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Wednesday, April 13, 2022

Lifeline Theatre Resumes Halted 2020 Production of Middle Passage April 25-June 5, 2022

ChiIL Live Shows On Our Radar 

Lifeline Theatre Resumes Halted 2020 Production of 

Middle Passage 

Reopens April 25, 2022

 


Lifeline Theatre presents Middle Passage directed by Lifeline Artistic Director Ilesa Duncan April 25 – June 5 at Lifeline Theatre, 6912 N. Glenwood Ave.  Middle Passage, co-adapted by Duncan and David Barr III, resumes it’s interrupted 2020 production based on Dr. Charles Johnson’s epic tale. The play shares a tale of personal growth within a dark phase of American history. 

I'll be out for the press opening Sunday, Apr. 24th, so check back soon for my full review. Opening night is Monday, Apr. 25 at 7:30 p.m. (Previews are Fridays, Apr. 15 and 22 at 7:30 p.m.; Saturdays, Apr. 16 and 23 at 8 p.m.; and Sunday, Apr.17 at 4 p.m.).  Regular performance times (April 28 – June 5) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $45 for regular single tickets, $20 for active and retired military personnel (with ID), $35 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $25 for previews. Group rate for 8 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.  

Performances with Open Captioning on May 7 and May 27

Performance with Touch Tour and Audio Description on May 22

Accessible Performances: The Saturday, May 7, 4 p.m. performance and the Friday, May 27, 7:30 p.m. performances will feature open captioning for patrons who are deaf or hard-of-hearing. The Sunday, May 22, 4 p.m. performance will feature a pre-show touch tour of the set at 2:30 p.m. and live audio description for patrons who are blind or have low vision. For more information about Lifeline’s accessibility services, please contact our Accessibility Coordinator Erika Rivard at 773.761.4477 x703 or at access@lifelinetheatre.com. 

In Middle Passage, Rutherford Calhoun, a newly freed Illinois slave eking out a living in 1830 New Orleans, stows away aboard The Republic, an outbound rigger, to evade debtors enforcing marriage. But his clever escape backfires as the clipper turns out to be a slave ship bound for Africa. Calhoun must choose between a fanatical captain, a mutinous crew, and the Africans seeking escape. Building on a tradition of African American storytelling, this tale challenges perceptions of American identity using a Black aesthetic. We are at a critical historical moment in which issues such as racism, classism, poverty, and the meaning of freedom impact us all.

The complete cast and production team for Middle Passage includes:

CAST:  Lifeline ensemble member Patrick Blashill (Captain Falcon/Ensemble) & Christopher Vizurraga (Peter Cringle/Ensemble); with guest artists Shelby Lynn Bias (Isadora Bailey/Ensemble), Ajax Dontavius (Rutherford Calhoun), Linsey Falls (Papa Zerinque/Fetcher/Ensemble), Benjamin Jenkins (Santos/Ensemble), Monty Kane (Jackson/Ngonyama/Ensemble), Robert Koon (Josiah Squibb/Ensemble), MarieAnge Louis-Jean (Baleka/Ensemble), Kellen Robinson (Tom/Ensemble), & Gerrit Wilford (McGaffin/Ensemble); with understudies Andrew Bosworth, Sam Fain, Peter Gertas, Mary Heyl, CN Mason and Stewart Romeo.

PRODUCTION TEAM: Lifeline ensemble members Alan Donahue (Scenic & Properties Designer), Ilesa Duncan (Director/Co-adaptor), Elise Kauzlaric (Dialect Coach), Maren Robinson (Dramaturg); with guest artists Amelia Ablan (Production Manager), Noah Abrams (Master Electrician), Kyle Bajor (Co-Lighting Designer), David Barr III (Co-adaptor), Barry Bennett (Sound Designer), Connor Blackwood (Assoc. Sound Designer), Alex Gendal (Projections Designer), Galen Hughes (Asst. Stage Manager), Harrison Ornelas (Technical Director), R&D Choreography (Violence Designers), Nicole Clark Springer (Choreographer/Movement Designer), Mattie Switzer (Stage Manager), Scott Tobin (Co-Lighting Designer), Shawn Wallace (Composer/Music Director), & Anna Wooden (Costume Designer).

Lifeline Theatre presents Middle Passage running April 15 – June 5 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle). Press opening for Middle Passage is Sunday, Apr. 24 at 4 p.m. Opening night is Monday, Apr. 25 at 7:30 p.m. (Previews are Fridays, Apr. 15 and 22 at 7:30 p.m.; Saturdays, Apr. 16 and 23 at 8 p.m.; and Sunday, Apr.17 at 4 p.m.).  Regular performance times (April 28 – June 5) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $45 for regular single tickets, $20 for active and retired military personnel (with ID), $35 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $25 for previews. Group rate for 8 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.  

Now in its 39th season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close. 

Lifeline Theatre’s programs are partially supported by The Bayless Family Foundation; Carol Oppenheim + Jerome Lamet Charitable Fund; Elizabeth F. Cheney Foundation; a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events;  Gaylord and Dorothy Donnelley Foundation; FGMK LLC; Flex Print, Inc.; Lloyd A. Fry Foundation; Illinois Arts Council Agency;  MacArthur Fund for Arts and Culture at Prince; The Polk Bros. Foundation; Rogers Park Social; S&C Electric Company Fund; The Shubert Foundation; and the annual support of businesses and individuals.


Friday, April 8, 2022

OPENING: Athena Via Writers Theatre May 5-July 10, 2022

ChiIL Live Shows On Our Radar 

Writers Theatre continues 2021/22 Season with

Athena

Written by Gracie Gardner

Directed by Jessica Fisch

May 5-July 10, 2022



Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Interim Artistic Director Bobby Kennedy, continues its 2021/22 Season with Athena, by Gracie Gardner, directed by Jessica Fisch in the Gillian Theatre at 325 Tudor Court, Glencoe. I'll be out for the press opening May 13th, so check back soon for my full review. I studied fencing and stage combat in college and loved it, so I'm particularly eager to catch this production with my 19 year old daughter, Sage. 

Mary Wallace and Athena are both seventeen-year-old fencers training for Nationals. Mary Wallace lives in a house in New Jersey, loves marine biology and practices at home. Athena lives in an apartment in New York City, takes acne medication and Athena is not her real name. Follow their journey from competitors to confidantes as they form a bond navigating the milestones of adolescence, training together only to learn the future is only certain for one of them.

 Fight choreography plays an important role in this production as each performance features live fencing on stage. The cast has taken fencing lessons at Lincoln Square Fencing Club and co-choreographers David Blixt and Christian Kelly-Sordelet are rehearsing with the cast to bring those lessons to life on stage. The sport equally adds action to the production, propels the plot, develops the characters, and deepens the story.

A fast-paced, engaging new play from Gracie Gardner, the winner of the 2017 Relentless Award, Athena received a critically acclaimed premiere in New York in 2018. Director Jessica Fisch (Cry It Out at Northlight Theatre, Every Brilliant Thing at Windy City Playhouse) brings her deft touch for storytelling to this portrait of two high-achieving young women, simultaneously rivals and allies, pushing each other to be the best.

Audiences, including those with little-to-no experience with or knowledge of fencing, can expect to get caught up in the action, tension, and elegance of the sport. The traditionally masculine sport of fencing is positioned it in the lives of these two young characters, reflecting what it is to navigate the tricky world of teenage friendship in a new and surprising way.           

The cast includes Mary Tilden (Athena) and Aja Singletary (Mary Wallace). The understudies are Emma Rosenthal (Athena) and Kianna Rose (Mary Wallace).  

The creative team includes: David Blixt and Christian Kelly-Sordelet (Co-Choreographers), Arnel Sanciano (Scenic Designer), Mieka van der Ploeg (Costume Designer), Paul Toben (Lighting Designer), and Mikhail Fiksel (Sound Designer/Composer), The assistant director is Grace Dolezal-Ng and the stage manager is Miranda Anderson.

Interim Artistic Director Bobby Kennedy comments, “Writers Theatre is pleased to produce the Midwest premiere of Gracie Gardner’s Athena, following highly successful runs of the play in London and New York. This intimate portrait of the friendship and rivalry between two teenage athletes crackles to life with its charming honesty and kinetic fencing choreography. In the crucible-like Gillian Theatre, the clashing of swords and emotions mere inches from the audience will create a theatrical experience unlike anywhere else. It’s the perfect play for us to continue our 30th Anniversary Season, as it highlights the joys and trials of young women today in a fresh and life-affirming way.”

 

About the Artists

Gracie Gardner is an award-winning playwright whose work has been seen internationally. Athena was a New York Times Critic’s Pick when it was produced in New York in 2018.

Gracie Gardner (Playwright) has written Decoys (McKnight National Residency), Pussy Sludge (Relentless Award, Theatertreffen Stückemarkt), Athena (New York Times Critic’s Pick), Hate Baby (James Stevenson Prize), Panopticon (Clubbed Thumb). Development: New Dramatists, Ars Nova Play Group, Manhattan Theater Club, SPACE on Ryder Farm, Ensemble Studio Theater’s Youngblood, The Old Vic, The New Group, Two River Theater, Williamstown Theater Festival. Publications: Bloomsbury, Samuel French, Table Work Press, S. Fischer, Cincinnati Review, Metrograph. She also writes video games for Annapurna Interactive and is an EMT in New York City.

 This marks Jessica Fisch’s first time working at Writers Theatre. Among her acclaimed local productions are Every Brilliant Thing (Windy City Playhouse, #2 Chicago Tribune “Top 10 Productions of 2019”, Chicago Sun-Times “Best of the Decade”), I Wanna F*#%ing Tear You Apart, The Firebirds Take The Field (Rivendell Theatre Ensemble), and Cry It Out (Northlight Theatre, #8 Chicago Tribune “Top 10 Productions).

Jessica Fisch (Director) is a freelance director, educator, and creator based in Chicago. She is dedicated to the creation of new plays, original content, and bold interpretations of classic texts. Recent credits: Every Brilliant Thing (Windy City Playhouse, #2 Chicago Tribune “Top 10 Productions of 2019”, Chicago Sun-Times “Best of the Decade”), And Then There Were None (Drury Lane), I Wanna F*#%ing Tear You Apart, The Firebirds Take The Field (Rivendell Theatre Ensemble), Twilight Bowl (University of Wisconsin at Madison), Cry It Out (Northlight Theatre, #8 Chicago Tribune “Top 10 Productions of 2018”), You Across From Me, Trudy, Carolyn, Martha and Regina Travel to Outer Space (Actors Theatre of Louisville, Humana Festival), Late Company (Cor Theatre, Midwest Premiere), Straight White Men (Associate Director, Steppenwolf Theatre), The Rosenkranz Mysteries: An Evening of Magic (Royal George Cabaret), Fefu and Her Friends (Goodman Theatre/Rivendell Latina/o Celebration), Opulent Complex and That Thing That Time (Actors Theatre of Louisville, The Tens). In addition to her theatre work, Jessica, with her co-creator Grace McLeod, is the co-writer and co-director of the original scripted podcast series Two Truths and a Lie which has been developed with creative producer Temple Hill Entertainment and will begin production in 2022. Jessica is adjunct faculty at University of Illinois at Chicago, a proud member of the Stage Directors and Choreographers Society (SDC) and a mom to two awesome kids. MFA: Northwestern University.

Mary Tilden (Athena) is a queer, Southern-born actor, writer, director, producer, and educator. Her theatre credits: The Wolves at Goodman Theatre (winner of the 2018 Jeff Award for Best Ensemble); Hookman at Steep Theatre. New Work Development: The Kennedy Center, The Latinx Theatre Commons, Sideshow Theatre, Jackalope Theatre, Adventure Stage Chicago, PlayMakers Laboratory and The Neo-Futurists. She is a proud member of the long-running improv team Devil’s Daughter. In 2018, Mary co-starred in and co-produced the short film Cool for Five Seconds, written by Calamity West. The short has been featured at 22 festivals, received the Grand Prize at the Midwest Film Awards and Best Ensemble at the Milwaukee Shorts Fest in 2021. Mary’s short film script Rough River Lake was a semifinalist for the 2020 Chicago Community Builders Grant and the Mass Epiphany script competition. Mary is a 2021 3Arts Make A Wave grantee. She seeks to celebrate and uplift queer, feminist perspectives in every aspect of the creative process. She is honored to do so in this production of Athena. 

Aja Singletary (Mary Wallace) is making her Writers Theatre debut. She graduated from Fordham University in 2016 and did the School at Steppenwolf in 2019. Chicago credits include Relentless (u/s, Timeline) Dance Nation (u/s, Steppenwolf) Eclipsed (Pegasus); American Revolution (Theatre Unspeakable) and As You Like It (Eclectic Full Contact Theatre). Now, she's a Bramble Theatre Ensemble Member and represented by Gray Talent Group.

Creative Team: David Blixt and Christian Kelly-Sordelet (Co-Choreographers), Arnel Sanciano (Scenic Designer), Mieka van der Ploeg (Costume Designer), Paul Toben (Lighting Designer), and Mikhail Fiksel (Sound Designer/Composer). The assistant director is Grace Dolezal-Ng and the stage manager is Miranda Anderson.

             

Dates: First performance: May 5, 2022

Press opening: Friday, May 13, 2022 at 7:30pm

Closing performance: Sunday, July 10, 2022

Schedule: 

Wednesdays: 3:00pm and 7:30pm

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 3:00pm and 7:30pm

Sundays: 2:00pm and 6:00pm

Location: The Gillian Theatre 325 Tudor Court, Glencoe

Prices: Prices for all performances range from $35 - $90. Purchase early for best prices                                   

Box Office: The Box Office is located at 325 Tudor Court, Glencoe;

847-242-6000; www.writerstheatre.org 

 

WRITERS THEATRE 2021/22 SEASON

The Writers Theatre season began with Dishwasher Dreams, written and performed by Alaudin Ullah, directed by Chay Yew, and produced in association with Hartford Stage, followed by Wife of a Salesman, written by Eleanor Burgess, directed by Jo Bonney, and produced in association with Milwaukee Repertory Theater, The season concludes with the world premiere of Pearl’s Rollin’ with the Blues, a musical revue created by Felicia P. Fields and Ron OJ Parson and direction by Parson.

The 2021/22 Season will see the company return to live performances and celebrate its 30th Anniversary, now firmly at home in its award-winning building at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. Productions will be presented in two spaces in the theater complex including the 255-seat Alexandra C. and John D. Nichols Theatre as well as the Gillian Theatre, a 50 to 99-seat flexible theatre space. 

The theatre, along with over 60 other Chicago performing arts organizations, will require patrons to be fully vaccinated and masked when attending performances. Please visit https://www.writerstheatre.org/covid-safety for full details.

 


SEASON PACKAGES

Writers is offering a variety of Classic Subscriptions, which include a ticket to each production throughout the season and includes renewal into fixed seats on set dates once each run is announced.

Subscriptions include three familiar package types that all offer fixed seats to see all four WT productions this season, one ticket to each production. Subscriptions are made for those who are looking to set their schedule in advance and gain access to seating at the top of the Season.

 

For the 2021/22 Season, Writers will continue the Membership Program, which includes 4 tickets to be used throughout the season as the Member chooses.

There are two types of Memberships: The most flexible option to “Pay As You Go” after an up-front Membership fee, or the option to pay in full for 4 tickets to be used throughout the season (“Up Front Flex”). Memberships are designed for those who want the freedom and flexibility of a more adaptable package.

Classic Subscriptions range in price from $160 to $240. Customizable payment plans are available. A “Pay As You Go” Membership is $35 per ticket after a one-time $60 Membership fee, or patrons may opt for the “Up Front Flex” Membership for $200 up-front

Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), access to special play readings and lectures, special “subscriber-rate” prices on additional tickets, a year subscription to The Brief Chronicle digital newsmagazine and more. For a complete list of benefits visit writerstheatre.org/join.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Writers Theatre is pleased to welcome back BMO Harris Bank as the distinguished 2021/22 Season Sponsor, marking the Bank’s ninth consecutive year as season sponsor.


AUDIENCE ENGAGEMENT OPPORTUNITIES:

WT also offers Access Performances, including ASL-interpretation and Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Writers Theatre is also working with Erika Walker and Maylene Peña of the Walker Thomas Group on workplace culture and equity, diversity and inclusion initiatives. Additional information about this important and ongoing work can be found at writerstheatre.org/working-at-wt.

ABOUT WRITERS THEATRE 

Writers Theatre boldly looks to the future as it begins its 30th season. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s finest regional theater company” by The Wall Street Journal.

Since 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 120 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. The new facility has allowed the Theatre to accommodate its growing audience, while maintaining its trademark intimacy.

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over two dozen world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage an average 10,000 students each year with active learning opportunities centered around the written word.

Thursday, March 31, 2022

The World Premiere of NOTES & LETTERS Via Underscore Theatre Company May 10 – 28, 2022 at the Richard Christiansen Theater

ChiIL Live Shows On Our Radar 

Tenth Anniversary Season!

Underscore Theatre Company Presents the World Premiere of

NOTES & LETTERS


Book, Music & Lyrics by Annabelle Lee Revak

 Directed by Leah Geis

Music Direction by Anna Wegener

Choreography by Ebrin R. Stanley

May 10 – 28, 2022 at the Richard Christiansen Theater

Underscore Theatre Company celebrates its tenth anniversary season with the world premiere of Notes & Letters featuring book, music and lyrics by Annabelle Lee Revak (she/her), based on letters Revak’s great-great grandfather Joe Loula sent to his family upon his immigration to Chicago from Eastern Europe. Originally slated to open in the spring of 2020, the musical is directed by Leah Geis (she/they), with music direction by Anna Wegener (she/her) and choreography by Ebrin R. Stanley (he/him). Notes & Letters will play May 10 – 28, 2022 at the Richard Christiansen Theater, 2433 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Tickets are currently available at victorygardens.org, by calling (773) 871-3000 or in person at The Biograph Theater Box Office, 2433 N. Lincoln Ave. in Chicago. I'll be out for the press opening Thursday, May 12th, so check back soon for my full review. 

The cast includes Katy Campbell (she/her), Caitlin Dobbins (she/her), Sam Martin (he/him) and Michael Mejia (they/them). Understudies include Aaron Reese Boseman (he/him), Nate Hall (he/him), Jamie Redwood (she/her) and Jasmine Robertson (she/her).

Notes & Letters follows Joe’s journey from war-torn Prague to Williams Piano Shop in Chicago in 1917. He quickly befriends the owner Charlie, his girlfriend Nora and composer Olivia. The foursome become inseparable – until World War I hits the U.S. Businesses, relationships and lives are put to the test. Based on a true story and set to a jazz-contemporary score, four young people struggle to make choices amid complete chaos.

Comments Underscore Artistic Director Whitney Rhodes, "We are proud and grateful to complete the development process we've been on with Notes & Letters now for over four years. Annabelle has written a charming and heartfelt story that is ultimately about friendship in times of complex outside change. While the show is set in the early 1900s, the themes are so present and alive in this moment. Its catchy score will leave you humming and the honest storytelling will leave you hopeful – which I think we all crave as we return to the theater. I'm grateful that Leah, Anna and Ebrin have all stayed with the project and am thrilled to welcome many new faces to our production team to work alongside a few of our stalwart designers. Plus, Notes & Letters had its very first workshop reading at the Richard Christiansen Theater, so this is a true full circle moment."

The production team includes Rebekah Clark (scenic design, they/she), Christina Leinicke (costume design, she/her), Benjamin Carne (lighting design, he/him), Timothy McNulty (sound design, he/him), Kathryn Healy (props design, she/her), Aaron Jamieson Roberts (dramaturg, he/him), Lauren Peters (production manager, she/her), Ben Lipinski (technical director, he/him) and Abby Teel (stage manager, she/her).

Cast (in alphabetical order) Katy Campbell (Olivia, she/her), Caitlin Dobbins (Nora, she/her), Sam Martin (Joe, he/him) and Michael Mejia (Charlie, they/them). Understudies: Aaron Reese Boseman (he/him), Nate Hall (he/him), Jamie Redwood (she/her) and Jasmine Robertson (she/her).

Location: Richard Christiansen Theater, 2433 N. Lincoln Ave, Chicago

Dates: Previews: Tuesday, May 10 at 7:30 pm and Wednesday, May 11 at 7:30 pm

Press performance: Thursday, May 12 at 7:30 pm (also open to the general public).

Regular run: Friday, May 13 – Saturday, May 28, 2022

Curtain Times: Fridays and Saturdays at 7:30 pm; Sundays at 2 pm. Please note: there will be added performances on Wednesday, May 25 at 7:30 pm and Saturday, May 28 at 2 pm.

Tickets: $32 general admission. Discounts (available via telephone or in person at the box office): $25 preview performances, $28 group, $27 senior, $22 military/first responder, $20 industry, $15 student. Tickets are currently available at victorygardens.org, by calling (773) 871-3000 or in person at The Biograph Theater Box Office, 2433 N. Lincoln Ave. in Chicago.

 PHOTO CREDIT: The cast of Underscore Theatre Company’s world premiere of Notes & Letters includes (top, l to r) Katy Campbell, Caitlin Dobbins, Sam Martin and Michael Mejia (bottom, l to r) Aaron Reese Boseman, Nate Hall, Jamie Redwood and Jasmine Robertson.

About the Artists:

Annabelle Lee Revak (Book, Music and Lyrics, she/her) is a musical theatre composer, lyricist, playwright and music director. Her shows include Train on Fire (MTFest UK 2022); Notes & Letters (Underscore Theatre Company, Chicago Musical Theatre Festival); Windsong, a folk opera (Flatiron Arts); Starfall (Music Institute Chicago); and The Voodoo Queen (Breaking and Entering, Co-writer Aaron Cooper). Columbia College Chicago (BA Musical Theatre/BA Music Composition) and University of Wolverhampton (MA Research in the Performing Arts). @annabelleleerevak annabelleleerevak.com

Leah Geis (Director, she/they) is thrilled to finally stage Notes and Letters after the theatre's prolonged break! Originally from rural Nebraska, Leah freelanced primarily in musical theatre as a director and stage manager for five years before making the move to Chicago. As a director, Leah has developed new works that focus on women and LGBT+ topics at both Pride Arts and Otherworld Theatre. Stage management credits include Proxy (Underscore Theatre), Always...Patsy Cline (Firebrand Theatre) and Little Women (Brown Paper Box Co.) Leah is grateful for patrons who supported the arts through the pandemic and for coming back out as soon as we could safely open our doors again. IG: @leahrgeis. leahgeis.com

Anna Wegener (Music Director, Performance Pianist, she/her) returns to Underscore Theatre after Music Directing Ripped! with Underscore Develops in 2021 and several Tiny Storefront Concerts. She teaches, directs and performs in the Chicago-area. Recent shows include Guys and Dolls and Something Rotten (Theatre Nebula), Beauty and the Beast (MOS) and The Things I Could Never Tell Steven (PrideArts). Thanks to the production team, cast, crew, and the audience! A special thank you to Annabelle Revak for creating this incredible world to live in during each performance. 88keysacc.com

Ebrin R. Stanley (Choreographer & Artistic Consultant, he/him) was born and raised in Houston, TX. He graduated from the University of South Dakota with a B.F.A in Musical Theatre in 2017 and a minor in Dance. Ebrin has directed and choreographed many productions for the Children's Museum of Houston. In December 2017, Ebrin was given the chance to co-write, direct and choreograph Home for the Holidays, a children's musical in Houston. In January 2018, he starred in the world premiere of Dead Meat, a workshop performance written by Paige Zubel. Later that year, he landed the role of Hercules Mulligan/James Madison in Hamilton: An American Musical (Chicago). In 2019, Ebrin arranged two medleys that were performed at the hit music festival, Lollapalooza. Performing his original music all over Chicago, Ebrin got the chance to headline his first concert “The Reality of Love and Life with Ebrin R. Stanley” in February 2020. He has produced music for artists from New York, Houston and Chicago. During the Pandemic, Ebrin has had the privilege of composing an original score for the award-winning web series Neighbors, which is streaming now on Broadstream. He has since returned to Hamilton with the opening company in Los Angeles. Ebrin would like to thank his family for always supporting him and God for always blessing him. Remember that All Black Lives Matter. Instagram: @ebrinrstanley Twitter: @ebrinrstanley Music can be found on all streaming platforms under the name Ebrin R. Stanley.

About Underscore Theatre Company

Founded in 2011, Underscore Theatre Company is a team of producing artists dedicated to exploring stories of power and resonance through a musical lens; fostering the development of new musicals; and bolstering Chicago’s role as a national leader in musical theatre. Since its creation, Underscore has produced or co-produced 65 new mainstage and workshop musicals in Chicago. Underscore is proud to be Chicago's home for new musicals. underscoretheatre.org

Underscore Theatre Company recognizes its accountability to the systems that have failed our communities of Black, Indigenous and People of Color. We are grateful for the work of those behind the “We See You, White American Theatre” vision for laying the groundwork of what a more equitable industry can be and are committed to being a part of the change. We align with their principles and are holding ourselves accountable to anti-racism practices as a part of our current strategic planning process supporting the development of new musical theater. 

Land Acknowledgement: Chicago is the traditional homeland of over a dozen different tribes including the Council of Three Fires: the Ojibwe, Odawa and Potawotami nations, as well as the Miami, Ho-Chunk, Fox, and the Illinois Confederacy of the Peoria and Kaskaskia nations. In 1830 Congress forcibly stripped these tribes of their land by passing the Indian Removal Act which led to relocation, poverty, and starvation.

 

Wednesday, March 30, 2022

DAVENPORT’S PIANO BAR & CABARET CELEBRATES JAZZ APPRECIATION MONTH IN APRIL WITH A LINEUP OF NEW MUSIC, COMEDY AND MORE

Chi, IL Live Shows On Our Radar  

The Wicker Park Venue Announces the Return of Open Mic Fridays and Hosts Davenport’s Staff Favorite Megan Elk in a new show, Scott Gryder, Adam Hibma and Kimberly Lawson with Hello, Gorgeous! A Barbra Streisand Birthday Celebration, Cathleen Brumback and Christian Lutes in Two English Majors Walk into a Bar, Two Jackie Smook’s Performances with Music and Puppets and in Under Your Skin and More

Davenport’s Piano Bar & Cabaret, Chicago’s premier location for enjoying music in an intimate setting, announces its roster of April performances in its Cabaret and Piano Bar. Davenport’s, 1383 North Milwaukee Avenue, is open Fridays and Saturdays from 7 p.m. - 12 a.m. and Sundays from 6 - 11 p.m. Performers, tickets and more are available at DavenportsPianoBar.com.

Please note: All patrons must be 21 years old or older and vaccinated. For entry, patrons must provide proof of vaccination, such as a Vaccination Cardand a valid photo ID. Masks will be required upon entry and when not seated.


All performances In The Cabaret are ticketed events with a two-drink minimum on the night of the performance. 


In The Cabaret this April are: 


Cathleen Brumback and Christian Lutes

Two English Majors Walk into a Bar

Friday, April 1 at 8 p.m.

Tickets are $10 with a two-drink minimum 

Former English majors Cathleen Brumback and Christian Lutes reintroduce their audience to all those “classics” you never actually read in your high school English class. Sparknotes and Wikipedia saved us all back in the day and it’s time to party and relive the experience.

Jackie Smook

Under Your Skin

Saturday, April 2 at 8 p.m.

Tickets are $20 with a two-drink minimum 

“Under Your Skin” is an original solo show written by Jackie Smook and Jackson Zinn-Rowthorn. It tells the story of the time Smook worked as a medical assistant during her summer vacation, a job she never expected. She had no prior training and this, of course, caused utter chaos to ensue. This is a comedic telling, in real time, of her experiences told through standup, multiple original characters and song.


Future performances from Jackie Smook at Davenport’s:

Saturday, May 7 at 8 p.m. and 

Saturday, June 25 at 8 p.m.


Jay Schleppenbach

A Life on Stage

Sunday, April 3 at 7 p.m.

Tickets are $15 with a two-drink minimum

Featuring Brad MacDonald, Melissa Redondo and Freddie Joseph III. Why should fawning career retrospectives be reserved solely for actual famous people? Jay may not have won a Latin Grammy, but he did star in an anti-drug PSA in sixth grade and played lead characters named Billy in not one but two high school musicals. This show explores Jay's classic roles, from first grader promoting the benefits of dental hygiene to 42-year-old attorney dressed as a Pokemon for some reason, in songs and mostly-true stories. Fans of classic Broadway, trenchant parody and occasional jazz hands should all enjoy this show.

 

Dawn Miller

Coalessence- a Queer/Trans Story Hour

Friday, April 8 at 8 p.m.

Tickets are $15 with a two-drink minimum

“Coalessence” is a Queer story telling hour! LGBTQ+ Artists come together to share stories surrounding their theme of Blossom- to burst forth. You may laugh, cry a bit, and learn something new about the trans community. 


 

Megan Elk

Not A Pretty Girl

Sunday, April 10 at 7 p.m.

Tickets are $15 with a no-drink minimum

Davenport's staff favorite, Megan Elk, takes over the backroom for an evening of songs and stories about what happens when you stop trying to be pretty and start being real. Spurred on by a divorce, a global pandemic and the onset of middle age, Elk spins the hilarious tale of how little by little, they realized they could stop trying to be one of the girls from a 90s “Seventeen Magazine” cover and start being... themself.

Featuring the music of Ani DiFranco, Leonard Bernstein, Lizzo, Radiohead, Sara Bareilles, William Finn and much more. Musical direction by Micky York, with special guest Rachel Schuldt on cello.


Jackie Smook

The Jackie Smook Program of De-Dumbification

Saturday, April 16 at 8 p.m.

Tickets are $20 with a two-drink minimum 

Join Jackie Smook and her brilliant pianist Joey Chimes, as the audience goes on a magical, puppet-filled, comedic (yet moving) ride into the return of the Jackie Smook self help cabaret. Newcity said “She delivers with all twelve tunes in her one-chanteuse, one-piano-man and several-puppet cabaret.” It’s a roller coaster through Jackie’s journey from a dingy dongy dumb dumb to the hard working, go getting, ambitious woman she is today. Told through four stages and 12 musical acts, you will be moved by this true story of growth and self love.

Micky York

After Party #22 Easter Show

Sunday, April 17 at 7 p.m

Tickets are $15 with a two-drink minimum, includes all-you-can-eat peanut butter eggs

Davenport's most beloved Easter tradition is back with After Party #22! Join host Micky York with Ben F. Locke, David Gordon-Johnson, Jennifer Ledesma and Miriam Plotkin as they sing about that one time at that one bar when that one thing happened. (You've heard that story, but you've never heard it like THIS, with music from all over the pop/rock charts.) Plus, we'll have lots of candy and maybe you'll find a hidden Easter egg and win a prize? Honestly, what a time to be alive.

Stick around after the show for the After After Party at Sunday Night Social Lounge, with more Easter snacks plus bonus Celine Dion songs from the cast in the front room!

 

Sonia and Bob: Songs We Love

Thursday, April 21 at 8 p.m.

Tickets are $20 with a two-drink minimum

Sonia Oyola and Bob Solone together again with an all new show titled Songs We Love. They are often asked, “What’s your favorite song?” and to this couple that question is unanswerable. However, they’ve selected a group of intimate and personal songs they both love, to share with Davenport’s audiences.

 

Scott Gryder, Adam Hibma and Kimberly Lawson

Hello, Gorgeous! A Barbra Streisand Birthday Celebration

Friday, April 22 and Saturday, April 23 at 8 p.m.

Tickets are $20 with a two-drink minimum

First woman to win an Oscar for composition. Only artist to have a number one album in six consecutive decades. First woman to write, direct, produce and star in a movie since the silent era. EGOT. Activist. Icon. The greatest star is turning 81! Join Scott Gryder, Adam Hibma and Kimberly Lawson in a birthday cabaret celebration like no other with music direction by Jimmy Morehead and featuring arrangements by Nick Sula. 

 

Alex and Amelia

Sunday, April 24 at 7 p.m.

Tickets are $20 with a two-drink minimum

Artist and head-in-the-clouds Amelia is suddenly convinced she’s clairvoyant as she practices readings on her skeptical boyfriend, Alex, only to find out the cards might hold more power than she realizes. Unable to control their fate, they are grounded in reality by live music. Join Amelia Bryant and Alex Patterson on their tarot musical journey as they battle spirituality, truth, and the true meaning of their relationship with recognizable hits like “Dreams” by Fleetwood Mac, “Inside and Out” by The Beegees and original songs! 


4 Chairs Theatre

Parenthood Unplugged

Thursday, April 28 at 8 p.m.

Tickets are $20 with a two-drink minimum

A musical theatre cabaret through the peaks and valleys of parenthood and what it means to be a parent, whether gifted, created or chosen, featuring Linda Andrews, Alexis Armstrong, Leah Davis, Dave Lemrise and JoJo Farrell. 

 

Evan Silver

Tiresias Presents HYPERFANTASIA

Friday, April 29 at 8 p.m. 

Tickets are $20 with a two-drink minimum

Featuring original music and madness, HYPERFANTASIA is a sci-fi fantasy drag cabaret about the proliferation of matter in the universe and life on planet Earth. Hosted by Tiresias, the blind prophet of the Underworld, this miniature epic draws on new evolutionary theories and ancient queer wisdom to dismantle the survival-of-the-fittest paradigm toward an ethic of abundance and extravagance.

 

Fia Torres and Bill Demis 

Just Us

Saturday, April 30 at 8 p.m.

Tickets are $15 with a two-drink minimum

After their last sold-out show in September of last year, Fia Torres and guitarist Bill Demis are thrilled to bring back to Davenport’s Fia and Demis. Just Us features all new songs. Guests are invited to sit back and enjoy an intimate evening of interpretation of popular, jazz, ballads and original tunes.

 

April performances in The Piano Bar include: 

Sundays 8 - 10 p.m.

Every Sunday: Sunday Night Social Lounge, hosted by Micky York

No cover or drink minimum. 


Fridays 8 - 11 p.m.

Every Friday: The Return of Open Mic with George Howe

George Howe hosts Open Mic in the Piano Bar, where performers may bring sheet music to perform.

No cover or drink minimum. 


Saturdays 9 p.m. - 12 a.m.

Every Saturday: The Nitz & Howe Experience

Saturday appearances have a $5 cover, with no drink minimum and is limited to 50 guests. 


DAVENPORT’S PIANO BAR & CABARET HEALTH & SAFETY PROCEDURES

Davenport’s prioritizes the health and safety of its patrons, staff and performers. Following current local, state and government protocols, Davenport’s asks that all patrons be vaccinated. For entry, patrons must provide proof of vaccination, such as a Vaccination Card and a valid photo ID. Masks will be required upon entry and when not seated.

ABOUT DAVENPORT’S PIANO BAR & CABARET

Davenport's Piano Bar and Cabaret is Chicago's premier location for enjoying music in an intimate setting. With two performance spaces, visitors, 21 years old and older, may enjoy performances by national and local talent. The cabaret room has performances most nights showcasing a variety of types of music. The piano bar provides music from an accomplished roster of musicians and a talented serving staff that can both make a drink and sing you a Broadway-caliber song.



 

ROSA ESCAREÑO, INTERIM GENERAL SUPERINTENDENT AND CEO, CHICAGO PARK DISTRICT, JOINS TEATRO VISTA BOARD

Theatre in Chicago News: Welcome Rosa Escareño

 

Rosa Escareño

Teatro Vista, Chicago’s only Equity-affiliated Latinx theater company, has announced that Rosa Escareño, Interim General Superintendent and CEO of the Chicago Park District, has joined its Board of Directors.

"The entire Teatro Vista ensemble is thrilled to welcome Rosa Escareño to our Board of Directors,” said Adela Cepeda, Board President, Teatro Vista. “Rosa brings 15 years of executive level experience and 30 years of government and public service to our Board. We are energized by her vision and her dedication, and excited to have her guidance as Teatro Vista continues to embark on an exciting new future. She is a vital addition to our current Board members, who remain so dedicated to Teatro Vista's art and values."

“It is an honor to join the Teatro Vista Board of Directors, a visionary group of professionals committed to expanding the Latinx life experience through theater in Chicago,” responded Escareño. “I believe firmly in freedom of expression and through Teatro Vista I look forward to the opportunity to elevate local artists and to strengthen the voice of our richly diverse community across artistic, educational and professional boundaries.”

Escareño is a life-long public servant with more than 30 years of government experience. As the Interim General Superintendent and CEO of the Chicago Park District, Escareño manages nearly 2,500 employees and oversees a $500 million agency considered one of the largest park systems in the country, with over 8,800 acres of parkland, more than 600 parks, 26 miles of lakefront, 12 museums, two world-class conservatories, 16 historic lagoons, over 75 nature areas and thousands of special events, sports and entertainment programs.

Prior to her appointment at the Chicago Park District, Escareño served as Commissioner of the City of Chicago Department of Business Affairs and Consumer Protection (BACP) where she served as a cabinet member under two Mayoral administrations bringing modernization and equity to Chicago’s marketplace. During the COVID-19 pandemic crisis, Escareño was on the forefront of Chicago’s business recovery efforts including reopening Chicago businesses, administering $120 million in business financial relief and setting up protections and policies for businesses and essential workers to ensure a safe city reopening. During her years as Commissioner, she spearheaded important initiatives to grow Chicago’s economic landscape supporting Chicago’s business community while establishing protections for consumers and workers -- all while focusing on diversity, equity, and inclusion to enhance economic growth in underserved communities.

Throughout her career she has championed initiatives to enhance the quality of life of Chicago residents and communities. Escareño holds a degree of Master of Science in Communications from Northwestern University and a degree of Bachelor of Arts from Loyola University Chicago. Born in Zacatecas Mexico, she is a lifelong Chicagoan proud to give back to the city she loves, Chicago.

About Teatro Vista

Teatro Vista is Chicago’s largest, Equity-affiliated professional Latinx theater company and one of the nation’s premier Latinx arts organizations.The company’s primary focus is producing new works by Latinx theater artists from its own ensemble, a group of multi-generational, multi-ethnic and multi-disciplinary artists. 

Teatro Vista ensemble members include Charín Álvarez, Max Arciniega, Desmín Borges, Cheryl Lynn Bruce, Ramón Camín, Ivonne Coll, Laura Dahl, Sandra Delgado, Liza Fernández, Khanisha Foster, Cruz Gonzalez-Cadel, Isaac Gómez, Ricardo Gutiérrez, Erik Juárez, Jon Lyon, Sandra Márquez, Eddie Martinez, Salome Martinez, Joe Minoso, Ayssette Muñoz, Christina Nieves, Marvin Quijada, Tommy Rivera-Vega, Gabriel Ruíz, Nate Santana, Cecilia Suarez and co-founder Edward Torres. 

In July, 2021, following a national search, Lorena Diaz and Wendy Mateo were appointed Co-Artistic Directors of Teatro Vista. 

 









Lorena Diaz (left) and Wendy Mateo, Co-Artistic Directors, Teatro Vista. 

“We are deeply energized by Teatro Vista and its ensemble, with its tapestry of talent, innovation and unique perspectives,” said Mateo. “There is a depth to the American Latinx experience that has fueled our 20 years of storytelling and collaboration together. With this particular ensemble, we’ll be able to deepen that storytelling and bring in a kind of nuance and complexity to our stories that our audiences will be inspired by.”

Diaz added, “the opportunities in an ensemble-led theater company are many and Teatro Vista has an abundance of thought-provoking artists who are exploring different genres of creative expression, from writing for television, to audio plays with visual components, to full-fledged plays with music like La Havana Madrid. Expect that kind of excitement going forward.”

Teatro Vista’s Board of Directors includes Adela Cepeda, President, Joan Pantsios, Secretary, Julieta LaMalfa, Treasurer, and Rosa Escareño, Kareem Mohamednur, Carina Sanchez and Jose Vasquez.

Teatro Vista is supported by Alphawood Foundation, the Arts Work Fund, Paul M. Angell Family Foundation, The Bayless Foundation, Chicago Community Trust, Chicago Cultural Treasures, Chicago Filmmaker Grant, CLATA (Chicago Latino Theater Alliance), DCASE (Chicago Department of Cultural Affairs and Special Events), The Gaylord and Dorothy Donnelley Foundation, Illinois Arts Council, The Joyce Foundation, The MacArthur Fund for Culture, Equity, and the Arts at the Richard H. Driehaus Foundation, Pritzker Foundation, The Shubert Foundation, The Shuttered Grant and the Tide-Venturous Foundation. 

For more, visit teatrovista.org, or follow the company on Twitter, Facebook or Instagram.

Tuesday, March 29, 2022

OPENING: RASHEEDA SPEAKING Via Shattered Globe Theatre April 22 – June 4, 2022 at Theater Wit

ChiIL Live Shows On Our Radar 

Shattered Globe Theatre Presents

RASHEEDA SPEAKING

By Joel Drake Johnson

Directed by Associate Artistic Director AmBer D. Montgomery

April 22 – June 4, 2022 at Theater Wit

 

PHOTO CREDIT: The cast of Shattered Globe Theatre’s revival of Rasheeda Speaking includes (top, l to r) Daria Harper and Deanna Reed-Foster (bottom, l to r), Barbara Roeder Harris and Drew Schad.

Shattered Globe Theatre is pleased to present a revival of Chicago writer Joel Drake Johnson’s Rasheeda Speaking, directed by SGT Associate Artistic Director AmBer D. Montgomery. This comedy-turned-social thriller about workplace racism will play April 22 – June 4, 2022 at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Tickets are currently available at www.sgtheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. I'll be out for the press opening April 25th so check back then for my full review. 

Rasheeda Speaking will feature Ensemble Members Daria Harper*, Deanna Reed-Foster* and Drew Schad* with Barbara Roeder Harris.

Whether it’s the doctor’s inability to remember her name, or the toxic fumes radiating from the Xerox machine and lab next door, Dr. Williams’ office is not made for Jaclyn. As the only Black woman in the office, Jaclyn is determined to keep her job. But when Dr. Williams promotes her White co-worker, Ileen, and asks her to spy on their only Black co-worker, Jaclyn has her work cut out for her. Fueled by a fear of difference and looming racial uprising, how far will Jaclyn, Ileen and Dr. Williams go? 

Comments SGT Producing Artistic Producer Sandy Shinner, “Shattered Globe is celebrating playwright Joel Drake Johnson with this revival of his workplace thriller Rasheeda Speaking. In the fall of 2019, shortly before Joel’s death in early 2020, I told him we would commit to producing this revival with Deanna Reed-Foster as Jaclyn, and he was thrilled. In the world premiere production at Rivendell Theater in 2013, Deanna was cast as the understudy and Joel could always hear her voice as Jaclyn. Now, almost 10 years later, the play will resonate differently, and I am thrilled that SGT’s Associate Artistic Director AmBer Montgomery is directing this new production with a powerhouse design team. Rasheeda Speaking is sure to entertain and challenge our audiences.”

The production team includes Scott Penner (scenic design), Rea Brown (costume design), Jackie Fox (lighting design), Christopher Kriz+ (sound designer), Persephone Lawrence-Wescott (props design), Judy Anderson* (executive production manager), Richie Vavrina (production manager), Alan Weusthoff (technical director), Tina M. Jach (production stage manager) and Becca Smith (assistant stage manager).



COVID-19 protocol: Shattered Globe currently requires proof of vaccination and masks for all patrons. Please visit sgtheatre.org/rasheedaspeaking for updates.


 

PRODUCTION DETAILS:

Cast (in alphabetical order): Daria Harper* (Ileen Van Meter), Deanna Reed-Foster* (Jaclyn Spaulding), Barbara Roeder Harris (Rose Saunders) and Drew Schad* (Dr. David Williams).

*Denotes SGT Ensemble Member  +Denotes SGT Artistic Associate

Location: Theater Wit, 1229 W. Belmont Ave., Chicago

Dates: Previews: Friday, April 22 at 8 pm, Saturday, April 23 at 8 pm and Sunday, April 24 at 3 pm

Press Performance: Monday, April 25 at 7:30 pm

Regular Run: Friday, April 29 – Saturday, June 4, 2022

Curtain Times: Thursdays, Fridays, Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be added performances on Monday, May 16 at 8 pm (industry night) and Saturday, June 4 at 2:30 pm; there will not be a performance on Thursday, May 19 at 8 pm.

Touch Tour/Audio Description Performance: Friday, May 6 – 6:45 pm touch tour, 8 pm performance with audio description. $20 tickets available with code “ACCESS20.”

Industry Night: Monday, May 16 at 8 pm.

Tickets: Previews: Friday: pay-what-you-can; Saturday & Sunday: $25 general admission, $10 students. Regular Run: $45 general admission. $15 students. $35 seniors. $25 under 30 years old. $15 industry tickets on Thursdays and Fridays with code “INDUSTRY.” Tickets are currently available at www.sgtheatre.org, by calling (773) 975-8150 or in person at the Theater Wit Box Office. Group discounts are available by contacting groupsales@shatteredglobe.org or by calling (773) 770-0333.

Shattered Globe understands that ticket prices can pose a financial burden and, at times, an obstacle for theatregoers. A number of waived tickets are available on a first-come, first-serve basis for students and community members experiencing access barriers to theatre. If you would like to be added to SGT’s Waived Ticket Waitlist, please e-mail lswanson@shatteredglobe.org. Please note: all requests must be completed by 12 pm the Friday before the performance you would like to attend. The e-mail will not be monitored at all on weekends or after 5 pm on weekdays.

 

About the Artists:

Joel Drake Johnson (Playwright) is an award winning, internationally-produced playwright and teacher best known for his work at Chicago’s Victory Garden's Theater, where he was a member of the company’s Playwrights Ensemble for many years. His plays include Rasheeda Speaking, Four Places, A Blue Moon, As The Beaver, The End of the Tour, The Fall To Earth, A Blameless Life and Tranquillity Woods. His work has also been produced in Chicago at Steppenwolf Theatre and globally in New York City, Los Angeles, London, and many other cities.

AmBer D. Montgomery (Director, she/her) is an emerging director, educator and multi-disciplinary artist from Detroit, Michigan. She has created a career centered around amplifying the voices of Chicago youth and creating work that stands on the legacy of black theater makers before her. Originally trained as an actor, her transition to directing in Chicago has included her associate and assistant directing credits for many major productions including School Girls or the African Mean Girls Play (Goodman Theatre), Sheepdog (Shattered Globe Theatre), LINDIWE (Steppenwolf Theatre), Too Heavy for Your Pocket (TimeLine Theatre), Ma Rainey’s Black Bottom (Writers Theatre), Measure for Measure (American Players Theater) and First Love is the Revolution (Steep Theatre). Her other director’s credits include: Snow Queen (The House Theater), Countess Dracula (Otherworld Theater) and hippolytos (Story Theater New Play Festival). She was awarded a 2020 FAIR Assistantship at Oregon Shakespeare Festival, 2018 Fellowship at Steppenwolf Theatre in their Department of Education/SYA and an internship at Penumbra Theater’s Summer Institute: Pedagogies for Social Change. She has attended training programs at the Globe Theater in London and LISPA (Now Arthaus Berlin). Amber holds a BFA in Acting from the University of Minnesota Guthrie

 

About Shattered Globe Theatre 

Shattered Globe Theatre (Sandy Shinner, Producing Artistic Director) was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 80 plays, including nine American and world premieres, and garnered an impressive 42 Jeff Awards and 107 Jeff Award nominations, as well as the acclaim of critics and audiences alike. 

Shattered Globe Theatre seeks to discover new connections between story, artist and audience by exploring drama from bold, challenging perspectives, and continuously redefining what it means to be an ensemble theater.

SGT’s values are rooted in a commitment to racial equity, respect for all artists and support for the ensemble, while creating new opportunities to amplify traditionally marginalized voices and collaborate in all aspects of our work. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

Shattered Globe Theatre is partially supported and funded by generous grants from The Shulman-Rochambeau Charitable Foundation, The James P. and Brenda S. Grusecki Family Foundation, Bayless Family Foundation, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Fund for Arts & Culture at The Richard H. Driehaus Foundation, The Kovler Family Foundation, the Paul M. Angell Family Foundation, a CityArts Grant from the City of Chicago Department of Cultural Affairs and Special Events, the Illinois Arts Council, The Shubert Foundation, the Chicago Community Foundation, and The Saints.

For more information on Shattered Globe Theatre, please visit www.sgtheatre.org.

 

 

CANCELED: FIRST FOLIO THEATRE PRESENTS Jane Austin’s EMMA From March 26th to April 24th, 2022

Canceled as of 3/29

Jane Austin’s EMMA


Running time: 2 hours with 1 intermission

First Folio Theatre has been a longtime favorite of ours here at ChiIL Live Shows. We adore their ritzy digs at Mayslake Peabody Estate and can't wait to see Jane Austin’s EMMA in this historic setting. Check back soon after the opening for my full review.

First Folio Theatre (Mayslake Peabody Estate, 31st St. & Rt. 83) is thrilled to present Jane Austen’s EMMA by Phil Timberlake, previewing March 23rd, 24th, and 25th, opening March 26th, and running through April 24th, 2022. Come revel in Austen’s most joyous and light-hearted romantic comedies as young Emma Woodhouse seeks to prove her skills at matchmaking, in one of Jane Austen’s most delightful works! A refreshing take on this classic novel, patrons will love following the residents of Highbury in their trials and tribulations while they weather the force of nature that is Emma.

From Jeff Nominated playwright Phil Timberlake, Jane Austen’s EMMA follows Miss Emma Woodhouse, a young woman of England’s landed gentry with perhaps too much time on her hands. Good-hearted Emma cannot resist inserting herself into the love lives of her neighbors, leaving a muddle of passions and a tangle of heartbreak in her wake. After successfully playing matchmaker for her governess, she sets her sights on finding a suitable marriageable match for her new friend, the young and impressionable Miss Harriet Smith. Unfortunately, the more Emma continues to meddle in the lives of Harriet and the other residents of Highbury, the more things go awry, until Emma is forced to reckon with not only the disastrous effects of her meddling in the love lives of others, but also face the surprising desire of her own heart.

Jane Austen’s EMMA, written by Phil Timberlake, and directed by Rachel Lambert, features Vero Maynez as Emma and an ensemble that includes Bradley Halverson, Dina Monk, Ethan Miles Perry, and Nate Santana. The artistic team includes Scenic Design by Angela Weber Miller, Lighting Design by Garret Bell , Original Music by Christopher Kriz, Sound Design by Eric Backus, Costume Design by Zach Wagner, Properties Design by Wendy Ann, Vocal Design by Sammi Grant, Dramaturgy by Kaeli Meno and Intimacy & Movement Design by Maureen Yasko. Sarah West is the Stage Manager.



To ensure patrons’ heath and security, as well as the safety of performers and staff, First Folio will require proof of full vaccination status including booster for all audience members, as well as performers, backstage crew, and theater staff, for all performances through April 2022. No exceptions will be allowed for this policy. Masks will also be required for audiences inside the theater.

Opening on March 26th, 2022, EMMA runs through April 24th, 2022, with special Preview Performances on March 23rd, 24th and 25th. All performances will take place at historic Mayslake Hall, located at 1717 W 31st St., off Rt. 83 in Oak Brook. First Folio is easy to get to from the East-West Tollway (I-88) or the Stevenson Expressway (I-55). Free parking is available on the grounds. Preview tickets are $29. Regular priced tickets are $49 Wednesdays and Thursdays (seniors are $44), and $59 on Fridays through Sundays (seniors are $54). Student prices are $20 for all performances. Season subscriptions and individual tickets may be purchased by calling the box office at 630-986-8067 or online at www.firstfolio.org.

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