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Tuesday, January 8, 2013

ACT OUT OPENING: Writers’ Theatre presents Sweet Charity




It's not every day that a Neil Simon musical based on a Fellini film comes along!  Glencoe may never be the same.

Writers’ Theatre presents
Sweet Charity
Book by Neil Simon
With music by Cy Coleman and lyrics by Dorothy Fields
Directed by Artistic Director Michael Halberstam
Musical direction by Doug Peck
Choreography by Jessica Redish

January 22 – March 31, 2013


*Fun facts:  

Sweet Charity, based on Federico Fellini’s 1957 Italian romantic drama film Nights of Cabiria premiered on Broadway in 1966, where it was nominated for 12 Tony Awards. The continuing popularity of the musical inspired Broadway revivals in both 1986 (when it won 4 out of the 5 Tony Awards it was nominated for) and 2005 (nominated for three Tony Awards).

The American film adaptation premiered in 1969 with Shirley MacLaine as Charity and John McMartin recreating his Broadway role as Oscar Lindquist. Bob Fosse directed and choreographed this film.



Writers’ Theatre Executive Director Kathryn M. Lipuma and Artistic Director Michael Halberstam announce the Writers’ Theatre production of Sweet Charity, book by Neil Simon with music by Cy Coleman and lyrics by Dorothy Fields, directed by Artistic Director Michael Halberstam with musical direction by Doug Peck and choreography by Jessica Redish. The production runs January 22 – March 31, 2013 at Writers’ Theatre, 325 Tudor Court, Glencoe, IL.

*Fun facts:   
  • Writers’ Theatre is producing its fifth musical with Sweet Charity. Previously, the company produced A Minister’s Wife, which Michael Halberstam later directed at Lincoln Center Theatre; She Loves Me, featuring Jessie Mueller; A Little Night Music and Oh Coward! 




Title:                             Sweet Charity
Book by:                      Neil Simon
Music by:                      Cy Coleman
Lyrics by:                      Dorothy Fields
Based on the Film by:   Federico FelliniTullio Pinelli and Ennio Flaiano
Produced for the
Broadway Stage by:      FryerCarr and Harris
Conceived, Staged
and Choreographed by: Bob Fosse

Creative Team:             Michael Halberstam, Director
                                    Doug Peck, Music Director
Jessica Redish, Choreographer
                                    Tom Vendafreddo, Piano/Conductor
                                    Collette Pollard, Scenic Designer
David Hyman, Costume Designer
John Culbert, Lighting Designer
Joshua Horvath, Sound Designer
Nick Heggestad, Properties Designer
Eva Breneman, Dialect Coach
David Castellanos, Production Stage Manager
Michael Holtzman, Assistant Director

                                                Dates:              First performance: January 22, 2013
                                                Closing performance: March 31, 2013
           
            Schedule:         Tuesdays: 7:30pm
                                    Wednesdays7:30pm (additional 2pm matinee February 20, March 6,
                                    And March 20; no 7:30pm show March 6)
            Thursdays & Fridays: 8:00pm
            (except 7:30pm on January 31 and December 1)
                                                Saturdays: 4:00pm and 8:00pm
            Sundays: 2:00pm and 6:00pm (no 6pm show February 24 or March 24)
           
                        Location:          Writers’ Theatre, 325 Tudor Court, Glencoe
                        Prices:              Prices for all performances range from $35 - $75
                                                Purchase early for best prices   
Box Office:       The Box Office is located at 376 Park Avenue, Glencoe;
            847-242-6000; www.writerstheatre.org


**TWEET SEATS
Follow Writers' Theatre on Twitter (Twitter.com/WritersTheatre) and by 3:00pm, when available, Writers' will Tweet a code that can be used to purchase remaining seats for that day’s performance at a discount. When available, Tweet Seats may be purchased only through the Writers' Theatre website at writerstheatre.org.** 





How many times can a girl make the same mistakes? Charity Valentine’s problems aren’t unique—a dead end job, a string of dates with identically flawed men and a knack for making the wrong choices. Of course, in her case the job is as a dance hall “hostess” and her dates all seem to end with her being pushed into the lake— but that won’t shake her belief that great things lie just ahead. And perhaps they do…

Artistic Director Michael Halberstam gives Charity reasons to sing and dance on the gritty streets of New York, and Musical Director Doug Peck re-imagines the score for a live jazz combo.

"Having now fully invested in the musical as part of the Writers' Theatre conversation it makes sense that we should deepen our respect for the form with a foray into this most thrilling of genres—the dance musical.  Along with the city's foremost music director Doug Peck and rising local choreographer Jessica Redish, we have assembled a talent-packed cast of actor-singer-dancers (or triple threats as they are known in the business) to bring Simon, Coleman and Fields’ musical to life,” says Artistic Director Michael Halberstam.  “We are particularly thrilled to be showcasing the remarkable appeal of Tiffany Topol who, already highly respected by her colleagues in Chicago, is about to introduce herself to our audiences in a mighty special way.  Writers' Theatre is about to bring its own intimate brand of theatrical sizzle to Glencoe."  

The cast includes: Tiffany Topol (Charity), Jarrod Zimmerman (Oscar/Ensemble), Jeff Parker (Vittorio/Ensemble), Ericka Mac (Helene/Ensemble), Karen Burthwright (Nickie/Ensemble), James Earl Jones II (Daddy Brubeck/Herman/Ensemble), Katie Spelman (Rosie/Ensemble), Emily Ariel Rogers (Ursula/Ensemble), Adam Estes (Ensemble), Travis Porchia (Ensemble) and Liam Quealy (Ensemble).

The creative team includes: Collette Pollard (Scenic Designer), David Hyman Costume Designer), John Culbert (Lighting Designer), Joshua Horvath (Sound Designer), Nick Heggestad, (Properties Designer), Eva Breneman (Dialect Coach), Tom Vendafreddo (Piano/Conductor), David Castellanos (Production Stage Manager) and Michael Holtzman, (Assistant Director).


*Fun facts: 

With the exception of Adam Estes, who worked with Writers’ on A Minister’s Wife, the cast is new to Writers’ Theatre.  Writers’ is thrilled to have an opportunity to work with these talented artists for the first time.

ABOUT THE ARTISTS
Michael Halberstam (Director, Artistic Director) is the co-founder of Writers’ Theatre. He has directed over 30 productions for the company including Not About Heroes (starring Nicholas Pennell), Private Lives, Look Back In Anger, Candida, The Father, Crime and Punishment, Benefactors, Seagull, The Duchess of Malfi, Othello, The Savannah Disputation, the world premiere musical A Minister’s Wife, Rosencrantz and Guildenstern Are Dead, She Loves Me, The Real Thing and Hamlet. Halberstam has appeared in numerous Writers’ Theatre productions including Richard II (title role), Loot and Misalliance. Previously, he spent two years at The Stratford Festival in Ontario and performed in Timon Of Athens, The Knight of the Burning Pestle (title role), Much Ado About Nothing and As You Like It. Halberstam’s other Chicago acting credentials include productions with Wisdom Bridge, Court Theatre and Chicago Shakespeare Theater. Elsewhere he directed The Gamester (Northlight Theatre), A Man For All Seasons (Peninsula Players Theatre), Hamlet (Illinois Shakespeare Festival), Candida (Jean Cocteau Repertory in New York), Ten Little Indians (Drury Lane Oakbrook Terrace), a highly acclaimed revival of Crime and Punishment, which Writers’ Theatre produced off-Broadway at 59E59 Theatres in New York City, Enchanted April and State of the Union (Milwaukee Repertory Theater). In 2011 he directed A Minister’s Wife at Lincoln Center Theater. His forays into opera have included The Rape Of Lucretia (Chicago Opera Theater), Francesca De Ramini featuring the Chicago Symphony Orchestra conducted by Christoph Eschenbach and Le Freyshutz, a Berlioz adaptation of the Weber opera conducted by Christoph Eschenbach in its North American Premiere (Ravinia Festival). He spent two and a half years teaching Shakespeare at The Theatre School at DePaul University and has received awards for excellence in theater management and/or artistic achievement from The Chicago Drama League, The Arts & Business Council, Chicago Lawyers for the Creative Arts, The Chicago Associates of the Stratford Festival and most recently, the 2010 Zelda Fichandler Award.

Doug Peck (Musical Director & Re-Orchestrations) is thrilled to return to Writers' Theatre after music directing Oh Coward! He is the winner of five Joseph Jefferson Awards (Porgy and Bess, Caroline, or Change, Carousel, Fiorello!, Man of La Mancha) and two After Dark Awards (Guys and Dolls, Hello, Again). Other favorite projects include Dreamgirls, Shenandoah, Fiddler on the Roof, Cabaret, James Joyce's The Dead, A Catered Affair, Hair, Grey Gardens, My Fair Lady, Beauty and the Beast, Raisin, Animal Crackers, and Mary Zimmerman's acclaimed production of Candide. His work has been heard in Chicago at Court Theatre, Goodman Theatre, Chicago Shakespeare Theater, TimeLine Theatre Company, Paramount Theatre, Drury Lane Oakbrook Theatre, Porchlight Theatre, Ravinia Festival and the Chicago Humanities Festival, as well as Boston's Huntington Theatre, D.C.'s Shakespeare Theatre, New Haven's Long Wharf Theatre, Sarasota's Asolo Repertory Theatre and Door County's Peninsula Players. Peck can be heard on the recordings Bright Young People: The Songs of Noël Coward, Foiled Again Live and Loving, Repeating: A Musical of Gertrude Stein. For the Chicago Humanities Festival, he and Rob Lindley have presented Assassins and Follies in concert, as well as A Night at the Oscars, a chronological survey of every single song that won the Academy Award. A proud Northwestern University graduate, Peck also trained at the Interlochen Center for the Arts. Peck is a creative partner with the Goodman Theatre, an artistic associate with Porchlight Theatre, and a faculty member of the National High School Institute of the Arts. Upcoming projects include Pal Joey at Porchlight, Disney's The Jungle Book for the Goodman, In the Heights at Paramount, and Disney's Mary Poppins at Marriott.

Jessica Redish (Choreographer) is pleased to return to Writers' Theatre where she choreographed She Loves Me. Redish is the Founding Artistic Director of The Music Theatre Company in Highland Park where she directed and choreographed Pippin (Joseph Jefferson Award Nomination - Choreography), Merrily We Roll Along, Erika’s Wall and The 9/11 Report. Other Chicago area credits include choreographing RENT directed by David Cromer (American Theater Company/About Face Theatre) and Seussical (First Stage in Milwaukee). New York credits include Movement Direction for the off-Broadway production of Adding Machine directed by Mr. Cromer, as well as directing and choreographing various new musicals at the New York Music Theatre Festival and NYFringe. Redish served as a guest artist at Roosevelt University, Hollins University, Perry Mansfield and Northwestern University, her alma mater. Upcoming projects include choreographing Pinkalicious (First Stage) and The Pajama Game (The Music Theatre Company). Redish is a member of the Stage Directors and Choreographers Society.

Karen Burthwright (Nickie/Ensemble) makes her Writers' Theatre debut. Chicago credits include Alice in Computerland (Northbrook Theatre for Young Audiences), Ragtime (Jeff Award for Best Musical), Hot Mikado and Aida (Drury Lane Theatre Oakbrook). Broadway credit Jesus Christ Superstar. Regional/Canada/First National Tours include Brenda in Smokey Joe's Café  (Florida Studio Theatre), Jesus Christ Superstar (La Jolla Playhouse), Featured Vocalist in Dirty Dancing (Toronto Company & US First National Tour), Hairspray (Toronto Company & US First National Tour), Lisa in Mamma Mia! (Toronto Company & US First National Tour),The Rocky Horror Show (Canadian Stage/Manitoba Theatre Centre), Sheila in Hair (Canadian Stage), Dreamgirls (Stage West Calgary), Featured Vocalist in California Dreaming (Stage West Mississauga), Woman 2 in Away Home (Afro Canadian Playwright's Festival) and Petal in Nutmeg Princess (Young People's Theatre). Film/TV credits include The New Superman Man of Steel (2013), Journey to Freedom and Blues Brothers 2000.

Adam Estes (Ensemble) returns to Writers' Theatre where he previously appeared as an understudy in A Minister's Wife. Other credits include performances with Goodman Theatre, The Paramount, Milwaukee Repertory Theater, Madison Repertory Theatre, Ravinia Festival, Marriott Theatre in Lincolnshire, The Arvada Center for the Arts and Humanities, Peninsula Players, In Tandem Theatre, Lake Dillon Theatre, First Stage Children's Theater, Skylight Music Theatre, Florentine Opera and The Fireside Theatre. 

James Earl Jones II (Daddy Brubeck/Herman) makes his Writers' Theatre debut. James recently finished Will You Stand Up? – educating people about mental wellness (Erasing the Distance) and a workshop of Now and Then a Hero (Light Opera Works). His work has garnered Black Theatre Alliance Awards and Black Excellence Awards. Credits include Dreamgirls, The Full Monty (Marriott Theater in Lincolnshire), Mr. Rickey Calls a Meeting (Lookingglass), Porgy & Bess (Court, Lyric Opera and San Francisco Opera), The Wiz (Joseph Jefferson nomination, Theater at the Center), Aida, Spamalot, Ragtime (Drury Lane Oakbrook), A Civil War Christmas (Northlight), Annie Get Your Gun (Ravinia Festival), 25th Annual Putnam County Spelling Bee (Broadway in Chicago and Mason Street Warehouse), Dessa Rose (Appletree), Aspects of Love (Jedlicka Performing Arts Co.), IPagliacci (Intimate Opera Co.), On the Town (New Classic Singers), The Gondoliers, Patience (Hyde Park Gilbert and Sullivan Opera Co.), H.M.S. Pinafore (Savoy Aires Gilbert and Sullivan Opera Co.) and Pirates of Penzance (Elgin Chorale and Symphony). His voice is heard on various commercials.

Ericka Mac (Helene/Ensemble) makes her Writers' Theatre debut. Chicago credits include Ellie in Showboat (Lyric Opera of Chicago), Rita in White Christmas, Anytime Annie in 42nd Street, Sheila in A Chorus Line, Cha Cha in Grease, Poopsie in The Pajama Game (Marriott Theatre in Lincolnshire), Erato in Xanadu, Helene in Sweet Charity, Lucy in You're a Good Man, Charlie Brown, Consuelo in West Side Story (Drury Lane Oakbrook), Aldonza in Man of La Mancha, nine roles in Jolson & Company (including Ruby Keeler and Mae West), Demeter in Cats, Lady in Green in Singin' in the Rain, Morales in A Chorus Line (Theatre at the Center), Cat in the world premiere of The Adventures of Pinocchio, Bird Girl in Seussical the Musical (Chicago Shakespeare), Singer in The Radio City Christmas Spectacular (Rosemont Theater), Velma Kelly in Chicago and Kay Mostyn in Murder on the Nile (Peninsula Players). She is currently recording her singer/songwriter debut CD of original songs.

Jeff Parker (Vittorio/Ensemble) makes his Writers' Theatre debut. Recent credits include 1776 (Asolo Repertory; directed by Frank Galati), Mary Zimmerman’s Candide, Calixto Bieito’s Camino Real (Goodman) and As You Like It (Chicago Shakespeare). Chicago credits include Turn of the Century directed by Tommy Tune, Bounce directed by Harold Prince, The Beard of Avon, The Visit, Floyd Collins, The House of Martin Guerre (Goodman), The Brother/Sister Plays directed by Tina Landau (Joseph Jefferson Award-Best Ensemble), Venus (Steppenwolf), Cymbeline, The Three Musketeers (Chicago Shakespeare), Nine (Joseph Jefferson Nomination-Best Actor in a Musical, Porchlight Music Theatre), Before My Eyes, View of the Dome, Bluff (Victory Gardens) and Indian Ink (Apple Tree Theatre). Regional/Off Broadway credits include Candide (Huntington Theatre Company), My Fair Lady (Asolo Repertory Theatre), Boy Gets Girl (Manhattan Theatre Club), Winesburg, Ohio (Kansas City Rep.) and The American in Me (Magic Theatre). Television and film credits include Prison Break (Fox) and Early Edition (CBS). Parker received a B.F.A. in Acting from the University of Southern California.

Travis Porchia (Ensemble) makes his Writers' Theatre debut. Chicago credits include Hairspray (Drury Lane Oakbrook–Jeff Nomination), The Petrified Forest (Strawdog Theater Company), Pippin (Boho Theater), Meet John Doe (Porchlight Music Theatre)and Footloose! (Theater At The Center). Regionally credits include Peninsula Players' production of Chicago (Door County, WI). TV credits include "Boulevard"--AT&T Uverse (commercial) and "Where You At?" (music video). Film credits include "Dhoom 3: Back InAction" (Feature) and "Dr. Liebenstein"(Independent).

Liam Quealy (Ensemble) makes his Writers' Theatre debut. Chicago area credits include Disney's Beauty and the Beast (Chicago Shakespeare), Pirates of Penzance (Marriott Theater in Lincolnshire), Annie, Mark in A Chorus Line, Judah, Joseph U/S in Joseph and the Amazing Technicolor Dreamcoat and My Fair Lady (Paramount Theatre). National Tour: Sasha, Fyedka U/S in Fiddler on the Roof. Off Broadway: Bobby in Dear Edwina. Liam is an Eagle Scout.

Emily Ariel Rogers (Ursula/ Ensemble) makes her Writers 'Theatre debut. Chicago credits include Dance Captain/Ensemble in Camelot, Jean in Brigadoon (Light Opera Works), Pippin (The Music Theatre Company), The Christmas Show (The Little Theatre on the Square), Apache Dancer in Joseph and the Amazing Technicolor Dreamcoat (The Paramount Theatre) and Victoria in Cats (Joseph Jefferson Award nomination, Theo Ubique Cabaret Theatre). As a choreographer, Rogers' work was most recently seen in Time After Time: The Songs of Jule Styne (Theo Ubique).

Katie Spelman (Rosie/Ensemble/Dance Captain) makes her Writers' Theatre debut. Chicago credits include Hair, A Chorus Line, Joseph and the Amazing Technicolor Dreamcoat and Grease (Paramount Theatre), The Adventures of Pinocchio (Chicago Shakespeare Theater), Animal Crackers (Goodman), Fiddler on the Roof, The Drowsy Chaperone (Marriott Theatre in Lincolnshire), The Boys From Syracuse, The Hot Mikado (Drury Lane Oakbrook), and Merrily We Roll Along and Erika’s Wall (The Music Theatre Company). As a choreographer, Spelman has worked with Court Theatre, Chicago Shakespeare Theater, Asolo Repertory Theatre, Sideshow Theatre Company, The Inconvenience, The New Colony, The Music Theatre Company, Starkid, Maltz-Jupiter Theatre and Northwestern University. Spelman is an associate member of the Stage Directors and Choreographers Society, a proud member of Actors’ Equity, and a graduate of Northwestern University. Love to Mom and Dad.

Tiffany Topol (Charity) makes her Writers' Theatre debut. Other credits include Eastland: A New Musical (Lookingglass), My One and Only, Joseph and the Amazing Technicolor Dreamcoat, Legally Blonde, White Christmas, How Can You Run With a shell on Your Back?, 42nd Street (Marriott Theatre in Lincolnshire), Boys From Syracuse (Drury Lane Oakbrook), Cabaret (Milwaukee Repertory Theatre), Hairspray (Cape Playhouse), A Chorus Line (Gateway Playhouse), I'll Be Damned (Off-Broadway) and Xanadu (Broadway National Tour). She is proud to be a member of the Back Room Shakespeare Project.

Jarrod Zimmerman (Oscar/Ensemble) makes his Writers’ Theatre debut. Chicago credits include A Christmas Carol (Goodman), Shakespeare in the Parks: The Taming of the Shrew, The Emperor’s New Clothes (Chicago Shakespeare Theater), Gypsy (Drury Lane Oakbrook), Merrily We Roll Along (The Music Theatre Company), The Music Man, Little Women, Into the Woods (Marriott Theatre in Lincolnshire), The Boys Are Coming Home (AMTP) and The Spitfire Grill (Provision Theater). Regional credits include 1776 (Asolo Repertory Theatre), A Day in Hollywood / A Night in the Ukraine (Peninsula Players), I Love You, You're Perfect, Now Change (Totem Pole Playhouse), Big! the musical, Proof, The Mousetrap, Little Women and Arsenic and Old Lace (Arrow Rock Lyceum Theatre). Television credits include Boss (Starz). Zimmerman is a graduate of Northwestern University.


TICKET INFORMATION
Performances are January 22, 2013– March 31, 2013. The press opening is on Thursday, January 31, 2013 at 7:30pm. Curtain times are Tuesdays and Wednesdays at 7:30pm; Thursdays and Fridays at 8:00pm; Saturdays at 4:00pm and 8:00 pm; Sundays at 2:00pm and 6:00pm.  Tickets are $35-$70 and are available at the Box Office, 376 Park Avenue, Glencoe; 847-242-6000 or online at www.writerstheatre.org.


AUDIENCE ENRICHMENT
Writers’ Theatre is thrilled to announce the expansion of their post-show discussions. Throughout the season they will be offering post-show discussions on select Wednesday evenings following the performance in our Tudor Court space. In the Books on Vernon space they will be offering post-show discussions every other Wednesday evening.
Post-show discussions provide a forum for audience members to ask questions of the artists in the production and gain new insight into the work.
Post-show discussions for Sweet Charity are every Wednesday evening following the performance:  February 6, 13, 27; and Mar. 13, 20, 27.
Visit writerstheatre.org/enrichment for more information.




 Also currently playing at the Vernon Ave. location:

THE LETTERS

Written by John W. Lowell
Directed by Kimberly Senior

Featuring Kate Fry and Mark Montgomery
When Anna is called in for a meeting with her superior, everything seems to be going well. But nothing is quite as it seems in this thriller of politics and disinformation set in 1930s Russia. An informal interview quickly turns into a game of cat and mouse in which the roles of hunter and hunted shift without warning, and being the last to flinch may mean the difference between life and death. Who will claim the upper hand: those who suppress the truth, or those who will risk everything to
liberate it?

Director Kimberly Senior’s intimate bookstore production will captivate you as the stakes are raised in this taut political thriller.
Running Time: One hour and fifteen minutes with no intermission.



WRITERS’ PARTNERS
Writers' Theatre is pleased to welcome back BMO Harris Bank as Season Sponsor of its 2012/13 Season.

Northern Trust joins as the Corporate Sponsor Partner of Sweet Charity

Writers' Theatre welcomes back Winnetka’s award-winning Restaurant Michael as Restaurant Partner and Event Sponsor. Writers' Theatre patrons receive 10% off their guest check when they present their ticket stub when ordering. Just 10 minutes from the theater at 64 Green Bay Road, Restaurant Michael is the perfect fit for any dining occasion. Call 847-441-3100 to make your reservation.

For more information about Writers' 2012/13 Season Restaurant Partners and offer restrictions visit writerstheatre.org/visitus.


ABOUT WRITERS’ THEATRE
Over the past twenty seasons, Writers' Theatre has become a major Chicagoland cultural destination with a national reputation for excellence. Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers’ Theatre has been deemed the “best drama company in the nation” by the Wall Street Journal and achieved twenty years of surplus operations. The company, which plays to a sold-out and discerning audience of 35,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry. Prized for the finest interpretations of classic and contemporary theatre in its two intensely intimate venues, Writers’ Theatre’s acclaimed work includes Artistic Director Michael Halberstam’s world premiere in Glencoe and subsequent production of A Minister’s Wife at Lincoln Center Theater; David Cromer’s productions of A Streetcar Named Desire and Picnic; and the commissioning, world premiere and New York premiere of Crime and Punishment, which has received more than 30 subsequent regional theater productions.

In July, 2011, Writers’ Theatre announced the hiring of the award-winning, internationally renowned Studio Gang Architects, led by principle Jeanne Gang, FAIA to design a new home for the Theatre in downtown Glencoe which will once again allow the Theatre to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility will resonate with and complement the Theatre’s neighboring Glencoe community and will add tremendous value to Chicagoland and the North Shore as a premier cultural destination.
You can find Writers’ Theatre on Facebook or follow Writers' Theatre on Twitter at Twitter.com/WritersTheatre. For more information, visit www.writerstheatre.org.


ACT OUT OPENING: The Dream of the Burning Boy at Profiles




Profiles Theatre continues 24th Season
with Midwest premiere of
The Dream of the Burning Boy 
by David West Read
Directed by Artistic Director Joe Jahraus


Profiles Theatre continues its 2012-2013 Season with Midwest Premiere of The Dream of Burning Boy by West Read, directed by Artistic Director Joe Jahraus. The production runs January 18 – March 10, 2013 at Profiles Theatre’s Alley Stage, 4147 N. Broadway.   ChiIL Live Shows will be checking it out on the 29 and we'll have a full review for you shortly thereafter.   Tickets are on sale now including a special 2 show deal through 1/31.

A two show Flex Pass is currently available for two admissions to both The Dream of the Burning Boy and In the Company of Men for $100 when purchased before January 31, 2013. Performances are Thursdays and Fridays at 8:00 p.m., Saturdays at 5:00 and 8:00 pm, Sundays at 7:00 p.m.



Since the sudden death of his favorite student, high-school teacher Larry Morrow has been falling asleep at his desk and dreaming. Steve, the school's guidance counselor, hangs inspirational posters designed to help everyone "process their emotions” while the student's sister and friends find little solace in their schoolwork. The Dream of the Burning Boy is a bittersweet story of choices made, opportunities lost, and finding the strength to move on.

The Dream of the Burning Boy received its World premiere in March 2011 as part of Roundabout Underground, Roundabout Theatre's initiative to nurture new plays by emerging writers. Playwright David West Read, a native of Toronto, currently resides as a Lila Acheson Wallace Playwriting Fellow at The Juilliard School, and a recent graduate of the MFA program in Dramatic Writing at New York University's Tisch School of the Arts. The Dream of the Burning Boy was developed at the 2010 National Playwrights Conference at the Eugene O'Neill Theater Center. Mr. Read currently works on a commission for South Coast Repertory.

Directed by Profiles Co-Artistic Director Joe Jahraus, the cast of The Dream of the Burning Boy  features Co-Artistic Director Darrell W. Cox as Larry and Profiles ensemble member Eric Burgher as Steve. Also featured are guest artists Marilyn Bass, Sarah Chalcroft, Joel Collins, Vic Kuligoski and Alaina Stacey.

“The Dream of the Burning Boy was my first fully-produced play in New York, and I am thrilled to be making my Midwest premiere with the same play just two years later,” says playwright David West Read. “Profiles Theatre has been home to many great plays and playwrights in recent years, and with this company at the helm, I am confident that my work is in very good hands.”

The designers are Shaun Renfro (set), Mike Durst (lights), Jeffrey Levin (sound and original music), and Raquel Adorno (costumes). Jessica Winn is the stage manager and Harmony France serves as assistant director.

The Dream of the Burning Boy is the fourth production of Profiles Theatre’s 24th season.The final show of the season, the World premiere of Resident Artist Neil LaBute’s revised stage version of In the Company of Men, opens May 16, 2013 at Profiles newest venue, The Main Stage.

Tickets for The Dream of the Burning Boy are $35 for Thursdays, $40 for Fridays, Saturdays and Sundays. Tickets are available by phone, (773) 549-1815, or online.  


FACTS

Dates:              Previews:                     begin January 18
Schedule:         Thurs., Fri.:                  8:00pm 
                            
                         Regular Run:                January 24  – March 10, 2013

                        Saturday:                     5:00pm and 8:00pm (no 5pm show during previews)

          Sunday:                       7:00pm



Location:          Profiles Theatre, The Alley Stage, 4147 N. Broadway
                         Parking is available for $11 - $12 at 4100 N. Clarendon
(One block east of the theatre at the corner of Clarendon and Belle Plaine)



Ticket prices:    Previews:         $20

Regular Run:    Thursdays are $35, Fridays, Saturdays and Sundays are $40; Students and Senior Citizens receive a $5 discount on all performances; Group rates are available.


Box Office:       Buy online here
or call (773) 549-1815





ABOUT THE ARTISTS

DAVID WEST READ (Playwrightis a New York-based playwright and screenwriter. His romantic comedy The Performers received its World premiere on Broadway at the Longacre Theatre in the fall of 2012, starring Henry Winkler, Alicia Silverstone, Cheyenne Jackson, and Ari Graynor. In addition to The Dream of the Burning Boy (O’Neill Theater Conference, Roundabout Underground; John Gassner Award nomination, Drama League Award nomination), David's other plays include The Dark Pines(Cape Cod Theatre Project) and Happy Face (Pacific Playwrights Conference). He has been commissioned to write plays for Roundabout Theatre Company, Burnt Umber Productions (both upcoming), and South Coast Repertory, as well as screenplays for  B-Spoke Entertainment and Bunce Media. David is a graduate of the Lila Acheson Wallace Playwrights Program at The Juilliard School and the MFA program in Dramatic Writing at NYU’s Tisch School of the Arts, and a native of Toronto, Canada.

JOE JAHRAUS (Directoris the founder and Co-Artistic Director of Profiles Theatre. He most recently directed Profiles’ Midwest Premiere of Sweet and Sad by Richard Nelson and the American Premiere of In a Forest, Dark and Deep by Neil LaBute. Previously, he directed the World Premiere of Assisted Living by Deirdre O’Connor, the Midwest Premiere of Fifty Words by Michael Weller, the World Premiere of Kid Sister by Will Kern, and the Midwest Premieres of Jailbait by Deirdre O’Connor, The Mercy Seat by Neil LaBute, Great Falls by Lee Blessing and The Thugs by Adam Bock. Joe also directed the Midwest Premieres of Neil LaBute’s In a Dark Dark House, Some Girl(s) and Fat Pig, for which he received a Jeff Award Nomination for Outstanding Director. Other directing credits for Profiles include the American Premiere of Apple by Vern Thiessen, the award-winning Midwest Premiere of Blackbird by Adam Rapp, Babylon Gardens by Timothy Mason, The Water Engine and Sexual Perversity in Chicago by David Mamet, and the award-winning Midwest Premiere of Carnal Knowledge by Jules Fieffer, among others.

MARILYN BASS (Chelseais making her first appearance at Profiles Theatre. She was most recently seen in Voices in the Dark at Fury Theatre Company and Wolf at Brikenbrak Theatre Project. Marilyn received her training at Piven Theatre Workshop, the Actors Training Center and Profiles Theatre's Advanced Scene Study Intensive. Marilyn will soon be appearing in a BMO Harris Bank commercial and will be reprising her role in a film adaptation of Voices in the Dark shooting this Spring. Marilyn is a freshman theatre major at Loyola University Chicago and is represented by Grossman & Jack Talent.

ERIC BURGHER (Steve) was most recently seen in Profiles' Midwest Premiere of Sweet and Sad by Richard Nelson, as well as Profiles' Midwest Premiere of Bachelorette by Leslye Headland. Prior to that he appeared in Profiles' Midwest Premiere of A Behanding in Spokane by Martin McDonagh, for which he received a Jeff Award Nomination for Supporting Actor. Eric also appeared in the World Premiere of A Beautiful Spell by Greg Kalleres, with Rare Terra Theatre at the Royal George. Other appearances at Profiles include JailbaitFat PigGraceland, This is How It GoesBody AwarenessKid Sister, "Land of the Dead" as part of Profiles' Midwest Premiere of LaBute shorts, Things We Said TodayautobahnThe Glory of LivingThe Radiant Abyss and Noise. Eric is an Adjunct Faculty member at Columbia College Chicago where he teaches acting.

SARAH CHALCROFT (Andrea) is making both her Profiles Theatre and Chicago debut having recently relocated from London. Her UK credits include Purgatorio at The Chocolate Factory; 4:48 Psychosis for Stonecrabs Theatre; Queen Margaret, The Merchant of Venice, Lear, Henry V, Much Ado About Nothing, Measure for Measure, The Tempest and As You Like It for Bard in the Botanics, Glagsow; R & J and Infinite Variety for Cumbernauld Theatre, Scotland; Hedda Gabler with Theatre Babel; Blind Mouth Singing and Transmissions for Birmingham Rep; Vivienne Grout’s Adventure In Another Metropolis for Sparkledark Theatre which toured venues around Scotland and appeared in the Edinburgh Fringe Festival; The Vagina Monologues for Cottiers Theatre;  Love’s Labour’s Lost, Twelfth Night, Hamlet and As You Like It for British Touring Shakespeare. She also appeared in Taggart, for Scottish Television.  Sarah is a member of Actors Equity.

JOEL COLLINS (Kyle) is making his Profiles debut. His past credits include Woyzeck at the University of Illinois at Chicago, Xanadu with the District Theatre, and the World premiere of Honor at Columbia College Chicago. Joel is a BFA theatre performance major at the University of Illinois at Chicago.

DARRELL W. COX (Larry) is Co-Artistic Director of Profiles Theatre where he most recently appeared in the Midwest Premiere of Sweet and Sad by Richard Nelson and the American Premiere of In a Forest Dark and Deep by Neil LaBute. Darrell received his fourth Joseph Jefferson Award for Actor in a Principal Role for his performance as Joe Cooper in Profiles' production of Killer Joe by Tracy Letts. He has appeared at Steppenwolf in the World Premiere of Men of Tortuga (where he originated the role of Taggart), the Midwest Premiere of Orange Flower Water (which traveled to the Galway Arts Festival), and the World Premiere of Wendall Greene. He has also been seen at the Goodman in The Shawl and Home as part of the David Mamet Festival, American Theatre Company's Speed the Plow and Oleanna as part of the Mamet Repertory, as well as Jim Jones in the Midwest Premiere of The People's Temple, and the World Premiere of Martin Furey's Shot at TimeLine, among others. In addition to Killer Joe, Darrell received Joseph Jefferson Awards for Principal Actor for his work in Profiles' productions of BlackbirdSome Voices, and Eye of God. He has also received two After Dark Awards for Outstanding Performance for Profiles' productions of Popcorn, and Carnal Knowledge.

VIC KULIGOSKI (Danereturns to Profiles after appearing in their World premiere production of Graceland by Ellen Fairey. Vic is from the Chicago area and attends Columbia College Chicago majoring in theatre. Most recently, he has performed at Columbia College in their production of Columbinus and Spotlight Theatre’s production of Talk Radio.  This past summer, Vic appeared in the independent film, Maydays.

ALAINA STACEY (Rachel) is joining Profiles Theatre for her first professional production. She is a senior at Whitney Young High School and has been participating in theater since her freshman year, appearing in productions of A Funny Thing Happened on the Way to the ForumWomen and WallaceJugger’s Rain, and The Mystery of Edwin Drood, as well as working backstage for several school productions. Outside of theater Alaina is a singer/songwriter involved with many groups around the city, performing at various venues such as Schuba’s Tavern and Uncommon Ground.


ABOUT PROFILES THEATRE

Profiles Theatre, founded in 1988 by Artistic Director Joe Jahraus, joined shortly thereafter by Artistic Director Darrell W. Cox, was formed as an actor-driven theatre ensemble dedicated to creating provocative and emotionally truthful productions. Passionate about shaping an original vision for new works, they focused on performing World, American and Midwest premieres as well as rarely performed plays. Critically acclaimed hits, such as BLACKBIRD, FAT PIG, GRACELAND and the multiple Jeff Award-winning KILLER JOE, established Profiles as a destination for challenging and edgy theatre. Their unique collaboration with playwright Neil LaBute led the ensemble to perform an entire season of his plays in 2007-2008. Now a Resident Artist at Profiles, LaBute remains an unequivocal artistic influence on the ensemble.

After performing at 4147 North Broadway for more than two decades, Profiles acquired an adjacent theatre at 4139 North Broadway in 2012. Profiles’ new theatre, The Main Stage, with its larger seating capacity, increased performance space and higher ceilings, accommodates more ambitious and technically demanding productions. Their long-time venue, renamed The Alley Stage, continues as the home for plays strengthened by a more intimate staging. Driven by an undiminished appetite for creating honest and resonant theatre, Profiles still seeks to present work that illuminates the determination and resiliency of the human spirit.

Monday, January 7, 2013

Witchbanger LIVE at Reggies 1/6/13 #metal #doom #originalphotos



ChiIL Live Shows' shots of Chicago's own Witchbanger, opening for 

Nick Oliveri's Mondo Generator 1/6/13









We're always happy to promote the projects of our creative friends.   We've known Witchbanger's guitarist, Omar (OMs) for at least 15 years and he was the tattoo artist for the dragonfly on my foot.   



He also does the rockin' art for the band.   We picked up one of their EPs at the show and will have a review up shortly.   Like doom?   Keep an ear out for Witchbanger around town.   


They play and DJ at Ultra Lounge and other spaces fairly often.


CHI, IL LIVE SHOWS ON OUR RADAR: Chi-Town's Falldown (alt country)






Chicago's Falldown, which features members of The Redwalls and The Hue, have announced two shows for Jan, 2013.



On Sunday, Jan. 13, the band will play a free 21+ show at  The Whistler w/ Matt Duncan

 FALLDOWN, MATT DUNCAN



9:30 PM
The members of Falldown share a mutual interest in alt/country and rock'n'roll. Their debut EP was released in November 2012. This is their second appearance at the Whistler.

We asked Kentucky-based singer-songwriter Matt Duncan to describe his sound and here’s what he told us: “My sound borrows heavily from 60's and 70's R&B, from the people who perfected the pop song. But I have no desire to emulate the costuming or vocabulary of the past. I am a teller of truths, for better or worse, and a terrible liar. Clichéd love songs, vague tangents, and grand melodramas are not my stock in trade. I write about the small, unsung successes and failures that keep most of us busy, while we wait for big cinematic resolutions. And I try to keep things lively.”



and on Tuesday, Jan. 29, Falldown will support The Henhouse Prowlers at Abbey Pub.

ACT OUT OPENING: STEPPENWOLF PRESENTS PINTER




ENSEMBLE MEMBER AUSTIN PENDLETON DIRECTS THE BIRTHDAY PARTY
IN STEPPENWOLF’S NEWLY RECONFIGURED UPSTAIRS THEATRE

STEPPENWOLF THEATRE COMPANY ANNOUNCES ONE-NIGHT ONLY PERFORMANCE OF
A CELEBRATION OF HAROLD PINTERFEBRUARY 10 IN THE DOWNSTAIRS THEATRE

Steppenwolf Theatre Company ensemble member Austin Pendleton directs The Birthday Party by Harold Pinter in the Upstairs Theatre, at the helm of a Pinter play for the first time. The theater has been newly reconfigured by Pendleton with scenic designer Walt Spangler to bring the audience closer to the story by moving the stage to the center of the room. The Birthday Party begins previews January 24 (Opening night is February 3, 2013) and runs through April 28 in Steppenwolf’s Upstairs Theatre (1650 N Halsted St). Tickets ($20 – $78) are on sale now.

In conjunction with The Birthday Party, Steppenwolf is proud to announce a one-night only performance of A Celebration of Harold Pinter, performed by British actor Julian Sands, directed by ensemble member John Malkovich!
With personal anecdotes and reflections drawn from his work with Pinter, Sands combines Pinter’s poems and prose to create a fresh and intimate insight into the Nobel laureate’s literary legacy. A Celebration of Harold Pinter is February 10 at 7:30pm in the Downstairs Theatre (1650 N Halsted St). Tickets ($25) are on sale now.
                                                                                                              
Actor Julian Sands, best known for the films A Room With a View and The Killing Fields, was a longtime friend of the playwright. A few years before his death, Pinter requested that Sands fill in for him at a poetry reading when he was too ill to go on. The experience ultimately inspired this production, which debuted in 2011 at the Edinburgh Fringe Festival in homage to Pinter, who died in 2008. The production toured through Britain and was presented in San Francisco, Los Angeles and to sold-out audiences in New York City, with Backstage calling it “mandatory viewing for devotees of the actor and certainly ‘the defining dramatist of the 20th century’...this one-man show fondly reveals an engaging and at times vulnerable side of the famously prickly playwright.”

“I think the extraordinary accomplishment in Pinter's work is his mastery of language, which is so precise and so, at the same time, ambiguous and unlikely. We are constantly being asked to interpret the truth and to be aware of how language both defines and obscures the real,” comments Artistic Director Martha Lavey. “I look forward to the discussions that The Birthday Party will provoke. It is very funny, very human and theatrically gratifying.”

The Birthday Party takes place at a sleepy seaside boarding house in England, where the humdrum routine of corn flakes, newspapers and naps is interrupted by the appearance of two menacing strangers. They become guests at longtime tenant Stanley’s surprise birthday party which, after a few glasses of whiskey, party games and a mysterious blackout, turns into a deliciously impalpable nightmare. As excuses and alliances hastily shift, so does the truth in Harold Pinter’s riveting dark-comic masterpiece.

The cast of The Birthday Party features ensemble members Ian Barford as Stanley, Francis Guinan as Goldberg, Moira Harris as Meg and John Mahoney as Petey, with Marc Grapey as McCann and Sophia Sinise as Lulu. The production team includes: Walt Spangler (scenic design), Rachel Anne Healy (costume design), Keith Parham (lighting design) and Josh Schmidt (sound design and original music). Additional credits include: Erica Daniels (casting), Matt Hawkins (fight choreographer),Cecilie O’Reilly (dialect coach), Deb Styer (stage manager), Kathleen Petroziello (assistant stage manager) and James D. Palmer (assistant director). Photos and bio information for all artists are available upon request.

Tickets to The Birthday Party ($20 – $78) and A Celebration of Harold Pinter ($25) are currently on sale through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org20 for $20: twenty $20 tickets are available for The Birthday Party through Audience Services beginning at 11am on the day of each performance (1pm for Sunday performances). 

Rush Tickets: rush tickets are available one hour before each show. Student Discounts: a limited number of $15 student tickets are available online using promo code “BIRTHDAY15” or “SANDS15”. Limit 2 tickets per student; must present a valid student ID for each ticket. For additional student discounts, visit steppenwolf.org/students

Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season. For additional information, visit steppenwolf.org/groups.

Free post-show discussions are offered after every performance in the Subscription Season. Steppenwolf is located near all forms of public transportation and is wheelchair accessible. Street and lot parking are available. Assistive listening devices and large-print programs are available for every performance.

Accessible Performances:
Sign-interpreted performance: March 31 at 7:30pm
Audio-described performance and touch tour: April 14 at 1:30pm (3pm performance)
Open captioned performance: April 27 at 3pm

The Birthday Party is supported by ComEd, the Official 2012/13 Season Lighting Sponsor.


Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat Garage Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 43 actors, writers and directors. Artistic programming at Steppenwolf includes a five-play Subscription Season, a two-play Steppenwolf for Young Adults season and three repertory series: First Look Repertory of New Work, Garage Rep and Next Up. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Off-Broadway, Broadway, London, Sydney and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and nine Tony Awards. Martha Lavey is the Artistic Director and David Hawkanson is the Executive Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.orgfacebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

Currently on stage is The Motherf**ker with the Hat by Stephen Adly Guirgis, directed by ensemble member Anna D. Shapiro (through March 3, 2013) in the Downstairs Theatre. The 2012/13 Subscription Season also includes Head of Passes by ensemble member Tarell Alvin McCraney, directed by ensemble member Tina Landau (April 4 – June 9, 2013) in the Downstairs Theatre; and Belleville by Amy Herzog, directed by Anne Kauffman (June 27 – August 25, 2013) in the Downstairs Theatre.

ACT OUT OPENING: The Motherf**ker with the hat Now Playing at Steppenwolf


Directed by
ensemble member Anna D. Shapiro
Featuring Sandra Delgado, Sandra Marquez, John Ortiz, Gary Perez and Jimmy Smits


December 28, 2012 - March 3, 2013
Things are looking up for recovering alcoholic Jackie and his girlfriend Veronica—until Jackie spots another man's hat in their apartment and embarks on a sublimely incompetent quest for vengeance. Fast-paced and uproarious, Mother is a gleefully foul-mouthed look at modern love and other addictions. Ensemble member Anna D. Shapiro, director of the acclaimed Broadway premiere, returns to direct the Steppenwolf production.


STEPPENWOLF THEATRE COMPANY RINGS IN THE NEW YEAR WITH
THE HIGHLY ANTICIPATED, THE MOTHERF**KER WITH THE HAT

ENSEMBLE MEMBER ANNA D. SHAPIRO RETURNS TO DIRECT, FOLLOWING HER HIT BROADWAY PRODUCTION,
DECEMBER 28, 2012 – MARCH 3, 2013 IN THE DOWNSTAIRS THEATRE

Performances of Steppenwolf Theatre Company’s highly anticipated production of The Motherf**ker with the Hat by Stephen Adly Guirgis start in just two weeks. Ensemble member Anna D. Shapiro directs following the Tony Award-nominated Broadway premiere, with an all-star ensemble cast featuring Sandra Delgado, Sandra Marquez, Gary Perez, John Ortiz and Jimmy Smits and members of the original design team: scenic designer Todd Rosenthal, lighting designer Donald Holder and composer Terence Blanchard. The Motherf**ker with the Hatruns through March 3, 2013 in Steppenwolf’s Downstairs Theatre (1650 N Halsted St). Tickets ($20 – $86) are on sale now. This play contains adult language.

Things are looking up for recovering alcoholic Jackie and his girlfriend Veronica—until Jackie spots another man's hat in their apartment and embarks on a sublimely incompetent quest for vengeance. Fast-paced and uproarious, Mother is a gleefully foul-mouthed look at modern love and other addictions.

“I think what Stephen is up to in the play is that he is creating people who may seem different from the ones sitting next to us in the theater but who become, over the course of the play, deeply human, deeply familiar and deeply sympathetic. And the play is funny! And surprising,” comments Artistic Director Martha Lavey. “The language is musical and poetic and deeply passionate. Stephen has created characters whose mode of expression is both energized and bound by a profusion of profanity.”

The cast of The Motherf**ker with the Hat features Sandra Delgado as Veronica, Sandra Marquez as Victoria, Gary Perez as Cousin Julio, John Ortiz as Jackie andJimmy Smits as Ralph D. The production team includes: Todd Rosenthal (scenic design), Linda Roethke (costume design), Donald Holder (lighting design), Rob Milburn and Michael Bodeen (sound design) and Terence Blanchard (original music). Additional credits include: Erica Daniels (casting), Matt Hawkins (fight choreographer), Cecilie O’Reilly (voice coach) Kim Osgood (stage manager) and Christine D. Freeburg (assistant stage manager). Photos and bio information for all artists are available upon request.

Tickets to The Motherf**ker with the Hat ($20 – $86) are currently on sale through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org. 20 for $20: twenty $20 tickets are available through Audience Services beginning at 11am on the day of each performance (1pm for Sunday performances). 

Rush Tickets: half-price rush tickets are available one hour before each show. 

Student Discounts: a limited number of $15 student tickets are available online using promo code “HAT15”. Limit 2 tickets per student; must present a valid student ID for each ticket. For additional student discounts, visit steppenwolf.org/students. Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season. For additional information, visit steppenwolf.org/groups.

Free post-show discussions are offered after every performance in the Subscription Season. Steppenwolf is located near all forms of public transportation and is wheelchair accessible. Street and lot parking are available. Assistive listening devices and large-print programs are available for every performance.

Director Anna D. Shapiro joined the Steppenwolf Theatre Company ensemble in 2005 and was awarded the 2008 Tony Award for Best Direction of a Play for August: Osage County (Steppenwolf Theatre Company, Broadway, London). She was nominated in 2011 in the same category for The Motherf**ker with the Hat (The Public Theater, LAByrinth Theater Company). Other directing credits at Steppenwolf Theatre Company include Three Sisters, A Parallelogram, Up, The Crucible, The Unmentionables (also at Yale Repertory Theatre), The Pain and the Itch (also in New York), I Never Sang for My Father, Man from Nebraska, Purple Heart (also in Galway, Ireland), The Drawer Boy, Side Man (also in Ireland, Australia and Vail, Colorado), Three Days of Rain and The Infidel. Other credits include A Number (American Conservatory Theater); The Drawer Boy (Paper Mill Playhouse); Iron (Manhattan Theatre Club); and The Infidel (Philadelphia Theatre Company). She is a graduate of the Yale School of Drama and Columbia College Chicago and is the recipient of the 1996 Princess Grace Award. She is a full professor in Northwestern University’s Department of Theatre and has served as the director of the MFA in Directing program since 2002.


Playwright Stephen Adly Guirgis is co-artistic director of New York City's LAByrinth Theater Company. His plays have been produced on five continents and throughout the United States. They include Our Lady of 121st Street (Drama Desk, Lucille Lortel, Outer Critics Circle Best Play nominations, 10 best plays of 2003), Jesus Hopped the 'A' Train (Edinburgh Festival Fringe First Award, Barrymore Award, Olivier Nomination for London's Best New Play), In Arabia, We'd All Be Kings (2007 LA Drama Critics Best Play, Best Writing Award), The Last Days of Judas Iscariot (10 Best, Time magazine and Entertainment Weekly) and The Little Flower of East Orange (starring Elen Burstyn and Michael Shannon) at The Public Theater. All five plays were originally produced by LAByrinth Theater Company and directed by Philip Seymour Hoffman. The Motherf**ker with the Hat marks his third consecutive world premiere co-production with The Public Theater. In London, his plays have premiered at The Donmar Warehouse, The Almeida (directed by Rupert Goold), The Hampstead (directed by Robert Delamere) and at The Arts in the West End. Other plays include Den of Thieves(HERE, HAI Theater Festival) and Dominica the Fat Ugly Ho (directed Adam Rapp) for the 2006 E.S.T. Marathon. He has received a 2006 PEN/Laura Pels Award, a 2006 Whiting Award and a 2004 TCG fellowship, new play commissions from Manhattan Theatre Club, Center Theater Group and South Coast Repertory, and is a member of LAByrinth Theater Company, New Dramatists, MCC's Playwright's Coalition, Ojai Playwrights Festival and New River Dramatists. Television writing credits include NYPD Blue, The Sopranos, David Milch's CBS drama Big Apple and Shane Salerno's NBC series UC: Undercover. As an actor, Stephen has had leading film roles in Todd Solondz's Palindromes, Brett C. Leonard's Jailbait (opposite Michael Pitt) and in Kenneth Lonergan's upcoming Margaret. Other film credits include Philip Seymour Hoffman's Jack Goes Boating, Charlie Kaufman’s Synecdoche New York, Adam Rapp's Blackbird, Noah Buschel's Neal Cassady as well as Meet Joe Black (directed by Martin Brest), Noise (directed by Henry Bean), Trainwreck: My Life as an Idiot (directed by Todd Harrsion Williams) and television’s Law and Order. He directed Liza Colon-Zayas' Sistah Supreme for Danny Hoch's Hip Hop Theater Festival, Marco Greco's award-winning Behind the Counter with Mussolini in New York and Los Angeles and Melanie Maras's Kiss Me on the Mouth (InViolet Rep/CSNY). A former HIV Educator and Violence Prevention Specialist, he lives in New York City.

Steppenwolf Theatre Company is America’s longest standing, most distinguished ensemble theater, producing nearly 700 performances and events annually in its three Chicago theater spaces—the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat Garage Theatre. Formed in 1976 by a collective of actors, Steppenwolf has grown into an ensemble of 43 actors, writers and directors. Artistic programming at Steppenwolf includes a five-play Subscription Season, a two-play Steppenwolf for Young Adults season and three repertory series: First Look Repertory of New Work, Garage Rep and Next Up. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Off-Broadway, Broadway, London, Sydney and Dublin. Steppenwolf has the distinction of being the only theater to receive the National Medal of Arts, in addition to numerous other prestigious honors including an Illinois Arts Legend Award and nine Tony Awards. Martha Lavey is the Artistic Director and David Hawkanson is the Executive Director. Nora Daley is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre and twitter.com/steppenwolfthtr.

The 2012/13 Subscription Season also includes The Birthday Party by Harold Pinter, directed by ensemble member Austin Pendleton (January 24 – April 28, 2013) in the Upstairs Theatre; Head of Passes by ensemble member Tarell Alvin McCraney, directed by ensemble member Tina Landau (April 4 – June 9, 2013) in the Downstairs Theatre; and Belleville by Amy Herzog, directed by Anne Kauffman (June 27 – August 25, 2013) in the Downstairs Theatre.

Jess Godwin & Matt Ryd at Mayne Stage 1/18/13




CHI, IL LIVE SHOWS ON OUR RADAR:

Chicago singer-songwriter Matt Ryd, best known for the song "Healed" (as featured on the TV series Scrubs), will be opening for Jess Godwin @ Mayne Stage on Friday, Jan. 18.

Matt will be debuting new material, including a track featuring Mike Mentzer (ex-I Fight Dragons).



Click here for Matt Ryd's site.

Click here to get your tickets.

Mayne Stage Presents

Jess Godwin
featuring Matt Ryd and April Henry

Friday, Jan 18, 2013 8:00 PM CST 
ChicagoIL
$10
all ages



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