OPENING: Pegasus Theatre Chicago's SHAKIN’ THE MESS OUTTA MISERY at Chicago Dramatists' 11/8-12/10/17

ChiIL Live Shows On Our Radar

PEGASUS THEATRE CHICAGO BEGINS ITS 2017 – 2018 SEASON, “LEGACIES,” WITH THE RETURN OF SHAY YOUNGBLOOD’S 

SHAKIN’ THE MESS OUTTA MISERY, 

NOVEMBER 8  - DECEMBER 10, 

AT CHICAGO DRAMATISTS

(Back row, L to R): Darian Tene, Sandra Watson and Toni Lynice Fountain  (Front row, L to R): Felicia McNeal, Melanie Loren, debrah neal and Takesha Meshé Kizart

Photo by Emily Schwartz

Producing Artistic Director Ilesa Duncan Directs the Story of a Young Black Girl’s Coming of Age in the 1960s South

ChiIL Live Shows will be ChiILin' with Pegasus Theatre Chicago November 12th, at Chicago Dramatists' for the press opening of Shay Youngblood's Shakin’ the Mess Outta Misery, a timely remount Ilesa first directed in the 90's. It's the kick off for their 2017 – 2018 season, “Legacies” and we're looking forward to checking it out. 

Pegasus Theatre Chicago is proud to announce the first production in its 2017 – 2018 season, “Legacies,” Shakin’ the Mess Outta Misery, written by Shay Youngblood and directed by Pegasus Theatre Chicago’s Producing Artistic Director Ilesa Duncan, with music direction by Shawn Wallace and choreography by Nicole Clarke-Springer, November 8 – December 10, at Chicago Dramatists, 773 N. Aberdeen, where Pegasus is a resident artist. 

Previews are Wednesday, Nov. 8 – Saturday, Nov. 11 at 7:30 p.m. Opening night is Sunday, Nov. 12 at 3 p.m. or Monday, Nov. 13 at 7 p.m. The performance schedule is Thursdays – Saturdays at 7:30 p.m. and Sundays at 3 p.m. Tickets are $30 with $25 for seniors and $20 for students. Tickets are available at PegasusTheatreChicago.org or by calling 866.811.4111. Groups of 10 or more contact engage@pegasustheatrechicago.com for group discounts.

Shakin’ the Mess Outta Misery is the story of a young black girl's coming of age in the 1960s South. “Daughter,” the main character and 25-year-old narrator lost her mother when she was very young and a community of women raised her, some blood related, some not. As she remembers how her 'Big Mamas' prepared her for womanhood, the women enter to tell their stories and “Daughter” becomes a child again reliving her vivid memories of growing up--recalling the rituals, the faith healings, the stories she was told and the lessons she learned about survival, healing, deep faith and mystery. Pegasus Artistic Director Ilesa Duncan originally directed this hit play in 1998 at Chicago Theater Company. The Chicago Reader said, “Duncan deftly weaves a seamless narrative fabric from the disparate elements of Youngblood's script.” when Duncan originally directed this hit play in 1998 at Chicago Theatre Company.

“I am honored to be returning to this project,” said Duncan. “This memory play, Shakin’ the Mess Outta Misery, speaks to me and audiences about the importance of relationships, passion, faith, sisterhood and so much more. This heartwarming story originally done in by me in the 90s about life in the 60s still teaches invaluable lessons for all of us living at this time in the 21st century.”

The cast of Shakin’ the Mess Outta Misery includes Melanie Loren, “Daughter;” Felicia McNeal, “Big Mama;” Stacie Doublin, “Aunt Mae;” Tina Marie Wright, “Aunt Mae;” Toni Lynice Fountain, “Miss Lamama;” debrah neal, “Miss Corinne;” Sandra Watson, “Miss Tom/Miss Mary;” Takesha Meshé Kizart, “Maggie/Dee Dee” and Darian Tene, “Fannie Mae/Miss Shine.”

The production team of Shakin’ the Mess Outta Misery includes Elyse Balogh, scenic designer; Paul Kim, costume designer; Kirstin Johnson, sound designer; Katy Vest, props designer and Liam Fitzgerald, production manager.

(L to R): Melanie Loren, Felicia McNeal and Takesha Meshé Kizart

Photo by Emily Schwartz

ABOUT SHAY YOUNGBLOOD, playwright

Georgia born writer Shay Youngblood is author of the novels “Black Girl in Paris” and “Soul Kiss” (Riverhead Books) and a collection of short fiction, “The Big Mama Stories” (Firebrand Books). Her published plays Amazing Grace, Shakin' the Mess Outta Misery and Talking Bones, (Dramatic Publishing Company), have been widely produced. Her other plays include Square Blues, Black Power Barbie and Communism Killed My Dog. She is the recipient of numerous grants and awards including a Pushcart Prize for fiction, a Lorraine Hansberry Playwriting Award, an Edward Albee honoree, several NAACP Theater Awards, an Astraea Writers' Award for fiction and a 2004 New York Foundation for the Arts Sustained Achievement Award. Youngblood received her MFA in Creative Writing from Brown University and has taught Creative Writing to faculty and graduate students at NYU and has been Visiting Writer in Residence at the University of Mississippi and Texas A&M Universities. She was recently awarded a National Endowment for the Arts sponsored Japan-US Creative Artist Fellowship for 2011.

ABOUT ILESA DUNCAN, director

Ilesa Duncan is the producing artistic director at Pegasus Theatre Chicago. Her other recent directing work includes the world premiere of Jeff-Recommended Rutherford’s Travels and For Her as a Piano for Pegasus, Broken Fences at 16th Street Theater, the Jeff Award-nominated The Nativity with Congo Square and the Jeff Award-winning Jar the Floor at ETA Creative Arts. Duncan has also worked with Goodman Theatre, Writers Theatre, Victory Gardens Theater, Rivendell Theatre Ensemble, Lifeline Theater, Stage Left and Chicago Dramatists, as well as Contemporary American Theatre Company (Ohio), The Alliance Theatre (Atlanta), Arena Stage (Washington DC) and Lincoln Center Theater (New York). Duncan’s creative nonfiction short stories have been published (Columbia College Chicago) and she’s written poems and screenplays.  For the stage, she co-adapted Rutherford’s Travels from the National Book Award-winning novel Middle Passage, co-wrote and directed Blakk Love: Stoeez of A Darker Hue and facilitated the devised project Do You See What I’m Saying for Chameleon.

ABOUT SHAWN WALLACE, music director/composer

Shawn Wallace is a keyboardist, composer and music director. He has music directed and composed for such theatres as MPAACT, Chicago Theatre Company and DanzTheatre Chicago.  He has worked with artists such as Common, Ice Cube, Bobby Brown, Dwele, Johnny Gill, Jon B., Bilal, Estelle, Julie Dexter, Rene Neufville, Rakim, Eric Roberson, Maggie Brown, Ugochi and Cherisse Scott. Wallace studied Music Theory and Composition at the University of Illinois at Urbana-Champaign and currently serves as musical director for two New Thought congregations: The Emmaus Center and the Namaste Center for Spiritual Living-Chicago.  He has worked for several years as a teaching artist throughout Chicago schools teaching Record Production and Theatre Tech to youth in 6th through 12th grades. His independent film score credits include; “Severed Ties” (Showcase Productions/ Lions Gate Films), “Puzzle Love” (Storybox Productions) and “Son of America” (Tanskin Productions/N’Spire Entertainment INC).

ABOUT NICOLE CLARKE-SPRINGER, choreographer

Nicole Clarke-Springer is a member of Deeply Rooted Dance Theatre where she has performed with artists such as Roberta Flack in Kevin Iega Jeff’s Flack as well as Jennifer Holiday in the world-renowned Penumbra Theatre’s Black Nativity. As a member of Deeply Rooted’s artistic team, Clarke-Springer choreographed works such as Nine, Dounia and Femme, and was assistant choreographer to Kevin Iega Jeff for Congo Square Theatre’s Nativity for two years.  In 2013, Clarke-Springer was named Deeply Rooted Dance Theatre’s Emerging choreographer for the program Generations. She received her B.S. in Arts Administration-Dance from Butler University in Indianapolis, IN where she also was awarded Butler Ballet’s Outstanding Performer.

ABOUT PEGASUS THEATRE CHICAGO
Pegasus Theatre Chicago has been a mainstay in the Chicago theater community for nearly 38 years. Its recent rebranded mission is to produce boldly imaginative theatre, champion new and authentic voices and illuminate the human journey. The theatre adheres to the core values of community engagement, social relevance, boldness, adventure and excellence.

Pegasus is also committed to initiating important conversations through the arts with strong community engagement and socially relevant programming, including the Young Playwrights Festival for high school-age scribes, which celebrated its 31st Anniversary this year. Pegasus Theatre Chicago has received seventy-seven Joseph Jefferson Citations since its inception.

OPENING: Midwest Premiere of The Book of Will at Northlight Theatre Through December 17th

Northlight Theatre continues its 2017-18 season

with the Midwest Premiere of

The Book of Will

By Lauren Gunderson

Directed by Jessica Thebus

November 9 – December 17, 2017

Here at ChiIL Live Show, we adore Shakespeare and can't wait to catch  Northlight Theatre's latest, The Book of Will, by Lauren Gunderson, author of Miss Bennet: Christmas at Pemberley, last year's Jeff nominated holiday hit at Northlight. We're also elated this production is both written and directed by women! We'll be seeing it on November 22nd, so check back shortly after for our full review.

Northlight Theatre recently received the 50/50 Applause Award for 2017 from the International Centre for Women Playwrights. The company was among 58 recipients honored for producing 50% or more plays by women playwrights during the 2016/17 season (which included the World Premiere of Miss Bennet: Christmas at Pemberley by Lauren Gunderson and Margot Melcon).

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, presents the Midwest Premiere of The Book of Will, written by Lauren Gunderson and directed by Jessica Thebus.  The Book of Will runs November 9 – December 17, 2017 at Northlight Theatre, 9501 Skokie Blvd in Skokie. 

William Shakespeare wrote some of the world’s most beloved plays – but without his friends, they may have been lost to history! Follow the members of Shakespeare’s own company as they cunningly navigate the production of the First Folio in 1623. They may not have any money or clear-cut rights to his work, but they’re armed with wit, humor, a deep camaraderie and a passion to preserve the plays that shaped their lives. With the help of their wives and colleagues, two actors set out not only to print a collection, but to uphold a legacy for the world. From the author of Miss Bennet: Christmas at Pemberley.

Artistic Director BJ Jones comments, “Lauren Gunderson is one of America's most produced playwrights thanks to Miss Bennet and now The Book of Will. We are proud to have introduced her work to Chicago, and of the Jeff nomination she received for Miss Bennet. Our continued collaboration with her is a joy for us and, we're sure, for our audiences.”

In The Book of Will, playwright Lauren Gunderson imagines the backstory of the creation Mr. William Shakespeare's Comedies, Histories, & Tragedies – commonly referred to as The First Folio. Shakespeare’s fellow actors, John Heminges and Henry Condell, were responsible for and had to collect copies of the plays in the form of actors’ sides, prompt books, quarto texts and handwritten versions. Without them we may have forever lost plays such as Macbeth, Julius Caesar, and Twelfth Night.

The cast of The Book of Will includes Rengin Altay (Rebecca Heminges/Anne Hathaway), Dana Black (Alice Heminges/Susannah Shakespeare), McKinley Carter (Elizabeth Condell/Emilia Bassano Lanier), Thomas J. Cox (Ralph Crane), William Dick (Ben Jonson/Sir Edward Dering), Sam Hubbard (Boy Hamlet/Marcus/Bernardo), Gregory Linington (Henry Condell), Jim Ortlieb (John Heminges), Luigi Sottile (Ed Knight/Isaac Jaggard) and Austin Tichenor (Richard Burbage/William Jaggard).

Austin Tichenor, playing Richard Burbage/William Jaggard), co-wrote Pop-Up Shakespeare, an illustrated pop-up book showing scenes and moments from all of Shakespeare’s plays. The book was released in early October.  He wrote and performed in ten productions with the Reduced Shakespeare Company and hosts the weekly Reduced Shakespeare Company podcast.

The creative team includes Richard and Jacqueline Penrod (Scenic Design), Janice Pytel (Costume Design), Paul Toben (Lighting Design), and Rick Sims (Sound Design). The production stage manager is Kimberly Ann McCann.

The Box Office is located at the North Shore Center for the Performing Arts, 9501 Skokie Boulevard, in Skokie. Box Office hours are Monday-Friday 10:00am-5:00pm, and Saturdays 12:00pm-5:00pm. On performance days, the box office hours are extended through showtime. The Box Office is closed on Sundays, except on performance days when it is open two hours prior to showtime.

Curtain times are: Tuesdays: 7:30pm (November 14 and 21 only); Wednesdays: 1:00pm and 7:30pm; Thursdays: 7:30pm (except Thanksgiving – November 23); Fridays: 8:00pm; Saturdays: 2:30pm (except November 11) and 8:00pm; and Sundays: 2:30pm and 7:00pm (November 12 and 26 only).

Northlight is continuing its popular special event series in conjunction with each production. All events are free.

Backstage with BJ: The Book of Will
Friday, November 3 at noon
at Northlight Theatre
9501 Skokie Boulevard, Skokie, IL
Backstage with BJ is a mid-day discussion with Artistic Director BJ Jones, featuring special guest artists, actors, directors and designers, offering behind-the-scenes insight into each production while it is still in rehearsal. Backstage with BJ for The Book of Will will last approximately one hour. The event is free but reservations are required. Visit https://northlight.org/events/backstage-with-bj/ to reserve your spot.

Inside The Book of Will
Thursday, November 30 at 2:00 pm
Skokie Public Library, 5215 Oakton St., Skokie
Explore the ​inspiring true story of Shakespeare's First Folio and how that tale has been translated to the stage in a discussion and Q&A with artists related to the production.

Published in 1623, The First Folio contains approximately 900 pages and the following plays:

Comedies: The Tempest, The Two Gentlemen of Verona, The Merry Wives of Windsor, Measure for Measure, The Comedy of Errors, Much Ado About Nothing, Love's Labour's Lost, A Midsummer Night's Dream, The Merchant of Venice, As You Like It, The Taming of the Shrew, All's Well That Ends Well, Twelfth Night, and The Winter's Tale

Histories: King John, Richard II, Henry IV Part 1, Henry IV Part 2, Henry V, Henry VI Part 1, Henry VI Part 2, Henry VI Part 3, Richard III, Henry VIII,

Tragedies: Troilus and Cressida, Coriolanus, Titus Andronicus, Romeo and Juliet, Timon of Athens, Julius Caesar, Macbeth, Hamlet, King Lear, Othello, Antony and Cleopatra, and Cymbeline.

'Popping Up' with Austin
Tuesday, December 5 at 6:30pm
The Book Stall, 811 Elm St., Winnetka
Cast member Austin Tichenor will discuss his experiences with the Reduced Shakespeare Company, The Book of Will, and his own ​recent ​book: Pop-Up Shakespeare. Event includes ​a brief performance, book signing, and Q&A.

The Book of Will was commissioned by Denver Center Theatre Company and developed at the 2016 Colorado New Play Summit.

Regular run: November 18 – December 17, 2017

Schedule: Tuesdays: 7:30pm (November 14 and 21 only)
Wednesdays: 1:00pm and 7:30pm           
Thursdays: 7:30pm (except Thanksgiving – November 23)
Fridays: 8:00pm
Saturdays: 2:30pm (except November 11) and 8:00pm
Sundays: 2:30pm and 7:00pm (November 12 and 26 only)

Location: Northlight Theatre is located at the North Shore
Center for the Performing Arts, 9501 Skokie Blvd,
Skokie

Tickets: Previews: $30-$57
Regular run: $30-$81
Student tickets are $15, any performance
(subject to availability)

Box Office: The Box Office is located at 9501 Skokie Blvd, Skokie.
847.673.6300; northlight.org
  

REVIEW: Art Imitates Life at Gift Theatre's World Premiere of A Swell In The Ground

Chi, IL LIVE Shows On Our Radar:

The Gift Theatre Presents the World Premiere of

A SWELL IN THE GROUND

By Janine Nabers

Directed by Ensemble Member Chika Ike

Through December 10, 2017


All Photos by Claire Demos

Review: 

Here at ChiIL Live Shows, we've long enjoyed the tiny but mighty Gift Theatre. With just 45 seats, the smallest equity theatre in town is a great local for intimate dramas, and they excel at maximizing their minuscule performance space. The staging for A Swell In The Ground is no exception. They play up, with two tiers, for an effective illusion of extra room, and they have a clever swinging stage wall that opens up another space. Even the audience seating is rearranged for this one, to wrap around the stage in an L shape.

(left to right)  Keith Neagle and Andrew Muwonge

Photo by Claire Demos

(left to right)  Darci Nalepa and Keith Neagle

Photo by Claire Demos

The acting is compelling, though the script jumps back and forth through time in a dizzying, non linear fashion that comes across as unnecessarily confusing. The Gift has done a helpful job of projecting the dates on the wall, to help orient the audience, yet it's still a bit jolting and difficult to follow at times. 

(left to right) Andrew Muwonge and Sydney Charles
Photo by Claire Demos

This is not one of my favorites, of many excellent choices I've seen at The Gift for years. It's still worth a look, but the piece comes across more like keeping up with friends on Facebook for decades, with mundane predictability and without much plot. Sure there were some untimely parental deaths, new love, disillusion, infidelity, divorce, and eventually parenthood, but it's all fairly standard stuff. The actors do a fine job with the material, but none of the characters are written in quirky and interesting enough ways to be standouts, or have much of a story arc, growth or change.

(left to right)  Sydney Charles and Keith Neagle 

Photos by Claire Demos

About the Play:

In intimate rooms throughout New York and Michigan, four friends from college fight through 17 years of love affairs, shattered dreams and compromised lives. Flipping back and forth through time like a photobook, this play – whose title is from a line of Emily Dickinson poetry – is equally breathtaking and heartbreakingly spare as Olivia, Nate, Abigail and Charles try to reconcile the lives they imagined with the lives they live.

The Gift Theatre concludes its 2017 season with the world premiere of Janine Nabers’ time-hopping love story A SWELL IN THE GROUND directed by ensemble member Chika Ike, playing October 13 – December 10, 2017 at 4802 N. Milwaukee Ave. in Chicago. Tickets are currently available by calling the Gift’s box office at 773-283-7071 or visiting thegifttheatre.org. 

About The Gift Theatre

Conceived while students at The University of Iowa in 1997 by Michael Patrick Thornton and William Nedved, the idea for The Gift was to grow and nurture an ensemble and lay roots in an artistically underserved Chicago neighborhood. Heavily influenced by a class called “Alternative Approaches To Acting” taught by Dr. Eric Forsythe, the name of the theatre came from Jerzy Grotowski’s Towards A Poor Theatre:

“Acting is a particularly thankless art. It dies with the actor. Nothing survives him but the reviews, which do not usually do him justice anyway, whether he is good or bad. So the only source of satisfaction left to him is the audience’s reactions. The actor, in this special process of discipline and self-sacrifice, self-penetration and molding, is not afraid to go beyond all normally acceptable limits…The actor makes a total gift of himself.”

The ensemble is composed of actors, directors, writers, and improvisers. For over ten years, The Gift has earned and deepened its reputation as an ensemble dedicated to acting of the highest caliber and a welcome home for new plays. Natural Gas, giftED., giftLIT. and giftFILM offer, respectively, improvisation performances steeped in the Chicago “long form” tradition of montage, a two year high school training apprenticeship rich in the ensemble approach toward making theatre, a literature department offering readings and workshops, and a film company featuring the talents of the ensemble.

The open hand logo is a representation of an approach for building a character called “Three Parts of the Body.” The hand represents body (wrist), heart (palm), and mind (fingers). The three lines represent love, life, and the ability to overcome obstacles. The colors of The Gift are a nod to both The University of Iowa and the original cover design of Towards A Poor Theatre, both of which feature yellow & black.

Mission Statement
The mission of The Gift is to tell great stories onstage with honesty and simplicity.

The Gift believes a play never closes until everyone who saw it stops thinking about it and that art is, at its best, a sacred conversation between actor and audience, revealing the joy and pain of being human. In other words, a gift.




A SWELL IN THE GROUND features ensemble members Keith Neagle as Nate and Darci Nalepa as Abigail with guest artists Sydney Charles as Olivia and Andrew Muwonge as Charles.

The production team for A SWELL IN THE GROUND includes: Eleanor Kahn (scenic design), Rachel Lambert (costume design), Eric Watkins (lighting design), Christopher Kriz (sound design), Ellie Terrell (props design), Gaby Labotka (violence/intimacy design), Smooch Medina (video/projections design) and Corine James (stage manager).

(left to right)  Sydney Charles and Keith Neagle in The Gift Theatre’s world premiere of A SWELL IN THE GROUND by Janine Nabers, directed by ensemble member Chika Ike. 
Photo by Claire Demos.

PRODUCTION DETAILS:


Regular run: Friday, October 20 – Sunday, December 10, 2017
Curtain Times: Thursdays and Fridays at 7:30 pm; Saturdays at 3:30 pm & 7:30 pm; Sundays at 2:30 pm. Please note: there will not be a performance on Thursday, November 23 (Thanksgiving) or Friday, December 1.

Tickets: $30 – $40 Tickets are currently available at thegifttheatre.org or by calling the box office at (773) 283-7071.


About the Artists:
Janine Nabers (Playwright) is a native of Houston, Texas and a 2013 graduate of the Lila Acheson Wallace Playwriting Fellowship at Juilliard and winner of the 2014 Yale Drama Series Prize for her play Serial Black Face. She currently writes for Lifetime’s Unreal and Bravo’s Girlfriends’ Guide to Divorce under Marti Noxon. Her play Annie Bosh is Missing premiered in August 2013 at Chicago’s Steppenwolf Theatre Company. Janine won the 2013 NYFA Playwriting fellowship and was the 2013-2014 AETNA Playwriting Fellow at Hartford Stage, a 2012-2013 New York Theatre Workshop Playwriting Fellow, and Page 73’s 2011 Playwriting Fellow. Janine is working on commissions from Primary Stages, the Alley Theatre, and Hartford Stage. Her new musical Mrs. Hughes was developed as the 2012 Williamstown Theatre Festival fellowship musical and was part of the 2013 Yale Institute for Musical Theatre, Manhattan Theatre Club’s 7@7 series, and the Theatreworks New Works Now Festival.

Chika Ike (Director) is a Gift ensemble member, where she also served as the​ assistant director of The Royal Society of Antarctica. Ike has worked artistically with many Chicago and regional theatre companies, including Berkeley Repertory Theatre, Victory Gardens, American Blues Theatre Company, Eclipse Theatre, and Prologue Theatre Company. Upcoming directing projects include Lloyd Suh’s Franklinland for Jackalope Theatre Company and Dontrell who Kissed the Sea by Nathan Alan Davis for First Floor Theatre Company, as well as reading of Tori Sampson’s This Land was Made for Victory Garden’s Ignition Festival of New Plays. She is a former SDCF Gielgud Fellow, a member of the inaugural Victory Garden’s Directors Inclusion Initiative class, and the 2016-2017 Berkeley Repertory Theatre Bret C. Harte Directing Fellow.

More About The Gift Theatre:
The Gift’s 16th season consists of three world premieres and kicked off in February with Mona Mansour’s war-torn drama Unseen, directed by ensemble member Maureen Payne-Hahner, followed by Claire Kiechel’s Pilgrims, co-directed by ensemble member Michael Patrick Thornton and guest artist Jessica Thebus. The season closes with Janine Nabers’ time-hopping love story A Swell in the Ground, directed by ensemble member Chika Ike. Season subscriptions are available for as little as $75. The Gift subscribers ("Gifters") receive admission to three shows, free parking at Gale Street Inn, free admission to all Wednesday night “Natural Gas” improv shows and invitations to special subscriber-only special events. Subscribe at thegifttheatre.org or by calling (773) 283-7071. 

OPENING: THE THEATRE SCHOOL AT DEPAUL UNIVERSITY PRESENTS THE ELEVATED STUDIO PRODUCTION OF THE HOUSE OF BERNARDA ALBA

Chi, IL LIVE Shows On Our Radar:

Federico García Lorca's 

The House of Bernarda Alba

This short run is the 2nd Federico García Lorca currently running in Chicago. Make it a Lorca fest and catch this short run and the stunning YERMA at Red Tape Theatre/Theatre Y through December 10th.

The Theatre School at DePaul University will present The House of Bernarda Alba by Federico García Lorca, translated by Jo Clifford, directed by Jeremy Aluma. Performances run November 7 through November 12, 2017. Press opening is Wednesday, November 8 at 7:30 PM at The Theatre School, Room 403, 2350 N Racine Ave, Chicago, IL 60614.

THE PLAY 

Lorca’s final play set in the provincial Andalusia, Spain, ignites with the funeral service of Bernarda Alba’s second husband. Ever determined that her five grown daughters maintain a house of honor, Bernarda declares they will have an eight-year mourning period of absolute seclusion. When the eldest daughter receives a large inheritance, potentially sweeping her away from this fate and into an engagement with a handsome bachelor, conflict brews among the sisters repressed by Bernarda’s rule. Set in a time of tumultuous political climate, this story explores the underbelly of what happens when a tyrant seizes power.

TICKETS: Free tickets can be reserved on October 27, 2017 at noon at the box office, by calling 773-325-7900, or emailing theatreboxoffice@depaul.edu.

TICKETS, DATES & INFORMATION 

The House of Bernarda Alba runs Tuesday through Saturday at 7:30 PM, and Saturday and Sunday at 2:00 PM November 7, through November 12, 2017. Free tickets can be reserved on October 27, 2017 at noon at the box office, by calling 773-325-7900, or emailing theatreboxoffice@depaul.edu. Press Opening is Wednesday, November 8, 2017 at 7:30 PM. **Preview is Tuesday, November 7, 2017 at 7:30 PM. The House of Bernarda Alba will be performed in Room 403 of The Theatre School at DePaul University at 2350 N Racine Ave, Chicago, IL 60614.

THE PEOPLE 

Federico García Lorca (born June 5, 1898, died August 18 or 19, 1936), was a Spanish poet and playwright who, in a career that spanned just 19 years, resurrected and revitalized the most basic strains of Spanish poetry and theatre. He is known primarily for his Andalusian works, including the poetry collections Romancero gitano (1928; Gypsy Ballads) and Llanto por Ignacio Sánchez Mejías (1935; “Lament for Ignacio Sánchez Mejías,” Eng. trans. Lament for a Bullfighter), and the tragedies Bodas de sangre (1933; Blood Wedding), Yerma (1934; Eng. trans. Yerma), and La casa de Bernarda Alba (1936; The House of Bernarda Alba). In the early 1930s Lorca helped inaugurate a second Golden Age of the Spanish theatre. He was executed by a Nationalist firing squad in the first months of the Spanish Civil War.

Jeremy Aluma is an award-winning, Jewish-American theatre director and producer of Iraqi descent. He founded the internationally touring clown troupe, Four Clowns and served as Artistic Director during their first seven years. Credits include: Abraham & Isaac (MuBe Cultural Theatre, São Paulo, Brazil); Four Clowns (La MaMa, NYC); Pinocchio and Robin Hood (South Coast Repertory); The Elaborate Entrance of Chad Deity (Red Theater, Chicago); Sublimity (Theatre Row, NYC); Lunatics & Actors (Shakespeare Center, LA); Henry’s Potato (REDCAT, LA); Beyond Dark (Odyssey Theater, LA); Jonah (Annenberg, Santa Monica); Crumble, (Lay Me Down Justin Timberlake) (Sacred Fools, LA); The Last Days of Judas Iscariot (Urban Theatre Movement, LA); and In Arabia We’d All Be Kings (Alive Theatre, Long Beach). He is the recipient of the City of Los Angeles Department of Cultural Affairs, Cultural Exchange International Grant, the City of Santa Monica, Annenberg Community Beach House Residency, and the Long Beach Arts Council Community Project Grant. Since graduating Cum Laude from California State University, Long Beach with a Bachelor of Arts degree in Theatre Directing, Aluma has attended prestigious training programs such as, the Master Conservatory program in Bali, Indonesia; Director’s Lab West; and The Actor’s Center in NYC. He continues to teach and take classes at The Clown School and is currently pursuing his MFA in Directing at The Theatre School at DePaul University. He is a member of Red Theater and SDC. jeremyaluma.com

The cast features Kya Brickhouse (ADELA), Kayla Forde (AMELIA), Tia Jemison (BERNARDA), Jessica Morison (MARÍA JOSEFA), Deyki Ronge (MAGDALENA), Maddy Stark (LA PONCIA), Kiah Stern (MARTIRIO), Ashlea Woodley (MAID & PRUDENCIA) and Harmony Zhang (ANGUSTIAS).

The artistic team includes Jill Cutro (Assistant Director), Erin Wilborn (Assistant Director), Trisha Mahoney (Dramaturg), Katherine Coyl (Fight Choreographer), Lindsay Mummert (Set Designer), Isabelle Laursen (Costume Designer), Gabriela Cordovi (Sound Designer), Madeline Doyle (Assistant Sound Designer) Nic McNulty (Technical Director), Kyle Cunningham (Lighting Designer), Andrei Borges (Master Electrician), Liv Hancock (Stage Manager), Hannah Smith (Assistant Stage Manager), Natalie Lawrence (Marketing Manager), and Lisa Portes (Advisor).

ABOUT THE THEATRE SCHOOL AT DEPAUL UNIVERSITY 

The Theatre School trains students to the highest level of professional skill and artistry in an inclusive and diverse conservatory setting.

FEST ALERT: The Music Box Theatre's Debut Year of CINEPOCALYPSE Launches Nov 2nd-9th, 2017

Chi, IL Films On Our Radar:

CHICAGO-BASED 

CINEPOCALYPSE 
ANNOUNCES FULL PROGRAMMING, GUESTS, JURIES

November 2 - 9 at Chicago’s Music Box Theatre

Debut year of genre festival to award director Larry Cohen and actor Antonio Fargas,

 opens with SWEET VIRGINIA, closes with BEYOND SKYLINE!

The Music Box Theatre is proud to announce their full wave of programming and guests for the debut year of CINEPOCALYPSE (an evolution to the program design of Bruce Campbell's Horror Film Festival), which will take place November 2 - 9 at Chicago’s Music Box Theatre. The Midwest’s largest gathering of genre films and fans, the festival’s organizers are proud to announce dozens of new features, shorts, and premieres, alongside their juries, repertory, and secret screenings.

This year’s Cinepocalypse, November 2-9, will features scary-good world, U.S., and regional premieres, repertory screenings, special guests, parties, and much more. For more information, visit www.musicboxtheatre.com. 

To purchase early bird badges, please visit  https://www.musicboxtheatre.com/events/cinepocalypse.

Of the over 60 films selected, highlights include the World Premiere of PRIMAL RAGE; North American Premieres of RENDEL, SNOWFLAKE, and THE TERROR OF HALLOW’S EVE; and U.S. Premieres of BEYOND SKYLINE, LOWLIFE, DOWNRANGE, and MOTORRAD! Among the guests at this year’s festival are writer/director Larry Cohen, filmmaker Joe Carnahan, actor Antonio Fargas, actor Eric Roberts, screenwriter/guest host Simon Barrett, actress Barbara Crampton, and Suspiria star Jessica Harper - with many more to be announced!

Says Cinepocalypse founder Josh Goldbloom, “This lineup represents the most twisted, hilarious, intelligent, horrifying, and no holds barred badass cinema on this planet. It’s a pummeling collection of international genre films from the world’s most creative and audacious artists. It was a pleasure for us to curate and discover these films and we’re thrilled to unleash it all in a fury of festivities unlike Chicago has ever seen!”

Cinepocalypse is made possible by sponsors IFC Midnight, Bloody Disgusting, and The Onion’s A.V. Club.


A LIFETIME ACHIEVEMENT AWARD FOR DIRECTOR LARRY COHEN

Larry Cohen is the sort of filmmaker who creates movie geeks. Upon discovering discover Black Caesar, It’s Alive, Q: The Winged Serpent, or The Stuff, you’re immediately tempted to see all of the director’s other movies. Between his directorial work and his (non-stop) screenplays, it’s safe to say you’ve seen and loved a few Larry Cohen movies without even knowing it. And this year, he’s here to hang out with the audience at Cinepocalypse and watch some movies!

THE AMBULANCE
with director Larry Cohen and star Eric Roberts in attendance!

Eric Roberts, James Earl Jones, and Janine Turner star in this typically colorful high concept thriller (with humor) from Larry Cohen, one of the most reliably entertaining indie filmmakers over the past 40 years. While not be as well-known as Cohen’s more regularly-screened classics, this smoothly entertaining flick about a mysterious ambulance that keeps snatching up all the women in Roberts’ life has to be seen to be believed.

KING COHEN: THE WILD WORLD OF FILMMAKER LARRY COHEN - Midwest Premiere
with subject Larry Cohen in attendance!
USA, 2017
Dir: Steve Mitchell

Indie film legend Larry Cohen has directed cult classics like Black Caesar, It’s Alive, Q the Winged Serpent, and The Stuff. Hollywood screenwriter Larry Cohen delivered enjoyable high concept matinees like Best Seller, Phone Booth, and Cellular - and that’s just the tip of the iceberg. Fans and newcomers alike will savor every minute of this exhaustive documentary, covering virtually every piece of Mr. Cohen’s wildly impressive career.

A LIFETIME ACHIEVEMENT AWARD FOR ANTONIO FARGAS

Shaft. Across 110th Street. Cleopatra Jones. Foxy Brown. Starsky and Hutch. I’m Gonna Git You Sucka! These are just a few of the exploitation classics that have been enlivened by the presence of character actor extraordinaire Antonio Fargas, whose body of work stretches from the late 1960s to our closing night film, BEYOND SKYLINE. Join us in celebrating this beloved veteran performer, as we highlight his eclectic and extensive body of work.

FOXY BROWN
with co-star Antonio Fargas in attendance!
USA, 1974
Dir: Jack Hill

Cult legend, blaxploitation goddess, and overall badass Pam Grier stars as a young woman out for revenge after her boyfriend is murdered by a cabal of drug-dealing, sex-trafficking scumbags. It gets gruesome and unpleasant on occasion, but Ms. Grier always brings steely class to even the campiest of moments. Cinepocalypse honoree Antonio Fargas does some fine work as our anti-heroine’s conflicted - and untrustworthy - brother.

I’M GONNA GIT YOU SUCKA
with co-star Antonio Fargas in attendance!
USA, 1988
Dir: Keenan Ivory Wayans
Fans of Shaft, Black Caesar, SuperFly, and Cleopatra Jones, have likely grown up with this Airplane!-style parody, but even newbies to the wonderful world of blaxploitation cinema will find much to love in Keenan Ivory Wayans’ affectionate, on-point lampoon of ‘70s street crime cinema.

THE A.V. CLUB PRESENTS: BEYOND THE ROOM - GET EVEN
Tommy Wiseau and The Room have given audiences countless hours of joy over the years, but for the inaugural Cinepocalypse, The A.V. Club is opening the door and taking you “Beyond The Room” with a special presentation of Get Even. By day, John De Hart is a trial lawyer in Los Angeles. By night, he’s the writer, director, producer, composer, and star of this DIY action-romance opus.
Shot mostly in 1993 and completed in 2007, Get Even features Satanic cults, corrupt cops, hot tubs, Shakespearean monologues, Wings Hauser laying down his personal philosophy while standing fully clothed in a swimming pool, and the life-changing magic of the “Shimmy Slide,” as performed by De Hart himself. Get Even has never received mainstream distribution and is only available from the director himself, so don’t miss your chance to see this cult-classic-in-the-making that will have you asking, “Who’s Hamlet? Who gives a shit?”

THE SECRET SCREENING!
It’s top secret, so there’s nothing we can say other than: trust us, be here, or you’ll sincerely regret it!
And don’t believe any of the rumors; this one is staying completely under wraps until the title pops up on the screen!

40TH ANNIVERSARY CELEBRATION OF SUSPIRIA WITH STAR JESSICA HARPER IN ATTENDANCE!
Experience the ultimate in horror with the uncut, 98-minute version on a newly-discovered, Italian-dubbed 35mm print! Dario Argento’s classic tale of murder and paranoia inside a creepy dance academy is celebrating its 40th anniversary, and oldschool Eurohorror fans will not want to miss this special screening. Special thanks to The Chicago Cinema Society for use of their print.


BLOOD. GUTS. BULLETS. OCTANE. - Presented by Joe Carnahan

Cinepocalypse is proud to partner with Joe Carnahan to present a special screening of the legendary writer/director’s 1997 debut, accompanied by a fearsome foursome of classic cinematic thrills, all carefully curated and lovingly hosted by the man himself!

BLOOD, GUTS, BULLETS & OCTANE - Extremely rare 35mm Screening
with writer/director Joe Carnahan in attendance!
USA, 1997
Dir: Joe Carnahan

Inspired by the independent bravery of El Mariachi, (the directorial debut of Robert Rodriguez shot for only $7000), Carnahan paved his way as Hollywood’s most badass action filmmaker with this stunning first offering, also shot for an unbelievable seven grand! Following the screening, join writer/director Joe Carnahan as he discusses the trials and tribulations of low-budget filmmaking.

NEAR DARK - 30th Anniversary 35mm Screening
Curated and Introduced by Filmmaker Joe Carnahan!
USA, 1987
Dir: Kathryn Bigelow
Kathryn Bigelow’s masterful vampire ensemble may have not made much noise upon its theatrical release in 1987 but has gone up to become a true-blue genre classic in recent years. Aliens co-stars Lance Henriksen, Jenette Goldstein, and the late, great Bill Paxton star as a vampire clan who have their undead hearts set on terrorizing a small Texas town. [BLOOD]

HARD TIMES - Brand New 4K Restoration Premiere
Curated and introduced by Filmmaker Joe Carnahan!
USA, 1975
Dir: Walter Hill
Walter Hill director Charles Bronson and James Coburn, who gamble, booze, and box their way through New Orleans during the Great Depression. Recently restored to pristine 4K status, we guarantee you’ve never seen this one on the big screen! [GUTS]

BULLET IN THE HEAD – Rare 35mm Screening
Curated and Introduced by Filmmaker Joe Carnahan!
Hong Kong, 1990
Dir: John Woo
John Woo’s epic tale of three troubled friends who rise up from minor street toughs to fugitives and smugglers before being thrown into the Vietnam War is easily one of the most kinetic and exciting wartime action flicks ever put to film. Actual heart, humanity, and character elevate this action-packed bullet-fest far above all others of its ilk. [BULLETS]

MAXIMUM OVERDRIVE – Rare 35mm Screening
Curated and Introduced by Filmmaker Joe Carnahan!
USA, 1986                                         
Dir: Stephen Fucking King!
Buffeted by a phenomenal soundtrack by AC/DC, Stephen King’s first - and last - directorial effort is a goofy, grungy, gory tale of homicidal machines, ill-fated humans, and the greasy truck stop diner where vehicular homicide is the special of the day. [OCTANE]


OPENING NIGHT & CENTERPIECE INFO COMING SOON

SWEET VIRGINIA - Opening Night Film
Midwest Premiere
USA, 2017
Director: Jamie M. Dagg
Talent in attendance!

A former rodeo champ with a dark past unknowingly starts a rapport with a young man who has a propensity for disturbing sociopathic violence that has suddenly gripped a small town. Jon Bernthal (Netflix’s The Punisher), Christopher Abbott (It Comes at Night), Rosemarie DeWitt (Mad Men), and Imogen Poots (Green Room) star in this twisted, moody, modern day neo-noir masterpiece.

BEYOND SKYLINE - Closing Night Film
U.S. Premiere
USA, 2017
Dir: Liam O’Donnell
Talent in attendance!

The stars of The Purge: Anarchy (Frank Grillo) and The Raid: Redemption (Iko Uwais) team up to battle the alien apocalypse in this pulpy, colorful, and wildly over-the-top action/sci-fi/horror mash-up that has to be seen to be believed. The sequel to 2010’s Skyline, this mind-bending lunacy somehow manages to be even more insane (way more insane) than its infamous predecessor!


ADDITIONAL SECOND WAVE FEATURES INCLUDE:

PRIMAL RAGE (World Premiere)
USA, 2017
Dir: Patrick Magee
Talent in attendance!
You may have seen a few Bigfoot-related horror films over the years, but it’s safe to say you’ve never seen a Sasquatch rampage like this. Primal Rage is a tale of a young couple, a bunch of hunters, a witch, and some Native American cops who butt heads with a wildly violent forest monster, causing all Hell to break loose! From practical special effects guru Patrick Magee (Spider-Man, Jurassic Park III), this may be the goriest film you’ll see all year!

SNOWFLAKE (North American Premiere)
Germany, 2017
Dirs: Adolfo Kolmerer and William James
Talent in attendance!
Take a dash of Tarantino, a splash of Coen brothers, a metric ton of meta-textual self-awareness, and a fast-paced series of humorously violent misadventures, and you’re halfway to grasping the magnificent madness of this bizarre German import. A gang of lowlife characters all want revenge on the others, but along the way they must contend with assassins, madmen, a blood-covered angel, and an electricity-powered superhero.

THE TERROR OF HALLOW’S EVE (North American Premiere)
USA, 2017
Dir: Todd Tucker
Talent in attendance!
Timmy Stevens is socially awkward kid, obsessed with horror movies and frequently bullied. But Timmy’s about to get his revenge in full-bore fashion when he unwittingly unleashes an evil creature known as The Trickster on Halloween Night. Genre veteran Doug Jones (Pan’s Labyrinth, Hellboy) provides an amazing creature performance, but the real stars here are the wide array of surprisingly effective creature FX and affection for old-school ‘80s mayhem.

DOWNRANGE (U.S. Premiere)
USA, 2017
Dir: Ryuhei Kitamura
Talent in attendance!
A merciless sniper takes aim at a car full of college kids, disabling their vehicle on a lonely country road and methodically picking them off, one by one. This latest, nail-biting offering from genre veteran Ryuhei Kitamura (The Midnight Meat Train, Versus) contains the filmmaker’s trademark creeping tension, sudden violence, and extreme nihilism. In other words, things get pretty dark.

MOTORRAD (U.S. Premiere)
Brazil, 2017
Dir: Vicente Amorim
Talent in attendance!
A slasher by way of George Miller’s MAD MAX meets Wes Craven’s THE HILLS HAVE EYES, this violence-fueled adrenaline ride will leave you absolutely breathless. In this visually stunning Brazilian import, a gang of dirt-bikers on a ride across an isolated region, find themselves being hunted by a machete-wielding band of motorcyclists intent on killing them all. Based on characters created by Marvel comic book author Danilo Beyruth, this atmospheric and suspenseful genre film also functions as an allegory to our battles within. It’s as smart as it is downright frightening, and we’re damn excited to unleash this beast into the U.S. for the very first time!

APPLECART - All-New Cut (Midwest Premiere)
USA, 2017
Dir: Brad Baruh
Talent in attendance!
A gaggle of powerhouse horror veterans - including Barbara Crampton (Re-Animator), Brea Grant (Beyond the Gates), AJ Bowen (The Signal), Daniel Roebuck (At the Devil’s Door), and Chase Williamson (John Dies at the End) get together for what seems like a fairly standard “cabin in the woods” tale and then it gets weird… and weirder… and super gory. Let’s just leave it at that.

CHARISMATA (Midwest Premiere)
UK – 2017
Dir: Tor Mian, Andy Collier
Talent in attendance!
A rookie female detective, struggling to find acceptance in a police department defined by a culture of bullying and intolerance, watches as things go from bad to worse as her chief suspect in a series of brutal ritualistic murders takes a personal interest in her. A game of cat and mouse degrades the detective’s grasp on reality and, as she spirals out of control, this young woman must suddenly fight for her sanity, life… and maybe even her soul.

THE CRESCENT (Midwest Premiere)
Canada, 2017
Dir: Seth A. Smith
A young widow and her two-year-old son take shelter in a massive, creepy seaside house after the sudden death of her husband. But rather than follow the tropes of standard jump-scare storytelling, The Crescent places a unique focus its child star, some truly impressive visual touches, and a consistently ominous sound design. This creepy Canadian import, which premiered in TIFF’s Midnight Madness program, is guaranteed to get under your skin.

GET MY GUN (Midwest Premiere)
USA, 2017
Director: Brian Darwas
Talent in attendance!
This wonderfully executed homage to beloved and controversial exploitation classics of the past (namely Abel Ferrera’s Ms. 45 and Meir Zarchi’s I Spit on Your Grave) proves itself to not just as an imitator, but in a league of its own. After a horrible attack leaves Amanda pregnant and out of a job, she finds herself on the verge of motherhood and the target of a psychotic stalker who will stop at nothing to get her hands on the unborn child.

THE LODGERS (Midwest Premiere)
Ireland, 2017
Dir: Brian O’Malley
There’s been a great flood of Irish horror films over the past several years, and their latest offering is just another example of how to combine classy scares and intermittent nastiness into one good thriller. Director Brian O’Malley (Let Us Prey) brings us the tale of two young twins in the 1920s, the strange rules that govern their existence, and what happens when a handsome newcomer threatens to upset their order of things.

PSYCHOPATHS (Midwest Premiere)
USA, 2017
Dir: Mickey Keating
Prolific indie genre machine Mickey Keating (Pod, Darling, Carnage Park) returns with a tale of psychos run amok… Yes, multiple disparate psychos. The execution of an infamous serial killer somehow inspires a half-dozen maniacs to lose their collective minds and commit all sorts of nasty acts, but this is not your standard body count movie. Loaded with odd digressions, fractured narratives, and some enjoyably abstract weirdness, this is may be Keating’s strangest, creepiest movie yet.

SEQUENCE BREAK (Midwest Premiere)
USA, 2017
Dir: Graham Skipper
To call this freaky dark romance a love letter to David Cronenberg’s classic Videodrome would be an understatement, but at least writer/director Graham Skipper has awfully good taste in influences. Sequence Break is a story of a lonely guy, a sweet girl, a deserted arcade, and a video game with insidiously biological tendencies - all of which become intertwined in a perverse, melancholic string of events that will leave all of them forever changed.

Previously Announced Films:

RENDEL (North American Premiere)
Finland, 2017
Director: Jesse Haaja

Finland’s first superhero film, Rendel is dystopian action/fantasy unlike anything ever witnessed Stateside. When a massive criminal organization takes over his town, a masked vigilante strikes back through a series of brutal attacks that leave blood spilled and cash ablaze. A dark adventure that harkens to the finest in 80s era comics, Rendel is the anti-Marvel crusader: an all-too-human superhero from the streets, driven solely by rage and revenge!

ATTACK OF THE ADULT BABIES (North American Premeire)
UK, 2017
Director: Dominic Brunt
High-powered middle-aged men intend to refuel the world’s economy by very sinister, sick and monstrous means.
"$1 of each ticket sale will be donated to the ACLU to assist in continuing their support of defending us from further adult baby attacks".

LOWLIFE (U.S. Premiere)
USA, 2017
Director: Ryan Prows
The sordid lives of an addict, ex-con, and a luchador collide when an organ harvesting caper goes very, very wrong

POOR AGNES (U.S. Premiere)
Canada, 2017
Director: Navin Ramaswaran
A female serial killer and her next victim form an unexpected relationship.

ANIMALS (TIERE) (Midwest Premiere)
Germany, 2017
Director: Greg Zglinski
A vehicle collision with a sheep on a country road initiates a whole series of weird an unsettling experiences for a couple in this darkly comical Lynchian nightmare.

BEFORE WE VANISH (Midwest Premiere)
Japan, 2017
Director: Kiyoshi Kurosawa
Three aliens travel to Earth in preparation for a mass invasion, taking possession of human bodies.

DEAD SHACK (Midwest Premiere)
Canada, 2017
Director: Peter Ricq
While staying at a run down cabin in the woods, three children must save their parents from the neighbor who intends to feed them to her un-dead family.

HAGAZUSSA - A HEATHEN’S CURSE (Midwest Premiere)
Germany, 2017
Director: Lukas Feigelfeld
Set in the Austrian Alps during the middle ages, this morbid and visually stunning tale deals with the fine line between ancient beliefs in magic and delusional psychosis

HOUSEWIFE (Midwest Premiere)
Turkey, 2017
Director: Can Evrenol
On a snowy eve a young girl’s sister and father are killed by her mother. 20 years later and slowly losing her grip on reality, she runs into a celebrity psychic who claims he is destined to help her. And then things get ultra weird. From the director of Baskin.

JAILBREAK (Midwest Premiere)
Cambodia, 2017
Director: Jimmy Henderson
An entire prison riots and they all get their ass-kicked by a special task force sent in to protect a key witness.

MOHAWK (Midwest Premiere)
USA, 2017
Director: Ted Geoghegan
Late in the war of 1812, a young Mohawk woman and her two lovers battle a squad of American soldiers hell-bent on revenge. From the director of We Are Still Here.

TRENCH 11 (Midwest Premiere)
Canada, 2017
Director: Leo Scherman
In the final days of WWI a shell-shocked soldier must lead a mission deep beneath the trenches to stop a German plot that could turn the tide of the war. But what lies beneath is way more dark & sinister than they ever could have imagined.

VERONICA (Midwest Premiere)
Spain, 2017
Director: Paco Plaza
After making a Ouija with friends, a teenager is besieged by dangerous supernatural presences that threaten to harm her whole family. From the director of the REC franchise.

TRAGEDY GIRLS (Illinois Premiere)
USA, 2017
Director: Tyler MacIntyre
This twist on the slasher genre follows two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy and cement their legacy as modern horror legends.


CINEPOCALYPSE 2017 JURY MEMBERS

Cinepocalypse 2017’s Feature Film Jury is comprised of actress/producer Barbara Crampton (Re-Animator, From Beyond, We Are Still Here), critic and Chicago Film Critics Festival producer Erik Childress, and critic/author Mark Millar (Pirouette/Jungle Book).

The festival’s Short Film Jury is made up of writer/director Gary Sherman (Raw Meat, Dead & Buried)
Lisa Holmes (Director of Sales, Home Entertainment at Music Box Films and Doppelganger Releasing), and actor/producer/editor Shane Simmons.


SHORTS FILMS - LADIES FIRST!

Once Cinepocalypse whittled down its hundreds of short film submissions into a small pile of favorites, the realization was made that a startling amount of them were directed by women. So why not, the programmers decided, showcase all of ‘em in one wildly eclectic block?! These shorts cover a wide array of subjects, from small-town psychos to otherworldly mysteries, and all sorts of insanity in between. Cinepocalypse is donating 50% of all proceeds from this screening to The Planned Parenthood Federation of America.

These year’s short films are:


Beautiful Injuries
Dir: Judith Beauvallet

Blood Shed
Dir: James Moran

Brown Wreck-Loose
Dir: Tristian Montgomery

Broadside
Dir: Laura Nitz

Buzzcut
Dir: Jon Rhoads

The Dollmaker
Dir: Al Lougher

Don’t Ever Change
Dir: Don Swaynos

Feeding Time
Dir: Matt Mercer

Flow
Dir: Shelagh Rowan-Legg

For a Good Time Call
Dir: Izzy Lee

Imbroglio
Dir: Christopher Zatta
Incendo
Dir: Slater Dixon

Latch
Dir: Justin Harding

Over Easy
Dir: Laura Nitz

Pendulum
Dir: Lauren Cooney

Remote Viewing
Dir: Robert Puccinelli

Third Wheel
Dir: Danny DelPurgatori

Roohangiz
Dir: Elmira Bagherzadah

Sleazy Pete
Dir: Frank Appache



We Summed a Demon
Dir: Chris McInroy

What Metal Girls Are Into
Dir: Laurel Vail

Your Date Is Here
Dir: Todd Spence

Eric Roberts Is The Fucking Man!

With over 476 acting credits (and growing by the day). Oscar nominated thespian and just all around badass Eric Roberts (!!!) takes part in a very special live recording of Doug Tilley & Liam O’Donnell’s acclaimed film podcast ERIC ROBERTS IS THE FUCKING MAN. Though there are dozens of episodes that have been produced without the man Eric Roberts involved, Cinepocalypse is proud to introduce the parties to each other for the first time ever!

We promise this will be one of the most epic events of the festival!

The Cinepocalypse Midnight Movie Challenge
The production team at Boulderlight Pictures consists of 23-year-old JD Lifshitz and 24-year-old Raphael Margules. Alongside both Contracted films, they also produced Bad Match, which received its premiere at FrightFest; the upcoming Dismissed (starring Dylan Krause); and numerous other genre titles.

With their youthful exuberance and heavy output, we've issued them a challenge: produce a genre feature exclusively for Cinepocalypse 2017. There are no parameters other than it must be a feature-length midnight movie, and that they must begin production immediately upon release of this announcement.

Together, attendees of Cinepocalypse will all experience the World Premiere of this yet-untitled (and unwritten… and unfilmed) production during a special midnight slot in this year’s inaugural festival!

Josh Goldbloom, Founder and Artistic Director of The Awesome Fest and what had been known as Bruce Campbell’s Horror Film Festival, and Ryan Oestreich, General Manager of The Music Box Theatre, aim to make this year bigger, better, and scarier than any in the festival’s history. Since 2014, the festival has terrorized audiences with an annual slate of premiere films, guests, and bloodcurdling entertainment. Leaving a trail of apocalyptic annihilation in the suburbs, as Cinepocalypse, the festival sheds its suburban skin, forms an epic alliance with the city’s historic Music Box Theatre and reemerges as a brand new horror behemoth for Chicago.

The Music Box Theatre stands as one of the nation’s most prestigious art house theatres, and has recently made a concerted effort to diversify programming and bolster local audiences. Located on the city’s Northside at 3733 North Southport Ave, The Music Box's year-round programming has consistently offered genre fans some of the very finest cinematic experiences in digital, 35mm, and 70mm formats.

OPENING: DIE WALKÜRE at Lyric Opera of Chicago November 1 - 30

What You Need to Know About

DIE WALKÜRE

at Lyric Opera of Chicago

November 1 - 30

Die Walküre during technical rehearsals. PHOTO: Michael Brosilow

The opening-night performance of Die Walküre on Wednesday, November 1, can be heard live locally on 98.7WFMT and globally on wfmt.com, beginning at 5:15pm.

New production dedicated to Sir Andrew Davis, Lyric’s music director and principal conductor, to mark the 30th anniversary of his Lyric debut

Running time 4 hours 45 minutes, including two intermissions.

Sung in German with projected English translations.

Die Walküre focuses on the conflict between Wotan, king of the gods, and his mortal son, Siegmund, who has unwittingly fallen in love with his own twin, Sieglinde, the wife of the brutish Hunding. This arouses the wrath of Wotan’s wife, Fricka (goddess of marriage), and the compassion of Wotan’s daughter, the warrior-maiden Brünnhilde. The turning point of the opera arrives when Brünnhilde disobeys her father by siding with Siegmund in the latter’s fight against Hunding. Both Siegmund and Hunding are killed, and Wotan punishes Brünnhilde.

Music Director Sir Andrew Davis celebrates his 30th anniversary at Lyric by conducting all performances of Die Walküre -- including one on November 14, the actual anniversary date. Lyric is dedicating the new production to Sir Andrew to celebrate this milestone.
Taboo-breaking love, violated vows, deadly disobedience, fierce retribution. Family dysfunction taken to the limits.

Provocative, shocking, deeply moving story inspired by Norse mythology.
Ravishing, dramatic, powerful, tender, sublime music that really tells the story. Every character has a distinctive musical theme. If you love Star Wars and Lord of the Rings and Game of Thrones…come see what inspired those sagas.

Before there was Wonder Woman...there was Die Walküre.
You’ll recognize the exhilarating “Ride of the Valkyries” music from Apocalypse Now, What's Opera, Doc? and countless commercials. Now hear that glorious music in context, live and brilliantly played by Lyric’s expanded 93-piece orchestra (including Wagner tuba, bass trumpet, and contrabass trombone!) conducted by Ring leader Sir Andrew Davis.

“Sheer beauty,” “sheer humanity,” “glorious music” are among the phrases Lyric’s general director Anthony Freud uses to describe this monumental yet intimate work.

Directed by David Pountney, one of the great stage directors in the world.
Outstanding international creative team: original scenic design by the late Johan Engels; set designer Robert Innes Hopkins, costumes designer Marie-Jeanne Lecca, lighting designer Fabrice Kebour, choreographer Denni Sayers.
German composer Richard Wagner wrote the entire libretto and music.
Die Walküre is through-composed -- the music flows from one scene to the next.

It’s a dramatic and musical thrill ride that you’ll never forget, with A-list Wagnerian singers who will blow you away. Soprano Elisabet Strid and tenor Brandon Jovanovich as twins Sieglinde and Siegmund will thrill with their rapturous duet before the deadly duel with Hunding, portrayed by bass Ain Anger. (Strid and Anger will both make Lyric debuts in these performances.)
As Fricka, preserver of sacred marriage vows, mezzo-soprano Tanja Ariane Baumgartner will overpower her willful husband Wotan with her righteous indignation.

As Wotan, bass-baritone Eric Owens gave the Millennium Park concert audience a taste of what’s to come. 9,000 attendees listened raptly to his heartrending farewell to favorite daughter Brunnhilde as he put her into a trancelike sleep and encircled her with magic fire, to be penetrated only by the bravest of heroes (in Part 3, Siegfried). Before the Big Sleep, soprano Christine Goerke will astonish audiences with her powerfully emotional performance as Brünnhilde, capturing perfectly the passionate spirit of a headstrong young woman fighting for what she believes is right.

These world-class singers will triumph in their demanding marathon roles. All are internationally acclaimed Wagnerians in the absolute prime of their careers.
The Valkyries sing gloriously -- and they ride flying horses. Die Walküre stands alone as a brilliant opera -- and it’s also part of the mighty Ring cycle. Lyric is presenting one Ring opera per season through 2020, then will perform the full cycle three times over the course of three weeks following the regular 2019/2020 season.

7 Performances November 1 - 30 

at the Lyric Opera House, 20 N. Wacker Drive, Chicago

Evening performances start 5:30pm, matinees start 1pm. 

Doors open an hour before curtain.

Box suppers available for purchase before performances, 

for pickup at first intermission.

More opera for your money! 

For more information and to order tickets, visit lyricopera.org/Walküre or call 312-827-5600.

NOTABLE NOVEMBER CITY WINERY CHICAGO SHOWS ON SALE NOW

Chi, IL LIVE Shows On Our Radar: 

ICONIC BRITISH PSYCHEDELIC POP LEGENDS THE ZOMBIES, THE RETURN OF SOUL SINGER/SONGWRITER DWELE AND QUEEN OF THE BLUES SHEMEKIA COPELAND

PLUS: FRENCH JAZZ SINGER CYRILLE AIMEE AND A BENEFIT CONCERT WITH CHICAGO’S GENRE-BENDING NICO SEGAL AND THE JUJU EXCHANGE

PUBLIC TICKETS NOW ON SALE 

City Winery Chicago, 1200 W. Randolph Street, announces English rock band The Zombies – with over 50 years of music, multi-Grammy Award nominee Dwele and more. The following shows are currently on sale to the public at citywinery.com/chicago.

Nico Segal Presents: The JuJu Exchange – a Benefit Concert for Merit School of Music 
Tuesday, November 28; 7:00 p.m.
$20/$25/$30/$45

Drawing from hip-hop, jazz, classical and pop music, Nico Segal and The JuJu Exchange present a benefit concert for West Loop’s Merit School of Music which serves nearly 5,000 Chicago-area youth by removing barriers to high-quality music education. Nico Segal (previously known as “Donnie Trumpet” from the Chance the Rapper-affiliated band, The Social Experiment), Julian & Everett Reid and Lane Beckstrom use The JuJu as a way to build off of their past experiences in order to make a genre-bending style of music that looks to the future while dealing with the problems of the present. The ensemble is based on a musical partnership of these childhood friends who came up through Chicago Public School music programs, including Merit School of Music which band members attended between 1998 and 2013, three of whom graduated from Merit’s Alice S. Pfaelzer Tuition-free Conservatory. The musicians attribute their music and personal success to the exceptional training they received at Merit. Founded in 1979, Merit is a nationally accredited music school that offers its diverse student body sustained access to the highest-quality musical instruction, helping young people transform their lives through music education.

Shemekia Copeland 
Saturday, December 9 
$38/$45/$48/$52
Whether she's belting out a raucous blues-rocker, firing up a blistering soul-shouter, bringing the spirit to a gospel-fueled R&B rave-up or digging deep down into a subtle, country-tinged ballad, Shemekia Copeland sounds like no one else. With a voice that is alternately sultry, assertive and roaring, Copeland's wide-open vision of contemporary blues, roots and soul music showcases the evolution of a passionate artist with a modern musical and lyrical approach.

Dwele
Thursday, December 14; 7:00 & 9:30 p.m.
$38/$45/$55/$60
Influenced by the sounds of jazz and Motown, Dwele is a multi-Grammy Award nominated songwriter, producer, multi-instrumentalist and vocalist. He began his career in Detroit’s underground hip-hop scene during the late ’90s and has since released five albums and collaborated with artists like Big Sean and Kanye West, including work on West’s 2007 Flashing Lights. His fifth studio album, Greater than One, mixes silky ballads and crispy up-tempo jams to create what Dwele calls “bedroom music.”

Cyrille Aimee
Thursday, February 15
$38/$35/$32/$28
Cyrille Aimée (Sur­real M­A) is a French­Dominican vocalist and actress. Winner of the Montreux Jazz Festival's Vocal Competition, the Sarah Vaughn International Jazz Vocal Competition and finalist in the Thelonious Monk Vocal Competition, Aimée is—in the words of Will Friedwald of The Wall Street Journal—"one of the most promising jazz singers of her generation."

The Zombies 
Monday-Tuesday, March 19-20
$65/$68/$75/$78
The Zombies have returned to celebrate the release of their latest Billboard-charting album, Still Got That Hunger, and their 2nd nomination for the 2017 Rock and Roll Hall of Fame. The Zombies is led by founding and current members vocalist Colin Blunstone and keyboardist Rod Argent alongside bassist Jim Rodford (formerly of ARGENT and The Kinks), Rodford's son Steve Rodford on drums, and renowned session guitarist Tom Toomey. The band's live performances take fans on a journey through time, from their early hits, such as 1968 masterpiece “Odessey & Oracle,” to post-Zombies solo favorites to today with Still Got That Hunger.

City Winery also announces Josh & Erika (of the Empty Pockets) opens for Poco featuring Rusty Young on Oct. 25 and Marie Miller opens for Kris Allen on Dec. 18.

All City Winery events are open to all ages and start at 8 p.m., unless noted.

Only members of City Winery Chicago’s signature VinoFile™ program have access to advanced ticket sales in addition to receiving: a waiver of ticket service fees; free valet parking; Restaurant Loyalty Rewards, such as a free pair of VIP concert tickets for every $500 spent on food & beverage in the restaurant; exclusive membership-only events; and access to the proprietary City Winery Virtual Sommelier™, which helps make suggestions for wines one might enjoy based on past consumption at the venue.

The Zombies, Shemika Copeland, Nico Segal & The JuJu Exchange, Dwele, Marie Miller and Cyrille Aimee join a diverse mix of the most respected names in pop, rock, jazz, blues, world music, theater, dance, spoken word and comedy presented at City Winery Chicago, including previously announced headliners and supporting acts:

David Crosby & Friends (Oct. 30-31); Lizz Wright with Lyric (Nov. 1-2); Tim Reynolds & TR3 (Nov. 3); Jackie Greene & Anders Osborne with Cris Jacobs (Nov. 4; 5 & 8pm) The Accidentals with Jake Allen (Nov. 5, 11:30am); Victor Wooten Trio (Nov. 5, 5 & 8pm); An Evening with Herb Alpert & Lani Hall (Nov. 6-7); Mariza (Nov. 8); Ryan Montbleau Band with The DuPont Brothers (Nov. 9); The Revelers (Nov. 12, 1pm); Black Violin (Nov. 12, 5:30 & 8pm); Sharon Shannon (Nov. 13); Take Me to the River (Nov. 14); Loudon Wainwright III with Lucy Wainwright Roche (Nov. 15); Kandace Springs (Nov. 16); Loose Ends (Nov. 17, 7pm); Mike Doughty (Nov. 18); Chicago Philharmonic Brunch - True Crime Radio Stories (Nov. 19, 12pm); Jackopierce with Marie Miller (Nov. 19, 7pm); Badfinger featuring Joey Molland (Nov. 20); Miki Howard (Nov. 21); Joshua Davis (Nov. 22); The Verve Pipe (Nov. 24); Kurt Elling: The Beautiful Day (Nov. 25-26, 5 & 8pm); Marcus Johnson (Nov. 27); Earl Klugh (Nov. 29, 6:30 & 9pm); Rhett Miller with Matthew Ryan (Nov. 30); Ms. Lisa Fischer & Grand Baton (Dec. 2); Jeffrey Foucault & Kris Delmhorst (Dec. 3); The Secret Sisters with Brian Dunne (Dec. 4); Marc Roberge of O.A.R. (Dec. 5, 7 & 9:30pm); Joe Pug with Juanita Stein (Dec. 6); Chicago Philharmonic Brunch - FairyTale Noël (Dec. 10, 12pm); Los Lobos with Matt Andersen (Dec. 10-11); Los Lobos with Future Stuff (Dec. 12-13); The Empty Pockets with Nate Jones (Dec. 17, 7pm); Kris Allen (Dec. 18); Bebel Gilberto (Dec. 19-20); Avery*Sunshine (Dec. 21, 7 & 9:30pm); Michael McDermott with Heather Horton (Dec. 22); Michael McDermott (Dec. 23, 5 & 8pm); Poi Dog Pondering (Dec. 26-30); BoDeans (Dec. 31, 7:30 & 11pm; Jan. 1, 5 & 8pm); Freddy Jones Band with The Nadas (Jan. 12-13); Eric Benét (Jan. 19, 7 & 10pm); The Posies (Jan. 31); 10,000 Maniacs (Feb. 9, 7:30 & 10pm; Feb. 10, 5 & 8pm) and Alan Doyle (Mar. 2).

Opened in 2012, City Winery Chicago is a fully operational winery, restaurant with outdoor patio, concert hall and private event space located in the heart of the West Loop at 1200 W. Randolph, in the historic urban Fulton Market district. Once a refrigerated food distribution warehouse, the 1911 building has been transformed into a contemporary 33,000 square foot haven for those passionate about wine, music and culinary arts. The décor evokes the romance of being in wine country, from the exposed stainless steel fermenting tanks and French oak barrels, to the aroma of fermenting grapes. Chicago’s only fully operation winery has produced dozens of in-house wines sourced from vineyards in California, Oregon, Washington, Argentina and Chile, including a Wine Enthusiast 92-point 2015 Verna’s Vineyard Reserve Pinot Noir. With more than 400 unique producers from around the world City Winery is recognized with 2014 and 2015 Best of Awards of Excellence “for having one of the most outstanding restaurant wine lists in the world” by Wine Spectator. The globally inspired, locally sourced, wine-focused food menu is conceived for pairing and sharing. The concert hall accommodates up to 300 guests, all seated at tables with complete beverage and dining service, ensuring a comfortable “listening room” experience enhanced by a state-of-the-art Meyer Sound system. Riedel is the official and exclusive provider of glassware, showing City Winery’s commitment to enjoying quality wine in a quality vessel. American Airlines is the Official Airline and Virgin Hotels Chicago is the Official Hotel of City Winery. For more information, please visit www.citywinery.com.