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Showing posts with label About Face Theatre. Show all posts
Showing posts with label About Face Theatre. Show all posts

Friday, October 26, 2018

OPENING: Chicago Premiere of THIS BITTER EARTH Via About Face Theatre November 1 – December 8, 2018

ChiIL Live Shows On Our Radar:

Chicago Premiere!
About Face Theatre Presents 
THIS BITTER EARTH
By Harrison David Rivers
Directed by Mikael Burke
November 1 – December 8, 2018 at Theater Wit


(left to right) Daniel Desmarais and Sheldon Brown in a publicity image for About Face Theatre’s Chicago premiere of THIS BITTER EARTH. Photo by Anna Gelman.

About Face Theatre is pleased to launch its 2018-19 season with the Chicago premiere of the poetic and political romance THIS BITTER EARTH by award winning playwright and McKnight Fellow Harrison David Rivers, directed by Mikael Burke, recipient of the 2017 Princess Grace Award in Theatre. THIS BITTER EARTH will play November 1 – December 8, 2018 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently available at aboutfacetheatre.com by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

THIS BITTER EARTH features Sheldon Brown and Daniel Desmarais.

This Bitter Earth reveals a deep love challenged by divisive political realities. Jesse, an introspective black playwright, finds his choices called into question when his boyfriend, Neil, a white Black Lives Matter activist, calls him out for his political apathy. As passions and priorities collide, this couple is forced to reckon with issues of race, class and the bravery it takes to love out loud.

Comments Artistic Director Megan Carney, “Harrison’s brilliant play resonates so powerfully at this moment. This story reveals one distinct couple in a relationship shaped and propelled by both massive love and devastating violence. They are grappling with this mad world and fighting for their very lives. Harrison captures the intricacies of identities and impact with humor and passion. I can’t imagine a better pairing that Harrison and Mikael to bring this work to life in Chicago.”

Adds Director Mikael Burke, “This Bitter Earth is a beautiful and unflinching play about race and relationship in contemporary America – about the need for connection and the apparent differences that hold us back. Jesse is black, Neil is white, and against a backdrop of police shootings and Black Lives Matter rallies, this tale of interracial love and heartache asks us: How do we save one another in this tumultuous world? How do we save ourselves? How do we navigate love in a world with so much hate? What do we carry in order to survive that we must learn to let go of in order to live?”

The production team for THIS BITTER EARTH includes: Joe Schermoly (scenic design), Bob Kuhn* (costume design), John Kelly (lighting design), Eric Backus (sound design), Emma Cullimore (props design), Sasha Smith (intimacy design), Catherine Allen (production manager), Helen Lattyak (stage manager) and Andrea Enger (assistant stage manager),

*Denotes AFT Artistic Associate


Location: Theater Wit, 1229 W. Belmont Ave., Chicago
Dates: Previews: Thursday, November 1 at 7:30 pm, Friday November 2 at 7:30 pm, Saturday, November 3 at 7:30 pm, Sunday November 4 at 3 pm and Wednesday November 7 at 7:30 pm.

Regular run: Friday, November 9 – Saturday, December 8, 2018
Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, November 22 at 7:30 pm (Thanksgiving); there will be added performances Saturday, November 24 at 3 pm and Saturday, December 8 at 3 pm.

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets are currently available at aboutfacetheatre.com, by calling (773) 975-8150 or in person at Theater Wit Box Office.

Artist Biographies
Harrison David Rivers (Playwright, he/him/his) resides in Saint Paul, Minnesota, where he was recently named one of City Pages’ Artists of the Year. His plays include: When Last We Flew (GLAAD Media Award, NYFringe Excellence in Playwriting Award, NYFringe), Sweet (AUDELCO nomination for Best Play, NBT), And She Would Stand Like This (20% Theatre Company, The Movement Theatre Company), Where Storms Are Born (Berkshire Theatre Award nomination for Best New Play, Edgerton Foundation New Play Award, Williamstown), A Crack in the Sky (History Theatre), Five Points (Theatre Latte Da) and This Bitter Earth (New Conservatory Theatre Center, Penumbra). Harrison has received McKnight and Many Voices Jerome Fellowships, a Van Lier Fellowship, an Emerging Artist of Color Fellowship and New York Stage & Film’s Founders’ Award. He was the 2016 Playwright-in-Residence at the Williamstown Theatre Festival. Harrison is an alumni of the Public Theater's Emerging Writers' Group, Interstate 73, NAMT and The Lincoln Center Directors' Lab. He is a NYTW Usual Suspect and a Core Writer at the Playwrights’ Center where he is also a member of the Board of Directors. Harrison received his BA from Kenyon College and MFA from Columbia School of the Arts. www.harrisondavidrivers.com

Mikael Burke (Director, he/him/his) is a Chicago-based director, deviser and educator. He serves as Creative Director of the Indianapolis-based Young Actors Theatre, and previously served as Associate Artistic Director of Indianapolis’ NoExit Performance. Michael is a 2017 Princess Grace Award Winner in Theatre and a recipient of the 2012 Robert D. Beckmann Emerging Artist Fellowship from the Arts Council of Indianapolis. He has most recently worked with American Theatre Company, Strawdog Theatre Company and About Face Theatre in Chicago, and elsewhere with Asolo Repertory Theatre in Sarasota, Florida, GEVA Theatre Center in Rochester, New York and the Indiana Repertory Theatre in Indianapolis, to name a few. Michael received his MFA in Directing from The Theatre School at DePaul University in Chicago. Recent directing credits include A Midsummer Night’s Dream by William Shakespeare, Native Son by Richard Wright, adapted by Nambi E. Kelley, Stupid F##king Bird by Aaron Posner, Still by Jen Siverman, Hedda Gabler by Henrik Ibsen and Eurydice by Sarah Ruhl.

About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.
 
(left to right) Sheldon Brown and Daniel Desmarais in a publicity image for About Face Theatre’s Chicago premiere of THIS BITTER EARTH. Photo by Anna Gelman.

Monday, April 23, 2018

OPENING: Midwest Premiere of BULL IN A CHINA SHOP Via About Face Theatre at Theater Wit May 24 - July 1, 2018


Chi IL Live Shows On Our Radar:

About Face Theatre 
Announces Casting for Midwest Premiere of
BULL IN A CHINA SHOP
By Bryna Turner
Directed by AFT Artistic Associate Keira Fromm

May 24 – July 1, 2018 at Theater Wit


I'll be ChiILin' with Chi, IL's About Face Theatre for the press opening on May 31st, so check back soon for my full review. I've enjoyed Keira Fromm's directing talent on many recent productions and I'm eager to see AFT's take on this true feminist love story.

About Face Theatre is pleased to announce casting for its Midwest premiere of Bryna Turner’s comedy BULL IN A CHINA SHOP, based on the true story of revolutionary academics and lovers Mary Woolley and Jeanette Marks. 

BULL IN A CHINA SHOP will feature AFT Artistic Associate Kelli Simpkins* with Aurora Adichi-Winter, Adithi Chandrashekar, Mary Beth Fisher and Emjoy Gavino.

Directed by AFT Artistic Associate Keira Fromm*, BULL IN A CHINA SHOP will play May 24 – June 30, 2018 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets now on sale at aboutfacetheatre.com by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

BULL IN A CHINA SHOP explores the fascinating lives of Mary Woolley and her partner, Jeanette Marks, two brilliant women who reimagined and revolutionized women's education at the turn of the twentieth century. This fast-moving feminist comedy chronicles the growth of the women's suffrage movement, as well as Mary and Jeanette's romantic relationship. It examines the strength it takes to find your voice, be brave and find yourself less at odds with the world.

“As a queer female director, I'm always excited by plays with gay narratives,” comments director Keira Fromm. “Plays that deal specifically with gay female stories aren't terribly common, so when I came across Bryna Turner's radical play, I was immediately taken with it. Bryna is an incredibly smart and savvy playwright. She has a way of writing words and characters that live in both the past and the present simultaneously. The play honors the past and present so beautifully. Mary and Jeanette's struggle to reform women's education and advocate for the suffrage movement echoes the fights that women still wage today – whether that fight be for equal pay, fair representation or for the protection of women's health initiatives. Ultimately the play is a unique meditation on bravery.”


The cast of About Face Theatre’s Midwest premiere of BULL IN A CHINA SHOP includes (top, l to r) Kelli Simpkins, Aurora Adichi-Winter, Adithi Chandrashekar (bottom, l to r) Mary Beth Fisher and Emjoy Gavino.


The production team for BULL IN A CHINA SHOP includes William Boles (scenic design), Mieka Van Der Ploeg* (costume design), Claire Chrzan (lighting design), Eric Backus (sound design), Jamie Karas (properties design), Helen Lattyak (production stage manager), Andrea Enger (asst. stage manager) and Catherine Allen (production manager).

*Denotes AFT Artistic Associate

Location: Theater Wit, 1229 W. Belmont Ave., Chicago
Dates: Previews: Thursday May 24 at 7:30 pm, Friday May 25 at 7:30 pm, Saturday May 26 at 7:30 pm, Sunday May 27 at 3 pm and Wednesday May 30 at 7:30 pm.

Regular run: Friday, June 1 – Saturday, June 30, 2018
Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. 

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets now on sale at aboutfacetheatre.com, by calling (773) 975-8150 or in person at Theater Wit Box Office.

Artist Biographies
Bryna Turner (Playwright) is a Brooklyn-based playwright originally from Northern California. Her play Bull in a China Shop recently premiered at LCT3 (directed by Lee Sunday Evans). Her work has been developed with Abingdon Theatre Company, Clubbed Thumb, Colt Coeur, Ensemble Studio Theatre, LCT3, Mount Holyoke College, Rutgers University and Rainbow Theatre Project. Other plays include: Carlo at the Wedding, Lights Over Philo, The Stand-In and How to Separate Your Soul from Your Body (in ten easy steps!). She is an alum of Clubbed Thumb’s Early Career Writer’s Group and holds an MFA in Playwriting from Rutgers University. www.brynaturner.com

Keira Fromm (Director) is a Jeff Award-nominated director, a casting director and a teacher based out of Chicago. Favorite recent directing credits include: Significant Other, Bright Half Life and A Kid Like Jake (About Face Theatre), hang (Remy Bumppo), A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Hospital of New York City (Route 66 Theatre), The Columnist (American Blues Theater), How the World Began (Rivendell Theatre Ensemble), Luce (Next Theatre), Charles Ives Take Me Home (Strawdog), The How and the Why (TimeLine Theatre), Broadsword (Gift Theatre) and Fallow (Steep Theatre). Keira is a proud Artistic Associate with About Face Theatre. She received her MFA from DePaul University and her BFA from Boston University. She is a member of SDC, as well as the Lincoln Center Theater Directors Lab. Keira is a frequent guest director at DePaul, as well as Roosevelt University.



About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.


Help Out: Wonka Ball Benefit for About Face Theatre happens Friday May 11th



Tuesday, February 20, 2018

OPENING: Midwest Premiere of TIME IS ON OUR SIDE Via About Face Theatre at Theater Wit

About Face Theatre Presents the Midwest Premiere of
TIME IS ON OUR SIDE
By R. Eric Thomas
Directed by Artistic Director Megan Carney
March 1 – April 7, 2018 at Theater Wit



Following its sell-out hit Significant Other, About Face Theatre is pleased to continue its 2017-18 season with the Midwest premiere of R. Eric Thomas’ gleeful mystery TIME IS ON OUR SIDE, directed by Artistic Director Megan Carney, playing March 1 – April 7, 2018 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently available at aboutfacetheatre.com by calling (773) 975-8150 or in person at the Theater Wit Box Office. 


I'll be out for the press opening March 7th, so check back soon for my full review.

(left to right) Maggie Scrantom and Rashaad Hall in a publicity image for About Face Theatre’s Midwest premiere of TIME IS ON OUR SIDE. Photo by Anna Gelman.

TIME IS ON OUR SIDE features Esteban Andres Cruz, Rashaad Hall, Riley Mondragon and Maggie Scrantom.

Besties Annie and Curtis struggle to produce a podcast that “queers history” until the discovery of a mysterious family journal launches them into a high stakes and hilarious investigation of the early LGBTQ rights movement. Hopping from the Underground Railroad to Rosa Parks, from the AIDS Quilt to Celebrity Jeopardy, the political gets personal.

“This is a hilarious and deeply personal story,” comments Director Megan Carney. “It brings together rich characters of different generations who share a longing to connect, which makes it such a perfect play for us at About Face Theatre. The play weaves a range of stories in which younger folks uncover their roots and elders pass on what they know. All together, a powerful story emerges revealing acts of resistance and queer magic through the decades.” 

The production team for TIME IS ON OUR SIDE includes José Manuel Diaz (scenic design), Robert Kuhn (costume design), Christopher Kriz (sound design), Claire Sangster (lighting design) Blake Burke (properties design) Catherine Allen (production manager) and Dana Nestrick (stage manager).

Dates: 
Previews: Thursday, March 1 at 7:30 pm, Friday, March 2 at 7:30 pm, Saturday, March 2 at 7:30 pm, Sunday, March 4 at 3 pm and Tuesday, March 6 at 7:30 pm

Regular run: Thursday, March 8 – Saturday, April 7, 2018
Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Friday, March 9.

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets are currently available at aboutfacetheatre.com, by calling (773) 975-8150 or in person at Theater Wit Box Office.



Artist Biographies
R. Eric Thomas (Playwright) is an award-winning playwright, humorist and the long-running host of The Moth in Philadelphia. His play Time is on Our Side was the recipient of two Barrymore Awards including Best New Play and was named a finalist for the Harold and Mimi Steinberg American Theatre Critics Association New Play Award. Forthcoming productions include Mrs. Harrison at Azuka Theatre. He writes a daily humor column for Elle.com in which he “reads” the news. In addition to Elle.com and ELLE magazine, his writing has appeared in the New York Times, W Magazine, Man Repeller, Philadelphia Inquirer, Philadelphia Magazine and more. www.rericthomas.com

Megan Carney (Director) is a director, playwright, educator and the Artistic Director of About Face Theatre. Recent Chicago directing credits include Julie Jenson’s Winter, George Brandt’s Grizzly Mama, Danielle Pinnock’s Body/Courage and Lisa Dillman’s American Wee Pie and The Walls with Rivendell Theatre Ensemble. She was lead interviewer and playwright for Women at War, a multi-year performance and civic dialogue project about women in the military that continues to tour. Megan was a founding director of About Face Youth Theatre and served as Associate Artistic Director for several years while she created original ensemble plays. Carney’s work has been recognized with multiple After Dark Awards, the GLSEN Pathfinder Award, an APA Presidential Citation, induction in Chicago’s Gay and Lesbian Hall of Fame, a Rockefeller Foundation MAP Grant and a GLAAD Media Award nomination. Megan served as the Director of the Gender and Sexuality Center at the University of Illinois at Chicago from 2011-2017 where she created arts based educational programs for and about diverse LGBTQIA+ people and communities. She has a MFA in Theatre Arts from Virginia Tech with a focus on Directing and Public Dialogue.



About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.

Thursday, November 9, 2017

REVIEW: Significant Brilliance at AFT and Theater WIT's Significant Other

Chi, IL LIVE Shows On Our Radar:

Midwest Premiere!
About Face Theatre and Theater Wit Present
SIGNIFICANT OTHER
By Joshua Harmon
Directed by AFT Artistic Associate Keira Fromm

November 3 – December 9, 2017 at Theater Wit



(left to right) Alex Weisman, Cassidy Slaughter-Mason, Amanda Drinkall and Tiffany Oglesby in About Face Theatre and Theater Wit’s Midwest premiere of SIGNIFICANT OTHER. Photo by Michael Brosilow.



Review:
With a brand new Jeff Award in hand, for Best Actor in Victory Garden's smash hit, Hand to God, and a Broadway role secured for spring, Alex Weisman seems like the last guy in town to convincingly play a down on his luck, angry, depressed guy who's jealous of his friends. Yet, he hits the mark in spectacular fashion in Significant Other. Alex and the entire cast more than do justice to this witty script by Joshua Harmon. We enjoyed Theater Wit's production of playwright Joshua Harmon's acclaimed comedy, Bad Jews, and caught it several times, so we are excited to see more of his work hit Theater Wit this season. 

(left to right) Amanda Drinkall, Alex Weisman and Tiffany Oglesby 
Photo by Michael Brosilow.

The energy on stage is palpable, and the rapport between all four friends and between Alex and his grandma is quite believable and a joy to see. The characters are quirky and interesting, with a bond to each other forged from long term friendships full of shared past adventures, inside jokes, traditions, and often recounted stories. This makes the growing pains of aging and changing relationships all the more wrenching. I particularly loved the parallels of a young, gay man longing for a lifelong partner and a family, striking out in the relationship department, and his grandmother's loneliness as a widow, on the other end of the romance spectrum, a rarely examined theme.


Significant Other hit hilarious high notes of friendship, adventure, and love counterweighted with universal lows of rejection, fear, loneliness, jealousy and self hatred. Even the grey areas where multiple emotions coexist and collide, are explored with humor and heartfelt bravery. Alex Weisman is a standout as Jordan Berman, as is his trio of girlfriends, and his grandmother, Ann Whitney. There's also a sweet dose of eye candy in the shape of lust interests, Benjamin Sprunger and Ninos Baba.


 (left to right) Alex Weisman and Benjamin Sprunger 

Photo by Michael Brosilow

SignificantOther-4 (left to right) Alex Weisman, Tiffany Oglesby and Ninos Baba 
Photo by Michael Brosilow

For anyone who's ever longed for love, laughed with friends, or felt conflicted/angry/lonely at others' happy events, this is a must see. We highly recommend Significant Other, now playing through December 9th at Theater WIT.


(left to right) Alex Weisman and Amanda Drinkall
Photo by Michael Brosilow


About Face Theatre and Theater Wit are pleased to present the Midwest premiere of the romantic comedy 
SIGNIFICANT OTHER 
by Joshua Harmon, 
playwright of the hit comedy Bad Jews. 

Directed by AFT Artistic Associate Keira Fromm, SIGNIFICANT OTHER will play November 3 – December 9, 2017 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

Significant Other is the last chance for Chicago audiences to see Alex Weisman as a local, albeit playing a New Yorker, before he actually heads out to New York and dons Hogwarts Robes for his new gig on Broadway! Get your tickets ASAP, before the run is sold out. This is sure to be a hot ticket.   

The cast of About Face Theatre and Theater Wit’s Chicago premiere of SIGNIFICANT OTHER (top, l to r) AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba (bottom, l to r) Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

SIGNIFICANT OTHER features AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba, Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

Jordan Berman is a single gay man in New York City. Mr. Right is nowhere on his horizons. As he's nearing his 30s, his close group of girlfriends begin getting married en masse. What happens when you feel like life is leaving you behind but you're still expected to be at the forefront cheering on your friends on their perfect wedding day? Significant Other is a bittersweet comedy about friendship, single-hood and hoping you're not the one choking on car exhaust as the "Just Married" sign disappears from view. 



(left to right) Alex Weisman, Benjamin Sprunger and Amanda Drinkall 
Photo by Michael Brosilow.


In 2015, Joshua Harmon's play Bad Jews hit Theater Wit and performed to capacity crowds for eight months. A breakaway playwright of his generation, Harmon's work offered a unique and searingly funny look at a new generation of American Jews. Now, with Significant Other he turns his compassion and considerable wit to marriage.

"This feels like the perfect moment to be bringing Significant Other to the stage," comments Director Keira Fromm. "On the surface, Significant Other is a very funny play about single-hood and friendship. On a deeper level, our protagonist, Jordan, is enduring an existential crisis. On the brink of turning 30 and recognizing that being gay today no longer means you're immune to expectations of marriage, Jordan is failing at the task of finding his soulmate. He begins to feel that life is passing him by and finding his way in the world starts to feel like a gargantuan undertaking. In our increasingly alienating world, I find that quest intensely moving and relatable.” 

"I am very excited to join About Face Theatre in presenting the Midwest premiere of Joshua Harmon’s newest work,” comments Theater Wit Artistic Director Jeremy Wechsler. “I think Josh is a remarkably original writer with a gift for showing us the utterly real and utterly unexpected. His plays are always about deeply human characters with a writerly perspective we've not seen previously dramatized, and Significant Other is no exception. Bad Jews was a legitimate theatrical event of 2015 – and Significant Other promises, in its writing and casting, to be another for 2017."


(left to right) Cassidy Slaughter-Mason, Benjamin Sprunger, Alex Weisman, Ninos Baba and Tiffany Oglesby

Photo by Michael Brosilow

The production team for SIGNIFICANT OTHER includes Jeff Kmiec (scenic design), Noël Huntzinger (costume design), John Kelly (lighting design), Christopher Kriz (sound design), Pauline Oleksy (props design), Catherine Allen (production manager) and Helen Lattyak (stage manager).

Location: Theater Wit, 1229 W. Belmont Ave., Chicago
Dates: Previews: Friday, November 3 at 7:30 pm, Saturday, November 4 at 7:30 pm, Sunday, November 5 at 7 pm and Tuesday, November 7 at 7 pm.
Press opening: Wednesday, November at 8 at 7 pm
Regular run: Friday, November 10 – Saturday, December 9, 2017
Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, November 9 or Thursday, November 23 (Thanksgiving); there are added performances on Wednesday, November 15 at 7:30 pm, Sunday, Saturday, November 25 at 3 pm and Sunday, November 26 at 7 pm and Saturday, December 9 at 3 pm.

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at Theater Wit Box Office.

Artist Biographies
Joshua Harmon’s (Playwright) play Bad Jews received its world premiere at Roundabout Underground and was the first production to transfer to the Roundabout's Laura Pels Theatre (Outer Critics Circle and Lucille Lortel Award nominations, Best Play). It became the third most-produced play in the U.S. during the 2014-15 season and transferred to London’s West End after sell-out runs at Theatre Royal Bath and the St. James Theatre. His newest play, Significant Other, opened at Roundabout this summer. His work has been produced and developed by Manhattan Theatre Club, Williamstown Theatre Festival, Hangar Theatre, Ars Nova, and Actor's Express, where he was the 2010-2011 National New Play Network Playwright-in-Residence. He has received fellowships from MacDowell, Atlantic Center for the Arts, SPACE at Ryder Farm, and the Eudora Welty Foundation. Joshua is a recent graduate of Juilliard and at work on commissions for Roundabout Theatre Company and Lincoln Center Theater.

Keira Fromm (Director) is a Jeff Award nominated director, a casting director and a teacher based out of Chicago. Favorite recent directing credits include: Bright Half Life (About Face Theatre), A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Hospital of New York City (Route 66 Theatre Company) The Columnist (American Blues Theater), How the World Began (Rivendell Theatre Ensemble), A Kid Like Jake (About Face Theatre), Luce (Next Theatre), Charles Ives Take Me Home (Strawdog), The How and the Why (TimeLine Theatre), Broadsword (Gift Theatre) and Fallow (Steep Theatre). Keira is a proud Artistic Associate with About Face Theatre. She received her MFA from DePaul University and her BFA from Boston University. She is a member of SDC, as well as the Lincoln Center Theater Directors Lab. Keira is a frequent guest director at DePaul, as well as Roosevelt University. 

SIGNIFICANT OTHER was developed during a residency the Eugene O’Neill Theater Center's National Playwrights Conference in 2013. Preston Whiteway, Executive Director; Wendy C. Goldberg, Artistic Director.

About The Theatres 
About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.

Theater Wit, Chicago’s “smart art” theater, is a major hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago. 

“A thrilling addition to Chicago’s roster of theaters” (Chicago Tribune) and “a terrific place to see a show” (New City), Theater Wit is now in its seventh season at its home at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood. The company’s most recent hits include 10 Out of 12 and Mr. Burns, a post-electric play by Anne Washburn, Naperville by Mat Smart, The New Sincerity by Alena Smith, Bad Jews by Joshua Harmon, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, and Completeness and The Four of Us by Itamar Moses. 

In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater. Theater Wit also brings together Chicago’s best storefront companies at its Lakeview home, including 2017-18 resident companies About Face, Kokandy Productions and Shattered Globe. 


(left to right) Amanda Drinkall, Alex Weisman, Tiffany Oglesby and Cassidy Slaughter-Mason in About Face Theatre and Theater Wit’s Midwest premiere of SIGNIFICANT OTHER. Photo by Michael Brosilow.


Monday, October 2, 2017

OPENING: About Face Theatre and Theater Wit Present The Midwest Premiere of SIGNIFICANT OTHER 11/3-12/9

Chi, IL LIVE Shows On Our Radar:

Midwest Premiere!
About Face Theatre and Theater Wit Present
SIGNIFICANT OTHER
By Joshua Harmon
Directed by AFT Artistic Associate Keira Fromm

November 3 – December 9, 2017 at Theater Wit

The cast of About Face Theatre and Theater Wit’s Chicago premiere of SIGNIFICANT OTHER (top, l to r) AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba (bottom, l to r) Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

Here at ChiIL Live Shows, we can't wait to catch Significant Other. It's the last chance for Chicago audiences to see Alex Weisman as a local, albeit playing a New Yorker, before he actually heads out to New York and dons Hogwarts Robes for his new gig on Broadway! We also enjoyed playwright Joshua Harmon's acclaimed comedy, Bad Jews, and caught it several times, so we're interested to see more of his work hit the Theater Wit stage. Save the dates and get your tickets early. Previews start November 3rd. 

About Face Theatre and Theater Wit are pleased to present the Midwest premiere of the romantic comedy SIGNIFICANT OTHER by Joshua Harmon, playwright of the hit comedy Bad Jews. Directed by AFT Artistic Associate Keira Fromm, SIGNIFICANT OTHER will play November 3 – December 9, 2017 at Theater Wit, 1229 W. Belmont Ave. in Chicago. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

SIGNIFICANT OTHER will feature AFT Artistic Associates Benjamin Sprunger and Alex Weisman with Ninos Baba, Amanda Drinkall, Tiffany Oglesby, Cassidy Slaughter-Mason and Ann Whitney.

Jordan Berman is a single gay man in New York City. Mr. Right is nowhere on his horizons. As he's nearing his 30s, his close group of girlfriends begin getting married en masse. What happens when you feel like life is leaving you behind but you're still expected to be at the forefront cheering on your friends on their perfect wedding day? Significant Other is a bittersweet comedy about friendship, single-hood and hoping you're not the one choking on car exhaust as the "Just Married" sign disappears from view. 

In 2015, Joshua Harmon's play Bad Jews hit Theater Wit and performed to capacity crowds for eight months. A breakaway playwright of his generation, Harmon's work offered a unique and searingly funny look at a new generation of American Jews. Now, with Significant Other he turns his compassion and considerable wit to marriage.

"This feels like the perfect moment to be bringing Significant Other to the stage," comments Director Keira Fromm. "On the surface, Significant Other is a very funny play about single-hood and friendship. On a deeper level, our protagonist, Jordan, is enduring an existential crisis. On the brink of turning 30 and recognizing that being gay today no longer means you're immune to expectations of marriage, Jordan is failing at the task of finding his soulmate. He begins to feel that life is passing him by and finding his way in the world starts to feel like a gargantuan undertaking. In our increasingly alienating world, I find that quest intensely moving and relatable.” 

"I am very excited to join About Face Theatre in presenting the Midwest premiere of Joshua Harmon’s newest work,” comments Theater Wit Artistic Director Jeremy Wechsler. “I think Josh is a remarkably original writer with a gift for showing us the utterly real and utterly unexpected. His plays are always about deeply human characters with a writerly perspective we've not seen previously dramatized, and Significant Other is no exception. Bad Jews was a legitimate theatrical event of 2015 – and Significant Other promises, in its writing and casting, to be another for 2017."

The production team for SIGNIFICANT OTHER includes Jeff Kmiec (scenic design), Noël Huntzinger (costume design), John Kelly (lighting design), Christopher Kriz (sound design), Pauline Oleksy (props design), Catherine Allen (production manager) and Helen Lattyak (stage manager).

Location: Theater Wit, 1229 W. Belmont Ave., Chicago
Dates: Previews: Friday, November 3 at 7:30 pm, Saturday, November 4 at 7:30 pm, Sunday, November 5 at 7 pm and Tuesday, November 7 at 7 pm.
Press opening: Wednesday, November at 8 at 7 pm
Regular run: Friday, November 10 – Saturday, December 9, 2017
Curtain Times: Wednesdays, Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, November 9 or Thursday, November 23 (Thanksgiving); there are added performances on Wednesday, November 15 at 7:30 pm, Sunday, Saturday, November 25 at 3 pm and Sunday, November 26 at 7 pm and Saturday, December 9 at 3 pm.

Tickets: Previews: $15. Regular run: $20-$38. Discounts available for groups of 10 or more. Tickets are currently on sale at aboutfacetheatre.com or theaterwit.org, by calling (773) 975-8150 or in person at Theater Wit Box Office.

Artist Biographies
Joshua Harmon’s (Playwright) play Bad Jews received its world premiere at Roundabout Underground and was the first production to transfer to the Roundabout's Laura Pels Theatre (Outer Critics Circle and Lucille Lortel Award nominations, Best Play). It became the third most-produced play in the U.S. during the 2014-15 season and transferred to London’s West End after sell-out runs at Theatre Royal Bath and the St. James Theatre. His newest play, Significant Other, opened at Roundabout this summer. His work has been produced and developed by Manhattan Theatre Club, Williamstown Theatre Festival, Hangar Theatre, Ars Nova, and Actor's Express, where he was the 2010-2011 National New Play Network Playwright-in-Residence. He has received fellowships from MacDowell, Atlantic Center for the Arts, SPACE at Ryder Farm, and the Eudora Welty Foundation. Joshua is a recent graduate of Juilliard and at work on commissions for Roundabout Theatre Company and Lincoln Center Theater.

Keira Fromm (Director) is a Jeff Award nominated director, a casting director and a teacher based out of Chicago. Favorite recent directing credits include: Bright Half Life (About Face Theatre), A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Hospital of New York City (Route 66 Theatre Company) The Columnist (American Blues Theater), How the World Began (Rivendell Theatre Ensemble), A Kid Like Jake (About Face Theatre), Luce (Next Theatre), Charles Ives Take Me Home (Strawdog), The How and the Why (TimeLine Theatre), Broadsword (Gift Theatre) and Fallow (Steep Theatre). Keira is a proud Artistic Associate with About Face Theatre. She received her MFA from DePaul University and her BFA from Boston University. She is a member of SDC, as well as the Lincoln Center Theater Directors Lab. Keira is a frequent guest director at DePaul, as well as Roosevelt University. 

SIGNIFICANT OTHER was developed during a residency the Eugene O’Neill Theater Center's National Playwrights Conference in 2013. Preston Whiteway, Executive Director; Wendy C. Goldberg, Artistic Director.

About The Theatres 
About Face Theatre creates exceptional, innovative, and adventurous theatre and educational programming that advances the national dialogue on sexual and gender identity, and challenges and entertains audiences in Chicago and beyond.

Theater Wit, Chicago’s “smart art” theater, is a major hub of the Chicago neighborhood theater scene, where audiences enjoy a smorgasbord of excellent productions in three, 99-seat spaces, see a parade of talented artists and mingle with audiences from all over Chicago. 

“A thrilling addition to Chicago’s roster of theaters” (Chicago Tribune) and “a terrific place to see a show” (New City), Theater Wit is now in its seventh season at its home at 1229 N. Belmont, in the heart of the new Belmont Theatre District in Chicago’s Lakeview neighborhood. The company’s most recent hits include 10 Out of 12 and Mr. Burns, a post-electric play by Anne Washburn, Naperville by Mat Smart, The New Sincerity by Alena Smith, Bad Jews by Joshua Harmon, The (curious case of the) Watson Intelligence and Seven Homeless Mammoths Wander New England by Madeleine George, and Completeness and The Four of Us by Itamar Moses. 

In 2014, Theater Wit was awarded the National Theatre Award by the American Theatre Wing for strengthening the quality, diversity and dynamism of American theater. Theater Wit also brings together Chicago’s best storefront companies at its Lakeview home, including 2017-18 resident companies About Face, Kokandy Productions and Shattered Globe. 

Thursday, May 8, 2014

REVIEW: House Theatre's Dorian & Post Show Dance Party May 10th #Theatre

This Saturday 5/10:

DJ Bouncy Castle (aka Zeke Sulkes) will be spinning the best of the best in techno, disco, hip-hop, and house music! Come ready to play, and be prepared to leave your clothes on the dance floor.


The party starts at 8pm with a performance of DORIAN, with its onstage cash bar and lush, dance-fueled, promenade staging.


At 10pm, DJ Bouncy Castle takes the stage for a dance party with the cast and crew of the show. The cash bar remains and the dancing continues!

Admission is FREE with your ticket to DORIAN, and you're welcome to come when the party starts at 10:00 PM!

Industry folks get half price anytime with code "IMAKEART" and a proof of industry at will call.

Dorian Review:

ChiIL Live Shows had a chance to check out Dorian on opening night and this unique production is well worth a look. Do note, there is brief nudity, and stage violence, so this show is recommended for mature audiences and not appropriate for those under 16.  

Now for the rest of you... 

The set of DORIAN is like an art gallery opening, and to reflect this, DORIAN is staged in promenade. Audience members experience the show by walking and standing with the actors throughout the stage space. There will be places to perch during scenes, but not regular theatre seats. With promenade staging you are encouraged to move about the stage however you like, which gives you some exciting choice in exactly how you experience this show. 

For this show there's also a large bar on stage, which means during intermissions you won't have to go far for a drink! If you know you won't be able to stand for a duration, just let the theatre know and they'll arrange seating for you. Other limited seating is available... first come first served.

Current run time for DORIAN is 2 hours including one intermission.

Doors open 30 minutes before showtime, and The House Theatre encourages you to come early and enjoy the on-stage cash bar, and mingle with the performers.  (Do note, unfortunately only 2 specialty show drinks are available at the on stage bar. For good Polish beer & other options, purchase in the lobby and bring it in with you!)

Promenade
It's become all the rage and sometimes rightfully so. Promenade staging (or shows where the audience stands and mingles in the performance space and follows the action, moving as needed) was used to great effect for The Hypocrites runaway hit, The Mikado (coming back again this winter--yay).  We've honestly never seen the 3rd wall so effectively broken down. The Mikado was playful, fun, interactive and highly effective as a promenade style piece.  There's currently a promenade style Midsummer Night's Dream at Strange Loop Theatre and Red Moon Theatre's latest, Bellboys, Bears and Baggage, is billed as a promenade style spectacle, too.

Now for Dorian... We have mixed feelings about the success of this style here. On the up side, most of the action is in the New York art party scene so it makes sense to have the audience included as party goers & every night the audience is different & can truly alter the show. 

Yet, promenade style can be intimidating for those more reticent audience members, and a cast of art snobs is not the most welcoming by nature. The cast in character was rude and snobbish, pushing through the audience to get to their hot, new favorite, leaving the party guests/audience members feeling brushed off at best and excluded and in the way, at worst.  The sight lines were also bad for shorter people in much of the space.

Maybe they've tweaked it since the opening and this isn't such an issue, but a big percentage of the audience literally fled for the minimal seating after the first couple scenes. The sight lines looked better there (although I can't be sure as we stuck it out on the floor), but the behind the bar seating seemed problematic and a bit blocked off and detached from the action as well.  
An even bigger obstacle to the Dorian promenade success is the big obstacles... ie: large set pieces. There are huge chunks of stage being shifted in and out of the space routinely, so that we were completely distracted from the dialogue and action on stage.  It felt like we were constantly in the way and every few minutes someone was saying excuse me and barreling down on us with a big, rolling hunk of set.  




Plot & Characters
Dorian starts slow and for all the sordid plot points, it is a stylized piece without a lot of action. We dug the giant, evolving portrait and thought that was highly effective. Otherwise the set and costumes were fairly unremarkable.

There seemed to be a lot of extraneous rushing about from the art snobs, that didn't appear organic or seem to have much point.  Last December we saw We Three Lizas by About Face Theatre at Stage 773. It's been over 4 months and I'm STILL laughing about Andy Warhol's entourage club scene, and replaying it in my head. It was incredibly spot on hilarious!  Dorian left me wishing for this level of pretentiousness and parody. That said, it's an interesting enough piece. Though not one of our favorites from The House, Dorian is macabre, dark, refreshingly new, and worth a look.


A DANCE-FUELED THRILLER OF VICE AND VIRTUE

By Ben Lobpries and Tommy Rapley
Directed and Choreographed by Tommy Rapley
Adapted from the novel The Picture of Dorian Gray by Oscar Wilde

PRICE: $20-$39 for Regular Run.
TIMES: Thursdays, Fridays, & Saturdays at 8:00pm, Sundays at 7:00pm
RUN TIME: 2 hours, including one intermission

New to the big city, a young, beautiful, and fragile Dorian Gray is greedily embraced by a group of artists and art critics. Frustrated and sensitive painter Basil Howard creates a stunning portrait of the young Dorian.  But wild gallery parties, heart-broken lovers, and desperate violence wreak havoc on the portrait, reflecting the scars on Dorian’s soul. Yet the man himself remains flawless for decades. What crime can ultimately break the spell?

This boldly modern adaptation reveals depth, pain, and longing beneath the surface of Wilde’s morality tale. Just like Dorian’s picture, this classic story about the creation of a masterpiece is transformed into a lush, dance-fueled stage production.

DORIAN is staged in promenade, with actors and audience sharing the stage space. If you want to join us, but won't be able to stand and move easliy, just let us know and we'll work it out.

DORIAN contains brief nudity, adult topics, and a bar on stage. Leave the kids at home on this one! Thinking about bringing your teen? Check out our Parent's Guide for more content info. 

“A stunning achievement” -Windy City Times

“No question, Rapley’s appropriately stylized revision is THRILLING stuff, aesthetically consistent with Wilde… while PERFECTLY TUNED into the overkill of American affluence.” -Chicago Free Press

Show Dates: Apr 4 2014 to May 18 2014 
Location:  The Chopin Theatre
1543 W. Division St., Chicago, IL


Click or call 773-769-3832, use Industry code IMAKEART

Can't make it this Saturday?

Advance Industry tickets for ANY performance are HALF-PRICE!  Use code IMAKEART.

Performed in promenade, driven by dance, and with a bar right on stage.


DORIAN performs Thursdays - Saturdays at 8pm and Sundays at 7pm at The House Theatre's home, The Chopin Theatre, 1543 W. Division St. in Chicago.



Friday, November 15, 2013

ACT OUT HOLIDAY: About Face Theatre Presents The Return of the Hit Holiday Musical WE THREE LIZAS

New Book and Expanded Score!
About Face Theatre Presents
The Return of the Hit Holiday Musical
WE THREE LIZAS


Book & Lyrics by AFT Artistic Associate Scott Bradley
Music & Additional Lyrics by Alan Schmuckler
Directed by AFT Artistic Associate Scott Ferguson
Musical Direction by Aaron Benham
November 27, 2013 – January 5, 2014 at Stage 773

Feeling "Mary" and Gay this holiday season?   You'll be in good company at We Three Lizas!   Embrace your inner diva and come on out for a fabulous night.



WeThreeLizas-5 (left to right) Danielle Plisz and Scott Duff in a publicity image for About Face Theatre’s production of WE THREE LIZAS with book & lyrics by Scott Bradley, music & additional lyrics by Alan Schmuckler and directed by Scott Ferguson.  Photo by Cheryl Mann.


About Face Theatre’s sparkly, queer holiday hit musical WE THREE LIZAS is back and better than ever – with a new book and expanded score!  Featuring book and lyrics by Scott Bradley*, music and additional lyrics by Alan Schmuckler, direction by Scott Ferguson*, music direction by Aaron Benham and choreography by Patrick Andrews*WE THREE LIZAS will play November 27, 2013 – January 5, 2014 at Stage 773, 1225 W. Belmont Ave. in Chicago. Tickets are available online at www.aboutfacetheatre.com or www.stage773.com, in person at the Stage 773 Box Office (1225 W. Belmont Ave., Chicago) or by calling (773) 327-5252.  The press opening is Thursday, December 5 at 7:30 pm.

WE THREE LIZAS will feature many of the original cast members including Scott Duff*John Francisco*Sharriese Hamilton, Danielle Plisz (Jeff Award-nominated), Dana Tretta and Andrew Swan in addition to newcomers Mark David KaplanJames Nedrud and Bethany Thomas. Musicians include Aaron Benham (piano/conductor), Jed Feder (drums) and Debra Johnson (bass).  *Denotes AFT Artistic Associates.

Box maker Conrad Ticklebottom’s life has hit a block. Once, Conrad and his purple box ignited an entire movement in art and design, but now he finds himself alone, forgotten and teetering on ruin. The holidays bring three magical figures to his door – a trio of Liza Minnellis to escort him on a fabulous journey through what-was, what-could-be and what-the-f*?!, redeeming his lost promise and re-inventing a brand-new Conrad Ticklebottom.  It’s a quirky holiday musical tale of hope, transformation… and the power of Liza!

“Liza’s back and she’s better than ever! After having played to sold-out audiences in 2012 at the Steppenwolf Garage and in concert at Joe’s Pub in New York this summer, I’m thrilled to bring back this hilarious and moving holiday musical,” comments About Face Artistic Director Andrew Volkoff. “In this year of development at About Face, we are proud to support the continued growth of this project and the artists who’ve created it.  Artistic Associate Scott Bradley and composer Alan Schmuckler have developed a sensational new book and score and we’re delighted to share it with Chicago audiences.  If you missed it last year, get your tickets now: it’s bound to sell out again this year!  And if you saw it last year, you’ve got to see this fantastic new version and make We Three Lizas your new holiday tradition!” adds Volkoff.

The production team for WE THREE LIZAS includes: Jerre Dye (set design), Mieka van der Ploeg and Robert S. Kuhn (costume design), Mac Vaughey (lighting design), Josh Horvath (sound design), Eleanor Kahn (properties design), Davis McCarty (projections design) and Helen Lattyak (stage manager).

Title:  WE THREE LIZAS
Book and Lyrics:  AFT Artistic Associate Scott Bradley
Music and Additional Lyrics: Alan Schmuckler
Director:  AFT Artistic Associate Scott Ferguson
Musical Director: Aaron Benham
ChoreographyAFT Artistic Associate Patrick Andrews
Featuring:  Featuring AFT Artistic Associates Scott Duff and John Francisco with Sharriese Hamilton, Mark David Kaplan, James Nedrud, Danielle Plisz, Bethany Thomas, Dana Tretta and Andrew Swan.
Musicians: Aaron Benham (piano/conductor), Jed Feder (drums) and Debra Johnson (bass).

Location:  Stage 773, 1225 W. Belmont Ave., Chicago

Dates:  Previews: Wednesday, November 27 at 7:30 pm, Friday, November 29 at 7:30 pm, Saturday, November 30 at 7:30 pm, and Sunday, December 1 at 3 pm

Regular run:  Friday, December 6th, 2013 – Sunday, January 5, 2014
Curtain Times:  Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; Sundays at 3 pm
Tickets:  Previews: $20 adults/$10 students. Regular run: $45 adults/$20 students. Group discounts available. Tickets are available online at www.aboutfacetheatre.com or www.stage773.com, in person at the Stage 773 Box Office (1225 W. Belmont Ave., Chicago) or by calling (773) 327-5252.  Additional processing fees apply for phone and internet orders.




WeThreeLizas-3 (left to right) Scott Duff and Danielle Plisz in a publicity image for About Face Theatre’s production of WE THREE LIZAS with book & lyrics by Scott Bradley, music & additional lyrics by Alan Schmuckler and directed by Scott Ferguson.  Photo by Cheryl Mann.



About the Creative Team:
Scott Bradley (Book & Lyrics) is co-founder of Chicago's The Scooty & JoJo Show, for which he wrote and developed the critically-acclaimed musical works Alien Queen, Carpenters Halloween, Rosemary Clooney’s Baby, Mollywood, Tran: The Atari MusicalThe Scooty & JoJo Variety Hour, Thank God! It’s the Scooty & JoJo Show and Diva Brunch.  As a writer, director, designer and performer, he has collaborated in the development of new works at New York's PNBC/HERE (Fiona Apple Kwaanza Explosion), New Works Project (Atlantis City, RSVP), adobe theater company (The Eight, Tracker), Next Stage Theater (Adventures of Bobbi & Vaughan), HOME for Contemporary Theatre & Art (No Shame), BACA Downtown (A Child is Being Beaten) and CBGB's Galleria (I’ll Go On); Chicago's About Face Theatre (We Three Lizas, The Homosexuals), Walkabout Theatre Company (Crow), BigTop JoJo (Phenomenal Phantasmagoria), Hell In A Handbag Productions (The Birds, Caged Dames); Washington, D.C.'s Washington Shakespeare Company (Romeo & Julius Caesar); Seattle's UMO Ensemble (Maldoror), Open Circle Theater (Ballyhoo, Poona the F*ckdog, ETA: Phoenix, Little Boy, Return to the Garden of Allah) and Bald Faced Lie (Slow Children). He is an Artistic Associate with About Face Theatre, former Artistic Director of Seattle's Open Circle Theater, and served as Associate Artistic Director at BACA Downtown, Brooklyn, NY. He is a member of the Dramatists Guild, AEA and SAG/AFTRA.

Alan Schmuckler (Music and Additional Lyrics) will see his new musical Days Like Today (book by Laura Eason) premiere at Chicago's Writers' Theatre in 2014. His musical The Emperor’s New Clothes (book by David Holstein) enjoyed a critically acclaimed premiere production at the Tony-winning Chicago Shakespeare Theater, and received its international debut at the Stage Artz Theatre Company in Sydney, Australia. He and Michael Mahler co-wrote book, music and lyrics for Chicago Shakespeare’s How Can You Run with a Shell on Your Back?, which premiered and remounted in 2007, and has since been produced nationwide, including at the Chicago Humanities Festival, the National Alliance for Music Theatre’s 21st Annual Festival of New Musicals, and at theaters and schools nationwide. His concert credits include Alan Schmuckler: I Miss The City (Joe’s Pub, NYC); and, with Mahler, the Kennedy Center’s Millennium Stage (Washington, D.C.), and numerous Chicago gigs with their band, the Lincoln Squares, whose debut EP, The Lincoln Squares!, is available online. Alan’s music and lyrics have been featured in the Fourth Annual Broadway in South Africa Gala; the York Theatre Company’s NEO6 Benefit Concert; the Chicago “Monday Nights, New Voices” series; and the National Alliance for Music Theatre’s New Works Summit and Songwriters’ Showcase. Alan is a three-time Joseph Jefferson-nominated actor and recently appeared in Nikolai and the Others, (Lincoln Center Theater). He is a proud alum of Northwestern University and the School at Steppenwolf, and a member of AEA and ASCAP.

Scott Ferguson (Director) is the Co-Founder and Artistic Director of Theatrebam Chicago where he wrote and created the hit shows, Schoolhouse Rock Live!, Schoolhouse Rock Live Too! and The Main Street Kids’ Club: A MathStart Musical. Scott has directed the SRLive! National Tours (’99-’01) with Troupe American, Inc., the Off-Broadway productions at The Atlantic and the Lamb’s Little Theatre, as well as many productions across the country. Scott is a proud Artistic Associate of About Face Theatre, where he directed Xena Live! Episode One, the Jeff Nominated Xena Live! Episode Two, Xena Lives! The Musical and Say You Love Satan and last year's We Three Lizas. As a Founding Collective Member of Bailiwick Chicago, he directed the critically acclaimed Aida and Bloody Bloody Andrew Jackson. Scott has also directed for Hell in a Handbag, Filament, Chicago Children’s Theatre, Drury Lane Oakbrook and Watertower. For the former Bailiwick Repertory, Scott directed the Non-Equity Jeff Nominated A Man of No Importance as well as The Cousins Grimm. Regionally, he has directed for Playhouse On The Square in Memphis, The Fulton Opera House in Lancaster, PA, The Wohlfahrt Haus Theatre in Wytheville, Virginia, Rhodes College and New Trier High School. Favorites include; The Rocky Horror Show, Return To The Forbidden Planet, The Mystery Of Irma Vep, Evita, Bat Boy The Musical, Jekyll & Hyde, Floyd Collins, Disney’s Aida, Beauty And The Beast, Saucy Jack & The Space Vixens, Year With Frog And Toad, Big River, Altar Boyz, Xanadu and Pippin. 

Aaron Benham (Musical Director) is a local music director, conductor, arranger and composer. Chicago credits: A Cole Porter Songbook and Time After Time: The Songs of Jule Styne, Theo-Ubique; Anyone Can Whistle and Putting it Together, Porchlight Music Theatre; Sweet Charity and Days Like Today, Writer's Theatre; Avenue Q and Spamalot, NightBlue; RockShow(Tunes) and The Rise of the Numberless, Bailiwick Chicago.  He is a member of the Improvised Sondheim Project, and has performed locally and aboard the Norwegian Epic cruise ship with Second City.  Up next: The Sweet Smell of Success, Kokandy Productions, and the Chicago premiere of Carrie with Bailiwick Chicago.  BFA, Emerson College.


About Face Theatre (Andrew Volkoff, Artistic Director) is one of Chicago’s most acclaimed theatre companies, and is a national leader in the development of new work exploring gender and sexual identity.  Since its founding by Kyle Hall and Eric Rosen in 1995, the company has premiered more than 48 world premieres by writers and directors who have been recognized with several Tony Awards, The Pulitzer Prize for Drama, The MacArthur Fellowship and dozens of Joseph Jefferson Awards.


WeThreeLizas-1 (pictured) Danielle Plisz (above) and Scott Duff (below) in a publicity image for About Face Theatre’s production of WE THREE LIZAS with book & lyrics by Scott Bradley, music & additional lyrics by Alan Schmuckler and directed by Scott Ferguson.  Photo by Cheryl Mann.

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