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Showing posts with label Victory Gardens Theater. Show all posts
Showing posts with label Victory Gardens Theater. Show all posts

Wednesday, May 23, 2018

Shows On Our Radar: Mies Julie at Victory Gardens Theater Through June 24th

Chi IL Live Shows On Our Radar:

Victory Gardens Theater concludes 43rd Season with
Mies Julie
By Yaël Farber
Directed by Dexter Bullard
Adapted from August Strindberg’s Miss Julie

**Mies Julie is recommended for mature audiences, ages 18+**


May 25 – June 24, 2018

Victory Gardens Theater concludes its 43rd season with Mies Julie, written by Yaël Farber, directed by Dexter Bullard, and adapted from August Strindberg’s Miss Julie. Mies Julie runs May 25 – June 24, 2018

Here at ChiIL Live Shows, we've seen many versions of Strindberg's Miss Julie over the years, yet none quite like this. I'm eager to check out Victory Gardens' take on Yaël Farber’s modern, post apartheid South Africa based adaptation.

Set in a remote South African desert, playwright Yaël Farber’s award-winning adaptation of August Strindberg's classic Miss Julie has never "raged quite so fiercely," (The Guardian).  It is Freedom Day, 18 years after the end of apartheid. A farm laborer John encounters his white Afrikaans master's daughter, Julie, on a feverish night fueled by heat, primal passion, and generation-deep resentment.  The visceral struggles of contemporary South African society are revealed as a deadly attraction spirals violently out of control. 

“We are very excited to bring you Yaël Farber’s internationally acclaimed play to Chicago,” said Artistic Director Chay Yew. “Raw, powerful, and passionate, Yaël's breathtaking adaptation of Strindberg's classic Miss Julie adds a new political dimension to the classic and fleshes out more fully the contemporary issues of race and power, and gender and power through the lens of post-apartheid South Africa. It’s a complex dance that so many of us walk on a day-to-day basis, and Yaël's exploration of this duality is relentless. With heated language and stark dialogue, we are forced to see ourselves reflected in the circumstances surrounding Mies Julie in unexpected ways.”



The cast of Mies Julie includes Tosha 'Ayo' Alston (Ukhokho), Heather Chrisler (Mies Julie), Jalen Gilbert (John) and Celeste Williams (Christine).

The creative team includes Kurtis Boetcher (scenic design), Raquel Adorno (costume design), Diane B. Fairchild (lighting design), Stephen Ptacek (sound design) and Eleanor Kahn (props). For this production of Mies Julie Phillip Timberlake serves as the dialect coach and Kristina Fluty is the intimacy and violence choreographer. Carol Ann Tan is the assistant director, Jessica Forella is the production stage manager and Skyler Gray is the dramaturg.


About the Artists
DEXTER BULLARD (Director) is happy to be back at Victory Gardens after directing Roy WIlliams' Sucker Punch and Annie Baker’s Circle Mirror Transformation. Recent credits include Tracy Letts’ Linda Vista and Annie Baker’s The Flick at Steppenwolf,  Craig Wright's Grace on Broadway, the world premiere of Dan LeFranc's The Big Meal at American Theatre Company, Odradek at The HOUSE Theatre, Mistakes Were Made at Barrow Street Theater Off-Broadway and with A Red Orchid Theatre, Reverie with Second City at The Just For Laughs Festival in Montreal, Lady at Rattlestick Playwrights Theatre Off-Broadway, and Gas for Less at the Goodman Theatre. In 2004, Dexter was awarded the Lucille Lortel Award for Tracy Letts’ Bug at The Barrow Street Theater, as well as a Drama Desk Nomination. In 1995 Dexter co–founded Plasticene, a physical theater company whose critically–acclaimed experimental works were featured at The Steppenwolf Studio, The Edinburgh Fringe Festival, The Storefront Theatre, Performing Arts Chicago, MCA, and in New York City. With the Plasticene company, he directed and collaboratively created sixteen original works over seventeen years including The Palmer Raids (2003.) Since 1996, Dexter has directed with The Second City, leading a National Touring Company and developing satirical revues at E.T.C. and at Second City Detroit. Back in 1990, Dexter founded The Next Lab at The Next Theatre where he directed Bouncers, for which he received a Jefferson Citation and an After Dark award for his direction. At Next Theatre, he directed and/or created eight shows for mainstage and Lab as well as producing the world premiere of Tracy Letts’ Killer Joe. He has also directed projects for Famous Door Theatre, Northlight Theatre, Hartford Stage Company, Manhattan Theatre Club, Links Hall, and several times for A Red Orchid Theatre. Dexter received his undergraduate degree from Northwestern, his MFA in Performance from School of the Art Institute of Chicago, and is the Head of Graduate Acting at The Theatre School at DePaul University.

YAËL FARBER (Playwright) is a multiple award-winning director and playwright of international acclaim. Her productions have toured the world extensively - earning her a reputation for hard-hitting, controversial works of the highest artistic standard. She has most recently directed a highly acclaimed production of Loraine Hansberry’s unfinished final work Les Blancs for the National Theatre in London. Her recent production of Salomé (written and directed by Farber) for Washington’s Shakespeare Theater Company was received powerfully by the press, was nominated for 10 and won 7 Helen Hayes Awards - including Best Director and Best Play 2015. Her award-winning production of Arthur Miller’s The Crucible for the Old Vic at London’s West End garnered ten 5-star reviews from UK’s top publications, and a rave review from The New York Times. The production earned her a London Evening Standard nomination and an Olivier Nomination, and is one of the most successful productions in The Old Vic’s illustrious history. A film of the production, captured by Digital Theatre, sold out in theatres for limited runs around the world. Nirbhaya (directed and written by Farber in India 2013) earned exceptional reviews and three international awards at the 2013 Edinburgh Festival. Mies Julie (written and directed by Farber) won a string of international awards at the Edinburgh Festival 2012 and was named one of the Top Ten Productions of 2012 by The New York Times, and Top Five Productions of 2012 by The Guardian. A selection of her awards include: BroadwayWorld Best Director (2014); Asian Media Award (2014); The Amnesty Freedom of Expression Award (2013); Best of Edinburgh Award (2012); Scotsman Fringe First Awards (2000, 2012, 2013); Herald Angel Awards (2003, 2012, 2013); South Africa’s Fleur du Cap (2012), Vita (1991) and Naledi Awards (2002, 2008, 2013); Boston’s Elliot Norton Award (2013); Canada’s Dora Mavor Moore Award (2014) and a BBC Sony Award (2001). She was named Artist of the Year in her native South Africa (2003). Ms. Farber was named amongst the top 100 South Africans by Citypress in 2013. Her plays are published by Oberon Books (London, UK). Her productions have toured across the major cities of the USA, the UK, Africa, Canada, Australia, Japan, Europe, India, United Arab Emirates, Singapore and Hong Kong. She has been an invitee at the Lincoln Center Theater Directors Lab (NYC), a guest artist at Mabou Mines Theatre Company (NYC), Haus der Kulturen der Welt (Berlin), The Public Theater (NYC) and the Sundance Institute Theatre Lab (Utah). She served as Head of the Directing Program at the National Theatre School of Canada between 2009 and 2012. Ms. Farber was named amongst the top 100 South Africans by Citypress in 2013. Her plays are published by OBERON BOOKS (London, UK).

TOSHA 'AYO' ALSTON (Ukhokho) is a quintessential Brooklynite and was raised in a family of highly skilled artists and musicians. Ayo served as Dance Captain for Muntu Dance Theatre of Chicago. In 2009, Ayo birthed Ayodele Drum and Dance; a teaching organization created for women to affirm their self-confidence and strength in our communities. Ayodele personalizes African music and dance in order to effectively infuse our children with cultural wealth. Ayohas and continues to share her growing knowledge of traditional and contemporary African and African diaspora dance and music forms across the country. She is a level 1 ASA fitness instructor. Ayo currently teaches at Columbia College at Chicago and Chicago High School for the Arts.

HEATHER CHRISLER (Mies Julie) makes her Victory Gardens debut. Chicago credits include Twilight Bowl (Goodman, New Stages), Machinal (Greenhouse Theatre Center, Chris Jones' Top Ten Performances of 2017), Mary's Wedding, Captain Blood, The Madness of Edgar Allan Poe (First Folio Theatre), Her Majesty's Will (Lifeline Theatre), good friday (Oracle Productions, Jeff Award Nomination Best Ensemble), and All's Well That Ends Well (Stage Left). Regional credits include Dancing Lessons (Riverside Theatre), Romeo and Juliet, Tempest (Door Shakespeare), Christmas Carol, The Three Musketeers (Cincinnati Playhouse in the Park), Much Ado About Nothing, and Blithe Spirit (Monomoy Theatre). She has appeared on TV in Chicago P.D. and holds a MFA from Ohio University.

JALEN GILBERT (John) has appeared in Dontrell, Who Kissed the Sea (First Floor Theater), Paradise Blue (Timeline Theatre (u/s), and East Texas Hot Links (Writers Theatre(u/s). His Film & TV credits include The Exorcist, Medicine, and Solo.

CELESTE WILLIAMS (Christine) has previously appeared at Victory Gardens in Tree, Knock Me a Kiss, Emma’s Child, and Pecong. Other theatre credits include Goodman Theatre, Steppenwolf Theatre, Northlight Theatre, Writers’ Theatre, Court Theatre, Next Theatre, Milwaukee Repertory Theatre, and Clarence Brown Theatre. Film and TV credits include Rose White, Boss, and Empire.


Full Performance Schedule
Previews for Mies Julie are May 25 – 31, 2018. Previews are $15-$45. The Press opening is Friday, June 1 at 7:30pm. Regular performances run June 2 – 24, 2018: Tuesday – Friday at 7:30pm; Saturday at 3pm and 7:30pm; Sunday at 3pm.  Regular performances are $15-$60.

Victory Gardens has partnered with mobile theater ticketing app TodayTix to offer free tickets for the first preview of Mies Julie. Free Tickets will be available via TodayTix mobile lottery, launching one week before the first preview on Friday, May 18, 2018. Winners will be notified by email and push notification between 12:00pm and 3:00pm on the day of the first preview, Friday, May 25, 2018. To enter, download the TodayTix app on your iOS or Android device.

Accessible Performance Schedule
ASL Interpreted Performance: Friday, June 8 at 7:30pm

Word for Word (open captioning): Friday, June 8 at 7:30pm, Saturday, June 9 at 3:00pm, and Wednesday, June 13 at 2:00pm
           
Audio Description/Touch Tour: Friday, June 8 at 7:30pm (Touch tour at 6:00pm), Sunday, June 17 at 3:00pm (Touch tour at 1:30pm)

Performances are at Victory Gardens Theater, 2433 N Lincoln Avenue, in the heart of Chicago's Lincoln Park neighborhood. For tickets and information, call the Victory Gardens Box Office, 773.871.3000, email tickets@victorygardens.org, or visit www.victorygardens.org. Ask the Box Office about student tickets ($15), senior, and Access. For group discounts, call 872.817.9087.

Previews: May 25 – 31, 2018
Press opening:            Friday, June 1, 2018 at 7:30pm
Regular run:                June 2 – 24, 2018

Schedule:                     Tuesdays - Fridays:     7:30pm
Saturdays:                    3:00pm; 7:30pm
Sundays:                      3:00pm

Accessible Performances: Word for Word (open captioning): Friday, June 8 at 7:30pm,
Saturday, June 9 at 3:00pm, and Wednesday, June 13 at 2:00pm

ASL Interpreted: Friday, June 8 at 7:30pm

Audio Description/Touch Tour: Friday, June 8 at 7:30pm (Touch tour at 6:00pm), Sunday, June 17 at 3:00pm (Touch tour at 1:30pm)

Location:                     Victory Gardens Theater is located at 2433 N. Lincoln Avenue,
in the heart of Chicago’s Lincoln Park neighborhood

Tickets:                        Previews:          $15 - $45
Regular run:     $15 - $60

Box Office:                   The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000; www.victorygardens.org.

2017/18 Women’s 
Series Major 
Production Sponsors:              Janice Miller

2017/18 Women’s 
Series Production 
Sponsors:                                Doris Conant; Marcelle McVay and Dennis Zacek; Jeffrey
Rappin and Penny Brown; Jane M Saks, Nathan Cummings Foundation; and Bill and Orli Staley Foundation

            Production Sponsors:              Elizabeth F. Cheney Foundation and Virginia and Gary Gerst 

Playwright’s Society Sponsors: Bruce and Jacki Barron, David and Virginia Glasner, and Golden Country Oriental Food LLC

Major Season Support:            Allstate, Alphawood Foundation, David Rockefeller Fund, Doris Duke Charitable Trust, Exelon, Harold & Mimi Steinberg Charitable Trust, Paul M Angell Foundation, The Joyce Foundation, The Mellon Foundation, The John D. and Catherine T. MacArthur Foundation, The Prince Charitable Trust, The REAM Foundation, The Shubert Foundation, Time Warner Foundation  Inc., and The Wallace Foundation

Travel Sponsor:                       Southwest Airlines


About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  Victory Gardens Theater is committed to the development, production and support of new plays that has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura Schellhardt. Each playwright has a seven-year residency at Victory Gardens Theater.

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens and Instagram at instagram.com/victorygardenstheater/.

Victory Gardens Theater receives sustaining support from the Doris Duke Charitable Foundation, Joyce Foundation, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, The REAM Foundation, Shubert Foundation, Venturous Theater Fund of the Tides Foundation, and Wallace Foundation. It receives major funding from Crown Family Philanthropies, Lloyd A. Fry Foundation, and Polk Bros. Foundation. Major funders also include:Allstate Insurance, Alphawood Foundation, Paul M. Angell Family Foundation, Edgerton Foundation, Exelon, Field Foundation of Illinois, Illinois Arts Council Agency, David Rockefeller Fund, Bill and Orli Staley Foundation, Harold and Mimi Steinberg Charitable Trust, Time Warner Foundation Inc., Virginia B. Toulmin Foundation. Additional funding this season is provided by: Alliance Bernstein, Charles H. and Bertha L. Boothroyd Foundation, Capital Group Private Client Services, Elizabeth F. Cheney Foundation, The Chicago Foundation for Women, ComEd, Nathan Cummings Foundation, Golden Country Oriental Foods, John R. Halligan Charitable Fund, ITW, JCCC Foundation, Mayer Brown LLP, The McVay Foundation, Metropolitan Capital Bank & Trust, National Endowment for the Arts, Negaunee Foundation, Roberta Olshansky Charitable Fund, Origin Ventures, Pauls Foundation, PNC Financial Services Group, Prince Charitable Trusts, Seabury Foundation, Charles & M.R. Shapiro Foundation, Wrightwood Neighbors Association. In-kind support is provided by:  Dimo’s Pizza, Fiesta Mexicana, Italian Village Restaurants, Southwest Airlines, Roy’s Furniture, Suite Home Chicago, and Whole Foods Market. This project is partially supported by an Incent Ovate Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Wednesday, April 4, 2018

OPENING: World Premiere of Lettie at Victory Gardens Theater Through 5/6/18

Chi IL Live Shows On Our Radar:

Victory Gardens Theater Presents the World Premiere of
Lettie
By Boo Killebrew 
Directed by Chay Yew

April 6 – May 6, 2018


I'll be spending Friday the 13th ChiILin' at Chi, IL's Victory Gardens Theater at  the press opening of the World Premiere of Lettie, written by Boo Killebrew. Victory Gardens Theater continues its 43rd season with the World Premiere of Lettie, written by Boo Killebrew and directed by Artistic Director Chay Yew. Lettie runs April 6 – May 6, 2018.

After serving seven years in prison, Lettie is released and struggles to make a fresh start. Her children, who have been cared for by her half-sister, want little to do with her. Her re-entry job is anything but gentle as she takes on the dark, harsh world of welding. Trying again and again to create a non-criminal life, Lettie is confronted by her past and must make impossible choices to protect her future. Lettie, directed by Artistic Director Chay Yew (A Wonder In My Soul, The House That Will Not Stand) marks playwright Boo Killebrew’s Victory Gardens Theater debut.

​“I'm thrilled to be collaborating with playwright Boo Killebrew on this new work,” said Artistic Director Chay Yew. “Lettie is a moving and profound play that accurately captures the portraits of working-class women dealing with issues of recidivism and challenges in re-entry employment from incarceration, gender and race in the work place, poverty, and motherhood. One of most unique voices in the American Theatre, Boo possesses a remarkable ability to address relevant and difficult social issues through the prism of recognizable and deeply resonant personal relationships." 

The cast of Lettie includes Charin Alvarez (Minny), Matt Farabee (River), Kirsten Fitzgerald (Carla), Ryan Kitley (Frank), Caroline Neff (Lettie) and Krystal Ortiz (Layla).

The creative team includes Andrew Boyce (scenic design), Melissa Ng (costume design), Lee Fiskness (lighting design), Mikhail Fiksel (sound design) and Jesse Gaffney (props design). Jerrell L. Henderson is the assistant director, Cassie Calderone is the production stage manager and Skyler Gray is the dramaturg. 

About the Artists
CHAY YEW (Director) Chay Yew is the Artistic Director at Victory Gardens Theater. Victory Gardens Theater: A Wonder in My Soul, Roz and Ray, The House That Will Not Stand, Hillary and Clinton, Death and the Maiden, An Issue of Blood, The Gospel of Lovingkindness, Mojada, Oedipus el Rey, Universes’ Ameriville. Chicago: Dartmoor Prison, Black N Blue Boys/Broken Men (Goodman Theatre); Where Did We Sit On The Bus? (Teatro Vista/Victory Gardens, Boise Contemporary Theatre); Po Boy Tango (Northlight Theatre). Productions at The Public Theater, Playwrights Horizons, The Playwrights Realm, New York Theatre Workshop, Ensemble Studio Theatre, Rattlestick, National Asian American Theatre Company, Ma-Yi Theatre Company. Regional: Humana Festival at Actors Theatre of Louisville, Berkeley Repertory Theatre, The Kennedy Center, Mark Taper Forum, American Conservatory Theater, South Coast Rep, Long Wharf Theatre, Oregon Shakespeare Festival, Woolly Mammoth Theatre Company, Huntington Theatre Company, Denver Center Theatre, Playmakers Rep, Empty Space Theatre, Mosaic Theatre Company, Curious Theatre Company, Cincinnati Playhouse, Round House Theater, Portland Center Stage, Southern Rep, Geva Theatre Company, Pillsbury Theatre, Gala Hispanic Theatre, Cornerstone Theatre Company, Singapore Repertory Theatre, Theatre at Boston Court, East West Players amongst others. His opera credits include world premieres of Osvaldo Golijov and David Henry Hwang’s Ainadamar (co-production with the Tanglewood Music Center, Lincoln Center for the Performing Arts, and the Los Angeles Philharmonic); and Rob Zuidam’s Rage d’Amors (Tanglewood Music Center). Chay is a recipient of the OBIE Award and DramaLogue Award for Direction. As a playwright, his plays include Porcelain, A Language of Their Own, Red, A Beautiful Country, Wonderland, Question 27 Question 28, A Distant Shore, 17, and Visible Cities.His other work includes adaptations of A Winter People (based on Chekhov’s The Cherry Orchard), Lorca’s The House of Bernarda Alba, and a musical Long Season. His performance works include Vivian and Her Shadows and Home: Places between Asia and America. His plays have been produced at The Public Theater, Mark Taper Forum, Manhattan Theatre Club, Long Wharf Theatre, La Jolla Playhouse, Intiman Theatre, Wilma Theatre, Dallas Theatre Center, Portland Center Stage, amongst many others. Overseas, his plays have been produced by the Royal Court Theatre (London), Fattore K and Napoli Teatro Festival (Naples, Italy), La Mama (Melbourne, Australia), Four Arts (Kuala Lumpur, Malaysia), Singapore Repertory Theatre, Toy Factory, Checkpoint Theatre, Theatre-Works (Singapore), amongst others. He is also the recipient of the London Fringe Award for Best Playwright and Best Play, George and Elisabeth Marton Playwriting Award, GLAAD Media Award, Made in America Award, AEA/SAG/ AFTRA Diversity Honor, and Robert Chesley Award. His plays Porcelain and A Language of Their Own, and The Hyphenated American Plays are published by Grove Press. He recently edited Version 3.0: An Anthology of Contemporary Asian American Plays for TCG Publications. He was the founding director of the Taper’s Asian Theatre Workshop and producer of Taper, Too. Chay is also an alumnus of New Dramatists and serves on Chicago’s Department of Cultural Affairs and Special Events’ Cultural Advisory Council and League of Chicago Theatres.

BOO KILLEBREW (Playwright) Boo Killebrew is a playwright, actress, and co-founder of CollaborationTown Theatre Company.  Boo was a Lila Acheson Playwriting Fellow at The Juilliard School and the recipient of The Paula Vogel Award at The Vineyard Theater. She is a resident of The SPACE Working Farm, an alumni of the Emerging Writers Group at The Public Theater, a recipient of a NYFA Fellowship, an alumni of TerraNova's Groundbreakers, an Affiliated Artist and Kitchen Cabinet Member with New Georges, and a Usual Suspect with New Theater Workshop.  Her plays include MILLER, MISSISSIPPI (The Leah Ryan Prize 2015, Dallas Theater Center 2017); ROMANCE NOVELS FOR DUMMIES (Williamstown Theater Festival, 2016), DAYS LIKE DIAMONDS, THE PLAY ABOUT MY DAD (59e59 Theatres), THE d LIFE, CAVEAT EMPTOR and THE MOMENTUM (NYC Fringe Festival Excellence Award for Overall Production of a Play; GLAAD Media Award Nominee).  Her work has been presented at The Roundabout Theatre, The Public Theater, Williamstown Theater Festival, The Atlantic, New York Theater Workshop, New York Stage and Film, Perry Mansfield, Portland Center Stage, New Georges, Clubbed Thumb, The Huntington Theatre Co., 59e59 Theatres, The New Ohio, The Labyrinth, The Alley Theatre, and Boston Playwright's Theatre. Boo was an Edward F. Albee Foundation Fellow, an Artist in Residence at NYFA, Robert Wilson's Watermill Center, New York Theater Workshop, The MacDowell Colony, Williamstown Theater Festival, and the Lower Manhattan Cultural Council.  Boo has received two New York Innovative Theater Awards, two Fringe Excellence Awards, and The Bette Davis Foundation Award. She is currently commissioned by Victory Gardens, The Dallas Theatre Center, and Manhattan Theatre Club. Boo is a writer for Longmire on Netflix and created the television pilot Aim High, which is currently in development at AMC.  

CHARIN ALVAREZ (Minnie) Theatre credits include: The Scene (Writer’s Theatre); 2666, Pedro Paramo, El Nogalar, Dollhouse, Electricidad (The Goodman Theatre); Mojada, Oedipus El Rey, Anna in the Tropics, A Park in the House (Victory Gardens Theater);  In the time of the Butterflies, Our Lady of the Underpass,  I put the fear of Mexico in ‘em, Dreamlandia, Another Part of the House (Teatro Vista); Water by the Spoonful (Court Theatre);  Work of Art (Chicago Dramatists); The Clean House (Remy Bumppo); What We Once Felt (About Face Theatre); Kita & Fernanda (16th Street theatre); Esperanza Rising (Chicago Children’s Theatre); Two Sisters and a Piano (Apple Tree Theatre); Generic Latina (Teatro Luna); La Casa de Bernarda Alba (Aguijon Theatre). Film/TV credits include: Easy; Shameless; Chicago Fire; Mob Doctor; Boss; Chicago Code; Approach Alone; Rooftop Wars; Arc of a Bird; Were the World Mine; Chicago Overcoat; First and Only Lesson; Eric’s Haircut; Dogwalker; Rogers Park; Olympia: Manual on how to live your life, Signature Move; En Algun Lugar; Princess Cyd; Single File; Teacher; Hala.

MATT FARABEE (River) Rest (Victory Gardens). Chicago credits include:  Dry Land (Rivendell Theatre), The Burials (Steppenwolf), The Skin of Our Teeth (Remy Bumppo), Bruise Easy (American Theater Company), Mud Blue Sky (A Red Orchid Theatre), punkplay (Steppenwolf Garage Rep), Skylight (Court Theater), Milk Milk Lemonade (Pavement Group), Elizabeth Rex (Chicago Shakespeare), Tigers Be Still (Theater Wit), Abraham Lincoln was a F*gg*t (AboutFace Theatre), The Sweeter Option (Strawdog), and The Trestle at Pope Lick Creek (Eclipse Theatre Company).  Off-Broadway: A Bright New Boise (Partial Comfort).  Regional: Lord of the Flies, One Flew Over the Cuckoo’s Nest (Round House Theatre).

KIRSTEN FITZGERALD (Carla) Victory Gardens: Appropriate (world premiere). A Red Orchid Theatre: Traitor (world premiere), Evening at the Talk House, Pilgrim's Progress (world premiere), Abigail's Party, Mud Blue Sky, The Sea Horse (Jeff Award), etc.  Steppenwolf: Mary Page Marlowe (world premiere), The Qualms (world premiere), Clybourne Park, A Streetcar Named Desire. Other theatres: Chicago Shakespeare Theatre, Goodman, Shattered Globe, Remy Bumppo, Plasticene, Prop, Next, Famous Door, Defiant Theatre and more.  Television: The Exorcist, Sirens, Chicago Med, Chicago Justice, Chicago Fire, Underemployed, ER.  Kirsten is the Artistic Director and a member of the Ensemble at A Red Orchid Theatre.

RYAN KITLEY (Frank) Recent credits: Romeo and Juliet (Chicago Shakespeare), Objects in the Mirror (Goodman Theatre), Support Group for Men (Goodman Theatre) Assassination Theater (MBC), Burn This (Shattered Globe) A Few Good Men (Theatre at the Center), Travels With My Aunt (Writers Theatre) Who’s Afraid of Virginia Woolf? (Shattered Globe) The Big Funk (Clock Productions) Cat on a Hot Tin Roof (Meadowbrook Theatre) Amy’s View, Things We Do For Love, King O’ the Moon (Organic Theatre) Dig Two Graves, Guidance, Barbershop II, Hunter, Soul Survivors, Miss March, Chicago Fire, Chicago PD, Empire, BOSS, Detroit 187, Early Edition, Turks, Jimmy Kimmel Live, Other People’s Children, Embeds.

CAROLINE NEFF (Lettie) Broadway: Airline Highway. Steppenwolf: You Got Older, Linda Vista,The Fundamentals, The Flick, Airline Highway, The Way West, Three Sisters. Goodman: Uncle Vanya. Steep: Wastwater, The Knowledge, Harper Regan, A Brief History of Helen of Troy, In Arabia We’d All Be Kings, Pornography. Northlight: 4000 Miles. Route 66: The Downpour. Griffin: Port. Next: The Metal Children. Yale Rep: Peerless. Film and TV: Chicago PD, Chicago Fire, Public Housing Unit, Open Tables, Older Children.
KRYSTAL ORTIZ (Layla) Chicago credits: La Havana Madrid (Teatro Vista, Goodman Theatre), Thumbelina (Lifeline Theatre), In Love and Warcraft (Halcyon Theatre), Failure: A Love Story, In the Heights (The Theatre School at DePaul University). New York credits: Kid Prince and Pablo (NYSAF, Ars Nova). Film & TV:  Manifest Destiny, The Exorcist. Krystal is represented by Stewart Talent Chicago.

Full Performance Schedule
Previews for Lettie are April 6-12, 2018. Previews are $15-$45. The Press opening is Friday, April 13 at 7:30pm. Regular performances run April 14 – May 6, 2018: Tuesday — Friday at 7:30pm; Saturday at 3pm and 7:30pm; Sunday at 3pm.  Regular performances are $15-$60.

Victory Gardens has partnered with mobile theater ticketing app TodayTix to offer free tickets for the first preview of Lettie. Free Tickets will be available via TodayTix mobile lottery, launching one week before the first preview on Friday, March 30, 2018. Winners will be notified by email and push notification between 12:00pm and 3:00pm on the day of the first preview, Friday, April 6, 2018. To enter, download the TodayTix app on your iOS or Android device.

Accessible Performance Schedule
Word for Word (open captioning): Friday, April 20 at 7:30pm, Saturday, April 21 at 3:00pm, and Wednesday, April 25 at 2:00pm

ASL Interpreted Performance: Friday, April 20 at 7:30pm

Audio Description/Touch Tour: Friday, April 20 at 7:30pm (Touch tour at 6:00pm), Sunday, April 29 at 3:00pm (Touch tour at 1:30pm)

Performances are at Victory Gardens Theater, 2433 N Lincoln Avenue, in the heart of Chicago's Lincoln Park neighborhood. For tickets and information, call the Victory Gardens Box Office, 773.871.3000, email tickets@victorygardens.org, or visit www.victorygardens.org. Ask the Box Office about student tickets ($15), senior, and Access. For group discounts, call 872.817.9087.

Public Programs
Public Programs is an event series designed to enhance your experience by exploring themes and issues within Victory Gardens’ productions. Connecting our theater to the world beyond the stage and rehearsal room, Public Programs bridge ideas, provoke dialogue, and deepen the relationship between our audiences and our productions. Public Programs are composed of three distinct tracks:

SALON: A post-show performance series bringing local artists, students, and/or organizations into the conversation of the play through their own work. 

PANEL: A post-show conversation with community leaders, playwrights, activists, artists, and educators. These panels use the play's themes to ignite a conversation about our world and the people in it. 

CELEBRATION: Pre- and post-show events celebrating the themes of the play through art, food, and community. 

AFTERWORDS
Post-Show Conversation
After every performance of LETTIE (unless otherwise noted)
Join us for one of our intimate post-show conversations. Led by members from the Victory Gardens community—artistic affiliates, artistic staff, and community partners— reflect on what you’ve seen and share your response.

CELEBRATION: ALL MY WOMEN MAKIN’ MONEY
Pre-Show Reception
April 7 | Saturday | 6:00pm
Support women breaking down equity barriers—and have a great time doing it! Join us for a night celebrating the work of women in traditionally male-dominated fields. Enjoy complimentary refreshments and engage in a discussion about women’s equity in the workforce as we celebrate women workin’ hard and gettin’ paid.

PANEL: A CONVERSATION WITH BOO KILLEBREW
Post-Show Conversation
April 12 | Thursday | 9:30pm
Lettie follows one mother’s incarceration and reentry, but it wasn’t written by a formerly incarcerated mother. How do playwrights tell stories that aren’t their own? For playwright Boo Killebrew, it started with talking to people who lived the experiences she wanted to explore. From interviews to collaboration with these women, join Boo as she discusses her work and process with dramaturg Skyler Gray.

PANEL: THEATRE AS THERAPY
Post-Show Conversation
April 18 | Wednesday | 9:30pm
Since its opening in 1994, the Grace House residential program has provided interim housing, emotional and spiritual support, and professional counseling to women who are exiting the Illinois prison system. Women who have lived at Grace House share their stories of re-entry and how theatre played a role in their healing. 

SOCIAL JUSTICE PANEL: JUSTIS4JUSTUS 
Post-Show Conversation
April 20 | Friday | 9:30pm
Made possible by the support of The David Rockefeller Fund 
After the evening performance join members of Justis4Justus, an organization working to rebuild the lives of exonerees, as we discuss how we, as citizens, grapple with the U.S. prison system and what happens when it fails us. 

SALON: COLLEGE NIGHT: COMEBACKS
Post-Show Performance
April 27 | Friday | 6:30pm & 9:30pm
What do Michael Jordan, Natasha Lyonne, and Lettie from Lettie have in common? They all made a comeback. The journey is often difficult and often inspiring—and famous or not, we love it when the people we love bounce back. Join us after the evening performance of Lettie for a free post-show performances about coming back from adversity written, directed, and performed by college artists from DePaul University, Loyola University, Northwestern University, and Columbia College.

SOCIAL JUSTICE PANEL: STORY CATCHERS
Post-Show Presentation and Q&A
April 29 | Sunday | 5:00pm
Made possible by the support of The David Rockefeller Fund 
While Lettie's experiences and trials are singular, it is important to remember the many hardships faced by her children during her years in prison. As the child of a parent who is incarcerated, there is a unique set of challenges and emotions that accompany that trauma. Victory Gardens Theater has partnered with Storycatchers Theater to share the stories and struggles of young people with current or formerly incarcerated parents. Join us for a short performance and panel discussion with adolescents who have lived this experience and the amazing staff of Storycatchers Theater who help them share their stories, make sense of their world, and heal.

SOCIAL JUSTICE PANEL: RECLAMATION
Post-Show Conversation
May 5 | Saturday | 5:00pm
Made possible by the support of The David Rockefeller Fund 
In Boo Killebrew’s Lettie, we follow the journey of two mothers trying to do their best as they begin the process of mending relationships with their kids, families, and themselves after incarceration. What is the mother’s journey in that process? How can we better support them? Join us for this riveting post-show conversation as we are joined by the Chicago Legal Advocacy for Incarcerated Mothers as we unearth what it means to reclaim space and time.


The Virginia B. Toulmin Foundation Commissioning Program Award Recipient
Special support provided by The Edgerton Foundation

Previews:
April 6 – 12, 2018
Press opening:
Friday, April 13, 2018 at 7:30pm
Regular run:
April 14 – May 6, 2018

Schedule: 
Tuesdays - Fridays: 7:30pm 
Saturdays: 3:00pm; 7:30pm
Sundays: 3:00pm

Accessible Performances: Word for Word (open captioning): Friday, April 20 at 7:30pm, Saturday, April 21 at 3:00pm, and Wednesday, April 25 at 2:00pm

ASL Interpreted: Friday, April 20 at 7:30pm

Audio Description/Touch Tour: Friday, April 20 at 7:30pm (Touch tour at 6:00pm), Sunday, April 29 at 3:00pm (Touch tour at 1:30pm)

Location:
Victory Gardens Theater is located at 2433 N. Lincoln Avenue, 
in the heart of Chicago’s Lincoln Park neighborhood

Tickets:
Previews: $15 - $45 
Regular run: $15 - $56

Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000; www.victorygardens.org.

2017/18 Women’s 
Series Major 
Production Sponsors: 
Janice Miller 


2017/18 Women’s 
Series Production 
Sponsors: Doris Conant; Marcelle McVay and Dennis Zacek; Jeffrey Rappin and Penny Brown; Jane M Saks, Nathan Cummings Foundation; and Bill and Orli Staley Foundation 

Major Production Sponsor: Edgerton Foundation, The Venturous Theater Fund of Tides Foundation, Virginia B. Toulmin Foundation

Production Sponsors: Betty Bradshaw, Charles E. Harris, II, Mayer Brown LLP


Playwright’s Society Sponsor: Janice Feinberg, Joseph and Bessie Feinberg Foundation, Jared Kaplan and Maridee Quanbeck


Major Season Support: Allstate, Alphawood Foundation, David Rockefeller Fund, Doris Duke Charitable Trust, Exelon, Harold & Mimi Steinberg Charitable Trust, Paul M Angell Foundation, The Joyce Foundation, The Mellon Foundation, The John D. and Catherine T. MacArthur Foundation, The Prince Charitable Trust, The REAM Foundation, The Shubert Foundation, Time Warner Foundation  Inc., and The Wallace Foundation

Travel Sponsor: Southwest Airlines 




About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  Victory Gardens Theater is committed to the development, production and support of new plays that has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura Schellhardt. Each playwright has a seven-year residency at Victory Gardens Theater. 

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens and Instagram at instagram.com/victorygardenstheater/

Victory Gardens Theater receives sustaining support from the Doris Duke Charitable Foundation, Joyce Foundation, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, The REAM Foundation, Shubert Foundation, Venturous Theater Fund of the Tides Foundation, and Wallace Foundation. It receives major funding from Crown Family Philanthropies, Lloyd A. Fry Foundation, and Polk Bros. Foundation. Major funders also include:Allstate Insurance, Alphawood Foundation, Paul M. Angell Family Foundation, Edgerton Foundation, Exelon, Field Foundation of Illinois, Illinois Arts Council Agency, David Rockefeller Fund, Bill and Orli Staley Foundation, Harold and Mimi Steinberg Charitable Trust, Time Warner Foundation Inc., Virginia B. Toulmin Foundation. Additional funding this season is provided by: Alliance Bernstein, Charles H. and Bertha L. Boothroyd Foundation, Capital Group Private Client Services, Elizabeth F. Cheney Foundation, The Chicago Foundation for Women, ComEd, Nathan Cummings Foundation, Golden Country Oriental Foods, John R. Halligan Charitable Fund, ITW, JCCC Foundation, Mayer Brown LLP, The McVay Foundation, Metropolitan Capital Bank & Trust, National Endowment for the Arts, Negaunee Foundation, Roberta Olshansky Charitable Fund, Origin Ventures, Pauls Foundation, PNC Financial Services Group, Prince Charitable Trusts, Seabury Foundation, Charles & M.R. Shapiro Foundation, Wrightwood Neighbors Association. In-kind support is provided by:  Dimo’s Pizza, Fiesta Mexicana, Italian Village Restaurants, Southwest Airlines, Roy’s Furniture, Suite Home Chicago, and Whole Foods Market. This project is partially supported by an Incent Ovate Grant from the City of Chicago Department of Cultural Affairs & Special Events.

Friday, March 2, 2018

OPENING: Chicago Premiere! of YOU FOR ME FOR YOU Via Sideshow Theatre Company at Victory Gardens Theater

Chi, IL LIVE Shows On Our Radar:

Chicago Premiere!
Sideshow Theatre Company Presents
YOU FOR ME FOR YOU
By Mia Chung 
Directed by Ensemble Member Elly Green



March 4 – April 8, 2018 at Victory Gardens Theater
Running Time: 90 minutes/no intermission

Sideshow Theatre Company is pleased to launch its eleventh season with the Chicago premiere of Mia Chung’s absurdly inventive smash-hit YOU FOR ME FOR YOU, directed by ensemble member Elly Green*, playing March 4 – April 8, 2018 at Victory Gardens Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago. Tickets are currently available at www.victorygardens.org, by calling (773) 871-3000 or in person at the Victory Gardens Box Office. 

I'll be ChiILin' at Chi, IL's Victory Gardens Richard Christiansen Theater for the press opening of YOU FOR ME FOR YOU on March 8th, so check back soon for my full review. 

YOU FOR ME FOR YOU features Sideshow ensemble member Katy Carolina Collins* with Patrick Agada, Gordon Chow, Helen Joo Lee, John Lu and Jin Park.

Two North Korean sisters plan an elaborate escape from the “Best Nation in the World,” only to be separated at the border. Now in two strange and separate worlds filled with outrageous characters, they must navigate barriers of language and bureaucracy, reckon with the ways that culture and country can shape us, and discover that survival requires sacrifice. Playwright Mia Chung weaves myth and striking imagery into a deeply affecting and surprisingly funny adventure, portraying the endless lengths to which two sisters will go to find one another again.

Artistic Director Jonathan L. Green comments, “Mia's play is one we've been chasing for a few years. You for Me for You is fast-moving, funny and daring; in the hands of Sideshow's Elly Green, it's going to be a tour de force.”

The production team for YOU FOR ME FOR YOU includes: William Boles* (scenic design), Izumi Inaba (costume design), Cat Wilson (lighting design), Christopher M. LaPorte* (sound design), Jessica Mondres (properties design), Ben Chang (dramaturg), Chad Hain (technical director), Ellen Willett* (production manager) and Jean E. Compton (stage manager).

Location: Victory Gardens Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago
Dates: Previews: Sunday, March 4 at 2:30 pm and Wednesday, March 7 at 8 pm
Regular run: Friday, March 9 – Sunday, April 8, 2018
Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 2:30 pm
Tickets: Previews: Pay-what-you-can (online or at the door). Regular run: $20 – $30.  Students/seniors/industry: $15 for all performances (excluding opening). Tickets go on sale Monday, January 22, 2018 at www.victorygardens.org, by calling (773) 871-3000 or in person at the Victory Gardens Box Office.

*Denotes Sideshow Company Member.

About the Creative Team:

Mia Chung’s (Playwright) plays include You For Me For You, Catch as Catch Can and This Exquisite Corpse. She recently received the Stavis Playwright Award, the Frederick Loewe Award in Music-Theatre, and a Playwrights’ Center Jerome Fellowship. You For Me For You had a UK premiere at The Royal Court Theatre, a U.S. premiere at Woolly Mammoth Theatre, and multiple productions around the U.S., including Company One (Boston), Crowded Fire Theater (San Francisco), InterAct (Philadelphia), Mu Performing Arts/Guthrie Theater (Minneapolis), Portland Playhouse (Oregon); the play is published by Bloomsbury Methuen Drama. In 2018, the play will run in Chicago, Michigan, and upstate NY. Mia’s work has been supported by awards, commissions, fellowships, residencies and workshops, including BAPF, Berkeley Rep Ground Floor, Blue Mountain Center, Civilians’ R&D Group, Hedgebrook, Huntington Theatre, Icicle Creek, Inkwell, JAW, LAByrinth, Ma-Yi Writers Lab, NEA, Playwrights Realm, RISCA, South Coast Rep, Southern Rep, Stella Adler Studio, and TCG. During the coming year, she will develop work with the support of the Orchard Project, P73, NYTW and the Playwrights’ Center. She is a New Dramatist.

Elly Green (Director) is a freelance director, whose previous work with Sideshow includes the co-world premiere of Hansol Jung’s No More Sad Things and a Freshness Initiative workshop series of Janet Burroway’s Boomerang. She recently directed The Distance by Deborah Bruce for Haven Theatre and After Miss Julie by Patrick Marber for Strawdog Theatre. Other Chicago credits include: The Woman Before (Trap Door), Rabbit (Stage Left – Jeff nominated), Happy (Redtwist), Unwilling and Hostile Instruments (Theatre Seven) and The Tomkat Project (Playground Theatre & NY Fringe). Elly was assistant director on Henry V (Chicago Shakespeare Theater) and Proof (Court Theatre). She is an artistic associate with Stage Left theatre and a reader for Steppenwolf theatre. Elly originally trained in London on the MFA in Theatre Directing from Birkbeck College. Her UK directing credits include: Our Country’s Good, My Balloon Beats Your Astronaut, Beyond Therapy, About Tommy, Copenhagen, Skylight, The Beach and The Zoo Story. ellygreendirector.com.



About Sideshow Theatre Company:
Sideshow Theatre Company: Theatre for the Curious. It is the mission of Sideshow Theatre Company to mine the collective unconscious of the world we live in with limitless curiosity, drawing inspiration from the familiar stories, memories and images we all share to spark new conversation and bring our audiences together as adventurers in a communal experience of exploration.

Over its 10+ year history, Sideshow is proud to have distinguished itself as a vital member of the Chicago theatre community. Sideshow was awarded the 2016 Broadway In Chicago Emerging Theatre Award by the League of Chicago Theatres. Sideshow is a multiple Jeff Award-winning theatre and has been listed on the “Best of” lists in 2012, 2013 and 2014 by Time Out Chicago and the Chicago Sun-Times. Sideshow continues its multi-year residency at Victory Gardens in the historic Biograph Theater in the 2017/18 season.

Sideshow is also the producer of Chicago League of Lady Arm Wrestlers (CLLAW), a wildly popular fundraiser held in benefit of Sideshow Theatre Company and other local community organizations. CLLAW has been featured in local and national press, including The Washington Post, Reuters, Penthouse Magazine and the Chicago Sun-Times and on WGN Morning News, ABC 7’s Windy City Live and CBS 2. For more information about CLLAW, visit cllaw.org.

For additional information on Sideshow Theatre Company, visit sideshowtheatre.org.

Wednesday, February 21, 2018

SAVE THE DATES: 44th Season Announced for Victory Gardens 2018-2019

Chi, IL LIVE Shows On Our Radar:

Victory Gardens Theater announces its 2018-2019 Season
including the Chicago premieres of the Tony Award-nominated play Indecent by Paula Vogel, Pipeline by Dominique Morisseau, and Cambodian Rock Band by Lauren Yee; and the world premieres of Rightlynd by Ike Holter and Miriam for President by Madhuri Shekar


Here at ChiIL Live Shows we're quite excited to see what Victory Gardens has in store for 44. They've been around an astounding 4+ decades and they're featuring lots of works by women, minorities, and an exciting mix of diverse voices. They're also producing a Tony Award-nominated play, a Pulitzer Prize-winning playwright, with a season long focus on "new American plays that speak immediately to our times"

Victory Gardens Theater, under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, announces the lineup for its 2018-2019 Season. Victory Gardens’ 44th Season will include the Tony Award-nominated play Indecent by Pulitzer Prize-winning playwright Paula Vogel; the Chicago premieres of Pipeline by Dominique Morisseau and Cambodian Rock Band by Lauren Yee; and the world premieres of Rightlynd by Ike Holter and Miriam for President by Madhuri Shekar.

 
“I’m extremely excited to announce our 44th season of new American plays that speak immediately to our times,” said Artistic Director Chay Yew. “Victory Gardens continues to give a Chicago home to our country’s finest playwrights who write powerful and relevant work that reflect and represent our diverse nation. These remarkable artists raise poignant questions about current issues through the resilience and humanity of their characters despite their circumstances. Their plays celebrate the best in us and inspire us to be better global citizens in these fractured times.”

The 2018-19 Victory Gardens Theater Season up close:



Indecent
By Paula Vogel
Directed by Gary Griffin
September 21-Nov 4, 2018
Press Opening: September 28, 2018

Pulitzer Prize-winning playwright Paula Vogel (How I Learned to Drive) tells the deeply moving story of the controversial 1923 Broadway debut of Jewish playwright Sholem Asch’s God of Vengeance — a play about a forbidden lesbian romance that enchanted and outraged audiences.  Inspired by true events, Indecent, is performed by an ensemble of seven actors and three musicians portraying more than 40 roles to chart an explosive moment in theatrical history and the artists who risked their careers and lives to perform it. Award-winner Gary Griffin (Hand To God, Fun Home) returns to Victory Gardens to direct this 2017 Tony Award-nominated play.



Rightlynd
By Ike Holter
Directed by Lisa Portes
November 9-December 23, 2018
Press Opening: November 16, 2018

Rightlynd is Chicago's 51st Ward. The L doesn't run here anymore and it is full of abandoned storefronts, crumbling apartment buildings, and its fair share of crime. A powerful real estate conglomerate is planning a massive redevelopment project that would gentrify the neighborhood and change Rightlynd forever. Only one woman stands in the way: Alderman Nina Esposito. In award-winning local playwright Ike Holter's ambitious new work, one woman tries to use her street smarts and raw determination to save the Chicago neighborhood she loves. But will the political machine turn her into the very person she is trying to destroy? Lisa Portes (BREACH, A Little Bit Not Normal) directs the first play that sets in motion Holter’s ongoing seven play saga set in this fictional Windy City neighborhood; the story cycle that includes previous pieces Exit Strategy, Sender, Prowess, and The Wolf at the End of the Block.



Pipeline
By Dominique Morisseau
Directed by Cheryl Lynn Bruce
February 1-March 3, 2019
Press Opening: February 8, 2019

Nya, an inner-city public high school teacher, is committed to her students but desperate to give her only son, Omari, opportunities her students will never have. When a controversial incident at his private school threatens to get him expelled, Nya must confront his rage and her own choices as a parent. But will she be able to reach him before a world beyond her control pulls him away?  With profound compassion and poetry, Dominique Morisseau’s (Skeleton Crew, Detroit 66, and the Broadway-bound Ain’t Too Proud to Beg) Pipeline brings to light a powerful and important conversation about parenthood, the state of our public school system, and the prison pipeline that claims so many of our inner city youth.



Cambodian Rock Band 
By Lauren Yee
Directed by Marti Lyons
April 5-May 5, 2019
Press Opening: April 12, 2019

Part comedy, part mystery, part rock concert, this thrilling story toggles back and forth in time, as father and daughter face the music of the past. Neary, a young Cambodian American, has found evidence that could finally put away individuals who carried out the Cambodian genocide. But her work is far from done. When Dad shows up unannounced—his first return to Cambodia since fleeing 30 years ago—it’s clear this isn’t just a pleasure trip. A wild rock-and-roll journey through the eyes of father and daughter, Artistic Director Chay Yew brings the world premiere journey of Lauren Yee’s (Samsara) Cambodian Rock Band from South Coast Repertory Theatre to Victory Gardens. 



Miriam for President
By Madhuri Shekar
Directed by Chay Yew
June 7-July 7, 2019
Press Opening: June 14, 2019

Miriam hates to be known as “that girl who got kidnapped then escaped that sex trafficking ring.” She wants to be known as Miriam, your top candidate for student council president at Roosevelt High School. But her parents, counselor, and best friend keep insisting that she's not ready. But what do they know? What do they really know about what happened to Miriam? From Madhuri Shekar, the author of Queen, comes a powerful play about survival, rebirth, and the silent crime of human trafficking in Chicago.

Subscriptions
Subscriptions start at just $99 are on sale at www.victorygardens.org and by phone at the Victory Gardens Box Office at 2433 N. Lincoln, 773.871.3000.

Victory Gardens Theater is located at 2433 N. Lincoln Avenue, in the heart of Chicago’s Lincoln Park neighborhood.

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  Victory Gardens Theater is committed to the development, production and support of new plays that has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura Schellhardt. Each playwright has a seven-year residency at Victory Gardens Theater.

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens and Instagram at instagram.com/victorygardenstheater/.

Victory Gardens Theater receives sustaining support from the Doris Duke Charitable Foundation, Joyce Foundation, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, The REAM Foundation, Shubert Foundation, Venturous Theater Fund of the Tides Foundation, and Wallace Foundation. It receives major funding from Crown Family Philanthropies, Lloyd A. Fry Foundation, and Polk Bros. Foundation. Major funders also include: Allstate Insurance, Alphawood Foundation, Paul M. Angell Family Foundation, Edgerton Foundation, Field Foundation of Illinois, Illinois Arts Council Agency, David Rockefeller Fund, Bill and Orli Staley Foundation, Harold and Mimi Steinberg Charitable Trust, Time Warner Foundation Inc., Virginia B. Toulmin Foundation. Additional funding this season is provided by: Alliance Bernstein, Charles H. and Bertha L. Boothroyd Foundation, Capital Group Private Client Services, Elizabeth F. Cheney Foundation, The Chicago Foundation for Women, the City of Chicago Department of Cultural Affairs & Special Events, ComEd, Nathan Cummings Foundation,  Exelon, Golden Country Oriental Foods, John R. Halligan Charitable Fund, ITW, JCCC Foundation, Mayer Brown LLP, The McVay Foundation, Metropolitan Capital Bank & Trust, National Endowment for the Arts, Negaunee Foundation, Roberta Olshansky Charitable Fund, Origin Ventures, Pauls Foundation, PNC Financial Services Group, Prince Charitable Trusts, Seabury Foundation, Charles & M.R. Shapiro Foundation, Wrightwood Neighbors Association. In-kind support is provided by:  Dimo’s Pizza, Fiesta Mexicana, Italian Village Restaurants, Southwest Airlines, Suite Home Chicago and Whole Foods Market.

Wednesday, February 7, 2018

OPENING: BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate at Victory Gardens Theater Through March 11th, 2018

ChiIL LIVE Shows On Our Radar:

Victory Gardens Theater Presents
BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate
By Antoinette Nwandu
Directed by Lisa Portes


February 9 – March 11, 2018
Running Time: 2:10, including a 15-minute intermission.

Victory Gardens Theater continues its 43rd season with BREACH: a manifesto on race in america through the eyes of a black girl recovering from self-hate, written by Antoinette Nwandu and directed by Lisa Portes. BREACH runs February 9 – March 11, 2018. 


I'll be out for the press performance on Friday, February 16th, so check back soon for my full review. 

In Antoinette Nwandu’s “love letter to black women,” Margaret uproots her life, including her dead-end job and fizzling relationship, after finding out that she is unexpectedly expecting. She finds support and humor from her sassy and sharp Aunt Sylvia and her new friendship with Carolina, a pregnant cleaning lady at her office. BREACH is a smart comedy about friendship, motherhood, and family, and tackles the mother of all challenges: learning to love yourself.

Schedule: 
Previews: February 9 – 15, 2018
Regular run: February 17 – March 11, 2018

Tuesdays - Fridays:  7:30pm 


Saturdays: 3:00pm; 7:30pm
Sundays: 3:00pm

Accessible Performances:
Word for Word (open captioning): Friday, February 23 at 7:30pm, Saturday, February 24 at 3:00pm, and Wednesday, February 28 at 2:00pm

ASL Interpreted: Friday, February 23 at 7:30pm

Audio Description/Touch Tour: Friday, February 23 at 7:30pm (Touch tour at 6:00pm), Sunday, March 4 at 3:00pm (Touch tour at 1:30pm)

Location: 
Victory Gardens Theater is located at 2433 N. Lincoln Avenue, 
in the heart of Chicago’s Lincoln Park neighborhood

Tickets:


Previews: $15 - $45 
Regular run: $15 - $60

Box Office: The Box Office is located at 2433 N. Lincoln Avenue, Chicago.
773.871.3000; www.victorygardens.org.

BREACH features Caren Blackmore (Margaret), Linda Bright Clay (Aunt Sylvia), Karen Rodriguez (Carolina), Al’Jaleel McGhee (Rasheed) and Keith D. Gallagher (Nate).

The creative team includes Linda Buchanan (scenic design), Samantha C. Jones (costume design), Heather Gilbert (lighting design), Thomas Dixon (sound design), Alec Long (properties). The dramaturg is Skyler Gray and the stage manager is Tina M. Jach.

"Antoinette Nwandu is one of the most exciting and imaginative voices in our field." said Artistic Director Chay Yew. "When I read BREACH, I knew our Chicago audiences needed to experience this gifted author who deftly fuses immediate contemporary social issues into a powerful, deeply personal play."

About the Artists
Antoinette Nwandu (Playwright) is a New York-based playwright. In June 2017, Steppenwolf presented the World Premiere of her Jeff Award-winning play Pass Over, a mashup of Waiting for Godot and the biblical Exodus story in a modern urban setting. Antoinette is currently under commission from Echo Theater Company, Colt Coeur, and Audible; her plays have been supported by MacDowell, the Sundance Theater Lab, IGNITION Fest, the Cherry Lane Mentor Project (mentor: Katori Hall), the Kennedy Center, Page73, Ars Nova, PlayPenn, Space on Ryder Farm, Southern Rep, The Flea, Naked Angels, Fire This Time, and The Movement Theater Company. Honors include spots on the 2016 and 2017 Kilroys lists, the Paula Vogel Playwriting Award, the Lorraine Hansberry Playwriting Award, the Negro Ensemble Company’s Douglas Turner Ward Prize, and a Literary Fellowship at the Eugene O’Neill Playwrights Conference. Antoinette is an alum of the Ars Nova Play Group, the Naked Angels Issues PlayLab, and the Dramatists Guild Fellowship.  Education: Harvard, The University of Edinburgh, Tisch School of the Arts.

Lisa Portes (Director) returns to Victory Gardens where she directed Slingshot by Kia Korthron, A Little Bit Not Normal by Arlene Malinowski, and Undone by Andrea Thome for IGNITION. Other Chicago credits include: Steppenwolf: This is Modern Art by Idris Goodwin and Kevin Coval, Goodman: Ghostwritten by Naomi Iizuka; Northlight: Permanent Collection by Thomas Gibbons; Timeline: Concerning Strange Devices from the Distant West by Naomi Iizuka; Next Theatre: In the Blood by Suzan-Lori Parks and Far Away by Caryl Churchill. Recent regional credits: Disgraced (Cincinnati Playhouse), Glass Menagerie (CalShakes). NYC credits: Wilder (Playwrights Horizons). Upcoming: Native Gardens (Denver Center). Awards: 2016 SDC Zelda Fichandler Directors Award. Lisa heads the MFA Directing program at The Theatre School at DePaul University.

Caren Blackmore (Margaret) makes her Victory Gardens debut. Chicago Credits; Beyond Caring (Lookingglass Theatre), Electra and Jitney! (Court Theatre), The MLK Project: The Fight For Civil Rights (Writers Theatre), SPILL (TimeLine Theatre) and The Joe Tex Story (Black Ensemble Theater). Also has worked with; Pegasus Players, Stockyards Theatre Project, Theatre Wit, Loop Players, Congo Square Theatre Company, ETA Creative Arts and MPAACT. Attended Freedom Theatre of Philadelphia and is a graduate of Oberlin College and the Eugene O'Neill National Theatre Institute.

Linda Bright Clay (Aunt Sylvia) is a native Chicagoan, member of Actors’ Equity and SAG-AFTRA, and has been a professional actor for over 30 years. Her theatre credits include A Wonder in My Soul, The House That Will Not Stand (Victory Gardens); the BTAA and Jeff Award winning production of The Project(S) at the American Theatre Co, also reprising her roles this year in The Project(S) with American Theatre Co.’s American Mosaic education program, and touring with the production; For My brothers…(Writers Theatre Commissioned work); Having Our Say and Permanent Collection at Madison Rep; Home (BTAA Best Actress Award), Having Our Say, Top Hat all at Chicago Theatre Co; Joe Turner’s Come And Gone at the Goodman, Dame Lorraine at Victory Gardens; The Gold Shop, Crossing Against the Red Light at Chicago Cultural Center’s “People’s Choice Award,” Ain’t Supposed To Die A Natural Death, Checkmates at eta. Linda’s film and TV work include Nothing Like Thanksgiving, Halfway garnering critical acclaim in festivals, and Seven Psychopaths. Her short films include, 3:04 am, Flickering Blue, Just Married, and The Night Before The Morning After. Linda also recently appeared in the television series, "Empire."

Karen Rodriguez (Carolina) makes her Victory Gardens debut. Chicago credits include: The Rembrandt (Steppenwolf Theatre Company), The Way She Spoke (Greenhouse Theater Center), Hookman (Steep Theatre), good friday (Oracle), Blue Skies Process (Goodman Theatre), Romeo and Juliet (Teatro Vista). Film & TV: "Chicago Justice."

Al’Jaleel McGhee (Rasheed) makes his Victory Gardens debut. Recent theatre credits include: Paradise Blue (Timeline), Blues for an Alabama Sky (

Keith D. Gallagher (Nate) makes his Victory Gardens debut. Chicago credits include: Beyond Caring (Lookingglass Theatre Company); Mary Page Marlowe, Marie Antoinette (Steppenwolf Theatre Company); The Gospel of Franklin, Man in Love (Steppenwolf First Look); Awake and Sing, The Lieutenant of Inishmore (Northlight Theatre Company); Shining City (Goodman Theatre); Tracks (TUTA Chicago); Arcadia (Court Theatre); The Real Thing (Remy Bumppo Theatre Company). Regional: Macbeth (Denver Center for the Performing Arts), A Raisin in the Sun (Geva Theatre Center), The Gospel According to James (Indiana Repertory Theatre), The Lieutenant of Inishmore (The Repertory Theatre of St. Louis), Shining City (Huntington Theatre Company). T.V.: "Empire," "Chicago Fire," "Chicago P.D.," "Detroit 187."

Full Performance Schedule
Previews for BREACH are February 9 – 15, 2018. Previews are $15-$45. The Press opening is Friday, February 16 at 7:30pm. Regular performances run February 17 – March 11, 2018: Tuesday — Friday at 7:30pm; Saturday at 3pm and 7:30pm; Sunday at 3pm.  Regular performances are $15-$56.

Victory Gardens has partnered with mobile theater ticketing app TodayTix to offer free tickets for the first preview of BREACH. Free Tickets will be available via TodayTix mobile lottery, launching one week before the first preview on Friday, February 2, 2018. Winners will be notified by email and push notification between 12:00pm and 3:00pm on the day of the first preview, Friday, February 9, 2018. To enter, download the TodayTix app on your iOS or Android device.

Performances are at the Victory Gardens Theater, 2433 N Lincoln Avenue, in the heart of Chicago's Lincoln Park neighborhood. For tickets and information, call the Victory Gardens Box Office, 773.871.3000, email tickets@victorygardens.org, or visit www.victorygardens.org. Ask the Box Office about student tickets ($15), senior, and Access. For group discounts, call 872.817.9087.

Public Programs
Public Programs is an event series designed to enhance your experience by exploring themes and issues within Victory Gardens’ productions. Connecting our theater to the world beyond the stage and rehearsal room, Public Programs bridge ideas, provoke dialogue, and deepen the relationship between our audiences and our productions. Public Programs are composed of three distinct tracks:

SALON: A post-show performance series bringing local artists, students, and/or organizations into the conversation of the play through their own work. 

PANEL: A post-show conversation with community leaders, playwrights, activists, artists, and educators. These panels use the play's themes to ignite a conversation about our world and the people in it. 

CELEBRATION: Pre- and post-show events celebrating the themes of the play through art, food, and community. 

AFTERWORDS
After every performance of BREACH (unless otherwise noted)
Join us for one of our intimate post-show conversations. Led by members from the Victory Gardens community—artistic affiliates, artistic staff, and community partners— reflect on what you’ve seen and share your response.

Backstage at the Biograph: BREACH
Wednesday, January 24 at 7:00pm
How many roles do you play throughout the day? Who are you with your family and friends? With your co-workers? Online? Jeff Award-winning playwright Antoinette Nwandu’s world-premiere play BREACH explores these very questions. Join us for an exclusive glimpse into the rehearsal process as the cast shares a scene from the production during one of their very first rehearsals. Then, participate in an interactive workshop on performing stories from your own life, facilitated by performance scholar and artist Dr. Raquel Monroe. Afterwards, celebrate with appetizers from Olive Mediterranean Grill!

PANEL: THE INJUSTICE SYSTEM
Post-Show Conversation
Saturday, February 10 at 9:00pm
Made possible by the support of The David Rockefeller Fund 
The United States has less than 5% of the world’s population yet we are home to almost 25% of the world’s prisoners. It’s no secret that the criminal justice system in this country needs work, but what is being done to change it? What are the re-entry resources available to people once they complete their sentences? Join us after the evening performance of BREACH for a conversation with notable formerly incarcerated activists in Chicago about how we can make our justice system truly just.

PANEL: A CONVERSATION WITH ANTOINETTE NWANDU  
Post-Show Conversation
Tuesday, February 13 at 9:00pm
From IGNITION to our mainstage, Victory Gardens has been working with Antoinette on the development of this play for two years. How does a new play go from a public reading to world premiere? Join playwright Antoinette Nwandu and dramaturg Skyler Gray as they discuss her work and the evolution of BREACH from Victory Gardens’ 2016 IGNITION Festival lineup to its first full production as part of Victory Gardens’ 2017-2018 Season.

PANEL: YOUR BODY, YOUR CHOICE
Post-Show Conversation
Thursday, February 15 at 9:00pm
Made possible by the support of The David Rockefeller Fund 
Reproductive health care is a basic human right for women. In today’s political climate, such care is not always a guarantee. What is being done in Chicago and around the country to ensure all women have access to the services they need? Join us after the evening performance of BREACH for a discussion with representatives from Planned Parenthood and other reproductive health centers in the city.

CELEBRATION: #BLACKGIRLMAGIC
Pre-Show Celebration
Saturday, February 17 at 6:30pm
Celebrate the tenacity, beauty and creativity of Black women in Antoinette Nwandu’s BREACH, in Chicago, and around the world! For this very special public program, join us for pre-show #blackgirlmagic healing and spiritual self-love rituals. Additionally, experience free food, live art and performances in the lobby that highlight the power and potency of #blackgirlmagic.

SALON: COLLEGE NIGHT: SHIFTING IDENTITIES
Post-Show Performance
Wednesday, February 21 at 9:00pm
In BREACH, Margaret puts on a different persona depending on whether she’s around Nate, Rasheed, or her Aunt Sylvia. When the identity you project changes so frequently, how do you know who’s really you? Join us for a pre-show celebration in the lobby with free drinks and pizza. Then, stick around after the evening performance of BREACH for free post-show scenes exploring the different masks we all wear written, directed, and performed by college artists from DePaul University, Northwestern University, Loyola University, and Columbia College.

CELEBRATION: 2ND ANNUAL BLACK BEAUTY FESTIVAL
Pre-Show Festival featuring Black beauty & wellness products
Saturday, February 24 starting at 12:00pm
Sunday, February 25 starting at 12:00pm
Victory Gardens Theater believes that Black is beautiful and we know that you do too. Beauty is such an essential part of Black culture. Join us for an expo of local Black owned and operated beauty and wellness products as we celebrate Antoinette Nwandu’s BREACH.

SALON: CODE SWITCH
Post-Show Performance
Saturday, March 3 at 9:00pm
For many people of color, being adaptable is a necessary skill for everyday life. Certain circles require specific adjustments to behavior and language in order to better “fit in.” How does this continual need to code-switch affect people who just want to be true to themselves? After the evening performance of BREACH, join us for a night of spoken word by poets of color as they discuss intersecting identities and the constant balancing act between living truthfully and fitting in.

PANEL: WHEN THE SENTENCE DOESN’T END 
Post-Show Conversation
Wednesday, March 7 at 9:00pm
Made possible by the support of The David Rockefeller Fund.

After having paid their debt to society, many men and women find themselves hampered by societal and legal barriers that make it difficult get out of the prison loop and not be stigmatized by their past. Join us and our panel of legal and legislative experts as we discuss why Rasheed's story in BREACH is the exception, not the norm, and what we can do to change that.

A full and updated schedule of special events, post-show discussions, and presentations centered on performances of BREACH is available at www.victorygardens.org. All events are free and open to the public.  For more information, call 773.871.3000 or visit the Victory Gardens website.


2017/18 Women’s 
Series Major 
Production Sponsors: Janice Miller 

2017/18 Women’s 
Series Production 
Sponsors: Doris Conant; Marcelle McVay and Dennis Zacek; Jeffrey Rappin and Penny Brown; Jane M Saks, Nathan Cummings Foundation; and Bill and Orli Staley Foundation 

Major Production Sponsor: The Venturous Theater Fund of Tides Foundation

Playwright’s Society Sponsor: Anonymous; Capital Group Private Client Services; 
Janice Feinberg, Joseph and Bessie Feinberg Foundation; 
PNC Financial Services Group; and William M. Weiss Foundation

Major Season Support: Alphawood Foundation, Paul M. Angell Family Foundation, Illinois Arts Council Agency, John D. and Catherine T. MacArthur Foundation, Prince Charitable Trust, The REAM Foundation, Shubert Foundation, The Venturous Theater Fund of the Tides Foundation, and Wallace Foundation 

Travel Sponsor: Southwest Airlines 

About Victory Gardens Theater
Under the leadership of Artistic Director Chay Yew and Managing Director Erica Daniels, Victory Gardens is dedicated to artistic excellence while creating a vital, contemporary American Theater that is accessible and relevant to all people through productions of challenging new plays and musicals.  Victory Gardens Theater is committed to the development, production and support of new plays that has been the mission of the theater since its founding, set forth by Dennis Začek, Marcelle McVay, and the original founders of Victory Gardens Theater.

Victory Gardens Theater is a leader in developing and producing new theater work and cultivating an inclusive Chicago theater community. Victory Gardens’ core strengths are nurturing and producing dynamic and inspiring new plays, reflecting the diversity of our city’s and nation’s culture through engaging diverse communities, and in partnership with Chicago Public Schools, bringing art and culture to our city’s active student population.  

Since its founding in 1974, the company has produced more world premieres than any other Chicago theater, a commitment recognized nationally when Victory Gardens received the 2001 Tony Award for Outstanding Regional Theatre. Located in the Lincoln Park neighborhood, Victory Gardens Biograph Theater includes the Začek-McVay Theater, a state-of-the-art 259-seat mainstage and the 109-seat studio theater on the second floor, named the Richard Christiansen Theater.

Victory Gardens Ensemble Playwrights include Luis Alfaro, Philip Dawkins, Marcus Gardley, Ike Holter, Samuel D. Hunter, Naomi Iizuka, Tanya Saracho and Laura Schellhardt. Each playwright has a seven-year residency at Victory Gardens Theater. 

For more information about Victory Gardens, visit www.victorygardens.org.  Follow us on Facebook at Facebook.com/victorygardens, Twitter @VictoryGardens and Instagram at instagram.com/victorygardenstheater/

Victory Gardens Theater receives sustaining support from the Doris Duke Charitable Foundation, Joyce Foundation, John D. and Catherine T. MacArthur Foundation, Andrew W. Mellon Foundation, The REAM Foundation, Shubert Foundation, Venturous Theater Fund of the Tides Foundation, and Wallace Foundation. It receives major funding from Crown Family Philanthropies, Lloyd A. Fry Foundation, and Polk Bros. Foundation. Major funders also include: Allstate Insurance, Alphawood Foundation, Paul M. Angell Family Family Foundation, Edgerton Foundation, Exelon, Field Foundation of Illinois, Illinois Arts Council Agency, David Rockefeller Fund, Bill and Orli Staley Foundation, Harold and Mimi Steinberg Charitable Trust, Time Warner Foundation Inc., Virginia B. Toulmin Foundation. Additional funding this season is provided by: Alliance Bernstein, Charles H. and Bertha L. Boothroyd Foundation, Capital Group Private Client Services, Elizabeth F. Cheney Foundation, The Chicago Foundation for Women, ComEd, Nathan Cummings Foundation, Golden Country Oriental Foods, John R. Halligan Charitable Fund, ITW, JCCC Foundation, Mayer Brown LLP, The McVay Foundation, Metropolitan Capital Bank & Trust, National Endowment for the Arts, Negaunee Foundation, Roberta Olshansky Charitable Fund, Origin Ventures, Pauls Foundation, PNC Financial Services Group, Prince Charitable Trusts, Seabury Foundation, Charles & M.R. Shapiro Foundation, Wrightwood Neighbors Association. In-kind support is provided by:  Dimo’s Pizza, Fiesta Mexicana, Italian Village Restaurants, Southwest Airlines, Suite Home Chicago and Whole Foods Market. This project is partially supported by an Incent Ovate Grant from the City of Chicago Department of Cultural Affairs & Special Events.

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