranoid? What does it all have to do with the 9/11 Truthers and an emerging group of "concerned citizens?"

And that's just the first ten minutes.

In the midst of the rise of a new normal marked by increasing violence and authoritarianism, is it still possible for our heroes to see the magic in Everypony?

Even worse, what if they do? 

Theater Wit is located at 1229 N. Belmont Ave., in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood. Previews of The Antelope Party are January 5 through 14: Thursday, Friday and Saturday at 8 p.m.; Sunday at 3 p.m. Preview tickets are $12-$18. Press opening is Tuesday, January 16 at 7 p.m. Regular performances run through February 24: Thursday, Friday and Saturday at 8 p.m.; Sunday at 3 p.m. Performances are $24-$38.

The best way to secure seats to The Antelope Party is to sign up for a Theater Wit Membership. Wit’s “all the theater you can eat” deal comes with special perks and lets members see as many plays at they want in any of Wit’s three spaces for one low monthly fee of $29/$22 for students. This includes shows presented at Wit by 2017-18 resident companies About Face, Kokandy Productions and Shattered Globe, and other top storefront and visiting companies.

To purchase a Membership, to inquire about Flex Pass options or to purchase single tickets, visit TheaterWit.org or call the Theater Wit box office, (773) 975-8150.



Behind the scenes of The Antelope Play



Eric John Meyer is a playwright and performer/director/producer based in New York City. His work has been developed or presented by Playwrights Horizons, Clubbed Thumb, Vineyard Theatre, Actors Theatre of Louisville, The Flea, Dutch Kills Theater Company and The Edinburgh Fringe Festival, among others. He is a member of the Actor's Studio Playwright/Director Unit and a recipient of a new play commission from Playwrights Horizons. Meyer is a co-founder of Human Head Performance Group and The Truck Project, both of which he established with his partner, Jean Ann Douglass. He received his MFA in Theater from Sarah Lawrence College.


Theater Wit’s The Antelope Party will star (from left) Will Allan, 
Anu Bhatt, Mary Winn Heider, Evan Linder, Edward Mawere and 
Annie Munch.

Wit’s cast for The Antelope Party features Will Allan (Shawn), last seen in Ah, Wilderness! at the Goodman; The Flick, Good People, Animal Farm, The March and A Separate Peace at Steppenwolf; The Seagull and Dartmoor Prison (Goodman); The History Boys (TimeLine) and The Whale (Victory Gardens).

Anu Bhatt (Maggie) is an actor and Indian classical dancer with credits including A Disappearing Number at TimeLine and The Burials at Steppenwolf (u/s).

Mary Winn Heider (Jean) appeared at Theater Wit as Sherry in Tigers Be Still. She has also performed with Strawdog Theater, The Other Theater Company, Redmoon Theater, ATC and The House Theater. She is a company member with Barrel of Monkeys and can be seen in their long-running show, That’s Weird, Grandma. 

Evan Linder (Doug) is a founding member and former artistic director of The New Colony in Chicago. He recently played Stuart in Broken Nose Theatre’s At the Table (2017 Non-Equity Jeff Award for Best Play and Best Ensemble) and Jim in the remount of his play Byhalia, Mississippi, (2016 Non-Equity Jeff Award for New Work).

Edward Mawere’s (Ben) recent credits include the Chicago premieres of You on The Moors Now (The Hypocrites) and BootyCandy (Windy City Playhouse).

Annie Munch (Rachel) was one of the seven actresses who played Mary Page Marlowe at Steppenwolf in 2016, and was featured for two seasons as Nomi Mark’s younger sister Teagen in the popular Netflix series Sense8.



Jeremy Wechsler (director) most recently staged Mitchell Fain’s This Way Outta Santaland, Theater Wit’s Midwest premiere last season of Anne Washburn’s 10 Out of 12, and Wit’s extended Midwest premiere of Mat Smart’s Naperville. Other directing credits at Wit include the company’s election night reading of The Trump Card by Mike Daisey, The New Sincerity by Alena Smith, The (curious case of the) Watson Intelligence by Madeleine George, Bad Jews by Joshua Harmon, Mr. Burns, a post-electric play by Anne Washburn, Madeline George’s Seven Homeless Mammoths Wander New England, and that show’s summer remount at Art Square Theatre in Las Vegas. Wechsler also staged Wit’s acclaimed Completeness and The Four of Us (Itamar Moses), Tigers Be Still (Kim Rosenstock), This (Melissa James Gibson), Spin (Penny Penniston), Feydeau-Si-Deau (Georges Feydeau), Men of Steel (Qui Nguyen), Thom Pain (Based on Nothing) (Will Eno), Two for the Show (James Fitzpatrick and Will Clinger) and The Santaland Diaries. A veteran director in Chicago with over 50 productions, his work has been nominated for and won multiple awards for design, performance, adaptation and best new plays.

Designers for The Antelope Party are Joe Schermoly (set, recently nominated for a Jeff Award for his set design for Theater Wit’s Naperville last season), Karen Krolak (costumes), Diane Fairchild (lights), Jeffrey Levin (sound) and Jesse Gaffney (props).



About Theater Wit

Theater Wit, Chicago’s “smart art” theater, is a major hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago.

In addition to The Antelope Party, Theater Wit’s 2017-18 season opens with Significant Other by Joshua Harmon, author of Wit’s 2015 smash hit Bad Jews, about a gay man in New York whose girlfriends are all getting married, co-produced with About Face Theatre (November 2–December 10, 2017).

Wit also presents America’s premiere monologist, Mike Daisey, three nights only, in three different shows commenting on the current state of the U.S.A.: This is Not Normal, The End of Journalism and The White Man’s Burden, November 16, 17 and 18.

For the holidays, Chicago's favorite seasonal performer, Mitchell J. Fain, returns with a full-blown, mainstage production of his hilarious and touching tell-all, This Way Outta Santaland (and other Xmas miracles), November 24-December 30, 2017.

Soon after The Antelope Party, spring sees Wit’s Chicago debut of Women Laughing Alone with Salad, Sheila Callaghan’s meta-feminist satirical comedy about friendship, salad, sex, bodies, yoga, salad, men, envy, diets, salad, uppers and salad (March 9-April 29, 2018).

“A thrilling addition to Chicago’s roster of theaters” (Chicago Tribune) and “a terrific place to see a show” (New City), Theater Wit is now in its eighth season at its home at 1229 N. Belmont Ave., in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood. In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater.

The company’s most recent hits include 10 Out of 12 and Mr. Burns, a post-electric play by Anne Washburn, Naperville by Mat Smart, The New Sincerity by Alena Smith, Bad Jews by Joshua Harmon, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, and Completeness and The Four of Us by Itamar Moses.



To purchase a Membership, inquire about Flex Pass options or to buy single tickets, visit TheaterWit.org or call the Theater Wit box office, 773.975.8150.

To receive an “artisanal selection of consonants and vowels from Theater Wit,” sign up at TheaterWit.org/mailing for exclusive updates, flash deals and behind-the-scenes production scoop every few weeks.

OPENING: World Premiere Production of
 BLKS at Steppenwolf Theatre 12/7/17-1/28/18

Chi, IL LIVE Shows On Our Radar:

Steppenwolf Theatre Presents the World Premiere Production of
 BLKS
Written by Aziza Barnes
Directed by Nataki Garrett
Featuring Ensemble Member Namir Smallwood


December 7, 2017 – January 28, 2018 

Three friends. One f**ked up night. A whole lot of growing pains.

Steppenwolf Theatre Company presents the world premiere production of BLKS by award-winning poet and playwright Aziza Barnes and directed by Nataki Garrett. An uproarious and frank play, the acclaimed Chicago-based cast features ensemble member Namir Smallwood (Justin /Sosa/Pedro/Dominican Dude) with Leea Ayers (June), Nora Carroll (Octavia), Celeste Cooper (Imani), Danielle Davis (Ry) and Kelly O’Sullivan (That Bitch on the Couch/White Woman).

BLKS begins previews December 7, 2017, opening night is December 18 and the production runs through January 28, 2018 in the Upstairs Theatre, 1650 N Halsted St. Press performances are Monday, December 18 at 6pm and Wednesday, December 20 at 7:30pm; Single tickets ($20-$89) are available at 312-335-1650 or steppenwolf.org.

F**ked up sh*t happens. After an unsavory wake-up call, Octavia decides to put off her troubles and have one last turn up with her friends. In poet Aziza Barnes’s ingenious portrait of a day in the life of four young black women discovering life’s uncomfortable truths in New York City, BLKS explores the joy and anguish of growing up and out. Riotously funny and distinctly rendered, Barnes’s playwriting debut marks the arrival of a truly original contemporary American voice.

“BLKS is a self-portrait of me and my best friends in our cripplingly early 20s. So, a bunch of painful absurdity, that whenever I sit down to edit the latest draft reveals more to me than I can imagine or even am ready for. BLKS for me is emotionally rigorous and delightful because I’m constantly laughing with the person I was and am, and the jokes me and my kin tell each other,” shares Aziza Barnes.

Aziza Barnes is the winner of the 2015 Pamet River Prize for Aziza’s first full length collection i be but i ain’t, from YesYes Books 2016. Barnes is a Cave Canem Fellow and co-host of the popular podcast, The Poetry Gods. Z is a graduate of New York University and participant in the 2016 Ojai Playwrights Conference.

Nataki Garrett was named in American Theatre Magazine’s “One to Watch” and is the Associate Artistic Director of Denver Center for the Performing Arts, a Company Member at Woolly Mammoth and co-Artistic Director of BLANK THE DOG PRODUCTIONS (BTD). Most recently for BTD she directed Carolyn Bryant, which focuses on the decades-long silence of the woman for whom Emmett Till was brutally murdered in Mississippi in 1955. Garrett directed An Octoroon by Branden Jacobs-Jenkins at Woolly Mammoth, which was remounted in July.

The BLKS production team includes Sibyl Wickersheimer (scenic design), Trevor Bowen (costume design), Marcus Doshi (lighting design), Rasean Davonte Johnson (projection design), T. Carlis Roberts (sound design & original music) and Gigi Buffington (Company Vocal Coach). Additional credits include Malcolm Ewen (stage manager), Cassie Calderone (assistant stage manager), JC Clementz (casting director) and Anna D. Shapiro (artistic producer).

Location: Upstairs Theatre, 1650 Halsted St
Dates: December 7, 2017 – January 28, 2018
Previews: December 7 - 17
Press Performances: Monday, December 18 at 6pm and Wednesday, December 20 at 7:30pm
Opening: December 18
Regular Run: December 20, 2017 – January 28, 2018

Accessible Performances:
American Sign Language Interpretation: 
Sunday, January 7 at 7:30pm
Open Captioning: Saturday, January 6 at 3pm
Audio Description and Touch Tour: Sunday, January 14 at 1:30pm touch tour; 3pm audio-described performance

Curtain Times: Tuesday – Friday at 7:30pm, Saturdays and Sundays at 3pm and 7:30pm

Ticket prices and offers:
Previews: $20 – $54, Regular Run: $20 – $89. Prices subject to change
20 for $20: Twenty $20 tickets are available on the day of the performance at 11am (Mon – Sat) and 1pm (Sun) by phone only at 312-335-1650. Limit 2 per person.

Pay Your Age: Available for preview performances December 7-17, 2017

Industry Tuesdays: $20 Industry tickets offered on Tuesdays
Rush Tickets: Half-price rush tickets are available one hour before each show.
Student Discounts: Limited $15 student tickets are available online. (Limit 2 tickets. Must present a valid student ID for each ticket) steppenwolf.org/students.

Group Tickets: All groups of 10 or more receive a discounted rate for any performance.

Black Card Memberships are for audiences interested in extreme flexibility with six tickets for use any time for any production. Credits valid for one year with the option to add additional tickets as needed. Perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing.
Red Card memberships are available for theatergoers under 30.

Audience Services: To purchase a membership or tickets or for more information, contact Audience Services (1650 N Halsted St) at 312-335-1650 or steppenwolf.org.

Visitor Information & Accessibility

Steppenwolf is located at 1650 N Halsted St near all forms of public transportation and is wheelchair accessible. The parking facility consists of both a covered garage ($12 cash or card) and an open-air lot, located just south of our theater at 1624 N Halsted. Valet parking service ($14 cash) is available directly in front of the main entrance at 1650 N Halsted St starting at 5pm on weeknights, 1pm on weekends and at 12 noon before Wednesday matinees. Street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at (312) 335-1774. Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language interpretation, open captioning and audio description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance. With the expertise of Assistive Hearing Systems Ltd., Steppenwolf installed an induction loop on both the main and balcony levels of our Downstairs Theatre in 2015. There is also an induction hearing loop installed in the 1700 Theatre and the Downstairs Theatre.

2017/18 Season
Now playing in Steppenwolf’s 42nd season is The Rembrandt, a Chicago premiere by Jessica Dickey, directed by Hallie Gordon (through Nov 11, 2017); followed by The Minutes, a world premiere by ensemble member Tracy Letts, directed by Artistic Director Anna D. Shapiro (Nov 9 – Dec 31, 2017); BLKS, a world premiere by Aziza Barnes, directed by Nataki Garrett (Dec 7 – Jan 28, 2018); You Got Older, a Chicago premiere by Clare Barron, directed by Artistic Producer Jonathan Berry (Jan 25 – March 11, 2018); The Doppelgänger (an international farce), a world premiere by Matthew-Lee Erlbach, directed by ensemble member Tina Landau (April 5 – May 27, 2018); Guards at the Taj, a Chicago premiere by Rajiv Joseph, directed by ensemble member Amy Morton (May 31 – July 22, 2018); and The Roommate, a Chicago premiere by Jen Silverman, directed by Phylicia Rashad (June 21 – August 5, 2018). 

Front Bar: Coffee and Drinks
Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open Tuesdays – Sundays from 8am to midnight, Front Bar serves artisanal coffee and espresso is provided by La Colombe and food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. www.front-bar.com

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble of 49 members represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin.

Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.

For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Wednesday, November 22, 2017

ONE NIGHT ONLY: Greenhouse Theater Center Hosts CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM Benefit for Howard Brown Health

CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM
Returns To Greenhouse Theater Center
Friday, December 1, 2017
Hosted by Chicago Drag Sensation Dixie Lynn Cartwright

**Recommended for ages 18+**



Following four sell-out performances, CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM returns for one-night-only on Friday, December 1, 2017 at 10 pm at The Greenhouse Theater Center (Downstairs Mainstage), 2257 N. Lincoln Ave. in Chicago.  

The irreverent night of improv comedy is inspired by the popular and politically incorrect party game “Cards Against Humanity.” After audience members pitch their ideas, the best suggestions are acted out by the Cards Against Humanity writers and a team of improvisers. The worst suggestions will be mercilessly ridiculed. 

The evening will be hosted by Chicago drag sensation Dixie Lynn Cartwright, currently appearing in Other Theatre’s annual hit holiday musical BARNEY THE ELF at Greenhouse Theater Center. Tickets, priced at $10, are currently at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. All proceeds from CARDS AGAINST HUMANITY LATE NIGHT WRITERS ROOM will benefit Howard Brown Health. For additional information, visit howardbrown.org. 


About the Greenhouse Theater Center

The Greenhouse Theater Center is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our mission is first and foremost to grow local theatre.

The Greenhouse Theater began its producing life in 2014 with the smash hit Churchill, after which came 2016’s much-lauded Solo Celebration!, an eight month, 16 event series highlighting the breadth and depth of the solo play form. This year, the Greenhouse announced a full subscription season, with a mix of multi-character and solo plays. With a focus on our community, the Greenhouse has also launched the Trellis Residency Initiative, an initiative designed to cultivate the next generation of Chicago theatre creators, as well as the MC-10, an ensemble of mid-career playwrights whose works will be included in future Greenhouse programming.

As a performance venue, our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies and an in-house rehearsal room. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, and to develop and produce their work. In 2016, the Greenhouse announced a new residency program, which offers a reduced rate to local storefront companies while giving the Greenhouse a stake in the resident’s success. We house Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex. 

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

EXTENDED: Tracy Letts' The Minutes at Steppenwolf Now Playing Through January 7th, 2018

Chi, IL LIVE Shows On Our Radar:

Extended By Popular Demand Through January 7!

Steppenwolf Theatre Presents the World Premiere Production of
The Minutes
By Ensemble Member Tracy Letts
Directed by Artistic Director Anna D. Shapiro


A Scathing New Comedy about Small-Town Politics and Real-World Power


Now extended through January 7 due to popular demand, Steppenwolf Theatre Company opened the highly anticipated world premiere production of The Minutes by Pulitzer Prize and Tony Award-winning ensemble member Tracy Letts last night. Directed by Artistic Director and Tony Award winner Anna D. Shapiro, The Minutes is a political comedy about small-town politics and real-world power, featuring the return of six ensemble members Kevin Anderson (Mr. Breeding), Ian Barford (Mr. Carp), Francis Guinan (Mr. Oldfield), James Vincent Meredith (Mr. Blake), Sally Murphy (Ms. Matz) and William Petersen (Mayor Superba) with Brittany Burch (Ms. Johnson), Cliff Chamberlain (Mr. Peel), Danny McCarthy (Mr. Hanratty), Penny Slusher (Ms. Innes) and Jeff Still (Mr. Assalone). 

Tickets to the extension ($20-$105) go on sale Friday, November 24 at 1pm through Audience Services at 312-335-1650 or steppenwolf.org. Classic and Flex Memberships are still available and offer discounted prices and flexibility; more information at steppenwolf.org/memberships.

Added performances of The Minutes include:
Tues, Jan 2, 7:30pm
Wed, Jan 3, 7:30pm
Thu, Jan 4, 7:30pm
Fri, Jan 5, 7:30pm
Sat, Jan 6, 3pm
Sat, Jan 6, 7:30pm
Sun, Jan 7, 3pm

Tracy Letts, the writer of Linda Vista and August: Osage County, debuts a scathing new comedy about small-town politics and real-world power that exposes the ugliness behind some of our most closely-held American narratives while asking each of us what we would do to keep from becoming history’s losers.

"The Minutes explores how we define history and the stories that we tell ourselves. Many of our ensemble members have returned to dig into Tracy's funny and surprising new work. Being in the Steppenwolf rehearsal room is one of my favorite places to be, and surrounded by the incredible cast and so many ensemble members—it's simply the best environment a director could ask for," shares Artistic Director Anna D. Shapiro.

This play marks the fifth collaboration between Anna D. Shapiro and Tracy Letts and the seventh play by Letts to premiere at Steppenwolf. This season is also the 10th anniversary of the internationally acclaimed production of Steppenwolf’s August: Osage County by Letts and directed by Shapiro, which also featured ensemble members Ian Barford, Francis Guinan and Sally Murphy who all reunite for The Minutes.

Bios:
Tracy Letts is a Pulitzer Prize and Tony Award-winning playwright, actor and Steppenwolf ensemble member. He is the author of the plays Linda Vista, Mary Page Marlowe, The Scavenger’s Daughter, Superior Donuts, August: Osage County (Pulitzer Prize, Tony Award), Man from Nebraska (Pulitzer Prize finalist), Bug and Killer Joe. Also an actor, he received the 2013 Tony Award for Best Actor in Edward Albee’s Who’s Afraid of Virginia Woolf?. TV and film credits include Lady Bird, The Lovers, Christine, Elvis and Nixon, The Big Short, HBO’s “Divorce" and two seasons as Andrew Lockhart on Showtime’s “Homeland.”

Anna D. Shapiro is a Tony Award-winning director and Artistic Director of Steppenwolf. She has directed several notable productions at Steppenwolf, including Visiting Edna, Mary Page Marlowe, August: Osage County (2008 Tony, Drama Desk and Outer Critics Circle Awards), Man from Nebraska, Tracy Letts’s adaptation of Three Sisters, and The Motherf**ker with the Hat (also on Broadway, 2011 Tony nomination for Best Director). Broadway credits include Larry David’s Fish in the Dark, Of Mice and Men and the revival of Steppenwolf’s This Is Our Youth.

About the Cast & Creative Team
Ensemble member Kevin Anderson last performed at Steppenwolf in Lisa D’Amour’s Detroit in 2010 and on Broadway in Come Back Little Sheba; Ian Barford most recently starred in Steppenwolf’s world premiere of Linda Vista and Visiting Edna in the 2016/17 season, and he originated the role of Little Charles in August: Osage County; ensemble member Francis Guinan has appeared in more than 30 Steppenwolf shows, most recently in this season’s The Rembrandt; ensemble member James Vincent Meredith most recently performed in 2015’s Between Riverside and Crazy and in a highly lauded production of Othello at the Chicago Shakespeare Theater; ensemble member Sally Murphy was most recently seen in Visiting Edna and Linda Vista and was nominated in 2015 for the Lucille Lortel Award for Outstanding Lead Actress in a Musical for her performance in Three Penny Opera; and ensemble member William Petersen was last seen onstage in both Steppenwolf’s and The Geffen Playhouse’s productions of Slow Girl (2013) and is well known for his Emmy Award-winning performance as Gil Grissom in the CBS drama series CSI: Crime Scene Investigation, for which he won a Screen Actors Guild Award and was nominated for a Golden Globe Award.

Brittany Burch is a graduate of the School at Steppenwolf and an ensemble member of the Gift Theatre. This will be Cliff Chamberlain’s 10th production at Steppenwolf, where he was most recently seen in The Herd. Danny McCarthy was in Steppenwolf’s acclaimed production of The Flick and is featured in Lionsgate Films, STRONGER alongside Jake Gyllenhaal. Jeff Still recently starred in the Tony Award-winning Oslo on Broadway. Penny Slusher is well known for her Chicago and regional theatre credits and was in Steppenwolf’s Australian production of August: Osage County.

The Minutes production team includes David Zinn (scenic design), Ana Kuzmanic (costume design), Brian MacDevitt (lighting design) and Andre Pluess (sound design and original music). Additional credits include Christine D. Freeburg (stage manager), Elise Hausken (assistant stage manager), JC Clementz (casting director) and Aaron Carter (artistic producer).

Tickets & Membership Info
Single tickets are available through Audience Services at 312-335-1650 or steppenwolf.org. Previews: $20 – $54 and Regular Run: $20 – $105. Prices subject to change.

20 for $20: Twenty $20 tickets are available on the day of the performance by phone only at 312-335-1650. Limit 2 per person.
Rush Tickets: Half-price rush tickets are available one hour before each show.
Student Discounts: A limited number of $15 student tickets are available online. Limit 2 tickets per student; must present a valid student ID for each ticket; steppenwolf.org/students.

Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season; steppenwolf.org/groups.
Classic Subscription Memberships offer 7-Play Packages securing dates and seats for the full Steppenwolf experience, as well as Create-Your-Own Packages with 5 or 6 plays. Perks include discount prices, easy and free exchanges and more.

Black Card Memberships are for audiences interested in extreme flexibility with six tickets for use any time for any production. Black Card ticket credits are valid for one year with the option to add additional tickets as needed. Perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing.

Red Card memberships are available for theatergoers under 30.  To purchase a Card Membership, visit Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org.

**Night Out Gift Card** Perfect for both personal and business gifting, it’s easy to warm hearts with the gift of theatre. Night Out Gift Card includes two flexible ticket credits to any Steppenwolf performance and $25 Front Bar gift card for only $179. Limited time offer through January 6, 2018. steppenwolf.org/holiday.

Visitor Information & Accessibility
Steppenwolf is located at 1650 N Halsted St near all forms of public transportation and is wheelchair accessible. The parking facility consists of both a covered garage ($12 cash or card) and an open-air lot, located at 1624 N Halsted. Valet parking service ($14 cash) is available directly in front of the main entrance at 1650 N Halsted St starting at 5pm on weeknights, 1pm on weekends and at 12noon before Wednesday matinees. Street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at 312.335.1774.

Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language interpretation, open captioning and audio description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance. There is an induction hearing loop in both the main and balcony levels of the Downstairs Theatre and 1700 Theatre.

Front Bar: Coffee and Drinks
Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks offering a welcoming, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open Tuesday – Sunday from 8am to midnight, Front Bar serves artisanal coffee and espresso by La Colombe with food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post-show service. www.front-bar.com

Sponsor Information
ComEd is the sponsor of The Minutes. United Airlines is the Exclusive Airline of Steppenwolf and ComEd is the Official Lighting Sponsor for the 17/18 season.

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble of 49 members represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf Education, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf for actors; and Professional Leadership Programs for arts administration and production training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Tuesday, November 21, 2017

Holiday Roundup: Chicago Theatre Shows On Our Radar In November/ December

Chi, IL LIVE Shows On Our Radar

Photo Credit for All: Bonnie Kenaz-Mara


Tis the season for a flurry of theatre in Chicago and shows are a great way to entertain family during the winter break, make memories with visiting guests, and take care of your holiday gift list in style. Theatre tickets make excellent presents that don't add to clutter or end up in a landfill. Think theatre for 2017. Here are some of our top picks here at ChiIL Mama (family friendly) and ChiIL Live Shows (adult). Check back early and often for our theatre news, original reviews, interviews, great ticket giveaways, and photo filled features. Use our side search bar and key words to make life easier.



SOME OF OUR FAVORITE 2017 HOLIDAY PRODUCTIONS & EVENTS




AMERICAN BLUES THEATER
http://americanbluestheater.com/


CHICAGO PREMIERE
This Wonderful Life
The Edge Theatre
Written by Steve Murray
Directed by Carmen Roman
Starring James Leaming
November 2 – 26, 2017
Tickets: $19 - $49

Founding Ensemble member and Chicago’s original “George Bailey” James Leaming inhabits every role in this hilariously touching stage adaptation of the iconic holiday film It’s a Wonderful Life. George Bailey, Clarence, Mr. Potter, and the gang come to life as a single actor creates a heartwarming story about the effect one hardworking man’s life has on the people around him.

16th Anniversary Production of
It’s a Wonderful Life: Live in Chicago!
Stage 773
From Frank Capra’s film
Directed by Producing Artistic Director Gwendolyn Whiteside
November 17 – December 30, 2017
Tickets: $19 - $49

For 16 years, the American Blues Ensemble has treated Chicago audiences to a live 1940s radio broadcast of holiday favorite It’s a Wonderful Life. The incredible cast recreates the entire town of Bedford Falls with Foley sound effects, an original score and holiday carols. The Bedford Falls “residents” extend their hospitality after every performance when audiences are treated to milk and cookies served by the cast.

BLACK ENSEMBLE THEATER
4450 N Clark St., Chicago, IL 60640
(773) 769-4451
http://www.blackensembletheater.org/
The Annual Black Ensemble New Year’s Eve Show
December 31, 2017

Like all Black Ensemble events, the New Year’s Eve celebration will be an occasion filled with joy and excitement. Guests at the celebration will enjoy a performance by the stars of Black Ensemble Theater, along with great entertainment, fabulous food, dancing with the stars and champagne flowing all night long!





CHICAGO SHAKESPEARE THEATER
800 E. Grand Ave., Chicago, IL  60611
312-595-5600
www.chicagoshakes.com

Q Brothers Christmas Carol
The Yard at Chicago Shakespeare
Written by Q Brothers Collective (GQ, JQ, Jax, Pos)
Developed with Rick Boynton
Directed by GQ and JQ
November 21 - December 31, 2017
Tickets: $30 - $52

Throw your hands up, Chicago—the holiday treat set to a bangin’ beat is back! CST and Chicago hip-hop sensation the Q Brothers—creators of Othello: The Remix and Funk It Up About Nothin’—turn up the volume on Charles Dickens’ classic tale, mixing everything from reggae, dancehall, and dubstep to epic rock ballads. Brighten your festivities with some cheeky spirit and a whole lot of heart—complete with visits from a Jamaican Jacob Marley and that youngest of Cratchits, Lil’ Tim. The Q Brothers are joined by a live DJ as the ghosts of Hip-hop Past, Present, and Future lead Scrooge on a journey of rhythm, rhyme, and redemption.



DRURY LANE THEATRE
Drury Lane Theatre
100 Drury Lane
Oakbrook Terrace, IL 60181
(630) 530-8300
http://drurylanetheatre.com

Drury Lane Theatre for Young Audiences presents
A CHRISTMAS CAROL
By Charles Dickens
November 15 - December 23, 2017
Tickets: $15

With a lively score and captivating choreography, A Christmas Carol will take families on a timeless holiday adventure with Scrooge as he travels through time with three special ghosts. Over 30 colorful Dickensian characters are brought to life on stage in this uplifting tale of hope and redemption. Complete with falling snow, magical illusions and special effects, the play is a visually-stunning experience, and at one hour long, perfect for children of all ages. On select performance dates, families will have the opportunity to have breakfast or dinner with Santa Claus in Drury Lane's elegantly decorated dining room. Tickets for Drury Lane Theatre productions are available by calling the box office at (630) 530-0111, TicketMaster at (800) 745-3000 or visiting DruryLaneTheatre.com.

THANKSGIVING DAY BRUNCH
Thursday, November 23, 2017
10:00 a.m. to 5:00 p.m.
Price:   Adults - $50
            Child 6 to 12 - $16
            Child 3 to 5 - $10
Child 2 and Under - FREE
Leave the cooking to Drury Lane this Thanksgiving! Start your morning off with our seasonal pumpkin chai latte before enjoying traditional favorites like roasted turkey, cranberry and apple stuffing, and roasted butternut squash. Then, stop by our dessert table to indulge in our warm bread pudding with caramel apple sauce or choose from our assortment of seasonal pies.

A CHRISTMAS CAROL BREAKFAST
Saturdays, November 18 & 25 and December 2, 9, 16 & 23
11:00 a.m.
Price:   Adults - $20
            Child 4 to 12 - $15
            Child 3 and Under - FREE

Start your morning with Santa! Join us for our family-friendly breakfast before seeing our production of Charles Dickens’ A Christmas Carol, the classic holiday tale of the miserly Ebenezer Scrooge. Stop by our yogurt bar, make your own donuts, and enjoy our holiday hot chocolate station. Let the little ones write out their holiday wishes in a letter to Santa that we send straight to the North Pole! 

CHRISTMAS BRUNCH WITH SANTA
Sundays, November 26 and December 3, 10 & 17
10:00 a.m. to 1:00 p.m.
Price:   Adults - $50
            Child 6 to 12 - $16
            Child 3 to 5 - $10
Child 2 and Under - FREE
Celebrate the holiday season with our exquisite brunch! From eggnog and cinnamon rolls to green bean casserole and hand-carved roasted turkey, we have all your holiday favorites. Gather around our 20-foot sparkling Christmas tree for a family photo before seeing our toe-tapping production of 42nd Street. Don’t forget to say “hi” to Santa! 

HOLIDAY AFTERNOON TEA
Saturdays, December 2, 9, 16 & 23
3:00 p.m. - 5:00 p.m.
Price:  Adults - $35
Child 4 to 12 - $25
Child 3 and Under - FREE

Take a break from holiday shopping and indulge in our special holiday afternoon tea. Listen to Christmas favorites played by our classical pianist and enjoy seasonal specialties under the twinkling lights of Drury Lane’s festive 20-foot Christmas tree. Featuring freshly baked breads and scones, holiday tea sandwiches, enticing desserts, as well as an assortment of seasonal teas, including harvest apple spice and spiced ginger plum, and hot chocolate for the children. Champagne is also included!
Reservations must be made 24 hours in advance!

A CHRISTMAS CAROL DINNER
Wednesday, December 13, 2017
5:00 p.m.
Price:   Adults - $25
            Child 4 to 12 - $15
            Child 3 and Under - FREE

Treat the whole family to a festive evening with a savory dinner before the December 13th evening performance of Charles Dickens’ A Christmas Carol, the classic holiday tale of the miserly Ebenezer Scrooge. Stop by our holiday hot chocolate station before enjoying our seasonal quiche, honey-glazed ham, and whipped potatoes with gravy. Take a photo with Santa (or write him a letter!) and then gather the whole family for a photo in front of our elegant 20-foot Christmas tree!

CHRISTMAS BRUNCH BUFFET
Monday, December 25, 2017
10:00 a.m. to 3:00 p.m.
Price:   Adults - $50
            Child 6 to 12 - $16
            Child 3 to 5 - $10
Child 2 and Under - FREE
On Christmas Day, bring the whole family to our special Christmas Brunch Buffet. Enjoy our elegant holiday decor including a 20-foot tree with sparkling lights. Sip our holiday eggnog or pumpkin chai latte while enjoying our savory Italian sausage with sweet bell peppers and roast prime rib with chestnut stuffing. Satisfy your sweet tooth with our assortment of holiday treats including Christmas cookies, cranberry-apple pie, and warm vanilla bread pudding with caramel bourbon sauce.

NEW YEAR’S EVE
Saturday, December 31, 2017
3:00 pm, 3-course meal, $40
6:00 pm, 4-course meal, $70*
9:00 pm, 4-course meal, $65*
6pm and 9pm seatings include a commemorative flute
Ring in 2018 with Drury Lane’s New Year’s Eve Celebration. Gather your friends and indulge in a decadent four-course dinner at Lucille. As midnight approaches, celebrate with a complimentary champagne toast and dancing with our live band until 1 am.  Add to the celebration with a performance of the beloved tap classic 42nd Street.


OTHER PRODUCTIONS DURING THE HOLIDAY SEASON

BLACK ENSEMBLE THEATER
4450 N Clark St., Chicago, IL 60640
(773) 769-4451
http://www.blackensembletheater.org/

Sammy: The Story of Sammy Davis Jr.
Written and Directed by Daryl Brooks
December 9, 2017 - January 21, 2018
Previews: December 9, 10, 15 and 16
Tickets: $45 - $65

 

DRURY LANE THEATRE
Drury Lane Theatre
100 Drury Lane
Oakbrook Terrace, IL 60181
(630) 530-8300
http://drurylanetheatre.com

42nd Street 
Music by Harry Warren
Lyrics by Al Dubin
Book by Michael Stewart and Mark Bramble
Based on the Novel by Bradford Ropes
Original Direction and Dances by Gower Champion
Originally Produced on Broadway by David Merrick
October 26 – December 21, 2017
Tickets: $42 - $62

Tap through this year’s holiday season with the 1980 Tony Award winner for Best Musical, 42nd Street! In this Broadway favorite, aspiring chorus girl Peggy Sawyer lands a bigger break in New York City than expected. When the leading lady injures her ankle, Peggy gets the chance of a lifetime to rise from showgirl to star of a glitzy new Broadway musical. With show stopping tap numbers and unforgettable hits such as “We’re In The Money,” “Lullaby of Broadway,” and “Shuffle Off to Buffalo,” Warm your Chicago winter with 42ND Street – a love letter to the Great White Way. The creative team and cast for 42nd Street will be announced at a later date. 42nd Street is suitable for all audiences but most enjoyable for ages 5 and up.





LOOKINGGLASS THEATRE
821 N Michigan Ave., Chicago, IL 60611
(312) 337-0665
http://lookingglasstheatre.org/

Hard Times
Adapted and Directed by Ensemble Member Heidi Stillman
From the Book by Charles Dickens
In Association with The Actors Gymnasium
Playing until January 14, 2018
Featuring Ensemble Members David Catlin, Raymond Fox and Artistic Associate Troy West
Tickets: $40 - $85 ($20 Student Rush Tickets)

Lookingglass launches its 30th Season with the return of the award-winning, circus-infused Hard Times.  

A Dickensian carnival of characters inhabits the streets of smoke-choked Coketown: grim Mr. Gradgrind’s school churns out joyless students; poor Stephen Blackpool toils in the nearby mines; and mill-owner Mr. Bounderby, full of bluster and bombast, presides over it all. Only when a traveling circus alights nearby, and young orphan Sissy Jupe enters their world, does a ray of hope shine through. 

Artistic Director Heidi Stillman adapts and directs this timeless love-letter to the power of beauty, hope, and imagination.  




NORTHLIGHT THEATRE
9501 Skokie Blvd in Skokie, IL 60077
(847) 673-6300
http://www.northlight.org/

The Book of Will
By Lauren Gunderson
Directed by Jessica Thebus
November 9 – December 17, 2017

William Shakespeare wrote some of the world’s most beloved plays – but without his friends, they may have been lost to history! Follow the members of Shakespeare’s own company as they cunningly navigate the production of the First Folio in 1623. They may not have any money or clear-cut rights to his work, but they’re armed with wit, humor, a deep camaraderie and a passion to preserve the plays that shaped their lives. With the help of their wives and colleagues, two actors set out not only to print a collection, but to uphold a legacy for the world.




THE SECOND CITY
1616 N. Wells St.
(312) 337-3992
www.SecondCity.com
The full schedule at The Second City, including holiday programing, is available online.

Dream Freaks Fall From Space

In one of the comedy industry’s most anticipated traditions, iconic Chicago comedy institution The Second City is proud to announce the opening of its upcoming 106th Mainstage revue, Dream Freaks Fall From Space. The all-new show is written and performed by second-time Mainstage cast member Kelsey Kinney and new cast members Ryan Asher, Tyler Davis, Jeffrey Murdoch, Tien Tran, and Nate Varrone. Jeff Award winner Ryan Bernier returns to direct his sixth resident show. Vinnie Pillarella returns as music director, as does longtime stage manager Craig Taylor, who has been at the technical helm of shows featuring legendary alumni including Chris Farley, Tina Fey, and Stephen Colbert over the course of his storied career at The Second City.

VICTORY GARDENS THEATRE

Victory Gardens Biograph Theatre
2433 N Lincoln Avenue
Chicago, IL 60614
(773) 871-3000
http://victorygardens.org/


Fade
By Victory Gardens Theater Ensemble Playwright Tanya Saracho
Directed by Teatro Vista Ensemble Member Sandra Marquez
A Co-Production with Teatro Vista
November 4-December 23, 2017
Tickets: $15 - $56

In this witty behind-the-scenes drama, Mexican-born Lucia is hired to write for a ruthless Hollywood TV series. She soon discovers that the Mexican American custodian, Abel, has a windfall of plot ideas. As their friendship grows, his stories start to blur with hers with unexpected consequences. Fade, directed by Sandra Marquez, is an acclaimed new play from Tanya Saracho (How to Get Away with Murder, Looking, Girls) whose writing “lands in that sweet spot between comedy and drama” (Chicago Tribune).


WRITERS THEATRE
325 Tudor Court, Glencoe, IL 60022
(847) 242-6000
http://www.writerstheatre.org/

The Importance of Being Earnest
Written by Oscar Wilde
Directed by Artistic Director Michael Halberstam
November 8 – December 23, 2017
Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe
Tickets: $35 - $80

One of the cleverest comedies by one of the greatest writers in the English language, The Importance of Being Earnest introduces us to Jack and Algernon, two charming bachelors who are each living a double life, aided by a fictional alter ego called “Ernest.” But when they fall truly in love with a pair of proper young women, will they be able to bring an end to the charade and convince the formidable Lady Bracknell that they are suitable candidates for marriage? After all, “the one charm about marriage is that it makes a life of deception absolutely necessary for both parties.”


More Chi, IL LIVE Shows On Our Radar:

Ruth Page Civic Ballet’s The Nutcracker, 
December 2 - 3
**ENTER TO WIN FREE TICKETS & TEA WITH CLARA CAST MEET & GREET ($340 VALUE) HERE THROUGH MIDNIGHT 11/27** 

The House Theatre of Chicago’s The Nutcracker, 
Through December 30
**CONGRATS TO OUR 4 TICKET WINNER, D'ARCY. ($160 VALUE)** 


Lifeline Theatre Kidseries’ Arnie The Doughnut,
 

Through November 26
**CONGRATS TO OUR 4 TICKET WINNER, HEATHER ($60 VALUE)** 

Pegasus Theatre Company’s Shakin’ the Mess Outta Misery, 
November 8 - December 10

Porchlight Music Theatre’s Porchlight Revisits…Woman of the Year, November 14 - 16 at 7:15 p.m.

The Agency Theatre Collective’s Hellcab 
November 11 - December 17

The House Theatre of Chicago’s The Magic Parlour, Open Run, tickets now on sale through July

The Neo-Futurists’ The Infinite Wrench, 
ongoing

Porchlight Music Theatre’s Billy Elliot
Through December 31

Theatre Y’s Yerma, 
Through December 10

The Factory Theater’s Captain Steve’s Caring Kingdom, 
Through December 9

Pegasus Theatre Company’s Shakin’ the Mess Outta Misery, 
Through December 10

Porchlight Music Theatre’s Porchlight Revisits…Woman of the Year, November 14 - 16 at 7:15 p.m.

The Agency Theatre Collective’s Hellcab, 
Through December 17

The Neo-Futurists’ Best of 2017: The Infinite Wrench, 
December 1 - 10

Chicago Tap Theatre’s Tidings of Tap!
Sunday, Dec, 10 at 3 p.m.

The Neo-Futurists’ 60 Sings in 60 Minutes: Mayfly’s Childhood Torn Into Traffic Light Cycles, 
December 14 - 16 at 7:30 p.m.


The Neo-Futurists’ New Year’s Party and Performance, 
Sunday, Dec. 31 at 9:30 p.m.

Monday, November 20, 2017

Alice Merton To Play Good Day NY + WGN-TV Chicago, U.S. Tour Starts Today

"No Roots" Currently Top 10 On iTunes, #10 Alt Radio, #6 AAA 

Out Now On Mom + Pop Music,
Over 75M Global Streams



Alice Merton - "No Roots"

Here at ChiIL Live Shows, one of our new favorite songs is Alice Merton's "No Roots". It's crazy catchy and we hope if your roots are in Chi, IL, you have a chance to catch her LIVE tonight at her sold out Schubas show. If not, catch her on WGN tomorrow morning. 

Today Alice Merton embarks on her fall U.S. tour. She plays a sold-out Chicago show tonight and will follow that with a performance on WGN-TV tomorrow morning. Alice will also play Good Day NY early next week.  Last month she was featured In Billboard's 'chartbreaker' section which has previously featured artists such as Cardi B & Khalid.  Ms. Merton continues her rise on the Billboard Alt Radio Top 40 coming in at #10, and is currently #6 at AAA Radio and #7 at iTunes Alternative Charts. The up and coming singer-songwriter recently signed to Mom + Pop Music and earned a major feature on Billboard, which is online now.  Her single "No Roots" has already captured an immense amount of attention with over 75 million global plays on Spotify and YouTube.



Order your tickets for her upcoming U.S. tour here!
U.S. TOUR DATES:

11/20 - Chicago, IL - Schubas (SOLD OUT)

11/21 - Kansas City, MO - The Record Bar

11/22 - Austin, TX - Stubb’s Jr 

11/24 - Dallas, TX - Club Dada 

11/28 - Brooklyn, NY - Baby’s All Right 

11/29 - Philadelphia, PA - Johnny Brenda’s 

11/30 - Washington, DC - DC9

12/02 - Atlanta, GA - Vinyl

12/09 - San Francisco, CA -  Oracle Arena (Not So Silent Night)

12/11/17 - Los Angeles, CA - The Moroccan Lounge

12/14 - Portland, OR - Crystal Ballroom (December To Remember)

12/16 - Denver, CO - Lost Lake Lounge

12/17 - Seattle, WA - Crocodile


EU TOUR DATES:
12/05 - MDR Sputnik Radio Concert -  Halle, Germany


"I've got no roots, but my home was never on the ground.“

One whole sentence seems to sum up the life of the English/Canadian singer and songwriter Alice Merton. Four countries and eleven moves later, she starts to take her first independent steps into the music industry. With success - No Roots reached top positions on iTunes, Spotify, Shazam and Hype Machine. In Germany, the song has already reached platinum status and was #1 in the official single charts.

Raised in Canada, finishing high school in Germany, then moving on to England with her family, Alice has gotten quite used to packing and unpacking boxes. With her debut single No Roots, she describes the life of having had many different homes, but comes to the realization that her home was never in one place.

At the age of five she started taking classical piano lessons, four years later she was introduced to vocal training. After spending many years being classically trained, Alice discovered the art of songwriting through one of her high school courses in Germany. She then went on to study songwriting and pursue her dream of becoming a professional singer/songwriter.

During her studies she started working with various producers. Finding the right producer is like finding a missing puzzle piece, you know it's there somewhere, but it takes a really longtime to find." However, after being introduced to Nicolas Rebscher, a Berlin-based producer, she knew she had found her match.

Creating a very analog and organic pop sound, going back to the basics of drum and bass driven music, they combined their individual styles to develop a style of their own. Nicolas Rebscher's arrangements were the perfect addition to Alice's melodies, combining the depth and softness in her voice, with his energetic and charismatic sounds.

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