REVIEW: Diva-Worthy Rendition of Hedwig And The Angry Inch A Must See

HEDWIG AND THE ANGRY INCH 

will play a limited two-week engagement through March 19, 2017.

Broadway In Chicago is pleased to announce the 2014 Tony Award-winning Best Musical Revival HEDWIG AND THE ANGRY INCH now playing at the Oriental Theatre 

(24 W Randolph). 

Euan Morton (Hedwig) IS a rock star. Hannah Corneau (Yitzhak) is also amazing, and her solos are a treat. Stellar show!! Don't miss this. Highly recommended. 

Here at ChiIL Live Shows, it was our great pleasure to catch the press opening of HEDWIG AND THE ANGRY INCH at Chicago's iconic Oriental Theatre Wednesday night. I'd read the book, but never seen Hedwig performed, so this was truly a treat. The Broadway version doesn't come off as darkly disturbing as the novel. Diva-worthy transexual, Hedwig, is such a huge presence, and the loud score is so upbeat, accompanied by strobe lights, that much of the audience seemed to be swept up in rock concert mode, having so much fun that the truly horrific backstory doesn't fully seep in until later. 

This saga begins as a patriotic tale of a young, blond haired, blue eyed Aryan boy in East Berlin, obsessed with American pop culture and music, with his head in the oven to hear his portable radio acoustics better. This child, the abandoned son of an American soldier, should have been able to emigrate by nature of his parentage. Yet, he was coerced into an unwanted sex change operation by a predatory older American military man who seduced him into believing the only way out from behind the wall was marriage to him. The surgery was botched, and later Hedwig found herself living alone in a US trailor park near an army base, after her husband ran off with another young boy. A year later, the wall was torn down, but Hedwig was left permanently neutered and disfigured for her hard won freedom, and turning tricks to survive.

The next stage is a conservative's worst nightmare. Hedwig begins to babysit on the base and falls for and seduces the General's underage son away from church and heterosexuality and into the lifestyle of a platinum winning musician. When the rock star takes her music and her heart and abandons her, she marries again, not for love, but to rescue a young Jewish drag queen from the dregs of his existence, so he can emigrate. He becomes her emotional whipping boy until she comes to grips with her past and matures into a more compassionate being, passing the torch of performing in full Hedwig garb to him.

Ultimately this is a universally human tale of love and loss, betrayal and beauty that transcends the details and makes Hedwig a beloved, sympathetic character. We adore this survivors tale, of immense talent, drive, determination and perseverance in the face of wrenching betrayals. Hedwig's physical and emotional transformation from bitch diva to stripped down man (literally and figuratively) is powerful stuff!

We loved the incredibly talented cast, over the top wigs and costumes, large screen special effects, and the fantastic score. The set design details were superb, even down to the Hurt Locker Playbills strategically scattered throughout the auditorium. Do note, you may be playfully molested a bit if you have front row seats! 

Brilliantly innovative, heartbreaking, and wickedly funny, HEDWIG AND THE ANGRY INCH is the landmark musical by John Cameron Mitchell and Stephen Trask that is “groundbreaking and ahead of its time” (Entertainment Weekly). This gender-bending, fourth-wall-smashing musical sensation, with a pulsing score and electrifying performances, tells the story of one of the most unique characters to ever hit the stage. It’s about finding your other half; it’s the story of the origin of love.

Directed by Tony Award-winner Michael Mayer (Spring Awakening, American Idiot) and starring Tony and Olivier Award-nominee Euan Morton, HEDWIG AND THE ANGRY INCH is the winner of four 2014 Tony Awards including Best Musical Revival. It played to record-breaking sell-out crowds on Broadway and promises to take Chicago by storm with what Rolling Stone proclaims is “the best rock musical ever!”

PERFORMANCE SCHEDULE

Tuesdays at 7:30 PM

Wednesdays at 7:30 PM (additional 2 PM matinee on Mar. 15)

Thursdays at 7:30 PM 

Fridays at 7:30 PM

Saturdays at 2 PM and 8 PM 

Sundays at 2 PM (additional 7:30 PM evening performance on Mar. 12)

TICKET INFORMATION

Tickets for HEDWIG AND THE ANGRY INCH at the Oriental Theatre range from $35-$108. A select number of premium tickets are available for many performances. Group tickets for 10 or more are available by calling Broadway In Chicago Group Sales at (312) 977-1710. Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000, all Ticketmaster retail locations and online at www.BroadwayInChicago.com.

The Grammy nominated Original Broadway Cast Album for HEDWIG AND THE ANGRY INCH is available from Atlantic Records.

Follow HEDWIG AND THE ANGRY INCH

on Twitter: @HedwigOnBway, Facebook and Instagram: @hedwigonbway  www.HedwigTour.com

Tony and Olivier Award-nominated Euan Morton plays the role of Hedwig, and Hannah Corneau is making her Broadway National Tour debut as Yitzhak.

Euan Morton originated the role of Boy George in the musical Taboo in London and New York, garnering Tony and Olivier Award nominations and receiving the Theatre World Award for Outstanding Broadway Debut.  HEDWIG AND THE ANGRY INCH co-creator Stephen Trask gushes about why Euan is the perfect choice to fill Hedwig’s golden boots: “Euan’s Hedwig is going to be so exquisitely beautiful and achingly heartbreaking. What an emotional powerhouse. He is otherworldly.”

Morton is equally thrilled to play Hedwig: “I have been blessed in my career, but no blessing has been as exciting as the chance I've been given to take over the role of Hedwig. Joining the cast is the kind of challenge that an actor dreams of. I can't wait to slip into her golden boots and begin the transformation to cultural icon! And I'm so much better looking with sparkling eyes and a caking of LaVern Baker! All the more thrilling is that I'll have the honor of taking darling Hedwig all over the country. I'm ready for the ride of my life; I hope America is ready for her ride too.”

The members of Hedwig’s band “The Angry Inch” – aka “Tits of Clay” – will be music director Justin Craig (guitar and keyboards), Matt Duncan (bass), Tim Mislock (guitar), and Peter Yanowitz (drums), all of whom originated their roles on Broadway.

David Binder, who first produced HEDWIG AND THE ANGRY INCH in 1997, produced the musical on Broadway with Jayne Baron Sherman, Barbara Whitman, Latitude Link, Patrick Catullo, Raise The Roof, Paula Marie Black, Colin Callender, Ruth Hendel, Sharon Karmazin, Martian Entertainment, Stacey Mindich, Eric Schnall, and The Shubert Organization. 101 Productions, Ltd were the executive producers. The record-breaking production ran for over 500 performances at the Belasco Theatre. 

HEDWIG AND THE ANGRY INCH was originally produced Off-Off-Broadway at Westbeth and then, under the direction of Peter Askin, ran over two years at the Jane Street Theatre beginning in February 1998. The musical won the Outer Critics Circle Award for Best Off-Broadway Musical and both John Cameron Mitchell and Stephen Trask won Obies in 2001. It won a 1998 New York Magazine Award and Entertainment Weekly’s “Soundtrack of the Year” Award. Time Magazine named HEDWIG the Top Musical of 1998.

The film of HEDWIG AND THE ANGRY INCH, directed by John Cameron Mitchell, won the Audience Award and Best Director Awards at Sundance. Mitchell won the Best New Director from the National Board of Review, the Gotham Awards, and the LA Critics Society. Stage productions have played for many years in Japan and in 2008, Korea hosted a popular televised reality show about the search for a new star to play Hedwig.

The creative team for HEDWIG AND THE ANGRY INCH features Emmy Award nominee Spencer Liff (musical staging), Tony Award nominee and Drama Desk Award winner Julian Crouch (scenic design), Tony Award and two-time Oscar nominee Arianne Phillips (costume design), four-time Tony Award winner Kevin Adams (lighting design), Mike Potter (hair and makeup design), Tony Award nominee and platinum-selling record producer Tim O’Heir (sound design), Benjamin Pearcy for 59 Productions (projection design), John Bair/Phosphene (animation), James Calleri (casting), Tony and Grammy Award nominee Ethan Popp (music supervisor & music coordinator), Justin Craig (music director), Stephen Gabis (dialect coach) and Johanna McKeon (associate director).

BIOGRAPHIES 

EUAN MORTON (Hedwig) originated the role of Boy George in the musical Taboo in London and New York. He was nominated for an Olivier and a Tony Award. In addition, he received a Theatre World Award for Outstanding Broadway Debut. Additional Broadway credits include Cyrano de Bergerac and Sondheim on Sondheim. He has numerous Off- Broadway and regional credits, including a production of Measure for Pleasure at the Public Theatre that earned him an Obie Award, and Parade at the Ford’s Theatre as Leo, for which he won a Helen Hayes Award. A favorite recent collaboration was with Tony Kushner and Maurice Sendak on the new musical Brundibar. Euan also has an active concert career. He's released two solo albums and has had the pleasure of singing in many of the best concert venues around the country. Euan feels very lucky to be on the journey. For a more detailed look at his work, check out www.euanmorton.com 

MASON ALEXANDER PARK (Hedwig Standby) is thrilled to work on his dream show with such an incredible team. Theater: Altar Boyz (Mark), The Drowsy Chaperone (Man in Chair), Rocky Horror (Frank N. Furter), Mary Poppins (first countertenor to play Miss Andrew). TV/film: “iCarly,” “Bucket and Skinner’s Epic Adventures,” (Nickelodeon) “Broadway or Bust,” “Becoming an Artist” (PBS). masonapark.com. 

SHANNON CONLEY (Yitzhak Standby). Broadway: Hedwig and the Angry Inch. Lead singer of the all-female rock band Lez Zeppelin (lezzeppelin.com). Voice of several cartoon characters on “Pokémon,” “X-Men,” Nickelodeon, Cartoon Network, Star Kidz network. On-camera roles include “L&O: SVU,” “A.B.E.,” “Fugue” and the “Downsized” webseries. More info and heartfelt thank yous at shannonconley.com 

MATT DUNCAN (Bass, guitar, keyboard, voacals). Matt Duncan is a singer/songwriter, producer and bass player from Lexington, Ky. Although he’s best known for his smooth, slightly skewed take on classic R&B, he got his start in the community center basements of DIY punk. 

TIM MISLOCK (Guitar, vocals). Tim Mislock made his Broadway debut in Hedwig. For the past several years, Tim has recorded and toured with indie rock bands The Antlers and Holly Miranda. This fall he will release his first solo record, Now Is the Last Best Time. He thanks his wife, family and friends for their endless support. @timmymislock 

PETER YANOWITZ (Drums, vocals). Peter Yanowitz was a founding member of both the Wallflowers (Virgin) and Morningwood (Capitol). Other artists he has recorded/performed with include Natalie Merchant, Wilco, Yoko Ono, Allen Ginsberg, Nina Nastasia, Money Mark and Ryan Jarman. With Stephen Trask, Yanowitz is currently writing music and lyrics for the upcoming Broadway musical This Ain’t No Disco! 

JUSTIN CRAIG (Guitar, keyboards, vocals) Justin Craig is a Grammy-nominated record producer, multi- instrumentalist, composer and music director based in Brooklyn, N.Y. He’s honored to be in the Angry Inch. Justincraigmusic.com. 

HANNAH CORNEAU (Yitzhak). Off-Broadway: Daddy Long Legs (Davenport Theatre); Ethel Sings (Beckett). Regional: Evita (Marriott Theatre); Fiddler on the Roof (Arena Stage); Harmony (Alliance/Ahmanson; Ovation Nomination).Chicago: Les Misérables (Paramount Theatre; Jeff Award); Bloody Bloody Andrew Jackson (Bailiwick Chicago); A Little Night Music (Writers Theatre). Hannah is also a proud member of RANGE a cappella. Endless thanks to her amazing family. @hannahcorneau 

 

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 17 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up to 1.7 million people annually in five theatres.  Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including The PrivateBank Theatre, Oriental Theatre, Cadillac Palace Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University.

For more information, visit www.BroadwayInChicago.com.

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OPENING: All-Chicago Cast Brings Spamilton Laughs To Royal George

Chi, IL LIVE Shows On Our Radar:

“SPAMILTON,” THE SMASH OFF-BROADWAY HIT OPENS THIS WEEK AT THE ROYAL GEORGE THEATRE

The All-Chicago Cast Includes Donterrio Johnson, Adam LaSalle, Michelle Lauto, Eric Andrew Lewis, Yando Lopez and David Robbins

“Spamilton,” the critically acclaimed off-Broadway parody of Lin-Manuel Miranda’s sensation, “Hamilton,” opens this week with an all-Chicago cast! It's currently in previews for the regional premiere in Chicago at the Royal George Theatre (1641 N. Halsted). Created by Tony Award honoree Gerard Alessandrini, the mastermind behind “Forbidden Broadway,” the “smart, silly and compulsively funny show” (The New York Times) features an all-Chicago ensemble including Donterrio Johnson, Adam LaSalle, Michelle Lauto, Eric Andrew Lewis, Yando Lopez and David Robbins. “Spamilton” begins performances Friday, March 3 at the Royal George Theatre’s Cabaret/Studio Theatre. The Press Opening is set for Sunday, March 12 at 7:30 p.m. Tickets ($59 – $99) can be purchased at the Royal George Theatre’s box office online or by calling 312.988.9000.

“We couldn’t have been more thrilled by Chicago’s pool of incredible talent,” said Alessandrini.  “We hope ‘Spamilton’ will be as lively and hysterically funny as ‘Hamilton’ is provocative. It is a tall order, but we are going to try to make Chicago a happier town than ever and keep the audience roaring with delight.”

“Spamilton” celebrates, roasts and eviscerates the Broadway blockbuster with its versatile cast of six. In its world-premiere production off-Broadway in New York, the show has been extended three times and is now in its fifth smash month at the Triad. The New York production earned rave reviews across the board, hailed as "the next best thing to seeing ‘Hamilton’” (The New York Times), “so infectiously fun,” (The Hollywood Reporter) and had Lin-Manuel Miranda exclaiming “I laughed my brains out!”

In addition to Alessandrini, the creative team includes Gerry McIntyre (Choreography), Dustin Cross (Costume Design), Fred Barton (Musical Director), and Richard Danley and Fred Barton (Musical Arrangements). “Spamilton” is produced in Chicago by John Freedson, David Zippel, Gerard Alessandrini, Margaret Cotter and Liberty Theatricals, in association with JAM Theatricals. Chuckie Benson is the understudy for the production.

The performance schedule for “Spamilton” is as follows: Tuesdays through Fridays at 7:30 p.m., Saturdays at 5 p.m. and 8 p.m. and Sundays at 2 p.m. and 5 p.m.

About the Artists of “Spamilton” 

Gerard Alessandrini (Creator) is best known for creating and writing all 25 editions of “Forbidden Broadway” in New York, Los Angeles, London and around the world. Alessandrini was featured in the original 1982 cast of “Forbidden Broadway” and can be heard on four of the 12 “Forbidden Broadway” cast albums. He also sings on the soundtracks of the Disney classics “Aladdin” and “Pocahontas.” Television credits include writing comedy specials for Bob Hope, Angela Lansbury and Carol Burnett. Directing credits include Maury Yeston’s musical “In the Beginning.” Recent musicals which he co-wrote and/or directed include “Madame X” (NYMF 2011) and “The Nutcracker and I,” featuring a complete Tchaikovsky score with all new lyrics by Alessandrini. As a director, he’s currently working on an upcoming revue focusing on the songs of Maury Yeston entitled “Anything Can Happen (In the Theater).” Alessandrini is the recipient of an Obie Award, two Lucille Lortel Awards, a Lifetime Achievement award from the Drama League, and seven Drama Desk Awards. Alessandrini was also awarded an Honorary Tony Award for Excellence in the Theatre.

Donterrio Johnson (Male Two) is an alumni of the American Musical and Dramatic Academy of Los Angeles and an Artistic Ensemble Member of Pride Films and Plays. Johnson’s theater credits include “Annie Warbucks” (Theatre at the Center); “Next To Normal” and “Urinetown” (Boho Theatre); “The Hundred Dresses” and “Mr. Chickee's Funny Money” (Chicago Children's Theatre); “Sweeney Todd” (Denver Center for the Performing Arts); “Murder Ballad” (Cardinal Stage); “Lookingglass Alice” (Lookingglass Theatre); “Jesus Christ Superstar” (Theo Ubique); “Ain’t Misbehavin” and “Golden Boy” (Porchlight Music Theatre); “The Color Purple” and “Avenue Q” (Mercury Theatre); “Rent” (Brightside Theatre); “Under a Rainbow Flag” (Pride Films and Plays); “Hairspray” (SRO Productions); and “Urinetown,” “Aladdin The Musical,” “Into The Woods” and “Kennedy The Musical” (Broadway Workshop). His TV credits include USA’s “Sirens.”

Adam LaSalle’s (Pianist/King George) Chicago musical direction and piano credits include “24 Words” (Stage 773); “Nunsense” (Beverly Arts Center); “Rebel” (Theatre Wit); and a number of revues, concerts, and cabarets at the Promontory and as a regular at Davenport's Piano Bar and Cabaret in Wicker Park. Some favorite roles he's performed include Jesus in “Godspell,” Tommy Albright in “Brigadoon” and the Pirate King in “Pirates of Penzance.” LaSalle has also accompanied and music directed with Memphis' Playhouse on the Square Musical Theatre Education Program, The Chicago Children's Choir, ChiArts, SummerSing's International Choral Festival in Cork City, Ireland and a number of musicals for the Souza Scholarship Theatre Program in Orange County, New York.

Michelle Lauto’s (Female Performer) recent credits include “In the Heights” (Porchlight Music Theatre); “Xanadu” (American Theater Company); “35mm” (Circle Theatre); “The Boy From Oz” (Pride Films and Plays); and “Murder Ballad” (Bailiwick Chicago). Lauto is a proud graduate of The Second City Training Center Conservatory.

Eric A. Lewis (Male Three) was last seen in Theatre at the Center's production of "My Way: A Tribute to Frank Sinatra." His Chicago credits include “The Little Mermaid,” “In the Heights” and “Tommy” (Paramount Theatre); “Dreamgirls” (Porchlight Music Theatre); “Once Upon a People” (Black Ensemble Theater); “Parade” (BoHo Theatre); “How to Succeed in Business,” “Sister Act” and “Suessical the Musical” (Marriott Theatre); and “Dreamgirls” (Milwaukee Repertory Theater).

Yando Lopez (Male One) was last seen in “The Christians” at Steppenwolf Theatre Company. Recent credits include “In the Heights” and “Sondheim on Sondheim” (Porchlight Music Theatre); “Little Shop of Horrors” (American Blues Theatre); “In the Heights” (Paramount Theatre); and “Barney the Elf” (Other Theatre Company). Lopez has also worked with Court Theatre, Chicago Children’s Theatre, Emerald City, Brown Paper Box, Black Ensemble Theatre and Goodman Theatre. Lopez is a proud Northwestern alum.

David Robbins (Male Four) is a Chicago native, an alumni of The Chicago Academy for the Arts and attended Baldwin Wallace University. Robbins’ regional credits include “Memphis,” “Rent,” “Once on this Island,” “Avenue Q” and “Phantom of the Opera.”

For more information, visit Spamilton.com.

SAVE THE DATES: 62nd Joffrey Ballet Season Announced For 2017-18

The Joffrey Ballet Announces 2017-18 Season

62^nd Season Highlights include:

World premiere by Joffrey Ballet Master  Nicolas Blanc;

North American Premiere of Alexander Ekman’s Midsummer Night’s Dream;

Chicago Premieres by George Balanchine, Lola de Ávila and Jerome Robbins;

plus work by Myles Thatcher

Ashley Wheater, Artistic Director of The Joffrey Ballet, proudly announces an impressive 2017-18 season including a world premiere by Joffrey Ballet Master Nicolas Blanc, the North American Premiere of Midsummer Night’s Dream by acclaimed chorographer Alexander Ekman plus Chicago Premieres by George Balanchine, Lola de Ávila and Jerome Robbins. The Joffrey Ballet kicks off its 62^nd season with Lola de Ávila’s Giselle, October 18-29, followed by the return of Tony Award®-winner Christopher Wheeldon’s newly reimagined The Nutcracker, December 1-30. For its winter engagement, The Joffrey Ballet presents Modern Masters, a mixed repertoire program with four works – a World Premiere by Nicolas Blanc (untitled), the Chicago Premieres of Kammermusik No. 2 by George Balanchine and Glass Pieces by Jerome Robbins in honor of the 100^th anniversary of his birth plus Body of Your Dreams by Myles Thatcher, February 7-18. The Joffrey Ballet will conclude its season with Ekman’s Midsummer Night’s Dream, April 25-May 6.

All performances take place in the Joffrey’s home venue, the historic Auditorium Theatre of Roosevelt University, in downtown Chicago at 50 East Congress Parkway. All programs throughout the season feature live music performed by the Chicago Philharmonic conducted by Scott Speck, Music Director of The Joffrey Ballet.

This season, for the first time, The Joffrey Ballet and Lyric Opera of Chicago will collaborate on a world premiere production of Christoph Willibald Gluck’s classic opera, Orphée et Eurydice directed and choregraphed by internationally acclaimed Director and Chief Choreographer of The Hamburg Ballet, John Neumeier. Orphée et Eurydice will be presented at Lyric’s Civic Opera House, September 23 - October 15.

Classically trained to the highest standards, The Joffrey Ballet expresses a unique, inclusive perspective on dance, proudly embracing the diversity of America with its company, audiences, and repertoire which includes major story ballets, reconstructions of masterpieces and contemporary works. Founded by visionary teacher Robert Joffrey in 1956, guided by celebrated choreographer Gerald Arpino from 1988 until 2007, The Joffrey Ballet continues to thrive under Artistic Director Ashley Wheater and Executive Director Greg Cameron.  

“During my time as Artistic Director of The Joffrey Ballet, we’ve worked tirelessly to redefine ballet at the highest level,” said Ashley Wheater. “This season, we elevate this commitment with dynamic performances that celebrate joy in a time when transformative storytelling has never been more needed. We present sweeping passion in modern renditions of Giselle and Midsummer Night’s Dream; we see hope and wonder through the eyes of Chicago immigrants with the return of Christopher Wheeldon’s reimagined Nutcracker; and finally, we feel inspiration with works by modern trailblazers and legendary voices including Jerome Robbins, George Balanchine, Alexander Ekman, and Myles Thatcher.”

“Ashley Wheater’s commitment to world-class artistry and transformative experiences has ignited hope and wonder in Chicago audiences, and this season is no exception,” added Executive Director Greg Cameron. “From the youthful passion of Giselle and magical wonder of The Nutcracker to boundary- pushing masterpieces from rising talent and legendary voices, these unforgettable stories beautifully express our human condition and provide a beacon of hope and inspiration. We look forward to sharing these remarkable and moving ballet experiences with Chicago audiences in the year to come.”

About the 2017-18 Season

October 2017

The Joffrey Ballet launches its 2017-18 season with the Chicago Premiere of Lola de Ávila’s visionary adaption of Giselle. Former Associate Director of the San Francisco Ballet School, de Ávila’s take on this classic Romantic-era ballet is set to composer Adolphe Adam’s original score and tells the tale of young Giselle, who discovers her lover is betrothed to another and dies of grief, only to be enlisted by the vengeful Wilis, a ghostly army of maidens who haunt the forests, dancing to death any male mortal who crosses their path. When her beloved wanders into their grasp, Giselle makes the ultimate act of love to free him from his fate.

A ballet in two acts, Giselle is presented in 10 performances only, October 18-29, 2017.

December 2017

After its wildly successful world premiere in December 2016, The Joffrey Ballet will once again present its newly reimagined holiday classic The Nutcracker by Tony Award®-winning choreographer Christopher Wheeldon. Set during Chicago’s 1893 World’s Fair, Wheeldon’s turn-of-the-century tale opens as young Marie and her mother, a sculptress creating the Fair’s iconic Statue of the Republic, host a festive Christmas Eve celebration. After a surprise visit from the creator of the Chicago Columbian Exposition, the mysterious Great Impresario, Marie embarks on a whirlwind adventure with the Nutcracker Prince through a dreamlike World’s Fair. A ballet in two acts set to Tchaikovsky’s classic score, The Nutcracker also features design by an award-winning creative team including Tony Award®-nominated set and costume designer Julian Crouch, Caldecott Medal Award-winning author Brian Selznick, Obie and Drama Desk award-winning puppeteer Basil Twist, Tony Award®-winning lighting designer Natasha Katz and Tony Award®-winning projection designer Ben Pearcy.  

The Nutcracker is presented in 32 performances, December 1-30, 2017.

February 2018

The Joffrey’s winter program, a mixed repertory program entitled Modern Masters, features a world premiere by Joffrey Ballet Master Nicolas Blanc, the Chicago Premieres of Kammermusik No. 2 by George Balanchine and in honor of the 100^th anniversary of his birth, Glass Pieces by Jerome Robbins plus Body of Your Dreams by Myles Thatcher.

Kammermusik No.2, originally created for New York City Ballet in 1978 by world renowned contemporary ballet choreographer George Balanchine, broke the conventions of ballet with its exceptional use of complex structures, precision, energy and speed. Set to a score by neoclassical composer Paul Hindemith, hailed as one of the great German composers of the 20^th century, this work for 12 dancers features an eight-man ensemble performing jagged lines and stylized gestures along with two couples, who present the counterpoint to the ensemble with duets set to the intricate passages for piano.

Body of Your Dreams, created by up-and-coming choreographer Myles Thatcher, is a tongue-in-cheek take on fitness which made its world premiere as part of the 2014–2015 Rolex Mentor and Protégé Arts Initiative. A contemporary work for nine dancers, Body of Your Dreams features a series of movements expressing the highs and lows of body image woven together with inventive wit, set to a score by Dutch avant pop composer Jacob ter Veldhuis. A current dancer with San Francisco Ballet, Thatcher is known for melding contemporary sensibility with classical technique to resonate feeling and atmosphere. Thatcher made his Joffrey Ballet choreographic debut with the World Premiere of Passengers in September 2015.

Nicolas Blanc, current Ballet Master and Principal Coach for The Joffrey Ballet, will create a new work (untitled) for the company which will take audiences through five mesmerizing worlds set to an orchestral and electronic soundscape by Mason Bates, composer-in-residence at the Kennedy Center for the Performing Arts. Former Principal Dancer with San Francisco Ballet, Blanc made his choreographic debut with the Joffrey in April 2015 with the U.S. Premiere of Evenfall. Most recently, Blanc was selected to participate in the 2015 National Choreographers Initiative as well as the New York City Ballet's New York Choreographic Institute where he created Mothership, which premiered in New York City Ballet's 2016 gala.

In honor of the 100^th anniversary of Jerome Robbins’ birth, the Joffrey will present the Chicago Premiere of Glass Pieces, a signature Robbins’ ballet set to three works by American minimalist composer Philip Glass. Originally premiering with New York City Ballet in 1983, Glass Pieces is a tour de force of movement and music for 42 dancers featuring urban, postmodern choreography, recurrent rhythms, shifting patterns and an energized pace to reflect the pulse of metropolitan America in the ‘80s. One of the great American choreographers of the 20^th century, Robbins prolific career has made a profound contribution to the ballet world in addition to renown commercial credits as a director and choreographer for theater, movies and television including On the Town, West Side Story, The King and I, Gypsy, Peter Pan, and Fiddler on the Roof. Even after his death in 1998, his superb body of work continues to be celebrated and performed by companies worldwide. In its 62-year history, The Joffrey Ballet has presented numerous works by Jerome Robbins, including The Concert, Interplay, Moves and N.Y. Export: Op. Jazz.

Modern Masters is presented in 10 performances only, February 7–18, 2018.

April/May 2018

Celebrated around the globe for his originality and humor, Swedish choreographer Alexander Ekman brings his unique vision to the Joffrey with the North American Premiere of his Midsummer Night’s Dream, which made its world premiere with The Royal Swedish Ballet in 2015. A full-length ballet vastly different from Shakespeare’s tale, Ekman’s take on a Midsummer Night’s Dream presents a festive Scandinavian Midsummer celebration, as the border between the world of mortals and the kingdom of the supernatural becomes thinner, turning the celebration into a dreamlike fantasy. Ekman has collaborated with companies worldwide to create award-winning works that both entertain and challenge the observer, including the Chicago Premieres of Ekman’s Tulle in 2015 along with his wild and rhythmic Episode 31 which premiered on the Joffrey during the 2013 Chicago Dancing Festival. Ekman will also present the world premiere of a new work (untitled) during The Joffrey Ballet’s spring program Global Visionaries in April 2017.

Midsummer Night’s Dream is presented in 10 performances only, April 25-May 6, 2018.

Joffrey Gala Performance — April 20, 2018

For the third year in a row, The Joffrey Ballet will open its special, one-hour gala performance exclusively to Joffrey subscribers and gala donors. 

Lyric Collaboration — September 23 – October 15, 2017

This season, The Joffrey Ballet and Lyric Opera of Chicago will collaborate on a world premiere production of Christoph Willibald Gluck’s classic opera Orphée et Eurydice. Based on the Greek myth of Orpheus, Orphée et Eurydice features a modern-day Orpheus, a poet whose every word communicates an overwhelming love for his late wife, Eurydice. After refusing to accept her death, he courageously journeys to the Underworld to bring her back to life but first must face Love’s challenge. Lyric Opera will present Orphée in the Paris version, containing thrilling ballet sequences that will come to life under the direction and choreography of internationally acclaimed Director and Chief Choreographer of The Hamburg Ballet, John Neumeier. Most recently, Neumeier worked with the Joffrey, upon whom he set the North American premiere of his full-length story ballet Sylvia in October 2015. Orphée et Eurydice will be presented in seven performances at Lyric’s Civic Opera House, September 23 - October 15.

Tickets and Subscriptions

Three-program subscriptions, which do not include The Nutcracker or Orphée et Eurydice, start at $87. Subscriptions will be available for purchase as of February 22, 2017, online, by mail (Joffrey Ballet Subscriptions, The Joffrey Ballet, Joffrey Tower, 10 East Randolph Street, Chicago, IL 60601), by telephone at 312-386-8905, by fax at 312-739-0119, or by email at subscriptions@joffrey.org. 

Single tickets for the October, February and April performances as well as The Nutcracker will be available starting August 1, 2017. Single tickets are available at The Joffrey Ballet’s official Box Office located in the lobby of 10 East Randolph Street, by telephone at 312-386-8905, or online.

Orphée et Eurydice will be presented by The Lyric Opera of Chicago at the Civic Opera House (20 N. Wacker Drive, Chicago). Joffrey Ballet subscribers will receive an exclusive pre-sale opportunity with a 20% discount. Tickets can be purchased through Lyric Opera audience services at 312-827-5600.

About The Joffrey Ballet

Classically trained to the highest standards, The Joffrey Ballet expresses a unique, inclusive perspective on dance, proudly reflecting the diversity of America with its company, audiences, and repertoire which includes major story ballets, reconstructions of masterpieces, and contemporary works.

The Company’s commitment to accessibility is met through an extensive touring schedule, an innovative and highly effective education program including the much lauded Academy of Dance, Official School of The Joffrey Ballet, Community Engagement programs, and collaborations with myriad other visual and performing arts organizations.

Founded by visionary teacher Robert Joffrey in 1956, guided by celebrated choreographer Gerald Arpino from 1988 until 2007, The Joffrey Ballet continues to thrive under internationally renowned Artistic Director Ashley Wheater and Executive Director Greg Cameron.

The Joffrey Ballet is grateful for the support of 2017-2018 Season Sponsors: Abbott Fund, Alphawood Foundation Chicago, NIB Foundation, and the Daniel and Pamella DeVos Foundation, Live Music Sponsor The Marina and Arnold Tatar Fund for Live Music, and 2017-2018 Season Partners: pamella roland and Fox Ford Lincoln, Clear Channel Airports, Chicago Athletic Clubs, JW Marriott, and Official Provider of Physical Therapy, Athletico.

For more information on The Joffrey Ballet and its programs, click HERE.

3 Nights Only, See The Inimitable Jackie Taylor at Black Ensemble Theatre In From Jackie With Love 3/6th-8th

Chi, IL LIVE Shows On Our Radar:

JACKIE TAYLOR TO STAR IN

A THREE NIGHT ENGAGEMENT OF

FROM JACKIE WITH LOVE 

(WHAT THE WORLD NEEDS NOW)

AT BLACK ENSEMBLE THEATER 

March 6-8, 2017 at 7:30pm

 Black Ensemble Theater Founder and CEO Jackie Taylor will star in her one-woman show From Jackie With Love (What The World Needs Now) at the Black Ensemble Theater Cultural Center, 4450 N. Clark Street in Chicago, March 6-8, 2017 at 7:30pm.  

You may know Jackie Taylor as the Founder and Executive Director of the Black Ensemble Theater, but have you ever experienced her as a performer on stage? Ms. Taylor will sing, dance and share her celebrated acting talents through monologues from her own works and the works of August Wilson, Lorraine Hansberry, Pearl Cleage and Tennessee Williams. The story will be laced with Jackie’s own personal song compositions as we experience her perspectives on her life, from growing up in Cabrini Green to embracing a dysfunctional family to her own the successes and failures.   

Black Ensemble Theater will host a VIP night of From Jackie With Love (What The World Needs Now) on Wednesday, March 8, 2017, as a fundraiser to ensure the company’s future as the preeminent African-American theater company in the country.  The evening will begin at 6:30pm with a pre-show reception with appetizers, champagne and wine, followed by the performance at 7:30pm.

Regular tickets for all three performances are $65.  The VIP Event on March 8 is $150 which includes the private reception and performance.  Tickets are available at the Black Ensemble Box Office located at 4450 N. Clark St in Chicago, online HERE, or by phone at (773) 769-4451. 

The Black Ensemble Theater 

Founded in 1976, by the phenomenal producer, playwright and actress Jackie Taylor, Black Ensemble Theater is the only African American theater located in the culturally, racially and ethnically diverse north side Uptown community. Through its Five Play Season of Excellence, The Black Ensemble Theater dazzles audiences locally, nationally and internationally with outstanding original musicals that are entertaining, educational and uplifting. The Black Ensemble Theater has produced more than 100 productions and employed over 5,000 artists.

On November 18, 2011, The Black Ensemble Theater Cultural Center opened and is able to accommodate larger-scale productions, bigger audiences and a wider range of educational programming. The new facility includes amenities such as a 299-seat main stage theater (double the capacity of the original venue); 14 offices, classroom space, rehearsal hall, dance studio, scene shop, costume shop, and wardrobe rooms; seven dressing rooms; rehearsal room for musicians; front lobby space with concession areas; and an indoor parking garage.  The completion of a 150-seat theater, which will serve as an experimental stage for the work of the Black Playwright Initiative (BPI), with construction by General Contractor Norcon Inc., is expected in 2017. 

The mission of the Black Ensemble Theater Company is to eradicate racism and its devastating effects upon society through the theater arts.  For more information on the Black Ensemble Theater Company, please visit www.BlackEnsembleTheater.org or call 773-769-4451.

SAVE THE DATES: 63rd Season At Court Theatre

Chi, IL LIVE Shows On Our Radar:

COURT THEATRE ANNOUNCES 63^rd SEASON

Season includes Five Guys Named Moe by Clarke Peters; directed by Resident Artist Ron OJ Parson and Associate Director Felicia P. Fields; The Belle of Amherst, written by William Luce, directed by Sean Graney; Arthur Miller’s All My Sons, directed by Charles Newell; Guess Who’s Coming to Dinner, by Todd Kreidler, based on the screenplay by William Rose, directed by Marti Lyons; the Chicago Premiere of The Originalist, written by John Strand; and the remount of Court’s Iphigenia in Aulis at the Getty Villa 

Court Theatre proudly announces its 63rd season under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director and Executive Director Stephen J. Albert. The company’s 2017/18 season will feature the lively musical tribute to the hit songs of saxophonist and songwriter Louis Jordan, Five Guys Named Moe, written by Clarke Peters and directed by Resident Artist Ron OJ Parson and Associate Director Felicia P. Fields; an exploration of the complex life of Emily Dickinson with The Belle of Amherst, written by William Luce, directed by Sean Graney and featuring Kate Fry; an electrifying story of love and family with Arthur Miller’s American masterpiece All My Sons, directed by Charles Newell and featuring Timothy Edward Kane and John Judd; the classic family drama Guess Who’s Coming to Dinner, by Todd Kreidler, based on the screenplay by William Rose, directed by Marti Lyons and featuring Jacqueline Williams; and the Chicago Premiere of the story of remarkable Supreme Court Justice Antonin Scalia with The Originalist, written by John Strand.

In addition to the mainstage season, Court’s 2014 production of Iphigenia in Aulis will be remounted in California at the invitation of the prestigious Getty Villa. This is the highest achievement for theatres producing Greek or Roman work. Charles Newell, Marilyn F. Vitale Artistic Director, returns to direct the script translated by Court’s Founding Artistic Director Nicholas Rudall, featuring members of the original cast.

“From a celebratory musical to a leading American poet, from Arthur Miller’s tragedy of the common man to a stage adaptation of an iconic film and a portrait of a notorious figure in American jurisprudence, Court Theatre welcomes an eclectic and powerful season,” says Charles Newell, Marilyn F. Vitale Artistic Director. “We are thrilled to invite a range of celebrated artists from Chicago and beyond to bring these stories to life for our audiences. It is also a distinct honor to bring our production of Iphigenia in Aulis to the leading American presenter of Classical Greek Theatre as the Getty Villa offers an incomparable setting for the study and enjoyment of the arts and cultures of ancient Greece, Roma, and Etruria.”

The 2017/18 Court Theatre Season Up-Close:

Five Guys Named Moe

September 7 - October 8, 2017

A Musical by Clarke Peters

Directed by Ron OJ Parson and Associate Director Felicia P. Fields

Music Direction by Abdul Hamid Royal

Featuring Louis Jordan’s Greatest Hits

Press Opening: September 16, 2017 at 8:00pm

A lively musical tribute to the hit songs of saxophonist and songwriter Louis Jordan, Five Guys Named Moe introduces Nomax: a broke, newly single guy singing the blues late into the night. Suddenly, five unexpected friends--Big Moe, Four-Eyed Moe, Eat Moe, No Moe, and Little Moe--emerge from his radio to help ease his broken heart. Pioneering musician Louis Jordan’s new approach to jazz paved the way for rock and roll in the 1950s.

The Belle of Amherst

November 2 - December 3, 2017

By William Luce

Directed by Sean Graney

Featuring Kate Fry as Emily Dickinson

Press Opening: November 11, 2017 at 8:00pm

Emily Dickinson's own original poems, diary entries, and letters welcome us into her Massachusetts home, where she shares snippets of joy and creation amongst the heartache of an isolated and misunderstood life.

This 1976 play by William Luce offers a glance into the complex life of one of the most prolific poets of our time. Playwright and director Sean Graney returns to Court for the fourth time to direct The Belle of Amherst, with Kate Fry (Electra; Caroline, or Change) starring as Emily Dickinson.

All My Sons

January 11 - February 11, 2018

By Arthur Miller

Directed by Charles Newell

Featuring Timothy Edward Kane and John Judd

Press Opening: January 20, 2018 at 8:00pm

Local businessman and manufacturer Joe Keller developed a bitter history with his business partner after dealing with profound tragedy during World War II. Despite the odds, love blossoms between Joe’s son Chris and his partner’s daughter Ann. Joe is destined to face old dilemmas and defend his decisions in this electrifying family drama.

All My Sons established playwright Arthur Miller as an American theater icon, and won the 1947 Drama Critics' Award for Best New Play. Court Theatre’s production is directed by Marilyn F. Vitale Artistic Director Charles Newell and features Timothy Edward Kane (An Iliad; One Man, Two Guvnors; Harvey) and John Judd.

Guess Who’s Coming to Dinner

March 15 - April 15, 2018

By Todd Kreidler (based on the screenplay by William Rose)

Directed by Marti Lyons

Featuring Jacqueline Williams

Press Opening: March 24, 2018 at 8:00pm

Matt and Christina Drayton live a modern, white upper-class life in 1960s San Francisco, but their comfortable life is muddled when daughter Joey returns home with John Prentice, a black physician whom she has known for ten days and intends to marry. Suddenly, their longtime progressive values are challenged; Matt and Christina find themselves facing difficult personal questions about the future of their daughter and their family. And unfortunately for the Draytons, Joey and John aren’t their only surprise guests coming to dinner.

Chicago Premiere

The Originalist

May 10 - June 10, 2018

By John Strand

Press Opening: May 19, 2018 at 8:00pm

When a Harvard Law School graduate with decidedly different views takes on a clerkship with Supreme Court Justice Antonin Scalia, one of America’s most brilliant and polarizing figures, she discovers in him an infuriating opponent and an unexpected mentor. Their relationship faces the ultimate test as they confront one of the most polarizing cases to reach the nation’s highest court.

Written by Charles MacArthur Award winner John Strand, this daring new work shows just how much passion for the law and risk it takes to defend one’s version of the truth.

Additional casting and creative team information to be announced at a later date.

Subscription Information

Five, four, and three play subscriptions to Court’s 2017/18 season range from $96 to $300 and are on sale now. To purchase a subscription or to receive more information, call the Court Theatre Box Office at (773) 753-4472, or visit Court’s website at www.CourtTheatre.org. Individual tickets for all shows will be available on August 1^st.

Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.