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Friday, September 27, 2024

Natasha, Pierre & the Great Comet of 1812 Now Extended at Writers Theatre Through November 3, 2024

ChiIL Live Shows On Our Radar

Due to critical acclaim and ticket demand, the 12-time Tony nominated musical

Natasha, Pierre & the Great Comet of 1812 

Extends at Writers Theatre

Now playing through November 3, 2024

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Artistic Director Braden Abraham, is extending its hit production of Natasha, Pierre & the Great Comet of 1812, written by Dave Malloy and directed and choreographed by Katie Spelman with music direction by Matt Deitchman. Natasha, Pierre & the Great Comet of 1812 has added an additional week of performnaces and will now play throughNovember 3, 2024, in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.

The Writers production received unanimous raves, including 4-star reviews 

from both Chicago Tribune and Chicago Sun-Times.

Tickets are now on sale at Writers Theatre at 325 Tudor Court, Glencoe; 847-242-6000; www.writerstheatre.org.  

“There’s a war going on somewhere out there, and Andrey isn’t here.” Young and impulsive, Natasha Rostova arrives in Moscow to await the return of her fiancée from the front lines. But when she falls under the spell of the roguish Anatole, family friend Pierre must push through his existential crisis to help Natasha pick up the pieces of her shattered reputation. 

Natasha, Pierre & the Great Comet of 1812 is based on 70 pages of Leo Tolstoy’s War and Peace, the section that focuses on Natasha’s romance with Anatole and Pierre’s search for meaning.

Based on a scandalous slice of Leo Tolstoy’s epic novel War and Peace, this innovative musical spectacle took Broadway by storm with its “electropop opera” score, earning two Tony Awards and 12 Tony nominations. Katie Spelman and Matt Deitchman, the inspired creative team behind WT’s hit production of Once, reunite to bring this modern spin on a literary classic to Chicago for the first time. 

Natasha, Pierre & the Great Comet of 1812 received two Tony Awards and 12 nominations in 2017.

Natasha, Pierre & the Great Comet of 1812 is presented by arrangement with Concord Theatricals. www.concordtheatricals.com 

“We are opening our season with the first Chicago production of one of the most thrilling original musicals of the last twenty years. Its engine is the timeless humanity of Tolstoy, and the contemporary genius of Dave Malloy is the rocket fuel that makes it go. This will be a high-octane experience for our audiences in the uniquely immersive environment at Writers, where they will be up close with some of Chicago’s finest actors,” comments Artistic Director Braden Abraham. “The real power of Great Comet for me is in what it says about love. At the heart of the show, love is the force that wakes us up to our own life. We are awake when our attention goes outward towards another. Love can be creative, or destructive and then creative again. It’s a play set in the past with an acute awareness that we are always in the present moment. It’s an invitation to a party, and a toast to the vibrancy of life.”

The cast includes Joseph Anthony Byrd (Anatole), Sophie Grimm (Ensemble, Hélène US/Dance Captain) Rob Lindley (Bolkonsky), Julia Wheeler Lennon (Mary, Sonya US), Will Lidke (Ensemble, Dolokhov US), Evan Tyrone Martin (Pierre), Andrew Mueller (Dolokhov), Aurora Penepacker(Natasha), Maya Rowe (Sonya), Bri Sudia (Hélène), Bethany Thomas (Marya), Jonah D. Winston (Balaga) and Matthew C. Yee (Andrey). The understudies are: Bridget Adams-King, Vasily Deris, Isabel Kaegi, Darryl D’Angelo Jones, Teressa LaGamba, and Shagra D. Wasserman.

The creative team includes: Katie Spelman (Director and Choreographer), Matt Deitchman (Music Director), Courtney O’Neill (Scenic Designer), Raquel Adorno (Costume Designer), Yael Lubetzky (Lighting Designer), Eric Backus (Sound Designer), Rae Watson (Properties Designer), Charlotte River-Hoster (Conductor/Piano/Associate Music Director), Amber Wuttke (Violence Director), Melissa Foster (Vocal Coach), and Roger Ellis (Associate Director). The stage manager is Miranda Anderson and the assistant stage managers are Natalie Cohen and Lexie Wiley.

Performance Schedule

Dates: First performance: September 5, 2024 

Press opening:  Friday, September 13, 2024 at 7:30pm 

Closing performance: November 3, 2024 


Regular run through October 27, 2024

Wednesdays: 3:00pm (October 2 only) and 7:30pm 

Thursdays: 7:30pm

Fridays: 7:30pm 

Saturdays: 3:00pm and 7:30pm 

Sundays: 2:00pm and 6:00pm (except October 6) 

 

Extension week, October 30-November 3, 2024

Wednesday-Friday: 7:30pm

Saturday: 3:00pm and 7:30pm

Sunday: 2:00pm and 6:00pm

 

Location: Alexandra C. and John D. Nichols Theatre; 325 Tudor Court, Glencoe 

Prices: $40-$115

Purchase early for best prices.                    

Box Office: The Box Office is located at 325 Tudor Court, Glencoe;  847-242-6000; www.writerstheatre.org 


Events: 

The Great War & Peace Read-Aloud of 2024 

*well, ok, not all of War & Peace 

Saturday, October 5 from 10am-2:30pm 

WT, the Glencoe Public Library, and the Woman’s Library Club of Glencoe team up for a marathon community read-aloud of the 70 pages of the classic novel that inspired Great Comet. Featuring special guest readers and community members, attendees are welcome to participate as a reader and/or listener and to come and go over the course of the event. 

 

The Final Word Audience Discussion 

Sunday, October 27 at 12pm 

Connect with fellow audience members about the themes, characters, and production elements of the show at this conversation facilitated by WT Artistic staff. 


ABOUT THE ARTISTS

Katie Spelman (Director/Choreographer) is a Chicago born, Brooklyn based choreographer and director. Recent credits include The Notebook (Chicago Shakespeare Theater, Connecticut Critics Nomination for Best Choreography) Cabaret (Olney Theater Company, Helen Hayes Nomination for Best Choreography; Paramount Theater, Joseph Jefferson Nomination for Best Musical) and the first live-streamed musical on TikTok, For You, Paige. She has also collaborated with Lookingglass Theatre Company, Shakespeare Theatre Company, Camerata Bern, Court Theatre, The Hypocrites, Asolo Repertory, Ensemble Studio Theatre, TimeLine Theatre, Sideshow Theatre Company, The New Colony, Chicago Shakespeare Theatre, Northwestern University, and The Inconvenience. Broadway Associate: Once, American Psycho, and Amelie.

This production reunites director/choreographer Katie Spelman and music director Matt Deitchman after their previous collaboration on WT’s twice extended sold out run of Once.

Matt Deitchman (Music Director) returns to Writers Theatre, where his previous credits include: Once (Jeff Nom., Music Direction/Ensemble), Into The Woods (Jeff Nom., Music Direction), Trevor, Parade, and The Hunter And The Bear. Matt is a NYC based music director, actor, composer, orchestrator/arranger, and multi-instrumentalist whose credits include: Broadway — The Heart Of Rock And Roll, Parade, A Strange Loop, Almost Famous. Off-Broadway — Trevor (Disney+ and Original Cast Recording). Chicago — Marriott Theatre (recently, Jeff Nom., Music Direction for Buddy), Chicago Shakespeare Theatre, Paramount Theatre, Drury Lane Theatre, Chicago Children’s Theatre, Mercury Theatre, Griffin Theatre, and many others. Add'l select regional: Arena Stage (DC), Shakespeare Theatre Company (DC), Asolo Repertory Theatre (FL), American Stage Theatre (FL), South Coast Repertory (CA), Ogunquit Playhouse (ME), Norwegian Cruise Lines. Northwestern University Grad.

Joseph Anthony Byrd (Anatole) is excited to be returning to Writers Theatre where he was just seen as Isom in The Hot Wing King. Some of his Chicago credits include The Play That Goes Wrong at Broadway Playhouse, And The World Goes Round (Jeff Nomination) at Marriott Theatre and Cabaret at Paramount Theatre. Broadway/Touring credits include Kinky Boots, The Play That Goes Wrong, and The Lion King. Joseph has also appeared on TV inJustified: City Primeval, Chicago Med, 4400 and Proven Innocent.  

Sophie Grimm (Ensemble, Helene US/Dance Captain) a lifelong performer in theatre and music. Theatre credits include Writers Theatre’s world premiere of Trevor: The Musical, Paramount Theatre, Milwaukee Repertory Theatre, Marriott Lincolnshire, Drury Lane Oakbrook, Stages St. Louis, Rocky Mountain Rep, Wagon Wheel, Little Theatre on the Square, About Face, Chicago Shakespeare Theater/Globe, as well as singing, producing, & directing across the country with family, friends, & Hasbro’s CLUE: A Walking Mystery.

Rob Lindley (Bolkonsky): Oh, Coward! (Jeff Award Best Actor Revue), Bach at Leipzig (Writers); M. Andre in Phantom of the Opera (National Tour);Rosencrantz & Guildenstern are Dead, Secret Garden, Angels in America, Caroline or Change, Carousel (Court Theatre); Andy Warhol in Iran, Funnyman(Northlight); Candide (Goodman); Sound of Music (Marriott); Fun Home (Victory Gardens). Directing credits include; 50 Shades! (Off-Broadway); 2 Pianos 4 Hands, Songs for Nobodies (Northlight); many productions at Porchlight; and gala concerts for Ravinia, Chicago Humanities Festival, and several area theaters. 

Julia Wheeler Lennon (Mary/Sonya US) is making her Writers Theatre debut. NYC: Smith Street Stage (Enemy). TOUR: TheaterWorks USA (Rosie Revere,Engineer and Friends). REGIONAL: Signature Theatre D.C. (Into the Woods, Sweeney Todd, The Bridges of Madison County); Lyric Stage Company of Boston (The Wolves); Adventure Theatre (You're a Good Man, Charlie Brown); Legacy Theatre (The Great American Mousical); Valley Shakespeare Festival (The Winter's Tale, Henry VIII, The Taming of the Shrew); Downtown Cabaret Theatre (Mamma Mia, Sister Act); Madison Lyric Stage (Into the Woods, Agnes of God). UPCOMING: Ford's Theatre (A Christmas Carol).

Will Lidke (Ensemble/Dolokhov US) is making his Writers Theatre debut. Other Chicago credits include: Alice By Heart, American Psycho (Kokandy Productions); Hedwig and the Angry Inch (Theo Ubique, Jeff Award: Principal Performer in a Musical); Little Shop of Horrors, A Christmas Carol, You’re a Good Man, Charlie Brown, Saturday Night Fever (Drury Lane); Violet (Griffin Theatre); as well as work with Chicago Shakespeare Theater, Mercury Theater and Rhino Fest. TV: Chicago Justice, Chicago PD (NBC). Will holds a BFA in Acting from the Chicago College of Performing Arts. He also creates music, available on all streaming platforms under the name Leo Rising.

Evan Tyrone Martin (Pierre) Recent credits: Dreamgirls (Curtis Taylor, Jr) at Goodspeed/McCarter Theatre, RENT! (Tom Collins) and The Color Purple(Mister) at The MUNY, Next to Normal (Dan) at Greenbrier Valley Theatre, Grease (Teen Angel) at Drury Lane, Blues In The Night (Man in Saloon, Black Theatre Alliance Award Winner) at Porchlight Music Theatre, Into The Woods (Baker) at Opera Montana, Queer Eye: The Musical Parody (Karamo) at The Second City, The Black Clown (Ensemble) at American Repertory Theatre/Lincoln Center's 2019 Mostly Mozart Festival, Jesus Christ Superstar (Jesus, BTAA Nomination) at Paramount Theatre, Far From Heaven (Raymond, Jeff Award Nomination) at Porchlight. He also toured with the hit one-man revueAn Unforgettable Nat King Cole Christmas, and stars in his one man show Lets Fall In Love – celebrating the music of Nat and other iconic performers of his time. Next, Evan will return to Opera Montana to play the iconic role of Sweeney in Sweeney Todd.

Andrew Mueller (Dolokhov) is making his Writers Theatre debut. Chicago credits include: Gerry Goffin in Beautiful: The Carole King Musical (Marriott), Ernest Shackleton & Others in Ernest Shakleton Loves Me (Porchlight; Jeff Award nomination), Peter in Jesus Christ Superstar (Lyric Opera Chicago), Mark in RENT (Paramount), Shakespeare In Love (Chicago Shakespeare), Wonderland: Alice's Rock & Roll Adventure (Chicago Children's Theater), A Christmas Carol (Drury Lane Oakbrook), Merrily We Roll Along (Music Theatre Co). Off-Broadway: Prentiss in Peter And The Starcatcher, Alice By Heart. 

Aurora Penepacker (Natasha) is making her Writers Theatre debut! Rory is a mixed Filipina-American actor, singer, and songwriter. After growing up in Glenview, she earned her B.F.A. in Musical Theatre at the Chicago College of Performing Arts at Roosevelt University and is represented by Stewart Talent. Notable credits include The King and I (u/s Tuptim) at Drury Lane, Seagulls (Nina) at Oak Park Festival Theatre, The Fantasticks (Luisa) at Citadel Theatre, and Oklahoma! (Laurey) at the Encore Musical Theatre Company.

Maya Rowe (Sonya) is making her Writers Theatre debut! Favorite regional credits include: Sally Bowles in Cabaret (The Studio Theatre TDS), Babette in Beauty and the Beast (Chicago Shakespeare Theater), Gingy in Shrek (Drury Lane), Clara in The Light in the Piazza (AGPA Festival), Sibella in A Gentleman’s Guide…(Rocky Mountain Rep), Marilyn Wald & u/s Cynthia/Carole in Beautiful! (Marriott Theatre), Ursula & u/s Frau Schmidt/Maria in The Sound of Music (Paramount Theatre), and Charlotte in A Little Night Music (Theo). You can also catch her in ‘Tankhouse’ on AppleTV+.

Bri Sudia (Helene) Broadway: A Beautiful Noise: The Neil Diamond Musical (Ellie Greenwich, Original Broadway Cast) Chicago: Wonderful Town (Jeff Award nomination; Goodman Theatre), Sweeney Todd (Jeff Award nomination; Paramount Theatre) Oslo (Jeff Award nomination; TimeLine Theatre), Beauty and the Beast (Drury Lane) The Music Man, Ah, Wilderness! (Goodman Theatre), Road Show, Emma, Red Velvet (Chicago Shakespeare Theater) MFA Acting, University of Illinois and a degree in Sign Language Interpreting. 

Bethany Thomas (Marya) is thrilled to join the big show after appearing at Writers Theatre in Once, Into the Woods, A Moon for the Misbegotten, and She Loves Me. Other credits include A Christmas Carol (Goodman Theatre); Marie and Rosetta, Songs For Nobodies (Northlight Theatre); Hedwig and the Angry Inch, Ragtime, The Color Purple (Milwaukee Rep); The Tempest (Chicago Shakespeare); Porgy and Bess (Court Theatre); Iphigenia In Aulis (Getty Villa); Moby Dick (Rep of St. Louis). Jeff Award Winner, 3Arts Awardee, Lunt-Fontanne Fellow. Fun with Teatro ZinZanni, Grelley Duvall, Jon Langford, Tawny Newsome, The Fly Honeys; original music on Apple, and Spotify.

Jonah D. Winston (Balaga) - CHICAGO: Parade (Writers Theatre) Romeo and Juliet (Chicago Shakespeare Theater); Big Fish The Musical, Damn Yankees(Marriott Theater); Avenue Q, Little Shop of Horrors, Clue, Young Frankenstein, Spamalot (The Mercury Theater Chicago); A Christmas Carol (The Goodman Theater). TOURING: The Play That Goes Wrong, Saint-George's Sword and Bow. REGIONAL: The MUNY, Illinois Shakespeare Festival, The Cleveland Playhouse, Beef and Boards Dinner Theater. OPERA: The Merry Widow, Jesus Christ Superstar (The Lyric Opera of Chicago). FILM: Lacy's Christmas Do-Over, Evil Lurks, The Resentful Angel. TELEVISION: “Chicago Fire” (NBC), “Chicago PD” (NBC), Discover Indie Film “(Amazon Prime). EDUCATION: BA in Theatre and Vocal Music, Butler University. Master of Letters in Acting, Flinders University.

Matthew C. Yee (Audrey) most recently appeared in The Lord of the Rings at Chicago Shakespeare Theater. Other credits include: Vietgone (Writers Theatre); Antigone (Court Theatre); Cambodian Rock Band (Victory Gardens Theatre); Lucy and Charlie’s Honeymoon (Lookingglass Theatre Company) for which he also wrote the book and score. BROADWAY: Almost Famous The Musical. REGIONAL: The Old Globe, Berkeley Repertory Theatre, Alliance Theatre. FILM: Ghostlight (2024); Consumed (2015). TELEVISION: “Chicago Fire,” “Chicago PD,” “Chicago Justice” (NBC); “61st Street” (AMC); “Empire” (FOX); “The Bear” (FX). From 2023-24 he was a writer in residence at the Goodman Theatre creating a new musical. Yee is an ensemble member at Lookingglass Theatre Company.


 

WRITERS THEATRE 2024/25 SEASON 

The 2024-25 season launches with the Chicago premiere of the acclaimed musical Natasha, Pierre & the Great Comet of 1812, recipient of two Tony Awards and nominated for 12 Tony Awards, which reunites director/choreographer Katie Spelman and music director Matt Deitchman after their previous collaboration on WT’s twice extended sold out run of Once. Kimberly Senior returns to Writers to direct the hilarious and compassionate one-person play Every Brilliant Thing. Acclaimed writer and performer Vanessa Severo will star as both herself and legendary Mexican painter Frida Kahlo in her searing new play Frida...A Self Portrait, directed by Joanie Schultz. Next spring, Braden Abraham brings Brian Friel’s touching Irish dramaTranslations to the Writers stage before the season concludes with the World Premiere of Dhaba on Devon Avenue, directed by Chay Yew, co-produced with TimeLine Theatre Company. 

Natasha, Pierre & the Great Comet of 1812, Frida...A Self Portrait, Translations, and Dhaba on Devon Avenue will be presented in the 255-seat Alexandra C. and John D. Nichols Theatre. Every Brilliant Thing will be in the intimate Gillian Theatre. Both spaces are in Writers Theatre’s award-winning building at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. 

This season, Writers Theatre is offering five subscriptions with an option for every theatregoer. Each subscription includes a deeply discounted ticket price for one ticket to the five-play series, Flex subscriptions, with options for either four, five or six tickets, are available. 

Subscriptions are now available for the 5-show season and range from $240 - $325. Flex subscriptions are $260 (4-pack), $325 (5-pack) or $360 (6-pack). Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), access to special play readings and lectures, special “subscriber-rate” prices on additional tickets, discounts at the bar, on Writers Theatre merchandise, event rentals, and more. For a complete list of benefits visit writerstheatre.org. 

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000. 

Single tickets for Natasha, Pierre & the Great Comet of 1812 are on-sale now and begin at $40.

Single tickets are on-sale now for Every Brilliant Thing and begin at $70 and are General Admission. Tickets for Frida…A Self Portrait, Translations and Dhaba on Devon Avenue begin at $35 and will go on sale at a later time.

 

AUDIENCE ENGAGEMENT OPPORTUNITIES: 

WT offers Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast, and The Final Word Audience Discussion Series. Please visit writerstheatre.org/events for a full listing of upcoming offerings. 


ABOUT WRITERS THEATRE 

Writers Theatre boldly looks to the future as it begins its 33rd season. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s finest regional theater company” by The Wall Street Journal. Under the leadership of Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma, the company is charting a path forward for the next 30 years. 

Since its founding in 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 140 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. The new facility has allowed the Theatre to accommodate its growing audience, while maintaining its trademark intimacy. 

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over 30 world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage an average 10,000 students each year with active learning opportunities centered around the written word. 

FEST ALERT: Destinos 7th Chicago International Latino Theater Festival September 30-November 17, 2024

Fest Alert: ChiIL Live Shows On Our Radar

Destinos 7th Chicago International 

Latino Theater Festival 

boasting most extensive line-up yet with works from Brazil, Chile, Argentina, Mexico and the U.S. playing all over the city, September 30-November 17


Here at ChiIL Live Shows and ChiIL Mama, we've covered every year of Destiny's Fest since its inception, and this year's no exception. We are so fortunate to have multicultural, world class theatre right on our doorstep. There's something for everyone at 7th Chicago International Latino Theater Festival. Don't miss this! 


Only in Chicago can you experience a Brazilian play about a female shaman, a Chilean all-ages adventure about saving trees, the return of Port of Entry at Albany Park Theater, Chicago’s Satya Chávez in Brian Quijada’s Where Did We Sit on the Bus?, The Magic Parlour headlined by Latine magicians from Ecuador and Chicago, and the world premieres of a father/son dramedy set in Wrigley Field, a one-woman Mariachi musical, the true story of Humboldt Park church refugee Elvira Arellano and a Latine drag comedy.


The Destinos 2024 lineup includes (top, from left) Chile’s Astillero Teatro’s all-ages family show, the North American premiere of La Memoria de los Sésiles, at Chicago Shakespeare Theater, Oct. 31-Nov. 3. The U.S. premiere of Desvenar from Mexico’s Kraken Teatro explores the significance of the chile in Mexican culture, Oct. 3-5 at the National Museum of Mexican Art. (Middle) Latin Standards, a one-woman comedy by San Francisco solo artist Marga Gomez, plays Center on Halsted, Oct. 4-5. Albany Park Theater Project and Third Rail Projects present the return of their hit immersive production, Port of Entry, Oct. 17-Nov. 2. (Bottom) The North American premiere of El Brote from Compañia Criolla in Argentina features Roberto Peloni as an actor who can’t be sure who is writing the events in his own life, Oct. 2-5 at The Den. Chicago artist Satya Chavez stars in Brian Quijada’s Where Did We Sit on the Bus?, Nov.15-17 at Steppenwolf’s 1700 Theater. 


The 2024 Destinos Festival is bringing exciting international productions from Argentina, Brazil, and Chile to Chicago.

Wednesday, October 2 at 8 p.m.


El Brote 

at The Den Theatre 1331 N. Milwaukee Ave., Wicker Park


I'll be catching El Brote on opening night, so check back soon for my full review at ChiILLiveShows.com. 


Presented by Compañía Criolla, Argentina

North American Premiere

Written and directed by Emiliano Dionisi 

Starring Roberto Peloni


Four shows only, October 2-5: Wednesday - Saturday at 8 p.m. 


Presented in Spanish with English subtitles

90 minutes

Ages 15+


The lines between fiction and reality begin to blur for an actor, and now he cannot even be sure who is writing the events in his own life. What kind of character are we in this story? 



CANCELLED DUE TO PERFORMER VISA ISSUES


Desvenar

at the National Museum of Mexican Art, 1852 W. 19th St., Pilsen


Presented by Kraken Teatro, Mexico

U.S. Premiere

Written, directed by and co-starring Richard Viqueira

Featuring Valentina Garibay and Angel Luna 


CANCELLED 

Presented in Spanish with English subtitles

90 minutes

Ages 12+


Desvenar is a scenic mole that delves into the intricate layers of extravagance associated with spice, intertwining culinary traditions with historical, religious, botanical and patriotic perspectives. Through the lens of mole—a sauce rich in flavor and symbolism—this work explores the dual nature of spiciness as both a source of cultural flavor and a metaphor for the challenges and contradictions we face as a nation.



Thursday, October 3 at 7 p.m.


Elvira

at St. Augustine College, Charlie Chaplin Hall, 1345 W. Argyle St. in Uptown World Premiere

Presented by Colectivo El Pozo, Chicago

Written by Raúl Dorantes

Directed by Mark Litwicki


October 2-26: Thu and Fri at 7 p.m., Sat at 3 p.m. and 7 p.m.


Performed in Spanish with English subtitles

75 minutes

All Ages 


Elvira tells the story of Elvira Arellano, a Mexican immigrant, single mother, worker and eventual activist. Fearing deportation, Elvira takes sanctuary for a year in a Humboldt Park church. Her year enclosed in sanctuary allows her to observe herself and the systems that led to her arrest and enclosure. Her son, a friend, her pastor, and other supporters accompany her as well as the demands and cruelty of the law-is-the-law Sistema. A story about a struggle for survival and for justice.


Friday, October 4, 8 p.m.


Latin Standards

at Center on Halsted, 3656 N. Halsted St. in Lakeview


Written by and starring Marga Gomez 

Chicago Premiere via San Francisco

Directed by David Schweitzer


Two shows only, October 4 and 5: Fri and Sat at 8 p.m.

Performed in English

Runs 75 minutes

Ages 16+


A loving, funny and true story of perseverance and creative and caffeinated addiction passed down from immigrant father to lesbian daughter. Mixing nostalgia, urgency, and comic edge, Gomez portrays herself as a driven adult child of a Cuban entertainer.


Saturday, October 5 at 7 p.m.


El Piélago de las Calamidades

Presented by Chicago's Teatro Tariakuri, 3117 W. 63rd St. in Chicago Lawn


U.S. Premiere

Written by Alejandro Licona

Directed by Karla Galván

October 5-27: Sat and Sun at 5 p.m.

Performed in Spanish with English subtitles

90 minutes

Ages 15+ (includes strong language and sexual innuendo)


This U.S. premiere comedy is the unwritten story of what happened to a troupe of nomadic actors who were hired by Hamlet to represent the murder of his father.


Thursday, October 24 at 7:30 p.m.


Azira’i

at Chicago Shakespeare Theater Upstairs Studio, Navy Pier, 

800 E. Grand Ave.


I'll be catching Azira’i on opening night, so check back soon for my full review at ChiILLiveShows.com. 


Presented by Sarau Cultura Brasileira, Brazil

North American Premiere

A biographical one-woman musical starring Zahy Tentehar 

Conceived and with dramaturgy by Zahy Tentehar and Duda Rios

Directed by Denise Stutz and Duda Rios


Four shows only: October 24-27

Thu, Fri and Sat at 7:30 p.m.; Sun at 3 p.m.

Performed in Portuguese and Ze’eng eté with projected English translation

90 minutes

Ages 15+


This biographical musical show looks at Zahy Tentehar’s relationship with her mother, Azira’i, the first female Shaman from the Cana Brava reserve (MA), who held the rank of Supreme Shaman of the Tentehar peoples, which is only for people with extremely developed medicinal and spiritual knowledge.



Chicago Shakespeare Theater hosts the North American premiere of Azira’i, a biographical one-woman show starring Zahy Tentehar presented by Sarau Cultura Brasileira in Brazil. The play looks at Tentehar’s relationship with her mother, Azira’i, a female Shaman. 




Thursday, October 31 at 7:30 p.m.


La Memoria de los Sésiles

at Chicago Shakespeare Theater

Upstairs Studio, Navy Pier, 800 E. Grand Ave.


Presented by Astillero Teatro, Chile

North American Premiere

Written by Nicolás Cancino-Said

Directed by: Gabriel Contreras


Four shows only: October 31-November 3: Thu, Fri and Sat at 7:30 p.m.; Sun at 3 p.m.

Performed in Spanish with English translation

55 minutes

Ages 6+


Created in the key of family theater, filled with songs, games and beautiful stagecraftLa Memoria de los Sésiles takes place in a not-too-distant future where all the trees have been cut down by uncontrolled real estate expansion. Sacha, an old hermit, will embark on a journey deep underground in the face of the inevitable destruction of his home. Accompanied by Tujo, a rebellious young environmentalist, they will go in search of the last living roots to the path that will allow them to make the forest emerge again. 


New Destinos partners include Center on Halsted, Albany Park Theater Project and the American Music Theatre Project at Northwestern University


U.S. productions, traveling from out-of-town for their Chicago debuts, include:


Latin Standards, a one-woman comedic family memoir by San Francisco solo artist Marga Gomez, is a loving, funny and true story of perseverance and creative and caffeinated addiction passed down from immigrant father to lesbian daughter. It’s presented in partnership with Center on Halsted, two shows only, October 4-5Press opening is Friday, October 4 at 8 p.m.



Goodman Theatre is partnering with CLATA to bring the art of magic to Destinos with The Magic Parlour presents Siegfried Tieber (top)Twelve performances only, October 9-20 at The Magic Parlour, include two with special guest appearances by Chicago magicians (bottom, from left) Luis Carreon and Mago Gozner


Goodman Theatre builds on its long-running partnership with CLATA to bring the art of magic to Destinos with The Magic Parlour presents Siegfried Tieber. This year, legendary Chicago magician Dennis Watkins has invited Tieber and local Latine magicians to take the stage of The Magic Parlour for this exclusive limited engagement, October 9-20 at The Magic Parlour, adjacent to Goodman Theatre and Petterino’s. Originally from Ecuador, Tieber is a L.A.-based magician who has fooled thousands, including Penn & Teller, with his amazing sleight-of-hand, psychology and humor. Watkins considers Tieber one of his favorite magic entertainers, calling him “smart, funny, gracious and incredibly devious.” Twelve performances only, including two with special guest appearances by local magicians Luis Carreon and Mago Gozner


Rising musical theater composer and 2023 Jonathan Larson Award-winner Jaime Lozano comes to the American Music Theatre Project at Northwestern University to continue development of Desaparecidas, his new state-fair concert musical about stories of disappeared women from the borderlands. Told through the lens of Mexican folklore and music, writers Lozano, Florencia Cuenca and Georgina Escobar explore the strategic erasure of female voices in the fight to end gender-based violence and the disappearance of women and girls. From the missing, to the socially invisible, to the forgotten, Desaparecidas takes place in a classic and timeless Mexican state fair (a Palenque) where the audience will experience a special appearance by some stories of the missing. Performances are October 18-20 at Wirtz Center for the Performing Arts ChicagoPress opening is Friday, October 18 at 7:30 p.m. 


I came here to weep, first presented at Brooklyn’s Chocolate Factory Theatre in 2023, is a performance installation led by Bessie Award-winning choreographer and interdisciplinary artist Yanira Castro. Co-created with the public, I came here to weep is a multimodal, interactive project with a built audio environment designed by Northwestern faculty member Stephan Moore. A culmination of Castro's design residency at Northwestern, I came here to weep examines U.S. territorial possession and Puerto Rican sovereignty and invites the audience into a collective exorcism. Experience I came here to weep November 15-16 at Wirtz Center for the Performing Arts ChicagoPress opening is Friday, November 15 at 7:30 p.m. 


Chicago Latine companies, artists and shows participating in the 7th Destinos Festival are:


Elvira, a world premiere from Colectivo El Pozo, tells the true story of Elvira Arellano, a Mexican immigrant, single mother, worker, and eventual activist, who, fearing deportation, took sanctuary for a year in a Humboldt Park church in 2005. Elvira, written by Raúl Dorantes and directed by Mark Litwicki, runs October 2-26 at the Charlie Chaplin Hall at St. Augustine College in Uptown. Press opening is Thursday, October 3 at 7:30 p.m. 


Teatro Tariakuri in Chicago Lawn presents the U.S. premiere of El Piélago de las Calamidades, a comedy by Alejandro Licona, directed by Karla Galván, about the unwritten story of what happened to the nomadic actors who Hamlet hired to represent the murder of his father. Performances are October 5-27Press opening is Saturday, October 5 at 7 p.m. 


The setting is Wrigley Field, Cubs versus the Brewers, in the world premiere dramedy Que Te Vaya Bien from Subtext Studio Theatre, debuting October 10-27 at the Greenhouse Theater. After learning his wife is pregnant, Elias buys a ticket to the Cubs game to spiritually connect with his deceased father, in the hope of gaining some clarity on what it means to be a good father. A new play written by Omar Vicente Fernandez and directed by Octavio Montes De OcaPress opening is Friday, October 11 at 7:30 p.m. 



Childhood photo of Ruth Guerra, writer and star of Concrete Content's world premiere of Ruth on the Rocks, directed by Ricardo GamboaOctober 11 - November 16 at The Storyfront in Back of the Yards.


Concrete Content presents the world premiere of Ruth on the Rocks, a dramedy developed and directed by Ricardo Gamboa, written by and starring Ruth GuerraRuth is just your average Mexican American, middle-aged girl that grew up in the hood on Chicago’s south side. Ruth loves a good drink or ten, her jams and a messy relationship. Oh! She’s also a mother and grandmother, regular at a few bars and backyards, sometimes actor and storyteller, and still grieving her father. She probably needs a therapist or an Ayahuasca trip but instead this veteran of Chicago’s underground Latino performance and storytelling scene made a play about her hot ass mess of a life. Performances are October 11 - November 16 at The Storyfront in Back of the Yards. Press opening is Friday, October 11 at 7 p.m. 

 

Jeff Award-winning Visión Latino Theatre Company presents the world premiere of Jocey y Las Mariachis, a one-woman musical created by Jocey Villa, October 12-27 at the APO Culture Center in Pilsen.

Jeff Award-winning Visión Latino Theatre Company presents the world premiere of Jocey y Las Mariachis, a one-woman musical created by Jocey Villa, directed by Yajaira Custodio. Experience one woman’s musical journey through culture, love and self-discovery in Chicago, accompanied by live mariachi music! Performances are October 12-27 at the APO Culture Centerin Pilsen. Press opening is Monday, October 14 at 7:30 p.m. 


Albany Park Theater Project and Third Rail Projects present the return of their hit immersive production, Port of Entry. Step inside the real-life stories of immigrants and refugees from all parts of the world living side by side in a single apartment building in Albany Park. Each performance welcomes just 28 audience members into an iconic courtyard apartment building meticulously recreated in a 12,000 square foot warehouse. With each step, guests experience the struggles, joys and triumphs of people forging new lives alongside one another. The Chicago Tribune called the original 2023 staging “an astonishing piece of work…a beautiful and fresh tribute to those who came first.” Performances are October 17-November 2Press opening is Thursday, October 17 at 7 p.m. 


Destinos Spotlight Week returns with a series of one-night-only performances highlighting Chicago’s local talent, including Antojitos Improv on October 19 at The Den Theatre



Destinos Spotlight Week returns with a series of one-night-only performances highlighting Chicago’s local talent. Enjoy storytelling hosted by Nestor Gomez on October 18Antojitos Improv on October 19 and a Latine edition of Physical Theater Scratch Night on October 21. All performances are at The Den Theatre.


Cabaret Parodia presents Más Dramáticas, written and directed by Esteban Pantoja, a comedy about an acting school director who shares the history of her prestigious academy and reveals the intense drama behind the auditions of five extraordinary students, each played by Chicago Latine drag performers. With fierce competition, high stakes and unwavering ambition, these girls are prepared to give it their all. Expect more music, more laughter, more wigs and more drama. Two shows only, October 23 and 24 at the National Museum of Mexican ArtPress opening is Friday, October 23 at 7 p.m. 


Repertorio Latino Theater presents the Chicago premiere of Juicio a una Zorra, a dramatic monologue by Miguel Del Arco, directed by Sebastian LigardeMafer Roussell plays Helen of Troy, famous for her beauty that sparked the most renowned war of Antiquity, and vilified as the adulterous queen of Sparta. Performances are October 24-November 10 at Citlalin Gallery & TheaterPress opening is Thursday, October 24 at 8 p.m. 


Aguijón Theater, the city’s longest running Latino and Spanish-language theater, based in Belmont-Cragin, presents the Chicago premiere of Adverses, a contemporary take on the Electra myth by Rey Andujar, directed by Sándor Menéndez and Marcela Muñoz. This is a humorous yet poignant tragicomedy about the corrosive nature of the pursuit of power and the often-complicated relationship between mothers and daughters. Performances are November 1-December 15Press opening is Friday, November 1 at 8 p.m.


      


Celebrating its 35th anniversary, Aguijón Theater will present a remount of Cintas de seda, about an imagined encounter between Frida Kahlo and Sor Juana Inés de la Cruz,four shows only, November 7-10 at the National Museum of Mexican Art, where Aguijón first performed in 1990. 


Celebrating its 35th anniversary, Aguijón Theater will also present a remount of Cintas de seda, four shows only, November 7-10 at the National Museum of Mexican Art, where Aguijón first performed in 1990. On the eve of Day of the Dead, Frida Kahlo and Sor Juana Inés de la Cruz come together in an impossible dialogue where ghosts, hallucinations, and images of the past are present from death in a poetic representation of life. This special run will also serve as a fundraiser for Chicago’s longest running Spanish language theater company. Press opening is Thursday, November 7 at 7:30 p.m. 


Where Did We Sit on the Bus?, the smash hit solo musical by Chicago native Brian Quijada, performed by the acclaimed multi-hyphenated Chicago artist Satya Chavez, runs for a very limited engagement, November 15-17 at Steppenwolf’s 1700 TheaterDuring a third grade lesson on the Civil Rights movement and Rosa Parks, a Latina child raises her hand to ask, “Where did we sit on the bus?” Her teacher can’t answer the question. Performed by Chavez, an actor, singer, multi-instrumentalist, composer, and intersectional feminist, and infused with Latin rhythms, hip-hop, and live-looping, don’t miss this high-octane, tour-de-force theatrical experience that examines what it means to be Latine in America. Press opening is Friday, November 15 at 7:30 p.m. 


Additional programming for Destinos includes:


The 2024 Destinos festival will mark the launch of Alianzas, a week of gatherings and events from October 21-27 dedicated to facilitating exchanges between artistic programmers representing international and national festivals and local Latine theater groups.


Another first will be the introduction of Intercambiosa series of workshops throughout the run of the festival focusing on different skill building sessions.



About the Chicago Latino Theater Alliance (CLATA)


The Chicago Latino Theater Alliance (CLATA) is a leading advocate organization for Latine theater in Chicago. Supporting the development of emerging and established Latine playwrights, actors, directors and theater professionals is central to its mission. CLATA’s goal is to cultivate a vibrant and inclusive theater community, by presenting and producing Latine theater that celebrates and promotes the richness and diversity of our Latinidad. CLATA believes together we can build a stronger and more sustainable Latine theater industry.


CLATA has four signature programs: 1) Destinos, the Chicago International Latino Theater Festival, an annual, citywide festival showcasing Chicago's Latine theater artists and companies alongside top Latine artists from the U.S. and Latin America, 2) Destinos Al Aire, a free outdoor family festival that brings performing arts to Chicago Latine communities with the goal of making the arts accessible to everyone, 3) Inicios: Chicago Latine Playwright Festival, an annual festival dedicated to elevating and promoting Chicagoland area Latine playwrights and 4) Latine Theatre Artist Week, a weeklong series of free workshops and offerings specifically for Latine theatre actors and artists.


CLATA is supported by the Ford FoundationJohn D. and Catherine T. MacArthur FoundationJoyce FoundationArts Work FundPaul M. Angell Family FoundationNational Latinx Theater InitiativeDriehaus FoundationGaylord and Dorothy Donnelly FoundationExcellerator FundShubert Foundation and Illinois Arts Council.


Destinos is supported by the National Endowment for the ArtsAllstateArts Midwest GIG Fund and the Consulate General of Argentina.


For more information, visit clata.org, or follow CLATA on FacebookInstagram and Threads at @latinotheater.


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