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Thursday, October 20, 2022

Over My Dead Body; Or, How to Distribute Generational Wealth Via Laughing Stock Theatre Now Playing Through Dec. 4 at Chicago’s Athenaeum Center

 ChiIL Live Shows On Our Radar

Laughing Stock Theatre Presents

Over My Dead Body; Or, How to Distribute Generational Wealth 

Nov. 3-Dec. 4 at Chicago’s Athenaeum Center


A show for all ages and eras, Renaissance Italy comes to 21st Century Chicago in this modern interpretation of the classical commedia dell’arte titled Over My Dead Body; Or, How To Distribute Generational Wealth. Directed by acclaimed Italian director and educator Antonio Fava (from Scuola Internazionale dell’Attore Comico -International School of the Comic Actor in Reggio Emilia, Italy), Laughing Stock Theatre’s skilled commedia actors take on family dynamics and the challenges of capitalism in their newly devised show.

Tomorrow is the wedding of Flaminia and Fulgenzio, but that can wait because today is Pantalone’s birthday. His family and friends plan a surprise to celebrate, but Pantalone mistakes their actions as a plot to kill him! He decides to fake his own death and leave everything to himself... but his family and friends have other ideas. His friends, family, and even a dashing stranger squabble over the various “true” wills they produce, all while being “haunted” by the ghost of Pantalone. Hijinks ensue, but their hilarious and dramatic antics will return to the status quo in the end.

Director Fava, who traveled from Italy to direct this American show, finds something anachronistic and relatable in the modern conundrums the plot produces, saying that the show is “an original, timeless, yet concretely human comedy. In Comedy there is no struggle between Good and Evil, there is instead the struggle for survival, between people…the urgency of a problem… love, money, hunger, or fear. In short, normal people…and the aim is to make the public spend two pleasant hours. Comedy has been doing this for five centuries.”

Producer Aaron Quick says “Laughing Stock is excited to bring one of the world’s foremost scholars and practitioners of the Commedia, our own dear friend and educator, to direct this show straddling the line between classic and modern, comic and dramatic, European and American.”

Quick describes the enduring significance of Commedia dell’Arte framing in their storytelling,“Commedia dell’Arte is often taught as a stepping stone to ‘serious theatre’, but Laughing Stock has dedicated itself to showcasing the modernity it encompasses.” They do this, says Quick, by highlighting the connection between Commedia’s rise in popularity right along with modern capitalism’s influence on society, demonstrating the allure and the absurdity of the enduring eco-system and archetypes remaining the same after all of these years. As a result, Quick says, “The Commedia never died but keeps being relevant.”

Join Laughing Stock Theatre in November for this living demonstration of a theater form that is as hilarious as it is timeless.

 

ARTISTIC TEAM:

Director, Antonio Fava; Lighting and Sound Design, Aaron Quick; Costume Design, Jennifer Mohr; Scenic Design, Claire Hart Proepper.

Performers- Claire Hart Proepper, Jeffrey “JR” Rubin, Jennifer Mohr, Martin Downs, Shea Lee, Helena Scholz-Carlson, Jordan Scherer, and Andy Huttel.

 

SHOW SCHEDULE:

Evenings: Thursday - Saturday @ 8pm

Matinees: Saturday @ 2pm & Sunday @ 3pm

Dates of shows:

11/3 thru 11/6

11/10 thru 11/13

11/17 thru 11/20

12/1 thru 12/4

Doors open 30 minutes before show with a 2 hour run time plus a 15-minute intermission.

 

VENUE:

In Chicago’s Belmont Theater District, at Athenaeum Center for Thought & Culture Studio B, 2936 N. Southport Avenue, Chicago, IL.

 

TICKETS AND INFO:

Tickets on sale through Athenaeum Theater Box Office.

TICKET PRICES: 

$25 suggested General Admission; Pay-What-You-Want tickets available for all shows.


TRANSPORTATION:

Street parking and parking lots available (behind the building on Oakdale, and South of the building on Southport), public transportation access via Brown and Purple line (Wellington stop), Accessible by #9 Ashland Bus


ABOUT Laughingstock Theatre:

Laughing Stock Theatre creates and performs substantive, high-quality Commedia dell’Arte that spectacularizes the mundane and delights their audiences. The majority of their programming is pay what you can or free. Founded in 2019, Laughing Stock has performed original commedia dell’arte shows throughout the Chicagoland area including the Towle Theater, at the Chicago Circus & Performing Arts Festival, The Crowd Theater, William Powers State Park, and their first venue: Mrs. Murphy and Sons Irish Bistro. They have taught lectures and workshops for schools and private events in Indiana and Chicago. See LaughingStockChi.com for more information

PRAISE FOR Laughingstock Theatre’s previous show Masquerade

“The tight physical comedy combined with the situational drama ensured that every scene was both hilarious and moved the plot forward.”

“Masquerade was a hilarious romp which managed to stay true to the classic Commedia art form, center queer characters, fit a sword fight into the Crowd Theatre and keep me laughing throughout.”

“Masquerade blew me away with its bawdiness, fast-paced action and stunning masks!”


Sunday, October 16, 2022

Rolling World Premiere of Man and Moon Runs October 19-November 13, 2022 at Madison Street Theater

 

Siena Marilyn Ledger’s Rolling World Premiere Man and Moon
Opens on October 21 at Madison Street Theater in Oak Park
– A Dragonfly Theatre + 16th Street Theater NFP Co-Production –

Info
Peter Danger Wilde as Aaron and Clare Wols as Luna.
Photo by Omar Fernandez.
San Diego-based Siena Marilyn Ledger’s National New Play Network rolling world premiere Man and Moon runs October 19-November 13, 2022, at Madison Street Theater, 1010 Madison Street in Oak Park, directed by Hayley Procacci.

All tickets are $25, and virtual performances are $10 starting October 27, available online or at 708-795-6704. In addition, The Write Collective’s resident playwrights present free virtual staged readings on Fridays at 7 p.m. CT:
  • October 7, The Queen of Ithaca by Aline Lathrop
  • December 2, Lost Girl by Kathryn Feeney
Man and Moon is set in the waiting room of a hospital oncology unit, where transitioning man Aaron meets 12-year-old middle-schooler Luna, who loves outer space. Together, they learn how to wait and navigate their own changing bodies. The cast for this piece about expansion, connection, grief, and hope includes Peter Danger Wilde (he/they) as Aaron, Clare Wols (she/her) as Luna, and Emma Anderson as Luna’s understudy.

Man and Moon guides us toward our inner children,” said Procacci. “Ledger breathes comedic wit and childlike wonder into this spellbinding two-hander. This play reminds audiences about the importance of community and the feeling of belonging.” 
 
Procacci directs, produces, and devises physical and immersive theater work that dismantles the antiquated ideology of what is traditionally known as “American Theater." Procacci strives to “reflect the stories for and representing all, not just the able, straight, cis, select pool. Through radical inclusivity and a dedication to ensemble, I will tell stories of queerness and gender expression as existent and natural.”
 
Man and Moon runs October 19-November 13, 2022, at Oak Park’s Madison Street Theater (run time is 90 minutes without intermission). Previews are Wednesday, October 19, and Thursday, October 20 at 8 p.m. Opening night is Friday, October 21 at 8 p.m., and the production runs Thursdays at 8 p.m. (first Thursday is October 27, no Thursday show on November 3), Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m., and Sundays at 2 p.m. The Saturday, October 29, 4 p.m. show is a free teen matinee.

Talkbacks will be held on Sundays, October 23 and November 6 at 2 pm., and Saturdays, October 29 and November 12 at 8 p.m. At 1010 Madison Street, the theater is located near the Forest Park Blue Line stop, and the Harlem/Lake Green Line stop. 
Peter Danger Wilde as Aaron and Clare Wols as Luna.
Photo by Omar Fernandez.
The production’s artistic team includes Angelina Davila (production manager), Omar Fernandez (assistant director), Vibyana Sacluti (stage manager), Stefan Brun (technical director), Adrian Luca Oxoa (set design), Lauren Alyssa Skulley, IV (light design), Payton Kaye (sound design), Scout Gregory (costume design), and Michele DiMaso (intimacy coach).

Man And Moon is produced by The 16th Street Theater NFP as a National New Play Network Rolling World Premiere, which lets three or more theaters mount the same play within 12 months to allow playwrights to develop work with multiple creative teams across different communities. Other partners are Good Company Theatre (Ogden, UT) and Oregon Contemporary Theatre (Eugene, OR). 

Siena Marilyn Ledger

Siena Marilyn Ledger (they/them) tells stories with poems, personal video documentaries, and plays including The Empty Space, Inosculation, and Say NO to One Paseo. They graduated cum laude from California State University Fullerton's BFA acting program. Ledger is a member of the Chicago Dramatist's second class of Tutterow Fellows.

Hayley Procacci

Hayley Procacci (they/she) is director, producer, playwright, and theatre educator. Originally from Orlando, Hayley has worked professionally in New York and Chicago, directed national and international tours with Missoula Children’s Theatre, and is a full time staff member at Lookingglass Theatre Company. Recent credits include A Sign of The Times (NYC, LDK Productions), Games (NYC, SoHo Playhouse), Better Angels (NYC, SoHo Playhouse), My Uncle Sam (CHICAGO, Theater Unspeakable), Angels In America: Millennium Approaches, Silent Sky, Gruesome Playground Injuries, and Fool For Love (University of Alabama at Birmingham). 

Peter Danger Wilde

Peter Danger Wilde (he/they) is a Chicago-based trans/queer artist who has worked on- and off-stage with Odradek, Redmoon Spectacle Theater, and The Fly Honey Show. Wilde is pursuing a degree in psychology to serve LGBTQ youth through social work, harm reduction and counseling. 

Clare Wols

Clare Wols (she/her) was most recently seen as Brigitta in alternate performances in The Sound of Music at Marriott Theatre. When she’s not studying musical theater at Ovation Academy in Oak Park, this 12-year-old enjoys reading, writing, and hanging with her dog Buddy. 
The 16th Street Theater NFP is partially funded by the Oak Park Area Arts Council, in partnership with the Village of Oak Park, the American Rescue Plan Act, the Illinois Arts Council Agency and the National Endowment for the Arts. Additional funds are provided by The Gaylord and Dorothy Donnelly Foundation, The Driehaus Foundation, The Oak Park River Forest Future Philanthropists Program and The Arts Midwest GIG Fund.

Monday, October 10, 2022

Sam Shepard's Buried Child Via AstonRep Theatre Company October 21 – November 19, 2022 at The Edge Theater

 ChiIL Live Shows On Our Radar

AstonRep Theatre Company

Launches 15th Anniversary Season with

BURIED CHILD

By Sam Shepard

Directed by Derek Bertelsen

October 21 – November 19, 2022 at The Edge Theater

 

AstonRep Theatre Company is pleased to launch it 15th and final season with a revival of Sam Shepard’s Pulitzer Prize-winning drama Buried Child directed by Ensemble Member Derek Bertelsen*, playing October 21 – November 19, 2022 at The Edge Theater, 5451 N. Broadway. in Chicago. Tickets are now on sale at www.astonrep.com or by calling (773) 828-9129. 

The production features Ensemble Members Rian Jairell* and Robert Tobin* with Stephanie Baires, Liz Cloud, Roberto Jay, Jim Morley and Jorge Salas. Understudies include Caleb Gibson, Maxwell Peters and Erica Romero.

Set in America’s heartland, Sam Shepard’s powerful Pulitzer Prize-winning play details, with shocking hilarity, the disintegration of the American Dream. When 22-year-old Vince unexpectedly shows up at the family farm with his girlfriend Shelly, no one recognizes him. So begins the unraveling of dark secrets. A surprisingly twisted look at disillusionment and morality, Shepard’s masterpiece is the family reunion no one anticipated. Winner of the 1979 Pulitzer Prize for Drama. 

The production team includes Jeremiah Barr* (Scenic and Props Designer, Covid Safety Officer), Andrés Mota (Costume Designer), Samantha Barr* (Lighting Designer, Production Manager), Becca Venable (Sound Designer), Robert Tobin* (Fight Choreography), Bethany Hart (Vocal Coach), Anna Vu (Stage Manager) and Miguel Salgado (Asst. Stage Manager).

*Denotes AstonRep Company Members. 

COVID protocol: AstonRep is committed to providing a safe and enjoyable theatre-going experience. At this time, we will require patrons to wear a face mask during the performance. As guidance is rapidly evolving, so may our protocols, so please check our website for the most up to date information.

 Cast (in alphabetical order): Stephanie Baires (Shelly), Liz Cloud (Halie), Rian Jairell* (Bradley), Roberto Jay (Vince), Jim Morley (Dodge), Jorge Salas (Father Dewis) and Robert Tobin* (Tilden).

Understudies: Caleb Gibson, Maxwell Peters and Erica Romero.

 

Location: he Edge Theater, 5451 N. Broadway, Chicago

Dates: Preview: Friday, October 21 at 7:30 pm

Press performance: Saturday, October 22 at 7:30 pm

Regular run: Sunday, October 23 – Saturday, November 19, 2022

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.

Tickets: Previews: $10; Regular run: $20. Student/seniors discounts available. Tickets are now on sale at www.astonrep.com or by calling (773) 828-9129.

 

About the Artists

Sam Shepard (Playwright) Eleven of Shepard’s plays have won Obie Awards including Chicago and Icarus’s Mother (1965), Red Cross and La Turista (1966), Forensic and the Navigators (1967), The Tooth of the Crime (1972), Action (1974) and Curse of the Starving Class (1976). Shepard was awarded a Pulitzer Prize as well as an Obie Award for his play Buried Child (1979). Fool for Love (1982) received the Obie for Best Play as well as for Direction. A Live of the Mind (1985) won the New York Drama Critics’ Circle Award in 1986 and the 1986 Outer Critics Circle Award for Outstanding New Play. As an actor he appeared in the films Days of Heaven, Resurrection, Raggedy Man, The Right Stuff, Frances, Country, Fool for Love, Crimes of the Heart, Baby Boom, Steel Magnolias, The Pelican Brief, Safe Passage, Hamlet and, most recently, Don’t Come Knocking”, also co-written with Wim Wenders. In 1986, Shepard was inducted into the American Academy of Arts and Letters. In 1992, he received the Gold Medal for Drama from the Academy, and in 1994, he was inducted into the Theater Hall of Fame. Mr. Shepard died in 2017.

Derek Bertelsen (Director) This season marks Derek’s 12th season with AstonRep and Buried Child is his twelfth production as a director or co-director. Other AstonRep credits as director include Doubt, Wit, Next Fall, The Leiutenant of Inishmore, The Lyons, The Laramie Project and Equus. Previously he was co-founder/Artistic Director of The Comrades (2016-2020). In addition to his work with these two companies, he’s worked with BrightSide Theatre, Pride Films & Plays (member and Artistic Associate from 2011-2015), GreatWorks, Arc Theatre and Bailiwick Chicago. He’s served as assistant director at Goodman and Steppenwolf Garage. Summer stock credits include Shawnee Summer Theatre in Bloomfield IN, Festival 56 in Princeton IL and five seasons at Timber Lake Playhouse in Mt. Carroll IL.

 


About AstonRep Theatre Company

AstonRep Theatre Company was formed in the summer of 2008. Since then, the company has produced numerous full-length productions, along with their annual Writer’s Series. They are currently in residence at The Edge Theater. AstonRep Theatre Company is an ensemble of artists committed to creating exciting, intimate theatrical experiences that go beyond the front door to challenge audiences and spark discussion where the show is not the end of the experience: it is just the beginning. 

Saturday, October 8, 2022

OPENING: ROUTES Via Remy Bumppo Theatre Company October 12 - November 20, 2022 at Theater Wit

ChiIL Live Shows On Our Radar 

Remy Bumppo Theatre Company

Announces Casting and Production Team for 

ROUTES



by Rachel De-lahay

Directed by Mikael Burke

October 12 - November 20, 2022 at Theater Wit


 

Remy Bumppo Theatre Company is pleased to announce the casting and design team for the final show in its 2022 Season, ROUTES by Rachel De-lahay and directed by Mikael Burke. The show will run from October 12 through November 20, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago.


Olufemi hopes to return home to his family. Bashir wants to remain in the only home he knows. Kola yearns to find home in a place that’s never felt like one. Rachel De-lahay’s shattering, urgent new play looks through the eyes of immigrants, refugees, and children in conflict with the law as they fight to get home through an impossibly complex system designed to keep them out.

 

ROUTES will feature Terry Bell (Remy Bumppo Core Ensemble Member) Yao Dogbe, Kristin E. Ellis, Evelyn Lockley, Kevin Tre’von Patterson and TJ Thomas. Designs for this production will feature work by Bindu Poroori (Dramaturg), Mara Zinky (Scenic Design), Gregory A. Graham (Costume Design), Eric Watkins (Lighting Design), Peter Clare (Sound Design), Amanda Herrmann (Properties Design) and Sana Selemon (Dialect Coach).

 

Remy Bumppo Theatre Company’s production of ROUTES will run from October 12 through November 20, 2022 at Theater Wit, 1229 W. Belmont Avenue in Chicago. Subscriptions and single tickets are on sale at www.RemyBumppo.org or by calling the Theater Wit Box Office at 773.975.8150.

 

Remy Bumppo Theatre Company’s 2022-2023 Presenting Sponsor is Geoffrey A. Anderson. Remy Bumppo Theatre Company’s 2022-2023 Season Sponsors are Brenda and James Grusecki, Lynne and George Simon, and Charlotte Toerber.


Remy Bumppo’s programs and operations are also partially funded by the Paul M. Angell Family Foundation, the Gaylord and Dorothy Donnelley Foundation, the Illinois Arts Council, the MacArthur Foundation for Arts and Culture at Prince Charitable Trusts, and the Shubert Foundation.


Cast (in alphabetical order): Terry Bell (Bashir) Yao Dogbe (Olufemi), Kristin E. Ellis (Lisa), Evelyn Lockley (Anka), Kevin Tre’von Patterson (Abiola) and TJ Thomas (Kola)


Understudy Cast (in alphabetical order): Maya Jahan Abram (U/S Lisa), Kevin Aoussou (U/S Abiola), Tamarus Harvell (U/S Bashir), Benjamin Jenkins (U/S Olufemi), Lucas Looch Johnson (U/S Kola), Amanda Winston (U/S Anka)

 

Artistic Director: Marti Lyons

Stage Manager: Lucy Whipp

Assistant Director: Alex Dauphin

Assistant Stage Manager: Cecilia Koloski

Production Manager: Ellen Willett

Technical Director: Harrison Ornelas

Dramaturg: Himabindu Poroori

Scenic Designer: Mara Zinky

Costume Designer: Gregory Graham

Assistant Costume Designer: Aija Moreno

Lighting Designer: Eric Watkins

Assistant Lighting Designer: Liz Gomez

Sound Designer: Peter Clare

Properties Designer: Amanda Herrmann

Dialect Coach: Sana Selemon

Scenic Charge Artist: Trent Jones

Sound Engineer: Andrew Littleton

Head Electrician: Devin Sullivan

Wardrobe Supervisor: Gabi Sitze-Martin

Casting Director: Katie Galetti

Casting Associate: Jasmine B. Gunter

Creative Producer, Company Management, Covid Compliance Officer: Christina Casano

 

Location: Theater Wit, 1229 W. Belmont Ave., Chicago, IL 60657

Dates: Previews: Wednesday, October 12 - October 15, 2022 at 7:30pm; Sunday, October 16, 2022 at 2:30pm

Press Performance: Thursday, October 20, 2022

Regular Run: Friday, October 21 - Sunday, November 20, 2022

Curtain Times: Thursdays – Saturdays at 7:30pm, Sundays at 2:30pm

Matinee Performances (other than Sundays): Saturday, October 29 at 2:30pm; Saturday, November 5 at 2:30pm; Saturday, November 12 at 2:30pm; Thursday, November 17 at 2:30pm

 

Audio Description/Touch Tour Performance: Saturday, October 29, 2022; Touch Tour starts at 1:00pm, and the performance starts at 2:30pm

Open Caption Performance: Saturday, November 5, 2022 at 2:30pm


Tickets: Previews: $30.00

Regular Run: $32.00 - $40.00

Industry Tickets: $15.00, available for all performances

Student Tickets: $10.00, available for all performances

Group Discounts: Available for parties of 10 or more, call 773.975.8150


Top Row (L to R) - Terry Bell, Kristin E. Ellis, Yao Dogbe

Bottom Row (L to R) - Evelyn Lockley, Kevin Tre’von Patterson and TJ Thomas.



ABOUT REMY BUMPPO THEATRE COMPANY:

 

Remy Bumppo Theatre Company expands and enriches their community’s view of the world, and their own, by producing both the great plays of the past and the important plays of today. As an ensemble-driven theater company, Remy Bumppo authors a more humane culture that listens to, and seeks to understand, the voices, the ideas 

and the stories of one another. Since its inception in 1996, Remy Bumppo has produced a blend of modern classics and complex contemporary works, presented in an intimate setting with clarity, wit and passion. We invite audiences to engage directly with the art through conversation with the artists.

Thursday, October 6, 2022

Midwest Premiere of MARYS SEACOLE Via Griffin Theatre Company October 1 – November 6, 2022 at Raven Theatre

ChiIL Live Shows On Our Radar

Midwest Premiere!

Griffin Theatre Company Launches 33rd Season with

MARYS SEACOLE

By Jackie Sibblies Drury

Directed by Jerrell L. Henderson and Hannah Todd

October 1 – November 6, 2022 at Raven Theatre

Griffin Theatre Company is pleased to launch its 33rd season with the Midwest premiere drama Marys Seacole by Pulitzer Prize winner Jackie Sibblies Drury, directed by Jerrell L. Henderson and Hannah Todd, playing October 1 – November 6, 2022 on Raven Theatre’s Schwartz Stage, 6157 N. Clark St. in Chicago. Tickets now on sale at www.griffintheatre.com or by calling (773) 338-2177. I'll be out for the press opening, October 9th, so check back soon for my full review.

Marys Seacole is a dazzling tribute to the 19th century British-Jamaican nurse who crossed battle and race lines to chart her own course in history. Moving from past to present, through space and time, Drury's kaleidoscopic new play follows one woman's extraordinary journey from the battlefields of the Crimean War to a modern-day nursing home. From the acclaimed writer who won the 2019 Pulitzer Prize for Fairview, comes this Midwest premiere that challenges us to question our notions of sacrifice and selfishness, and the cherished perception of women as caregivers. The New York Times hailed Marys Seacole as "breathless and radiant" and The New Yorker Magazine called it "revelatory."

The production features Izzie Jones, Stephanie Mattos, RjW Mays, Jesi Mullins, India Whiteside and Mackenzie Williams. Understudies include Madeline Bunke, Sierra Coachman, Laura Coover and Liv J. Wilson.

  PHOTO CREDIT: The creative team for Griffin Theatre Company’s Midwest premiere of Marys Seacole includes (left to right) playwright Jackie Sibblies Drury and directors Jerrell L. Henderson and Hannah Todd.

The production team to date includes Joe Johnson (Scenic Design), Anna Wooden (Costume Design), Matt Sharp (Lighting Design), L. J. Luthringer (Sound Design), Ivy Treccani (Properties Design), Adam Goldstein (Dialect Coach), Jesi Mullins (Fight Choreography, Violence Design), Matthew Chase (Production Manager), Danny Halminiak (Technical Director), Karen Wallace (Assistant Lighting Design, Head Electrician) and Anna Walker (Stage Manager).

Cast (in alphabetical order): Izzie Jones (Miriam), Stephanie Mattos (Mary), RjW Mays (Duppy Mary), Jesi Mullins (May), India Whiteside (Merry) and Mackenzie Williams (Mamie). Understudies: Madeline Bunke, Sierra Coachman, Laura Coover and Liv J. Wilson.

Location: Raven Theatre’s Schwartz Stage, 6157 N. Clark St., Chicago

Dates: Previews: Saturday October 1 at 7:30 pm, Sunday, October 2 at 3 pm, Thursday, October 6 at 7:30 pm, Friday, October 7 at 7:30 pm and Saturday, October 8 at 7:30 pm

Press performance: Sunday, October 9 at 7 pm

Regular run: Thursday, October 12 – Sunday, November 6, 2022

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a 3 pm performance on Sunday, October 9.

Tickets: Previews $30. Regular run $40. Students/active military and veterans $15. Group discounts are available for groups of ten or more. Tickets available at www.griffintheatre.com or by calling (773) 338-2177.

 

About the Artists

Jackie Sibblies Drury (Playwright) plays include Marys Seacole (Obie Award), Fairview (2019 Pulitzer Prize), Really, Social Creatures and We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Sudwestafrika, Between the Years 1884–1915. Her work has been produced at Lincoln Center Theater, Soho Rep., Berkeley Rep, New York City Players & Abrons Arts Center, Victory Gardens, Trinity Rep, Woolly Mammoth, Undermain Theatre, InterAct Theatre Company, Actors Theatre of Louisville, Company One and Bush Theatre. Drury has developed her work at Sundance, the Bellagio Center, The Ground Floor at Berkeley Rep, the Soho Rep. Writer/Director LAB, New York Theatre Workshop, the Bushwick Starr, The Lark, and The MacDowell Colony, among others. She has received the Susan Smith Blackburn Prize, a Jerome Fellowship at The Lark, a United States Artists Fellowship, a Helen Merrill Playwriting Award and a Windham–Campbell Literary Prize in Drama.

Jerrell L. Henderson (Director) is a Theatre Director, Puppeteer, and African American Theatre Historian and Archivist. Through the mediums of theatre and/or puppetry and film, Jerrell seeks to disrupt generational curses of self-hate (i.e. racism, homophobia, religious intolerance, etc.). Intellectually curious and emotionally dexterous, Jerrell is at home in a number of wide-ranging genres including, but not limited to, American Realism, Magical Realism, Traditional and Contemporary Musical Theatre, Poetic Black-Queer Narratives and Live Spectacle Events. He is the League of Chicago Theatres recipient of the 2022 Samuel G. Roberson, Jr. Resident Fellowship. He will present an original shadow play titled, AmericanMYTH: Crossroads with Free Street Theatre in Fall 2023. Recent directing credits include Reverie by James Ijames (2022 Pulitzer Prize recipient for Fat Ham) with Azuka Theatre and Mlima’s Tale with Griffin Theatre (Jeff Award nomination for Direction and Best Play). Others credits include The River with BoHo Theatre and Untitled with Inis Nua (Barrymore Award nomination for Outstanding Direction of a Play). Puppet short films include a filmed version of his signature puppetry piece, I Am The Bear with The Chicago International Puppet Theatre Festival. Other puppet short films include, Hamlin: La Revue Sombre with Heather Henson’s Handmade Puppet Dreams and Diamond’s Dream with Chicago Children’s Theatre. His Juneteenth Puppet Protest: The Welcome Table was featured in the New York Times (June 2020) and his Fall 2020 puppetry celebration of the lives of John Lewis and C.T. Vivian titled, Black Butterfly was later expanded into an educational performance piece with Tria Smith of Guild Row and a student collective working with Urban Growers Collective on Chicago’s South Side. As an assistant director, Jerrell has worked with The Goodman Theatre, Steppenwolf Theatre and Lookingglass Theatre. He received his MFA in Theatre Directing from Northwestern University (2015), is an artistic associate with Black Lives, Black Words, and was a Henson Foundation sponsored participant at the Eugene O’Neill National Puppetry Conference (2020). He is on the board of Directors Gathering. (DG) is a national organization based in Philadelphia, PA which offers theatre directors consistent community, resources and elevation. As a theatre historian and archivist, Jerrell contributed to the recently released Fifty Key Musicals (Routledge Press). He authored the chapter on Shuffle Along (1921) and co-authored the chapter on The Wiz (1975). He also serves as the creator and curator of black_theatre_vinyl_archive on Instagram. black_theatre_vinyl_archive is an extensive collection of vinyl albums which highlight the contributions of members of the African Diaspora in Theatre/Musical Theatre History. He is represented by the Gurman Agency (susan@gurmanagency.com).

Hannah Todd (Director) is a Chicago-based director, where she has directed Hershel and the Hanukkah Goblins (Strawdog Theatre, 2021 and upcoming in 2022), Thrones! A Musical Parody (Apollo Theater Chicago), associate directed Cambodian Rock Band (Victory Gardens/Merrimack Repertory Theater, dir. Marti Lyons) and assistant directed at Chicago Shakespeare, Lookingglass Theatre Company and Northlight Theatre. Prior to moving to Chicago, Hannah was based in Washington, DC, where she co-founded We Happy Few Productions (wehappyfewdc.com). In DC, Hannah served as Artistic Fellow at Shakespeare Theatre Company, assistant directed at Folger Theater, Shakespeare Theatre and Studio Theatre, and directed for Theater Alliance, the Capital Fringe Festival, Lean & Hungry Theatre/WAMU 88.5 and the Source Festival. With We Happy Few, Hannah directed critically acclaimed productions of Hamlet, The Tempest, Romeo and Juliet, The Winter’s Tale, The Dog in the Manger and Macbeth. Hannah holds a BA from Hampshire College and an MFA in Directing from Northwestern University. www.hannahtodddirector.com

The Griffin Theatre Company is partially supported by the Illinois Arts Council, a state agency, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Funds for Culture, Equity, and the Arts at the Richard H. Driehaus Foundation and the American Rescue Plan.

The Griffin Theatre Company is a Blue Star Theater and is proud to support our military enlisted and veterans. 

 




About Griffin Theatre Company

Established in 1988. the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience.

The Griffin Theatre Company is the recipient of 125 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was honored with four 2018 Jeff awards for Ragtime including Best Ensemble, Best Musical, Best Director-Musical and Best Performer in a Supporting Role-Musical. Additionally, the company was the repeat winner of the 2016 Jeff Award for Best Production of a Play for London Wall having won the same award in 2015 for its production of Men Should Weep.

In addition, the Griffin is a nationally recognized producer of youth touring theatre in the United States. The Griffin’s national audience exceeds 100,000 young people and adults each year. Tours have included such prestigious venues as Cleveland Playhouse Square, Tribeca Performing Arts Center in New York City, Tennessee Center for the Performing Arts in Nashville and the Cerritos Center for the Arts in Cerritos, California. Touring productions have included both youth focused plays, Frindle and The Stinky Cheese Man and the Griffin’s hit adult production of Letters Home—a production that pays tribute to the men and women in the US military, In to America, a play that traces America’s 400 year immigrant history and Ghosts of War. Most recently, the Griffin produced the world premiere production of the Emmy Award-winning children’s television show, Innovation Nation-LIVE. Overall, Griffin’s touring productions have been performed in 45 of our United States.

For additional information, visit www.griffintheatre.com.

COVID-19 safety: Raven Theatre will require patrons to wear a face mask at all times inside the building (when not eating or drinking in the lobby). The theatre will no longer require patrons to provide proof of vaccination to attend a production. If you are experiencing symptoms of COVID-19, please contact the box office to reschedule your tickets free of charge. For all of Raven’s current COVID-19 protocols, visit raventheatre.com/covid-19.



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